Bloomsbury (Bloomsbury) Bloomsbury Auctions 24 Maddox Street

Total Page:16

File Type:pdf, Size:1020Kb

Bloomsbury (Bloomsbury) Bloomsbury Auctions 24 Maddox Street Dreweatts & Bloomsbury (Bloomsbury) Bloomsbury Auctions 24 Maddox Street . Editions & Works on Paper London W1S 1PP Started 02 Dec 2015 10:30 GMT United Kingdom Lot Description Craigie Aitchison (1926-2009) - Daffodils & Candlesticks screenprint in colours, 1998, signed in white ink, inscribed AP XIII/XV, an 1 artist's proof aside from the edition of 75, on wove paper, the full sheet printed to the edges, sheet 694 x 562 mm (27 1/4 x 22 1/8 in) IMPORTANT: This lot is sold s ...[more] Craigie Aitchison (1926-2009) - Birds lithograph printed in colours, 1996, signed and dated in black ink, numbered 83/100, on wove 2 paper, with full margins, sheet 282 x 232 mm (11 1/8 x 9 1/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Ter ...[more] Norman Ackroyd (b.1938) - St Kilda - Stac Lee and Stac an Armin etching with aquatint, 1990, signed, titled and dated in pencil, 3 numbered 18/90, on wove paper, with full margins, sheet 585 x 755 mm (23 x 29 3/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can ...[more] John Banting (1902-1972) - Siamese Triplets; Negro Guitarist two linocuts, 1932-35, each signed and dated in pencil, numbered 37/45 4 and 6/45 respectively, published by Alexander Postan Ltd, London, each on wove paper, with full margins, overall size 225 x 275 mm (8 7/8 x 10 7/8 in) IMPORTANT: This ...[more] George Bissill (1896-1973) - Crucifixion woodcut, signed in pencil, numbered 7/15, on tissue thin Japon paper, with full margins, sheet 5 171 x 127 mm (6 3/4 x 5 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. Horace Asher Brodzky (1885-1969) - The Expulsion linocut printed in black, 1919, signed in pencil, numbered 67/75, on wove paper, 6 with full margins, sheet 331 x 219 mm (13 x 8 5/8 in) John Buckland-Wright (1897-1954) - La Danseuse Kham Luong No. II wood-engraving, 1936, signed, titled, dated and inscribed 'for 7 Chas 1.1.37.' in pencil, numbered 4/30, on tissue thin Japon paper, with full margins, sheet 200 x 137 mm (7 7/8 x 5 3/8 in) IMPORTANT: This lot is sold subject to Artist ...[more] John Buckland-Wright (1897-1954) - Nu Couché (+ 1 work) two engravings, c.1940, each signed in pencil, the first numbered 4/30, both 8 on wove paper, with full margins, 30 x 115 mm (1 1/4 x 4 1/2 in) and 63 x 52 mm (2 1/2 x 2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details ...[more] John Buckland-Wright (1897-1954) - Susanna (+ 1 work) two engravings, c.1930, each signed in pencil, the first numbered 17/30, each 9 on wove paper, with full margins, 123 x 90 mm (4 7/8 x 3 1/2 in) and 140 x 100 mm (5 1/2 x 4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details ...[more] Lynn Chadwick (1914-2003) - Hammacher lithograph printed in colours, 1971, signed and dated in pencil, a proof aside from the edition 10 of 90, published by Erke Presse, St. Gallen, Switzerland, on BFK Rives paper, the full sheet printed to the edges, sheet 765 x 560 mm (30 1/8 x 22 in) IMPORTANT: Th ...[more] Lynn Chadwick (1914-2003) - Homage to Picasso lithograph printed in colours, 1971, signed and dated in pencil, numbered 63/80, 11 published by Propyläen-Verlag, Berlin, on Rives paper, the full sheet printed to the edges, sheet 770 x 560 mm (30 1/4 x 22 in) IMPORTANT: This lot is sold subject to Arti ...[more] Graham Clarke (b.1941) - British Butterflies etching with hand-colouring, signed in pencil, inscribed Artist s Proof, on wove paper, with 12 full margins, 210 x 360 mm (8 1/4 x 14 1/8) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditi ...[more] Henry Cliffe (1919-1983) - Birds three lithographs with extensive hand colouring in watercolour, 1951, one signed and dated in black ink, 13 each on wove paper, with margins, each 520x 315 mm (20 1/2 x 12 3/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be f ...[more] Henry Cliffe (1919-1983) - from the Music suite three lithographs printed in colours, 1964, each signed and dated in pencil, numbered 14 20/50, 45/50 and 12/50 respectively, each on wove paper, with full margins, each sheet 575 x 800 mm (22 5/8 x 31 1/2 in) IMPORTANT: This lot is sold subject to Arti ...[more] Henry Cliffe (1919-1983) - from the Music suite three lithographs printed in colours, 1964, each signed and dated in pencil, numbered or 15 inscribed variously, each on wove paper, with full margins, each sheet 575 x 800 mm (22 5/8 x 31 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Ri ...[more] Henry Cliffe (1919-1983) - from the Music suite three lithographs printed in colours, 1964, two signed and dated in pencil, numbered 16 8/50 and inscribed "Artist's Proof 1" respectively, each on wove paper, with full margins, each sheet 575 x 800 mm (22 5/8 x 31 1/2 in) IMPORTANT: This lot is sold s ...[more] Henry Cliffe (1919-1983) - from the Music suite three lithographs printed in colours, 1964, two signed and dated in pencil, numbered 17 5/50 and 7/50 respectively, each on wove paper, with full margins, each sheet 575 x 800 mm (22 5/8 x 31 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale ...[more] Henry Cliffe (1919-1983) - Untitled a collection of lithographic greeting cards, each on wove paper, overall size 215 x 370 mm (8 1/2 x 18 14 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. Beryl Cook (1926-2008) - Gare du Nord screenprint in colours, signed and titled in pencil, numbered 194/300, on wove paper, with full 19 margins, sheet 916 x 615 mm (36 x 24 1/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions ...[more] Alan Davie (1920-2014) - Celtic Dreamboat II lithograph printed in colours, 1965, signed in pencil, numbered 69/75, on wove paper, with 20 margins, 570 x 800 mm (22 1/2 x 31 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions ...[more] Alan Davie (1920-2014) - Celtic Dreamboat III lithograph printed in colours, 1965, signed in pencil, numbered 72/75, on wove paper, 21 with margins, 570 x 800 mm (22 1/2 x 31 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Condition ...[more] Mary Fedden (1915-2012) - Untitled etching with hand-colouring in watercolour, signed in pencil, numbered 63/100, on wove paper, with 22 full margins, sheet 254 x 204 mm (10 x 8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. Paul Feiler (b.1918) - Ambit S V screenprint in colours, 1973, signed and dated in pencil, numbered 3/20, on wove paper, with full 23 margins, 489 x 485 mm (19 1/4 x 19 1/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. Ian Hamilton Finlay (1925-2006) - I - inshore fishing vessel; P - pocket battleship two gelatin silver prints, each signed on the mount, on 24 smooth wove paper, with full margins, sheet 405 x 305 mm (15 7/8 x 12 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can b ...[more] Elisabeth Frink (1930-1993) - Spinning Man II (W.3) lithograph, 1965, signed and dated in pencil, numbered 5/50, from the Spinning 25 Man series, printed by Curwen Studio, published by Curwen Prints, London, on wove paper, the full sheet printed to the edges, sheet 575 x 805 mm (22 5/8 x 31 5/8 in ...[more] Sir Terry Frost (1915-2003) - Black and Red Solid II (K.39) lithograph printed in colours, 1967, signed in pencil, numbered 44/75, printed 26 by Stanley Jones at the Curwen Studio, London, published by Leslie Waddington Prints, London, on Kent paper, with full margins, 623 x 436 mm (24 1/2 x 17 1/4 in ...[more] William Gear (1915-1997) - Composition lithograph printed in colours, 1956, signed and dated in pencil, numbered 4/30, on wove paper, 27 with full margins, 360 x 520 mm (14 1/8 x 20 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Co ...[more] Robert Gibbings (1889-1958) - Industrial Scene wood-engraving, signed and inscribed 5.50 in pencil, on wove paper, with margins, 200 28 x 207 mm (7 7/8 x 8 1/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Recommended publications
  • City, University of London Institutional Repository
    City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETII-CENTURY ART COLLECTION SCIIEMES AND THEIR IMPACT ON LOCAL AUTIIORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISII ART IN BRITAIN VOLUME III Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA eT...........................•.•........•........................................... ii ACKNOWLEDGEMENTS ......................................................... xi CHAPTER l:INTRODUCTION................................................. 1 SECTION J THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS..........................................................................
    [Show full text]
  • Prints and Multiples and Prints
    Tuesday 24 November 2015 Tuesday PRINTS AND MULTIPLES PRINTS AND MULTIPLES Ӏ New Bond Street, London Ӏ Tuesday 24 November 2015 22804 PRINTS AND MULTIPLES Tuesday 24 November 2015 at 14.00 101 New Bond Street, London VIEWING ENQUIRIES CUSTOMER SERVICES PHYSICAL CONDITION OF Sunday 22 November 11.00 - 15.00 Rupert Worrall Monday to Friday 8.30 to 18.00 LOTS IN THIS AUCTION Monday 23 November 9.00 - 16.30 + 44 (0) 20 7468 8262 +44 (0) 20 7447 7447 Tuesday 24 November 9.00 - 12.00 [email protected] PLEASE NOTE THAT THERE Please see page 2 for bidder IS NO REFERENCE IN THIS SALE NUMBER Tanya Grigoroglou information including after-sale CATALOGUE TO THE PHYSICAL 22804 +44 (0) 20 7468 8212 collection and shipment CONDITION OF ANY LOT. [email protected] INTENDING BIDDERS MUST CATALOGUE ILLUSTRATIONS SATISFY THEMSELVES AS TO Suzanne Irvine THE CONDITION OF ANY LOT £20.00 Front cover: Lot 55 +44 (0) 20 7468 8294 Back cover: Lot 101 AS SPECIFIED IN CLAUSE 14 [email protected] Inside front cover: Lot 45 OF THE NOTICE TO BIDDERS BIDS CONTAINED AT THE END OF +44 (0) 20 7447 7447 Inside back cover: Lot 128 THIS CATALOGUE. +44 (0) 20 7447 7401 fax Jonathan Horwich Page 3: Lot 93 To bid via the internet please Global Pictures Director As a courtesy to intending bidders, visit bonhams.com +44 (0) 20 7468 8280 [email protected] Bonhams will provide a written Indication of the physical condition Please note that bids should be of lots in this sale if a request is submitted no later than 4pm on received up to 24 hours before the day prior to the sale.
    [Show full text]
  • New Editions from Apfelbaum to Wilson • Glenn Brown • Nicole
    US $25 The Global Journal of Prints and Ideas March – April 2018 Volume 7, Number 6 New Editions from Apfelbaum to Wilson • Glenn Brown • Nicole Eisenman • Matt Saunders • Swoon • and more Nina Katchadourian Speaks with Island Press • Bodo Korsig • Todd Norsten • Boston Printmakers • Prix de Print • News AndyAndyAndy Warhol: Warhol: Warhol: Prints Prints Prints from from from the the theCollections Collections Collections of ofJordan of Jordan Jordan D. D.Schnitzer D. Schnitzer Schnitzer and and and His His HisFamily Family Family Foundation Foundation Foundation PortlandPortlandPortland Art Art MuseumArt Museum Museum AAA PASSION PASSIONPASSION FOR FORFOR SHARING SHARINGSHARING ART ARTART CurrentCurrentCurrent Exhibitions Exhibitions Exhibitions “For“For“For me, me, me, waking waking waking up up up each each each day day day without without without art art art around around around AndyAndyAndy Warhol: Warhol: Warhol: Prints Prints Prints from from from the the the Collections Collections Collections of of of mememe would would would be be be like like like waking waking waking up up up without without without the the the sun. sun. sun. JordanJordanJordan D. D. D.Schnitzer Schnitzer Schnitzer and and and His His His Family Family Family Foundation Foundation Foundation WhenWhenWhen you you you live live live with with with art art art around around around you, you, you, your your your mind mind mind PalmPalmPalm Springs Springs Springs Art Art Art Museum Museum Museum PalmPalmPalm Springs, Springs, Springs, CA CA CA • • Mar• Mar Mar 3, 3, 3,2018 2018 2018 - -May -May May 28, 28, 28, 2018 2018 2018 andandand soul soul soul are are are filled filled filled withwithwith the thethe beauty beautybeauty of of oflife life life and andand the thethe creativitycreativitycreativity of of of the the the human human human spirit.” spirit.” spirit.” EnriqueEnriqueEnrique Chagoya: Chagoya: Chagoya: Reimagining Reimagining Reimagining the the the New New New World World World NevadaNevadaNevada Museum Museum Museum of of Artof Art Art —— —JORDAN JORDAN JORDAN D.
    [Show full text]
  • Art Stage Jakarta 2016
    Art Stage Jakarta 2016 Sheraton Grand Jakarta Gandaria City Stand D18 Seoul-based artist Chun Kwang Young (b. 1944, Hongcheon County, Korea) received his BFA from Hongik University in Korea and MFA from the Philadelphia College of Art, USA. Known for his sculptural assemblages—both freestanding pieces and wall-hung low reliefs—Chun composes his forms from a myriad of small shapes wrapped in Korean mulberry paper. With a trompe l’oeil quality, Chun’s sculptures create the illusion of depth and coalescence and, ultimately, represent the harmony and conflict in the unity of many. Inspired by childhood memories of clusters of medicine packages, wrapped in mulberry paper and hung from the ceiling at the clinic, Chun Kwang Young began using this material in his works, deeply imbuing them with distinctly Korean connotations and sensibilities. His well- known sculptural Aggregations feature hand-cut triangles of polystyrene, individually wrapped in delicate mulberry paper pages torn from old books. Chun has exhibited extensively around the world, with recent solo exhibitions in Singapore, CHUN KWANG YOUNG Germany, the UK, and the USA. Major group exhibitions include the Venice Biennale (2015), Palazzo Grimani Art Museum, Venice, Italy; Odd Volumes: Book Art from the Allan Chasanoff Collection (2014), Yale University Art Gallery, Connecticut, USA; and the Holland Paper Biennial (2006), CODA Museum, Apeldoorn, the Netherlands. Chun Kwang Young’s works have been acquired by and are included in esteemed public collections such as the Rockefeller Foundation in New York, the Victoria and Albert Museum in London, the Woodrow Wilson International Center in Washington, D.C., the United Nations headquarters in New York, among others.
    [Show full text]
  • Catalogue SPRING SHOW.Indd
    Spring Mixed Show bernard jacobson gallery Including works by Larry Bell, Bram Bogart, Georges Braque, Patrick Caulfield, Robyn Denny, Sam Francis, Pia Fries, Richard Hamilton, James Hayward, David Hockney, Shirley Kaneda, Phillip King, Henri Matisse, Bruce McLean, Robert Motherwell, Larry Poons, Ed Ruscha, Richard Smith, Stanley Spencer, Frank Stella, William Tillyer, Marc Vaux and Tom Wesselmann Spring Mixed Show On the cover William Tillyer Nine Refections 2015-19 Acrylic on acrylic mesh laid on canvas 230 x 230 cms (90 5/8 x 90 5/8 ins) see p.17 For further information, please contact the gallery at: [email protected] tel: +44 (0)20 7734 3431 bernard jacobson gallery 28 duke street st james’s london sw1y 6ag tel +44 (0)20 7734 3431 fax +44 (0)20 7734 3277 | [email protected] All prices are subject to VAT. Some prints can be sold under Margin Scheme. www.jacobsongallery.com | Bernard Jacobson Limited Registered No 00962605 VAT No GB 510329685 Spring Mixed Show bernard jacobson gallery “ Who places some thing some where? Any one who is a sculptor. Any one is a sculptor. Any one is a sculpture. Any where. Any time. Bruce McLean is a sculptor. Bruce McLean has been a sculptor for “ a long time, in many places. Some times he has been a sculpture. Mel Gooding Five Decades og Sculpture, 2018 1. Bruce McLean Untitled 2009 Acrylic and oil on canvas 171.5 x 152.4 cms (67 1/2 x 60 ins) £ 30,000 7 Spring Mixed Show bernard jacobson gallery 2. Marc Vaux Untitled (BY) 1965 Acrylic on cotton duck 77 x 77.5 cms (30 3/8 x 30 1/2 ins) £ 15,000 8 9 Spring Mixed Show bernard jacobson gallery 3.
    [Show full text]
  • Expo Chicago 2016
    !! ! ! ! ! ! ! ! ! ! ! Expo Chicago 2016 Navy Pier, 600 E Grand Ave, Chicago, IL 60611, USA Stand 442 Seoul-based artist Chun Kwang Young (b. 1944, Hongcheon County, Korea) received his BFA from Hongik University in Korea and MFA from the Philadelphia College of Art, USA. Known for his sculptural assemblages—both freestanding pieces and wall-hung low reliefs—Chun composes his forms from a myriad of small shapes wrapped in Korean mulberry paper. With a trompe l’oeil quality, Chun’s sculptures create the illusion of depth and coalescence and, ultimately, represent the harmony and conflict in the unity of many. Inspired by childhood memories of clusters of medicine packages, wrapped in mulberry paper and hung from the ceiling at the clinic, Chun Kwang Young began using this material in his works, deeply imbuing them with distinctly Korean connotations and sensibilities. His well- known sculptural Aggregations feature hand-cut triangles of polystyrene, individually wrapped in delicate mulberry paper pages torn from old books. Chun has been exhibited extensively around the world with recent solo exhibitions in CHUN KWANG YOUNG Singapore, Germany, UK, and USA. Major group exhibitions include the Venice Biennale (2015), Palazzo Grimani Art Museum, Venice, Italy; Odd Volumes: Book Art from the Allan Chasanoff Collection (2014), Yale University Art Gallery, Connecticut, USA; and the Holland Paper Biennial (2006), CODA Museum, Apeldoorn, the Netherlands. Chun Kwang Young’s works have been acquired by and are included in esteemed public collections such as the Rockefeller Foundation in New York, the Victoria and Albert Museum in London, the Woodrow Wilson International Center in Washington, D.C., the United Nations headquarters in New York, among others.
    [Show full text]
  • Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
    Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT Lot Title/Description Lot Title/Description 1 Augustus Edwin John OM RA, British 1878-1961- ''The Amorous Tramp'' 8 Kenneth Armitage RA CBE, British 1916-2002- ''Richmond Oaks''; (Campbell Dodgson 98); etching, signed in pencil, from the edition of 50, etching, signed, numbered 1/30 and dated 1977 in pencil, 30x37.5cm, 11.2x12.5cm, (may be subject to Droit de Suite) (unframed) (may be subject to Droit de Suite) Note: Between 1975 and Augustus Edwin John OM RA, British 1878-1961- ''The Amorous Tramp'' 1986 Armitage moved from the figure to nature, and became fascinated (Campbell Dodgson 98); etching, signed in pencil, from the edition of 50, with the oak trees in Richmond Park. As he recalled in an interview with 11.2x12.5cm, (may be subject to Droit de Suite) John McEwen in 1991:- ''One day in 1975, in the spring, I suddenly saw Est. 300 - 500 them... and everywhere I looked it was a revelation, the trees were 2 Dame Laura Knight DBE RA RWS, British 1877-1970- ''Trio alive... And from Gymnastique'' 1932; aquatint, signed in pencil, from the edition of 50 Kenneth Armitage RA CBE, British 1916-2002- ''Richmond Oaks''; artist's proofs, 36x24.8cm, (may be subject to Droit de Suite) Note: see etching, signed, numbered 1/30 and dated 1977 in pencil, 30x37.5cm, British Council Collection accession number P2605 for similar example (unframed) (may be subject to Droit de Suite) Note: Between 1975 and Dame Laura Knight DBE RA RWS, British 1877-1970- ''Trio 1986 Armitage moved from the figure to nature, and became fascinated Gymnastique'' 1932; aquatint, signed in pencil, from the edition of 50 with the oak trees in Richmond Park.
    [Show full text]
  • ANTONY MICALLEF Cover 封面: Raw Intent No
    ANTONY MICALLEF Cover 封面: Raw Intent No. 1 (detail) 意圖 一 (局部), 2016, Oil with beeswax on French linen 法國亞麻布面蜂蠟油畫, 135 x 112 cm (53 1/8 x 44 1/8 in.) Self-Portrait with Green 綠色自畫像, 2015, Oil with beeswax on French linen 法國亞麻布面蜂蠟油畫, 130 x 110 cm (51 1/8 x 43 1/4 in.) Self-Portrait with Red 紅色自畫像, 2015 Oil with beeswax on French linen 法國亞麻布面蜂蠟油畫 130 x 110 cm (51 1/8 x 43 1/4 in.) Pearl Lam Galleries is delighted to present the first solo exhibition in Asia of works by British artist Antony Micallef (b. 1975) at its Hong Kong Pedder Building space. The artist’s new series of paintings and studies explores the relationships of the mechanics of artistic intent, representation, and the use of paint as a material for expressing emotions. Known for his visually charged figure paintings, Micallef has enjoyed international success since he placed second in the BP Portrait Award 2000, hosted at the National Portrait Gallery in London. Other key exhibitions include at the National Academy of Fine Arts, Sofia, Bulgaria; the National Museum in Warsaw, Poland; the Royal Academy, London, UK; the ICA, London, UK; Tate Britain, London, UK; and Dallas Contemporary, Texas, USA. Micallef’s new series of works are a complete departure from his earlier artworks. He builds up a relief-like surface with heavy paint to depict a figurative mass in front of a muted background. By using an impasto technique, the material is pushed to its extreme and blurs our reading of painting and sculpture.
    [Show full text]
  • Individual Entries on the Register Can Be Easily Accessed Using the Links to People on the Right Hand Side
    Individual entries on the register can be easily accessed using the links to people on the right hand side. Katy Ackrill Museum Assistant, Swindon Museum and Art Gallery Rhian Addison Curator, The Whitworth Art Gallery Alternatively please press ‘CTRL-F’ on a PC or ‘command-F’ on a Mac to search the register using key terms. Kate Anderson Senior Curator, National Galleries Scotland Dr Thomas Ardill Museum Of London The following lists of key terms may be of use: Rina Arya Reader in Visual Communication, University of Wolverhampton Period Medium Genre 16th and 17th century Books; Portraiture; Industrial Revolution; Dr Kate Aspinall Independent art historian/writer British art; Costume; Landscape; Modernism; Katy Barrett Curator of Art Collections, The Science Museum Documents; History painting; Neoclassicm; James Beighton Curator 18th century British art; Drawing; Still Life; Neo-Romanticism; Decorative/ applied arts; Sporting art; New English Art Club; Geoffrey Bertram The Barns-Graham Charitable Trust, (Chairman), Bertram Arts, (Owner) 19th century British art; Furniture; Genre painting; New Sculpture; Installation; Marine painting; Norwich School; Sara Bevan Curator, Imperial War Museum London 20th century 1900-1945 Miniatures; Topography & Performance art; Gemma Brace Head of Programmes and Exhibitions Curator, Royal West of England Academy British art; Painting; mapmaking; Pop Art; Dr Christina Bradstreet Director of Career Services, Sotheby's Institute of Art Pastel; Caricature & satire; Popular Art; 20th century post-1945 Performance;
    [Show full text]
  • Galleries.Co.Uk G GALLERIES
    F E B R U A R Y 2 0 1 8 S E I R E L two ART FAIRS twelve L SHOW REVIEWS one hundred KYFFIN WILLIAMS A ART AND SUFFRAGE previews|news|listings|new shows|maps|galleries.co.uk G GALLERIES regular FEATURES Articles: gallery names in bold see index New Shows Diary – exhibition opening days page 6 Round up – shows & art news 8 Thumbnails – short reviews 10,14,15,18,23,36,38 National Galleries – show listings 19 Twitter – the top tweet 24 Coda – the last word 39 Artist Websites – online art 42 Artist Index – artists listed by gallery 43 Gallery Specialisations – general stock index 44 Gallery Index – dealers & services 46 on the COVER Peter Layzell Black Mask White Mask oil on panel, 20 x 16cm JILL GEORGE GALLERY Portal Painters, map 16 The Monoprint Show 5 - 17 February LISTINGS KEY *ad see display *pr press release on galleries.co.uk/pr 7 1 *own art Arts Council interest free credit scheme member 0 2 , Internet addresses in bold are linked via www.galleries.co.uk m c for art updates follow galleries magazine on @art_mag or 0 5 x facebook.com/galleriesartlist 0 7 , y h p a r o h t i l h CONTACT US AT t i w advertising [email protected] e p y t listings [email protected] o n a editorial [email protected] y c ’ r production [email protected] i a h distribution [email protected] C d e accounts & subscriptions [email protected] R ‘ n o s t a W s a m o T Managing Editor & Publisher Paul Hooper Features Editor Nicholas Usherwood JILL GEORGE GALLERY Scottish Features Bill Hare Sale Rooms William Jackson At 30 Tottenham Street,
    [Show full text]
  • John Hoyland: the Making and Sustaining of a Career - 1960-82
    University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2015 JOHN HOYLAND: THE MAKING AND SUSTAINING OF A CAREER - 1960-82 Davies, Christopher Anthony http://hdl.handle.net/10026.1/5139 Plymouth University All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. JOHN HOYLAND: THE MAKING AND SUSTAINING OF A CAREER - 1960-82 By CHRISTOPHER ANTHONY DAVIES Volume 2: Images, Appendices and Bibliography June 2015 List of Illustrations Fig. 1 - John Hoyland, Situation painting 1, 1960. Oil on canvas. 183 x 168 cm. Collection: © The John Hoyland Estate. Fig. 2 - John Hoyland, April 1961, 1961. Oil on canvas. 152.5 x 152.7 cm. Collection: Tate Gallery London. Fig. 3 - Bridget Riley, Movement in Squares, 1961. Tempera on hardboard. 123.2 x 121.2 cm. Collection: Arts Council Collection. Fig. 4 - John Plumb, Edgehill, 1962. Acrylic paint, PVC, vinyl and tape on canvas. 180 x 122 x 5 cm. Collection: Tate Gallery London. Fig. 5 - Robyn Denny, Baby is Three, 1961. Household paint on canvas. 213 x 365 cm. Collection: Tate Gallery London Fig. 6 - Bernard Cohen, Painting 96, 1996. Oil on canvas. 244 x 366 cm. Collection: Walker Art Gallery, Liverpool Museums. Fig. 7 - Gillian Ayres, Distillation, 1957.
    [Show full text]
  • Rauschenberg & Robbe-Grillet • Comics and Art After the Graphic Novel • Jürgen Partenheimer S
    March – April 2013 Volume 2, Number 6 Image and Text in Crisis: Rauschenberg & Robbe-Grillet • Comics and Art after the Graphic Novel • Jürgen Partenheimer Stephen Chambers • Louise Bourgeois Between the Lines • David Musgrave • <100 • International Directory • Reviews • News History. Analysis. Criticism. Reviews. News. Art in Print. In print and online. www.artinprint.org Subscribe to Art in Print. March – April 2013 In This Issue Volume 2, Number 6 Editor-in-Chief Susan Tallman 2 Susan Tallman On Words and Pictures Associate Publisher Mark L. Smith 3 Julie Bernatz Image and Text in Crisis: Rauschenberg’s and Robbe-Grillet’s Managing Editor Annkathrin Murray Traces suspectes en surface Associate Editor Amy Peltz 8 Amelia Ishmael The Visual Turn: Comics and Art after the Graphic Novel Design Director Skip Langer Exhibition Reviews Manuscript Editor Paul Coldwell 15 Prudence Crowther Stephen Chambers: The Big Country Christina von Rotenhan 18 Louise Bourgeois: Between the Lines Edition Reviews Catherine Bindman 20 Jürgen Partenheimer: Folded Spirits M. Brian Tichenor & Raun Thorp 23 David Musgrave Amelia Ishmael 25 Eva Bovenzi Onsmith & Nudd Maru Rojas 27 The WITH Collective Elleree Erdos 28 Willie Cole Book Reviews Susan Tallman 29 Gert and Uwe Tobias: Dresdener Paraphrasen / Dresden Paraphrases <100 32 International Directory 2013 33 News of the Print World 38 Jürgen Partenheimer, cover of the artist book Folded Spirits (2012). Edition of 15. Co-published Contributors 48 by the artist and David Krut Projects, Johannesburg, Cape Town & New York. Guide to Back Issues 49 Deb Sokolow, detail of You tell people you’re Membership Subscription Form 50 working really hard on things these days (2010), graphite, charcoal, ink, and acrylic on paper, mounted on panel, 7 × 25 feet.
    [Show full text]