sign in sign up
<<
Home , 6 Burlington Gardens, Adam Chodzko, BANK (art collective), Chisenhale Gallery, Douglas Gordon, Ian Jeffrey

SIMON PATTERSON

1967 Born in England. 1985-86 Hertfordshire College of Art and Design, St. Albans. 1986-89 Goldsmiths' College, , BA . Lives and works in London

SOLO EXHIBITIONS

1989 "Simon Patterson", Third Eye Centre, . 1991 "Allahu Akbar", Riverside Studios, London. 1993 "Monkey Business", The Grey Art Gallery, New York. 1994 "General Assembly", Chisenhale Gallery, London (exh. cat.) "Simon Patterson", Kluuvin Gallery, Helsinki. "General Assembly", Angel Row Gallery, Nottingham. 1995 "Simon Patterson", Gandy Gallery, Prague. "Sister Ships", The Customs , South Shields. "Midway", Artium, Fukuoka. "Simon Patterson", Röntgen Kunstinstitut, Tokyo. "Simon Patterson", Kohji Ogura Gallery, Nagoya. 1996 "Simon Patterson", , London. "Simon Patterson", MCA, Chicago. 1997 "Simon Patterson", Röntgen Kunstraum, Tokyo. “Wall ”, Kunsthaus Zürich. "Simon Patterson - Spies", Gandy Gallery, Prague. 1998 "Name Paintings", Kohji Ogura Gallery, Nagoya. "Simon Patterson", Yamaguchi Gallery, Osaka. "New Work", Röntgen Kunstraum,Tokyo. "Simon Patterson", Mitaka City Art Center, Tokyo. 1999 “Simon Patterson”, Magazin 4, Bregenz. 2000 “Manned Flight, 1999-”, Fig 1, London. “Simon Patterson”, VTO Gallery, London. 2001 “Manned Flight”, Lille. “Le Match des couleurs’, artconnexion, Lille. “Simon Patterson”, Sies+Hoeke Galerie, Düsseldorf. 2002 “Manned Flight, 1999—”, Studio 12, ARTSPACE, Sydney. 2003 “Simon Patterson - Midway”, Roentgenwerke, Tokyo. 2004 “Simon Patterson - Escape Routine”, Roentgenwerke, Tokyo. “Simon Patterson - 24 hours”, Roentgenwerke, Tokyo. “Simon Patterson - New Work”, Roentgenwerke, Tokyo. “Domini Canes - Hounds of God”, Lowood Gallery and Kennels, Armathwaite, Cumbria. (exh cat.) “PaintstenroomS”, gSM, London. 2005 “High Noon”, Fruitmarket Gallery, Edinburgh. (exh. cat.) “High Noon”, Birmingham. (exh cat.) 2006 “Black-list”, Haunch of Venison, Zürich.(exh. cat.) 2007 “Black-list”, Haunch of Venison, London. (exh.cat.)

1 “Simon Patterson”, Gallery Seomi Tuus, Seoul 2008 “The Undersea World and Other Stories”, The , Greenwich. “Wilfred Owen: La Maison Forestière”, artconnexion, Lille. “in orbit”, Roentgenwerke, Tokyo. “Dazzle Ships”, Graniph Gallery, Fukuoka. “Simon Patterson”, Musée Matisse Le Cateau-Cambresis, France. 2010 “Simon Patterson: Anthology”, Benrimon Contemporary, New York. 2012 “Under Cartel”, Haunch of Venison, Eastcastle Street, London. 2013 “Under Cartel”, Galeria Nieves Fernández, Madrid.

GROUP EXHIBITIONS

1988 “Group Show”, Institute of Education, . "", (Parts 1 & 3), Port of London Authority Building, London (exh. cat.) 1989 "1789-1989: Ideas and Images of Revolution", Kettles Yard, (exh. cat.) 1990 "Simon Patterson and Christopher Muller", Milch Gallery, Guilford St. London. "Group Show Part 4", Milch Gallery, Guilford St. London. 1991 “Angus Hood, Simon Patterson and Thomas Walsh", Transmission Gallery, Glasgow. 1992 “Doubletake: Collective Memory and Current Art”, , London (exh. cat.). "Instructions and Diagrams", Gallery, London. "A Modest Proposal", Milch Gallery, Great Russell St. London. "Etats Spécifiques", Musée des Beaux-Arts André Malraux, Le Havre (exh. cat.) "Contact", Transmission Gallery, Glasgow. "With Attitude", Galerie Rodolphe Janssen, (exh. cat.) "In and Out and Back and Forth", 578 Broadway, New York (exh. cat.) "Il Mistero dei 100 Dollari Scomparsi", Galleria Gio' Marconi, Milan (exh. cat.) 1993 "Doubletake: Kollektives Gedächnis & Heutige Kunst, Kunsthalle, Wien (exh. cat. German version) Group Show, Galerie Rodolphe Janssen, Brussels. " & Simon Patterson", Galerie Gruppe Grün, Bremen (exh. cat.) "Aperto", XLV Biennale di Venezia, Venice (exh. cat. and Flash Art Catalogue). "Wonderful Life", Lisson Gallery, London "Alan Smithee", Galerie Philomene Magers, Cologne (exh. cat.) 1994 "Surface de Réparations", FRAC Bourgogne, Dijon (exh. cat.) “Fiction-Non Fiction", British Festival in Rome, Galleria Alessandra Bonomo, Rome. "The Antidote", Centre 181 Gallery, London. "The Curator's Egg", Anthony Reynolds Gallery, London.

2 "Esprit d'Amusement", Grazer Kunstverein im Stadtmuseum, Graz (exh. cat.) "Seeing the Unseen", Invisible Museum, 30 Shepherdess Walk, London. "Mapping", , New York (exh. cat.) 1995 "The Tube", , London. "The Institute of Cultural Anxiety - Works from the Collection", ICA, London (exh. cat.) "Európa: Kreáció & Re-Kreáció (Europe: Creation and Recreation)", Mucsarnok/Kunsthalle, Budapest (exh. cat.) "Contained", Cultural Instructions, London. "Group Show", Gandy Gallery, Prague. "Ideal Standard Summertime", Lisson Gallery, London "An Exhibition of Artist's Books and Multiples", Art Metropole, Toronto. "Nowa sztuka w Wielkiej Brytanii/New Art in Britain", Museum Sztuki, Lódz (exh. cat.) 1996 "Group Show", Galerie Alain Gutharc, . "Homo Ecologicus: Per una cultura de la Sostenibilitat", Fundació Juan Miró, Barcelona (exh. cat.) "Obcutek za red / The Sense of Order", Moderna Galerija (MoMA), Ljubljana (exh. cat.) "Itinerant Texts", Dartington College of Arts (exh. cat.). Touring to , Glasgow; Gallery, Liverpool; The American Arts Federation and the , London (1997); Camden Art Centre, London. “Made in London”, Simmons and Simmons, London. "Offside! Contemporary Artists and Football", Manchester City Art Gallery, (exh. cat.). Touring to the Nothern Gallery of , Sunderland; Firstsite Gallery, Colchester (1997). "Fifty Quid", Derbyshire Street Studios, London. "Words", Kohji Ogura Gallery, MoCA, Nagoya. "Goal", Context Gallery, Derry. “Group show”, Rosalyn Oxley9 Gallery, Sydney, "The ", Tate Gallery, London, (exh. cat.) 1997 "Magie der Zahl: in der Kunst des 20. Jahrhunderts", Staatsgalerie, Stuttgart (exh. cat.) "Irredeemable Skeletons, the one that got away", Shillam + Smith 3 Gallery, London. "Material Culture: the Object in British Art in the 1980's and 90's", Hayward Gallery, London (exh. cat.) "WASP", Rosalyn Oxley9 Galllery, Sydney. "Cartographers", Galerjie Grada Zagreba, Zagreb. Touring to Centre for Contemporary Art, Zamek Ujazdowski, Warsaw; the Mücsarnok, Budapest; Umetnostna Galerija, Maribor and Wleeshal, Middleburg) (exh. cat) “ICA 50th Anniversary Auction Exhibition”, ICA, London, (exh. cat.) "Multiple Choice: Prints by ", touring exhibition. 1997: British Council Association Lima, Centro

3 Cultural Chaves de la Rosa, Arequipa and Continental Bank, Trujillo, Peru; British Council Office, La Paz, Bolivia; Museo Arte Contemporaneo de Zulia, Maracalbo, Venezuela; 1998: Museo de Arts Contemporaneo, Sofia Imber, Caracas, Venezuela; Cento Wilfredo Lam, Havana Cuba; Banco de la Republica, Bogota, Colombia: 1999: Paco Imperial, Rio de Janeiro; Museu Metropolitainde arte, Curitiba; Mac Museu de Artes Contemoranea, Sao Paulo and Brasilia Art Museum, Brazil; 2000: Gallery Zbojnice, and X Centre Gallery, Pilsen, Czech Republic; Silpakorn University Art Gallery, Bankok and Chiang Mai University Gallery, Chiang Mai, Thailand; Penang State Museum and Art Gallery, Penang ans National Art Gallery, Kuala Lumpur, Malaisia; Lasalle-Sia College of the Arts, Singapore 2001: Lionel Wendt Gallery, Colombo, Sri Lanka. (exh. cat.) "Dimensions Variable”, British Council touring exhibition. 1997: Helsingfors Stadsmuseum, Helsinki; 1998; Royal Academy of Free Arts IASPIS, Stockholm, Sweden; Soros Foundation, Kiev, Ukraine; Zacheta Gallery, Warsaw, Poland; Staddtische, Kunstsammlungen, Chemnitz, ; Prague of Modern Art, Prague; zagreb union of Croation Artists, Zagreb, Croatia; 1999: Institute Mathildenhohe, Darmstadt, Germany; Contemporary Art Centre, Vilnius, Lithuania, Liudwig Museum, Budapest, Hungary; Slovak National Gallery, Bratislava, Slovakia and National Theatre Galleries, Bucharest, Romania. (exh. cat.) "British Artists from the Karpidas Collection, Hydra, Greece, (exh. cat.) "Follow Me", Kunstverein, Hannover, (exh. cat.) "Sensation", Young British Artists from the Saatchi Collection, Royal Academy, London. (exh. cat.) "Contemporary Art in the British Embassy, The British Embassy, Paris. "Anthology", Eagle Gallery, London; Talbot Rice Gallery, Edinburgh (1999). (exh. cat.) 1998 "Fantasy Football Art League", Walsall Museum & Art Gallery. Touring to Tullie House Museum, Carlisle; Croydon Clock Tower, Croydon and BASF Building, Wembley (1999). (exh. cat.) "Sensation", Young British Artists from the Saatchi Collection, Hamburger Bahnof, . (exh. cat.) "First Fifteen”, Cleveland Gallery, Middlesbrough. "Inbreeder: Some English Aristocracies", Collective Gallery, Edinburgh. "Tracings", Ormeau Bath Gallery, Belfast. "Interactive", Amerada Hess Ltd, London, (exh. cat.) “Big Issue Exhibition", Blue Note, London. "A to Z", The Approach Gallery, London. "Urban", Tate Gallery, Liverpool. "Modern British Art", Tate Gallery, Liverpool. "Deep Thought", Basilico Fine Arts, New York. "Kunst in der Stadt 2", Bregenzer Kuntverein, Bregenz, (exh. cat.) "Educating Barbie", Trans Hudson Gallery, New York, (exh. cat.). "Then and Now", Lisson Gallery, London.

4 "Kettle Blue", Galerie Beaumont, Monterey (Luxembourg). "London Now", Saks Fifth Avenue, New York (exh. cat.) "Distinctive Elements", National Museum of Contemporary Art, Seoul, (exh. cat.) “Made in London”, Museu de Electridade, Lisbon. "Richard Wentworth's Thinking Aloud", Kettle's Yard, Cambridge. Touring to Cornerhouse, Manchester (1999); Camden Art Centre, London (1999), (exh. cat.) "Masters of Lithography", The Victoria and Albert Museum, London. 1999 "Signature Pieces", Alan Cristea Gallery, London (exh. cat.) "Infraslim Spaces", Birmingham Museum of Art, Alabama. “May Day”, The Photographers’ Gallery, London. "Calendar 2000", CCS Museum, , New York. (exh. cat.) “I Remember”, Gandy Gallery, Prague. “L.A. International”, Chacmool Gallery, Los Angeles. “Now it’s my turn to scream”, Haines Gallery, San Francisco. “Imagine Aberdeen... Imagine the Beach” Aberdeen City Art Gallery, Aberdeen. “Contemporary Art at Penguin”, Penguin Books, London. “Coming up for Air”, Duncan of Jordonstone College, Dundee. “Porcupines/Art thinking, 1999”, 291 Gallery, London. “Free State”, Art.tm, Inverness. “Tanagokoro 5–Spirits of the Palm”, Röntgen Kunstraum, Tokyo. "Sensation", Young British Artists from the Saatchi Collection, Brooklyn Museum, N.Y. (exh. cat.) “Projects 70”, MoMA, N.Y. (exh. cat.) 2000 “Lisson Gallery in Covent Garden”, 9 Kean Street, London. “Point of view: works from a Private Collection, part II”, Richard Salmon Gallery, London. “Off the Shelf”, MASS MoCA, Massachusetts Museum of Contemporary Art, North Adams MA. “A shot in the head”, Lisson Gallery, London. “La Beauté du geste (l’art, le sport, et cætera)”, Centre d’art Contemporain de Vassivière en Limousin. 2001 “Multiples”, Villeneuve d’Asque. UBS Warburgs exhibition “Teeth and Trousers”, Cell project space, London. “London Underground”, Sungkok Art Museum, Seoul. (exh. cat.) 2002 “Con Trick: Art and Magic”, Site Gallery, Sheffield. (exh.cat.) “The Rowan Collection: Contemporary British and Irish Art”, IMMA, Dublin. (exh. cat.) "Exchange", Richard Salmon Gallery, London. "Trans–it/mit/fer/form, YYZ Artists' Outlet, Toronto. “London Underground”, Taipei Museum of Fine Art, Taipei. (exh. cat.) "The World May be Fantastic”, Biennale of Sydney 2002, Sydney. (exh. cat.) "Potential Hits", Chapman Gallery, Salford. "Magazin im Magizin #2, Magazin 4, Bregenz. “Fear”, Sir John Soane Museum, London. “Magik”, VTO Gallery, London. “Tanagokoro 8–Spirits of the Palm”, Röntgenwerke, Tokyo.

5 "Potential Hits", Unit 2 Gallery, London Metropolitan University, Manchester. “Inaugural show, ”The Biscuit Factory, Newcastle upon Tyne. “Con Trick: Art and Magic”, Glynn Vivian Gallery, Swansea. (exh. cat.) 2003 “Mono”, Roentgenwerke, Tokyo. “Chockerfuckingblocked”, Jeffrey Charles Gallery, London. “Index of Colour”, Leeds Art Gallery. “Out of Place” Harewood House, Leeds “Typeofgravy”, Cell Projects, London. “East of Eden; forbidden fruit in London”, 14 Wharf Road, London. (exh. cat.) “The Distance Between Me and You”, Lisson Gallery, London. “A Bigger Splash: Arte Britânica da Tate / British Art from the Tate, 1960- 2003”. Pavilhão Lucas Norgueira Garcez and Instituto Tomie Ohtake. Sao Paolo (exh. cat.) 2004 “100 Artists see God”, Independent Curators International (ICI), The Jewish Museum, San Francisco; Laguna Museum, Laguna California; ICA, London; Contemporary Art Center of Virginia, Virginia (2005); Albright College Freedman Art Gallery, Reading, Pennsylvania (2006); and Cheekwood Museum of Art, Nashville, Tennessee (2006). (exh. cat.) “See it…Read it: Art with Words from the Arts Council Collection at the Hayward Gallery, London”, Draíocht, Dublin. “Paper Democracy: contemporary Art in editions on paper”, British Council, Sao Paolo. “The Birthday Party”, Collective Gallery, Edinburgh. “Lowood Collection”, Lowood Gallery and Kennels, Armathwaite. 2005 “Come to Light”, Cell Projects, London. “Animal”, Lowood Gallery and Kennels, Armathwaite, Cumbria. “Tall Stories”, MOT Gallery, London. “Ball im Kopf”, Museum für Kunst und Gewerbe Hamburg. . 2006 “Sarah and Simon”, Platform Gallery, London.( Exh. cat.) “Eye on Europe: Prints, Books & Multiples/1960 to Now”, MoMA , New York. (Exh. cat.) “This will not happen without you: from the collective archive of the Basement Group, Projects UK and Locus+ 1977-2006”, John Hansard Gallery, Southampton, touring to the Hatton Gallery, Newcastle upon Tyne and Interface Gallery, Belfast, 2007. (Exh. cat.) “Launch exhibition of the Lowood Collection 2006-2009”, Lowood Gallery and Kennels, Armathwaite, Cumbria. 2007 2007 “Mapping”, Bury Art Gallery, Museum and Archives, Bury. “Sculpture at McLaren: works from the Arts Council Collection”, The McLaren Technology Centre, Woking. “Rights of Way”, Café Gallery, London. “No Future”, Bloomberg Space, London. “Mapping The Imagination”, The Victoria and Albert Museum, London. “(C)Artography: Mapmaking as Artform”, Crawford Art Gallery, Cork. (Exh. cat.) 2008 “Print the Legend: The Myth of the West”, Fruitmarket Gallery. Edinburgh. (Exh. cat.) “Kunst im Spiel–Art in Play”, Museum Moderner Kunst Kaernten, Klagenfurt.

6 “Gesture and Irony”, Kukje Gallery, Seoul. Touring to Kring Gallery, Seoul. “Long Distance Information”, British Council Touring exhibition, State Museum of Fine Arts, Almaty Kazakhstan; PCNA, National Art Gallery, Islamablad, Pakistan and Bengal Gallery of Fine Arts, Bangladesh “Freeze 20”, The Hospital Gallery, The Hospital Club, London. “Smoke”, Pumphouse Gallery, London. “48º34`52"N 7°45'33"E Une cartographie illustrée de la didacticque visuelle”. École supérieure des arts décoratifs de Strasbourg. (Exh. cat.) “Zauberkünste”, Museum der stadt, Linz. 2009 “Mythologies”, Haunch of Venison London at 6 , London. (Exh. cat.) “Classified: Contemporary British Art from the Tate Collection”, Tate Britain. “Ballpark”, Galeria Estrany-de la Mota, Barcelona. 2010 “Art’, curated by Michael Craig-Martin, Galerie Haas & Fuchs, Berlin. “From Here to There: Contemporary Art from the Arts Council Collection”, Herbert Art Gallery, Coventry. “Extra Ordinary”, Grundy Gallery, Blackpool. “Osaka Museum Collection” Miyakonojo Museum of the Arts, Miyakonojo, Miyazaki Prefecture, Japan. (Exh. cat.) “Unrealised Potential”, Corner House, Manchester touring to the Northern Gallery for Contemporary Art, Sunderland. (Exh. cat.) 2011 “Weltraum. Die Kunst und ein Traum/Space About a Dream”, Kunsthalle Wien. (Exh. cat.) “The Art of Mapping”, Air Gallery, London. (Exh. cat.) “Shelter”, London “Elements” Welcome Institute, London. (Exh. cat.) “Artist’s photographs”, The Hospital London. “Elements: the Beauty of Chemistry”, Science Gallery, Trinity College Dublin. (Exh. cat.) “Elements: the Beauty of Chemistry”, Bergarmo Scienza Festival, Bergamo. (Exh. cat.) “The world we live in” Turnpike Gallery, Leigh. 2012 “Malas Artes” Galeria Nieves Fernández, Madrid. “Up my Street”, Shelter , London “Mind the Map”, , Covent Garden, London. (Exh. cat.) “The London Suite: 30” Advanced Graphics, London. “Prophetic ”, George and Jorgen, London. 2013 “Nouveaux commanditaire!” La Maision de l'architecture et la ville, Lille. “Stadt in Sicht (City in Sight)”, Museum im Ostwall, Dortmund. “Invisible Print Studio”, Payne Shurvell, London. “Arups at 50,” Arups Associates, London. (Exh. cat.) “British Express”, Kosice Kunsthalle, Slovakia “Revolution in the Bedroom, War in The Playground”, National Centre of Craft and Design, Sleaford. “THE DARK WOULD Volume II”, Summerhall Gallery, Edinburgh. (Exh. cat.) 2014 “Diagrams”, Holden Gallery, Manchester. “Ship to Shore”, John Hansard Gallery, Southampton. (Exh. cat.)

7 “Narrating objects: unlocking the stories of sculpture” curated by the Institute, Leeds Art Gallery, Leeds. ‘Bad Copy: Carrdiff by Parris' A Museums at Night collaboration between Janette Parris and the Cardiff Story Museum, Cardiff. “Against Nature”, Space, Camberwell College of Arts, London. “THE DARK WOULD volume III”, Bury Art Museum, part of the ‘Text Festival’. (Exh. cat.) “Superpop”, Serlachius Art Museum, Mänttä, Finland. (Exh. cat.) “Royal Academy, Summer Exhibition”, Burlington Gardens, London. “Prohetic Drawings, Cheymore Gallery, New York. 2015 “Arbitrary”,Toast, Federation House, Manchester. “Slip”, Villingen-Schwenningen, Germany. “Periodic Tales”, Compton Verney, Warwickshire.

PUBLIC ART PROJECTS

1993 "Roadworks", Givors, France. 1994-95 "Time Machine", Public Art Commissions Agency for Waterloo International Terminal, London (Nicholas Grimshaw and Partners, Architects). 1997 "Untitled: Project for the Captain Cook Birthpalce Museum, Middlesbrough. 1998 "Where Doubles Dare", (Kunst in der Stadt 2), Bregenzer Kunstverein, Bregenz. 1999 “Enigma G312”, Royal Holloway College, Universty of London. 2000 Cardboard School Building, in collaboration with Cottrell and Vermeulen Architecture and Buro Happold, Margate Primary School. Inaugural Tate Gallery Web Art commission. 2002 “Cosmic Wallpaper”, Mead Gallery, University of Warwick, gift of the Contemporary Art Society, London. “Terminator”, School Dagenham Cottrell and Vermeulen Architects. 2005 “Time and Tide”, for British Land with Arups Associates, Plantation Place, City of London. 2003 “Razzle Dazzle”, BBC Broadcast Building, White City, London. 2004 “Gort, Klaatu berada nekto”, Building X, OU Chemistry and Planetary Sciences Commission. 2010 “After Cosmic Wallpaper”, ceilling lightbox for Radiotherapy unit, St Bartholomews Hospital, London. 2004-11 “La Maison Forestière Wilfred Owen”, Ors, France.

AS ARTIST CONSULTANT

2004 RSA grant for Architecture as Art Consultant on the new Towner Art Gallery Eastbourne (Rick Mather Architects).

EVENTS/FILM SCREENINGS

2000 “Landskip”, Compton Verney House, Warwickshire. Curated by Locus+. 2002 "Escape Routine", The Newcastle Opera House, Newcastle upon Tyne. "Escape Routine", Magazin 4, Bregenz. "Escape Routine", Curzon Cinema Soho, London.

8 2004 "Escape Routine", Prince Charles Cinema, London. 2005 Royal Academy, London. “Landskip”, Carlton Hill, Edinburgh. “Landskip”, Winterbourne Gardens, Birmingham. 2008 “Landskip”, Kilkenny Arts Festival, Kilkenny. “Landskip”, Pumphouse Gallery, London.

RESIDENCIES

2014 Artist in Resident with The New Scientist Magazine.

PRIZES

F Vince Prize 1985 Nominated for Turner Prize, 1996 Nominated Royal Television Society (North), short film category, 2002 Nominated RSA? Architecture CISBE Building Services Design Awards Highly commended Office of the Year. With Arup Associates for Plantation Lane, London. 2005 Lighting Design Awards Work Place Category. With Arup Associates for Plantation Lane, London. 2005.

BIBLIOGRAPHY

Artist's Books:

“Republicans”, Artist's book, published by Arefin Inc., Simon Patterson and The Third Eye Centre, Glasgow, (Produced to coincide with solo exhibition at The Third Eye Centre, Glasgow, 1989.) Ed. of 700, paperback; ISBN 0 906474 82 5. & Ed.of 25, hardback; ISBN 0 906474 82 5. “Rex Reason”, Edition of 1, Artist's book; hand-bound letterpress presentation copy published by Bookworks, commissioned by the Arts Council of Great Britain for the Prudential and Arts Council of Great Britain Award, 1993. Artist's book: ed. of 10 copies, hand-bound letterpress, published by Bookworks, London, 1994. Artist's book; paperback ed. of 2000, offset lithography, published by Bookworks, London, 1994, ISBN 1 870699 13 0. “PaintstenroomS” Edition of 20, published by IDUK and Locus+, London and Newcastle upon Tyne, 2004. “Domini Canes: The Hounds of God” Text by Patricia Bickers. Published by Lowood Gallery & Kennels, and Axis Projects 2011. In an edition of 500 of which 100 are signed an numbered by the artist, with tipped in limited edition print. ISBN 978-0-0-9554825-4-0 “Black-list”, published by Haunch of Venison , London and Zurich, 2006. Cloth bound edition of 150. “Rex Reason”, Edition of 1, Artist's book; hand-bound letterpress presentation copy published by Bookworks London 25th anniversary edition of 25? 1/25 was presented to Rex Reason. 2009. “Domini Canes/ the Hounds of God”, published by Axis Design and Lowood Gallery & Kennels,Text bt Patricia Bickers with an interview with the artist, 2011. ISBN978-0-9554825-4-0.

Artists' pages:

9 "Untitled", Technique Anglaise: Current Trends in British Art, 1991, Artist's pages, edited by Andrew Renton & , Thames & Hudson/One Off Press, ISBN 0 500 97396 2 Library of Congress Catalog card No. 91 65321; pp156-161. "World Championship", In and Out and Back and Forth, Artist's pages: exhibition catalogue, published by Idaho Editions, London, 1992, pp25-6, ISBN 1 874592 01 2. "The Chamber of the House of Lords/Herbaceous Border Plants/Hardy Perennials", in L'Endroit Idéal, edited by Eric Troncy, published by L'Ille du Roy, Centre d'Art et Jardin, Val de Reuil, France, 1993, p145. "Untitled", in Wall to Wall, Artist's pages: exhibition catalogue, published by The South Bank Centre, London, 1994, ISBN 1 853332 121 4, pp62-63. “Passport”, Morning Star Publications, Edinburgh , 1999, ISBN 0 9527669 6 5, pp22–5. Ed. of 750.

Magazine Projects:

"The Last Supper Arranged According to the Sweeper Formation, (Jesus Christ in Goal)", Artist's page; Art Monthly, No. 139, September 1990, p34. "Colours for Identification, Coding and Special Purposes", Artists' pages (in collaboration with Douglas Gordon), Frieze, issue 2, 1991, pp 14-15. "Le Championnat du Monde (Le Grand Prix Britannique)", Artist page in Documents sur l'art contemporain, issue 1, October 1992, p4. "Untitled", Front panel for Audio Arts Magazine, Vol.14, No.2, London, 1994. "Monaco (Monte Carlo)", Bijutsu Techo, Monthly Art Magazine, Artist's Pages, BT 4/96 pp.5- 6, 1996. "Untitled", cover for Cleveland Community Forest proposal, Cleveland Arts, 1997. “Freiheit der Kunst”, (anti Haider works for Transact – Transnational Activities in the Cultural Field. In cooperation with the supported by Art Pool). www.mip.at/de/projekte/40.html and Der Standard, June 23, 2000 pp18–19. “Untitled”, Perfect Magazine. Paris 2003.pp– “The Ten Commandments in Pidgin Klingon” Pilot issue of Zembla Magazine, 2003, pp46- 53.

Monographs:

Simon Patterson: Name Painting, published by the Kohji Ogura Gallery, Nagoya, 1998. Simon Patterson, essays: 'Widescreen Visions', by Iwona Blaswick and 'In the Name of…' by Bernhard Fibicher. Edited by Patricia Bickers. Published by Locus+, 2002. ISBN 1 899377 16 6.

Solo Catalogues:

Simon Patterson - General Assembly, essay, Joking Apart, by Patricia Bickers, Chisenhale Gallery, London, 1994. Artium ‘95, Artium Art Gallery, Fukuoka, 1996. Simon Patterson: Playrooms of words and images, essays: 'A Fiction called System', by Natsumi Araki and ‘General Assembly: The Power of Association’, by Patricia Bickers, published by Mitaka Art Centre, Tokyo, 1998. Simon Patterson: High Noon, essays by Michael Archer, Fiona Bradley and Patricia Bickers published by the Fruitmarket Gallery, Edinburgh and Ikon Gallery Birmingham, 2005. ISBN 0 947912 88 6. Plantation Lane: Time and Tide, published by RIBA Enterprises, 2005. ISBN 1 85946 173 5. Black-List, essay: ‘The End’, by David Campany. published by Haunch of Venison, London and Zurich, 2006. ISBN 1 905620 08 X.

10 La Maison Forestière Wilfred Owen: une œvre de Simon Pattterson, published by artconnexion, Lille. ISBN 978-2-9536142-1-3. 2011.

Catalogues:

Freeze, Platonic Tropics, by , London Docklands, London, 1988. Goldsmiths’ 1989, University of London, 1989. After 1789: Ideas and Images of Revolution, H. Gresty, ed., Kettle’s Yard Gallery, 1989, ISBN 0 907074 37 5. Doubletake: Collective Memory and Current Art, essays by L. Cooke, B. Curriger & G. Hilty, The South Bank Centre & Parkett Publishers, 1992. ISBN 185332 082 X19 Etats Spécifiques, essays by F. Cohen & M. Archer, Musée des Beaux-Arts André Malraux, Le Harvre, 1992. French & English. With Attitude, texts by Philippe Braem, Philippe Braem, Brussels, 1992. In and Out and Back and Forth, essays by A. Dannat, A. Rawsthorn, L. Cottingham and R. Sinclair, Idaho Editions, London, 1992, ISBN 1 874592 01 2. Il Mistero dei 100 Dollari Scomparsi, text by Liam Gillick,Galleria Gio’ Marconi, 1992. Doubletake: Kolektives Gedächtnis & Heutige Kunst, essays by L. Cooke, B. Curriger and G. Hilty, Kunsthalle Wien & The South Bank Centre, 1993. German text. ISBN 3 852470005. XLV Esposizione Internazionale d’Arte: Punti Cardinali dell’Arte; La Biennale di Venezia, Marsilio Editori S.P.A., Venezia, 1993, vols. I & II. Italian & English, ISBN 88 208 0378 X. XLV Biennale di Venezia: Flash Art Aperto ‘93; Emergency/ Emergenza, Giancarlo Politi, Milan, 1993. Italian & English, ISBN 88 7816 053 9. Galerie Gruppe Grün, Galerie Gruppe Grün, Bremen, 1993. Alan Smithee, Galerie Philomene Magers, Köln, 1993. High Fidelity, essay, Low Frequency, by James Roberts, Kohji Ogura Gallery, Nagoya, 1993. Japanese and English texts. Wall to Wall, essay: Working the Wall, by Liam Gillick, The South Bank Centre, London, 1994, ISBN 1 85332 121 4. Mapping, essay, The Map Room: A Visitors Guide, by Robert Storr, Museum of Modern Art, New York 1994. Lib. of Congress cat. card # 94 077142, ISBN 0 87070 121 5 (MoMA), ISBN 0 8109 6140 7 (Harry N. Abrams Inc.). Esprit d’ Amusement, essays by T. Trummer, C. G. Triebel, J. Decter, S. Gargerle and M. Klarer, Grazer Kunstverein im Stadmuseum Graz, German,1994. The nvisible Museum [sic], essay, Sealing Wax and String, by James Roberts, published by Peter Fleissig, London, 1994, Brit. Library ISSN 135 0484. Art ‘94: The London Contemporary Art Fair, Business Design Centre, London, 1994. The Institute of Cultural Anxiety: Works from the Collection, essay, Every Creeping Thing: The Anxieties of Collecting, by Francis McKee, ICA, London, 1994, ISBN 0 905263 74 X. Európa: Kreáció & Re-Kreáció/Europe: Creation & Re-Creation, Kunsthalle/Mücsarnok, Budapest, 1994, Hungarian & English, ISBN 963 7550 64 X. Surface de Réparations, essay, Discourse on Method, by Eric Troncy, (with Artists’ statements), French & English, FRAC de Bourgogne, Dijon, 1995. Nowa sztuka w Wielkiej Brytanii/New Art in Britain, essays by Maria Morzuch and Jaromir Jedlinski, Polish & English texts, Muzeum Sztuki, Lodz, 1995, ISBN 83 903470 5 9.

11 Contemporary Art at Deutsche Bank, London, Deutsche Bank AG, Frankfurt, 1996, ISBN 3 89322 825 X. Homo Ecologicus: Per una Cultura de la Sostenibilitat, Fundació Joan Miró, Barcelona and the Departament de Cultura de la Generalitat de Catalunya, 1996, Catalan, ISBN 84 393 3782 5. Art et Mégalopole: RN 86, edited by Alain Charre & Jacky Vieux, essay: Importance du lieu, limites du consensus, by James Lingwood, L’Institut pour l’Art et la Ville, Maison du Rhône, Givors and Pierre Mardaga Editeur, Liège, 1996, French, ISBN 2 87009 614 3. Made in London, The Element of Risk, by Richard Shone, Simmons & Simmons Collection, London, 1996. Offside! Contemporary Artists & Football, essays by J. Gill, S. Kuper & R. Williams. Manchester City Art Galleries & the Institute of International Visual Arts, 1996. ISBN 0 901673 50 1. Obcutek za red / The Sense of Order, Mika Briski ed., essay by Zdenka Badovinac Moderna Galerija Ljubljana/ Museum of Modern Art, Slovenia, Slovene & English, 1996. Made in London, text by Richard Shone, published by Simmons and Simmons, 1996. Turner Prize Broadsheet, texts by Virginia Button, Tate Gallery, London, 1996. Magie der Zahl: In der Kunst des 20. Jahrhunderts, Karin v. Maur, ed., Staatsgalerie Stuttgart, German ISBN 3–7757–0666–6, 1997. Material Culture: The object in British Art in the 1980’s & ‘90’s, essay Material Culture: a user’s guide by M. Archer and G. Hilty, The South Bank Centre, London, ISBN 1–85332–165–6, 1997. Wall Drawings, ed Bernhard Fibischer, Kunsthaus Zurich, 1997. Cartographers, 1997. The ICA 50th Anniversary Auction, Sothebys & ICA, 1997. Multiple Choice: Obras Impresas de Jovenes Artistas Britanicos, text by Sara Roberts, The British Council Collection, ISBN 0 86357 368 0, 1997. Sensation: Young British Artists from the Saatchi Collection, (catalogue) , ISBN 0 900 946 57 1, 1997. (Also see anthologies). Follow Me, edited by Martina Goldner, published by Landschaftsverband der ehemaliigen Herzoogtümer Bremen und Verden. ISBN 3 931879 02 X, 1997 Dimensions Variable, text by Ann Gallagher, published by The British Council. ISBN 0 863577 376 1,1997. Anthology, text by Alec Finlay, 1997. Interactive: an exhibition of contemporary British Sculpture, text by Janice Oresman, published by Armerada Hess Ltd., London, 1998. Distinctive Elements, National Museum of Contemporary Art, Seoul. Published by the British Council and The Museum of Contemporary Art, Seoul, 1998. London Now, published by Saks Fifth Avenue Project Art, text; ‘London Art now’, by Sarah , 1998. Educating Barbie, texts by David Burrows and Mark Harris, published by Trans Hudson Gallery, 1998 Kunst in der Stadt 2, published by the Bregenzer Kunstverein, Bregenz, 1998. Richard Wentworth’s Thinking Aloud, National Touting Exhibitions, essay by Nick Groom. ISBN 1 85332 187 7, 1998. Signature Pieces, texts by Marco Livingstone, published by Alan Cristea Gallery, London, 1999. Now its my turn to Scream: works by contemporary British Artists from the Logan Collection, text by Roger Bevan, published by SFMoMA, ISBN 0–918471–58–3, 1999. Representing Britain: 100 works from the Tate Collections 1500–2000, text by Martin Myrone, published by the Trustees of the Tate Gallery and Tate Publishing, 2000. ISBN 1 85437 321.

12 British Council collection at UBS Warburgs, text ‘No Place like the present’, by J. J. Charlesworth, 2001. Fig–1, published by Tate Publishing, 2001. The Rowan Collection: Contemporary British and Irish Art, Essay by Virginia Button. Published by IMMA, Dublin, 2002. Con Art, published by Site Gallery Sheffield, ISBN 1–899926–95–X, 2002. Trans–it/mit/fer/form, Toronto, 2002. Biennale of Sydney: (The World) May Be Fantastic, essay 'Escape Routine', by Ian Hunt, 2002. Magazin im Magizin.2, essay by Thomas Meissgang, published by Magazin 4 Voralberger Kunstverein, Bregenz, 2002. From Arkhipov to Zittel; Selected Ikon Off–site Projects 2000–2001, forward by Deborah Kermode and Jonathan Watkins, published by Ikon Gallery, Birmingham, 2002. ISBN 0 907594 82 4. Melita Art Collection, published Melita Art Collection, Duesseldorf , 2003. A Bigger Splash: Arte Britânica da Tate / British Art from the Tate, 1960-2003. essays by Simon Casimir Wilson. Published by BrasilConnects on the occasion of the exhibition at Pavilhão Lucas Norgueira Garcez : August 4 – October 26, 2003 and Instituto Tomie Ohtake. Sao Pauolo, August 5 – September 21 2003. ISBN 85 87742 27 2 East of Eden; forbidden fruit in London, essays by Howard Caygill, Jiyoon Lee and Ligyung.14 Wharf Road, London, 2004. Paper Democracy: Contemporary Art in editions on paper, published by the British Council, Sao Paolo. Texts by Gerard Hemsworth and Suhail Malik, 2004. ISBN 85-98735-01-9. 100 Artists See God, essay ways of seeing God by Thomas McEvilley and a forward by Meg Cranston and John Baldessari. Published by Curators International (ICI), 2004. ISBN 0-916365-68-9, Library of Congress Catalogue number: 2003114930. La Beaute du Geste: L’Art Contemporain et le Sport, Error! Contact not defined., published by Editions du Regard, Paris, 2005. ISBN 2–84105–189–7. Platform: 1998-2006, edited by Sheila Lawson, Published by Platform, 2006. ISBN 0 9538800 2 8. Eye on Europe: Prints, Books & Multiples/1960 to Now, essays by Deborah Wye and Wendy Weitman published by MoMA , New York. 2006. Library of Congress Control number: 2006932751. ISBN 978-0-87070-371-3. This will not happen without you: from the collective archive of the Basement Group, Projects UK and Locus+ 1977-2006, edited by Richard Grayson. Published by The University of Sunderland Press. 2007. ISBN 978-1-899377-25-1. Print the Legend: The Myth of the West, by Patricia Bickers, Published Fruitmarket Gallery. Edinburgh, 2008. ISBN 0 947912 44 4. Weltraum. Die Kunst und ein Traum/Space About a Dream, published by Kunsthalle Wien, edited by Cathérine Hug. Texts by Walter Famler, Cathérine Hug, Justin Hoffmann, Sigmund Jähn, Christian Köberl, Michail Ryklin and Kai-Uwe Schrogl. 2011. ISBN 978-3-86984-175-5 The Art of Mapping, Air Gallery. Edited by, Maggie Gray, Hobby Limon and Hannah Shiland Published by TAG fine Arts, London. 2011. The National Museum of Art, Osaka: selected works from the collection, various authors, Japanese with an English language supplement. Published by The National Museum of Art, Osaka, 2012. Superpop!Finnish and International pop art then and now, by Timo Valjakka with a foreword by Henrik de la Chapelle and Pauli Sivonen. Published by Gösta Serlachius Fine Arts Foundation, Mänttä, Finland, 2014. ISBN 978-952-7017-03-6. ISSN 1799-7720.

Anthologies:

13 Technique Anglaise: Current Trends in British Art, Andrew Renton & Liam Gillick eds.,Thames & Hudson & One Off Press, 1991. ISBN 0 500 97396 2. Lib. of Congress cat. card # 91 65321. L’Endroit Ideal, edited by Eric Troncy, L’ Ille du Roy, Centre d’ Art et Jardin, Val de Reuil, France. 1993. Britain at the , 1895-1995, edited by Sophie Bowness & Clive Phillpot, the British Council, 1995. ISBN 0 86355 283 8. Artists’ Books: The Book as a work of Art, 1963–1995, Stephen Bury, Scholar Press, 1995. ISBN 1 85928 163 X. Map, Institute of International Visual Arts (inIVA), 1996, ISBN 1 899846 07 7. The Redstone Diary of True Places, Redstone Press, 1996. ISBN 1 870003 27 6. Book works: A Partial History and Source book, edited by Jane Rolo and Ian Hunt. Essays by Michael Bracewell. Pavel Büchler and Ann Gallagher, Book works, London, 1996. ISBN 1 870699 20 3. The Absurd Diary: Redstone Press, 1996. ISBN? Terra Infirma: Geography’s Visual Culture, Irit Rogoff, Routeldge, New York and London, 1997. Lib. of Congress cat. card #? ISBN 0-415-09615-4 (hbk) ISBN0-415-09616-2 (pbk), pp76- 8 Art Since 1960, Michael Archer, Thames and Hudson, 1997. ISBN 0–500–20298–2. , by Tony Godfrey, Phaidon, ISBN? 1998 What is Conceptual Art? by Peter Osborne, Academy Editions, 1998, 64pp. ISBN? Sensation: Young British Artists from the Saatchi Collection, (hardback), Thames and Hudson. ISBN 0-500-23752-2, 1997. (Also see catalogues).). Moving Targets: A user’s guide to British Art now, , Tate Gallery Publishing, 1997, ISBN 1 85437 223 8. Anthology, Morning Star Publications, Edinburgh, 1997. Public Art: Space: edited by Sara Roberts published by Merrell Holberton publishers Inc., ISBN 1-85894–048–6. 1998. Artist/ Author: Contemporary Artists’ Books, Cornelia Lauf and Clive Phillpot, Distributed Art publishers Inc. and The American Federation of Arts, ISBN 1–885444–07–9 (soft cover) and ISBN 1–881616–94–0 (hardcover), 1998. High Art Lite, by , published by. Random Access 2, (Ambient Fears), Pavel Büchler & Nikos Papastergiadis Eds., published by Rivers Oram Press, London and Paul and Company, Massechusetts. ISBN 1–85489–086–7 & ISBN 1–85489–087–5, 1996. This is Modern Art, , published by Wiedenfeld and Nicholson, London, 1999. ISBN 0–29784292–7 The Saatchi Decade, Essay by , published by Booth–Clibbons Editions, 1999. ISBN Last Supper, published by Phaidon, ISBN 0–7148–3940–X.,2000. Invisible London, published by Ellipsis, ISBN 1–84166–061–2, 2001. Modern Contemporary: Art at MoMA since 1980, edited by Kirk Varnedoe, published by MoMA, New York, 2000. The Public Intellectual, edited by Helen Small and Paul Strohm, published by Blackwell Press, 2001. Doing Cultural Geography, by Pamela Shurmer–Smith, published by Sage, 2001. What is Graphic Design? by Quentin Newark, published by Atelier Works, 2002. Nabokov's World (Volume 2: Reading Nabokov), edited by Jane Grayson, Arnold McMillin and Priscilla Meyer, 'How did they ever make a painting of Lolita?' by John D. Quin, pp186– 203, published by Palgrave, ISBN 0–333–71018–5, 2002. Football Haiku, edited by Alec Finlay, Morning Star Publications, Edinburgh, 2002. Writing on the Wall, by Simon Morley, published by Thames and Hudson, 2002. ISBN

14 Transmission: Speaking and Listening: volume 1, edited by Sharon Kivland and Lesley Sanderson. Published by Sheffield Hallam University and Site Gallery, Sheffield, 2002. ISBN 0 86339 986 X. Imagined , edited by Pamela K. Gilbert, ‘Modernist Space and the Transformation of Underground London’, by David L. Pike, pp 101119. Published by State University of New York Press, 2002. ISBN 0–7914–5502–5. Mapping: An Illustrated Guide to Graphic Navigational Systems, compiled and edited by Roger Fawcett –Tang, essays by William Owen. Published by RotoVision, 2002. ISBN 2 88046 707 1. Architecture 02: the RIBA awards, edited by Tony Chapman. Published by Batsford, 2002, ISBN 0 7134 8793 3. pp 50-3. Figuring it out, Colin Renfrew. Published by Thames and Hudson 2003. ISBN 0 500 05114 3, pp 168-9. 100: The work that changed British Art, published by Jonathan Cape, text by Patricia Ellis 2003. ISBN 0-224-071807. p118 Anglais, published by Didier, Paris. 2003. ISBN 2-278-05365-5. Unicef Contemporary Art Diary 2004, published by Unicef, 2003. You Are Here: Personal Geographies and Other Maps of the Imagination, edited by Katharine Harmon, published by Princeton Architectural Press, 2003. ISBN 1568984308 Enciclopedia dell'Arte, Milan 2004. You are here, Princeton Architectural Press, 2004. ISBN. Library of Congress catalog number Modern Art, Flame Tree Publishing, London, 2005. ISBN New Prints Now, by Gill Saunder and Rosie Mills, V&A Publications, London, 2006. ISBN Filosofia Prima Nova, Tapio Ahokallio & Matti Tiilikainen, published by Kirjapaja, 2005. ISBN 951 607 048 5. Re Views: Artists and Public Spaces, published by Black Dog, 2005. ISBN 1 907772 20 X artconnexion (only connect), published by isthme édititions, Lille, 2005. ISBN 2-91268869-8 Contemporary Art Collecting, published by Contemporary Art Society, London, 2006. ISBN A World , by David Carrier. Published by Penn State Press, 2008. ISBN Library of Congress Catalog number. Hardback ed. of 2000. Art in the City: London, by Tiddy Rowan. Published by Quadrille publishing Ltd, London, 2008. ISBN 978 184400 594 6. Unified Design, published by Arup Associates, London, 2008. ISBN Nord’ - revue critique et de création littéraires du nord/Pas-de-Calais: Wilfred Owen, Essay: ‘Maison Forestière de Wilfred Owen à Simon Patterson (généalogie d’unr œuvreartistique et citoyenne)’ by Jean-Paul Fourmentraux. Published by l’Association Wilfred Owen - France & Le Conseil Régional Nord/Pas-de-Calais, no. 52, Oct. 2008, pp 75-81. ISSN 0775-7884. ISBN 2-913858-20-6. Talking Art : Art Monthly interviews with artists since 1976, edited by Andrew Wilson and Patricia Bickers, published by Art Monthly and Riding House, 2007. ISBN:978-1-905464-04-3. Arup Associates: Unified Design, edited by Paul Brislin, published by John Wiley & sons, 2008. ISBN:978-0470723319. Art and Text, published by Black Dog publishing, essays by Will Hill, Charles Harison and Dave Beech. ISBN 978 1 906155 65 0. 2009. House of Cards, published by Christies/ Haunch of Venison on behalf of Shelter, 2009. TransAct: Transnational Activities in the Cultural Field– museum in progress, edited by Cathrin Pichler and Roman Berka. Published by Springer Wien New York. ISSN 1611-1885. ISBN 978-3-211-99800-7. 2009. Printmaking: A contemporary perspective, by Paul Coldwell, published by Black Dog Publishing. ISBN 978-1-906155-43-8. 2010 Periodic Tales: the curious lives of the elements, by Hugh Audsley-Williams, published by Penguin Viking. ISBN978-0-670-91811-9. 2011

15 The a-z of visual ideas, by John Ingledew, published by Laurence King Publishing Ltd, ISBN 978-1-85669-714-9. 2011. The Dark Would: Language Anthology, edited by Philip Davenport, 2013. Showtime: The 50 most influential exhibitions of contemporary art, edited by Jens Hoffmann, published by Thames and Hudson, 2014. ISBN 978-0-500-23911-7. Talking Art 1: Art Monthly interviews with artists since 1976, edited by Andrew Wilson and Patricia Bickers, published by Art Monthly and Riding House, 2013. ISBN: 978-1095464562. Talking Art 2: Art Monthly interviews with artists since 1976, edited by Patricia Bickers, published by Art Monthly and Riding House, 2014. ISBN: Enciclopédia Visual (Visual Encyclopedia), published by the UFMG Press. The FederalUniversity of Minas Gerais, Belo Horizonte, Brazil. 2014. High Art Lite, (Russian language edition) by Julian Stallabrass, published by Garage Museum of Contemporary Art, Moscow, 2014.

Interviews:

Collings, Matthew: The Late Show, BBC 2, ‘Goldsmiths’’, April, 1989. Gillick, Liam: Audio Arts Magazine, ‘Venice Biennale 1993’, Vol. 13, Nos. 2 & 3, side 3, Sept. 1993. Smith, Bob (aka Patrick Brill): Untelevision, ‘Venice Biennale: The Cardinal Points of Art’, Issue 2, 1993. Makabe, Kaori: Bijutsu Techo Monthly Art Magazine, Vol. 46, No. 688, BT 5, May, 1994, pp 68 - 71 & 116. Wall to Wall: BBC Radio South, May. 1994. Gillick, Liam: Audio Arts Magazine, ‘Wall to Wall’, Vol. 14, No. 2, 1994. Greenberg, Sarah: Tate: The Art Magazine, ‘The Word According to Simon Patterson’, Issue 4, Winter, ‘94, pp 44 - 7. Kastner, Jeffrey: Art News, ‘Great Britain ‘94 British Art Today: A New Powerhouse’, Vol. 93, #7, Sep, ‘94, pp 146 - 53. Lewis, Emily: Visual Arts Administration: Curating and Commissioning Contemporary Art, Royal College of Art, ‘Hello. Artists in conversation: Simon Patterson Emily Lewis’, ISBN 1 874175 16 0, 1996. Gooding, Mel: Audio Arts Magazine, ‘Simon Patterson’, Vol. 15, #4, side 1, 1996. Pirman, Alenka: M’ ARS: Magazine of the MoMA Ljubljana, ‘Imena so le besede za stvari’, Vol. VIII/34, 1996, pp 55. Greenberg, Sarah: Tate: The Art Magazine, ‘Christ as a sweeper’, Issue 9, 1996, p 44 - 5. Pirman, Alenka: Sculpture, ‘Names are words for things’, Vol. 16, #1, Jan 1997, p 20–5. Pop TV: Slovenian TV News, ‘The Sense of Order’, Apr. 1996. Griffiths, Mary: Offside! Contemporary Artists and Football, (Video), Manchester City Art Galleries’ Video, May 1996. Glass, Ian: Channel Four News, 19 Jun. 1996. Channel 1:Cable TV, 19 Jun. 1996. BBC Radio Foyle, ‘Goal’, 2 Aug. 1996. Haughey, Nuala: The Irish Times, ‘Turner Prize nominee Simon Patterson talks to Nuala Haughey about new interpretations of everyday images: Football team formations by divine inspiration’, 20 Aug, ‘96, p 6. Hobbs, James: D-Tour, ‘For the Art and money’, Nov. 1996, p17. BBC Newsroom South East, ‘Turner Prize’, Nov. 1996. Wills, Peter: British Satellite News, Nov. 1996. Paxman, Nikki, Night Waves, BBC Radio 3, 26 Nov. 1996. Turner Prize: Illuminations for Channel Four Television, 28 Nov. 1996. Tyson, Paul, CharltonTV, London Tonight, 28 Nov. 1996.

16 Larissa Trüby & Juri Köster, HFF München for NRT, Brit Art, 1996/7, (30 mins) & Unlabled for The Kasel Documentary Festival, 1997, 45 (mins). London Art Report? Fibicher, Bernhard, Wall Drawings catalogue, Kunsthaus Zürich, 1997. BBC Radio Ulster, 26/3/98. South Bank Show LWT & Channel Four TV, ‘Socerrarti, 31 May 1998. Greussing, Marcus, ‘Kunst in der Stadt 2’, Osterreich 01 ORF Broadcast at 15:45 on 11/7/98. Francis, Mark: 'Simon Patterson: Manned Flight', Fig–1 catalogue, 2001 Dawson, Mike & Griffiths, Jane, ‘Ideal worlds: an interview with Simon Patterson’, Flux, #22 Dec 2000/Jan 2001, pp36–8. Goldstein, Lauren, Time, ‘First Person: an interview with Simon Patterson’, Special Issue: fast forward Europe, Winter 2000/01, p56. The Art Magazine Wolgan Misool, ‘Simon Patterson’, #2 February 2001, p80. Jackson, Camilla, ArtsOnline BBC/Arts council of England. Marlow, Tim: Artworks, LWT, 23 June, 2002. BBC Radio 12 July, 2002 Kröner, Magdalena: ‘Wenn ich es mir leisten Könnte, würde ich jemanden furs malen bezahlen’, Kunstforum International #163, 2003, pp224-231. Rob Flint, ‘Baggage Reclaim’, Resonance FM, 31 March, 2003. The Map Man, ‘Harry Beck’s Underground Map’, BBC2, Oct. 2004. Penketh, Claire: ‘100 Artists see God’, BBC World Service, 14 Nov. 2004. Mottram, Jack: The List, ‘Mind the gap’, Feb. 17, 2005. p 102. McKay, Alistair: The Scotsman (Critique Magazine), ‘Pure textual intercourse’, Feb. 19, 2005. pp18-9. Sweet, Lucy: The Sunday Times (Escosse supplement), ‘Where Judas plays midfield, Christ in goal’, 27 Feb. 2005 BBC Radio Scotland, ‘The Arts Show’, 15 Apr., 2005. Hunt, Ian: Art Monthly, ‘Mexican Stand-off’, #288 July/Aug. 2005, pp1–5. Barnett, Laura: (G2), “Portrait of the artist”, 29 Apr. 2008, p29. Sumpter, Helen: Time Out “In the Studio: Simon Patterson”, 1-7 May. 2008 p 67. ‘Bleached Bone and Living Wood’, BBCR4, broadcast 10 November, 2011 Millard, Coline: artinfo ‘There is always pressure for artists to work with proper materials: Simon Patterson on tackling equestrian sculpture’ http://www.artinfo.com/news/story/818297/theres-always-pressure- for-artists-to- work-with-proper-art-materials-simon-patterson-on-tackling-equestrian- sculpture 2012 Schiller, Jared: “Simon Patterson: Under Cartel”, (Video). http://www.jaredschiller.co.uk/simon-patterson-under-cartel 18 Jul 2012. Summerhall TV, Edinburgh “THE DARK WOULD”, www.summerhall.tv/2013/philip-davenport- the-dark-would/ 2013.

Reviews, Articles, etc:

Bulloch, Angela: Art & Design, ‘Freeze’, Vol. 3/4, Jan. 1989, pp 52–3. Dannat, Adrian: Flash Art, No. 150, Jan/Feb, ’90, p.96, and Flash Art, Edizione # 55, April/May 1990, p 97. Renton, Andrew: Blitz Magazine, Dec. 1990. Harada, Ruiko: Bijutsu Techo Monthly Art Magazine, Dec/Jan, 1990/91. Morgan, Stuart: , # 85, Jan/Feb, 1991, pp 13–14. Lillington, David: Time Out, Preview, ‘Trivial Pursuit, D. Lillington on S.Patterson’, Vol. 1075 Mar 27–3 Apr. 1991,p 46.

17 Hilton, Tim: The Guardian Guide, Visual Art Choice, 15 Feb. 1992, p 18. McEwen, John: The Sunday Telegraph, 23 Feb. 1992. Lubbock, Tom: The Independent on Sunday, 23 Feb. 1992. Whitford, Frank: The Sunday Times, ‘Once More With Feeling’, 23 Feb. 1992, p 14. Feaver, William: The Observer, 23 Feb. 1992. Packer, William: The , ‘Double Take’, 25 Feb. 1992. Hilton, Tim: The Guardian, 26 Feb. 1992, p 36. Cork, Richard: , ‘Do You See What They See?’, 28 Feb, 1992. Furse, Patrick: G Spot Magazine, ‘Doubletake at the Hayward’, #2, Vol. 1, Feb. 1992, p 29. Graham-Dixon, Andrew: The Independent, ‘Dismembered Vision’, 3 Mar. 1992. Cooper, Emmanuel: Time Out, ‘Preview: Emmanuel Cooper on Doubletake’, 4-11 Mar. 1992, p 36. Negrotti, Rosanna: What’s On, 25 Mar. 1992. Lebovici, Elizabeth: Libération, 27 Mar. 1992. Gillick, Liam: Art Monthly, #154, Mar, 1992, pp 14–15. Duckworth, Mick: Classic Bike, Apr. 1992. Melhuish, Clare: Building Design, 3 Apr. 1992, pp 13–15. Lillington, David: Time Out, ‘Preview’, 22-29 Apr. 1992, p? Barter, Ruth: Art Monthly, #155, Apr. 1992, pp 16–17. Morgan, Stuart: Frieze, Issue 4, Apr/May, 1992, pp 6–11. Morgan, Stuart: Art Monthly, #156, May, 1992, pp 3–5. Sinclair, Ross: Art Monthly, #158 July/Aug. 1992, pp 20–1. Troncy, Eric: Flash Art, Vol. XXV, #165, 1992, pp 88–9. Ardenne, Paul: Art Press, ‘Etats Spécifiques; Onze Artistes Anglais, Musée des Beaux-Arts’, Vol. 172, Sep, 92, p 77. Warner, Marina: Parkett, #33, 1992, pp 8–18. Romano, Gianni: Zoom, ‘Rivista dell’Imagine’, #119, Sep/Oct, 1992, p 24. Meuris, Jacques: La Libre Belgique, ‘Les Britanniques: voix nouvelles’, #156, Oct. 1992. Lorent, Claude: Art et Culture, Britain in Brussels; ‘‘Quand L’ attitude devient art’, Nov, 1992, pp 7–13. Gillick, Liam: Art et Culture, ‘Listes divers définis en termes de pourcentages’, Nov, 1992, pp 14–15. Lambrecht, Luk: De Morgen, ‘Stijl en Karakter: jonge kunst uit Groot Brittannië’, 8 Nov. 1992. De Witte Raaf, ‘Meesters van het morbide’, Nov, 1992. Wilson, Andrew: Art Monthly, ‘With Attitude’, #162, Dec/Jan, 1992/3, pp 8–12. Bourriaud, Nicholas: Flash Art, ‘The Work of Art in the Age of Recycling’, Vol. 25, #167, Nov/Dec., 1992, pp 60–3. Brayer, Marie-Ange: Art Press, ‘With Attitude’, #175, Dec. 1992, pp 84–85. Titz, Walter: Kleine Zeitung, (Graz), ‘Die Gedächtnisse der Welt’, 8 Jan. 1993. Krumpl, Doris: Der Standard, ‘Totale Erinnerungen’, 8 Jan. 1993. C.W.: Neue Kronen Zeitung, 8 Jan. 1993. Melchart, Erwin: Zeitung, Wien, ‘Die Kunst mit dem “Dopplten Boden”’, 8 Jan. 1993. Frohmann, Günther: Salzburger Nachrichten, ‘...– Effekt Interessante Namen, aber keine Gesamtschau’, 12 Jan, ‘93. Wojta, Rudolph J: Wirtschafts Woche, ‘Spätzündung’, #3, 14 Jan. 1993, p 66. Archer, Michael: Frieze, ‘Jesus Christ in Goal, Michael Archer on Simon Patterson’, #8, Feb. 1993, pp 32 - 35. Castle, Frederick Ted: Art Monthly, ‘Occurrences - NY’, #163, Feb. 1993, pp 22 - 3. Zinggl, Wolfgang: Falter, ‘Heiraten als Kunst’, 1 Feb, 1993, p 47. Winter, Judith: The Tempest, ‘A continuing dialogue’, May 1993, pp 19–20. Lyttleton, Celia: Mail on Sunday, ‘Collectables: Gilt - Framed Investments’, 13 June 1993, p 28. Bevan, Roger: The Art Newspaper, ‘Lisson’, #30, Jul/Sep, 1993.

18 Shone, Richard: The Observer, ‘God’s bods and odd bods’, 8 Aug. 1993. Lubbock, Tom: The Independent, ‘Stupid like a conceptualist’, 10 Aug. 1993. Dorment, Richard: , ‘Hypnotised by a handful of stars’, 11 Aug. 1993. Combalia, Victoria: Babelia, ‘Telas con Gato’, 11 Sep, 1993. Combalia, Victoria: El Pais, Madrid, ‘Artistas Ingleses ... las galerias e instituciones del Reino Unido’, 11 Sep, 1993. Art Monthly, Art notes, #169, Sep, 1993, p 32. Crabtree, Amanda: Ville et Communication, ‘Restruction Artistique pour Givors’, #106, 27 Sep, 1993, p 8. Cottingham, Laura: Frieze, ‘“Wonderful life” - the Lisson Gallery, London’, #12, Sep/Oct, 1993, pp 56–7. Flash Art International, ‘London: It’s a Wonderful life at the Lisson’, Oct. 1993. Odling-Smee, James: Art Monthly, ‘“Wonderful life”, Lisson Gallery’, #170, Oct. 1993, pp 26– 7. L.B.: Le Progrés, ‘Opération RN 86: Le Mystère Persiste’, 16 Oct. 1993. Rhodes, Richard: C Magazine, Contemporary Art Quarterly, ‘Our Disneyland’, #39, Fall 1993, pp 20–7. Wilson, Andrew: Forum International, ‘“Wonderful Life”, Lisson Gallery,London’, #19, Oct/Nov, 1993, p 136. Harada, Ruiko: Bijutsu Techo Monthly Art Magazine, ‘Wonderful life’, Vol. 45, #678, Nov. 1993, pp 148–9. Cummings, Neil: Obieg Magazine for Contemporary Art, Warsaw, ‘Cudowne Zycie’, Nov/Dec, 1993, pp 44–5. Lorés, Maite: Art Line, ‘Wonderful Life’, Dec. 1993 Guéhenneux, Lise: Revolution, Les Enjeux, ‘Art et Ville, Recontre’, #721, 23–9 Dec, 1993, pp 24–6. Kastner, Jeffrey: Art Monthly, ‘Where’s the Scene’, #172, Dec/Jan, 1993/4. pp 14–17. Yamada San: Daily Asahi, 28 Jan. 1994. Our City, ‘ and Simon Patterson’, Vol. 1, Jan. 1994, p 68. Gallery (Japan), Vol. 2, Feb. 1994, p 40–41. Cassim, Julia: The Japan Times, ‘Chodzko, Patterson’, 13 Feb. 1994, p 10. Art Weekly (Japan), Issue, 3, Vol. 22, 1994. Pia, ‘Six young artists at the forefront of British Art’, 22 Mar. 1994, p 19. Studio Voice, ‘Six British Artists - High Fidelity’, #4, Vol., 220, Apr. 1994, p 75. Contemporary Art, ‘Wall to Wall’, Spring, 1994, p 52. The Southern Daily Echo (Southampton), ‘Wall to Wall Insults’, 27 Apr. 1994. The Tatler, ‘Wall to Wall’, May 1994. Heden, Anne: Pastau, 'Vardaagen med Nya ögon', 6–12 May, 1994. Hall, James: The Guardian, ‘Extra Mural Activity’, 9 May 1994, pp 4–5. Ericson, Lars: Dagens Nyheter, 'Brittisk skulptur so ger mersmak', 27 May, 1994. Nilsson, Joen Peter: Aftonblatet, 'Sex Vald Knark Makt Sprark Smuts Lyx Kön', 31 May, 1994, pp3–5. Besson, Christian: Flash Art ‘“Surface de Réparations” - FRAC de Bourgogne, Dijon’, Vol. XXVII, #176, May/Jun, 1994, p 122. Gysing, Kenneth: Elle, 'Fem Unga Britter', June, 1994. Allerhom, Milou: Kulturen, 'Krigsleksaker', 3 June, 1994. Nakamura, Hiromi: Nippon Camera, ‘Photography is Already Antique’, #636, July 1994, p 137.

Godfrey, Tony: Untitled Magazine: A Review of Contemporary Art, #5, Summer 1994, pp 8–9. Feaver, William: The Observer, 1994. Brayer, M A: Exposé, ‘Du Sujet aux Identités Nominales: Enquêtte sur le Propre Noms’, #1, Spring/Summer, ‘94, pp 4–35.

19 Gale, Iain: The Independent, ‘Staying true to type’, 12 Jul, 1994. Jennings, Rose: Time Out, ‘Simon Patterson, Chisenhale’, 13-20 July 1994, p 37. Grant, Simon: , ESP Magazine, ‘Rising Star: Simon Patterson’, 15 July 1994, p 48. Kastner, Jeffrey: Art Monthly, ‘Up Against it’, #178, Jul/Aug, 1994, pp 7–11. Gisbourne, Mark: Art Monthly, ‘Fiction/Non-Fiction’, #178, Jul/Aug, 1994, pp 35–7. Lillington, David: Metropolis M, ‘Simon Patterson, Chisenhale Gallery, Londen’, #4, Aug. 1994, p 51. BBC 1 Television; The Clothes Show, Sept 1994. Hunt, Ian: Art Monthly, ‘Simon Patterson, Chisenhale Gallery, London’, #179, Sep, 1994, pp 35– 7. Collings, Matthew: The Independent on Sunday Magazine, ‘A Guide to Invisible London’, 25 Sep, 1994, pp 32–3. Nikkei Art, 'Wonderful life', #61, October, 1994, p97. Courtney, Cathy: Art Monthly, ‘Artists’ Books: In The Public and Private Domain’, #179, Sep, 1994, pp 42–3. Smith, Roberta: The New York Times, ‘Mapping - Museum of Modern Art’, 14 Oct. 1994. Troncy, Eric: Prime Time: le Magazine des expositions, (Video Magazine), Nov. 1994. Umbrella Magazine ‘Bookworks from England: Rex Reason’, Vol. 17, Dec. 1994, p 102. Makabe, Kaori: Bijutsu Techo Monthly Art Magazine, ‘Very New Art’, Vol. 47, #700, BT/1, Jan. 1995, pp 144–45. Cork, Richard: The Times, 'The Institute of Cultural Anxiety', 31 Dec., 1994. Weil, Benjamin: Art Monthly, ‘Mapping’, #182, Dec/Jan, 1994/5, pp 31–2. Dorment, Richard: The Daily Telegraph, ‘Science Friction, The ICA - Works from the Collection’, 11 Jan. 1995, p 21. Gandy, Nadine: Technikart, ‘Les Londiens s’exportent à l’est’, Mar/Apr, 1995, p 18. Print Collectors Newsletter (U.S.A.), ‘Rex Reason’ Mar/Apr, Vol. XXVI, #1, 1995, pp 24–5. Morgan, Stuart: Frieze, ‘The Future is not what it used to be’, 1995, pp 34–7. Roberts, James: General Release Catalogue, ‘Never had it so good’, published by The British Council 1995, pp 49–62. Lillington, David: Time Out, ‘London Lines: Art in the Open’, 1995, p 9. Art & Design: ‘Rex Reason’, 1995, p 21. Rawes, Peggy: Art & Design, British Art Defining the ‘90’s), ‘Book Works’, #41, 1995, pp 8–11. Gandy, Nadine: Techikart, Les Londiens s'exportent à l'Est',March/april, 1995, p18. Bruthansová, Tereza: Ateliér, ‘Staronová Gandy Galerie aneb Z Roztok do Prahy’, #12, 6 June 1995, p 9 & 15. Graham-Dixon, Andrew: Vogue (English Edition), ‘The British Art Buzz’, Vol. 161, #8, Jun 1995, pp 118–23. Flood, Richard: Artforum, ‘Dream Tate, preview: Richard Flood talks with ’, Oct. 1995, pp 33–5. Cork, Richard: The Times, ‘Summer brings cold comfort’, 15 Aug, 1995, p 36. Crea, Tokyo, Nov. 1995, p 191. Gallery (Japan0 Nov. 1995, p 141. Art & City, 21 Nov. 1995. Le Figaro, (Japon): 5 Dec. 1995. Wakefield, Neville: Tate Art Magazine, 'Quite Brilliant', #7 Winter, 1995, pp32–9. Makabe, Kaori: Bijutsu Techo Monthly Art Magazine, Vol. 48, #718, BT/1, Jan. 1996, pp 148–9. Studio Voice: Vol. 241, Jan. 1996. Ford, Simon: Art Monthly, ‘Myth Making’, #194, Mar. 1996, pp 3–9. Archer, Michael: Art Monthly, ‘No Politics Please We’re British’, #194, Mar. 1996, pp 11–14. Hunt, Ian: Art Monthly, ‘Simon Patterson: Lisson Gallery’, #195, Apr. 1996, pp 29–30. Harris, Mark: Art in America, ‘Simon Patterson at Lisson’, July 1996, pp 96–7.

20 Dorment, Richard: The Daily Telegraph, ‘When ideas are child’s play’, 10 Apr. 1996, p 19. A.S: Code Magazine, 'Simon Patterson at the Lisson', April, 1996. Lovatt, Estelle: Southern Cross, 'Alexander & Susan Maris/Simon Patterson', 3 April, 1996. Kafala, Samira: The London Magazine, 'Eye Openers', April 1996, p185. Kent, Sarah: Time Out, ‘Simon Patterson - Lisson’, 3-10 Apr. 1996, p 49. Tedman, Iona: Footloose Magazine, ‘Simon Patterson - Lisson Gallery’, #3, 27 Mar. 1996, p 5. Garnett, Robert: Tate: The Art Magazine, ‘A frame of two halves’, #9, Summer, 1996, pp 42–7. Higgie, Jennifer: Frieze, ‘Simon Patterson - Lisson Gallery, London’, #29, Jun/Jul/Aug, 1996, pp 67–8. Pirman, Alenka: Napovednik, ‘Obcutek za red’, #19, 6–13 May 1996, p 90. Nugent, Julie: What’s on North, 1996. BBC Radio 4: Kaleidoscope, ‘Offside!’, 8 Jun, 1996. Collins, Michael: The Daily Telegraph, ‘Games People Play’, 11 June 1996. Stringer, Robin: The Evening Standard, ‘Photographs and technology vie for £20,000 Turner Prize’, 19 June 1996, p 19. Packer, William: The Financial Times, ‘Runners line up for the Turner Prize’, 19 June 1996, p 15. Daily Express, ‘An art exhibit that’s calculated to confuse’, 20 June 1996, p 24. Daily Mail, ‘Men vie for Turner Prize’, 20 June 1996. Glaister, Dan: The Guardian, ‘Turner shortlist fails to shock’, 20 June 1996, p 3. Dorment, Richard: The Daily Telegraph, ‘A shockingly sensible choice’, 20 Jun, ‘96, p 12. Lister, David: The Independent, ‘Boys’ own club occupies shortlist for the Turner Prize’, 20 June 1996, p 9. Alberge, Dalya: The Times, ‘Tate excludes shock factor from Turner Prize’, 20 June 1996, p 9. Express & Star Reporter: The Express & Star, ‘All male bid for Turner Prize’, 20 June 1996, p 35. BBC2: Video Nation, ‘Offside’, June 1996. Pitman, Joanna: The Sunday Times, ‘Hidden assets - rare combination of talents graces walls of law firm’, 23 Jun, ‘96. Flash Art International (Flash Art News), ‘Manchester - An Artistic Look At Football’, Vol. XXIX, #189, Summer, 1996, p 73. Haynes, Rob: The Big Issue in the North, ‘Offside’, 17–23 June 1996. White, Maria: Arlis News–sheet, ‘Offside! Contemporary Artists and Football’, #120, May/Jun, 1996. Graphics International: ‘Football Crazy’, June 1996. Hamilton, Robert: City Life - Manchester, ‘Offside! Contemporary Artists and Football’, 20 June 1996. Vogel, Carol: The New York Times, ‘Inside Art: London’, 28 June 1996. Granada TV Sport: ‘Euro ‘96 snapshot’, 28 & 29 June 1996. Glaister, Dan: The Guardian, ‘Artists create a Left Bank in the east of London’, 10 June 1996, p 3. Art Monthly, 'Turner Prizewize', #198, July 1996, p19. Cornwell, Jane: Sydney Morning Herald, ‘...and the Best of British’, 30 July 1996, p? Cross, Andrew: Art Monthly, ‘Offside! Contemporary Artists and Football’, #198, Jul/Aug, 1996, pp 37–9. The London Evening Standard: ‘Turner Prize for Tube map?’, 23 Jul, 1996, p 55. Buck, Louisa: GQ (Gentleman’s Quarterly), ‘The Beautiful Game’, #86, Aug. 1996, p 48. Patterson, Simon: The Guardian, ‘A brush with genius: Simon Patterson on Fischli & Weiss’s...’, 6 Aug, 1996, p 7. Meridian TV: ‘Offside’, Sep, 1996. Self, Will: New Statesman ,‘The Turner Prize’, Nov. 22, 1996. Goal Magazine: ‘Offside!’, 1996.

21 Attitude Magazine: ‘Offside!’, 1996. Contemporary Art: ‘Offside!’, 1996. Total Football (catalogue Review): ‘Offside!’, 1996. Football Italia Magazine: ‘Offside!’, 1996. World Art: ‘Offside!’, Nov/Dec. 1996. Collings, Matthew: Modern Painters, 1996, p? Gibson, Jeff: Art + Text, ’Young British Artists’, #55, Oct. 1996, p 91. Make: Womens Art Magazine, ‘The Turner Prize’, #72, Oct/Nov, 1996, pp 17–88. Cork, Richard: The Sunday Times Magazine ‘ Playing to the gallery’, 19 Oct. 1996, pp 37–42. Beckett, Andy: The Independent on Sunday, ‘Is there life after the dead cow?’, 27 Oct (& cover) 1996, pp 18–22. Alberge, Dalya: The Times, ‘Turner contenders crave open mind as well as open eyes’, 29 Oct. 1996, p 5. Searle, Adrian: The Guardian, ‘Bananas’, 29 Oct. 1996, pp 6–7. Thoburn, Russell: Trash Magazine, Oct. 1996, p11. Feaver, William: Observer Life, ‘Exhibition of the week’, 28 Oct. 1996, p 84. Packer, William: The Financial Times, ‘Narrow Academy’, 29 Oct. 1996, p? Lamb, Robert: Artists Newsletter, 'The Turner Prize effect', Nov., 1996. Raybould, John: The Times, ‘Down the Tube’ (letter to the editor), 2 Nov. 1996, p 23. Hensher, Philip: The Mail on Sunday (Reviews Gazette), ‘T he Turner Prize: Not all that bad, really’, 3 Nov. 1996, p? Dorment, Richard: The Daily Telegraph, ‘How do you measure modern art?’, 6 Nov, 1996, p 21. Graham–Dixon, Andrew: The Independent (tabloid), ‘Spreading the word’, 12 Nov. 1996, p4–5. Robert, Alison: The Stafford NewsLetter, Nov. 1996, p? Kent, Sarah: Time Out, (Preview), ‘Beauty Secrets– on the Turner Prize’, #1370, 20– 7 Nov. 1996, p 65. Wittenberg, Dick: NRC Handelsblad, ‘Wij shocken niet, wij kietelen’, 22 Nov. 1996, p 4. Marlow, Tim: Virgin Airways Inflight TV, ‘The Turner Prize’, Nov. 1996. The Independent, 29 Nov, 1996. The Guardian, 29 Nov, 1996. The Evening Standard, 29 Nov, 1996. The Times, 29 Nov, 1996. Glaister, Dan: The Guardian, 6 Dec. 1996, p 1 Glaister, Dan: The Guardian, 9 Dec. 1996. Collings, Matthew: Modern Painters, “Diary’, Winter, 1996, pp 63–4. MacMillan, Ian: Modern Painters, ‘Bold with Beauty’, Winter, 1996, p 39. Lister, David: Modern Painters, ‘Worry on Virginia ‘, Winter, 1996, p 15. ES Magazine Dec. 1996, p? Tate: The Art Magazine, 1997 Bredin, Lucinda: Artists Newsletter, ”Eye to Eye’, Jan. 1997, p16. Gayford, Martin: Harpers & Queen, ‘Art Quake’, Jan. 1997, pp 102–5 Time Out, 1996, p? Reynolds, Nigel: The Daily Telegraph, ‘Spotlight on the week’,13 Jan. 1997, p 32. Alvarez, Maria:The Telegraph Magazine ,’The Minimalists’, 25 Jan. 1997, pp 67. Ikeuchi, Tsutomu: Flash Art International, ‘City scape Tokyo’, Vol. XXX, # 192, Jan–Feb, 1997, p 58. Greenberg, Sarah & Bevan, Roger: The Art Newspaper, ‘Babes in arms’, #67, Feb. 1997, pp 23–6. Amram, Elisabeth: Technikart, ‘Et si le diable était anglais?’, #9, Feb, 1996, pp54–6. Times, Metro Magazine, ‘Wallsall, Fantasy Football League’, Feb. 28 1997, p43. Bevan, Roger: The Art Newspaper, 'Babes in Arms', #67, Feb. 1997, pp23–26.

22 Mayerová, Simona: Ateliér, ‘Turnerova cena 1996’, #3, 6 Feb. 1997, p 8 &15. Bruthansová, Tereza: Ateliér, ‘Film, video, doba a umeni aneb O Turnerove cene a jinych londynskych událostech’, #3, 6 Feb. 1997, p 8 &15. Turner, Jenny: Vogue, ‘Scientific sex appeal’, Apr. 1997, pp 40–3. Elle Decor (Japan), 1997. Yamamato, Yuko: Axis, ‘Up front: A mischievous humor’, May/June 1997, Vol. 67, pp 2–3. Burton, Jane: The Express, ‘Material Culture’, 1 Apr. 1997. Dorment, Richard: Daily Telegraph, ‘Hypnotic power of the object’, 23 Apr. 1997. Gayford, Martin: The Spectator, ‘Poppet Green is alive and well’, 26 Apr. 1997, p 48. Wilson, Andrew: Art Monthly, ‘Object Lesson’, #206, May 1997, pp 1–4. Harris, Mark: Art Monthly, ‘Immaterial Culture’, #206, May 1997, pp 6–8. Williams, Gilda: Art Monthly, ‘Irredeemable Skeletons’, #206, May 1997, pp 32–4. The Art Newspaper, #70, May 1997, pp 15 & 43. Gooding, Mel: Independent on Saturday Magazine, 24 May 1997, p 10–16. Wiler Zeitung, ‘Western an der Museums–Wand “Wandzeichnungen” von Simon Patterson im Kunsthaus Zürich’, 16 May 1997, p 4. Der Zürcher Oberländer, ‘Western an der Wand – Simon Patterson im Kunsthaus Zürich’, 17 May 1997, p 22. Le Matin, ‘Expo: Wesrens Muraux’, 17 May 1997, p 15. Von Däniken, Hans–Peter: Tages Anzeiger, ‘Gary Cooper und Henry Fonda in Grautönen’ 17 May, 1997, p 57. Anzeiger von Uster, ‘Western an der Wand – Simon Patterson im Kunsthaus Zürich’, 17 May 1997, p 22. Lang, Guy: Blick, ‘High Noon im Kunsthaus’, 20 May 1997, p17. Affentranger–Kirchrath, Angelika: Neue Zürcher Zeitung, ‘Dauereinrichtung auf Zeit – Simon Patterson im Kunsthaus Zürich’, 27 May 1997, p 50. Tagblatt der Stadt Zürich, ‘Wildre Westen an der Wand’, 27 May 1997, p13. Slyce, John: Flash Art, 'Material Culture; the Object in British Art, at the Hayward Gallery', #75, Summer, 1997. Collings, Matthew: The Independent on Sunday, 'The New Establishment', 31 Aug, 1997, pp9–14. Rondi, Joëlle: Art Presse, ‘British Spring: Divers Lieux’, #255, June 1997, p 72. Araki,Natsumi: Bijutsu Techo, ‘Simon Patterson: Roentgen Kunstraum’, July, 1997, pp 154– 5. Barrett, David: Art/Text, ‘Material Culture’, #58 Aug-Oct, 1997, pp100–101. Nathan, Martin: East Anglian Daily Times, ‘Jesus saves, Judas plays center –half’, 8 Aug. 1997. The Guardian, 19 Aug. 1997. Toghazzini, Anthony: Prague Post, ‘Simon Patterson at Gandy Gallery’, 21? Oct. 1997, p? Green David: Contemporary Visual Arts, ‘Bringing it all back home’, issue 16, 1997, pp54– 60. Kearton, Nicola: Art and Design, ‘Material Culture’, Vol. 12, #7/8, July/August, 1997, pp2– 3. Lane, Harriet:The Observer: Observer Life magazine, ‘Postcards from the cutting edge’, 23 November, ‘97, pp10–16. Arnot, Chris: The Guardian, ‘Score draw’, 9 Feb. 1998, p 13. Jansson, Peder: Index, ‘Dimensions Variable: New works from the British Council Collection’, #21, Jan. 1998, pp 86 7. The Times (Metro), 28 February, 1998, p43. Garnett, Robert: Art Monthly, ‘Fantasy Football Art League’, #215, April 1998, pp32–4. BBC TV Northern Ireland, ‘What’ s on –Tracings at Ormeau Baths Gallery’, 26 March 1998. Musgrave, David: Art Monthly, ‘A to Z’, #216, May 1998, pp 29–30.

23 Musgrave, David: Art Monthly, ‘North and South’, #217, June 1998, pp 2223. Musgrave, David: Art Monthly, ‘Then and Now’, #219, Sept. 1998, pp 2930. Garnett, Robert: Art Monthly, ‘Fantasy Football Art League’, #215, Apr. 1998, pp 32–34. JH: d’Letzburger Land, ‘Figuration/aliénation’, No. 26, June 26, 1998. Lorgé, Marie–Anne: le Jeudi, ‘Kettle Blue’, Sept. 3, 1998, p26. Plagens, Peter: Art in America, ‘Bully for the Brits’, pp 37–9, June 1998. BBC2, ‘The Secret Art of Government’, (first broadcast 13 June 1998). Chubu: Bijutsu Techo , ‘Simon Patterson at Kohji Ogura Gallery”, Vol. 50, #755, May, 1998, p157. Swartz, Mark: Circa, ‘Tracings, Ormeau Baths, Belfast’, #84, Summer, 1998, p62. Yates, Robert: The Observer Review, ‘This is a map…', Aug. 30, 1998, p2. Bijutsu Techo Monthly Art Magazine, ‘Close up!’, Vol. 50, #764, BT/12, Dec. 1998, pp 172– 3144–45. Kino, Carol: Time Out, New York, ‘Educating Barbie’, Sept. 17–24, 1998. Barclay Morgan, Anne: Sculpture, ‘Paths to Success: Recently “Emerged” Artists’, July/August, 1998, pp48–53. Hilton, Tim: The Independent on Sunday, The Critics, ‘These are a lot of his favourte things’, dec. 20, 1998, p7. Kilburn Times; ‘Simon’s footie fantasy…’, Mar. 4 1999, p1. Katayama, Aki: InterCommunication, ‘General Assembly’, #28 Spring 1999, pp7–9. Art monthly, 'Underneath the paving stones', #226, May 1999, p20. Voralberger Nachrichten, ‘Nicht nur was für Narzisse’, Aug. 27 1999. Voralberger Nachrichten, ‘”Enter the Dragon” von Simon Patterson’, Aug. 20 1999. Neue Voralberger Tageszeitung, ‘Patterson “ Enter the Dragon”’, Aug. 20, 1999. Contemporary Art Magazine, Aug. 1999. Gleadell, Colin: Art Monthly, ‘Its all over now’, #230 0ct. 1999, p. 53. Turner, Grady: Flash Art, 'Sick stuff', Nov./Dec., 1999, p57. Time Out magazine: (picture only) Apr. 12–19, 2000, p 60. Hill, Albert: The Guardian, Space Magazine, ‘More Juicy’, Apr. 27, 2000, pp12–13. Clark, Paul: The London Evening Standard, ‘Going Out’, Apr. 10, 2000, p 58. Gleadell, Colin: Art Monthly, ‘Spain and Spin’, #236 May 2000, pp 60–61. Packer, William: The Financial Times, 'Screening Time', 6 May, 2000. Staple, Polly: Art Monthly, ‘Video Show House’, #238 Jul–Aug. 2000, pp 11–14. Cook, Mark, The Big Issue, London, ‘Exhibition of the week: Lisson Gallery in Covent Garden’, 1-7May, 2000. C.B: Flash Art, ‘Lisson video show’, Summer 2000, vol. XXXIII, no. 213, p53. Godfrey, Mark: Frieze, ‘Video work: Lisson Gallery in Covent Garden London’, issue 54, October 2000, pp128–9. Clark, Paul: London Evening Standard, ‘Art: Lisson Gallery in Covent Garden’, 24 May, 2000, p 59. Searle, Adrian: The Guardian, ‘Step into another world’, 4 May, 2000, pp12–13. Hunt, Jeremy: Sunday Business, ‘The broad canvas of sales’, 14 May, 2000, p43. Burnett,Tom: The British Comedy Awards 2000 Magazine, ‘All stations to Les Dawson’, Profile Pursuits Publications, pp172–3, 2000. Ulmer, Brigitte; bolero, 'Kunstzene London Explosion an Kreativitaet!’, Sept., 2000, pp26– 32. Bollen, Christopher: V (Visionaire) Magazine, ‘Graphic Language’, issue V8, Holiday 2000, pp 8–12. A.C: The Times, Play Magazine, ‘Simon Patterson, Ikon Gallery’, 23 Dec., 2000, p28. R.C: The Guardian, The Guide, ‘Art in the Park 2000’, 29 July – 4 Aug., 2000, p23. McLaren, Duncan: Contemporary Visual Arts, ‘Ancestral Voices’, issue 32, 2001, pp54–59.

24 Bracewell, Michael: The Royal Academy Magazine, ‘Culture Beyond the M25’. #70, Spring 2001, p63. Rattray, Fiona: The Independent on Sunday, (Visual Art: Culture), ‘Hola! – Brit Art arrives in Spain’, 25 Feb., 2001. Bussman, Kate: Red, ‘Red Hot: What a save’, Sept 2001 p123. Sudjic, Deyan: The Observer Review, ‘Let’s hear it for young British Talent’, 19 Aug. 2001. Kröner, Magdalena: Rheinische Post, 'Explodierende Landschaften', 25 Oct., 2001. Cook, Sarah: Public Art Journal, 'Down in the Woods: New Media at Grizedale', vol. 1#5, 2002, pp 26–35. Herbert, Martin: Time Out, ‘Teeth and Trousers’, Aug. 2001. The Financial Times, 'Corporates join in the party', 3 Sept. 2001. Jane Griffiths: Flux Magazine, 'Radar/Visual Arts', #29, 2002. Cork, Richard: The Times (T2), 'And for my next trick…', 8 Mar., 2002, p 10. Frankfurter Algemeine Zeitung, 2002. McCord, Sharon: Scotland on Sunday (Spectrum Magazine). 10 Mar., 2002, pp28–31. Hills, David: The Observer (Sport), 'Football Synaesthetes Pile in', 10 March, 2002, p2. Palmer, Daniel: Critical Interventions – Biennale of Sydney 2002, Artspace Visual Art Centre, Sydney, ‘A Surrealist Party Tape’. May 2002. Frost, Andrew: Australian Style, ‘Sydney Biennale: a–z definitive guide’, Number 62, May 2002, pp104–7. Sydney Morning Herald, May 2002, p Slessor, Catherine: The Architectural Review, 'Folding Planes', April 2002, pp56–7. Davey, Peter: The Architectural Review, 'Red Letter House', April 2002, pp58–61. Bird, Nicky: Art Monthly,' Con Art', #255, April, 2002, pp 27–9. Ward, Ossian and Holmes, Pernilla: Art Review, 'Sensation: Five years after the fallout', vol. LIII, April 2002, pp32–41. Perkins, Emily: The Independent on Sunday Review, 'I want to dress in a tutu and be sawn in half', 9 June 2002, p32. The Sunday Times, 23 June, 2002, p Kent, Sarah: Time Out, ‘Escape Routine’, July23–31, 2002, p56. Observer, 14 July 2002. Creative Review, 2002. Palmer, Daniel: Frieze, ‘Sydney Biennale’, issue 69, Sept. 2002. Ward, Ossian: Art Review, vol. , , 2002. p. Art Monthly, 2002. p. Williams, Eliza: Contemporary, ‘Simon Patterson – Escape Routine’, Oct. 2002, p85. Modern Painters, 2002. p. Morton, Tom: Tate: International Art and Culture, ‘Everyone’s a winner’, Nov/Dec. 2002, issue 2, pp70–4. Barrett, David: Art Monthly, ‘Typeofgravy’, #267, June, 2003, pp26–7. Waters, Nick: Dog World, 2004. Dunne, Aidan: The Irish Times, “See it… Read it”, 22 Apr., 2004, p11. Gale, Iain: Scotland on Sunday, “Sublime in the ridiculous”, 12 Sept., 2004, p12. Allford, Simon: Architecture Today, “Scale Model: Arup Associates at Plantation Place”, #151 Sept. 2004, pp58-77. Merrick, Jay: The Independent Review, “One Giant Leap for public Art”, 3 Nov., 2004, pp12-13. O’Carroll, Hosking and Brundle: The Bulletin, “The Multi-coloured Moonwall”, #189 Oct. 2004, p2 & 23. Tait, Simon: The Independent Arts & Book Review, “Oh my God”, 12 Nov., 2004, pp1-4. Glancey, Jonathan: The Guardian (G2), “Concrete achievements”, 2 Dec., 2004. pp 12-13. Waters, Nick: Dog World, 2005.

25 Edinburgh Evening News, ‘Top artist to show at Fruitmarket’,26 Jan., 2005. Tank Magazine, Spring 2005. Chadwick, Alan: Metro Scotland, 1 Feb., 2005, p18. Pia, Camilia: Scotland on Sunday, review supplement, ‘Critic’s choice’ (Interview with Fiona Bradley), 12 Feb., 2005. Hay, Claire: Scotland on Sunday, at Home Supplement, ‘Critic’s choice’, (Preview), 20 Feb., 2005. Gleadell, Colin: Daily Telegraph, ‘Object of the week’, Feb. 21, 2005. The Big Issue in Scotland, preview, 24 Feb. –2 Mar., 2005 Jeffrey, Moira: The Herald, Going Out Guide,’ Life from a different perspective’, 24 Feb., 2005. Blaswick, Iwona: The Culture Show, BBC2 Television, 24 Feb., 2005. Clark, Robert: The Guarian (Guide), 26 Feb. – 4 Mar., 2005. Chapman, Peter: The Independent (The Information Magazine), preview exhibitions pages, 26Feb. – 4 Mar., 2005. Refresh Magazine, Preview, Mar., 2005 Pluk Magazine, Mar.–Apr., 2005. Edelweiss Magazine, preview, Apr., 2005. Simms, Michael: Printmaking Today, preview, Spring, 2005. Ward, Ossian: Royal Academy Magazine, preview, Spring, 2005. Flux Magazine, preview, Mar.–Apr. 2005. Tema Celeste, preview, Mar. 2005. Hotshoe Magazine, preview, Apr.–May, 2005. McDermott, Leon: Metro Scotland, ‘ Simon Patterson; High Noon’ 1 Mar., 2005. MacMillan, Duncan: The Scotsman, ‘Size matters for artist with a clever twist on subversion’, 1 Mar., 2005. The List, Hit list, ‘Simon Patterson’, 3–17 Mar., 2005, p101. The Guardian Guide, Exhibitions: ‘Pick of the week’, 5–11 Mar., 2005 Januszcak, Waldemar: The Sunday Times, Culture Magazine, ‘From the rag-and-bone shop to the heart’, 6 Mar., 2005. Gale, Ian: Scotland on Sunday, Review, ‘Colourful thinker with talent for the art of the grey matter’, 6 Mar., 2005. Cooke, Lindy: The Sunday Telegraph, critic’s choice, 6 Mar., 2005. The List, ‘Hitlist’ – The best exhibitions column, 17–31 Mar., 2005. p 102. Mottram, Jack: The List, ‘Simon Patterson: High Noon’, Mar. 17–31, 2005. p 103. Lubbock, Tom: The Independent, 14 Mar., 2005. The Guardian Guide, ‘Pick of the Week’, 26 Mar.– 1 Apr. 2005. Art-magazin, Mar.–Apr., 2005. The Art Newspaper, Apr., 2005. Canadian Art Magazine, Spring, 2005. Lapiz International Art, Spring, 2005. Beaux Arts Magazine, Mar., 2005. Vogue world of Interiors, Apr., 2005. Student Newspaper, (Edinburgh University), Apr. 5, 2005. The List, ‘Hitlist’– The Best Exhibitions column, 31 Mar.– 14 Apr., 2005. Concept for Living Magazine, Preview, Apr., 2005. Noise Magazine, Review, 24 Mar.–7 Apr., 2005. The Guardian Guide,’Pick of the Week’, 9–15 Apr., 2005. Emslie, Kate: Edinburgh Evening News, ’Landskip 2005’, 12 Apr, 2005. The List, ‘Agenda’ news item ‘Landskip 2005’, 14–28 Apr., 2005. The Guardian Guide, ‘Pick of the Week’, 16–22 Apr, 2005. Black, Catriona: Sunday Herald, the critics Supplement, Review, 20 Mar., 2005.

26 Sally O’Reilly: Implicasphere ’Important Noses”, 2005? Cockburn, Ken: Map, ‘High Noon’ (books review), issue 2, summer, 2005. p 63. Zoekt systeem: Magazine over kunst, nummer 6, 2005, p66-7 Krietling, Holger: Die Welt, ‘Werte des Westerns’, 9 Jul., 2005, p 27. Lack, Jessica: The Guardian Guide, ‘Tall Stories’, 13-19 Aug, 2005, p 36. Campbell Johnston, Rachel: The Times: The Knowledge, ‘Top five galleries’, 20 Aug, 2005. Malvern, Jack: The Times, ‘Themed Art to suit your mood’, 14 Sep, 2005, p 15. Flintoff, John-Paul: The Sunday Times Magazine, ‘Wonder Walls’, 21 Aug, 2005, pp 28-33. Campbell-Johnston, Rachel: The Times (times2), ‘Mystery, Myth and Cosmic Wallpaper’, 30 Apr., 2008, p13. Doughty, Louise; Goldfarb, Michael and O’Flynn Catherine: The Saturday Review, BBC Radio 4 ‘Simon Patterson: The Undersea World and other stories’, 3 May, 2008. Burns, Sergio: Contemporary21, “Simon Patterson profiled”, issue 13 on text Art, 2008, pp 84-7. Haslam, Chris: The Sunday Times, ‘Dulce et decorum est’, 9 Nov., 2008. p 4. Boucher, Brian: Art in America, ‘Simon Patterson: Benrimon Contemporary’.January 2011. pp117-18. Wright, Herbert: Blueprint, “View’ p27, Jan 2012 Philips, Sam: RA Magazine, “’Simon Patterson: Under Cartel’ at Haunch of Venison”. 16 Jul 2012 http://www.royalacademy.org.uk/ra-magazine/blog/simon-patterson-under-cartel-at- haunch-of-venison,255,BAR.html Jones, Jonathan: The Guardian, “Horse swap: Simon Patterson rides to the rescueof equestrian statues”, http://www.guardian.co.uk/artanddesign/jonathanjonesblog/2012/jul/19/simon-patterson- equestrian-statues-under-cartel 19 Jul . 2012. Kante, Sarah, Idol Magazine http://idolmag.co.uk/art-culture-review/simon-patterson Jul. 2012 Pilger, Zoe, The Independent, “Simon Patterson: Under Cartel Haunch of Venison, London”, 28 Aug 2012.. “Simon Patterson Under Cartel” Timeout, Jl? Aug? 2012. Barrett, David: Art Monthly,”Prophetic Diagrams”, pp29-30. #363 Feb 2013 Gleadell, Colin, Daily Telegraph , “Art market news: Lukewarm Western art sales to Chinese Market” 22 April 2013. http://www.telegraph.co.uk/culture/art/art-news/10011098/Art- market-news-Lukewarm-Western-art-sales-to-Chinese-market.html Giasson, Steve, e-flux Magazine, ‘The Dark Would project; on, in,and out – Artist’s text on text Art: On Simon Patterson’s Black-list”. Jan. 2014.

PUBLIC COLLECTIONS

The Museum of Modern Art, New York. Tate Gallery, London. London Transport Museum, London. Victoria and Albert Museum, London. SFMoMA. Arts Council of Great Britain, London. Wakayama Prefectural Museum MoMA, Wakayama. University of Warwick. Royal Holloway College, University of London. Kunsthaus, Zurich. Art Metropole, Toronto. Museum of Contemporary Art, Nagoya.

27 The National Museum of Art, Osaka. The British Council Collection, London. Doncaster Museum & Art Gallery. The British Government Art Collection. Denver Art Museum. Towner Art Gallery, Eastbourne. Columbia College , Chicago Dallas Museum of Art.

CORPORATE COLLECTIONS

Deutsche Bank Collection, London. Norton Foundation, Santa Monica, Ca. Virgin Records HQ, London. De Beers Diamonds Art Collection, London. Simmons & Simmons Collection, London. Simon BC Partners, London. BMW Art Collection, London. Riheji Corporation, Nagoya. Penguin Books Art Collection. Melita Art Collection, Düsseldorf. Sullivan & Cromwell, Solicitors, London. British Broadcasting Corporation Collection, London. Obayashi Corporation, Tokyo. , London.

TEACHING EXPERIENCE (UNDERGRADUATE AND POSTGRADUATE).

0.4B LECTURER (Postgraduate Sculpture) at the from 2007-2010 Additional Fine Art undergraduate and RDP teaching.

External examiner at Brighton School of Art from 2009-12 (BA Sculpture) Chief External examiner at Brighton School of Art from 2010-12 (BA Fine Art)

Selected Visiting Lectureships:

Slade School of Fine Art Chelsea College of Art Royal College of Art Goldsmiths’ College Wimbledon KIAD, Kent Central / St Martins Newcastle University Carlisle School of Art Leicester School of Art Hull School of Art Camberwell School of Art Southampton School of Art Cheltenham Art School University of Westminster Northampton School of Art

28 Brighton Art School Sotheby’s Curating Course Ruskin, Oxford

Selected Public Talks/Lectures:

Tate Britain (in conversation with John Baldessari) MoMA, N.Y. V&A Royal Academy McLaren Technology Centre Woking Open University, Walton Hall Milton Keynes Milton Keynes Art Gallery Haunch of Venison, London Southampton City Art Gallery Lisson Gallery London Hayward Gallery, London (in conversation with David Barrett), 1995 Musée Matisse Le Cateau-Cambresis, France. Fruitmarket Gallery, Edinburgh (in conversation with Jonathan Watkins), 2005 Fruitmarket Gallery, Edinburgh (with Mike Nelson and Patricia Bickers), 2008 Ikon Gallery, Birmingham (in conversation with Michael Archer), 2005 MoCA Sydney Sheffield Hallam, 2000 National Maritime Museum, Greenwich (in conversation with Professor John Zarnecki) Mitaka City Art Gallery, Tokyo Goethe Instituit Lille, 2011 Sheffield Hallam, 2013 Manchester Metropolitan, 2014 Chelsea school of Art (Printmaking), 2014

29