Where Do Ideas Come From?
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
First-Ever Exhibition of British Pop Art in London
PRESS RELEASE | LONDON FOR IMMEDIATE RELEASE | 1 8 J u l y 2 0 1 3 FIRST- EVER EXHIBITION OF BRITISH POP ART IN LONDON Peter Blake, Kim Novak, 1959 Allen Jones, First Step, 1966 Gerald Laing, Number Seventy-One, Private Collection Allen Jones Collection 1965 Courtesy of Institute for Cultural Exchange, Tübingen Courtesy of Waddington Custot Galleries, London When Britain Went Pop! British Pop Art: The Early Years Christie’s Mayfair, 103 New Bond Street 9 October – 24 November, 2013 "Pop Art is: popular (designed for a mass audience), transient (short-term solution), expendable (easily- forgotten), low-cost, mass-produced, young (aimed at youth), witty, sexy, gimmicky, glamorous, Big Business" – Richard Hamilton London - In October 2013 Christie’s, in association with Waddington Custot Galleries, will stage When Britain Went Pop!, an exhibition exploring the early revolutionary years of the British Pop Art movement, which will launch Christie's new gallery space in Mayfair. This is the first comprehensive exhibition of British Pop Art to be held in London. When Britain Went Pop! aims to show how Pop Art began in Britain and how British artists like Richard Hamilton, Peter Blake, David Hockney, Allen Jones and Patrick Caulfield irrevocably shifted the boundaries between popular culture and fine art, leaving a legacy both in Britain and abroad. British Pop Art was last explored in depth in the UK in 1991 as part of the Royal Academy’s survey exhibition of International Pop Art. This exhibition seeks to bring a fresh engagement with an influential movement long celebrated by collectors and museums alike, but many of whose artists have been overlooked in recent years. -
EASTERN PAVILIONS Print Portfolio
EASTERN PAVILIONS Print Portfolio 0.1 Paradox of a Pavilion Without Walls Circulating The most thrilling moment of John Berger’s television series Ways of Seeing (1972) has to be the opening scene in which, with purposive insolence, Berger applies a stanley knife to Sandro Botticelli’s Venus and Mars, which hangs in a Regency sitting room. ‘Tonight,’ Berger’s voiceover sounds, ‘isn’t so much the paintings themselves that I want to consider, as the way we now see them in the second half of the twentieth century.’ The image of a gaping canvas cuts to a printing press. Now the redacted Venus looks out at us from rows and columns, multiplied many times, on paper reams speeding through a printer. Later a wide shot reveals the defaced Botticelli in its setting - a fragment of a set constructed within a studio. ‘The image of any painting can be seen in a million different places at any time, as you look at them now on your screen your wallpaper is around them... at this same moment they are on many other screens.’ Berger’s opening iconoclastic act peels away reproduction after reproduction, artifice after artifice. In the little Penguin published book, which wears its insides on its cover, Berger acknowledges his indebtedness to the German philosopher-critic Walter Benjamin’s The Work of Art in the Age of Mechanical Reproduction. Published in 1936, the essay describes with messianical acuity how mechanical reproduction - the democratizing effects of mass printing press and photography - has transformed the ways a work of art is experienced in modernity. -
Anya Gallaccio
Anya Gallaccio Born in Scotland, UK, 1963 Lives and works in San Diego CA and London, UK Goldsmiths College, University of London, London, UK 1985–88 Kingston Polytechnic, London, UK 1984–85 Solo exhibitions 2017 Forthcoming: Beautiful Minds, Thomas Dane Gallery, London, UK 2015 Anya Gallaccio, Silas Marder Gallery, Bridgehampton NY Anya Gallaccio, MCA San Diego, California CA Anya Gallaccio, Lehmann Maupin, NY 2014 Anya Gallaccio, Blum & Poe, Los Angeles CA STROKE, Jupiter Artland, Edinburgh, Scotland SNAP, Aldeburgh Festival, Snape Malting and Orford Ness, Suffolk, UK 2013 This Much is True, Hudson (Show)Room, Artpace, San Antonio TX 2012 The Light Pours Out of Me, Jupiter Artland, Edinburgh, Scotland Arthur’s Seat, Ingleby Gallery, Edinburgh, Scotland 2011 Highway, Annet Gelink Gallery, Amsterdam, Netherlands Where is Where it’s at, Thomas Dane Gallery, London Surf’s Up, La Jolla, San Diego CA 2010 Unknown Enhibition, The Eastshire Museums in Scotland, Kilmarnock, UK Annet Gelink Gallery, Amsterdam, Netherlands 2009 Four Galleries, Four Exhibitions, One Venue, Anya Gallaccio, 4x4, The Bluecoat, Liverpool, UK 2008 Anya Gallaccio: that open space within, Camden Arts Centre, London, UK Anya Gallaccio: Comfort and Conversation, Annet Gelink Gallery, Amsterdam, Netherlands 2007 Three Sheets To The Wind, Thomas Dane Gallery, London, UK Sybil, Houghton Hall, King’s Lynn, UK 2006 Anya Gallaccio, Galeria Leme, São Paulo, Brazil One Art, Sculpture Center, New York 2005 Shadow on the Things You Know, Blum & Poe, Los Angeles CA Silver Seed, Mount -
Build Collections Fund Talent Go Further Our Guide for Museums 2017 – 2018 Introduction 2
Build collections Fund talent Go further Our guide for museums 2017 – 2018 Introduction 2 Curators’ Art Pass 5 Building collections 6 Acquisition grants Gifts and bequests Commissions Collecting initiatives Developing talent 14 New Collecting Awards Curators and expertise Training and networking Supporting museums 20 Art Fund Museum of the Year Art Happens Art Tickets Exhibition and touring programmes Special projects Connecting communities 30 Promoting your museum Our audience Collaboration Campaigning and advocacy 40 Public appeals Advocacy Sector research Contacts 47 Introduction 5 Art Fund helps museums and galleries in the UK to develop their collections and put them at the service of a wide range of visitors and communities. We offer grants towards acquisitions, to support curatorial practice or projects and to facilitate the lending, borrowing, display and sharing of collections. We receive no government funding: our programmes are made possible by those who buy a National Art Pass, supplemented by the generous support of many trusts, foundations, individuals and companies. We understand the financial challenges faced by museums today. As we ourselves are sustained by fundraising at many levels, we want to pass on that experience and offer a range of opportunities to others so they may unlock new sources of support, expand networks and reach broader audiences. To keep up to date with Art Fund initiatives, funding schemes, marketing opportunities and news, subscribe to our Museum Bulletin at artfund.org/bulletin. And do contact us at any time. Please see our list of contacts on page 47. Joseph Kosuth, Word Family Tree #1B, 2008, Grundy Art Gallery, Blackpool. -
Sotheby's Sotheby's Contemporary Art Evening Sale Contemporary Art
Press Release London For Immediate Release London | +44 (0)20 7293 6000 | Matthew Weigman | [email protected] Simon Warren | [email protected] | Sotheby’s Contemporary Art Evening Sale Led bybyby Strong British Art Section Peter Doig’s Bellevarde of 1995 Estimate: £1.5£1.5––––22 million Sotheby’s forthcoming Contemporary Art Evening Auction on Thursday, October 13, 20112011, which coincides with London’s Frieze Art Fair, will be led by an exceptionally strong section of British Art that is highlighted by Lucian FreudFreud’s’s Boy’s Head of 1952. The British Art section also includes important pieces by Peter DoigDoig,,,, Frank AuerbachAuerbach, Leon KossoffKossoff, Marc Quinn and Glenn BrownBrown. The auction will also feature works by established greats such as Andy WarholWarhol, JeanJean----MichelMichel BasquiatBasquiat,, Miquel Barceló and SigmSigmarararar Polke as well as an offering of artworks by younger artists including Jacob KassayKassay. The 47-lot auction is estimated at in excess of £19 million. Discussing the forthcoming auction, Cheyenne Westphal, Sotheby’s Head of Contemporary Art Europe, commented: “Sotheby’s established the record for an auction of Contemporary Art staged in Europe with our Contemporary Art Evening Sale in London just three months ago, which is resounding testimony to the buoyancy of this market sector. The sale we have assembled this season features works by established titans such as Warhol and Basquiat, as well as art by the young and upcoming generation of artists such as Jacob Kassay. The focus of this year’s October Auction is our exceptionally strong offering of British Art, led by the outstanding portrait ‘Boy’s Head’ by Lucian Freud, an indisputable masterpiece by the great legend of the London School.” The sale will be headlined by Boy's Head of 1952 by Lucian Freud (1922-2011), depicting Charlie Lumley, one of Freud's most immediately recognisable subjects from this seminal early period in his oeuvre. -
The Art of Quotation. Forms and Themes of the Art Quote, 1990–2010
The Art of Quotation. Forms and Themes of the Art Quote, 1990–2010. An Essay Nina Heydemann, Abu Dhabi I. Introduction A “Japanese” Mona Lisa? An “improved” Goya? A “murdered” Warhol? In 1998, the Japanese artist Yasumasa Morimura staged himself as Mona Lisa.1 Five years later, the British sibling duo Jake and Dinos Chapman ‘rectified’ Francisco de Goya’s etching series „The Disas- ters of War“ by overpainting the figures with comic faces.2 In 2007, Richard Prince spoke about his intention in the 1990s of having wanted to murder Andy Warhol.3 What is it in artists and artworks from the past that prompts so many diverse reactions in contempo- rary art today? In which forms do contemporary artists refer to older works of art? And what themes do they address with them? This paper is an extract of a dissertation that deals with exactly these questions and analyses forms and themes of art quotes.4 Many 1 In the series „Mona Lisa – In Its Origin, In Pregnancy, In The Third Place“ Yasumasa Morimura raised questions of his Japanese identity and hybrid sexuality based on Leonardo da Vinci’s masterwork. 2 Jake Chapman quoted in the Guardian: "We always had the intention of rectifying it, to take that nice word from The Shining, when the butler's trying to encourage Jack Nicholson to kill his family – to rectify the situation". Jones 2007, 11 or online at <http://www.theguardian.com/culture/2003/mar/31/artsfeatures.turnerprize2003> (15.12.2014). 3 Interview with Richard Prince in Thon – Bodin 2007, 31. -
Michael Landy Born in London, 1963 Lives and Works in London, UK
Michael Landy Born in London, 1963 Lives and works in London, UK Goldsmith's College, London, UK, 1988 Solo Exhibitions 2017 Michael Landy: Breaking News-Athens, Diplarios School presented by NEON, Athens, Greece 2016 Out Of Order, Tinguely Museum, Basel, Switzerland (Cat.) 2015 Breaking News, Michael Landy Studio, London, UK Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, UK Saints Alive, National Gallery, London, UK (Cat.) Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, UK 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, UK Art World Portraits, National Portrait Gallery, London, UK 2010 Art Bin, South London Gallery, London, UK 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, UK In your face, Galerie Paul Andriesse, Amsterdam, The Netherlands Three-piece, Galerie Sabine Knust, Munich, Germany 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney, Australia (Cat.) H.2.N.Y, Alexander and Bonin, New York, USA (Cat.) 2004 Welcome To My World-built with you in mind, Thomas Dane Gallery, London, UK Semi-detached, Tate Britain, London, UK (Cat.) 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich, Germany 2002 Nourishment, Maureen Paley/Interim Art, London, UK 2001 Break Down, C&A Store, Marble Arch, Artangel Commission, London, UK (Cat.) 2000 Handjobs (with Gillian -
A Critical Exploration of Anya Gallaccio and Keith Arnatt
The Transformation of Objects and Materials: A Critical Exploration of Anya Gallaccio and Keith Arnatt. BA Art and Design 2019/20 Birmingham City University by Polly Brant. Word Count 4211 Introduction Transformation is defined as “the action of changing in form, shape, or appearance” (Oxford University Press, 2019). But how is something transformed? It could be a gradual process that happens over time, in which a dialogue is created between the organic state of an object and the developments it endures over its lifetime, causing its appearance to change. It could also be the perception of how something is viewed. The object in different situations can alter its value, or how it’s displayed could alter viewer engagement. The material substances could also cause transformation due to how they react and are formed. Whether they are manmade, or natural leads to different pathways of transformation. Through this exploration the way artists transform materials and objects using their practice will be investigated. This body of research will unpick how process, natural or constructed, can cause transformation, allowing the form and materiality of the object to shift into artistic imagery. There will be case studies of art practices from Anya Gallaccio and Keith Arnatt, who both in different ways transform objects and their context within their practice. Gallaccio and Arnatt both reference the concept of still life in their work through focusing on the commonplace objects. This use of the ordinary allows for transformations to be created, taking an object out of its usual context and allowing it to become something more. -
Alison Wilding
!"#$%&n '(h)b&#% Alison Wilding Born 1948 in Blackburn, United Kingdom Currently lives and works in London Education 1970–73 Royal College of Art, London 1967–70 Ravensbourne College of Art and Design, Bromley, Kent 1966–67 Nottingham College of Art, Nottingham !" L#xin$%on &%'##% London ()* +,-, ./ %#l +!! (+).+0+ //0!112! 1++.3++0 f24x +!! (+).+0+ //0!112! 1+.)3+0) info342'5%#564'7%#n5678h79b#'%.68om www.42'5%#64'7%#n5678h79b#'%.68om !"#$%&n '(h)b&#% Selected solo exhibitions 2013 Alison Wilding, Tate Britain, London, UK Alison Wilding: Deep Water, Whitworth Art Gallery, Manchester, UK 2012 Alison Wilding: Drawing, ‘Drone 1–10’, Karsten Schubert, London, UK 2011 Alison Wilding: How the Land Lies, New Art Centre, Roche Court Sculpture Park, Salisbury, UK Alison Wilding: Art School Drawings from the 1960s and 1970s, Karsten Schubert, London, UK 2010 Alison Wilding: All Cats Are Grey…, Karsten Schubert, London, UK 2008 Alison Wilding: Tracking, Karsten Schubert, London, UK 2006 Alison Wilding, North House Gallery, Manningtree, UK Alison Wilding: Interruptions, Rupert Wace Ancient Art, London, UK 2005 Alison Wilding: New Drawings, The Drawing Gallery, London, UK Alison Wilding: Sculpture, Betty Cuningham Gallery, New York, NY, US Alison Wilding: Vanish and Detail, Fred, London, UK 2003 Alison Wilding: Migrant, Peter Pears Gallery and Snape Maltings, Aldeburgh, UK 2002 Alison Wilding: Template Drawings, Karsten Schubert, London, UK 2000 Alison Wilding: Contract, The Henry Moore Foundation Studio, Halifax, UK Alison Wilding: New Work, New -
ART + AUCTION 'Power Issue', December 2015
ART + AUCTION 'Power Issue', December 2015 The bios and essays in Art+Auction’s guide to notable players in the art world will be rolled out on ARTINFO over the course of the next two weeks. Here, we present Part Three. Click here for an introduction to the entire series. Click here for previously published installments. Check back daily for new articles. Magnus Renfrew * Auctioneer In July 2014, Renfrew took the title deputy chairman and director of fine arts in Hong Kong for Bonhams, the house for which he initiated sales of contemporary Chinese art in 2006. In the interim he served as the founding director of the Hong Kong International Art Fair (Art HK) and oversaw its development from 2007 to 2011, when it was acquired by MCH Group, parent company of Art Basel. He then directed the first two editions of Art Basel Hong Kong, in 2013 and 2014. In 2013 Renfrew was named a Young Global Leader by the World Economic Forum, and he has been instrumental in positioning Hong Kong as a center for modern and contemporary art in Asia. At Bonhams, Renfrew now draws on his deep knowledge of the gallery and collector network and the overall Asian market while overseeing regional business strategies as well as the Classical, modern, and contemporary Asian art departments. // AUCTION STRATEGIES M a g n u s R e n f r e w press archive 1 HONG KONG ECONOMIC JOURNAL 'How to trade the new golden age of art', 18 November 2015 The 2008 financial crisis prompted investors to include alternative investment in their portfolio to diversify risk. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Frieze London Announces Galleries, Curators & Pioneering New Section
Frieze Press Release 27 June 2016 Frieze London Announces Galleries, Curators & Pioneering New Section for the 2016 Fair The 14th edition of Frieze London will take place a week earlier this year, open- ing 6–9 October with a Preview Day on Wednesday 5 October. This year’s fair brings together more than 160 of the world’s leading galleries, showcasing today’s most significant artists across its main and curated sections, alongside the fair’s celebrated non-profit programme of ambitious new artist commis- sions and talks. In 2016 the fair will debut a new gallery section, The Nineties, recreating seminal exhibitions from the decade, alongside the return of sections Focus and Live, the definitive platforms for emerging galleries and performance art respectively. Frieze London coincides with Frieze Masters and the Frieze Sculpture Park, convening art of the highest quality from a spectrum of periods and countries and offering collectors, scholars and art enthusiasts an unparal- leled cultural experience. Frieze London is supported by main sponsor Deutsche Bank for the 13th con- secutive year, continuing a shared commitment to discovery and artistic excel- lence. Building on Frieze’s enduring relationship with collecting institutions, this year, the fair partners with two acquisition funds for national museums, including the the Frieze Tate Fund, now supported by WME | IMG; and the launch of the Contemporary Art Society’s Collections Fund at Frieze, supporting a regional museum in the UK. Victoria Siddall, Director, Frieze Fairs said, ‘Frieze has become known for its strong curated sections and this year I am particularly excited to see Nicolas Trembley’s selection of artists who changed the conversation in the 1990s.