Ian Davenport (B

Total Page:16

File Type:pdf, Size:1020Kb

Ian Davenport (B Cristea Roberts Gallery Artist Biography 43 Pall Mall, London SW1Y 5JG +44 (0)20 7439 1866 [email protected] www.cristearoberts.com Ian Davenport (b. 1966) Ian Davenport is one of the leading British abstract artists of 2011 Ian Davenport, Galerie Forsblom, Helsinki, Finland his generation. He graduated from Goldsmiths College of Art Ian Davenport; Quick Slow Quick Quick Slow, in 1988 and as one of the generation of Young British Artists Waddington Custot Galleries, London, UK he participated in the seminal 1988 exhibition Freeze. In 1991 PRISMATIC, Alan Cristea Gallery, London, UK he was shortlisted for the Turner Prize and has since exhibited 2010 Ian Davenport, AllerArt, Bludenz, Austria extensively across the world. In 1999 he was a prize winner in the The Future Demands Your Participation: Contemporary John Moores Exhibition. Davenport has undertaken several large Art from the British Council Collection, Minsheng Art scale site-specific murals, including the 50m long mural under the Museum, Shanghai, China bridge on Southwark Street, London. In 2016 he collaborated with 2009 New Prints and Monoprints, Alan Cristea Gallery, Dior to produce a limited edition Lady Dior Bag and in 2017 he London, UK created ‘Wide Acres of Time,’ a commision for Swatch Watches. Ian Davenport, Paul Kasmin Gallery, New York, USA Davenport lives and works in London. 2008 Poured Lines, Waddington Galleries, London, UK 2007 Theo Contemporary, Seoul, Korea SELECTED EXHIBITIONS 2006 Southwark Bridge Commission, London, UK Ovals, Arches, Lines, Alan Cristea Gallery, London, UK 2020 Ian Davenport: Chromatic, Cristea Roberts Gallery, How to Improve the World, Hayward, London, UK London, UK Passion for Paint, National Gallery, London, UK Synaesthesia, Lucca Tommasi Arte Contemporanea, 2005 Slewe Gallery, Amsterdam, Netherlands Milan, Italy René Xippas Gallery, Paris, France 2019 The Interaction of Colour, Cristea Roberts Gallery, 2003 Days Like These, Tate Triennale, London, UK London, UK 2002 Inheriting Matisse, Rocket Gallery, London, UK 2018 Horizons, Dallas Contemporary, Texas, USA 2000 Fact and Value, Charlottenburg, Denmark Colourscapes, Waddington Custot, London, UK 1999 Examining Pictures, Whitechapel Gallery and New Works on Paper, Slewe Gallery, Amsterdam, MOCA Chicago, USA Netherlands 1997 Ace !, South Bank Centre, London and touring, UK Cascade, Custot Gallery, Dubai, UAE 1996 Real Art – A New Modernism, Stedelijk Museum 2017 Melismatic, Alan Cristea Gallery, London, UK Amsterdam, Netherlands Giardini Colourfall, Swatch pavilion at The Venice 1994 Here and Now, Serpentine Gallery, London, UK Biennale, Venice, Italy 1990 The British Art Show, Hayward Gallery, London, UK 2016 5 Years at Heddon Street, Pippy Holdsworth, London, 1988 Freeze, Surrey Docks, London, UK UK 1985 Young Contemporaries, Whitworth Art Gallery, Doubletake, Paul Kasmin Gallery, New York, USA Manchester, UK Tega, Milan, Italy Seeing Round Corners, Turner Contemporary, Margate, SELECTED PUBLIC COLLECTIONS UK Cadence, Andres Thalmann, Zurich, Switzerland CH Weltkunst Collection, Zurich 2015 Pace Prints, New York, USA DE Von der Heydt Museum, Wuppertal Dan Galeria, Sao Paulo, Brazil FR FNAC Fonds National d’Art Contemporain, Paris Royal Academy of Arts Summer Exhibition, London, UK IT Museum of Modern Art, La Spezia Right Now!, Mission Gallery, Swansea, UK UK Arts Council Collection, London 2014 Colourfall, Waddington Custot Galleries, London, UK The British Council, London Editions & Acquisitions, Alan Cristea Gallery, London, Contemporary Art Society, London UK National Museum of Wales, Cardiff, Wales Hidden in Plain Sight: British Abstract Art from the Southampton City Art Gallery Collection, Plymouth City Museum and Art Gallery, Tate, London Plymouth, UK Unilever, London 2013 Colorfall, Paul Kasmin Gallery, New York, USA Grosvenor Museum, Cheshire Thirteen, Alan Cristea Gallery, London, UK USA Dallas Museum of Art, Texas 2012 Route 66: Ian Davenport/Alberto DiFabio, Luca Tommasi, Monza, Italy Between the Lines, Art Plural Gallery Ltd, Singapore Ian Davenport, Galerie Andres Thalmann, Switzerland Ian Davenport: Reflex, Giacomo Guidi Arte Contemporana, Rome, Italy .
Recommended publications
  • Where Do Ideas Come From?
    Where do ideas come from? Where do ideas come from? 1 Where do ideas come from? At Deutsche Bank we surround ourselves with art. International contemporary art plays its part in helping us to navigate a changing world. As a global bank we want to understand, and engage with, different regions and cultures, which is why the Deutsche Bank Collection features contemporary artists from all over the globe. These artists connect us to their worlds. Art is displayed throughout our offices globally, challenging us to think differently, inviting us to look at the world through new eyes. Artists are innovators and they encourage us to innovate. Deutsche Bank has been involved in contemporary art since 1979 and the ‘ArtWorks’ concept is an integral part of our Corporate Citizenship programme. We offer employees, clients and the general public access to the collection and partner with museums, art fairs and other institutions to encourage emerging talent. Where do ideas come from? 2 Deutsche Bank reception area with artworks by Tony Cragg and Keith Tyson Art in London The art in our London offices reflects both our local and global presence. Art enriches and opens up new perspectives for people, helping to break down boundaries. The work of artists such as Cao Fei from China, Gabriel Orozco from Mexico, Wangechi Mutu from Kenya, Miwa Yanagi from Japan and Imran Qureshi from Pakistan, can be found alongside artists from the UK such as Anish Kapoor, Damien Hirst, Bridget Riley and Keith Tyson. We have named conference rooms and floors after these artists and many others.
    [Show full text]
  • IAN DAVENPORT Press Highlights
    IAN DAVENPORT Press Highlights 509 West 27th Street New York NY 10001 + 1 212 563 4474 kasmingallery.com In the studio with abstract painter Ian Davenport Emily Tobin visits the abstract painter known for his cavalcade of bright hues and unconventional methods in his south London space EMILY TOBIN AUGUST 26, 2020 Photo by Joshua Monaghan Ian Davenport approaches paint like a scientist might approach a new specimen – it is something to be tested, something to explore and challenge. Painting has been the subject of his research for the best part of 30 years. He was a key figure in the Young British Artists scene in London in the Nineties and the youngest person to be nominated for the Turner Prize in 1991. Even back then, he was preoccupied by the relationship between shape, colour and material. ‘My paintings are about fluidity, movement, liquidity and how movement affects installations and spaces,’ he says. His studio in south London is something of a Tardis. Located off a residential street, it is a vast space that allows him to experiment with different techniques and scales. Ian creates many of his paintings by pouring paint down smooth surfaces in linear patterns. In a recent body of work, these kaleidoscopic lines puddle in swirls at the base of each painting, resulting in something nearing sculpture. There are the diagonal works in which paint is poured from opposite sides of the surface and merges in the middle, then there are the Splat pictures, which he creates by 509 West 27th Street New York NY 10001 + 1 212 563 4474 kasmingallery.com squirting paint onto a vertical hanging surface and letting it trickle into random patterns.
    [Show full text]
  • The Art of Quotation. Forms and Themes of the Art Quote, 1990–2010
    The Art of Quotation. Forms and Themes of the Art Quote, 1990–2010. An Essay Nina Heydemann, Abu Dhabi I. Introduction A “Japanese” Mona Lisa? An “improved” Goya? A “murdered” Warhol? In 1998, the Japanese artist Yasumasa Morimura staged himself as Mona Lisa.1 Five years later, the British sibling duo Jake and Dinos Chapman ‘rectified’ Francisco de Goya’s etching series „The Disas- ters of War“ by overpainting the figures with comic faces.2 In 2007, Richard Prince spoke about his intention in the 1990s of having wanted to murder Andy Warhol.3 What is it in artists and artworks from the past that prompts so many diverse reactions in contempo- rary art today? In which forms do contemporary artists refer to older works of art? And what themes do they address with them? This paper is an extract of a dissertation that deals with exactly these questions and analyses forms and themes of art quotes.4 Many 1 In the series „Mona Lisa – In Its Origin, In Pregnancy, In The Third Place“ Yasumasa Morimura raised questions of his Japanese identity and hybrid sexuality based on Leonardo da Vinci’s masterwork. 2 Jake Chapman quoted in the Guardian: "We always had the intention of rectifying it, to take that nice word from The Shining, when the butler's trying to encourage Jack Nicholson to kill his family – to rectify the situation". Jones 2007, 11 or online at <http://www.theguardian.com/culture/2003/mar/31/artsfeatures.turnerprize2003> (15.12.2014). 3 Interview with Richard Prince in Thon – Bodin 2007, 31.
    [Show full text]
  • Michael Landy Born in London, 1963 Lives and Works in London, UK
    Michael Landy Born in London, 1963 Lives and works in London, UK Goldsmith's College, London, UK, 1988 Solo Exhibitions 2017 Michael Landy: Breaking News-Athens, Diplarios School presented by NEON, Athens, Greece 2016 Out Of Order, Tinguely Museum, Basel, Switzerland (Cat.) 2015 Breaking News, Michael Landy Studio, London, UK Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, UK Saints Alive, National Gallery, London, UK (Cat.) Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, UK 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, UK Art World Portraits, National Portrait Gallery, London, UK 2010 Art Bin, South London Gallery, London, UK 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, UK In your face, Galerie Paul Andriesse, Amsterdam, The Netherlands Three-piece, Galerie Sabine Knust, Munich, Germany 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney, Australia (Cat.) H.2.N.Y, Alexander and Bonin, New York, USA (Cat.) 2004 Welcome To My World-built with you in mind, Thomas Dane Gallery, London, UK Semi-detached, Tate Britain, London, UK (Cat.) 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich, Germany 2002 Nourishment, Maureen Paley/Interim Art, London, UK 2001 Break Down, C&A Store, Marble Arch, Artangel Commission, London, UK (Cat.) 2000 Handjobs (with Gillian
    [Show full text]
  • Thomas Demand Roxana Marcoci, with a Short Story by Jeffrey Eugenides
    Thomas Demand Roxana Marcoci, with a short story by Jeffrey Eugenides Author Marcoci, Roxana Date 2005 Publisher The Museum of Modern Art ISBN 0870700804 Exhibition URL www.moma.org/calendar/exhibitions/116 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art museumof modern art lIOJ^ArxxV^ 9 « Thomas Demand Thomas Demand Roxana Marcoci with a short story by Jeffrey Eugenides The Museum of Modern Art, New York Published in conjunction with the exhibition Thomas Demand, organized by Roxana Marcoci, Assistant Curator in the Department of Photography at The Museum of Modern Art, New York, March 4-May 30, 2005 The exhibition is supported by Ninah and Michael Lynne, and The International Council, The Contemporary Arts Council, and The Junior Associates of The Museum of Modern Art. This publication is made possible by Anna Marie and Robert F. Shapiro. Produced by the Department of Publications, The Museum of Modern Art, New York Edited by Joanne Greenspun Designed by Pascale Willi, xheight Production by Marc Sapir Printed and bound by Dr. Cantz'sche Druckerei, Ostfildern, Germany This book is typeset in Univers. The paper is 200 gsm Lumisilk. © 2005 The Museum of Modern Art, New York "Photographic Memory," © 2005 Jeffrey Eugenides Photographs by Thomas Demand, © 2005 Thomas Demand Copyright credits for certain illustrations are cited in the Photograph Credits, page 143. Library of Congress Control Number: 2004115561 ISBN: 0-87070-080-4 Published by The Museum of Modern Art, 11 West 53 Street, New York, New York 10019-5497 (www.moma.org) Distributed in the United States and Canada by D.A.P./Distributed Art Publishers, New York Distributed outside the United States and Canada by Thames & Hudson Ltd., London Front and back covers: Window (Fenster).
    [Show full text]
  • Alison Wilding
    !"#$%&n '(h)b&#% Alison Wilding Born 1948 in Blackburn, United Kingdom Currently lives and works in London Education 1970–73 Royal College of Art, London 1967–70 Ravensbourne College of Art and Design, Bromley, Kent 1966–67 Nottingham College of Art, Nottingham !" L#xin$%on &%'##% London ()* +,-, ./ %#l +!! (+).+0+ //0!112! 1++.3++0 f24x +!! (+).+0+ //0!112! 1+.)3+0) info342'5%#564'7%#n5678h79b#'%.68om www.42'5%#64'7%#n5678h79b#'%.68om !"#$%&n '(h)b&#% Selected solo exhibitions 2013 Alison Wilding, Tate Britain, London, UK Alison Wilding: Deep Water, Whitworth Art Gallery, Manchester, UK 2012 Alison Wilding: Drawing, ‘Drone 1–10’, Karsten Schubert, London, UK 2011 Alison Wilding: How the Land Lies, New Art Centre, Roche Court Sculpture Park, Salisbury, UK Alison Wilding: Art School Drawings from the 1960s and 1970s, Karsten Schubert, London, UK 2010 Alison Wilding: All Cats Are Grey…, Karsten Schubert, London, UK 2008 Alison Wilding: Tracking, Karsten Schubert, London, UK 2006 Alison Wilding, North House Gallery, Manningtree, UK Alison Wilding: Interruptions, Rupert Wace Ancient Art, London, UK 2005 Alison Wilding: New Drawings, The Drawing Gallery, London, UK Alison Wilding: Sculpture, Betty Cuningham Gallery, New York, NY, US Alison Wilding: Vanish and Detail, Fred, London, UK 2003 Alison Wilding: Migrant, Peter Pears Gallery and Snape Maltings, Aldeburgh, UK 2002 Alison Wilding: Template Drawings, Karsten Schubert, London, UK 2000 Alison Wilding: Contract, The Henry Moore Foundation Studio, Halifax, UK Alison Wilding: New Work, New
    [Show full text]
  • Ian Davenport
    IAN DAVENPORT BIOGRAPHY 1966 Born 8 July, Kent 1984–85 Studies at Northwich College of Art and Design, Cheshire 1985–88 Studies at Goldsmiths College of Art, London (B.A. Fine Art) 1991 Nominated for the Turner Prize 1996–97 Commissioned to create a site-specific installation for Banque BNP Paribas in London 1999 Prizewinner John Moores Liverpool Exhibition 21 2000 Prizewinner Premio del Golfo, La Spezia, Italy 2002 Awarded first prize Prospects (sponsored by Pizza Express), Essor Project Space, London 2003 Makes a wall painting for the Groucho Club, London 2004 Commissioned by the Contemporary Art Society to make a wall painting for the Institute of Mathematics and Statistics at Warwick University, Everything Retrospective opens at Ikon, Birmingham, in September Marries Sue Arrowsmith 2006 ‘Poured Lines: Southwark Street’, a 3 by 48 metre painting commissioned by Southwark Council and Land Securities as part of a regeneration project in Bankside, London, is installed under Western Bridge, Southwark Street, London Commissioned to design a limited edition cover for the September issue of Wallpaper* 2007 Commissioned by The New York Times Magazine to create an American Flag based on an environmentally friendly theme along with seven other artists to be featured in their 15th April issue. Ian’s work is reproduced on the title page of the article ‘The Power of Green’ Completed ‘Poured Lines: QUBE Building’, a 2.85 by 15 metre painting (water-based paint on aluminium panels) commissioned by Derwent London for the QUBE Building, Fitzrovia, London
    [Show full text]
  • The Summer Reading Issue
    US $30 The Global Journal of Prints and Ideas July – August 2019 Volume 9, Number 2 The Summer Reading Issue: Recommended Reading for the Print-Curious, from History to Fiction Léon Spilliaert in the Margins • Turning the Pages with Ed Ruscha • Jan Svenungsson • Prix de Print • News THE LARGEST INTERNATIONAL ART FAIR CELEBRATING 500 YEARS OF PRINTMAKING OCTOBER 23–27 2019 JAVITS CENTER I NEW YORK CITY EXHIBITORS Alan Cristea Gallery Goya Contemporary/ Paulson Fontaine Press Alice Adam Ltd. Goya-Girl Press Paupers Press August Laube Buch Graphicstudio/USF Polígrafa Obra Gráfica & Kunstantiquariat Harris Schrank Fine Prints R. S. Johnson Fine Art Bernard Jacobson Graphics Hauser & Wirth Redfern Gallery Ltd. Brooke Alexander, Inc. Hill-Stone, Inc. Ruiz-Healy Art C. G. Boerner Isselbacher Gallery Scholten Japanese Art Carolina Nitsch Jim Kempner Fine Art Shark's Ink. Catherine Burns Fine Art John Szoke Gallery Sims Reed Gallery Childs Gallery Krakow Witkin Gallery Sragow Gallery Cirrus Gallery Kunsthandlung Stanza del Borgo Crown Point Press Helmut H. Rumbler Stoney Road Press David Tunick, Inc. Lelong Editions STPI Dolan/Maxwell Marlborough Graphics Susan Sheehan Gallery Durham Press, Inc. Mary Ryan Gallery Susan Teller Gallery Emanuel von Baeyer mfc-michèle didier Tamarind Institute Flowers Gallery Mike Karstens Tandem Press Flying Horse Editions/UCF Mixografia® The Old Print Shop, Inc. G. W. Einstein Company, Inc. Niels Borch Jensen The Tolman Collection of Tokyo Gallery & Editions Galeria Toni Tàpies - Edicions T Thomas French Fine Art Osborne Samuel Ltd. Galerie Maximillian Two Palms Pace PrintsParagon Galerie Sabine Knust Universal Limited Art Editions, Inc Paramour Fine Arts Gallery Neptune & Brown Ursus Rare Books Paul Prouté s.a.
    [Show full text]
  • The Complete Stories
    The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York.
    [Show full text]
  • Frieze London Announces Galleries, Curators & Pioneering New Section
    Frieze Press Release 27 June 2016 Frieze London Announces Galleries, Curators & Pioneering New Section for the 2016 Fair The 14th edition of Frieze London will take place a week earlier this year, open- ing 6–9 October with a Preview Day on Wednesday 5 October. This year’s fair brings together more than 160 of the world’s leading galleries, showcasing today’s most significant artists across its main and curated sections, alongside the fair’s celebrated non-profit programme of ambitious new artist commis- sions and talks. In 2016 the fair will debut a new gallery section, The Nineties, recreating seminal exhibitions from the decade, alongside the return of sections Focus and Live, the definitive platforms for emerging galleries and performance art respectively. Frieze London coincides with Frieze Masters and the Frieze Sculpture Park, convening art of the highest quality from a spectrum of periods and countries and offering collectors, scholars and art enthusiasts an unparal- leled cultural experience. Frieze London is supported by main sponsor Deutsche Bank for the 13th con- secutive year, continuing a shared commitment to discovery and artistic excel- lence. Building on Frieze’s enduring relationship with collecting institutions, this year, the fair partners with two acquisition funds for national museums, including the the Frieze Tate Fund, now supported by WME | IMG; and the launch of the Contemporary Art Society’s Collections Fund at Frieze, supporting a regional museum in the UK. Victoria Siddall, Director, Frieze Fairs said, ‘Frieze has become known for its strong curated sections and this year I am particularly excited to see Nicolas Trembley’s selection of artists who changed the conversation in the 1990s.
    [Show full text]
  • Download Press Release
    11 Cork Street tel +44 (0)20 7851 2200 mail@waddington -galleries.com waddington galleries London W1S 3LT fax +44 (0)20 7734 4146 www.waddington-galleries.com PRESS RELEASE Ian Davenport ‘ ‘PuddlePuddle PaintingsPaintings’’’’ 10 th October – 14 th November 2009 Monday – Friday 10am-6pm Saturday 10am-1.30pm PRIVATE VIEW 6-8 pm, Friday 16 th October 11 Cork Street London W1S 3LT Puddle Painting: Black (Wave) 2009 Acrylic paint on stainless steel, mounted on aluminium 98 1/2 x 147 1/2 in / 250 x 375 cm We are pleased to announce the forthcoming exhibition of new work by Ian Davenport, Puddle Paintings . In this, his seventh solo exhibition at the Galleries, he continues to explore the physical nature of paint, pushing further his practice and its examination of the relationship between control and chance. Davenport has consistently employed an intensely rigorous, and most often unconventional, painting process. In this recent body of work, he uses heavy duty syringes to pour lines of acrylic paint down aluminium or stainless steel panels. Initially precise and controlled, each line of pure colour falls down the surface until he bends and tilts the base of each panel, encouraging each line to merge and overlap, seductively pooling and ‘puddling’ together as their paths are shaped by gravity. Davenport seeks to harness and dictate the flow of his poured lines: ‘I control liquid, I use colour, and I try to choreograph these different elements together. There's a lot of internal rigour to the process, but at the same time it is about chance’ 1 – so he asserts control whilst acknowledging the unpredictable, fluid nature of the medium.
    [Show full text]
  • Marlborough Gallery
    Marlborough DENNIS OPPENHEIM 1938 — Born in Electric City, Washington 2011 — Died in New York, New York The artist lived and worked in New York, New York. Education 1965 — B.F.A., the School of Arts and Crafts, Oakland, California 1966 — M.F.A., Stanford University, Palo Alto, California Solo Exhibitions 2020 — Dennis Oppenheim, Galerie Mitterand, Paris, France 2019 — Feedback: Parent Child Projects from the 70s, Shirley Fiterman Art Center, The City University of New York, BMCC, New York, New York 2018 — Violations, 1971 — 1972, Marlborough Contemporary, New York, New York Broken Record Blues, Peder Lund, Oslo, Sweden 2016 — Art Institute of Chicago, Chicago, Illinois Storm King Art Center, New Windsor, New York 2015 — Wooson Gallery, Daegu, Korea MAMCO, Geneva, Switzerland Halle Nord, Geneva, Switzerland 2014 — MOT International, London, United Kingdom Museo Magi'900, Pieve di Cento, Italy 2013 — Henry Moore Institute, Leeds, United Kingdom Museo Pecci Milano, Milan, Italy Yorkshire Sculpture Park, West Yorkshire, United Kingdom Marlborough 2012 — Centro de Arte Palacio, Selected Works, Murcia, Spain Kunst Merano Arte, Merano, Italy Haines Gallery, San Francisco, California HaBeer, Beersheba, Israel 2011 — Musée d'Art moderne Saint-Etienne Metropole, Saint-Priest-en-Jarez, France Eaton Fine Arts, West Palm Beach, Florida Galerie Samuel Lallouz, Quebec, Canada The Carriage House, Gabarron Foundation, New York, New York 2010 — Thomas Solomon Gallery, Los Angeles, California Royale Projects, Indian Wells, California Buschlen Mowatt Galleries, Vancouver, British Columbia, Canada Galleria Fumagalli, Bergamo, Italy Gallerie d'arts Orler, Venice, Italy 2009 — Marta Museum, Herford, Germany Scolacium Park, Catanzaro, Italy Museo Marca, Catanzarto, Italy Eaton Fine Art, West Palm Beach, Florida Janos Gat Gallery, New York, New York 2008 — Ace Gallery, Beverly Hills, California 4 Culture Gallery, Seattle, Washington Edelman Arts, New York, New York D.O.
    [Show full text]