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Bloomsbury (Bloomsbury) Bloomsbury Auctions 24 Maddox Street
Dreweatts & Bloomsbury (Bloomsbury) Bloomsbury Auctions 24 Maddox Street . Editions & Works on Paper London W1S 1PP Started 02 Dec 2015 10:30 GMT United Kingdom Lot Description Craigie Aitchison (1926-2009) - Daffodils & Candlesticks screenprint in colours, 1998, signed in white ink, inscribed AP XIII/XV, an 1 artist's proof aside from the edition of 75, on wove paper, the full sheet printed to the edges, sheet 694 x 562 mm (27 1/4 x 22 1/8 in) IMPORTANT: This lot is sold s ...[more] Craigie Aitchison (1926-2009) - Birds lithograph printed in colours, 1996, signed and dated in black ink, numbered 83/100, on wove 2 paper, with full margins, sheet 282 x 232 mm (11 1/8 x 9 1/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Ter ...[more] Norman Ackroyd (b.1938) - St Kilda - Stac Lee and Stac an Armin etching with aquatint, 1990, signed, titled and dated in pencil, 3 numbered 18/90, on wove paper, with full margins, sheet 585 x 755 mm (23 x 29 3/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can ...[more] John Banting (1902-1972) - Siamese Triplets; Negro Guitarist two linocuts, 1932-35, each signed and dated in pencil, numbered 37/45 4 and 6/45 respectively, published by Alexander Postan Ltd, London, each on wove paper, with full margins, overall size 225 x 275 mm (8 7/8 x 10 7/8 in) IMPORTANT: This ...[more] George Bissill (1896-1973) - Crucifixion woodcut, signed in pencil, numbered 7/15, on tissue thin Japon paper, with full margins, sheet 5 171 x 127 mm (6 3/4 x 5 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
Moses Sumney Aromanticism
MOSES SUMNEY AROMANTICISM CATALOG #: JAG308 ABOUT THE ALBUM RELEASE DATE : SEPTEMBER 22, 2017 Written in Montreal, Los Angeles, Asheville, Topanga, Laguna, Big Bear, coastal Nicaragua, and FORMAT: CD/LP/DIGITAL on a sleepy ship traversing the Pacific ocean, making Aromanticism was a 3-year adventure into the parts of the self that society encourages us to silence for the sake of our sanity. CD BOX LOT: 30 LP BOX LOT: 50 The album title was chosen before any of its songs were written. The not-yet-in-the-dictionary definition of an “aromantic” is simply someone who doesn't completely feel romantic GENRE: ALTERNATIVE attraction. I'm just trying to get it out from over the red squiggly line. KEY MARKETS: NEW YORK, LOS ANGELES, CHICAGO, SAN FRANCISCO, SEATTLE Aromanticism features performances and production contributions from Matt Otto (Majical Cloudz), Thundercat, Joshua Willing Halpern, Paris Strother (KING), Miguel Atwood- TERRITORY RESTRICTIONS: EXCLUSIVE TO Ferguson, Rob Moose, Ian Chang (Son Lux), Tosin Abasi (Animals as Leaders), Nicole Miglis HOSTESS IN JAPAN (Hundred Waters), Ludwig Görannson, Cam Obi, and more. All of the lyrics and vocal arrangements were written by me. Genre is shirked while choir-inspired vocal layering is VINYL NOT RETURNABLE employed in order to explore the multiplicities that are contained within a single person. — Moses Sumney, June 2017 SIDE A: SIDE B: 1. Man On The Moon (Reprise) 7. Make Out In My Car 2. Don’t Bother Calling 8. The Cocoon-Eyed Baby 3. Plastic 9. Doomed CD UPC: 656605230825 4. Quarrel 10. Indulge Me 5. Stoicism 11. -
December 2012 Number 1
Calochortiana December 2012 Number 1 December 2012 Number 1 CONTENTS Proceedings of the Fifth South- western Rare and Endangered Plant Conference Calochortiana, a new publication of the Utah Native Plant Society . 3 The Fifth Southwestern Rare and En- dangered Plant Conference, Salt Lake City, Utah, March 2009 . 3 Abstracts of presentations and posters not submitted for the proceedings . 4 Southwestern cienegas: Rare habitats for endangered wetland plants. Robert Sivinski . 17 A new look at ranking plant rarity for conservation purposes, with an em- phasis on the flora of the American Southwest. John R. Spence . 25 The contribution of Cedar Breaks Na- tional Monument to the conservation of vascular plant diversity in Utah. Walter Fertig and Douglas N. Rey- nolds . 35 Studying the seed bank dynamics of rare plants. Susan Meyer . 46 East meets west: Rare desert Alliums in Arizona. John L. Anderson . 56 Calochortus nuttallii (Sego lily), Spatial patterns of endemic plant spe- state flower of Utah. By Kaye cies of the Colorado Plateau. Crystal Thorne. Krause . 63 Continued on page 2 Copyright 2012 Utah Native Plant Society. All Rights Reserved. Utah Native Plant Society Utah Native Plant Society, PO Box 520041, Salt Lake Copyright 2012 Utah Native Plant Society. All Rights City, Utah, 84152-0041. www.unps.org Reserved. Calochortiana is a publication of the Utah Native Plant Society, a 501(c)(3) not-for-profit organi- Editor: Walter Fertig ([email protected]), zation dedicated to conserving and promoting steward- Editorial Committee: Walter Fertig, Mindy Wheeler, ship of our native plants. Leila Shultz, and Susan Meyer CONTENTS, continued Biogeography of rare plants of the Ash Meadows National Wildlife Refuge, Nevada. -
Wetransfer Studios and FORM Arcosanti Present the 'FORM Arcosanti 2017 Official Compilation Album'
WeTransfer Studios and FORM Arcosanti Present the 'FORM Arcosanti 2017 Official Compilation Album' 21 APRIL 2017, AMSTERDAM, NETHERLANDS SUMMARY WeTransfer announced a partnership between WeTransfer Studios with music and arts festival FORM Arcosanti for their second release of the FORM Arcosanti Official Compilation album. Featuring 18 tracks from artists performing at the festival, which takes place in Arcosanti, AZ, May 12-14, the compilation includes music from Father John Misty, Skrillex, How To Dress Well, Tycho, Mitski, Kelela, Hundred Waters, and more. WeTransfer, the simplest way to send your files around the world, today announced a partnership between WeTransfer Studios with music and arts festival FORM Arcosanti for their second release of the FORM Arcosanti Official Compilation album. Featuring 18 tracks from artists performing at the festival, which takes place in Arcosanti, AZ, May 12-14, the compilation includes music from Father John Misty, Skrillex, How To Dress Well, Tycho, Mitski, Kelela, Hundred Waters, and more. The album can be downloaded along with the full track list, at FORM’s WeTransfer Plus page here: https://we.tl/TdGY67TSAu “FORM encompasses what we’re passionate about in its support of creative innovators. Uniting fans and artists together in the special, experimental eco-city of Arcosanti, FORM cultivates a unique, inspiring environment for artistic collaboration,” said Damian Bradfield, President & CMO at WeTransfer. “As part of dedicating one billion advertisement impressions to highlight creatively significant projects each year, we’re excited to present this year’s official compilation album and help bring it to an even wider audience, with our platform receiving over 40 million unique visitors monthly.” The partnership joins WeTransfer’s dedication to music discovery and support of artistic communities around the globe with FORM Arcosanti’s vision for a unique, immersive creative festival experience. -
This PDF Is NOT the Entire Book** NEW YORK
**This PDF is NOT the entire book** NEW YORK NEW YORK Photographs by Harry Benson Text by Hilary Geary Ross Introduction by Jay McInerney Published by To be released: December 2011 This PDF of New York New York is only a preview and an uncorrected proof . Lifting images from mechanical files is strictly prohibited. To see the complete version, please contact Nina Ventura, Publicity Associate: [email protected] **This PDF is NOT the entire book** Photographs by Harry Benson Text by Hilary Geary Ross Introduction by Jay McInerney Senator Robert F. Kennedy striding down Fifth Avenue in the St. Patrick's Day Parade, the same day he announced his candidacy for president. New York City, 1968. BROOKLYN, NY 2 3 This book is dedicated to my wonderful husband, Wilbur Ross, and to all my friends and family who so generously posed for this book. I am ever so grateful to you all! -Hilary Geary Ross As always, to my wife, Gigi, who collaborates on all my projects, for her enthusiasm and commitment in finding the unseen, older photographs for this book. - Harry Benson Halston, the legendary designer, and entertainer Liza Minnelli at Halston’s Olympic Tower office. New York City, 1978. 4 5 PREFACE by Hilary Geary Ross “New York New York. I want to wake up in the city that doesn’t sleep.” So goes the Kander and Ebb song, and if there is anyone who can dance you through New York City, it is none other than Harry Benson. In this spectacular volume, Harry Benson captures what gives New York its vitality: the people who live and work here. -
Brand New Deja Entendu Torrent
Brand new deja entendu torrent Continue DOWNLOAD - ��▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀Band........................... Brand NewAlbum............... Deja EntenduYear............................ 2003Genre................... Indie rock, emo, quality . MP3 192 kbit/sArchive file............. rar and .zipCountry................... The United Stateslanguage ............ EnglishOffic site.. TautouSic Transit Gloria Glory FadesI will play my game under the spin lightOkay I believe you, But my Tommy Gun Don't The Silent Things That No One Never KnowThe Boy Who Blocked His Own ShotJaws Theme SwimmingMe vs. Maradona vs. ElvisGuernicaGood know that if I ever need the attention all I have to do is DiePlay Crack Sky Huge thanks to Justin for requesting this group who just turned out to be the perfect band to make this blog 100th post. So, without further ado, I give you the best band ever, Brand New. Thanks to Shadman and Nick for their help with this post as well. Brand New is from Long Island, New York, and was formed in 2000. This group had their roots in another group called Rookie Lot, which three Long Island kids named Jesse Lacey, Garrett Tierney, and Brian Lane were in, along with two other members (who eventually join Crime in Stereo and Movielife respectively). The three remaining members, along with the addition of Vin Accardi (formerly One Last Goodbye), came together to form a new group. Vuala, Brand New. After several demos, they put out their debut in 2001 on Triple Crown Records. At this time they wrote catchy pop-punk songs full of teenage bitterness (well). Their next release, Deja Entendu, showed their maturation as a band and reaching a much larger audience. -
The History of Rock Music - the 2000S
The History of Rock Music - The 2000s The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Bards and Dreamers (These are excerpts from my book "A History of Rock and Dance Music") Bards of the old world order TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Traditionally, the purposefulness and relevance of a singer-songwriter were defined by something unique in their lyrical acumen, vocal skills and/or guitar or piano accompaniment. In the 1990s this paradigm was tested by the trend towards larger orchestrastion and towards electronic orchestration. In the 2000s it became harder and harder to give purpose and meaning to a body of work mostly relying on the message. Many singer-songwriters of the 2000s belonged to "Generation X" but sang and wrote for members of "Generation Y". Since "Generation Y" was inherently different from all the generations that had preceeded it, it was no surprise that the audience for these singer-songwriters declined. Since the members of "Generation X" were generally desperate to talk about themselves, it was not surprising that the number of such singer- songwriters increased. The net result was an odd disconnect between the musician and her or his target audience. The singer-songwriters of the 2000s generally sounded more "adult" because... they were. -
Cooked in the Lab Dark, Techy D&B Trio Ivy Lab Break Bad on LP P.108
MUSIC DECEMBER ON THE DANCEFLOOR This month’s tracks played out p. 92 GO LONG! The long-players listened to p. 108 WILD COMBINATION The most crucial compilations p. 113 Cooked In The Lab Dark, techy d&b trio Ivy Lab break bad on LP p.108 djmag.com 091 HOUSE REVIEWS BEN ARNOLD [email protected] melancholy pianos, ‘A Fading Glance’ is a lovely, swelling thing, QUICKIES gorgeously understated. ‘Mayflies’ is brimming with moody, building La Fleur Fred P atmospherics, minor chord pads Make A Move Modern Architect and Burial-esque snatches of vo- Watergate Energy Of Sound cal. ‘Whenever I Try To Leave’ winds 9.0 8.5 it up, a wash of echoing percus- The first lady of Berlin’s A most generous six sion, deep, unctuous vibrations Watergate unleashes tracks from the superb and gently soothing pianos chords. three tracks of Fred Peterkin. It’s all This could lead Sawyer somewhere unrivalled firmness. If great, but ‘Tokyo To special. ‘Make A Move’’s hoover Chiba’, ‘Don’t Be Afraid’, bass doesn’t get you, with Minako on vocals, Hexxy/Andy Butler ‘Result’’s emotive vibes and ‘Memory P’ stand Edging/Bewm Chawqk will. Lovely. out. Get involved. Mr. Intl 7. 5 Various Shift Work A statuesque release from Andy Hudd Traxx Now & Document II ‘Hercules & Love Affair’ Butler’s Mr. Then Houndstooth Intl label. Hexxy is his new project Hudd Traxx 7. 5 with DJ Nark, founder of the excel- 7. 5 Fine work in the lent ‘aural gallery’ site Bottom Part four of four in this hinterland between Forty and Nark magazine. -
NEWS34-Gd7m.Pdf
news #34 MUNGOLIAN JETSET - MUNGODELICS Hot on the heels of 2011`s "Schlungs", the Jetsetters have kept those buttons busily pushed, and are already here with their next chapter installment, featuring 8 new nuggets entitled "Mungodelics". The album is essentially a psychodramatic sequel to the highly acclaimed "We Gave It All Away, Now We Are Taking It Back" album of 2009, as it is musically a blend of originals and remakes made into originals, as well as solo performances and external collaborations from the band`s musical core members, Knut Saevik and Paul "Strangefruit" Nyhus. All in all, "Mungodelics" musically summons everything that is hazy, dazy, underearthly and crazy. This is the Mungolian Jetset taking you on a ride through the seasons, and shifts of the days and nights, from the Cantina to the Ewok forest, via ritualistic dancing at Kilmin Taboour and stellar swimming in the galactic Goa. STS228CD/LP CDF/LP6 600116082824/600116082817 SMALLTOWN SUPERSOUND ANTIBALAS - S/T “Afrokalas. Det var Antibalas som satte I gang den andre afrobølgen. Nå vil de surfe den selv. Så afrikansk funky at det er vanskelig å sitte stille.” Dagens Næringsliv, Per A. Risnes Fifth Studio album by the leading Afrobeat ensemble from Brooklyn on the mighty Daptone imprint! A Must for fans of Fela Kuti, Tony Allen and the likes! "Rhythm is what makes a good afrobeat record," says Gabriel Roth, Daptone Records co-founder and producer of Antibalas' forthcoming self-titled LP. "Not just the rhythm section, but the rhythm of the horns, the rhythm of the vocals, the rhythm of the keyboards, everybody's rhythm. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Gangster Boogie: Los Angeles and the Rise of Gangsta Rap, 1965-1992 Permalink https://escholarship.org/uc/item/3hd2d12n Author Viator, Felicia Angeja Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Gangster Boogie: Los Angeles and the Rise of Gangsta Rap, 1965-1992 By Felicia Angeja Viator A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Leon F. Litwack, Co-Chair Professor Waldo E. Martin, Jr., Co-Chair Professor Scott Saul Fall 2012 Abstract Gangster Boogie: Los Angeles and the Rise of Gangsta Rap, 1965-1992 by Felicia Angeja Viator Doctor of Philosophy in History University of California, Berkeley Professor Leon F. Litwack, Co-Chair Professor Waldo E. Martin, Jr., Co-Chair “Gangster Boogie” details the early development of hip-hop music in Los Angeles, a city that, in the 1980s, the international press labeled the “murder capital of the U.S.” The rap music most associated with the region, coined “gangsta rap,” has been regarded by scholars, cultural critics, and audiences alike as a tabloid distortion of East Coast hip-hop. The dissertation shows that this uniquely provocative genre of hip-hop was forged by Los Angeles area youth as a tool for challenging civic authorities, asserting regional pride, and exploiting the nation’s growing fascination with the ghetto underworld. Those who fashioned themselves “gangsta rappers” harnessed what was markedly difficult about life in black Los Angeles from the early 1970s through the Reagan Era––rising unemployment, project living, crime, violence, drugs, gangs, and the ever-increasing problem of police harassment––to create what would become the benchmark for contemporary hip-hop music.