Anya Gallaccio
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Anya Gallaccio
ANYA GALLACCIO Born Paisley, Scotland 1963 Lives London, United Kingdom EDUCATION 1985 Kingston Polytechnic, London, United Kingdom 1988 Goldsmiths' College, University of London, London, United Kingdom SOLO EXHIBITIONS 2019 NOW, The Scottish National Gallery of Modern Art, Edinburgh, Scotland Stroke, Blum and Poe, Los Angeles, CA 2018 dreamed about the flowers that hide from the light, Lindisfarne Castle, Northumberland, United Kingdom All the rest is silence, John Hansard Gallery, Southampton, United Kingdom 2017 Beautiful Minds, Thomas Dane Gallery, London, United Kingdom 2015 Silas Marder Gallery, Bridgehampton, NY Lehmann Maupin, New York, NY Museum of Contemporary Art San Diego, San Diego, CA 2014 Aldeburgh Music, Snape Maltings, Saxmundham, Suffolk, United Kingdom Blum and Poe, Los Angeles, CA 2013 ArtPace, San Antonio, TX 2011 Thomas Dane Gallery, London, United Kingdom Annet Gelink, Amsterdam, The Netherlands 2010 Unknown Exhibition, The Eastshire Museums in Scotland, Kilmarnock, United Kingdom Annet Gelink Gallery, Amsterdam, The Netherlands 2009 So Blue Coat, Liverpool, United Kingdom 2008 Camden Art Centre, London, United Kingdom 2007 Three Sheets to the wind, Thomas Dane Gallery, London, United Kingdom 2006 Galeria Leme, São Paulo, Brazil One art, Sculpture Center, New York, NY 2005 The Look of Things, Palazzo delle Papesse, Siena, Italy Blum and Poe, Los Angeles, CA Silver Seed, Mount Stuart Trust, Isle of Bute, Scotland 2004 Love is Only a Feeling, Lehmann Maupin, New York, NY 2003 Love is only a feeling, Turner Prize Exhibition, -
Art, Real Places, Better Than Real Places 1 Mark Pimlott
Art, real places, better than real places 1 Mark Pimlott 02 05 2013 Bluecoat Liverpool I/ Many years ago, toward the end of the 1980s, the architect Tony Fretton and I went on lots of walks, looking at ordinary buildings and interiors in London. When I say ordinary, they had appearances that could be described as fusing expediency, minimal composition and unconscious newness. The ‘unconscious’ modern architecture of the 1960s in the city were particularly interesting, as were places that were similarly, ‘unconsciously’ beautiful. We were the ones that were conscious of their raw, expressive beauty, and the basis of this beauty lay in the work of minimal and conceptual artists of that precious period between 1965 and 1975, particularly American artists, such as Sol LeWitt, Robert Morris, Dan Flavin and Dan Graham. It was Tony who introduced (or re-introduced) me to these artists: I had a strong memory of Minimal Art from visits to the National Gallery in Ottawa, and works of Donald Judd, Claes Oldenburg and Richard Artschwager as a child. There was an aspect of directness, physicality, artistry and individualized or collective consciousness about this work that made it very exciting to us. This is the kind of architecture we wanted to make; and in my case, this is how I wanted to see, make pictures and make environments. To these ends, we made trips to see a lot of art, and art spaces, and the contemporary art spaces in Germany and Switzerland in particular held a special significance for us. I have to say that very few architects in Britain were doing this at the time, or looking at things the way we looked at them. -
Anya Gallaccio
Anya Gallaccio 1963 Born in Paisley, Scotland Lives and works in London, UK Education 1985-1988 Goldsmiths’ College, University of London, UK 1984-1985 Kingston Polytechnic, London, UK Residencies and awards 2004 Headlands Center for the Arts, Sansalitos, California, US 2003 Nominee for the Turner Prize, Tate Britain, London, UK 2002 1871 Fellowship, Rothermere American Institute, Oxford, UK San Francisco Art Institute, California, US 1999 Paul Hamlyn Award for Visual Artists, Paul Hamlyn Foundation Award, London, UK 1999 Kanazawa College of Art, JP 1998 Sargeant Fellowship, The British School at Rome, IT 1997 Jan-March Art Pace, International Artist-In-Residence Programme, Foundation for Contemporary Art, San Antonio Texas, US Solo Exhibitions 2015 Lehmann Maupin, New York, US 2014 Stroke, Jupiter Artland, Edinburgh, UK SNAP, Art at the Aldeburgh Festival, Suffolk, UK Blum&Poe, Los Angeles, US 2013 This much is true, Artpace, San Antonio, Texas, US Creation/destruction, The Holden Gallery, Manchester, UK 2012 Red on Green, Jupiter Artland, Edinburgh, UK 2011 Highway, Annet Gelink Gallery, Amsterdam, NL Where is Where it’s at, Thomas Dane Gallery, London, UK 2010 Unknown Exhibition, The Eastshire Museums in Scotland including the Dick Institiute, the Baird Institute and the Doon Valley Museum, Kilmarnock, UK 2009 Inaugural Exhibition, Blum & Poe Gallery, Los Angeles, CA, US Lehmann Maupin Gallery, New York, US 2008 Comfort and Conversation, Annet Gelink Gallery, Amsterdam, NL That Open Space Within, Camden Arts Center, London, UK Kinsale -
Where Do Ideas Come From?
Where do ideas come from? Where do ideas come from? 1 Where do ideas come from? At Deutsche Bank we surround ourselves with art. International contemporary art plays its part in helping us to navigate a changing world. As a global bank we want to understand, and engage with, different regions and cultures, which is why the Deutsche Bank Collection features contemporary artists from all over the globe. These artists connect us to their worlds. Art is displayed throughout our offices globally, challenging us to think differently, inviting us to look at the world through new eyes. Artists are innovators and they encourage us to innovate. Deutsche Bank has been involved in contemporary art since 1979 and the ‘ArtWorks’ concept is an integral part of our Corporate Citizenship programme. We offer employees, clients and the general public access to the collection and partner with museums, art fairs and other institutions to encourage emerging talent. Where do ideas come from? 2 Deutsche Bank reception area with artworks by Tony Cragg and Keith Tyson Art in London The art in our London offices reflects both our local and global presence. Art enriches and opens up new perspectives for people, helping to break down boundaries. The work of artists such as Cao Fei from China, Gabriel Orozco from Mexico, Wangechi Mutu from Kenya, Miwa Yanagi from Japan and Imran Qureshi from Pakistan, can be found alongside artists from the UK such as Anish Kapoor, Damien Hirst, Bridget Riley and Keith Tyson. We have named conference rooms and floors after these artists and many others. -
Build Collections Fund Talent Go Further Our Guide for Museums 2017 – 2018 Introduction 2
Build collections Fund talent Go further Our guide for museums 2017 – 2018 Introduction 2 Curators’ Art Pass 5 Building collections 6 Acquisition grants Gifts and bequests Commissions Collecting initiatives Developing talent 14 New Collecting Awards Curators and expertise Training and networking Supporting museums 20 Art Fund Museum of the Year Art Happens Art Tickets Exhibition and touring programmes Special projects Connecting communities 30 Promoting your museum Our audience Collaboration Campaigning and advocacy 40 Public appeals Advocacy Sector research Contacts 47 Introduction 5 Art Fund helps museums and galleries in the UK to develop their collections and put them at the service of a wide range of visitors and communities. We offer grants towards acquisitions, to support curatorial practice or projects and to facilitate the lending, borrowing, display and sharing of collections. We receive no government funding: our programmes are made possible by those who buy a National Art Pass, supplemented by the generous support of many trusts, foundations, individuals and companies. We understand the financial challenges faced by museums today. As we ourselves are sustained by fundraising at many levels, we want to pass on that experience and offer a range of opportunities to others so they may unlock new sources of support, expand networks and reach broader audiences. To keep up to date with Art Fund initiatives, funding schemes, marketing opportunities and news, subscribe to our Museum Bulletin at artfund.org/bulletin. And do contact us at any time. Please see our list of contacts on page 47. Joseph Kosuth, Word Family Tree #1B, 2008, Grundy Art Gallery, Blackpool. -
Michael Landy Born in London, 1963 Lives and Works in London, UK
Michael Landy Born in London, 1963 Lives and works in London, UK Goldsmith's College, London, UK, 1988 Solo Exhibitions 2017 Michael Landy: Breaking News-Athens, Diplarios School presented by NEON, Athens, Greece 2016 Out Of Order, Tinguely Museum, Basel, Switzerland (Cat.) 2015 Breaking News, Michael Landy Studio, London, UK Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, UK Saints Alive, National Gallery, London, UK (Cat.) Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, UK 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, UK Art World Portraits, National Portrait Gallery, London, UK 2010 Art Bin, South London Gallery, London, UK 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, UK In your face, Galerie Paul Andriesse, Amsterdam, The Netherlands Three-piece, Galerie Sabine Knust, Munich, Germany 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney, Australia (Cat.) H.2.N.Y, Alexander and Bonin, New York, USA (Cat.) 2004 Welcome To My World-built with you in mind, Thomas Dane Gallery, London, UK Semi-detached, Tate Britain, London, UK (Cat.) 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich, Germany 2002 Nourishment, Maureen Paley/Interim Art, London, UK 2001 Break Down, C&A Store, Marble Arch, Artangel Commission, London, UK (Cat.) 2000 Handjobs (with Gillian -
A Critical Exploration of Anya Gallaccio and Keith Arnatt
The Transformation of Objects and Materials: A Critical Exploration of Anya Gallaccio and Keith Arnatt. BA Art and Design 2019/20 Birmingham City University by Polly Brant. Word Count 4211 Introduction Transformation is defined as “the action of changing in form, shape, or appearance” (Oxford University Press, 2019). But how is something transformed? It could be a gradual process that happens over time, in which a dialogue is created between the organic state of an object and the developments it endures over its lifetime, causing its appearance to change. It could also be the perception of how something is viewed. The object in different situations can alter its value, or how it’s displayed could alter viewer engagement. The material substances could also cause transformation due to how they react and are formed. Whether they are manmade, or natural leads to different pathways of transformation. Through this exploration the way artists transform materials and objects using their practice will be investigated. This body of research will unpick how process, natural or constructed, can cause transformation, allowing the form and materiality of the object to shift into artistic imagery. There will be case studies of art practices from Anya Gallaccio and Keith Arnatt, who both in different ways transform objects and their context within their practice. Gallaccio and Arnatt both reference the concept of still life in their work through focusing on the commonplace objects. This use of the ordinary allows for transformations to be created, taking an object out of its usual context and allowing it to become something more. -
Gary Hume CV
Gary Hume Born in 1962, Kent, UK Lives and works in London, UK and New York, USA EDUCATION 1988 Goldsmiths College, London, UK SELECTED SOLO SHOW 2019 Matthew Marks Gallery, Los Angeles, USA Carvings, New Art Centre, Salisbury, UK Looking and Seeing, Barakat Contemporary, Seoul, Korea Destroyed School Paintings, Matthew Marks Gallery, New York. Traveled to Museum Dhondt- Dhaenens, Deurle, Belgium (catalogue) 2018 Sprüth Magers, Berlin, Germany 2017 RA: Prints Pictures, Royal Academy of Arts, London, UK Mum, Sprüth Magers, London, UK (catalogue) Mum, Matthew Marks Gallery, New York, USA (catalogue) 2016 Front of a Snowman, Aspen Art Museum, Aspen, USA 2014 Lions and Unicorns, White Cube Gallery, São Paulo, Brazil 2013 The Wonky Wheel, Matthew Marks Gallery, New York, USA (catalogue) White Cube, London, UK Tate Britain, London, UK (catalogue) 2012 2, Sprüth Magers, Berlin, Germany Anxiety and the Horse, Matthew Marks Gallery, New York, USA The Indifferent Owl, White Cube, London, UK (catalogue) Beauty, Pinchuk Art Centre, Kiev, Ukraine Flashback, Leeds Art Gallery, UK. Traveled to Wolverhampton Art Gallery, UK; Jerwood Gallery, Hastings, UK; and Aberdeen Art Gallery, UK (catalogue) 2010 Bird in a Fishtank, Sprüth Magers, Berlin, Germany BARAKAT CONTEMPORARY 36, Samcheong–ro 7–gil, Jongno–gu [email protected] +82 02 730 1948 barakatcontemporary.com New Work, New Art Centre, Roche Court, East Winterslow, UK 2009 Yardwork, Matthew Marks Gallery, New York, USA (catalogue) 2008 Door Paintings, Modern Art Oxford, UK (catalogue) Baby Birds -
Michael Landy Selected Biography Born in London, 1963 Lives And
Michael Landy Selected Biography Born in London, 1963 Lives and works in London, UK 1985-88, Goldsmith's College Solo Exhibitions 2015 Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, UK Saints Alive, National Gallery, London, UK Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, UK 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, UK Art World Portraits, National Portrait Gallery, London, UK 2010 Art Bin, South London Gallery, London, UK 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, UK In your face, Galerie Paul Andriesse, Amsterdam Three-piece, Sabine Knust, Munich, Germany 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney, Australia H.2.N.Y, Alexander and Bonin, New York 2004 Welcome To My World built with you in mind, Thomas Dane Gallery, London, UK Semi-detached, Tate Britain, London, UK 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich, Germany 2002 Nourishment, Maureen Paley/Interim Art, London, UK 2001 Break Down, C&A Store, Marble Arch, London, UK 2000 Handjobs (with Gillian Wearing), Approach Gallery, London, UK 1999 Michael Landy at Home, 7 Fashion Street, London, UK 1996 The Making of Scrapheap Services, Waddington Galleries, London, UK Scrapheap Services, Chisenhale Gallery, London; Electric Press Building, Leeds, UK (organised by the HenryMoore -
Anya Gallaccio
Anya Gallaccio Born in Paisley, Scotland, 1963 Lives and works in San Diego CA and London, England Education Goldsmiths College, London, England, 1988 Kingston Polytechnic, London, England, 1985 Professorships Department of Visual Arts at the University of California, San Diego CA Solo exhibitions 2019 Stroke, Blum & Poe, Los Angeles CA NOW: Anya Gallaccio, National Galleries Scotland, Edinburgh, Scotland 2018 All the rest is silence, John Hansard Gallery, Southampton, England Lindisfarne Castle, Berwick-upon-Tweed, England 2017 to see if time was there, The Contemporary Austin, Austin TX Beautiful Minds, Thomas Dane Gallery, London, England 2015 Anya Gallaccio, Silas Marder Gallery, Bridgehampton NY Anya Gallaccio, Museum of Contemporary Art San Diego, San Diego CA Anya Gallaccio, Lehmann Maupin Gallery, New York NY 2014 Anya Gallaccio, Blum & Poe, Los Angeles CA STROKE, Jupiter Artland, Edinburgh, Scotland SNAP, Aldeburgh Festival, Snape Malting and Orford Ness, Suffolk, England 2013 This Much is True, Hudson (Show)Room, Artpace, San Antonio TX 2012 The Light Pours Out of Me, Jupiter Artland, Edinburgh, Scotland Arthur’s Seat, Ingleby Gallery, Edinburgh, Scotland 2011 Highway, Annet Gelink Gallery, Amsterdam, Netherlands Where is Where it’s at, Thomas Dane Gallery, London Surf’s Up, La Jolla, San Diego CA 2010 Unknown Enhibition, The Eastshire Museums in Scotland, Kilmarnock, Scotland Annet Gelink Gallery, Amsterdam, Netherlands 2009 Four Galleries, Four Exhibitions, One Venue, Anya Gallaccio, 4x4, The Bluecoat, Liverpool, England 2008 -
A Tate Gallery: De Millbank a Bankside
UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS A TATE GALLERY: DE MILLBANK A BANKSIDE Célia Maria da Costa Baixa Orientador: Professor Doutor Álvaro Luís Antunes Pina Tese especialmente elaborada para a obtenção do grau de Doutor em Estudos de Literatura e de Cultura, especialidade em Cultura e Comunicação 2015 UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS A TATE GALLERY: DE MILLBANK A BANKSIDE Célia Maria da Costa Baixa Orientador: Professor Doutor Álvaro Luís Antunes Pina Tese especialmente elaborada para a obtenção do grau de Doutor em Estudos de Literatura e de Cultura, especialidade em Cultura e Comunicação Júrí: Presidente: Doutora Maria Paula Nina Morão, Faculdade de Letras da Universidade de Lisboa Vogais: - Doutora Maria Cláudia Silva Afonso e Álvares, Escola de Comunicação, Artes e Tecnologias da Informação da Universidade Lusófona de Humanidades e Tecnologias - Doutora Ana Cláudia dos Santos Gonçalves, Escola Superior de Hotelaria e Turismo do Estoril - Doutor Eduardo Manuel Dias Brito Henriques, Instituto de Geografia e Ordenamento do Território da Universidade de Lisboa - Doutor Álvaro Luís Antunes Pina, Faculdade de Letras da Universidade de Lisboa - Doutor Manuel Amador Frias Martins, Faculdade de Letras da Universidade de Lisboa 2015 Resumo Esta tese explora os contextos de evolução da Tate Gallery em Londres desde a sua origem no século XIX até ao presente. Através de uma abordagem multidisciplinar filiada nos Estudos Culturais este estudo tem como objetivo dar um contributo para a análise das transformações da cultura e da sociedade assim como fornecer um enquadramento para estudar conceitos como ideologia, representação, identidade e poder. Criada no contexto de consolidação do Estado-nação e sob o conceito vitoriano de museu como motor de progresso social, a Tate Gallery, abriu em Millbank, Londres em 1897 com o nome National Gallery of British Art para alojar as quase 70 obras de arte britânica doadas por Henry Tate ao Estado. -
Sarah Lucas Biography
Sadie Coles HQ Sarah Lucas Biography 1962 Born in London, England 1982-83 Working Men's College, London, England 1983-84 London College of Printing, London, England 1984-87 Goldsmiths College, London, England Solo Exhibitions 2021 SEX LIFE, The Perimeter, London, England Project 1, NGA National Gallery of Australia, Canberra, Australia 2020 HURRICANE DORIS, CFA Berlin, Berlin, Germany NOT NOW DARLING, Le Consortium, Dijon, France HONEY PIE, Sadie Coles HQ, Kingly Street, London, England HONEY PIE, Gladstone 64, Gladstone Gallery, New York NY, USA 2019 Red Brick Art Museum, Beijing, China Supersensible, Works 1991-2012, Jason Haam, Seoul, South Korea Au Naturel, Hammer Museum, Los Angeles CA, USA (touring) 2018 Au Naturel, New Museum, New York NY, USA (touring) Dame Zero, kurimanzutto, Mexico City, Mexico Familias Felices, Salón Silicón, Mexico City, Mexico 2017 Good Muse, Legion of Honor, Fine Arts Museums of San Francisco, San Francisco CA, USA FunQroc, CFA Contemporary Fine Arts, Berlin, Germany POWER IN WOMAN, Humber Street Gallery, Hull, England 2016 INNAMEMORABILIAMUMBUM, Fondazione Nicola Trussardi off-site: Albergo Diurno Venezia, Milan, Italy, curated by Massimiliano Gioni and Vincenzo de Bellis Father Time, Sadie Coles HQ, Davies Street, London, England POWER IN WOMAN, Sir John Soane’s Museum, London, England 2015 I SCREAM DADDIO, The British Pavilion, 56th International Art Exhibition, Venice Biennale, Venice, Italy (cat.) Whitworth Art Gallery, Manchester, England 2014 Florian and Kevin, Aspen Art Museum, Aspen CO, USA Fried