Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
1 Augustus Edwin John OM RA, British 1878-1961- ''The Amorous Tramp'' 8 Kenneth Armitage RA CBE, British 1916-2002- ''Richmond Oaks''; (Campbell Dodgson 98); etching, signed in pencil, from the edition of 50, etching, signed, numbered 1/30 and dated 1977 in pencil, 30x37.5cm, 11.2x12.5cm, (may be subject to Droit de Suite) (unframed) (may be subject to Droit de Suite) Note: Between 1975 and Augustus Edwin John OM RA, British 1878-1961- ''The Amorous Tramp'' 1986 Armitage moved from the figure to nature, and became fascinated (Campbell Dodgson 98); etching, signed in pencil, from the edition of 50, with the oak trees in Richmond Park. As he recalled in an interview with 11.2x12.5cm, (may be subject to Droit de Suite) John McEwen in 1991:- ''One day in 1975, in the spring, I suddenly saw Est. 300 - 500 them... and everywhere I looked it was a revelation, the trees were 2 Dame Laura Knight DBE RA RWS, British 1877-1970- ''Trio alive... And from Gymnastique'' 1932; aquatint, signed in pencil, from the edition of 50 Kenneth Armitage RA CBE, British 1916-2002- ''Richmond Oaks''; artist's proofs, 36x24.8cm, (may be subject to Droit de Suite) Note: see etching, signed, numbered 1/30 and dated 1977 in pencil, 30x37.5cm, British Council Collection accession number P2605 for similar example (unframed) (may be subject to Droit de Suite) Note: Between 1975 and Dame Laura Knight DBE RA RWS, British 1877-1970- ''Trio 1986 Armitage moved from the figure to nature, and became fascinated Gymnastique'' 1932; aquatint, signed in pencil, from the edition of 50 with the oak trees in Richmond Park. As he recalled in an interview with artist's proofs, 36x24.8cm, (may be subject to Droit de Suite) Note: see John McEwen in 1991:- ''One day in 1975, in the spring, I suddenly saw British Council Collection accession number P2605 for similar example them... and everywhere I looked it was a revelation, the trees were Est. 500 - 700 alive... And from then on I was hooked absolutely, and I went usually 3 Laurence Stephen Lowry RA RBA LG NS, British 1887-1976- ''Group of about three times a week, sometimes early in the morning, as early as I Children''; colour reproduction print, signed in pencil, bears Fine Art could get there before the gates were open. There was a little Trade Guild blind stamp, 20.5x20.5cm: together with a group of three wicket-gate I found, you could park outside and go through the reproduction prints in a shared frame after the same hand ''Sketch for wicket-gate, and no one inside. You would see foxes sometimes, deer of Group of Children''; ea. 10x12.5cm (shared frame), (2) (may be subject course, and I had the place to myself. And I took sketch-books and to Droit de Suite) eventually etchings on the spot. And it made me very happy to be there'' Laurence Stephen Lowry RA RBA LG NS, British 1887-1976- ''Group of Est. 300 - 500 Children''; colour reproduction print, signed in pencil, bears Fine Art 9 Friedensreich Hundertwasser, Austrian 1928-2000- ''Good Morning City- Trade Guild blind stamp, 20.5x20.5cm: together with a group of three Bleeding Town''; lithograph with metallic embossing, signed and titled reproduction prints in a shared frame after the same hand ''Sketch for within the plate, 137x59.5cm, (may be subject to Droit de Suite) Group of Children''; ea. 10x12.5cm (shared frame), (2) (may be subject Friedensreich Hundertwasser, Austrian 1928-2000- ''Good Morning City- to Droit de Suite) Bleeding Town''; lithograph with metallic embossing, signed and titled Est. 600 - 800 within the plate, 137x59.5cm, (may be subject to Droit de Suite) 4 The following three lots 4-6 are from the art collection at the former St Est. 200 - 300 Gabriel's College, Camberwell. St Gabriel's was a Church of England 10 Günther Förg, German 1952-2013- ''The Reason Why I Work with teacher training college, founded in 1899 and closed in 1978. Its Art Maurice, is Because Here the Beer Cost Me Nothing''; screenprint in Department attracted talented teachers and artists whose vocation was vermilion, signed, numbered 90/120 and dated 90 in pencil, 106x75cm, to inspire young teachers through studying and imitating the work of (may be subject to Droit de Suite) great artists. The paintings and drawings in this collection were collected Günther Förg, German 1952-2013- ''The Reason Why I Work with by the College's staff through donations and purchases during the Maurice, is Because Here the Beer Cost Me Nothing''; screenprint in interwa vermilion, signed, numbered 90/120 and dated 90 in pencil, 106x75cm, The following three lots 4-6 are from the art collection at the former St (may be subject to Droit de Suite) Gabriel's College, Camberwell. St Gabriel's was a Church of England Est. 200 - 300 teacher training college, founded in 1899 and closed in 1978. Its Art 11 Henry Moore OM CH FBA RBS, British 1898-1986- ''Sculptural Objects'', Department attracted talented teachers and artists whose vocation was (Garton 536), publ by Schools Prints 1947-1949, printed at the Baynard to inspire young teachers through studying and imitating the work of Press, from the edition of 3000; lithograph in colours, signed and dated great artists. The paintings and drawings in this collection were collected 49 within the plate, 49.7x76cm, (may be subject to Droit de Suite) by the College's staff through donations and purchases during the Henry Moore OM CH FBA RBS, British 1898-1986- ''Sculptural Objects'', interwar and post-war periods. After the College's closure, the collection (Garton 536), publ by Schools Prints 1947-1949, printed at the Baynard was transferred to the ownership of an educational trust and until Press, from the edition of 3000; lithograph in colours, signed and dated recently loaned to Goldsmith's University of London. Leon Underwood, 49 within the plate, 49.7x76cm, (may be subject to Droit de Suite) British 1890-1975- ''Aztec Head''; wood engraving, signed, titled, Est. 300 - 400 numbered 17/50 and dated 28 in pencil, 14x14cm, (may be subject to 12 Karen Usborne, British b.1941- ''Owl''; etching with embossing printed in Droit de Suite) Provenance: From the art collection at the former St black and yellow, signed, titled, numbered 15/50 and dated 71 in pencil, Gabriel's College, Camberwell. 77x59cm, (unframed) (may be subject to Droit de Suite) Est. 200 - 300 Karen Usborne, British b.1941- ''Owl''; etching with embossing printed in 5 Maurice de Vlaminck, French 1876-1958- Frontispiece from ''Les black and yellow, signed, titled, numbered 15/50 and dated 71 in pencil, Hommes Abandonnes'', 1927; etching, signed in pencil, 13.2x10cm, 77x59cm, (unframed) (may be subject to Droit de Suite) (may be subject to Droit de Suite) Provenance: From the art collection Est. 100 - 150 at the former St Gabriel's College, Camberwell. 13 William Walcot RE, British 1874-1943- ''Banqueting Hall, Whitehall''; Maurice de Vlaminck, French 1876-1958- Frontispiece from ''Les etching with drypoint, signed in pencil, 20x28cm Hommes Abandonnes'', 1927; etching, signed in pencil, 13.2x10cm, William Walcot RE, British 1874-1943- ''Banqueting Hall, Whitehall''; (may be subject to Droit de Suite) Provenance: From the art collection etching with drypoint, signed in pencil, 20x28cm at the former St Gabriel's College, Camberwell. Est. 150 - 200 Est. 250 - 350 14 Hilary Paynter, British b.1943- ''Bridge in Calabria''; woodcut, signed, 6 Aristide Maillol, French 1861-1944- ''Ovide L'Art D'Aimer'', (Guérin 315), titled, numbered 12/50 and dated 1971 in pencil, 21x20cm, (may be publ. by Les Frères Gonin, 1935; lithograph, one, from the suite of subject to Droit de Suite) twelve, printed in sanguine, signed with monogram within the plate, Hilary Paynter, British b.1943- ''Bridge in Calabria''; woodcut, signed, 37x26cm Provenance: From the art collection at the former St Gabriel's titled, numbered 12/50 and dated 1971 in pencil, 21x20cm, (may be College, Camberwell. subject to Droit de Suite) Aristide Maillol, French 1861-1944- ''Ovide L'Art D'Aimer'', (Guérin 315), Est. 150 - 200 publ. by Les Frères Gonin, 1935; lithograph, one, from the suite of 15 George Percival Gaskell RBA RE, British 1868-1934- Alpine chateau; twelve, printed in sanguine, signed with monogram within the plate, mezzotint, signed, dedicated and dated 27/5/14 in pencil, 22x25cm 37x26cm Provenance: From the art collection at the former St Gabriel's George Percival Gaskell RBA RE, British 1868-1934- Alpine chateau; College, Camberwell. mezzotint, signed, dedicated and dated 27/5/14 in pencil, 22x25cm Est. 250 - 300 Est. 150 - 200 7 John Drawbridge, New Zealander 1930-2005- ''Loire- near Saumur''; 16 Rodrigo Moynihan RA, British 1910-1990- ''Lake Shadow'', 1972; etching with aquatint, signed, titled, numbered 10/50 and dated 1950 in lithograph printed in colours, signed and inscribed 'A/P' in pencil, pencil, 28x49.5cm, (unframed) 57x77cm, (may be subject to Droit de Suite) Note: See Tate Gallery, John Drawbridge, New Zealander 1930-2005- ''Loire- near Saumur''; item No P06397 for similar example etching with aquatint, signed, titled, numbered 10/50 and dated 1950 in Rodrigo Moynihan RA, British 1910-1990- ''Lake Shadow'', 1972; pencil, 28x49.5cm, (unframed) lithograph printed in colours, signed and inscribed 'A/P' in pencil, Est. 150 - 200 57x77cm, (may be subject to Droit de Suite) Note: See Tate Gallery, item No P06397 for similar example Est. 200 - 300
Page 1 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
17 Elmyr de Hory, Hungarian 1906-1976- ''La Toilette de la Mère'', after 27 William Tillyer, British b.1938- ''Vase II''; screenprint in colours, signed, Pablo Picasso; etching with aquatint, signed, titled and numbered titled, inscribed 'P/P' and dated 75 in pencil, 123x92cm: together with 85/100 in pencil, 23x17cm, (may be subject to Droit de Suite) one other screenprint in colours by the same hand entitled ''Vase V'', Provenance: Acquired directly from the artist by the current owner signed, titled, inscribed 'P/P' and dated 75 in pencil, 123x92cm, Elmyr de Hory, Hungarian 1906-1976- ''La Toilette de la Mère'', after (unframed) (2) (may be subject to Droit de Suite) Pablo Picasso; etching with aquatint, signed, titled and numbered William Tillyer, British b.1938- ''Vase II''; screenprint in colours, signed, 85/100 in pencil, 23x17cm, (may be subject to Droit de Suite) titled, inscribed 'P/P' and dated 75 in pencil, 123x92cm: together with Provenance: Acquired directly from the artist by the current owner one other screenprint in colours by the same hand entitled ''Vase V'', Est. 300 - 400 signed, titled, inscribed 'P/P' and dated 75 in pencil, 123x92cm, 18 Joseph Beuys, German 1921-1986- ''Drawings for Codices Madrid by (unframed) (2) (may be subject to Droit de Suite) Leonardo da Vinci'', 1975; lithographs, two, both on sheet with Est. 200 - 300 perforated edge, in shared glazed white painted box frame, 23x16.5cm, 28 Malcolm A Appleby MBE, British b.1946- ''Cherubim that Guards the ea., (2) (may be subject to Droit de Suite) (VAT charged on the hammer Gates of the Garden of Eden''; etching with drypoint, second state, price) signed and inscribed 'Artist's Proof' in pencil, 43x59.5cm, (may be Joseph Beuys, German 1921-1986- ''Drawings for Codices Madrid by subject to Droit de Suite) Note: An example of this etching was Leonardo da Vinci'', 1975; lithographs, two, both on sheet with exhibited at the Royal Academy Summer Exhibition in 1968 item no 830. perforated edge, in shared glazed white painted box frame, 23x16.5cm, Provenance: Gifted by the artist to a member of the current owner's ea., (2) (may be subject to Droit de Suite) (VAT charged on the hammer family price) Malcolm A Appleby MBE, British b.1946- ''Cherubim that Guards the Est. 300 - 400 Gates of the Garden of Eden''; etching with drypoint, second state, 19 Leslie Jones, Welsh b.1934- ''Hammersmith Pier''; linocut printed in signed and inscribed 'Artist's Proof' in pencil, 43x59.5cm, (may be colours, signed, titled, numbered 13/24 and dated 58 in pencil, subject to Droit de Suite) Note: An example of this etching was 33x45cm, (may be subject to Droit de Suite) exhibited at the Royal Academy Summer Exhibition in 1968 item no 830. Leslie Jones, Welsh b.1934- ''Hammersmith Pier''; linocut printed in Provenance: Gifted by the artist to a member of the current owner's colours, signed, titled, numbered 13/24 and dated 58 in pencil, family 33x45cm, (may be subject to Droit de Suite) Est. 200 - 300 Est. 150 - 200 29 Erté, Russian/French 1892-1990- ''Manhattan Mary IV''; screenprint in 20 John Jackson, British b.1938- ''Autumn Fair''; linocut printed in colours, colours, signed, inscribed AP and numbered IL/L in pencil, with signed, titled, numbered 9/50 and dated 69 in pencil, 41x53.5cm, (may blindstamp 'GG', 69x55cm be subject to Droit de Suite) Erté, Russian/French 1892-1990- ''Manhattan Mary IV''; screenprint in John Jackson, British b.1938- ''Autumn Fair''; linocut printed in colours, colours, signed, inscribed AP and numbered IL/L in pencil, with signed, titled, numbered 9/50 and dated 69 in pencil, 41x53.5cm, (may blindstamp 'GG', 69x55cm be subject to Droit de Suite) Est. 200 - 300 Est. 150 - 200 30 Erté, Russian/French 1892-1990- ''Mediterranee''; screenprint in colours, 21 Lawrence Baker, American 1930-2004- ''Shelter Island No 2''; lithograph signed and numbered 2/300 in pencil, with blindstamp 'GG', 54x75.5cm on hand-made paper with deckle edges, signed, titled and numbered Erté, Russian/French 1892-1990- ''Mediterranee''; screenprint in colours, 4/10 in white crayon, signed, titled, numbered 4.10 and dated 1965 on signed and numbered 2/300 in pencil, with blindstamp 'GG', 54x75.5cm the reverse, 64x47cm Provenance: with Galeria Nova Grafica, Est. 300 - 400 according to label attached to the reverse 31 Erté, Russian/French 1892-1990- ''Water'', ''Fire'' & ''Earth'', from the Lawrence Baker, American 1930-2004- ''Shelter Island No 2''; lithograph Element Series; screenprints in colours, three, ea. signed and numbered on hand-made paper with deckle edges, signed, titled and numbered 14/175 in pencil, with blindstamp 'GG', ea. 69x50cm (3) 4/10 in white crayon, signed, titled, numbered 4.10 and dated 1965 on Erté, Russian/French 1892-1990- ''Water'', ''Fire'' & ''Earth'', from the the reverse, 64x47cm Provenance: with Galeria Nova Grafica, Element Series; screenprints in colours, three, ea. signed and numbered according to label attached to the reverse 14/175 in pencil, with blindstamp 'GG', ea. 69x50cm (3) Est. 100 - 150 Est. 400 - 600 22 Gyula Hincz, Hungarian 1904-1986- Exhibition poster, Galerie de Saxe 32 Erté, Russian/French 1892-1990- ''La Somptueuse''; screenprint in 40 Avenue de Saxe Paris 7r pres l'Unesco, de 9 Janvier au 1 Fevrier colours, signed and numbered 257/300 in pencil, with blindstamp 'GG', 1969; linocut printed in black, red and grey, 60x41cm 71x53cm Gyula Hincz, Hungarian 1904-1986- Exhibition poster, Galerie de Saxe Erté, Russian/French 1892-1990- ''La Somptueuse''; screenprint in 40 Avenue de Saxe Paris 7r pres l'Unesco, de 9 Janvier au 1 Fevrier colours, signed and numbered 257/300 in pencil, with blindstamp 'GG', 1969; linocut printed in black, red and grey, 60x41cm 71x53cm Est. 100 - 150 Est. 200 - 300 23 Lee Crew, British b.1970- ''Tango''; monoprint in colours, signed, titled, 33 Giovani Boldini, Italian 1842-1931- Portrait of an elegant lady, and numbered 1/1 in pencil, 89x123.5cm, (may be subject to Droite de half-length turned to the left; hand-finished photogravure printed in Suite) colours with additional hand-colouring, signed and dated 1907 within the Lee Crew, British b.1970- ''Tango''; monoprint in colours, signed, titled, plate, 66x53cm and numbered 1/1 in pencil, 89x123.5cm, (may be subject to Droite de Giovani Boldini, Italian 1842-1931- Portrait of an elegant lady, Suite) half-length turned to the left; hand-finished photogravure printed in Est. 180 - 220 colours with additional hand-colouring, signed and dated 1907 within the 24 Ivor Abrahams RA, British 1935-2015- Untitled, Figures; lithograph plate, 66x53cm printed in colours, signed, inscribed 'A/P' and dated 88 in white wax Est. 150 - 200 crayon, 116.4x80.3cm, (unframed) (may be subject to Droit de Suite) 34 Ronnie Wood, British b.1947- ''Stones Raw Panels II'', publ. Washington Ivor Abrahams RA, British 1935-2015- Untitled, Figures; lithograph Green Fine Art; giclée reproduction print, signed and numbered 89/195 printed in colours, signed, inscribed 'A/P' and dated 88 in white wax in pencil, 59x96cm (may be subject to Droit de Suite) Provenance: crayon, 116.4x80.3cm, (unframed) (may be subject to Droit de Suite) Certificate of Authenticity, with printed signature of artist, edition number Est. 150 - 200 and printed signature of publisher from Washington Green Fine Art 25 Eugenio Carmi, Italian b.1920- ''Spazi e Colori Ette'', publ. by accompanies this lot Mondadori, Milano; screenprint in colours, signed and numbered 17 Ronnie Wood, British b.1947- ''Stones Raw Panels II'', publ. Washington from the edition of 225 on label attached to the reverse, 40x40cm, Green Fine Art; giclée reproduction print, signed and numbered 89/195 (unframed) (may be subject to Droit de Suite) in pencil, 59x96cm (may be subject to Droit de Suite) Provenance: Eugenio Carmi, Italian b.1920- ''Spazi e Colori Ette'', publ. by Certificate of Authenticity, with printed signature of artist, edition number Mondadori, Milano; screenprint in colours, signed and numbered 17 and printed signature of publisher from Washington Green Fine Art from the edition of 225 on label attached to the reverse, 40x40cm, accompanies this lot (unframed) (may be subject to Droit de Suite) Est. 1,200 - 1,500 Est. 150 - 200 26 Sukrid Thareenak, Thai b.1940- ''Lawa''; original carved woodblock plate, bears inscription on the reverse, 61.7x122cm Sukrid Thareenak, Thai b.1940- ''Lawa''; original carved woodblock plate, bears inscription on the reverse, 61.7x122cm Est. 150 - 200
Page 2 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
35 Kasimir Sevenovitch Malevich, Russian 1878-1935- ''Suprematism no. 39 Various Artists- Curwen 50th Anniversary Portfolio; published by the 56'', publ. by Mourlot, Paris; lithograph printed in colours, numbered Curwen Studio, Chilford, 2008; complete suite of thirty one lithographs 1147/1400 in pencil, dated 1936 within print, with blindstamps for printed in colours, this example lacking ''Fourteen'' by Mary Fedden RA Mourlot, The State Russian Museum and Gallerie Gerald Pilzer, and ''Blwch'' by Wilf Roberts, ea. signed by the artist and inscribed 17/50 92x78cm, (unframed) in pencil, ea. bearing blindstamp for Curwen Studio, Chilford, ea. Kasimir Sevenovitch Malevich, Russian 1878-1935- ''Suprematism no. 25.5x30.5cm, (29) (unframed) 56'', publ. by Mourlot, Paris; lithograph printed in colours, numbered Various Artists- Curwen 50th Anniversary Portfolio; published by the 1147/1400 in pencil, dated 1936 within print, with blindstamps for Curwen Studio, Chilford, 2008; complete suite of thirty one lithographs Mourlot, The State Russian Museum and Gallerie Gerald Pilzer, printed in colours, this example lacking ''Fourteen'' by Mary Fedden RA 92x78cm, (unframed) and ''Blwch'' by Wilf Roberts, ea. signed by the artist and inscribed 17/50 Est. 300 - 500 in pencil, ea. bearing blindstamp for Curwen Studio, Chilford, ea. 36 Kasimir Sevenovitch Malevich, Russian 1878-1935- 'Peasant in a Field'', 25.5x30.5cm, (29) (unframed) publ. by Mourlot, Paris; lithograph printed in colours, numbered Est. 300 - 500 1575/2000 in pencil, with blindstamps for Mourlot, The State Russian 40 Yoshishige Furukawa, Japanese 1921-2008- ''Poetry I-X''; the complete Museum and Gallerie Gerald Pilzer, 76x75cm, (unframed) suite of ten, printed at Curwen Studio, Chilford, 1999; lithographs with Kasimir Sevenovitch Malevich, Russian 1878-1935- 'Peasant in a Field'', screenprint in colours, ten, ea. signed and dated 99 in pencil, one publ. by Mourlot, Paris; lithograph printed in colours, numbered inscribed 'Curwen Archive', five inscribed 'Curwen Archive I' and three 1575/2000 in pencil, with blindstamps for Mourlot, The State Russian inscribed 'Curwen Archive II' in pencil, ea. 38.5x45.3cm, (10) (unframed) Museum and Gallerie Gerald Pilzer, 76x75cm, (unframed) Note: From 1955 Yoshishige Furukawa had numerous solo exhibitions Est. 250 - 350 in New York at Condeso-Lawler Gallery and in Japan including ones at 37 Kasimir Sevenovitch Malevich, Russian 1878-1935- ''Portrait of a Osaka' Female'', publ. by Mourlot, Paris; lithograph in colours, numbered Yoshishige Furukawa, Japanese 1921-2008- ''Poetry I-X''; the complete 1508/2000 in pencil, with blindstamps for Mourlot, The State Russian suite of ten, printed at Curwen Studio, Chilford, 1999; lithographs with Museum and Gallerie Gerald Pilzer, 76x54cm, (unframed) screenprint in colours, ten, ea. signed and dated 99 in pencil, one Kasimir Sevenovitch Malevich, Russian 1878-1935- ''Portrait of a inscribed 'Curwen Archive', five inscribed 'Curwen Archive I' and three Female'', publ. by Mourlot, Paris; lithograph in colours, numbered inscribed 'Curwen Archive II' in pencil, ea. 38.5x45.3cm, (10) (unframed) 1508/2000 in pencil, with blindstamps for Mourlot, The State Russian Note: From 1955 Yoshishige Furukawa had numerous solo exhibitions Museum and Gallerie Gerald Pilzer, 76x54cm, (unframed) in New York at Condeso-Lawler Gallery and in Japan including ones at Est. 250 - 350 Osaka's National Museum and Fukuoka Art Museum. He is included in 38 Artists at Curwen-Celebrating the Spirit of Joy in Printed Things. the permanent collections of The National Museum of Art in Tokyo, The Founded in 1863 by the Reverend John Curwen; following John National Museum of Art in Kyoto, The Ohara Museum in Kurashiki and Curwen's death in 1880 the printing press was passed to his two sons The Roland Gibson Art Museum in New Hampshire. He was also the who continued their father's mission to secure and expand the company, recipient of a Pollock-Krasner Foundation award. and who changed its direction-focusing entirely on publishing. The Est. 300 - 500 reverend's grandson, Harold Curwen, joined the family business in 41 Patrick Procktor RA RWS, British 1936-2003- ''Makassar'' and ''Cobra 1908. Harold encouraged diversification and expanded the company's and After''; lithographs printed in colours, ea. signed and numbered outreach, establishing Curwen Pr 10/50 and 5/50 in ink, ea. 49x34.7cm, (2) (unframed) (may be subject to Artists at Curwen-Celebrating the Spirit of Joy in Printed Things. Droit de Suite) Founded in 1863 by the Reverend John Curwen; following John Patrick Procktor RA RWS, British 1936-2003- ''Makassar'' and ''Cobra Curwen's death in 1880 the printing press was passed to his two sons and After''; lithographs printed in colours, ea. signed and numbered who continued their father's mission to secure and expand the company, 10/50 and 5/50 in ink, ea. 49x34.7cm, (2) (unframed) (may be subject to and who changed its direction-focusing entirely on publishing. The Droit de Suite) reverend's grandson, Harold Curwen, joined the family business in Est. 180 - 220 1908. Harold encouraged diversification and expanded the company's 42 Kim Lin, British/Chinese 1936-1997- ''Time Shift A-F''; the complete suite outreach, establishing Curwen Press as a leader in the field of fine of six, printed by Curwen Studio, Chilford; screenprints in colours, ea. commercial printing. Crucially, the Press began to work directly with signed, titled, numbered 20/20 and dated 1993 in pencil on the reverse, artists, including Claud Lovat Fraser, who designed the iconic visual ea. 39x51.5cm, (6) (unframed) (may be subject to Droit de Suite) identity of Curwen Press that is centred around the image of a unicorn. Kim Lin, British/Chinese 1936-1997- ''Time Shift A-F''; the complete suite The company's ''courageous'' approach to printing, marketed by the of six, printed by Curwen Studio, Chilford; screenprints in colours, ea. slogan ''Get the spirit of joy into your printed things''' made a vital signed, titled, numbered 20/20 and dated 1993 in pencil on the reverse, contribution to the shifts in newspaper and poster advertising that ea. 39x51.5cm, (6) (unframed) (may be subject to Droit de Suite) occurred after the second world war. The direction of Curwen Press Est. 400 - 600 was to change again when Oliver Simon joined the company in 1920. 43 Edward Bawden CBE RA, British 1903-1989- ''Aid to Russia; The Although he was primarily concerned with publishing, he succeeded in Rail-Head at Khanagin, Iraq''; posthumously printed by the Curwen forging links between Curwen and the Royal College of Art. The working Studio, 2008; offset lithograph printed in colours, signed and dated 1944 relationship between Harold Curwen and Oliver Simon has been within the plate, numbered 44/145, 54x64cm, (unframed) (may be credited with turning Curwen Press into 'an agent of cultural change'. subject to Droit de Suite) During this period the Press commissioned work from leading artists Edward Bawden CBE RA, British 1903-1989- ''Aid to Russia; The including Edward Bawden, Claud Lovat Fraser, Paul Nash and Eric Rail-Head at Khanagin, Iraq''; posthumously printed by the Curwen Ravilious and Edward McKnight Kauffer. From the 1930s the Press was Studio, 2008; offset lithograph printed in colours, signed and dated 1944 an advocate for lithography and the mass production of original work. within the plate, numbered 44/145, 54x64cm, (unframed) (may be The Curwen Studio's reputation was solidified in the 1960's onwards by subject to Droit de Suite) the work it did with major artists such as Henry Moore, Barbara Est. 100 - 150 Hepworth, John Piper, Ceri Richards, William Scott, Alan Davie and 44 Paul Hogarth OBE RA RE, British 1917-2001- ''Tower Bridge''; Elisabeth Frink. In 1977 the Tate Gallery presented the exhibition Artists lithograph printed in colours, signed, titled and inscribed 'HC' in pencil, at Curwen that mapped the key figures in Curwen's history; and in 2008, bearing artist's blindstamp, bearing blindstamp for Curwen, Chilford, to celebrate the 50th anniversary of the Curwen Studio, Tate published 72x54.5cm: together with four further lithographs printed in colours by Art and Print: The Curwen Story, fully documenting the history of the the same hand entitled ''Santa Monica Beach'', ''Sydney Harbour'', Curwen Press and Studio. Mark Hearld, British b.1974- ''Birds and ''Montmartre'' and ''Ponte Vecchio'', ea. signed and titled, one numbered Beasts, Curwen Menagerie''; lithograph printed in colours, signed and in pencil, ea. bearing artist's blindstamp, ea. bearing blindstamp for numbered 32/75 and dated 09 in black crayon, 64x101cm, (unframed) Curwen Ch (may be subject to Droit de Suite) Paul Hogarth OBE RA RE, British 1917-2001- ''Tower Bridge''; Est. 150 - 200 lithograph printed in colours, signed, titled and inscribed 'HC' in pencil, bearing artist's blindstamp, bearing blindstamp for Curwen, Chilford, 72x54.5cm: together with four further lithographs printed in colours by the same hand entitled ''Santa Monica Beach'', ''Sydney Harbour'', ''Montmartre'' and ''Ponte Vecchio'', ea. signed and titled, one numbered in pencil, ea. bearing artist's blindstamp, ea. bearing blindstamp for Curwen Chilford, three 72x54.5cm and one 68.5x54cm, (5) (unframed) (may be subject to Droit de Suite) Est. 200 - 300
Page 3 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
45 Prunella Clough, British 1919-1999- ''The Grammar of Ornament'' and 51 Kim Lin, British/Chinese 1936-1997- ''Blue washes''; lithograph printed in ''Bubble Wrap''; lithographs printed in colours, two, ea. signed and colours, signed, numbered 12/20 and dated 1993 in pencil, 60x56cm: numbered 24/30 and 16/30 in pencil, one bearing blindstamp for Curwen together with two further lithographs by the same hand, one entitled Chilford, 70.5x55cm and 82.7x62.5cm, (2) (unframed) (may be subject ''Black washes'' and the other depicting an abstract composition, ea. to Droit de Suite) signed, numbered 14/20 and 12/20 and dated 1993 in pencil, Prunella Clough, British 1919-1999- ''The Grammar of Ornament'' and 65.5x56cm and 52.8x56.5cm, (3) (unframed) (may be subject to Droit de ''Bubble Wrap''; lithographs printed in colours, two, ea. signed and Suite) numbered 24/30 and 16/30 in pencil, one bearing blindstamp for Curwen Kim Lin, British/Chinese 1936-1997- ''Blue washes''; lithograph printed in Chilford, 70.5x55cm and 82.7x62.5cm, (2) (unframed) (may be subject colours, signed, numbered 12/20 and dated 1993 in pencil, 60x56cm: to Droit de Suite) together with two further lithographs by the same hand, one entitled Est. 150 - 200 ''Black washes'' and the other depicting an abstract composition, ea. 46 Basil Beattie RA, British b.1935- ''Demonic Stamp''; lithograph printed in signed, numbered 14/20 and 12/20 and dated 1993 in pencil, colours, signed, titled and numbered 10/30 in pencil, 64.5x87.5cm, 65.5x56cm and 52.8x56.5cm, (3) (unframed) (may be subject to Droit de (unframed) (may be subject to Droit de Suite) Suite) Basil Beattie RA, British b.1935- ''Demonic Stamp''; lithograph printed in Est. 250 - 300 colours, signed, titled and numbered 10/30 in pencil, 64.5x87.5cm, 52 Kim Lin, British/Chinese 1936-1997- ''Relief''; lithograph printed in (unframed) (may be subject to Droit de Suite) colours, signed, dated 1993 and numbered 16/20 in pencil, 51.3x76cm: Est. 100 - 150 together with two further lithographs printed in colours by the same 47 Alison Wilding RA, British b.1948- ''Starlings I'' and ''Starlings II''; hand, both entitled ''Relief'', ea. signed, dated and numbered 13/24 and photographic contone, two, ea. signed and numbered 26/50 in pencil, 24/24 in pencil, 56.5x72.5cm and 49.5x67.5cm, (3) (unframed) (may be 37.1x44.6cm, (2) (may be subject to Droit de Suite) subject to Droit de Suite) Alison Wilding RA, British b.1948- ''Starlings I'' and ''Starlings II''; Kim Lin, British/Chinese 1936-1997- ''Relief''; lithograph printed in photographic contone, two, ea. signed and numbered 26/50 in pencil, colours, signed, dated 1993 and numbered 16/20 in pencil, 51.3x76cm: 37.1x44.6cm, (2) (may be subject to Droit de Suite) together with two further lithographs printed in colours by the same Est. 200 - 250 hand, both entitled ''Relief'', ea. signed, dated and numbered 13/24 and 48 John Bellany CBE HRSA RA, Scottish 1942-2013- ''The Blessed One''; 24/24 in pencil, 56.5x72.5cm and 49.5x67.5cm, (3) (unframed) (may be lithograph, signed and numbered 43/50 in pencil, bears blindstamp for subject to Droit de Suite) Curwen, Chilford, 74.2x54.2cm: together with two further lithographs by Est. 250 - 300 the same hand entitled ''Celtic Mother and Child'' and ''The Death Knell 53 Mary Fedden OBE RA, British 1915-2012- ''Fourteen''; lithograph printed Rings Out'', ea. signed and numbered 26/50 and 29/50 in pencil, ea. in colours, signed, dated '08 and numbered 50/50 in pencil, blindstamp, bearing blindstamp for Curwen, Chilford, ea. 74.2x54.2cm, (3) 25.4x30.5cm: together with one other lithograph printed in colours by the (unframed) (may be subject to Droit de Suite) same hand entitled ''Oppede le Vieux'', signed and numbered 70/150 in John Bellany CBE HRSA RA, Scottish 1942-2013- ''The Blessed One''; pencil, blindstamp, 37.5x44.5cm, (2) (unframed) (may be subject to Droit lithograph, signed and numbered 43/50 in pencil, bears blindstamp for de Suite) Curwen, Chilford, 74.2x54.2cm: together with two further lithographs by Mary Fedden OBE RA, British 1915-2012- ''Fourteen''; lithograph printed the same hand entitled ''Celtic Mother and Child'' and ''The Death Knell in colours, signed, dated '08 and numbered 50/50 in pencil, blindstamp, Rings Out'', ea. signed and numbered 26/50 and 29/50 in pencil, ea. 25.4x30.5cm: together with one other lithograph printed in colours by the bearing blindstamp for Curwen, Chilford, ea. 74.2x54.2cm, (3) same hand entitled ''Oppede le Vieux'', signed and numbered 70/150 in (unframed) (may be subject to Droit de Suite) pencil, blindstamp, 37.5x44.5cm, (2) (unframed) (may be subject to Droit Est. 250 - 300 de Suite) 49 John Bellany CBE HRSA RA, Scottish 1942-2013- ''Fishing Boat''; Est. 150 - 200 lithograph, signed and numbered 31/50 in pencil, bears blindstamp for 54 Edward Bawden CBE RA, British 1903-1989- ''Billingsgate''; Curwen Chilford, 52x36cm: together with one other lithograph by the posthumously printed by the Curwen Studio, 2009; lithograph, same hand entitled ''Bearded Man'', signed and numbered 31/50 in numbered 29/225 in pencil, 57x70.3cm, (unframed) (may be subject to pencil, bearing blindstamp for Curwen Chilford, 45x34.5cm, (2) Droit de Suite) (unframed) (may be subject to Droit de Suite) Edward Bawden CBE RA, British 1903-1989- ''Billingsgate''; John Bellany CBE HRSA RA, Scottish 1942-2013- ''Fishing Boat''; posthumously printed by the Curwen Studio, 2009; lithograph, lithograph, signed and numbered 31/50 in pencil, bears blindstamp for numbered 29/225 in pencil, 57x70.3cm, (unframed) (may be subject to Curwen Chilford, 52x36cm: together with one other lithograph by the Droit de Suite) same hand entitled ''Bearded Man'', signed and numbered 31/50 in Est. 100 - 150 pencil, bearing blindstamp for Curwen Chilford, 45x34.5cm, (2) 55 Philip Sutton RA, British b.1928- ''Flowers''; lithograph printed in colours, (unframed) (may be subject to Droit de Suite) signed, titled, numbered 58/100 and dated 1989 in pencil, 76x56cm: Est. 150 - 200 together with three further lithographs printed in colours by the same 50 Josef Herman OBE RA, British 1911-2000- ''Standing Mother and hand entitled ''Tenby'', ''Lear'' and ''Birds'', ea. signed, titled, numbered Child''; lithograph printed in colours, signed and numbered 76/150 in 77/80, 14/100 and 29/80 and dated 1989, various sizes, (4) (part pencil, 61.3x50.9cm: together with three further lithographs printed in unframed) (may be subject to Droit de Suite) colours by the same hand entitled ''Two Grey Figures'', ''Village Street'' Philip Sutton RA, British b.1928- ''Flowers''; lithograph printed in colours, and ''A Lyrical Flower'', ea. signed and numbered 63/150, 69/150 and signed, titled, numbered 58/100 and dated 1989 in pencil, 76x56cm: 51/150 in pencil, various sizes, (4) (unframed) (may be subject to Droit together with three further lithographs printed in colours by the same de Suite) hand entitled ''Tenby'', ''Lear'' and ''Birds'', ea. signed, titled, numbered Josef Herman OBE RA, British 1911-2000- ''Standing Mother and 77/80, 14/100 and 29/80 and dated 1989, various sizes, (4) (part Child''; lithograph printed in colours, signed and numbered 76/150 in unframed) (may be subject to Droit de Suite) pencil, 61.3x50.9cm: together with three further lithographs printed in Est. 200 - 300 colours by the same hand entitled ''Two Grey Figures'', ''Village Street'' and ''A Lyrical Flower'', ea. signed and numbered 63/150, 69/150 and 51/150 in pencil, various sizes, (4) (unframed) (may be subject to Droit de Suite) Est. 200 - 250
Page 4 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
56 Oliffe Richmond, Australian 1919-1977- ''Standing Group''; lithograph, 61 Albert Houtheusen, Dutch/British 1903-1979- Untitled, trees in the park; signed, numbered 55/250 and dated 66 in pencil, 64.5x51cm: together lithograph printed in colours, signed with initial within the plate, bears with two further lithographs by the same hand entitled ''Marathon'' and inscription 'Archive 2' in pencil, 62.5x83cm: together with a further ''Pilot'', ea. signed, numbered 38/250 and 8/250 and dated 66 in pencil, lithograph printed in colours by the same hand, depicting a Pierrot, 64.2x41.2cm and 62.7x50.2cm, (3) (unframed) Note: After moving to bears inscription 'P/P IV/IV Archive' in pencil, 75x55.7cm, (2) (unframed) the UK Oliffe Richmond worked as Henry Moore's assistant, until 1951 (may be subject to Droit de Suite) when he succeeded him as teacher at the Royal College of Art. His work Albert Houtheusen, Dutch/British 1903-1979- Untitled, trees in the park; was incl lithograph printed in colours, signed with initial within the plate, bears Oliffe Richmond, Australian 1919-1977- ''Standing Group''; lithograph, inscription 'Archive 2' in pencil, 62.5x83cm: together with a further signed, numbered 55/250 and dated 66 in pencil, 64.5x51cm: together lithograph printed in colours by the same hand, depicting a Pierrot, with two further lithographs by the same hand entitled ''Marathon'' and bears inscription 'P/P IV/IV Archive' in pencil, 75x55.7cm, (2) (unframed) ''Pilot'', ea. signed, numbered 38/250 and 8/250 and dated 66 in pencil, (may be subject to Droit de Suite) 64.2x41.2cm and 62.7x50.2cm, (3) (unframed) Note: After moving to Est. 100 - 150 the UK Oliffe Richmond worked as Henry Moore's assistant, until 1951 62 Dame Paula Rego DBE, Portugese/British b.1935- ''The Unicorn Artist'', when he succeeded him as teacher at the Royal College of Art. His work printed by Curwen Press, Chilford: lithograph printed in colours, signed was included in a number of the Arts Council's 'British Sculpture' and numbered 23/50 in pencil, bearing blindstamp for Curwen Chilford, exhibitions throughout the 1950s and 1960s and is now held in a 85x61.5cm, (unframed), (may be subject to Droit de Suite) number of public collections including the Tate. See Tate accession Dame Paula Rego DBE, Portugese/British b.1935- ''The Unicorn Artist'', numbers P06512, P06511 and P06513 for related examples printed by Curwen Press, Chilford: lithograph printed in colours, signed Est. 100 - 150 and numbered 23/50 in pencil, bearing blindstamp for Curwen Chilford, 57 Ceri Geraldus Richards CBE LG, British 1903-1971- ''The Force that 85x61.5cm, (unframed), (may be subject to Droit de Suite) Drives the Water through the Rocks'', 1965; lithograph, stamped Est. 500 - 700 'Curwen Studio Proof' on the reverse, 59.4x81.7cm, (unframed) (may be 63 Mortimer Luddington Menpes RE RBA ROI RI, Australian/British subject to Droit de Suite) Note: From ''Twelve Lithographs for Six 1855-1938- ''St Mark's Piazza''; etching on laid, signed, bears title, Poems by Dylan Thomas''. See Tate accession number P06478 for 20x30cm: together with an etching on wove by the same artist depicting similar example St Mark's from the Canal, signed in pencil, 20x30.5cm, (2) (unframed) Ceri Geraldus Richards CBE LG, British 1903-1971- ''The Force that (VAT charged on hammer price) Drives the Water through the Rocks'', 1965; lithograph, stamped Mortimer Luddington Menpes RE RBA ROI RI, Australian/British 'Curwen Studio Proof' on the reverse, 59.4x81.7cm, (unframed) (may be 1855-1938- ''St Mark's Piazza''; etching on laid, signed, bears title, subject to Droit de Suite) Note: From ''Twelve Lithographs for Six 20x30cm: together with an etching on wove by the same artist depicting Poems by Dylan Thomas''. See Tate accession number P06478 for St Mark's from the Canal, signed in pencil, 20x30.5cm, (2) (unframed) similar example (VAT charged on hammer price) Est. 200 - 300 Est. 150 - 200 58 Sir Kyffin Williams KBE RA, Welsh 1918-2006- ''Nanmor''; lithograph 64 Mortimer Luddington Menpes RE RBA ROI RI, Australian/British printed in colours, bearing blindstamp for Curwen Studio, Chilford, 1855-1938- Market scene at Peshawar; etching on laid, signed unsigned from the edition of 150, 53.8x69.3cm: Nicholas Sinclair, British 30x19.5cm: together with nine further etchings by the same artist b.1954- Portrait of Sir Kyffin Williams; photo-lithograph, signed and depicting Indian scenes including markets and portraits, ea. signed in numbered 102/150 in pencil, bears blindstamp for Curwen Studio, pencil, various sizes, (10) (unframed) (VAT charged on hammer price) Chilford, 36.5x34.5cm, (2) (unframed) (may be subject to Droit de Suite) Mortimer Luddington Menpes RE RBA ROI RI, Australian/British Sir Kyffin Williams KBE RA, Welsh 1918-2006- ''Nanmor''; lithograph 1855-1938- Market scene at Peshawar; etching on laid, signed printed in colours, bearing blindstamp for Curwen Studio, Chilford, 30x19.5cm: together with nine further etchings by the same artist unsigned from the edition of 150, 53.8x69.3cm: Nicholas Sinclair, British depicting Indian scenes including markets and portraits, ea. signed in b.1954- Portrait of Sir Kyffin Williams; photo-lithograph, signed and pencil, various sizes, (10) (unframed) (VAT charged on hammer price) numbered 102/150 in pencil, bears blindstamp for Curwen Studio, Est. 250 - 350 Chilford, 36.5x34.5cm, (2) (unframed) (may be subject to Droit de Suite) 65 Victor Pasmore CH CBE, British 1908-1998- ''Images on the Wall E''; Est. 150 - 200 colour etching with aquatint, signed with monogram, numbered 45/50 59 Peter Coker RA, British 1926-2004- ''Pont Neuf from Hotel Chatelet''; and dated 92 in pencil, 29.5x30cm, (may be subject to Droit de Suite) lithograph printed in colours, signed and numbered 23/95 in pencil, Victor Pasmore CH CBE, British 1908-1998- ''Images on the Wall E''; bears blindstamp for Curwen Studio, Chilford, 91x67.5cm: together with colour etching with aquatint, signed with monogram, numbered 45/50 two further lithographs by the same hand, one entitled ''Pont au Change and dated 92 in pencil, 29.5x30cm, (may be subject to Droit de Suite) at Night'' and the other depicting a cityscape with river and bridges, ea. Est. 400 - 600 signed and inscribed in pencil 'Curwen Archive 1', ea. bearing 66 Anthony Gross CBE RA, British 1905-1984- ''Little Serignac blindstamp for Curwen Studio, 92.5x71cm and 65.7x55.6cm, (3) (part Landscape'', 1978; etching, signed within the plate, signed, titled and unframed) (may numbered 40/75 in pencil, 22.8x36.7cm, (may be subject to Droit de Peter Coker RA, British 1926-2004- ''Pont Neuf from Hotel Chatelet''; Suite) Note: Anthony Gross studied at the Slade School of Fine Art in lithograph printed in colours, signed and numbered 23/95 in pencil, London before moving to Paris to train as an etcher and engraver. His bears blindstamp for Curwen Studio, Chilford, 91x67.5cm: together with work is held in a number of public collections including the British two further lithographs by the same hand, one entitled ''Pont au Change Council and Tate at Night'' and the other depicting a cityscape with river and bridges, ea. Anthony Gross CBE RA, British 1905-1984- ''Little Serignac signed and inscribed in pencil 'Curwen Archive 1', ea. bearing Landscape'', 1978; etching, signed within the plate, signed, titled and blindstamp for Curwen Studio, 92.5x71cm and 65.7x55.6cm, (3) (part numbered 40/75 in pencil, 22.8x36.7cm, (may be subject to Droit de unframed) (may be subject to Droit de Suite) Suite) Note: Anthony Gross studied at the Slade School of Fine Art in Est. 200 - 300 London before moving to Paris to train as an etcher and engraver. His 60 Albert Houthuesen, Dutch/British 1903-1979- Clown and dog walking by work is held in a number of public collections including the British moonlight; lithograph, signed with initial within the plate, bears Council and Tate inscription 'Archive I' in pencil, 65.6x50cm: together with two further Est. 250 - 300 lithographs, depicting portraits of Pierrots, ea. bearing inscription 67 Felim Egan, Irish b.1952- ''Landline'', 1991; lithograph printed in colours, 'Archive'; in pencil, 65.5x50.3cm and 65x50.2cm, (3) (unframed) (may signed, titled and numbered 27/32 in pencil, 67x50.4cm, (may be be subject to Droit de Suite) subject to Droit de Suite) Provenance: Scottish Gallery, London Albert Houthuesen, Dutch/British 1903-1979- Clown and dog walking by Felim Egan, Irish b.1952- ''Landline'', 1991; lithograph printed in colours, moonlight; lithograph, signed with initial within the plate, bears signed, titled and numbered 27/32 in pencil, 67x50.4cm, (may be inscription 'Archive I' in pencil, 65.6x50cm: together with two further subject to Droit de Suite) Provenance: Scottish Gallery, London lithographs, depicting portraits of Pierrots, ea. bearing inscription Est. 150 - 200 'Archive'; in pencil, 65.5x50.3cm and 65x50.2cm, (3) (unframed) (may 68 Hughie O'Donoghue RA, British b.1953- ''The Round Lake''; etching with be subject to Droit de Suite) aquatint printed in colours, signed, titled, numbered 26/35 and dated 91 Est. 100 - 150 in pencil, 57.2x75.5cm, (may be subject to Droit de Suite) Provenance: Art First, London Hughie O'Donoghue RA, British b.1953- ''The Round Lake''; etching with aquatint printed in colours, signed, titled, numbered 26/35 and dated 91 in pencil, 57.2x75.5cm, (may be subject to Droit de Suite) Provenance: Art First, London Est. 400 - 600
Page 5 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
69 Jack Miller, British 1945-2004- ''Rosy Bar, Argentina''; lithograph printed 77 Geneviève Claisse, French b.1935- ''Unité Orange''; giclée, on linen, in colours, signed, titled, numbered 158/195 and dated '84 in pencil, signed by hand, 124x105cm, (unframed) (may be subject to Droit de 62.3x82.3cm: together with two further lithographs printed in colours by Suite) the same hand entitled ''Droguerie, Argentina'' 1984 and ''Sunset, Geneviève Claisse, French b.1935- ''Unité Orange''; giclée, on linen, Cadillac'' 1982, ea. signed, titled, dated and numbered 163/195 and signed by hand, 124x105cm, (unframed) (may be subject to Droit de 157/195 respectively in pencil, 60x78.5cm and 80.5x31cm, (3) Suite) (unframed) (may be subject to Droit de Suite) Est. 300 - 400 Jack Miller, British 1945-2004- ''Rosy Bar, Argentina''; lithograph printed 78 Willi Kissmer, German b.1951- ''Lili Marleen II'', 2014; giclée, on linen, in colours, signed, titled, numbered 158/195 and dated '84 in pencil, signed and numbered 10/25, 98.6x54.3cm, (may be subject to Droit de 62.3x82.3cm: together with two further lithographs printed in colours by Suite) the same hand entitled ''Droguerie, Argentina'' 1984 and ''Sunset, Willi Kissmer, German b.1951- ''Lili Marleen II'', 2014; giclée, on linen, Cadillac'' 1982, ea. signed, titled, dated and numbered 163/195 and signed and numbered 10/25, 98.6x54.3cm, (may be subject to Droit de 157/195 respectively in pencil, 60x78.5cm and 80.5x31cm, (3) Suite) (unframed) (may be subject to Droit de Suite) Est. 150 - 200 Est. 400 - 600 79 Sir Peter Blake CBE RDI RA, British b.1932- ''C is for Clowning'', from 70 Jack Miller, British 1945-2004- ''Living Room by Betty Joel''; screenprint the Alphabet Series, 1991, publ by Waddington Graphics and Coriander printed in colours, signed, titled, numbered 24/35 and dated 78 in black Studios, London; screenprint in colours, signed, titled and inscribed 'P/P ink, 70x95cm: together with one further screenprint printed in colours by I/I' in pencil, 98.5x74.2cm, (may be subject to Droit de Suite) the same hand entitled ''Boudoir by Louis Dumergne'', signed, titled, Provenance: Coriander Studios, London numbered 24/35 and dated 78 in black ink, 70x95.5cm, (2) (unframed) Sir Peter Blake CBE RDI RA, British b.1932- ''C is for Clowning'', from (may be subject to Droit de Suite) Note: Betty Joel was the main the Alphabet Series, 1991, publ by Waddington Graphics and Coriander designer for Betty Joel Ltd., the firm she established with her husband Li Studios, London; screenprint in colours, signed, titled and inscribed 'P/P Jack Miller, British 1945-2004- ''Living Room by Betty Joel''; screenprint I/I' in pencil, 98.5x74.2cm, (may be subject to Droit de Suite) printed in colours, signed, titled, numbered 24/35 and dated 78 in black Provenance: Coriander Studios, London ink, 70x95cm: together with one further screenprint printed in colours by Est. 200 - 300 the same hand entitled ''Boudoir by Louis Dumergne'', signed, titled, 80 Sir Peter Blake CBE RDI RA, British b.1932- ''S is for Sumo'', from the numbered 24/35 and dated 78 in black ink, 70x95.5cm, (2) (unframed) Alphabet Series, 1991, publ by Waddington Graphics and Coriander (may be subject to Droit de Suite) Note: Betty Joel was the main Studios, London; screenprint in colours, signed, titled and inscribed 'P/P designer for Betty Joel Ltd., the firm she established with her husband I/I' in pencil, 98.5x48.2cm, (may be subject to Droit de Suite) Lieutenant David Joel in 1921. The venture had initially began with her Provenance: Coriander Studios, London designing pieces for her own home and undertaking commissions for Sir Peter Blake CBE RDI RA, British b.1932- ''S is for Sumo'', from the friends. Joel was influenced by the clean lines and rich materials of Alphabet Series, 1991, publ by Waddington Graphics and Coriander French Art Deco furniture, as well as the functionalism and craftmanship Studios, London; screenprint in colours, signed, titled and inscribed 'P/P of the Arts and Crafts movement. Examples of Joel's designs are held in I/I' in pencil, 98.5x48.2cm, (may be subject to Droit de Suite) the collection of the Victoria and Albert museum Provenance: Coriander Studios, London Est. 200 - 300 Est. 300 - 400 71 Daphne Odjig, Canadian b.1919- ''Spirit of the Mighty Thunderbird''; 81 Sir Peter Blake CBE RDI RA, British b.1932- ''K is for King'', from the screenprint in colours, signed and dated 68 within the plate, signed and Alphabet Series, 1991, publ by Waddington Graphics and Coriander dated 75 in pencil, 42x57cm: together with one other screenprint by the Studios, London; screenprint in colours, signed, titled and inscribed 'P/P same hand, signed within the plate, 57x26cm., (2) I/I' in pencil, 98.5x75.5cm, (may be subject to Droit de Suite) Daphne Odjig, Canadian b.1919- ''Spirit of the Mighty Thunderbird''; Provenance: Coriander Studios, London screenprint in colours, signed and dated 68 within the plate, signed and Sir Peter Blake CBE RDI RA, British b.1932- ''K is for King'', from the dated 75 in pencil, 42x57cm: together with one other screenprint by the Alphabet Series, 1991, publ by Waddington Graphics and Coriander same hand, signed within the plate, 57x26cm., (2) Studios, London; screenprint in colours, signed, titled and inscribed 'P/P Est. 250 - 300 I/I' in pencil, 98.5x75.5cm, (may be subject to Droit de Suite) 72 Beryl Cook OBE, British 1926-2008- ''Garden Centre'', 1991, publ by Provenance: Coriander Studios, London Alexander Gallery Publications, Bristol; colour reproduction print, signed Est. 400 - 600 within the plate, signed and numbered 87/850 in pencil, 54x40cm, (may 82 Sir Peter Blake CBE RDI RA, British b.1932- ''O is for Ornithology'', from be subject to Droit de Suite) the Alphabet Series, 1991, publ by Waddington Graphics and Coriander Beryl Cook OBE, British 1926-2008- ''Garden Centre'', 1991, publ by Studios, London; screenprint in colours, signed, titled and inscribed 'P/P Alexander Gallery Publications, Bristol; colour reproduction print, signed I/I' in pencil, 98.5x74.5cm, (may be subject to Droit de Suite) within the plate, signed and numbered 87/850 in pencil, 54x40cm, (may Provenance: Coriander Studios, London be subject to Droit de Suite) Sir Peter Blake CBE RDI RA, British b.1932- ''O is for Ornithology'', from Est. 300 - 400 the Alphabet Series, 1991, publ by Waddington Graphics and Coriander 73 Edward Bawden CBE RA, British 1903-1989- Interior of the old Lloyd's Studios, London; screenprint in colours, signed, titled and inscribed 'P/P building, London; lithograph printed in colours, signed and inscribed I/I' in pencil, 98.5x74.5cm, (may be subject to Droit de Suite) 'A.P.' in pencil, 43.7x47.6cm, (may be subject to Droit de Suite) Provenance: Coriander Studios, London Edward Bawden CBE RA, British 1903-1989- Interior of the old Lloyd's Est. 200 - 300 building, London; lithograph printed in colours, signed and inscribed 83 Sir Peter Blake CBE RDI RA, British b.1932- ''Y is for Yacht'', from the 'A.P.' in pencil, 43.7x47.6cm, (may be subject to Droit de Suite) Alphabet Series, 1991, publ by Waddington Graphics and Coriander Est. 250 - 350 Studios, London; screenprint in colours, signed, titled and inscribed 'P/P 74 Paul Kostabi, American b.1962- ''Light Noise'', 2014; giclée, signed and I/I' in pencil, 98.5x74.5cm, (may be subject to Droit de Suite) numbered 16/30 in pencil, 60.8x48.7cm, (unframed) Provenance: Coriander Studios, London Paul Kostabi, American b.1962- ''Light Noise'', 2014; giclée, signed and Sir Peter Blake CBE RDI RA, British b.1932- ''Y is for Yacht'', from the numbered 16/30 in pencil, 60.8x48.7cm, (unframed) Alphabet Series, 1991, publ by Waddington Graphics and Coriander Est. 100 - 150 Studios, London; screenprint in colours, signed, titled and inscribed 'P/P 75 Paul Kostabi, American b.1962- ''Un-Earthed'', 2014; giclée, signed and I/I' in pencil, 98.5x74.5cm, (may be subject to Droit de Suite) numbered 14/30 in pencil, 60.8x48.7cm, (unframed) Provenance: Coriander Studios, London Paul Kostabi, American b.1962- ''Un-Earthed'', 2014; giclée, signed and Est. 250 - 300 numbered 14/30 in pencil, 60.8x48.7cm, (unframed) 84 Sir Peter Blake CBE RDI RA, British b.1932- ''Q is for Quarters'', from Est. 100 - 150 the Alphabet Series, 1991, publ by Waddington Graphics and Coriander 76 Hermann Nitsch, Austrian b.1938- ''Motive 4 - Black'', 2014; giclée, on Studios, London; screenprint in colours, signed, titled and inscribed 'P/P linen, signed and numbered 9/40 by hand, 62.3x49cm, (may be subject I/I' in pencil, 98.5x75.5cm, (may be subject to Droit de Suite) to Droit de Suite) Provenance: Coriander Studios, London Hermann Nitsch, Austrian b.1938- ''Motive 4 - Black'', 2014; giclée, on Sir Peter Blake CBE RDI RA, British b.1932- ''Q is for Quarters'', from linen, signed and numbered 9/40 by hand, 62.3x49cm, (may be subject the Alphabet Series, 1991, publ by Waddington Graphics and Coriander to Droit de Suite) Studios, London; screenprint in colours, signed, titled and inscribed 'P/P Est. 400 - 600 I/I' in pencil, 98.5x75.5cm, (may be subject to Droit de Suite) Provenance: Coriander Studios, London Est. 300 - 500
Page 6 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
85 Sir Peter Blake CBE RDI RA, British b.1932- ''Z is for Zebra'', from the 93 Robyn Denny, British 1930-2014- ''Dream'', publ by Leslie Waddington Alphabet series, 1991, publ by Waddington Graphics and Coriander Prints Ltd., printed by Advanced Graphics, London; screenprint in Studios, London; screenprint in colours, signed, titled and inscribed 'P/P colours, signed, dated '72 and numbered 61/100 in pencil, 101x151cm, I/I' in pencil, 98.5x75.3cm, (may be subject to Droit de Suite) (may be subject to Droit de Suite) Provenance: from the Estate of the Provenance: Coriander Studios, London late Eugene Rosenberg: Purchased by Eugene Rosenberg from Leslie Sir Peter Blake CBE RDI RA, British b.1932- ''Z is for Zebra'', from the Waddington Prints Ltd, 4th April 1972 Literature: Fourteen Big Prints, Alphabet series, 1991, publ by Waddington Graphics and Coriander Bernard Jacobson Ltd., London, 1982, p.27 Studios, London; screenprint in colours, signed, titled and inscribed 'P/P Robyn Denny, British 1930-2014- ''Dream'', publ by Leslie Waddington I/I' in pencil, 98.5x75.3cm, (may be subject to Droit de Suite) Prints Ltd., printed by Advanced Graphics, London; screenprint in Provenance: Coriander Studios, London colours, signed, dated '72 and numbered 61/100 in pencil, 101x151cm, Est. 300 - 400 (may be subject to Droit de Suite) Provenance: from the Estate of the 86 Sir Peter Blake CBE RDI RA, British b.1932- ''W is for Wrestler'', from late Eugene Rosenberg: Purchased by Eugene Rosenberg from Leslie the Alphabet series, 1991, publ by Waddington Graphics and Coriander Waddington Prints Ltd, 4th April 1972 Literature: Fourteen Big Prints, Studios, London; screenprint in colours, signed, titled and inscribed 'P/P Bernard Jacobson Ltd., London, 1982, p.27 I/I' in pencil, 98.5x75.4cm, (may be subject to Droit de Suite) Est. 200 - 300 Provenance: Coriander Studios, London 94 Jacob Bornfriend [Jakub Bauernfreud], Czech 1904-1976- ''Jewish Sir Peter Blake CBE RDI RA, British b.1932- ''W is for Wrestler'', from Festivals''; lithograph printed in colours, signed and inscribed AP IV in the Alphabet series, 1991, publ by Waddington Graphics and Coriander pencil, 83.5x59cm: together with two lithographs printed in colours and Studios, London; screenprint in colours, signed, titled and inscribed 'P/P an aquatint by the same artist depicting various abstract subject matter, I/I' in pencil, 98.5x75.4cm, (may be subject to Droit de Suite) ea. signed and inscribed, various sizes, (4) (unframed) (may be subject Provenance: Coriander Studios, London to Droit de Suite) Provenance: from the Estate of the Late Eugene Est. 300 - 400 Rosenberg. Note: The portfolio of Jewish Festivals was based on 87 Sir Peter Blake CBE RDI RA, British b.1932- ''X is for Xylophonist'', from studies for a the Alphabet Series, 1991, publ by Waddington Graphics and Coriander Jacob Bornfriend [Jakub Bauernfreud], Czech 1904-1976- ''Jewish Studios, London; screenprint in colours, signed, titled and inscribed 'P/P Festivals''; lithograph printed in colours, signed and inscribed AP IV in I/I' in pencil, 98x75cm, (may be subject to Droit de Suite) Provenance: pencil, 83.5x59cm: together with two lithographs printed in colours and Coriander Studios, London an aquatint by the same artist depicting various abstract subject matter, Sir Peter Blake CBE RDI RA, British b.1932- ''X is for Xylophonist'', from ea. signed and inscribed, various sizes, (4) (unframed) (may be subject the Alphabet Series, 1991, publ by Waddington Graphics and Coriander to Droit de Suite) Provenance: from the Estate of the Late Eugene Studios, London; screenprint in colours, signed, titled and inscribed 'P/P Rosenberg. Note: The portfolio of Jewish Festivals was based on I/I' in pencil, 98x75cm, (may be subject to Droit de Suite) Provenance: studies for a mural commissioned from Bornfriend in 1957 for the library Coriander Studios, London of Jews' College in London, which was designed by the University's first Est. 400 - 600 architect, Eugene Rosenberg. Bornfriend's paintings had been received 88 Sir Peter Blake CBE RDI RA, British b.1932- ''D is for Dwarfs'', from the with acclaim in London, they reflected a distinctive idiom in which his Alphabet Series, 1991, publ by Waddington Graphics and Coriander images, according to Pierre Rouve, (were) not illusionist reproductions Studios, London; screenprint in colours, signed, titled and inscribed 'P/P of visible things but visual 'abstracts' of their innermost substance. This I/I' in pencil, 98.4x74.3, (may be subject to Droit de Suite) Provenance: quality is apparent in the Jewish Festivals which present a poetic Coriander Studios, London blending of image and cultural meaning. The approach to printmaking Sir Peter Blake CBE RDI RA, British b.1932- ''D is for Dwarfs'', from the adopted by Bornfriend incorporated drawing, painting and collage and Alphabet Series, 1991, publ by Waddington Graphics and Coriander used a combination of processes, including block printing, screen Studios, London; screenprint in colours, signed, titled and inscribed 'P/P printing and lithography. I/I' in pencil, 98.4x74.3, (may be subject to Droit de Suite) Provenance: Est. 250 - 350 Coriander Studios, London 95 Sir Eduardo Luigi Paolozzi KBE RA, Scottish 1924-2005- Untitled, from Est. 300 - 400 the Buñuel Suite; screenprint in colours, 46.5x37.2cm: together with a 89 Gary Hume RA, British b.1962- ''Spring Angel F'', from Spring Angels; mixed technique lithograph and screenprint depicting a four head screenprint in colours, 4 from the edition of 45, signed, inscribed and collage, 53x38cm, (2), (unframed) (may be subject to Droit de Suite) dated 00 in pencil, 125x100cm, (may be subject to Droit de Suite) Note: Luis Buñuel, 1900-1983 was a Spanish-born filmmaker who Provenance: Whitford Fine Art, London worked in Spain, France, Mexico and USA. His films are known and Gary Hume RA, British b.1962- ''Spring Angel F'', from Spring Angels; admired for their surrealist imagery and their critical attitude towards screenprint in colours, 4 from the edition of 45, signed, inscribed and organised religion and b dated 00 in pencil, 125x100cm, (may be subject to Droit de Suite) Sir Eduardo Luigi Paolozzi KBE RA, Scottish 1924-2005- Untitled, from Provenance: Whitford Fine Art, London the Buñuel Suite; screenprint in colours, 46.5x37.2cm: together with a Est. 1,500 - 2,000 mixed technique lithograph and screenprint depicting a four head 90 Gary Hume RA, British b.1962- ''Spring Angel D'', from Spring Angels; collage, 53x38cm, (2), (unframed) (may be subject to Droit de Suite) screenprint in colours, 4 from the edition of 45, signed, inscribed and Note: Luis Buñuel, 1900-1983 was a Spanish-born filmmaker who dated 00 in pencil, 125x100cm, (may be subject to Droit de Suite) worked in Spain, France, Mexico and USA. His films are known and Provenance: Whitford Fine Art, London admired for their surrealist imagery and their critical attitude towards Gary Hume RA, British b.1962- ''Spring Angel D'', from Spring Angels; organised religion and bourgeois morals. screenprint in colours, 4 from the edition of 45, signed, inscribed and Est. 100 - 150 dated 00 in pencil, 125x100cm, (may be subject to Droit de Suite) 96 After Andy Warhol, American 1928-1987- Athletes by Andy Warhol, ICA, Provenance: Whitford Fine Art, London 1978, exhibition poster, offset lithograph printed in colours, Est. 1,500 - 2,000 76.1x50.8cm: After Allen Jones RA, British b.1937- Allen Jones Graphic 91 Joe Tilson RA, British b.1928- ''Signatures and Correspondences''; Works, 1958-78, ICA, 1978, exhibition poster, printed by Oxley Press for etching, aquatint, carborundum and gold leaf, on handmade paper, Deluxe Magazine, 76.1x50.8cm: together with nine further artist's signed, inscribed 'proof' and dated 1987 in pencil, 57.5x79cm, (may be exhibition and concert posters including Richard Hamilton: Paintings, subject to Droit de Suite) pastels, prints at Wolverhampton Art Gallery in 1975, various sizes, Joe Tilson RA, British b.1928- ''Signatures and Correspondences''; (unframed) (11) etching, aquatint, carborundum and gold leaf, on handmade paper, After Andy Warhol, American 1928-1987- Athletes by Andy Warhol, ICA, signed, inscribed 'proof' and dated 1987 in pencil, 57.5x79cm, (may be 1978, exhibition poster, offset lithograph printed in colours, subject to Droit de Suite) 76.1x50.8cm: After Allen Jones RA, British b.1937- Allen Jones Graphic Est. 500 - 700 Works, 1958-78, ICA, 1978, exhibition poster, printed by Oxley Press for 92 Eric Gill, British 1882-1940- ''Hottentot'', (Physick 172), 1920; publ. by Deluxe Magazine, 76.1x50.8cm: together with nine further artist's Douglas Cleverden, 1929, woodcut, 24.9x11.2cm exhibition and concert posters including Richard Hamilton: Paintings, Eric Gill, British 1882-1940- ''Hottentot'', (Physick 172), 1920; publ. by pastels, prints at Wolverhampton Art Gallery in 1975, various sizes, Douglas Cleverden, 1929, woodcut, 24.9x11.2cm (unframed) (11) Est. 300 - 500 Est. 100 - 150
Page 7 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
97 Patrick Procktor RA RWS, British 1936-2003- ''Château Russian Style'', 104 David Hockney OM CH RA, British b.1937- ''Tulips''; from ''Culture ''Château Mouton-Rothschild'' & ''Vieux Château Certan''; etching and Carriers Stamp Out Art'', 1971; lithograph mounted on franked envelope, aquatints printed in colours, three, ea. signed, titled and numbered from signed with initials in ink, 15.1x22.6cm overall, (unframed) (may be an edition of 150 in pencil, blindstamp, ea. 30x40cm, (unframed) (3) subject to Droit de Suite) Note: From the edition of 250. As a (may be subject to Droit de Suite) consequence of the prolonged postal strike of 1971, Hockney along with Patrick Procktor RA RWS, British 1936-2003- ''Château Russian Style'', a group of British artists including Allen Jones and Richard Hamilton, ''Château Mouton-Rothschild'' & ''Vieux Château Certan''; etching and published ''Culture Carriers Stamp Out Art''to raise funds for striking aquatints printed in colours, three, ea. signed, titled and numbered from workers an edition of 150 in pencil, blindstamp, ea. 30x40cm, (unframed) (3) David Hockney OM CH RA, British b.1937- ''Tulips''; from ''Culture (may be subject to Droit de Suite) Carriers Stamp Out Art'', 1971; lithograph mounted on franked envelope, Est. 300 - 500 signed with initials in ink, 15.1x22.6cm overall, (unframed) (may be 98 Patrick Procktor RA RWS, British 1936-2003- ''Château Prieure Lichine'' subject to Droit de Suite) Note: From the edition of 250. As a & Château Certan''; etching and aquatints printed in colours, two, ea. consequence of the prolonged postal strike of 1971, Hockney along with signed, titled and numbered from an edition of 150 in pencil, with a group of British artists including Allen Jones and Richard Hamilton, blindstamp, ea. 30.5x40.5cm, (unframed) (2) (may be subject to Droit de published ''Culture Carriers Stamp Out Art''to raise funds for striking Suite) workers Patrick Procktor RA RWS, British 1936-2003- ''Château Prieure Lichine'' Est. 500 - 700 & Château Certan''; etching and aquatints printed in colours, two, ea. 105 John Piper CH, British 1903-1992- ''Corbels at Kilpeck'' (L. 261), 1976; signed, titled and numbered from an edition of 150 in pencil, with screenprint in colours, printed by Charles Broome, published by the blindstamp, ea. 30.5x40.5cm, (unframed) (2) (may be subject to Droit de Friends of the Herefordshire Museum and Art Galleries; signed and Suite) numbered 40/75 in pencil, 37.9x56.6cm (unframed) (may be subject to Est. 200 - 400 Droit de Suite) 99 Anthony Gross, CBE RA, British 1905-1984- ''À L'Ombre d'un Noyer'', John Piper CH, British 1903-1992- ''Corbels at Kilpeck'' (L. 261), 1976; 1969; etching, signed, titled and numbered 38/75 in pencil, 29x35cm, screenprint in colours, printed by Charles Broome, published by the (unframed) (may be subject to Droit de Suite) Friends of the Herefordshire Museum and Art Galleries; signed and Anthony Gross, CBE RA, British 1905-1984- ''À L'Ombre d'un Noyer'', numbered 40/75 in pencil, 37.9x56.6cm (unframed) (may be subject to 1969; etching, signed, titled and numbered 38/75 in pencil, 29x35cm, Droit de Suite) (unframed) (may be subject to Droit de Suite) Est. 400 - 600 Est. 300 - 500 106 After Pablo Picasso, Spanish 1881-1973- ''Seated Portrait of Dora 100 Andy Warhol, American 1928-1987- ''The Shadow'', (F&S II.267) from Maar'', publ by Felix Rosenstiel's Widow & Son; gouttelette printed in Myths Portfolio, 1981; screenprint in colours with diamond dust on colours on silk, numbered 43/50 by the printer, 57.5x47.3cm, (may be Lenox Museum Board, signed and numbered 55/200 in pencil, subject to Droit de Suite) Note: Two signed certificates of authenticity 96.5x96.5cm Note: The Shadow by Andy Warhol is a self-portrait accompany this lot, one issued by the printer, Felix Rosenstiel's Widow belonging to the Myth series of ten screenprints from 1981, that & Son, and the other by Charles Phillips Fine Art Auctioneers & exemplify Warhol's sense for the powerful motifs of his time. They Diamond Merchants, Musselburgh, Scotland, dated 05/01/2011 portray the universal view of America's once captivating and After Pablo Picasso, Spanish 1881-1973- ''Seated Portrait of Dora commanding past taken from 1950's television and ol Maar'', publ by Felix Rosenstiel's Widow & Son; gouttelette printed in Andy Warhol, American 1928-1987- ''The Shadow'', (F&S II.267) from colours on silk, numbered 43/50 by the printer, 57.5x47.3cm, (may be Myths Portfolio, 1981; screenprint in colours with diamond dust on subject to Droit de Suite) Note: Two signed certificates of authenticity Lenox Museum Board, signed and numbered 55/200 in pencil, accompany this lot, one issued by the printer, Felix Rosenstiel's Widow 96.5x96.5cm Note: The Shadow by Andy Warhol is a self-portrait & Son, and the other by Charles Phillips Fine Art Auctioneers & belonging to the Myth series of ten screenprints from 1981, that Diamond Merchants, Musselburgh, Scotland, dated 05/01/2011 exemplify Warhol's sense for the powerful motifs of his time. They Est. 800 - 1,200 portray the universal view of America's once captivating and 107 Pablo Picasso, Spanish 1881-1973- ''Four Heads of Men''; from ''Les commanding past taken from 1950's television and old Hollywood films Métamorphoses d'Ovide'', 1931, etching printed in black and sanguine, such as Superman, Uncle Sam, The Wicked Witch, Mickey Mouse and 33x25.6cm (sheet, no plate mark) (may be subject to Droit de Suite) Santa Claus. The Shadow was a fictional radio crime fighter from Provenance: From the art collection at the former St Gabriel's College, Warhol's childhood during the 1930's. Here, Warhol himself portrays the Camberwell. St Gabriel's was a Church of England teacher training hero, and as he glances toward the viewer, a strong nearby light casts college, founded in 1899 and closed in 1978. Its Art Department his profile in a long, dramatic, and darkened shadow. attracted talented teachers and artists whose vocation was to inspire Est. 20,000 - 25,000 young teachers throu 101 Stanley Palmer, New Zealander b.1936- Coastal scene; bamboo Pablo Picasso, Spanish 1881-1973- ''Four Heads of Men''; from ''Les etching, signed, titled, numbered 17/60 and dated 77 in pencil, bears Métamorphoses d'Ovide'', 1931, etching printed in black and sanguine, publisher's blind stamp, 12.6x25.9cm (unframed) 33x25.6cm (sheet, no plate mark) (may be subject to Droit de Suite) Stanley Palmer, New Zealander b.1936- Coastal scene; bamboo Provenance: From the art collection at the former St Gabriel's College, etching, signed, titled, numbered 17/60 and dated 77 in pencil, bears Camberwell. St Gabriel's was a Church of England teacher training publisher's blind stamp, 12.6x25.9cm (unframed) college, founded in 1899 and closed in 1978. Its Art Department Est. 150 - 200 attracted talented teachers and artists whose vocation was to inspire 102 Karel Appel, Dutch 1921-2006- Composition; lithograph printed in young teachers through studying and imitating the work of great artists. colours, signed and numbered 29/90, 37.5x36.5cm, (may be subject to The paintings and drawings in this collection were collected by the Droit de Suite) College's staff through donations and purchases during the interwar and Karel Appel, Dutch 1921-2006- Composition; lithograph printed in post-war periods. After the College's closure, the collection was colours, signed and numbered 29/90, 37.5x36.5cm, (may be subject to transferred to the ownership of an educational trust and until recently Droit de Suite) loaned to Goldsmith's University of London. Est. 250 - 300 Est. 1,000 - 1,500 103 René Magritte, Belgian 1898-1967- ''Poire et Rose'', from Le Lien de 108 Mersad Berber, Bosnian 1940-2012- ''Flora'', 2001; offset lithograph and Paille, 1969; etching with aquatint printed in colours, signed and screenprint hand-finished in gold leaf, signed, numbered 184/250 and numbered 61/150 in pencil, 15.6x10.6cm, (may be subject to Droit de inscribed 'Gift of Flowers' in gold pen, bearing publisher's blindstamp, Suite) Provenance: The Redfern Gallery, London. The original receipt of 41.7x69.5cm: together with two further offset lithograph and serigraphs purchase dated September 22nd 1969 accompanies this lot hand finished in gold leaf by the same hand, ea. signed and inscribed in René Magritte, Belgian 1898-1967- ''Poire et Rose'', from Le Lien de black and blue crayon respectively, 47.6x64 and 39.8x29.1cm Paille, 1969; etching with aquatint printed in colours, signed and Mersad Berber, Bosnian 1940-2012- ''Flora'', 2001; offset lithograph and numbered 61/150 in pencil, 15.6x10.6cm, (may be subject to Droit de screenprint hand-finished in gold leaf, signed, numbered 184/250 and Suite) Provenance: The Redfern Gallery, London. The original receipt of inscribed 'Gift of Flowers' in gold pen, bearing publisher's blindstamp, purchase dated September 22nd 1969 accompanies this lot 41.7x69.5cm: together with two further offset lithograph and serigraphs Est. 1,500 - 2,000 hand finished in gold leaf by the same hand, ea. signed and inscribed in black and blue crayon respectively, 47.6x64 and 39.8x29.1cm Est. 500 - 700
Page 8 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
109 Robert Graham, American 1938-2008- Standing female nudes; 115 Joan Miro, Spanish 1893-1983- ''L'Ete'', (recto), 1938; publ by Teriade lithograph, signed, inscribed 'A/P' and dated 1971 in pencil, for Verve (Vol.1, No.3), executed by Daniel Jacomet, pochoir in colours, 38.5x58.6cm: together with two other lithographs by the same hand on signed within the plate, with title design to the reverse, 35.5x26.4cm: tissue-thin paper, both signed, dedicated and dated 1970 in pencil, Paul Klee, Swiss/German 1879-1940- ''Sommeil d'Hiver'', (recto), 1938; 34x61cm., ea., (3) publ by Teriade for Verve (Vol.1, No.3), lithograph printed in colours, Robert Graham, American 1938-2008- Standing female nudes; signed within the plate, with title design by Joan Miro to the reverse, lithograph, signed, inscribed 'A/P' and dated 1971 in pencil, 35.5x26.5cm: Alexander Calder, American 1898-1976- ''Spring Carnival 38.5x58.6cm: together with two other lithographs by the same hand on Joan Miro, Spanish 1893-1983- ''L'Ete'', (recto), 1938; publ by Teriade tissue-thin paper, both signed, dedicated and dated 1970 in pencil, for Verve (Vol.1, No.3), executed by Daniel Jacomet, pochoir in colours, 34x61cm., ea., (3) signed within the plate, with title design to the reverse, 35.5x26.4cm: Est. 150 - 250 Paul Klee, Swiss/German 1879-1940- ''Sommeil d'Hiver'', (recto), 1938; 110 Cecil Charles Windsor Aldin RBA, British 1870-1935- ''A Village Post publ by Teriade for Verve (Vol.1, No.3), lithograph printed in colours, Office''; drypoint etching, signed and numbered 73/100 in pencil, signed within the plate, with title design by Joan Miro to the reverse, 24.6x21cm 35.5x26.5cm: Alexander Calder, American 1898-1976- ''Spring Cecil Charles Windsor Aldin RBA, British 1870-1935- ''A Village Post Carnival'', 1969; lithograph printed in colours, signed and dated within Office''; drypoint etching, signed and numbered 73/100 in pencil, the plate, 44x64.3cm: Marcel Gromaire, French 1892-1971- ''Intérieur 24.6x21cm Flamand'', (recto); publ by Teriade for Verve (Vol.7, No.27/28), 1952, Est. 200 - 300 lithograph printed in colours, signed and dated within the plate, with a 111 Franz Nölken, German 1884-1918- ''Portrait of Max Reger''; drypoint lithograph by the same hand printed on the reverse entitled ''Nu'', signed etching, signed and dated 1916 within the plate, signed in pencil, and dated within the plate, 35.4x26.6cm: together with two further 15.2x11.8cm Note: Max Reger (1873-1916) was a progressive early lithographs printed in colours, one by Henri Matisse, depicting a portrait modernist composer who expanded upon the styles of Johann of a seated woman, signed within the plate, 33.5x25.5cm, the other by Sebastian Bach and Johannes Brahms to bring German music into the Joan Miro, depicting an abstract composition, inscribed verso, twentieth century. He was extremely prolific and wrote more than 1000 31.9x24.8cm (5) (unframed) (may be subject to Droit de Suite) works in his lifetime in all forms except opera Est. 100 - 150 Franz Nölken, German 1884-1918- ''Portrait of Max Reger''; drypoint 116 Wassily Kandinsky, Russian 1866-1944- ''Stars'', (recto); publ by etching, signed and dated 1916 within the plate, signed in pencil, Teriade for Verve (Vol.1, No.2), 1938, lithograph printed in colours, 15.2x11.8cm Note: Max Reger (1873-1916) was a progressive early signed and dated within the plate, with title design printed on the modernist composer who expanded upon the styles of Johann reverse, 35.5x26.4cm: Wassily Kandinsky, Russian 1866-1944- Sebastian Bach and Johannes Brahms to bring German music into the ''Comets'', (recto); published by Teriade for Verve (Vol.1, No.2), 1938, twentieth century. He was extremely prolific and wrote more than 1000 lithograph printed in colours, signed and dated within the plate, with title works in his lifetime in all forms except opera design printed on the reverse, 35.4x25.9cm: Andre Masson, French Est. 150 - 200 1896-1987- ''The Sun' 112 After Edvard Munch, Norwegian 1863-1944- ''Madonna''; screenprint in Wassily Kandinsky, Russian 1866-1944- ''Stars'', (recto); publ by colours, 68.5x50cm, (unframed) Note: This example may belong to the Teriade for Verve (Vol.1, No.2), 1938, lithograph printed in colours, edition that was produced by Aarhus Kunstmuseum on the occasion of signed and dated within the plate, with title design printed on the their Edvard Munch exhibition in 1975 reverse, 35.5x26.4cm: Wassily Kandinsky, Russian 1866-1944- After Edvard Munch, Norwegian 1863-1944- ''Madonna''; screenprint in ''Comets'', (recto); published by Teriade for Verve (Vol.1, No.2), 1938, colours, 68.5x50cm, (unframed) Note: This example may belong to the lithograph printed in colours, signed and dated within the plate, with title edition that was produced by Aarhus Kunstmuseum on the occasion of design printed on the reverse, 35.4x25.9cm: Andre Masson, French their Edvard Munch exhibition in 1975 1896-1987- ''The Sun'', (recto); published by Teriade for Verve (Vol.1, Est. 300 - 400 No.2), 1938, lithograph printed in colours, signed within the plate, with 113 Friedrich Meckseper, German b.1936- ''Hirngespinst''; etching with title design printed on the reverse, 35.5x26.5cm: together with one aquatint, signed, numbered 116/150 and dated 74 in pencil, further lithograph printed in colours by Wassily Kandinsky entitled 34.5x43.2cm, (may be subject to Droit de Suite) ''Composition III'', signed and dated 22 within the plate, with text printed Friedrich Meckseper, German b.1936- ''Hirngespinst''; etching with on the reverse, 55x38cm, (4) (unframed) ( may be subject to Droit de aquatint, signed, numbered 116/150 and dated 74 in pencil, Suite) 34.5x43.2cm, (may be subject to Droit de Suite) Est. 100 - 150 Est. 150 - 200 117 Louis Marcoussis, Polish/French 1878-1941- ''Rimbaud''; publ by San 114 Wilfredo Lam, Cuban 1902-1982- ''Figure Blanche'', publ by Lazzaro for Le XXe Siècle, 1939, burin and etching in colours, signed Erker-Presse St Gallen, Switzerland; lithograph, signed and numbered within the plate, 32.2x24.6cm: Jean Hans Arp, German/French 75/90 in pencil, bears publisher's blindstamp, 76.2x56.2cm, (unframed) 1886-1966- ''Form''; publ by San Lazzaro for Le XXe Siècle, 1951, (may be subject to Droit de Suite) lithograph printed in colours, 31.1x23.5cm: Andre Masson, French Wilfredo Lam, Cuban 1902-1982- ''Figure Blanche'', publ by 1896-1987- ''Composition for XXe Siècle ''; publ by San Lazzaro for Le Erker-Presse St Gallen, Switzerland; lithograph, signed and numbered XXe Siècle, 1972, 31.1x24.4cm: Marino Marini, Italian, 1901-1980- 75/90 in pencil, bears publisher's blindstamp, 76.2x56.2cm, (unframed) ''Personnages du Sacre du Printemp (may be subject to Droit de Suite) Louis Marcoussis, Polish/French 1878-1941- ''Rimbaud''; publ by San Est. 200 - 300 Lazzaro for Le XXe Siècle, 1939, burin and etching in colours, signed within the plate, 32.2x24.6cm: Jean Hans Arp, German/French 1886-1966- ''Form''; publ by San Lazzaro for Le XXe Siècle, 1951, lithograph printed in colours, 31.1x23.5cm: Andre Masson, French 1896-1987- ''Composition for XXe Siècle ''; publ by San Lazzaro for Le XXe Siècle, 1972, 31.1x24.4cm: Marino Marini, Italian, 1901-1980- ''Personnages du Sacre du Printemps''; publ by San Lazzaro for Le XXe Siècle, 1973, lithograph printed in colours, 31.2x24.1cm: Johnny Friedlaender, German 1912-1992- ''Les Oiseaux''; publ by San Lazzaro for Le XXe Siècle, 1973, lithograph printed in colours, 31.1x23.4cm: Max Ernst, German 1891-1976- Untitled; publ. by San Lazzaro for Le XXe Siècle, 1974, lithograph printed in colours, 31.2x24.3cm: Roberto Matta, Chilean 1911-2002- ''Tout Se Tient''; publ by San Lazzaro for Le XXe Siècle, 1975, lithograph printed in colours, 31.2x24.2cm: Pablo Picasso, Spanish 1881-1973- ''American Eagle''; printed by Xerox c.1963, screenprint, signed and dated 3.4.54 within the plate, 27.9x21.5cm: together with one further lithograph entitled ''Echiquier Urbain'', signed, 40.8x30cm, (9) (unframed) (may be subject to Droite de Suite) Est. 150 - 200
Page 9 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
118 Stanley William Hayter CBE, British 1901-1988- ''Poèmes d'Amour by 126 Albert Irvin RA, British b.1922- ''Trinity I'', publ. by Advanced Graphics Paul Eluard''; with translations by Brian Coffey, publ by 107 Workshop, London 1995; screenprint in colours with woodblock, signed, titled, Shaw, Wiltshire, 1984, printed by 107 Workshop, Wiltshire, bound in numbered 64/125 and dated 1995 in pencil, with blindstamp, limp paper, with a dust-jacket in crushed-finish green paper and 118x148cm (may be subject to Droit de Suite) contained within a green linen covered presentation box, the complete Albert Irvin RA, British b.1922- ''Trinity I'', publ. by Advanced Graphics suite including nine etchings and engravings, on handmade paper by J London 1995; screenprint in colours with woodblock, signed, titled, Green Crisbrook, entitled ''La voile respire'', ''Je fis un feu'', ''Gertrude numbered 64/125 and dated 1995 in pencil, with blindstamp, Hoffman Gir 118x148cm (may be subject to Droit de Suite) Stanley William Hayter CBE, British 1901-1988- ''Poèmes d'Amour by Est. 500 - 700 Paul Eluard''; with translations by Brian Coffey, publ by 107 Workshop, 127 Neil Canning, British b.1960- ''Escape I'' and ''Escape II''; screenprints Shaw, Wiltshire, 1984, printed by 107 Workshop, Wiltshire, bound in in colours, two, ea. signed and dated 06, numbered 16/75 in pencil, ea. limp paper, with a dust-jacket in crushed-finish green paper and 92x102cm, (2) (may be subject to Droit de Suite) contained within a green linen covered presentation box, the complete Neil Canning, British b.1960- ''Escape I'' and ''Escape II''; screenprints suite including nine etchings and engravings, on handmade paper by J in colours, two, ea. signed and dated 06, numbered 16/75 in pencil, ea. Green Crisbrook, entitled ''La voile respire'', ''Je fis un feu'', ''Gertrude 92x102cm, (2) (may be subject to Droit de Suite) Hoffman Girls'', ''Filles de rien'', ''Bâttisseur des ruines'', ''Blason des Est. 200 - 300 arbres'', ''Deux yeux'', ''Comprenne qui voudra'' and ''Matines'', ea. 128 Leigh Clarke, British b.1973- ''Seeing the Light Through Urban Eyes''; signed, numbered 29/100 and dated 84 in pencil, 32.3x22.5cm (sheet), screenprint in colours, signed, numbered 7/10 and dated '98 in pencil, and three lithographs printed in colours, entitled ''Spring'', ''Sojourn'' and 101x150cm (sheet): together with another screenprint in colours by the ''Sundown'', ea. signed, numbered 29/100 and dated 84 in pencil, same hand entitled 'Bright Town Revisited', signed, numbered 6/10 and 45x32.2cm, (centre folded), (book) (may be subject to Droit de Suite) dated 98 in pencil, 150x101cm (sheet), (2) (may be subject to Droit de Est. 2,000 - 3,000 Suite) 119 Leonard Beaumont, British 1891-1986- ''York''; drypoint etching, signed Leigh Clarke, British b.1973- ''Seeing the Light Through Urban Eyes''; and numbered 9/75 in pencil, 25x30cm, (may be subject to Droit de screenprint in colours, signed, numbered 7/10 and dated '98 in pencil, Suite) Provenance: The Horner Galleries, Sheffield (according to label 101x150cm (sheet): together with another screenprint in colours by the attached verso) same hand entitled 'Bright Town Revisited', signed, numbered 6/10 and Leonard Beaumont, British 1891-1986- ''York''; drypoint etching, signed dated 98 in pencil, 150x101cm (sheet), (2) (may be subject to Droit de and numbered 9/75 in pencil, 25x30cm, (may be subject to Droit de Suite) Suite) Provenance: The Horner Galleries, Sheffield (according to label Est. 200 - 300 attached verso) 129 Paul Benjamins, British b.1950- ''Slipstream I'' & ''Slipstream II''; Est. 100 - 150 screenprint in colours, two, ea. signed, titled, numbered 68/90 and dated 120 Sir Lionel Arthur Lindsay, Australian 1874-1961- ''Sapri''; etching, 99 in pencil, 51x42cm,(2) (may be subject to Droit de Suite) signed, titled and numbered 8 in pencil, 21x30cm Paul Benjamins, British b.1950- ''Slipstream I'' & ''Slipstream II''; Sir Lionel Arthur Lindsay, Australian 1874-1961- ''Sapri''; etching, screenprint in colours, two, ea. signed, titled, numbered 68/90 and dated signed, titled and numbered 8 in pencil, 21x30cm 99 in pencil, 51x42cm,(2) (may be subject to Droit de Suite) Est. 100 - 150 Est. 150 - 250 121 Sir Peter Blake CBE RDI RA, British b.1932- ''Appropriated Alphabets 130 Lee Crew, British b.1970- ''Warm'' & ''Contact''; monoprints in colours, 2'', from the Appropriated Alphabets series; screenprint in colours, two, ea. signed, titled and numbered 1/1 in pencil, 32x32cm, (2) (may be signed and dedicated 'For Chris' in pencil, from the edition of 100, subject to Droit de Suite) 47x45.7cm, (unframed) (may be subject to Droit de Suite) Lee Crew, British b.1970- ''Warm'' & ''Contact''; monoprints in colours, Sir Peter Blake CBE RDI RA, British b.1932- ''Appropriated Alphabets two, ea. signed, titled and numbered 1/1 in pencil, 32x32cm, (2) (may be 2'', from the Appropriated Alphabets series; screenprint in colours, subject to Droit de Suite) signed and dedicated 'For Chris' in pencil, from the edition of 100, Est. 150 - 200 47x45.7cm, (unframed) (may be subject to Droit de Suite) 131 Do Ho Suh, Korean b.1962- ''Floor''; lithograph in colours, signed, titled, Est. 250 - 350 numbered 73/100 and dated '02 in pencil, 40x40cm 122 Sir Peter Blake CBE RDI RA, British b.1932- ''Appropriated Alphabets Do Ho Suh, Korean b.1962- ''Floor''; lithograph in colours, signed, titled, 1'', from the Appropriated Alphabets series; screenprint in colours, numbered 73/100 and dated '02 in pencil, 40x40cm signed and dedicated 'For Chris' in pencil, from the edition of 100, Est. 200 - 300 47x45.7cm, (unframed) (may be subject to Droit de Suite) 132 Lill Tschudi, Swiss 1911-2004- ''Im Hafen''; linocut in colours, signed and Sir Peter Blake CBE RDI RA, British b.1932- ''Appropriated Alphabets numbered 5/50 in pencil, 37.5x17.8cm 1'', from the Appropriated Alphabets series; screenprint in colours, Lill Tschudi, Swiss 1911-2004- ''Im Hafen''; linocut in colours, signed and signed and dedicated 'For Chris' in pencil, from the edition of 100, numbered 5/50 in pencil, 37.5x17.8cm 47x45.7cm, (unframed) (may be subject to Droit de Suite) Est. 1,500 - 2,000 Est. 250 - 350 133 Xu Zhongmin, Chinese b.1961- Houses; original carved woodblock 123 Mary Fedden OBE RA, British 1915-2012- ''The Orange Mug'', 1996, plate, signed, inscribed and dated '94 to the reverse of the panel, publ. by Bow Art; offset lithograph printed in colours, signed, numbered 97x67.5cm: together with a woodblock print by the same artist, entitled 444/550 in pencil, with blindstamp, 32x40.5cm (sheet), (unframed) (may ''The Net'', signed, titled, inscribed ''XX'', numbered 12/25 and dated be subject to Droit de Suite) 1996 in pencil, 65x84.5cm, (2) Mary Fedden OBE RA, British 1915-2012- ''The Orange Mug'', 1996, Xu Zhongmin, Chinese b.1961- Houses; original carved woodblock publ. by Bow Art; offset lithograph printed in colours, signed, numbered plate, signed, inscribed and dated '94 to the reverse of the panel, 444/550 in pencil, with blindstamp, 32x40.5cm (sheet), (unframed) (may 97x67.5cm: together with a woodblock print by the same artist, entitled be subject to Droit de Suite) ''The Net'', signed, titled, inscribed ''XX'', numbered 12/25 and dated Est. 100 - 150 1996 in pencil, 65x84.5cm, (2) 124 Mary Fedden OBE RA, British 1915-2012- 'Red Sunset', 1994, publ. by Est. 400 - 600 Bow Art; offset lithograph printed in colours, signed and numbered 134 Maurizio Cattelan, Italian b.1960- Untitled (Picasso); c-print, from an 274/500 in pencil, blindstamp, 32x40.5cm (sheet), (unframed) (may be un-numbered proof edition, signed on the reverse, 41x30cm, (unframed) subject to Droit de Suite) (may be subject to Droit de Suite) Mary Fedden OBE RA, British 1915-2012- 'Red Sunset', 1994, publ. by Maurizio Cattelan, Italian b.1960- Untitled (Picasso); c-print, from an Bow Art; offset lithograph printed in colours, signed and numbered un-numbered proof edition, signed on the reverse, 41x30cm, (unframed) 274/500 in pencil, blindstamp, 32x40.5cm (sheet), (unframed) (may be (may be subject to Droit de Suite) subject to Droit de Suite) Est. 300 - 400 Est. 100 - 150 125 Zao Wou-ki, Chinese 1921-2013- Untitled, 1973, publ. by Carl Van der Voort Gallery, Ibiza; screenprint in colours, signed and inscribed EA in pencil, from an edition of 250, 13.9x14.2cm, (unframed) Zao Wou-ki, Chinese 1921-2013- Untitled, 1973, publ. by Carl Van der Voort Gallery, Ibiza; screenprint in colours, signed and inscribed EA in pencil, from an edition of 250, 13.9x14.2cm, (unframed) Est. 300 - 500
Page 10 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
135 Richard Smith CBE, British b.1931- ''Par Terre''; screenprint on buff 141 Tully Crook, British b.1938- ''Manhattan Sunset''; screenprint in colours, papers, four, (lacking strings), one sheet signed, numbered P.P 1/5 and signed, titled and inscribed PP in pencil, Advanced Graphic blindstamp dated 75 in pencil, ea. 51.7x51.7cm (unframed) (may be subject to Droit to sheet, 55x72cm: together with fourteen other screenprints by the de Suite) Provenance: from the private collection of Chris Prater OBE same artist depicting female nudes and scenes of nature, ea. signed, the founder of Kelpra Studio, London Note: for a similar example see titled and inscribed in pencil, various sizes, (15), (unframed), (may be Tate Modern, London ref P02323 subject to Droit de Suite) Richard Smith CBE, British b.1931- ''Par Terre''; screenprint on buff Tully Crook, British b.1938- ''Manhattan Sunset''; screenprint in colours, papers, four, (lacking strings), one sheet signed, numbered P.P 1/5 and signed, titled and inscribed PP in pencil, Advanced Graphic blindstamp dated 75 in pencil, ea. 51.7x51.7cm (unframed) (may be subject to Droit to sheet, 55x72cm: together with fourteen other screenprints by the de Suite) Provenance: from the private collection of Chris Prater OBE same artist depicting female nudes and scenes of nature, ea. signed, the founder of Kelpra Studio, London Note: for a similar example see titled and inscribed in pencil, various sizes, (15), (unframed), (may be Tate Modern, London ref P02323 subject to Droit de Suite) Est. 200 - 300 Est. 200 - 300 136 Tom Phillips CBE RA, British b.1937- ''Elgar'', ''Schumann'', ''Debussy'', 142 Tom Phillips CBE RA, British b.1937- ''Dante's Inferno'', publ by ''Schoenberg'' and ''Mozart'', from the Composers Suite, 1979/80; Waddington Graphics, London, printed by Advanced Graphics, London; screenprints in colours, five, ea. signed and inscribed 'printers proof' or screenprints in colours, five, from the suite of nine, entitled ''A Folly for 'PP' and two numbered proofs, in pencil, ea. 68.5x72.5cm (sheet), (5) Wisdom, Canto IV'', ''Schismatics, Canto XXVIII'', ''Geryon: Monster of (unframed) (may be subject to Droit de Suite) Provenance: from the Fraud, Canto XVII'', ''Una Selva Oscura: The Dark Wood, Canto 1'' and private collection Chris Prater OBE the founder of Kelpra Studio, London ''The Wood of the Suicides, Canto XIII'', each signed, two inscribed Tom Phillips CBE RA, British b.1937- ''Elgar'', ''Schumann'', ''Debussy'', 'printers proof' in blue crayon, one inscribed 'final proof' in pencil, ea. b ''Schoenberg'' and ''Mozart'', from the Composers Suite, 1979/80; Tom Phillips CBE RA, British b.1937- ''Dante's Inferno'', publ by screenprints in colours, five, ea. signed and inscribed 'printers proof' or Waddington Graphics, London, printed by Advanced Graphics, London; 'PP' and two numbered proofs, in pencil, ea. 68.5x72.5cm (sheet), (5) screenprints in colours, five, from the suite of nine, entitled ''A Folly for (unframed) (may be subject to Droit de Suite) Provenance: from the Wisdom, Canto IV'', ''Schismatics, Canto XXVIII'', ''Geryon: Monster of private collection Chris Prater OBE the founder of Kelpra Studio, London Fraud, Canto XVII'', ''Una Selva Oscura: The Dark Wood, Canto 1'' and Est. 400 - 600 ''The Wood of the Suicides, Canto XIII'', each signed, two inscribed 137 Tom Phillips CBE RA, British b.1937- Untitled, from Dante's Inferno; 'printers proof' in blue crayon, one inscribed 'final proof' in pencil, ea. lithograph, signed, inscribed 'printer's proof' and numbered 1/3 in pencil, bearing blindstamp for Advanced Graphics, London, 75.2x54.9cm: 72x103.7cm, (unframed) (may be subject to Droit de Suite) together with a further screenprint in colours entitled ''A Course in Tom Phillips CBE RA, British b.1937- Untitled, from Dante's Inferno; Sussex: 1'', 1986 , signed and inscribed in pencil, bears blindstamp for lithograph, signed, inscribed 'printer's proof' and numbered 1/3 in pencil, Advanced Graphics, London, 59.5x59cm, and three further mixed 72x103.7cm, (unframed) (may be subject to Droit de Suite) technique etchings with lithography in colours by the same hand entitled Est. 100 - 150 ''O Ho Bryan. Chateau Haut Brion'', ''Chevalier: The Steinway of Wines'' 138 After Henri de Toulouse-Lautrec, French, 1864-1901- ''Femme au lit, and ''O Lynch Bages. First Cru in Space'', 1986-7, ea. signed and Profil, au Petit Lever'', (Woman in a Bed, Profile, Getting Up), 1896, third inscribed 'P/P' in pencil, 51x63.7cm, (9) (unframed) (may be subject to state; lithograph printed in colours on japon, signed with monogram Droit de Suite) (5) (unframed) (may be subject to Droit de Suite) within the plate, 43.5x55cm (rolled, unframed) Provenance: from the private collection Chris Prater OBE the founder of After Henri de Toulouse-Lautrec, French, 1864-1901- ''Femme au lit, Kelpra Studio, London Profil, au Petit Lever'', (Woman in a Bed, Profile, Getting Up), 1896, third Est. 400 - 600 state; lithograph printed in colours on japon, signed with monogram 143 Llewellyn Xavier OBE, Saint Lucian b.1945- ''Hercules''; mixed within the plate, 43.5x55cm (rolled, unframed) technique screenprint with collage, two, ea. signed, inscribed AP and Est. 300 - 400 dated '72 in pencil, ea. 77.5x57.3cm: together with four other 139 Sir Sidney Nolan RA, Australian 1917-1992- ''Kelly'', 1964; screenprint in screenprints and mixed technique screenprints with collage by the same colours, signed and dedicated to 'Chris from Sidney' in pencil, artist ea. signed, inscribed AP and dated '72 in pencil, ea. 77.5x57.3cm, 68.8x49.6cm: together with a further screenprint in colours by the same (6) (unframed) Note: Llewellyn Xavier was born in St Lucia in 1945 and hand entitled ''Cross'' 1966-7, signed in pencil, 63.5x48.7cm, (2), began painting in 1961 when a friend gave him a box of watercolours. (unframed) Note: see Tate, London, reference numbers P04644 and He studied at the P04664 respectively, for similar examples Provenance: ''Kelly'' is Llewellyn Xavier OBE, Saint Lucian b.1945- ''Hercules''; mixed dedicated to Chris Prater, founder of Kelpra Press, London. technique screenprint with collage, two, ea. signed, inscribed AP and Sir Sidney Nolan RA, Australian 1917-1992- ''Kelly'', 1964; screenprint in dated '72 in pencil, ea. 77.5x57.3cm: together with four other colours, signed and dedicated to 'Chris from Sidney' in pencil, screenprints and mixed technique screenprints with collage by the same 68.8x49.6cm: together with a further screenprint in colours by the same artist ea. signed, inscribed AP and dated '72 in pencil, ea. 77.5x57.3cm, hand entitled ''Cross'' 1966-7, signed in pencil, 63.5x48.7cm, (2), (6) (unframed) Note: Llewellyn Xavier was born in St Lucia in 1945 and (unframed) Note: see Tate, London, reference numbers P04644 and began painting in 1961 when a friend gave him a box of watercolours. P04664 respectively, for similar examples Provenance: ''Kelly'' is He studied at the School of the Museum of Fine Arts, Boston and the dedicated to Chris Prater, founder of Kelpra Press, London. Nova Scotia College of Art and Design in Halifax. Xavier's work has Est. 400 - 600 taken him from the Caribbean to the United Kingdom, the United States 140 Nils Burwitz, German b.1940- ''Scaly Anteater'', 1973; screenprint in and Canada where he gained a significant following and where his work colours, signed and inscribed 'A.P.' in pencil, 77.2x55cm: together with has become part of both private and public collections including one further screenprint in colours by the same hand, depicting a Smithsonian Institution, Washington DC, Museum of Modern Art, New stethoscope with pressure gage, signed, inscribed 'P.P.' and dated 1973 York and Victoria & Albert Museum, London. in pencil, 77.3x55.2cm, (2) (unframed) (may be subject to Droit de Suite) Est. 150 - 200 Provenance: from the private collection Chris Prater OBE the founder of 144 Donald Hamilton Fraser RA, British 1929-2009- ''Dancing in Black Kelpra Studio, London Note: See Edward Lucie-Smith, Art in the Tights''; lithograph printed in colours, signed and inscribed 'PP' and Seventies, numbered 5/5 in pencil, 85x59.5cm: together with another lithograph Nils Burwitz, German b.1940- ''Scaly Anteater'', 1973; screenprint in printed in colours depicting ballerinas resting, signed and inscribed 'PP' colours, signed and inscribed 'A.P.' in pencil, 77.2x55cm: together with and numbered 3/5 in pencil, 85x59.5cm, (2) (unframed) (may be subject one further screenprint in colours by the same hand, depicting a to Droit de Suite) stethoscope with pressure gage, signed, inscribed 'P.P.' and dated 1973 Donald Hamilton Fraser RA, British 1929-2009- ''Dancing in Black in pencil, 77.3x55.2cm, (2) (unframed) (may be subject to Droit de Suite) Tights''; lithograph printed in colours, signed and inscribed 'PP' and Provenance: from the private collection Chris Prater OBE the founder of numbered 5/5 in pencil, 85x59.5cm: together with another lithograph Kelpra Studio, London Note: See Edward Lucie-Smith, Art in the printed in colours depicting ballerinas resting, signed and inscribed 'PP' Seventies, 1980, pp. 54-5 for a brief discussion of the artist's work in this and numbered 3/5 in pencil, 85x59.5cm, (2) (unframed) (may be subject period to Droit de Suite) Est. 100 - 150 Est. 200 - 300
Page 11 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
145 Patrick Caulfield CBE RA, British 1936-2005- Poster for the Sixth British 152 Sir Terry Frost RA, British 1915-2003- ''Lace II''; mixed technique International Print Biennale; published by Bradford Art Galleries and lithograph with painted collage and leather lace on wove paper with card Museum, Bradford, printed by Kelpra Studio, London, screenprint in support, signed, inscribed Artist Proof and dated 71 in pencil, 52x94cm, colours, from the edition of 100, 83.8x69.7cm: together with eight further (may be subject to Droit de Suite) artist's exhibition posters including one for tapestries from the atelier of Sir Terry Frost RA, British 1915-2003- ''Lace II''; mixed technique Yvette Cauquil-Prince at Musee d'Art Moderne in 1979, one for Joan lithograph with painted collage and leather lace on wove paper with card Miro at Galerie Lelong, Paris, two for Joan Miro at the Centre d'Estud support, signed, inscribed Artist Proof and dated 71 in pencil, 52x94cm, Patrick Caulfield CBE RA, British 1936-2005- Poster for the Sixth British (may be subject to Droit de Suite) International Print Biennale; published by Bradford Art Galleries and Est. 500 - 800 Museum, Bradford, printed by Kelpra Studio, London, screenprint in 153 Patrick Hughes, British b.1939- ''Indoor Rainbow''; screenprint in colours, from the edition of 100, 83.8x69.7cm: together with eight further colours, signed, titled, numbered 4/50 and dated 78 in pencil, 26x19cm, artist's exhibition posters including one for tapestries from the atelier of (may be subject to Droit de Suite) Yvette Cauquil-Prince at Musee d'Art Moderne in 1979, one for Joan Patrick Hughes, British b.1939- ''Indoor Rainbow''; screenprint in Miro at Galerie Lelong, Paris, two for Joan Miro at the Centre d'Estudis colours, signed, titled, numbered 4/50 and dated 78 in pencil, 26x19cm, d'Art Contemporani in 1982 and four for Joan Miro at Pace/Columbus in (may be subject to Droit de Suite) 1979, various sizes, (rolled, unframed) (10) (may be subject to Droit de Est. 200 - 300 Suite) 154 Patrick Hughes, British b.1939- ''Rainbow's End''; screenprint in colours, Est. 100 - 150 signed, titled, numbered 69/75 and dated 78 in pencil, 26x19cm, (may 146 John Hoyland RA, British 1934-2011- ''The Gnome''; screenprint in be subject to Droit de Suite) colours, signed and numbered 95/200 in pencil, 52.6x45.5cm, Patrick Hughes, British b.1939- ''Rainbow's End''; screenprint in colours, (unframed) (may be subject to Droit de Suite) signed, titled, numbered 69/75 and dated 78 in pencil, 26x19cm, (may John Hoyland RA, British 1934-2011- ''The Gnome''; screenprint in be subject to Droit de Suite) colours, signed and numbered 95/200 in pencil, 52.6x45.5cm, Est. 150 - 200 (unframed) (may be subject to Droit de Suite) 155 Patrick Hughes, British b.1939- ''Breaking the Ice''; screenprin in colours, Est. 200 - 250 signed, titled, numbered 232/250 and dated 82 in pencil, 26x17cm, (may 147 Sir Peter Blake CBE RDI RA, British b.1932- ''A Walk in the Tuileries be subject to Droit de Suite) Gardens'', 2004; screenprint in colours, signed and numbered 40/200 in Patrick Hughes, British b.1939- ''Breaking the Ice''; screenprin in colours, pencil, 61.2x50.7cm, (unframed) (may be subject to Droit de Suite) signed, titled, numbered 232/250 and dated 82 in pencil, 26x17cm, (may Sir Peter Blake CBE RDI RA, British b.1932- ''A Walk in the Tuileries be subject to Droit de Suite) Gardens'', 2004; screenprint in colours, signed and numbered 40/200 in Est. 100 - 150 pencil, 61.2x50.7cm, (unframed) (may be subject to Droit de Suite) 156 Patrick Hughes, British b.1939- ''Wet Rainbow''; screenprint in colours, Est. 600 - 700 signed, titled, inscribed AP and dated 79 in pencil, 60x60cm, (may be 148 Edward Bawden CBE RA, British 1903-1989- ''Newspaper Printers''; subject to Droit de Suite) linocut printed in colours, signed and inscribed 'Artist's Proof' and Patrick Hughes, British b.1939- ''Wet Rainbow''; screenprint in colours, numbered 26/50 in pencil, 62.7x84.3cm (rolled, unframed) (may be signed, titled, inscribed AP and dated 79 in pencil, 60x60cm, (may be subject to Droit de Suite) subject to Droit de Suite) Edward Bawden CBE RA, British 1903-1989- ''Newspaper Printers''; Est. 250 - 300 linocut printed in colours, signed and inscribed 'Artist's Proof' and 157 Patrick Hughes, British b.1939- ''Rubbish Rainbows''; screenprint in numbered 26/50 in pencil, 62.7x84.3cm (rolled, unframed) (may be colours, signed, titled, numbered 42/100 and dated 78 in pencil, subject to Droit de Suite) 74x50cm, (may be subject to Droit de Suite) Est. 500 - 700 Patrick Hughes, British b.1939- ''Rubbish Rainbows''; screenprint in 149 Leonor Fini, Argentinian 1908-1996- Untitled, on a terrace; from colours, signed, titled, numbered 42/100 and dated 78 in pencil, Parallèment by Paul Verlaine, publ. by Editions Tartas, Paris, 1969, 74x50cm, (may be subject to Droit de Suite) lithograph printed in colours, signed and inscribed 'EA' in pencil, Est. 200 - 300 37.5x27.7cm: together with a lithograph printed in colours by the same 158 Patrick Hughes, British b.1939- ''Rainbows on a Train''; screenprint in hand depicting four figures, signed and inscribed 'EA' in pencil, colours, signed, titled,numbered 100/150 and dated 80 in pencil, 36.1x52.7cm, and an etching in colours by the same hand depicting two 53x84cm, (may be subject to Droit de Suite) women in hats walking together, signed and numbered 148/275 in Patrick Hughes, British b.1939- ''Rainbows on a Train''; screenprint in pencil, 29.5x20.8cm, (3) (ma colours, signed, titled,numbered 100/150 and dated 80 in pencil, Leonor Fini, Argentinian 1908-1996- Untitled, on a terrace; from 53x84cm, (may be subject to Droit de Suite) Parallèment by Paul Verlaine, publ. by Editions Tartas, Paris, 1969, Est. 250 - 300 lithograph printed in colours, signed and inscribed 'EA' in pencil, 159 Patrick Hughes, British b.1939- ''Paper Roses''; screenprint in colours, 37.5x27.7cm: together with a lithograph printed in colours by the same signed, titled, numbered 80/150 and dated 85 in pencil, 64x48cm, (may hand depicting four figures, signed and inscribed 'EA' in pencil, be subject to Droit de Suite) 36.1x52.7cm, and an etching in colours by the same hand depicting two Patrick Hughes, British b.1939- ''Paper Roses''; screenprint in colours, women in hats walking together, signed and numbered 148/275 in signed, titled, numbered 80/150 and dated 85 in pencil, 64x48cm, (may pencil, 29.5x20.8cm, (3) (may be subject to Droit de Suite) be subject to Droit de Suite) Est. 250 - 300 Est. 200 - 300 150 Leonor Fini, Argentinian 1908-1996- Two faces; lithograph printed in 160 Max Werner, Belgium late 20th century- ''Monks''; etching and aquatint, colours, signed and inscribed 'A/P' in pencil, 46x42.5cm: together with a signed, titled, numbered 7/20, and dated 86 in pencil, 31.5x33cm: further lithograph printed in colours by the same hand, depicting a together with one other etching with aquatint by the same hand entitled, portrait of a standing woman with one arm raised, signed and inscribed ''The Geographer'', signed, titled, numbered 2/30 and dated 88 in pencil, 'EA' in pencil, 43x31cm, (2) (may be subject to Droit de Suite) 35.5x34.2cm., (2) (may be subject to Droit de Suite) Leonor Fini, Argentinian 1908-1996- Two faces; lithograph printed in Max Werner, Belgium late 20th century- ''Monks''; etching and aquatint, colours, signed and inscribed 'A/P' in pencil, 46x42.5cm: together with a signed, titled, numbered 7/20, and dated 86 in pencil, 31.5x33cm: further lithograph printed in colours by the same hand, depicting a together with one other etching with aquatint by the same hand entitled, portrait of a standing woman with one arm raised, signed and inscribed ''The Geographer'', signed, titled, numbered 2/30 and dated 88 in pencil, 'EA' in pencil, 43x31cm, (2) (may be subject to Droit de Suite) 35.5x34.2cm., (2) (may be subject to Droit de Suite) Est. 300 - 500 Est. 200 - 300 151 Karl Weschke, German 1925-2005- Untitled; monochrome lithograph, 161 Alyson Hunter, New Zealander b.1948- ''Reflection Kensington signed and inscribed '1 Stage' in pencil, 35x47.5cm (may be subject to Gardens''; etching with aquatint printed in colours, signed, titled, Droit de Suite) numbered 10/75 and dated 72 in pencil, 41x49.2cm Karl Weschke, German 1925-2005- Untitled; monochrome lithograph, Alyson Hunter, New Zealander b.1948- ''Reflection Kensington signed and inscribed '1 Stage' in pencil, 35x47.5cm (may be subject to Gardens''; etching with aquatint printed in colours, signed, titled, Droit de Suite) numbered 10/75 and dated 72 in pencil, 41x49.2cm Est. 200 - 300 Est. 100 - 150
Page 12 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
162 Peter Howson OBE, Scottish b.1958- ''Bob''; etching, signed, titled, 171 Michael Hale, British b.1934- ''Ballade 10''; screenprint in colours, numbered 16/30 and dated 87 in pencil, 32x24.4cm (may be subject to signed, titled, numbered 16/50 and dated 83 in pencil, 58x47cm: Droit de Suite) together with two other screenprints by the same artist entitled, Peter Howson OBE, Scottish b.1958- ''Bob''; etching, signed, titled, ''Tarrantera'', signed, titled, dated 81 and numbered 21/50 in pencil, numbered 16/30 and dated 87 in pencil, 32x24.4cm (may be subject to 55x40.5cm and ''Fragne 5'', signed, titled, inscribed 'A/P' and dated 84 in Droit de Suite) pencil serigraph in colours, 57.5x46cm, (3) (may be subject to Droit de Est. 120 - 180 Suite) 163 Emma Wood, British late 20th century- ''Oxford Street February Michael Hale, British b.1934- ''Ballade 10''; screenprint in colours, Evening'' (Triptych); etching with aquatint in monochrome, signed, titled, signed, titled, numbered 16/50 and dated 83 in pencil, 58x47cm: numbered 4/20 and dated 93, 30x110cm, (may be subject to Droit de together with two other screenprints by the same artist entitled, Suite) ''Tarrantera'', signed, titled, dated 81 and numbered 21/50 in pencil, Emma Wood, British late 20th century- ''Oxford Street February 55x40.5cm and ''Fragne 5'', signed, titled, inscribed 'A/P' and dated 84 in Evening'' (Triptych); etching with aquatint in monochrome, signed, titled, pencil serigraph in colours, 57.5x46cm, (3) (may be subject to Droit de numbered 4/20 and dated 93, 30x110cm, (may be subject to Droit de Suite) Suite) Est. 150 - 250 Est. 200 - 300 172 Michael Hale, British b.1934- ''Polyplan''; screenprint in colours, signed 164 Derek Boshier, British b.1937- ''Sex Wars Sex Car Sex''; screenprint in and dated 78, titled and numbered 21/25 in pencil, 62.5x46.5cm: colours, signed, numbered 66/100 and dated 1966 in pencil, 58x45cm together with four other screenprints in colours by the same hand, (may be subject to Droit de Suite) entitled ''Indicato'', ''Fragne 2', ''Brown, Black and Silver'' and ''Interval Derek Boshier, British b.1937- ''Sex Wars Sex Car Sex''; screenprint in 2'', ea. signed, titled, dated and numbered or inscribed A/P in pencil, colours, signed, numbered 66/100 and dated 1966 in pencil, 58x45cm various sizes, (5) (may be subject to Droit de Suite) (may be subject to Droit de Suite) Michael Hale, British b.1934- ''Polyplan''; screenprint in colours, signed Est. 200 - 300 and dated 78, titled and numbered 21/25 in pencil, 62.5x46.5cm: 165 Rolf Hanson, Swedish b.1953- Untitled compositions; screenprints in together with four other screenprints in colours by the same hand, colours, a suite of six, ea. signed, numbered 3/3, inscribed PP and entitled ''Indicato'', ''Fragne 2', ''Brown, Black and Silver'' and ''Interval dated 91, with blindstamp 'Advance Graphic London', ea. 2'', ea. signed, titled, dated and numbered or inscribed A/P in pencil, 117.5x117.5cm, (unframed) (6) (may be subject to Droit de Suite) various sizes, (5) (may be subject to Droit de Suite) Rolf Hanson, Swedish b.1953- Untitled compositions; screenprints in Est. 350 - 450 colours, a suite of six, ea. signed, numbered 3/3, inscribed PP and 173 Andrew Ingamells, British b.1956- ''66 Lincoln's Inn Fields''; etching with dated 91, with blindstamp 'Advance Graphic London', ea. aquatint printed in colours, signed, numbered 101/150 and dated 1993 117.5x117.5cm, (unframed) (6) (may be subject to Droit de Suite) in pencil, 46x50cm: together with four other prints by the same artist Est. 1,500 - 2,000 entitled, ''St. Luke, Old Street'', ''St. Mary, Woolnoth'', ''St. Alfege, 166 Eileen Agar, British 1904-1991- Untitled; monochrome screenprint, Greenwich'' & ''St. George, Bloomsbury'', signed and numbered from an signed and numbered 39/100 in pencil, 28x38.4cm (unframed) (may be edition of 175 in pencil, various sizes, (5) (may be subject to Droit de subject to Droit de Suite) Suite) Eileen Agar, British 1904-1991- Untitled; monochrome screenprint, Andrew Ingamells, British b.1956- ''66 Lincoln's Inn Fields''; etching with signed and numbered 39/100 in pencil, 28x38.4cm (unframed) (may be aquatint printed in colours, signed, numbered 101/150 and dated 1993 subject to Droit de Suite) in pencil, 46x50cm: together with four other prints by the same artist Est. 150 - 200 entitled, ''St. Luke, Old Street'', ''St. Mary, Woolnoth'', ''St. Alfege, 167 John August Swanson, American b.1938- ''Nativity'', ''Epiphany'' and Greenwich'' & ''St. George, Bloomsbury'', signed and numbered from an ''Story of Joseph''; screenprints in colours, three, ea. signed, titled and edition of 175 in pencil, various sizes, (5) (may be subject to Droit de dated 1988 or 1986, two bear dedication in pencil, one with blindstamp Suite) Advance Graphic London, 110x46cm, 110x43.4cm and 73x54cm Est. 200 - 300 respectively, (unframed) (3) 174 Michael Ayrton, British 1921-1975- Greek landscape; lithograph printed John August Swanson, American b.1938- ''Nativity'', ''Epiphany'' and in colours, signed and numbered 3/50 in pencil, 40x59cm (may be ''Story of Joseph''; screenprints in colours, three, ea. signed, titled and subject to Droit de Suite) dated 1988 or 1986, two bear dedication in pencil, one with blindstamp Michael Ayrton, British 1921-1975- Greek landscape; lithograph printed Advance Graphic London, 110x46cm, 110x43.4cm and 73x54cm in colours, signed and numbered 3/50 in pencil, 40x59cm (may be respectively, (unframed) (3) subject to Droit de Suite) Est. 200 - 300 Est. 150 - 200 168 David Wynne OBE, British 1926-2014- Untitled nudes 1-9; lithographs, a 175 Breon O'Casey, British 1926-2011- ''Blue Triangles''; screenprint in suite of nine, ea. signed, inscribed A/P and numbered 3/5 in pencil, ea. colours, signed, numbered 8/15 and dated MMIV in pencil, 50x67cm 76x50.5cm, (unframed) (9) (may be subject to Droit de Suite) (sheet) (may be subject to Droit de Suite) David Wynne OBE, British 1926-2014- Untitled nudes 1-9; lithographs, a Breon O'Casey, British 1926-2011- ''Blue Triangles''; screenprint in suite of nine, ea. signed, inscribed A/P and numbered 3/5 in pencil, ea. colours, signed, numbered 8/15 and dated MMIV in pencil, 50x67cm 76x50.5cm, (unframed) (9) (may be subject to Droit de Suite) (sheet) (may be subject to Droit de Suite) Est. 200 - 300 Est. 400 - 600 169 Glynn Boyd Harte, British 1948-2003- ''Tool Shop''; lithograph in colours, 176 Dame Elizabeth Frink CH DBE RA, British 1930-1993- ''Horse''; etching, signed and numbered 141/160 in pencil, 71x55.5cm: together with two signed and inscribed A/P in pencil, 25x20cm (may be subject to Droit de other lithographs printed in colours by the same hand entitled, ''Pollocks'' Suite) & ''Interior at Elena's'', signed and numbered 105/150 & 150/150 Dame Elizabeth Frink CH DBE RA, British 1930-1993- ''Horse''; etching, respectively, ea. 62.5x45cm, (unframed) (3) (may be subject to Droit de signed and inscribed A/P in pencil, 25x20cm (may be subject to Droit de Suite) Suite) Glynn Boyd Harte, British 1948-2003- ''Tool Shop''; lithograph in colours, Est. 700 - 900 signed and numbered 141/160 in pencil, 71x55.5cm: together with two 177 Ivor Abrahams RA, British 1935-2015- ''Sirens II'' & ''Sirens IV''; other lithographs printed in colours by the same hand entitled, ''Pollocks'' screenprint in colours, ea. signed, titled, numbered 41/85 and dated 94 & ''Interior at Elena's'', signed and numbered 105/150 & 150/150 in pencil, ea. 57x64cm (2), (may be subject to Droit de Suite) respectively, ea. 62.5x45cm, (unframed) (3) (may be subject to Droit de Ivor Abrahams RA, British 1935-2015- ''Sirens II'' & ''Sirens IV''; Suite) screenprint in colours, ea. signed, titled, numbered 41/85 and dated 94 Est. 200 - 300 in pencil, ea. 57x64cm (2), (may be subject to Droit de Suite) 170 Joseph Davie, British b.1965- ''Love and Electricity No 17: Mending the Est. 200 - 300 Blackout''; screenprint in colours, signed, titled and numbered 9/20 in 178 Sir Peter Blake CBE RDI RA, British b.1932- ''J is for James Dean''; pencil, 94x65cm, (may be subject to Droit de Suite) screenprint in colours, signed, titled and numbered 41/95 in pencil, Joseph Davie, British b.1965- ''Love and Electricity No 17: Mending the 102x77cm, (unframed) (may be subject to Droit de Suite) Blackout''; screenprint in colours, signed, titled and numbered 9/20 in Sir Peter Blake CBE RDI RA, British b.1932- ''J is for James Dean''; pencil, 94x65cm, (may be subject to Droit de Suite) screenprint in colours, signed, titled and numbered 41/95 in pencil, Est. 100 - 150 102x77cm, (unframed) (may be subject to Droit de Suite) Est. 500 - 700
Page 13 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
179 Sir Terry Frost RA, British 1915-2003- Untitled; etching, signed, 187 Laurence Stephen Lowry RA RBA LG NS, British 1887-1976- The Lowry numbered 5/20 and dated 84 in pencil, with blindstamp 'YPDL', family; three colour reproduction prints entitled ''The Artist's Mother'', 17.5x12.5cm, (unframed) (may be subject to Droit de Suite) ''The Artist's Father'' and ''Self-Portrait'', published on the occasion of the Sir Terry Frost RA, British 1915-2003- Untitled; etching, signed, artist's 88th birthday; ea. signed in black pen, ea. no. 99 from an edition numbered 5/20 and dated 84 in pencil, with blindstamp 'YPDL', of 300, 37x27cm (unframed): together with a bronze medallion of Lowry 17.5x12.5cm, (unframed) (may be subject to Droit de Suite) by Leo Solomon, signed, inscribed, numbered 99/300 and dated 75, Est. 300 - 400 12.5cm, (may be subject to Droit de Suite) Note: the original presen 180 Alan Davie RA, British 1920-2014- ''Cosmic Signals 2''; screenprint in Laurence Stephen Lowry RA RBA LG NS, British 1887-1976- The Lowry colours, signed, numbered 29/30 and dated 01 in pencil, 74x87cm, family; three colour reproduction prints entitled ''The Artist's Mother'', (unframed) (may be subject to Droit de Suite) ''The Artist's Father'' and ''Self-Portrait'', published on the occasion of the Alan Davie RA, British 1920-2014- ''Cosmic Signals 2''; screenprint in artist's 88th birthday; ea. signed in black pen, ea. no. 99 from an edition colours, signed, numbered 29/30 and dated 01 in pencil, 74x87cm, of 300, 37x27cm (unframed): together with a bronze medallion of Lowry (unframed) (may be subject to Droit de Suite) by Leo Solomon, signed, inscribed, numbered 99/300 and dated 75, Est. 300 - 400 12.5cm, (may be subject to Droit de Suite) Note: the original 181 Sir Sidney Nolan RA, Australian 1917-1992- ''Kelly II'', 1973; lithograph presentation boxes and packaging as issued accompany this lot in colours, signed and numbered 18/100 in pencil, with blindstamp, Est. 400 - 600 69x84cm (unframed) 188 Ahmed Moustafa, Egyptian b.1943- Untitled; screenprint in colours, Sir Sidney Nolan RA, Australian 1917-1992- ''Kelly II'', 1973; lithograph signed and dated 75 in pencil, 57.7x86.5cm in colours, signed and numbered 18/100 in pencil, with blindstamp, Ahmed Moustafa, Egyptian b.1943- Untitled; screenprint in colours, 69x84cm (unframed) signed and dated 75 in pencil, 57.7x86.5cm Est. 500 - 700 Est. 200 - 300 182 After Andy Warhol, American 1928-1987- ''Soup Cans'', published by 189 Mick Moon RA, British b.1937- ''Hybrids'', ''Blue Blend'', ''Green Spice'', Sunday B Morning; screenprints on museum board paper, suite of ten ''Marriage'', ''Melting Pot'', ''Mixes Spice'', printed by Advanced Graphics, images depicting ten Campbell soup cans in different flavours, ea. Publ. Alan Cristea Gallery, 1990-91; screenprints and woodblocks in stamped in blue to the reverse, ea. 89x58.5cm, (10) (unframed) Note: colour, the complete suite of six, ea. signed, numbered AP 10/10 and this lot is accompanied by a certificate of authenticity from the publisher dated '91 in pencil, ea. 109x84cm, (2 framed, 4 unframed) (may be Sunday B Morning for the suite of ten prints and individual certificates of subject to Droit de Suite) authenticity for each print Mick Moon RA, British b.1937- ''Hybrids'', ''Blue Blend'', ''Green Spice'', After Andy Warhol, American 1928-1987- ''Soup Cans'', published by ''Marriage'', ''Melting Pot'', ''Mixes Spice'', printed by Advanced Graphics, Sunday B Morning; screenprints on museum board paper, suite of ten Publ. Alan Cristea Gallery, 1990-91; screenprints and woodblocks in images depicting ten Campbell soup cans in different flavours, ea. colour, the complete suite of six, ea. signed, numbered AP 10/10 and stamped in blue to the reverse, ea. 89x58.5cm, (10) (unframed) Note: dated '91 in pencil, ea. 109x84cm, (2 framed, 4 unframed) (may be this lot is accompanied by a certificate of authenticity from the publisher subject to Droit de Suite) Sunday B Morning for the suite of ten prints and individual certificates of Est. 350 - 450 authenticity for each print 190 Mimmo Paladino, Italian b.1948- ''Dedalus'', (Di Martino 73); linocut Est. 700 - 1,000 printed in colours, signed, numbered 46/65 and dated 1984 in pencil, 183 After Andy Warhol, American 1928-1987- ''Mao'', published by Sunday B 97x134cm, (may be subject to Droit de Suite) Morning; screenprints on museum board paper, suite of five images Mimmo Paladino, Italian b.1948- ''Dedalus'', (Di Martino 73); linocut depicting Mao in various colour combinations, ea. stamped in blue to the printed in colours, signed, numbered 46/65 and dated 1984 in pencil, reverse, ea. 85x75cm, (5) (unframed) Note: this lot is accompanied by a 97x134cm, (may be subject to Droit de Suite) certificate of authenticity from the publisher Sunday B Morning for the Est. 300 - 400 suite of five prints and individual certificates of authenticity for each print 191 Heidi Konig, German b.1964- ''Alhabasca'', ''Homage to Mary Schafer'' & After Andy Warhol, American 1928-1987- ''Mao'', published by Sunday B ''Sumwapla''; etching with aquatint printed in colours, three, ea. signed, Morning; screenprints on museum board paper, suite of five images titled, numbered 3/50 and dated 97 in pencil, ea. 49.5x49.5cm, depicting Mao in various colour combinations, ea. stamped in blue to the (unframed) (3) (may be subject to Droit de Suite) reverse, ea. 85x75cm, (5) (unframed) Note: this lot is accompanied by a Heidi Konig, German b.1964- ''Alhabasca'', ''Homage to Mary Schafer'' & certificate of authenticity from the publisher Sunday B Morning for the ''Sumwapla''; etching with aquatint printed in colours, three, ea. signed, suite of five prints and individual certificates of authenticity for each print titled, numbered 3/50 and dated 97 in pencil, ea. 49.5x49.5cm, Est. 400 - 600 (unframed) (3) (may be subject to Droit de Suite) 184 After Andy Warhol, American 1928-1987- ''Golden Marilyn'', published Est. 400 - 600 by Sunday B Morning; screenprints on museum board paper, suite of 192 Beryl Cook, British 1926-2008- ''Dirty Dancing''; offset lithograph printed ten images depicting Marilyn Monroe in various colour combinations, ea. in colours, signed and numbered 284/650 in pencil, 53x30cm, (mounted, numbered 164/2000 in pencil and stamped in blue to the reverse, ea. unframed) (may be subject to Droit de Suite) Note: a certificate of 91.5x91.5cm, (10) (unframed) Note: this lot is accompanied by a authenticity accompanies this lot certificate of authenticity from the publisher Sunday B Morning for the Beryl Cook, British 1926-2008- ''Dirty Dancing''; offset lithograph printed suite of ten prints and individual certificates of authenticity for each print in colours, signed and numbered 284/650 in pencil, 53x30cm, (mounted, After Andy Warhol, American 1928-1987- ''Golden Marilyn'', published unframed) (may be subject to Droit de Suite) Note: a certificate of by Sunday B Morning; screenprints on museum board paper, suite of authenticity accompanies this lot ten images depicting Marilyn Monroe in various colour combinations, ea. Est. 150 - 200 numbered 164/2000 in pencil and stamped in blue to the reverse, ea. 193 Beryl Cook, British 1926-2008- ''Ladies who Lunch''; offset lithograph 91.5x91.5cm, (10) (unframed) Note: this lot is accompanied by a printed in colours, signed and numbered 84/650 in pencil, 43.5x46cm, certificate of authenticity from the publisher Sunday B Morning for the (mounted, unframed) (may be subject to Droit de Suite) Note: a suite of ten prints and individual certificates of authenticity for each print certificate of authenticity accompanies this lot Est. 700 - 1,000 Beryl Cook, British 1926-2008- ''Ladies who Lunch''; offset lithograph 185 Georges Braque, French 1882-1963- ''Huître et Citron''; lithograph printed in colours, signed and numbered 84/650 in pencil, 43.5x46cm, printed in colours, numbered 172/400, signed within the plate, 21x25cm, (mounted, unframed) (may be subject to Droit de Suite) Note: a (may be subject to Droit de Suite) certificate of authenticity accompanies this lot Georges Braque, French 1882-1963- ''Huître et Citron''; lithograph Est. 300 - 400 printed in colours, numbered 172/400, signed within the plate, 21x25cm, 194 Beryl Cook, British 1926-2008- ''Meadow Suite''; offset lithograph printed (may be subject to Droit de Suite) in colours, signed in pencil, with blindstamp, 43x51cm, (mounted, Est. 200 - 300 unframed) (may be subject to Droit de Suite) 186 Richard Woods, British b.1966- Untitled; Hahnemuhle photo rag prints Beryl Cook, British 1926-2008- ''Meadow Suite''; offset lithograph printed on Kodak professional paper, two, ea. signed and numbered 33/74 and in colours, signed in pencil, with blindstamp, 43x51cm, (mounted, 34/74 in pen, 100x73cm, (2) (rolled, unframed) (may be subject to Droit unframed) (may be subject to Droit de Suite) de Suite) Est. 400 - 500 Richard Woods, British b.1966- Untitled; Hahnemuhle photo rag prints 195 Beryl Cook, British 1926-2008- ''Poetry Reading''; offset lithograph on Kodak professional paper, two, ea. signed and numbered 33/74 and printed in colours, signed in pencil, with blindstamp, 61x43.6cm, 34/74 in pen, 100x73cm, (2) (rolled, unframed) (may be subject to Droit (mounted, unframed) (may be subject to Droit de Suite) de Suite) Beryl Cook, British 1926-2008- ''Poetry Reading''; offset lithograph Est. 200 - 300 printed in colours, signed in pencil, with blindstamp, 61x43.6cm, (mounted, unframed) (may be subject to Droit de Suite) Est. 250 - 350
Page 14 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
196 Beryl Cook, British 1926-2008- ''The Four Hungry Cats''; offset 204 Geoffrey Raymond Reeve ARCA, British b.1936- ''Archigram No 6''; lithograph in colours, signed in pencil, with blindstamp, 54.5x47.5cm, screenprint in colours, signed and dated 66 pencil, 43x30.5cm (mounted, unframed) (may be subject to Droit de Suite) (unframed) (may be subject to Droit de Suite) Note: The same design Beryl Cook, British 1926-2008- ''The Four Hungry Cats''; offset was used by The Archigram Group for the cover of the edition of the Big lithograph in colours, signed in pencil, with blindstamp, 54.5x47.5cm, Sixth Issue Magazine, Autumn 1965 (mounted, unframed) (may be subject to Droit de Suite) Geoffrey Raymond Reeve ARCA, British b.1936- ''Archigram No 6''; Est. 300 - 400 screenprint in colours, signed and dated 66 pencil, 43x30.5cm 197 Beryl Cook, British 1926-2008- ''Angels''; offset lithograph printed in (unframed) (may be subject to Droit de Suite) Note: The same design colours, signed in pencil, with blindstamp, 43x51.2cm, (unframed) (may was used by The Archigram Group for the cover of the edition of the Big be subject to Droit de Suite) Sixth Issue Magazine, Autumn 1965 Beryl Cook, British 1926-2008- ''Angels''; offset lithograph printed in Est. 250 - 300 colours, signed in pencil, with blindstamp, 43x51.2cm, (unframed) (may 205 Randolph Schwabe NEA RWS LG, British 1885-1948- Old man and a be subject to Droit de Suite) girl; etching with drypoint on japon, signed in pencil, 20x15cm: Ernest Est. 150 - 200 Stephen Lumsden RSA RE, British 1883-1948- ''The Donor of Water''; 198 Alan Lumsden, British b.1937- ''Church Fête''; etching with aquatint etching, signed and dated 1928 within the plate, signed and inscribed in printed in colours, signed, titled and numbered 49/100, 46.5x63cm: black pen, bears pencil inscription, 30x19.5cm (may be subject to Droit together with another etching with aquatint printed in colours by the de Suite) same hand, ''Fabians'', signed, titled and numbered 43/100 in pencil, Randolph Schwabe NEA RWS LG, British 1885-1948- Old man and a 46x62.5cm, (unframed) (2) (may be subject to Droit de Suite) girl; etching with drypoint on japon, signed in pencil, 20x15cm: Ernest Alan Lumsden, British b.1937- ''Church Fête''; etching with aquatint Stephen Lumsden RSA RE, British 1883-1948- ''The Donor of Water''; printed in colours, signed, titled and numbered 49/100, 46.5x63cm: etching, signed and dated 1928 within the plate, signed and inscribed in together with another etching with aquatint printed in colours by the black pen, bears pencil inscription, 30x19.5cm (may be subject to Droit same hand, ''Fabians'', signed, titled and numbered 43/100 in pencil, de Suite) 46x62.5cm, (unframed) (2) (may be subject to Droit de Suite) Est. 250 - 300 Est. 150 - 200 206 Joe Tilson RA, British b.1928- ''Transparency The Five Senses- Touch'', 199 Patrick Hughes, British b.1939- ''Confetti''; screenprint in colours, signed, 1971; screenprint in colours and vacuum formed acrylic; signed and numbered 92/150 and dated 83 in pencil, blindstamp, 76x56.5cm: numbered 31/40 in black pen on label attached to the reverse, together with another screenprint in colours by the same artist entitled, 61x61x5cm (may be subject to Droit de Suite) ''Rainbows on a Train'', signed, titled, numbered 27/150 and dated 80 in Joe Tilson RA, British b.1928- ''Transparency The Five Senses- Touch'', pencil, 76x102cm, (unframed) (2) (may be subject to Droit de Suite) 1971; screenprint in colours and vacuum formed acrylic; signed and Patrick Hughes, British b.1939- ''Confetti''; screenprint in colours, signed, numbered 31/40 in black pen on label attached to the reverse, numbered 92/150 and dated 83 in pencil, blindstamp, 76x56.5cm: 61x61x5cm (may be subject to Droit de Suite) together with another screenprint in colours by the same artist entitled, Est. 1,500 - 2,000 ''Rainbows on a Train'', signed, titled, numbered 27/150 and dated 80 in 207 Reg Butler, British 1913-1981- ''Reclining Nude''; lithograph printed in pencil, 76x102cm, (unframed) (2) (may be subject to Droit de Suite) colours, signed, numbered XVIII/XXXV and dated 63 in pencil, 50x66cm Est. 350 - 450 (may be subject to Droit de Suite) 200 Ken Kiff, British 1935-2001- ''The Master of Saint Giles''; woodcut Reg Butler, British 1913-1981- ''Reclining Nude''; lithograph printed in printed in colours, signed and numbered 20/35 in pencil, 36x30cm, colours, signed, numbered XVIII/XXXV and dated 63 in pencil, 50x66cm (unframed) (may be subject to Droit de Suite) (may be subject to Droit de Suite) Ken Kiff, British 1935-2001- ''The Master of Saint Giles''; woodcut Est. 150 - 200 printed in colours, signed and numbered 20/35 in pencil, 36x30cm, 208 Eileen Cooper RA, British b.1953- ''Private View''; etching with aquatint (unframed) (may be subject to Droit de Suite) printed in pink, signed, titled, dated '05 and numbered 33/100 in pencil, Est. 400 - 500 19.7x12.3cm, (may be subject to Droit de Suite) Note: This lot is being 201 Georges Francois, Geo, French 1880-1968- ''Spa-Citron Citron et Eau sold on behalf of Paintings in Hospitals de Spa'', 1925, publ by Etabl d'Imp. F & S Gouweloos, Soc An Eileen Cooper RA, British b.1953- ''Private View''; etching with aquatint Bruxelles; poster, chromolithograph, 160x100cm (may be subject to printed in pink, signed, titled, dated '05 and numbered 33/100 in pencil, Droit de Suite) 19.7x12.3cm, (may be subject to Droit de Suite) Note: This lot is being Georges Francois, Geo, French 1880-1968- ''Spa-Citron Citron et Eau sold on behalf of Paintings in Hospitals de Spa'', 1925, publ by Etabl d'Imp. F & S Gouweloos, Soc An Est. 100 - 150 Bruxelles; poster, chromolithograph, 160x100cm (may be subject to 209 Ossip Zadkine, French 1890-1967- Untitled; etching, signed with initials Droit de Suite) within the plate, signed and numbered 4/25 in pencil, 62x45cm, (may be Est. 300 - 400 subject to Droit de Suite) 202 Leonetto Cappiello, Italian 1875-1942- ''Poudre de Perles Fines, Les Ossip Zadkine, French 1890-1967- Untitled; etching, signed with initials Parfumes la Perle 35 Boulevard de Capucines Paris'', 1921, printed by within the plate, signed and numbered 4/25 in pencil, 62x45cm, (may be Devambez Paris; poster, lithograph printed in colours, 109x81cm subject to Droit de Suite) Leonetto Cappiello, Italian 1875-1942- ''Poudre de Perles Fines, Les Est. 300 - 500 Parfumes la Perle 35 Boulevard de Capucines Paris'', 1921, printed by 210 Dame Laura Knight DBE RA RWS, British 1877-1970- ''Lamorna Cove'', Devambez Paris; poster, lithograph printed in colours, 109x81cm publ in 1935 by Frost & Reed Ltd Fine Art Publishers; reproduction Est. 2,000 - 3,000 printed in colours, signed within the plate, signed in pencil, bears 203 Charles-Albert Waltner, French 1846-1925- ''Sarah Bernhardt'', after publisher's blind stamp, 42.5x66cm (may be subject to Droit de Suite) Julien Bastien-Lepage, Paris, publie par George Petit 12 Rue Godot de Provenance: with The Horner Galleries, The Cathedral Corner, 2 Church Mauroy; etching, signed, inscribed A Sarah Bernhardt and dated 1879 Street, Sheffield, according to label attached to the reverse of the frame within the plate, signed and dated 1923 in pen by Sarah Bernhardt, Dame Laura Knight DBE RA RWS, British 1877-1970- ''Lamorna Cove'', 52.8x40.3cm Provenance: Gallery 32, Alexander St., Notting Hill Gate, publ in 1935 by Frost & Reed Ltd Fine Art Publishers; reproduction London; the private collection of A Leslie Note: Sarah Bernhardt printed in colours, signed within the plate, signed in pencil, bears 1844-1923 in 1879 Bernhardt visited London for the first time with the publisher's blind stamp, 42.5x66cm (may be subject to Droit de Suite) Comedie Francaise Provenance: with The Horner Galleries, The Cathedral Corner, 2 Church Charles-Albert Waltner, French 1846-1925- ''Sarah Bernhardt'', after Street, Sheffield, according to label attached to the reverse of the frame Julien Bastien-Lepage, Paris, publie par George Petit 12 Rue Godot de Est. 250 - 300 Mauroy; etching, signed, inscribed A Sarah Bernhardt and dated 1879 211 Nicolas de Staël, Dutch 1914-1955- Cover design for Maximes by Pierre within the plate, signed and dated 1923 in pen by Sarah Bernhardt, Lecuire, publ Paris, 1955; lithograph printed in colours, signed in pencil, 52.8x40.3cm Provenance: Gallery 32, Alexander St., Notting Hill Gate, 24x23.5cm (may be subject to Droit de Suite) Provenance: The Estate London; the private collection of A Leslie Note: Sarah Bernhardt of the Late Mrs Eugene Rosenberg: Sources, Gravures Originales 1844-1923 in 1879 Bernhardt visited London for the first time with the Modernes, 43 Rue de Seine, Paris VIe, where purchased by Eugene Comedie Francaise at the Gaiety. She had triumphed in Paris as the Rosenberg, 11th December 1956. Queen in Ruy Blas and Dona Sol in Hernani, as well as in Phedre and Nicolas de Staël, Dutch 1914-1955- Cover design for Maximes by Pierre was on the crest of success. Died on March 26 1923 at her house in the Lecuire, publ Paris, 1955; lithograph printed in colours, signed in pencil, Boulevard Pereire in Paris at eight in the evening. Buried in the 24x23.5cm (may be subject to Droit de Suite) Provenance: The Estate Cemetery of Pere Lachaise under a simple dark grey marble canopy of the Late Mrs Eugene Rosenberg: Sources, Gravures Originales which shelters a coffin-shaped stone under its roof. Modernes, 43 Rue de Seine, Paris VIe, where purchased by Eugene Est. 350 - 400 Rosenberg, 11th December 1956. Est. 250 - 300
Page 15 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
212 Nicolas de Staël, Dutch 1914-1955- Untitled, for Poèmes, by Pierre 218 André Bicât, French 1909-1996- ''Horizontal Burst''; etching with aquatint Lecuire; lithograph printed in colours, signed and dated 51 in pencil, printed in colours, signed, titled, numbered 3/30 and dated 59 in pencil, 24x15.5cm (may be subject to Droit de Suite) Provenance: The Estate bears further pencil signature and inscription, 26x41cm (may be subject of the Late Mrs Eugene Rosenberg: Sources, Gravures Originales to Droit de Suite) Modernes, 43 Rue de Seine, Paris VIe, where purchased by Eugene André Bicât, French 1909-1996- ''Horizontal Burst''; etching with aquatint Rosenberg, 11th December 1956. printed in colours, signed, titled, numbered 3/30 and dated 59 in pencil, Nicolas de Staël, Dutch 1914-1955- Untitled, for Poèmes, by Pierre bears further pencil signature and inscription, 26x41cm (may be subject Lecuire; lithograph printed in colours, signed and dated 51 in pencil, to Droit de Suite) 24x15.5cm (may be subject to Droit de Suite) Provenance: The Estate Est. 100 - 150 of the Late Mrs Eugene Rosenberg: Sources, Gravures Originales 219 Serge Charchoune, Russian 1888-1975- Untitled; lithograph, printed in Modernes, 43 Rue de Seine, Paris VIe, where purchased by Eugene colours, signed and numbered F. 75/75 in pencil, 50.5x41.5cm Rosenberg, 11th December 1956. (mounted, unframed) Provenance: Rosebery's sale, London, 14th Est. 150 - 200 December 2004, lot 634, where purchased by the current owner 213 Jacques Villon, French 1875-1963- ''Homme Lisant'' (G.P. E 325); Serge Charchoune, Russian 1888-1975- Untitled; lithograph, printed in etching, signed and dated 29 within the plate, signed and inscribed 'Ep colours, signed and numbered F. 75/75 in pencil, 50.5x41.5cm d'artiste' in pencil, 27x21.3cm (may be subject to Droit de Suite) (mounted, unframed) Provenance: Rosebery's sale, London, 14th Provenance: The Estate of the Late Mrs Eugene Rosenberg December 2004, lot 634, where purchased by the current owner Jacques Villon, French 1875-1963- ''Homme Lisant'' (G.P. E 325); Est. 150 - 200 etching, signed and dated 29 within the plate, signed and inscribed 'Ep 220 Alfred Manessier, French 1911-1993- Untitled abstract composition; d'artiste' in pencil, 27x21.3cm (may be subject to Droit de Suite) lithograph printed in colours, signed and numbered XLVII/LX in pencil, Provenance: The Estate of the Late Mrs Eugene Rosenberg 54x36cm (may be subject to Droit de Suite) Est. 300 - 400 Alfred Manessier, French 1911-1993- Untitled abstract composition; 214 Alfred Manessier, French 1911-1993- Untitled; lithograph printed in lithograph printed in colours, signed and numbered XLVII/LX in pencil, colours, signed and inscribed epr d'artiste in pencil, 40x38cm (may be 54x36cm (may be subject to Droit de Suite) subject to Droit de Suite) Provenance: The Estate of the Late Mrs Est. 150 - 200 Eugene Rosenberg 221 Ceri Geraldus Richards CBE LG, British 1903-1971- ''Information Report Alfred Manessier, French 1911-1993- Untitled; lithograph printed in XVI'', 1971 (G.C.91), printed by Curwen Prints for Gino Cerastico colours, signed and inscribed epr d'artiste in pencil, 40x38cm (may be Editore, Milan, on Filicarta hand-made paper; lithograph printed in subject to Droit de Suite) Provenance: The Estate of the Late Mrs colours, signed and numbered 43/100 in pencil, 43x31cm (may be Eugene Rosenberg subject to Droit de Suite) Provenance: Martin Tinney Gallery, Cardiff, Est. 150 - 200 where purchased by the current owner, 31st August 2002 215 Kerry Strand, California Computer Products, Anaheim, American, Ceri Geraldus Richards CBE LG, British 1903-1971- ''Information Report mid-late 20th century- ''The Snail'', publ by Motif editions 58 Frith Street XVI'', 1971 (G.C.91), printed by Curwen Prints for Gino Cerastico London; lithograph, 50.5x75cm Provenance: The Estate of the Late Mrs Editore, Milan, on Filicarta hand-made paper; lithograph printed in Eugene Rosenberg Note: This print was included in the Institute of colours, signed and numbered 43/100 in pencil, 43x31cm (may be Contemporary Art exhibition, Cybernetic Serendipity, 2nd August- 20th subject to Droit de Suite) Provenance: Martin Tinney Gallery, Cardiff, October 1968 curated by Jasia Reichardt. ''Attracting the attention of where purchased by the current owner, 31st August 2002 the national and international press at the time, Cybernetic Serendipity Est. 350 - 400 was the f 222 Gustave Singier, Belgian/French 1909-1984- ''Bleu-Violet''; lithograph Kerry Strand, California Computer Products, Anaheim, American, printed in colours, signed, numbered 91/140 and dated 62 in pencil, mid-late 20th century- ''The Snail'', publ by Motif editions 58 Frith Street 45x60.5cm (may be subject to Droit de Suite) Provenance: James London; lithograph, 50.5x75cm Provenance: The Estate of the Late Mrs Kinmont Fine Art Limited, London, where purchased by the current Eugene Rosenberg Note: This print was included in the Institute of owner, 5th May 2005 Contemporary Art exhibition, Cybernetic Serendipity, 2nd August- 20th Gustave Singier, Belgian/French 1909-1984- ''Bleu-Violet''; lithograph October 1968 curated by Jasia Reichardt. ''Attracting the attention of printed in colours, signed, numbered 91/140 and dated 62 in pencil, the national and international press at the time, Cybernetic Serendipity 45x60.5cm (may be subject to Droit de Suite) Provenance: James was the first international exhibition in the UK devoted to the relationship Kinmont Fine Art Limited, London, where purchased by the current between the arts and new technology. This groundbreaking exhibition, owner, 5th May 2005 designed by Franciszka Themerson, presented the work of over 130 Est. 300 - 400 participants including composers, engineers, artists, mathematicians 223 Michael Ayrton, British 1921-1975- View in Greece; lithograph printed in and poets'' see Institute of Contemporary Arts, London, Cybernetic colours, signed and numbered 46/50 in pencil, bears publisher's blind Serendipity: A Documentation, 14 Oct 2014-30 Nov 2014 ''This is one of stamp, 52.5x75cm (may be subject to Droit de Suite) a set of seven lithographs by different artists, published by Motif Editions Michael Ayrton, British 1921-1975- View in Greece; lithograph printed in in connection with Cybernetic Serendipity, a major exhibition held at colours, signed and numbered 46/50 in pencil, bears publisher's blind London's Institute of Contemporary Arts in 1968. The portfolio includes stamp, 52.5x75cm (may be subject to Droit de Suite) two works by the Computer Technique Group, plus single works by Est. 150 - 200 Charles Csuri and James Shaffer, William Fetter, Maughan S. Mason, 224 John Minton, British 1917-1957- ''Jamaica Plantation- Tropical Donald K. Robbins, and Kerry Strand. The complete set was acquired Landscape'', 1950, printed at Millers Press; lithograph printed in colours, by the Museum in 1969, at a cost of £5'', see V&A, London, cat no signed and numbered 11/50 in pencil, 40x29cm Provenance: with CIRC.774-1969 William Weston Gallery, London, according to label attached to the Est. 100 - 150 reverse of the frame. This lot is accompanied by a copy of a certificate of 216 Alberto Giacometti, Swiss 1901-1966- ''Rue d'Alésia'', 1954; lithograph, authenticity from the William Weston Gallery: John Minton, British signed within the plate, 69x50cm (may be subject to Droit de Suite) 1917-1957- Harbour scene in Corsica; lithograph printed in colours, Provenance: The Estate of the Late Mrs Eugene Rosenberg 14.2x21cm., (2) (may Alberto Giacometti, Swiss 1901-1966- ''Rue d'Alésia'', 1954; lithograph, John Minton, British 1917-1957- ''Jamaica Plantation- Tropical signed within the plate, 69x50cm (may be subject to Droit de Suite) Landscape'', 1950, printed at Millers Press; lithograph printed in colours, Provenance: The Estate of the Late Mrs Eugene Rosenberg signed and numbered 11/50 in pencil, 40x29cm Provenance: with Est. 150 - 200 William Weston Gallery, London, according to label attached to the 217 Frederick Edward McWilliam ARA, British 1902-1992- ''Women of reverse of the frame. This lot is accompanied by a copy of a certificate of Belfast'', The Penwith Portfolio, 1973; lithograph printed in colours, authenticity from the William Weston Gallery: John Minton, British signed and inscribed AP V/X in pencil, 56.5x76.5cm (may be subject to 1917-1957- Harbour scene in Corsica; lithograph printed in colours, Droit de Suite) Provenance: The Estate of the Late Mrs Eugene 14.2x21cm., (2) (may be subject to Droit de Suite) Rosenberg Est. 600 - 800 Frederick Edward McWilliam ARA, British 1902-1992- ''Women of 225 Percy Wyndham Lewis, British 1882-1957- Portrait of David Low; Belfast'', The Penwith Portfolio, 1973; lithograph printed in colours, lithograph, signed and dated 1932 within the plate, 36.5x26cm (may be signed and inscribed AP V/X in pencil, 56.5x76.5cm (may be subject to subject to Droit de Suite) Droit de Suite) Provenance: The Estate of the Late Mrs Eugene Percy Wyndham Lewis, British 1882-1957- Portrait of David Low; Rosenberg lithograph, signed and dated 1932 within the plate, 36.5x26cm (may be Est. 100 - 150 subject to Droit de Suite) Est. 100 - 150
Page 16 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
226 Sir Henry George Rushbury RA RWS RE, British 1889-1968- ''Debtors 230 Frederick Marriott RE, British 1860-1941- ''The Castle at Thun, Prison, York''; etching with drypoint, signed, titled and dated 1933 within Switzerland''; mezzotint printed in colours, signed, titled and dedicated in the plate, signed in pencil, bears label for William James Spiller & Son, pencil, 37x29.5cm Theatrical Picture Frame Makers, Carvers and Gilders, 28 Litchfield Frederick Marriott RE, British 1860-1941- ''The Castle at Thun, Street, Charing Cross Road, London WC2, attached to the reverse of Switzerland''; mezzotint printed in colours, signed, titled and dedicated in the frame, 16x28cm (may be subject to Droit de Suite) Provenance: pencil, 37x29.5cm Bloomsbury Book Auctions sale, London, 4th December 2003, lot 410, Est. 100 - 150 where purchased 231 Geoffrey Raymond Reeve ARCA, British b.1936- ''Shapes in Accord''; Sir Henry George Rushbury RA RWS RE, British 1889-1968- ''Debtors screenprint in colours, signed, numbered 10/30 and dated 70 in pencil, Prison, York''; etching with drypoint, signed, titled and dated 1933 within 70x50cm (may be subject to Droit de Suite) the plate, signed in pencil, bears label for William James Spiller & Son, Geoffrey Raymond Reeve ARCA, British b.1936- ''Shapes in Accord''; Theatrical Picture Frame Makers, Carvers and Gilders, 28 Litchfield screenprint in colours, signed, numbered 10/30 and dated 70 in pencil, Street, Charing Cross Road, London WC2, attached to the reverse of 70x50cm (may be subject to Droit de Suite) the frame, 16x28cm (may be subject to Droit de Suite) Provenance: Est. 150 - 200 Bloomsbury Book Auctions sale, London, 4th December 2003, lot 410, 232 Geoffrey Raymond Reeve ARCA, British b.1936- ''Still Life non P.C.''; where purchased by the current owner giclee print in colours, signed, inscribed 'A/P' and dated 14 in pencil, Est. 250 - 300 from the edition of 25, 58x45cm (may be subject to Droit de Suite) 227 Roy Bizley, British 1930-1999- ''Garden''; woodcut and screenprint in Geoffrey Raymond Reeve ARCA, British b.1936- ''Still Life non P.C.''; colours, signed, numbered 1/20 and dated 85 in pencil, 67x100cm (may giclee print in colours, signed, inscribed 'A/P' and dated 14 in pencil, be subject to Droit de Suite) Exhibited: Double Elephant, An exhibition from the edition of 25, 58x45cm (may be subject to Droit de Suite) of large prints by the Printmakers Council, Concourse Gallery, Barbican Est. 100 - 150 Centre, London, 5th-30th June, 1985, item No. 85 233 Anna Kirwan, British, late 20th century- ''Shoot Me and I Growl''; etching Roy Bizley, British 1930-1999- ''Garden''; woodcut and screenprint in with aquatint printed in colours, signed, titled, numbered 2/10 and dated colours, signed, numbered 1/20 and dated 85 in pencil, 67x100cm (may 73 in pencil, 50x37cm (may be subject to Droit de Suite) be subject to Droit de Suite) Exhibited: Double Elephant, An exhibition Anna Kirwan, British, late 20th century- ''Shoot Me and I Growl''; etching of large prints by the Printmakers Council, Concourse Gallery, Barbican with aquatint printed in colours, signed, titled, numbered 2/10 and dated Centre, London, 5th-30th June, 1985, item No. 85 73 in pencil, 50x37cm (may be subject to Droit de Suite) Est. 100 - 150 Est. 150 - 200 228 Lots 228 and 229 are by the Austrian artist, Susanne Wenger. Susanne 234 David Oxtoby, British b.1938- ''Zap''; etching with aquatint printed in Wenger was born in Graz, Austria. She studied art there and later in colours, signed, titled, numbered 37/40 and dated 78 in pencil, Vienna at the Academy of Fine Arts. In 1947 she co-founded the Vienna 14x13cm., (unframed) (may be subject to Droit de Suite) Art-Club. After living in Switzerland and Italy she moved to Paris in 1949 David Oxtoby, British b.1938- ''Zap''; etching with aquatint printed in where she met the German linguist, Ulli Beier. Shortly after they married colours, signed, titled, numbered 37/40 and dated 78 in pencil, and moved to Ibadan, Nigeria, where he was to take up a post as a 14x13cm., (unframed) (may be subject to Droit de Suite) phonetician. In 1950 Wenger and her husband moved from Ibadan to Est. 100 - 150 nearby Ed 235 Lots 235-239 are all by the French artist Henri Chopin 1922-2008 Henri Lots 228 and 229 are by the Austrian artist, Susanne Wenger. Susanne Chopin is remarkable for the diversity of his creative achievement. He Wenger was born in Graz, Austria. She studied art there and later in was a graphic artist and designer, poet, painter, typographer, filmmaker Vienna at the Academy of Fine Arts. In 1947 she co-founded the Vienna and broadcaster, and is noted as a focal point of contact for the Art-Club. After living in Switzerland and Italy she moved to Paris in 1949 international arts during the second half of the twentieth century. He was where she met the German linguist, Ulli Beier. Shortly after they married a major figure of concrete and sound poetry in Britain and France and is and moved to Ibadan, Nigeria, where he was to take up a post as a widely considered to be a pioneer in its recognition and distribution. phonetician. In 1950 Wenger and her husband moved from Ibadan to Lots 235-239 are all by the French artist Henri Chopin 1922-2008 Henri nearby Ede. After becoming ill with tuberculosis, she turned to Yoruba Chopin is remarkable for the diversity of his creative achievement. He religion and later became a Yoruba priestess. Wenger had initially been was a graphic artist and designer, poet, painter, typographer, filmmaker attracted to the religion after meeting one of the remaining priests of the and broadcaster, and is noted as a focal point of contact for the Olorisha religion and quickly becoming engrossed in his life and rituals. international arts during the second half of the twentieth century. He was During this period she and Beier mentored a group of local artists that a major figure of concrete and sound poetry in Britain and France and is were to become the New Sacred Art Movement. Wenger and Beier widely considered to be a pioneer in its recognition and distribution. His eventually divorced and in 1959 she married a local drummer Ayansola work was born in the wake of Letterisme, the French avant-garde Oniru. She went on to adopt more than a dozen Yoruba children. movement with its roots in both Dada and Surrealism. Chopin sought to Wenger become the guardian of the Sacred Grove of Osun goddess on promote the medium of poetry through books and magazines. His first the banks of the Osun river in Oshogbo and as her influence increased, volume, Signes, was published in 1957, and in 1964 he created OU the grove became a focal point for artists and those that celebrated magazine which he ran until 1974. OU was among the most notable Yoruba. The festival to worship the goddess Osun that takes place reviews of the period, with William Burroughs and the Dada pioneer, every August continues to attract thousands of visitors today. In 2005 Raoul Haussman, amongst the contributors. Chopin also created many UNESCO listed the grove as a world heritage site and in that same year, graphic works on his typewriter. The typewriter poems are held in a Wenger was made a member of Nigeria's federal republic. Wenger died number of international art collections including the Morra Foundation in Osogbo in 2009. Susanne Wenger, (Adunni Olurisa), Austrian and have been the subject of Australian, British and French 1915-2009- Untitled figures, c.1965; screenprint in grey and black, bears retrospectives. In 1968 Chopin moved from France to live in Essex, label for F J Harris & Son Pictures (Bath) Ltd 13 & 14 Green Street Bath where he stayed until 1985. During this time he staged a small, attached to the reverse of the frame, 76x51cm (may be subject to Droit international festival at his home, for which Burroughs and other artists de Suite) Provenance: Purchased in Nigeria by the parents of the and writers including Brion Gysin travelled to take part. In 2001 Chopin current owner during the 1950s returned to England to live with his family in Norfolk, where he continued Est. 500 - 700 to write and perform until his death in 2008. Henri Chopin, French 229 Susanne Wenger, (Adunni Olurisa), Austrian 1915-2009- Untitled 1922-2008- ''On Recherche les Tueurs''; screenprint in green, dated figures, c.1965; screenprint in grey and black, bears label for F J Harris 1967 within the plate, signed with initials and inscribed in pencil, & Son Pictures (Bath) Ltd 13 & 14 Green Street Bath 51x60cm (may be 62x45.5cm (may be subject to Droit de Suite) Provenance: Gifted by the subject to Droit de Suite) Provenance: Purchased in Nigeria by the artist to the father of the current owner; thence by descent parents of the current owner during the 1950s Est. 150 - 200 Susanne Wenger, (Adunni Olurisa), Austrian 1915-2009- Untitled figures, c.1965; screenprint in grey and black, bears label for F J Harris & Son Pictures (Bath) Ltd 13 & 14 Green Street Bath 51x60cm (may be subject to Droit de Suite) Provenance: Purchased in Nigeria by the parents of the current owner during the 1950s Est. 500 - 700
Page 17 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
236 Henri Chopin, French 1922-2008- ''Gentlemen, The Common Market 240 Henri Chopin, French 1922-2008- ''Wonderful Egopoem for UK 2000''; Ladies''; screenprint in mauve and black, signed, dedicated and dated screenprint in colours, signed, and numbered 8 AP in pencil, 1973 in pencil, 76x 43.5cm: Henri Chopin, French 1922-2008- ''Ou, 49.5x34.5cm: Henri Chopin, French 1922-2008- ''La Crevette Cinquieme Saison''; lithograph, inscribed and numbered 9/32 in pencil, Amoureuse''; lithograph, signed within the plate, 23.5x22cm., (2) (may 45.8x62cm (2) (rolled, unframed) (may be subject to Droit de Suite) be subject to Droit de Suite) Provenance: Gifted by the artist to the Provenance: Gifted by the artist to the father of the current owner; father of the current owner; thence by descent thence by descent Henri Chopin, French 1922-2008- ''Wonderful Egopoem for UK 2000''; Henri Chopin, French 1922-2008- ''Gentlemen, The Common Market screenprint in colours, signed, and numbered 8 AP in pencil, Ladies''; screenprint in mauve and black, signed, dedicated and dated 49.5x34.5cm: Henri Chopin, French 1922-2008- ''La Crevette 1973 in pencil, 76x 43.5cm: Henri Chopin, French 1922-2008- ''Ou, Amoureuse''; lithograph, signed within the plate, 23.5x22cm., (2) (may Cinquieme Saison''; lithograph, inscribed and numbered 9/32 in pencil, be subject to Droit de Suite) Provenance: Gifted by the artist to the 45.8x62cm (2) (rolled, unframed) (may be subject to Droit de Suite) father of the current owner; thence by descent Provenance: Gifted by the artist to the father of the current owner; Est. 150 - 200 thence by descent 241 Marcel Janco, Israeli 1895-1984- ''Fabulation Dada'', publ Review Ou, Est. 100 - 150 Cinquième Saison, no. 38-39, 1971; lithograph, printed in colours, 237 Henri Chopin, French 1922-2002- A Collection of five Books/Catalogues 52.5x58cm Provenance: Gifted by the artist to the father of the current and Ephemera relating to the artist: Chopin, Henri. Revue Ou, owner; thence by descent Cinquieme Saison No 25 Revue de Poesie Evolutive, printed by Niort, Marcel Janco, Israeli 1895-1984- ''Fabulation Dada'', publ Review Ou, numbered 242 from the edition of 26 to 500 on Offset Chromo Satine Cinquième Saison, no. 38-39, 1971; lithograph, printed in colours, Chopin, Henri. Cimetiere, a Collection Cyanuur, publ Editions H Fagne, 52.5x58cm Provenance: Gifted by the artist to the father of the current Bruxelles, 1972, 12.6x19.5cm Chopin, Henri. L'Armoire, Piece owner; thence by descent Burlesque, publ Editions Praxis, Janvier 1963, signed and dated 25 12 Est. 200 - 300 68 in pencil with further no 242 Raoul Hausmann, Austrian 1886-1971- Serpent; lithograph, signed with Henri Chopin, French 1922-2002- A Collection of five Books/Catalogues initials and dated VI 69 within the plate, signed in pencil, 24.5x20cm: and Ephemera relating to the artist: Chopin, Henri. Revue Ou, Jeff Golyscheff Ukrainian 1897-1970- Untitled; lithographs, a pair, both Cinquieme Saison No 25 Revue de Poesie Evolutive, printed by Niort, signed and dated 1970 within the plate, 23x31cm., ea: Tom Phillips CBE numbered 242 from the edition of 26 to 500 on Offset Chromo Satine RA, British b.1937- ''A Human Document''; lithograph with screenprint in Chopin, Henri. Cimetiere, a Collection Cyanuur, publ Editions H Fagne, colours, signed and numbered LXXV in pencil, 37.5x26cm., (4) (may be Bruxelles, 1972, 12.6x19.5cm Chopin, Henri. L'Armoire, Piece subject to Droit de Suite) Provenance: Gifted by the artist to the father Burlesque, publ Editions Praxis, Janvier 1963, signed and dated 25 12 Raoul Hausmann, Austrian 1886-1971- Serpent; lithograph, signed with 68 in pencil with further notes by the artist, 22.5x15.2cm Chopin, Henri. initials and dated VI 69 within the plate, signed in pencil, 24.5x20cm: The Cosmographical Lobster, publ by Gaberocchus Press, 1976, Jeff Golyscheff Ukrainian 1897-1970- Untitled; lithographs, a pair, both signed, dedicated and dated 2.4.76 in pencil, 22.8x15cm Chopin, Henri. signed and dated 1970 within the plate, 23x31cm., ea: Tom Phillips CBE Coelfirth 18, publ by Coelfrith Press, 1972, Coelfrith Arts Centre, RA, British b.1937- ''A Human Document''; lithograph with screenprint in Sunderland, 22.5x19cm In the Gallery, Graphic Works & New colours, signed and numbered LXXV in pencil, 37.5x26cm., (4) (may be Typewriter Poems, Theatre Art Gallery, Henri Chopin, Exhibition of Work subject to Droit de Suite) Provenance: Gifted by the artist to the father of December 1 1975-January 3 1976, single sheet, printed both sides, the current owner; thence by descent signed by both Henri Chopin and William Burroughs in blue pen, Est. 150 - 200 29.5x21cm (6) (books/catalogues/ephemera) (may be subject to Droit 243 John Griffiths, British 1926-2012- ''Fisherman's Cottage, Treboul''; de Suite) Provenance: Gifted by the artist to the father of the current screenprint in colours, signed, titled, numbered 2/20 and dated 1957 in owner; thence by descent black pen, 35.5x48cm: John Griffiths, British 1926-2012- ''Bandstand at Est. 400 - 600 Morlain''; screenprint in colours, signed, titled, numbered 6/19 and dated 238 Henri Chopin, French 1922-2002- ''Portrait of Franco''; single holly leaf in 1957 in black pen, 35.5x48cm: John Harbour, British, mid-late 20th lucite block, multiple, publ by Edition Hundertmark Berlin/Ko¨ln, from the century- Landscape; etching with aquatint printed in sepia, signed and edition of 6, signed and dated 1975 on attached label, 9.5x7x2.4cm dated 93 in pencil, 27x34cm., (3) (unframed) (may be subject to Droit de (may be subject to Droit de Suite) Provenance: Gifted by the artist to S the father of the current owner; thence by descent Note: See Getty John Griffiths, British 1926-2012- ''Fisherman's Cottage, Treboul''; Research Institute Library Catalog, Special Collections accn. no. screenprint in colours, signed, titled, numbered 2/20 and dated 1957 in 890164, for related example black pen, 35.5x48cm: John Griffiths, British 1926-2012- ''Bandstand at Henri Chopin, French 1922-2002- ''Portrait of Franco''; single holly leaf in Morlain''; screenprint in colours, signed, titled, numbered 6/19 and dated lucite block, multiple, publ by Edition Hundertmark Berlin/Ko¨ln, from the 1957 in black pen, 35.5x48cm: John Harbour, British, mid-late 20th edition of 6, signed and dated 1975 on attached label, 9.5x7x2.4cm century- Landscape; etching with aquatint printed in sepia, signed and (may be subject to Droit de Suite) Provenance: Gifted by the artist to dated 93 in pencil, 27x34cm., (3) (unframed) (may be subject to Droit de the father of the current owner; thence by descent Note: See Getty Suite) Research Institute Library Catalog, Special Collections accn. no. Est. 100 - 150 890164, for related example 244 John Griffiths, British 1926-2012- ''Boucherie, Lannion''; screenprint in Est. 100 - 150 colours, signed, titled, numbered 111/26 and dated 1957 in black pen, 239 Henri Chopin, French 1922-2002- Le Dernier Roman du Monde, Edition 36x45.5cm: John Griffiths, British 1926-2011- Fratelli Camisa, Wines Cyanuur, 1970, with enclosed 45 record Partie Sonore: Peche de Nuit, Continental Provisions; lithograph in colours, signed and dated 1959 signed and dedicated in black pen, 20x20cm Audiopoems, Tangent within the plate, with a further lithograph in black and white on the Record, 1971, LP with sleeve, 31.3x31cm Ou, Cinquieme Saison, reverse, frontispiece for A Front of Ships collected by John Griffiths, Revue-Disque 23-24, 9 rue des Mesanges, Sceaux Seine 30.3x23.8cm., (2) (unframed) (may be subject to Droit de Suite) Multi-Techniques 55 bis rue de Panthieu Paris 8e, vinyl 33rpm record, John Griffiths, British 1926-2012- ''Boucherie, Lannion''; screenprint in 25x25cm Petit Livre des riches heures signistes et sonores d'Henri colours, signed, titled, numbered 111/26 and dated 1957 in black pen, Chopin, Audio-Poemes, Galerie J&J Dongy 1987, 36x45.5cm: John Griffiths, British 1926-2011- Fratelli Camisa, Wines Henri Chopin, French 1922-2002- Le Dernier Roman du Monde, Edition Continental Provisions; lithograph in colours, signed and dated 1959 Cyanuur, 1970, with enclosed 45 record Partie Sonore: Peche de Nuit, within the plate, with a further lithograph in black and white on the signed and dedicated in black pen, 20x20cm Audiopoems, Tangent reverse, frontispiece for A Front of Ships collected by John Griffiths, Record, 1971, LP with sleeve, 31.3x31cm Ou, Cinquieme Saison, 30.3x23.8cm., (2) (unframed) (may be subject to Droit de Suite) Revue-Disque 23-24, 9 rue des Mesanges, Sceaux Seine Est. 100 - 150 Multi-Techniques 55 bis rue de Panthieu Paris 8e, vinyl 33rpm record, 245 Georges Rouault, French 1871-1958- ''Squelette'', (C&R 222), from Les 25x25cm Petit Livre des riches heures signistes et sonores d'Henri Fleurs de Mal, publ 1966 by Fequet et Baudier, Paris; aquatint, on Chopin, Audio-Poemes, Galerie J&J Dongy 1987, catalogue with vinyl arches, signed and dated 1926 within the plate, numbered 356/425 in 45rpm record Ou, Cinquieme Sason Revue-Disque 33 Henri Chopin, 9 pencil, 34.8x25cm (unframed) (may be subject to Droit de Suite) rue des Mesanges, vinyl 45rpm record (5) (books with record) (may be Georges Rouault, French 1871-1958- ''Squelette'', (C&R 222), from Les subject to Droit de Suite) Provenance: Gifted by the artist to the father Fleurs de Mal, publ 1966 by Fequet et Baudier, Paris; aquatint, on of the current owner; thence by descent arches, signed and dated 1926 within the plate, numbered 356/425 in Est. 300 - 400 pencil, 34.8x25cm (unframed) (may be subject to Droit de Suite) Est. 300 - 400
Page 18 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
246 Pierre-Auguste Renoir, French 1841-1919- ''Femme au Cep de Vigne'', 253 Jim Dine, American b.1935- ''Gangway Birdseed''; lithograph printed in Stella 45, Roger-Marx 20), 1904; lithograph, signed within the plate, monochrome, signed and numbered 45/75 in pencil, 45x70cm 33x25cm (unframed) (unframed) Provenance: Gallery 32, Alexander St., Notting Hill Gate, Pierre-Auguste Renoir, French 1841-1919- ''Femme au Cep de Vigne'', London; the private collection of A Leslie Stella 45, Roger-Marx 20), 1904; lithograph, signed within the plate, Jim Dine, American b.1935- ''Gangway Birdseed''; lithograph printed in 33x25cm (unframed) monochrome, signed and numbered 45/75 in pencil, 45x70cm Est. 500 - 700 (unframed) Provenance: Gallery 32, Alexander St., Notting Hill Gate, 247 Pino Ponti, Italian 1905-1999- Double portrait; screenprint in colours on London; the private collection of A Leslie Fabriano, signed and inscribed Prova d'artista in pencil, 66x49cm: Est. 250 - 300 together with three other screenprints and one lithograph of portrait 254 Ivor Abrahams RA, British 1935-1915- ''Garden Suite V''; screenprint in subjects by the same hand, all signed, numbered 70/140, Prova colours, signed and dated 70, AP in pencil, 58x78.5cm: together with d'Autore (4)/7 and 7/19 respectively in pencil, all three bear publisher's one other screenprint in colours by the same hand entitled ''Garden blind stamps, 69.5x50cm., (max) (4) (unframed) (may be subject to Droit Suite III'', signed, inscribed 'AP' and dated 70 in pencil, 58x78.5cm de Suite) (unframed) (2) (may be subject to Droit de Suite) Provenance: Gallery Pino Ponti, Italian 1905-1999- Double portrait; screenprint in colours on 32, Alexander St., Notting Hill Gate, London; the private collection of A Fabriano, signed and inscribed Prova d'artista in pencil, 66x49cm: Leslie together with three other screenprints and one lithograph of portrait Ivor Abrahams RA, British 1935-1915- ''Garden Suite V''; screenprint in subjects by the same hand, all signed, numbered 70/140, Prova colours, signed and dated 70, AP in pencil, 58x78.5cm: together with d'Autore (4)/7 and 7/19 respectively in pencil, all three bear publisher's one other screenprint in colours by the same hand entitled ''Garden blind stamps, 69.5x50cm., (max) (4) (unframed) (may be subject to Droit Suite III'', signed, inscribed 'AP' and dated 70 in pencil, 58x78.5cm de Suite) (unframed) (2) (may be subject to Droit de Suite) Provenance: Gallery Est. 200 - 300 32, Alexander St., Notting Hill Gate, London; the private collection of A 248 Derrière le Miroir, No 48-49 Juin-Juillet, Paris, Maeght éditeur, 1952, text Leslie by Alberto Giacometti, with four of the five original lithographs by Est. 250 - 300 Georges Braque, including two double-page and the front and back 255 David Oxtoby, British b.1938- ''Dick''; etching printed in colours, signed, covers, 38x28cm: together with a further double page lithograph after titled and inscribed 'colour proof' in pencil, with publisher's blindstamp, Pablo Picasso entitle La Toilette from Derriere le Miroir 36-37-38, 1951, 14.5x18cm: together with one other etching printed in colours by the 38x28cm (folio, unframed) (may be subject to Droit de Suite) ? same hand entitled ''Wooden Sax Extra'', signed, inscribed 'colour proof' Derrière le Miroir, No 48-49 Juin-Juillet, Paris, Maeght éditeur, 1952, text and dated 74 in pencil, with publisher's blindstamp, 11.5x28.6cm by Alberto Giacometti, with four of the five original lithographs by (unframed) (2) (may be Subject to Droit de Suite) Provenance: Gallery Georges Braque, including two double-page and the front and back 32, Alexander St., Notting Hill Gate, London; the private collection o covers, 38x28cm: together with a further double page lithograph after David Oxtoby, British b.1938- ''Dick''; etching printed in colours, signed, Pablo Picasso entitle La Toilette from Derriere le Miroir 36-37-38, 1951, titled and inscribed 'colour proof' in pencil, with publisher's blindstamp, 38x28cm (folio, unframed) (may be subject to Droit de Suite) ? 14.5x18cm: together with one other etching printed in colours by the Est. 250 - 300 same hand entitled ''Wooden Sax Extra'', signed, inscribed 'colour proof' 249 After James Abbott McNeill Whistler, American 1834-1903- ''Fulham'', and dated 74 in pencil, with publisher's blindstamp, 11.5x28.6cm 1879; etching, the fifth and final state, probably publ by the Art Journal, (unframed) (2) (may be Subject to Droit de Suite) Provenance: Gallery 1882, 13x20cm., (image) 23.5x29.5cm., (sheet) (mounted, unframed) 32, Alexander St., Notting Hill Gate, London; the private collection of A After James Abbott McNeill Whistler, American 1834-1903- ''Fulham'', Leslie 1879; etching, the fifth and final state, probably publ by the Art Journal, Est. 200 - 400 1882, 13x20cm., (image) 23.5x29.5cm., (sheet) (mounted, unframed) 256 Sir Peter Blake CBE RDI RA, British b.1932- ''Costume Life Drawing- Est. 200 - 250 Yellow Hat''; offset lithograph printed in colours, signed and numbered 250 James Rosenquist, American b.1933- ''A Drawing While Waiting for an 169/500 in pencil, with publisher's blindstamp, 74.5x46.5cm, (unframed) Idea''; signed, numbered 16/52 and dated 1966 in pencil, 37x24cm (may be subject to Droit de Suite) Provenance: Gallery 32, Alexander (unframed) St., Notting Hill Gate, London; the private collection of A Leslie James Rosenquist, American b.1933- ''A Drawing While Waiting for an Sir Peter Blake CBE RDI RA, British b.1932- ''Costume Life Drawing- Idea''; signed, numbered 16/52 and dated 1966 in pencil, 37x24cm Yellow Hat''; offset lithograph printed in colours, signed and numbered (unframed) 169/500 in pencil, with publisher's blindstamp, 74.5x46.5cm, (unframed) Est. 300 - 500 (may be subject to Droit de Suite) Provenance: Gallery 32, Alexander 251 Basil Beattie RA, British b.1935- ''At the Hour of Midnight''; screenprint in St., Notting Hill Gate, London; the private collection of A Leslie colours, signed, numbered 46/75 and dated 99 in pencil, with Est. 150 - 200 blindstamp, 61x72.5cm: together with three other screenprints in colours 257 Ya'akov Boussidan, Israeli b.1938- ''Exercise Red and Yellow''; etching by the same hand entitled, ''Signs of Entry'', ''Bubble Wrapped'' & printed in colours, signed, titled, numbered 4/12 and dated 72 in pencil, ''Stairing''; screenprint in colours, signed, dated and numbered in pencil, 29x24cm, (unframed) Provenance: Gallery 32, Alexander St., Notting with blindstamp, various sizes, (unframed) (4) (may be subject to Droit Hill Gate, London; the private collection of A Leslie de Suite) Ya'akov Boussidan, Israeli b.1938- ''Exercise Red and Yellow''; etching Basil Beattie RA, British b.1935- ''At the Hour of Midnight''; screenprint in printed in colours, signed, titled, numbered 4/12 and dated 72 in pencil, colours, signed, numbered 46/75 and dated 99 in pencil, with 29x24cm, (unframed) Provenance: Gallery 32, Alexander St., Notting blindstamp, 61x72.5cm: together with three other screenprints in colours Hill Gate, London; the private collection of A Leslie by the same hand entitled, ''Signs of Entry'', ''Bubble Wrapped'' & Est. 150 - 200 ''Stairing''; screenprint in colours, signed, dated and numbered in pencil, 258 Ruskin Spear CBE RA, British 1911-1990- ''Out for the Count''; with blindstamp, various sizes, (unframed) (4) (may be subject to Droit lithograph printed in colours, signed and dated 86 in pen, numbered de Suite) 31/48 in pencil, 30.6x30.6cm, (unframed) (may be subject to Droit de Est. 400 - 500 Suite) Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; 252 Lots 252-274 have the following: Gallery 32, Alexander St., Notting Hill the private collection of A Leslie Gate, London; the private collection of A Leslie Jean Camberoque, Ruskin Spear CBE RA, British 1911-1990- ''Out for the Count''; French 1917-2001- ''La Tentation de St Antoine''; lithograph with lithograph printed in colours, signed and dated 86 in pen, numbered hand-colouring, signed, titled and numbered 5/25 in pencil, 57x76.5cm 31/48 in pencil, 30.6x30.6cm, (unframed) (may be subject to Droit de (unframed) (may be subject to Droit de Suite) Provenance: Gallery 32, Suite) Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; Alexander St., Notting Hill Gate, London; the private collection of A the private collection of A Leslie Leslie Est. 100 - 150 Lots 252-274 have the following: Gallery 32, Alexander St., Notting Hill Gate, London; the private collection of A Leslie Jean Camberoque, French 1917-2001- ''La Tentation de St Antoine''; lithograph with hand-colouring, signed, titled and numbered 5/25 in pencil, 57x76.5cm (unframed) (may be subject to Droit de Suite) Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the private collection of A Leslie Est. 200 - 300
Page 19 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
259 Henry Cliffe, British 1919-1983- ''Jukebox''; lithograph printed in colours, 265 Adrian Heath, British 1920-1992- ''Orange, Black & White''; lithograph signed, titled, numbered 43/50 and dated 64 in pencil, 57x79cm (sheet): printed in colours, signed and dated 56 in pencil, 41x51cm (unframed) together with five untitled lithographs printed in colours by the same (may be subject to Droit de Suite) Provenance: Gallery 32, Alexander hand, four signed, dated 64 and numbered from an edition of 50 in St., Notting Hill Gate, London; the private collection of A Leslie pencil, various sizes, (unframed) (6) (may be subject to Droit de Suite) Adrian Heath, British 1920-1992- ''Orange, Black & White''; lithograph Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the printed in colours, signed and dated 56 in pencil, 41x51cm (unframed) private collection of A Leslie (may be subject to Droit de Suite) Provenance: Gallery 32, Alexander Henry Cliffe, British 1919-1983- ''Jukebox''; lithograph printed in colours, St., Notting Hill Gate, London; the private collection of A Leslie signed, titled, numbered 43/50 and dated 64 in pencil, 57x79cm (sheet): Est. 500 - 700 together with five untitled lithographs printed in colours by the same 266 Ya'akov Boussidan, Israeli, b.1938- ''The Blind Girl''; etching, signed, hand, four signed, dated 64 and numbered from an edition of 50 in titled, numbered 17/30 and dated 69 in pencil, 32x44.5cm: together with pencil, various sizes, (unframed) (6) (may be subject to Droit de Suite) one other etching by the same hand entitled ''Bathroom'', signed, titled, Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the inscribed 'AP' and dated 70 in pencil, 38x56cm., (unframed) (2) private collection of A Leslie Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the Est. 400 - 600 private collection of A Leslie 260 Fernandez Arman, French 1928-2005- ''Opus I-VI'', Suite for Violin; Ya'akov Boussidan, Israeli, b.1938- ''The Blind Girl''; etching, signed, screenprints in colours on coloured paper, six in original porfolio, ea. titled, numbered 17/30 and dated 69 in pencil, 32x44.5cm: together with signed and numbered 26/125 in pencil, 65x50cm ea., (folio) (6) (may be one other etching by the same hand entitled ''Bathroom'', signed, titled, subject to Droit de Suite) Provenance: Gallery 32, Alexander St., Notting inscribed 'AP' and dated 70 in pencil, 38x56cm., (unframed) (2) Hill Gate, London; the private collection of A Leslie Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the Fernandez Arman, French 1928-2005- ''Opus I-VI'', Suite for Violin; private collection of A Leslie screenprints in colours on coloured paper, six in original porfolio, ea. Est. 300 - 400 signed and numbered 26/125 in pencil, 65x50cm ea., (folio) (6) (may be 267 Ya'akov Boussidan, Israeli, b.1938- ''Bathroom IV''; etching with aquatint subject to Droit de Suite) Provenance: Gallery 32, Alexander St., Notting printed in colours, signed, titled, numbered 11/17 and dated 70 in pencil, Hill Gate, London; the private collection of A Leslie 35x27cm: together with one other etching by the same hand entitled Est. 1,000 - 1,200 ''Reclining Woman with Dog'', signed, titled, inscribed 'AP' and dated 70 261 Stanley William Hayter CBE, British 1901-1988- ''Swimmers''; etching in pencil, 28.2x30.5cm., (unframed) (2) Provenance: Gallery 32, printed in colours, signed, titled, numbered 87/100 and dated 70 in Alexander St., Notting Hill Gate, London; the private collection of A pencil, 49x59cm, (unframed) (may be subject to Droit de Suite) Leslie Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the Ya'akov Boussidan, Israeli, b.1938- ''Bathroom IV''; etching with aquatint private collection of A Leslie printed in colours, signed, titled, numbered 11/17 and dated 70 in pencil, Stanley William Hayter CBE, British 1901-1988- ''Swimmers''; etching 35x27cm: together with one other etching by the same hand entitled printed in colours, signed, titled, numbered 87/100 and dated 70 in ''Reclining Woman with Dog'', signed, titled, inscribed 'AP' and dated 70 pencil, 49x59cm, (unframed) (may be subject to Droit de Suite) in pencil, 28.2x30.5cm., (unframed) (2) Provenance: Gallery 32, Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the Alexander St., Notting Hill Gate, London; the private collection of A private collection of A Leslie Leslie Est. 400 - 600 Est. 300 - 400 262 Stanley William Hayter CBE, British 1901-1988- ''Slip Stream''; 268 Michelle Keegan, British b.1966- ''American Wave''; lithograph printed in screenprint in colours, signed, titled, numbered 15/20 and dated 67 in colours, signed, numbered 2/4 and dated 89 in pencil, 79x56cm, pencil, with publisher's blindstamp, 77x56cm (sheet), (unframed) (may (unframed) (may be subject to Droit de Suite) Provenance: Gallery 32, be subject to Droit de Suite) Provenance: Gallery 32, Alexander St., Alexander St., Notting Hill Gate, London; the private collection of A Notting Hill Gate, London; the private collection of A Leslie Leslie Stanley William Hayter CBE, British 1901-1988- ''Slip Stream''; Michelle Keegan, British b.1966- ''American Wave''; lithograph printed in screenprint in colours, signed, titled, numbered 15/20 and dated 67 in colours, signed, numbered 2/4 and dated 89 in pencil, 79x56cm, pencil, with publisher's blindstamp, 77x56cm (sheet), (unframed) (may (unframed) (may be subject to Droit de Suite) Provenance: Gallery 32, be subject to Droit de Suite) Provenance: Gallery 32, Alexander St., Alexander St., Notting Hill Gate, London; the private collection of A Notting Hill Gate, London; the private collection of A Leslie Leslie Est. 300 - 500 Est. 100 - 200 263 Stanley William Hayter CBE, British 1901-1988- Untitled; screenprint in 269 Victor Vasarely, French/Hungarian 1906-1997- Untitled, from colours, signed, numbered 3/75 and dated 66 in pencil, 78.5x59cm Permutations 51, publ by Edition Denise Rene; screenprint in colours, (sheet), (unframed) (may be subject to Droit de Suite) Provenance: signed and inscribed 'E.A' in pencil, with publisher's blindstamp, Gallery 32, Alexander St., Notting Hill Gate, London; the private 68.5x68.5cm, (unframed) (may be subject to Droit de Suite) collection of A Leslie Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the Stanley William Hayter CBE, British 1901-1988- Untitled; screenprint in private collection of A Leslie colours, signed, numbered 3/75 and dated 66 in pencil, 78.5x59cm Victor Vasarely, French/Hungarian 1906-1997- Untitled, from (sheet), (unframed) (may be subject to Droit de Suite) Provenance: Permutations 51, publ by Edition Denise Rene; screenprint in colours, Gallery 32, Alexander St., Notting Hill Gate, London; the private signed and inscribed 'E.A' in pencil, with publisher's blindstamp, collection of A Leslie 68.5x68.5cm, (unframed) (may be subject to Droit de Suite) Est. 300 - 500 Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the 264 Stella Whalley, British b.1958- ''Rape of the Sons of Leucippus'', after private collection of A Leslie Peter Paul Rubens; etching with aquatint printed in colours, signed, Est. 600 - 800 titled and inscribed 'AP' in pencil, 44x30.5cm: together with one other 270 Édouard Joseph Goerg, French 1893-1969- ''Montparnasse''; etching etching with aquatint printed in colours by the same hand entitled with drypoint, signed, titled and numbered 15/30, 20x15cm: together ''Livingscape II''', signed, titled and inscribed 'AP' in pencil, 34x50cm with three other drypoint etchings by the same hand entitled ''La (unframed) (2) (may be subject to Droit de Suite) Provenance: Gallery Toilette'', ''Le Repetition'' and ''L'Heureux Père'', two signed, one 32, Alexander St., Notting Hill Gate, London; the private collection of A L inscribed, all titled, ea. numbered 19/30, 2/6, & 13/30 in pencil, Stella Whalley, British b.1958- ''Rape of the Sons of Leucippus'', after 20x13.7cm, 10.6x19cm and 18x13cm, respectively, (unframed) (4) (may Peter Paul Rubens; etching with aquatint printed in colours, signed, be subject to Droit de Suite) Provenance: Gallery 32, Alexander St., titled and inscribed 'AP' in pencil, 44x30.5cm: together with one other Notting Hill Gate, London; etching with aquatint printed in colours by the same hand entitled Édouard Joseph Goerg, French 1893-1969- ''Montparnasse''; etching ''Livingscape II''', signed, titled and inscribed 'AP' in pencil, 34x50cm with drypoint, signed, titled and numbered 15/30, 20x15cm: together (unframed) (2) (may be subject to Droit de Suite) Provenance: Gallery with three other drypoint etchings by the same hand entitled ''La 32, Alexander St., Notting Hill Gate, London; the private collection of A Toilette'', ''Le Repetition'' and ''L'Heureux Père'', two signed, one Leslie inscribed, all titled, ea. numbered 19/30, 2/6, & 13/30 in pencil, Est. 300 - 400 20x13.7cm, 10.6x19cm and 18x13cm, respectively, (unframed) (4) (may be subject to Droit de Suite) Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the private collection of A Leslie Est. 400 - 600
Page 20 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
271 Gordon House, British 1932-2005- ''Series 8 -Vertical Tri Motif J''; 277 The Rolling Stones, Sticky Fingers LP, 1971, distributed by Atco screenprint in colours, signed, titled, numbered 15/40 and dated 76/77 in Records, edition COC 59100, record and sleeve, cover art designed by pencil, 78x41cm, (may be subject to Droit de Suite) Provenance: Gallery Andy Warhol, stamped Andy Warhol in blue and signed in black marker, 32, Alexander St., Notting Hill Gate, London; the private collection of A 31.5x31.5cm Leslie The Rolling Stones, Sticky Fingers LP, 1971, distributed by Atco Gordon House, British 1932-2005- ''Series 8 -Vertical Tri Motif J''; Records, edition COC 59100, record and sleeve, cover art designed by screenprint in colours, signed, titled, numbered 15/40 and dated 76/77 in Andy Warhol, stamped Andy Warhol in blue and signed in black marker, pencil, 78x41cm, (may be subject to Droit de Suite) Provenance: Gallery 31.5x31.5cm 32, Alexander St., Notting Hill Gate, London; the private collection of A Est. 200 - 300 Leslie 278 Steven White, British 20th/21st century- ''Antony Gormley Another Est. 200 - 300 Place, Crosby Beach Merseyside 2005'' publ. in conjunction with the 272 Ivor Abrahams RA, British 1935-2015- ''Edgar Allen Poe Series''; South Sefton Development Trust; printed poster in colours, signed by screenprint in colours, signed, inscribed 'PP' and dated 76 in pencil, Antony Gormley, 40x140cm, (unframed, rolled) (may be subject to Droit 39x27cm: together with one other screenprint in colours by the same de Suite) hand entitled ''Edgar Allen Poe Series'', signed, inscribed 'PP' and dated Steven White, British 20th/21st century- ''Antony Gormley Another 76 in pencil, 39x27cm., (2) (may be subject to Droit de Suite) Place, Crosby Beach Merseyside 2005'' publ. in conjunction with the Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the South Sefton Development Trust; printed poster in colours, signed by private collection of A Leslie Antony Gormley, 40x140cm, (unframed, rolled) (may be subject to Droit Ivor Abrahams RA, British 1935-2015- ''Edgar Allen Poe Series''; de Suite) screenprint in colours, signed, inscribed 'PP' and dated 76 in pencil, Est. 100 - 150 39x27cm: together with one other screenprint in colours by the same 279 Sir Antony Gormley OBE, British b.1950- ''Domain Field'', from the Baltic hand entitled ''Edgar Allen Poe Series'', signed, inscribed 'PP' and dated Shop; printed posters in colours, two, ea. signed, ea. 34x59.5cm 76 in pencil, 39x27cm., (2) (may be subject to Droit de Suite) (unframed, rolled) (2) (may be subject to Droit de Suite) Provenance: Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the Baltic Centre for Contemporary Art private collection of A Leslie Sir Antony Gormley OBE, British b.1950- ''Domain Field'', from the Baltic Est. 300 - 400 Shop; printed posters in colours, two, ea. signed, ea. 34x59.5cm 273 Pierre Alechinsky, Belgian b.1927- ''Une Sociéte''; lithograph printed in (unframed, rolled) (2) (may be subject to Droit de Suite) Provenance: colours, signed, titled, numbered 1/60 and dated 62 in pencil, 43x57cm, Baltic Centre for Contemporary Art (may be subject to Droit de Suite) Provenance: Gallery 32, Alexander Est. 100 - 150 St., Notting Hill Gate, London; the private collection of A Leslie 280 Marc Quinn, British b.1964- ''The Ecstatic Autogenesis of Pamela''; Pierre Alechinsky, Belgian b.1927- ''Une Sociéte''; lithograph printed in digital print with extensive hand-colouring in gouache, signed and colours, signed, titled, numbered 1/60 and dated 62 in pencil, 43x57cm, numbered 45/50, 22x17cm: together with a book by the same artist (may be subject to Droit de Suite) Provenance: Gallery 32, Alexander entitled, ''Allanah, Buck, Catman, Chelsea, Michael, Pamela and St., Notting Hill Gate, London; the private collection of A Leslie Thomas'', publ, in conjunction with the White Cube Gallery, London, Est. 800 - 1,000 2010, signed and numbered 45/50, 25.3x19.3cm (2) (may be subject to 274 Georges Braque, French 1882-1963- ''Sur 4 Murs Galerie Maeght'', Droit de Suite) Provenance: from White Cube Gallery, London 1956, printed by Mourlot, Paris; lithograph/poster printed in colours, Marc Quinn, British b.1964- ''The Ecstatic Autogenesis of Pamela''; 71x31cm, (may be subject to Droit de Suite) Provenance: Gallery 32, digital print with extensive hand-colouring in gouache, signed and Alexander St., Notting Hill Gate, London; the private collection of A numbered 45/50, 22x17cm: together with a book by the same artist Leslie entitled, ''Allanah, Buck, Catman, Chelsea, Michael, Pamela and Georges Braque, French 1882-1963- ''Sur 4 Murs Galerie Maeght'', Thomas'', publ, in conjunction with the White Cube Gallery, London, 1956, printed by Mourlot, Paris; lithograph/poster printed in colours, 2010, signed and numbered 45/50, 25.3x19.3cm (2) (may be subject to 71x31cm, (may be subject to Droit de Suite) Provenance: Gallery 32, Droit de Suite) Provenance: from White Cube Gallery, London Alexander St., Notting Hill Gate, London; the private collection of A Est. 200 - 300 Leslie 281 Sir Eduardo Paolozzi KBE RA, Scottish 1924-2005- Untitled, an element Est. 600 - 800 from ''Bronze Table II''; bronze, 20cm high, 22cm diam., (may be 275 Andy Warhol, American 1928-1987- ''Brillo Box''; mixed media marker subjcect to Droit de Suite) on cardboard, signed in black marker pen, in a perspex case, Sir Eduardo Paolozzi KBE RA, Scottish 1924-2005- Untitled, an element 21x19x8cm (including case) Note: Andy Warhol's iconic 'Brillo Boxes', from ''Bronze Table II''; bronze, 20cm high, 22cm diam., (may be his first sculptural works, exhibited in 1964 at Stable Gallery in New subjcect to Droit de Suite) York, raised questions about our accepted ideas about and definitions of Est. 1,000 - 1,500 ''high art'' using deadpan humor and pop culture imagery. He 282 Sir Eduardo Paolozzi KBE RA, Scottish 1924-2005- Untitled, Two heads appropriated a consumer-minded product (literally, the actual cardboard and a hand; painted plaster on a wooden plinth, 17.5x20cm, (may be boxes with Brillo pads s subject to Droit de Suite) Andy Warhol, American 1928-1987- ''Brillo Box''; mixed media marker Sir Eduardo Paolozzi KBE RA, Scottish 1924-2005- Untitled, Two heads on cardboard, signed in black marker pen, in a perspex case, and a hand; painted plaster on a wooden plinth, 17.5x20cm, (may be 21x19x8cm (including case) Note: Andy Warhol's iconic 'Brillo Boxes', subject to Droit de Suite) his first sculptural works, exhibited in 1964 at Stable Gallery in New Est. 300 - 400 York, raised questions about our accepted ideas about and definitions of 283 Louise Bourgeois, French 1911-2010- ''I Have Been to Hell and Back. ''high art'' using deadpan humor and pop culture imagery. He And Let me Tell you It was Wonderful.''; machine embroidery on cotton, appropriated a consumer-minded product (literally, the actual cardboard printed initials LB, edition 298/1000, 31x31cm, (unframed) (may be boxes with Brillo pads still inside) and elevated them into the realm of subject to Droit de Suite) fine art sculpture. Warhol's 'Brillo Boxes' took the mundane and Louise Bourgeois, French 1911-2010- ''I Have Been to Hell and Back. transformed it into something thought-provoking, encouraging viewers to And Let me Tell you It was Wonderful.''; machine embroidery on cotton, reassess the aesthetics found in commercialism, as well as re-evaluate printed initials LB, edition 298/1000, 31x31cm, (unframed) (may be their own ideas about the definition of art. subject to Droit de Suite) Est. 3,000 - 4,000 Est. 300 - 500 276 Andy Warhol, American 1928-1987- ''Campbell's Shopping Bag''; 284 Tracey Emin CBE RA, British b.1963- ''Be Faithful to Your Dreams''; screenprint in colours on a shopping bag, from an edition of an unknown embroidered cotton handkerchief, 40.6x40.6cm, (unframed/boxed) (may size, published for a Warhol exhibition at and by the Institute of be subject to Droit de Suite) Provenance: Momart Christmas Greetings Contemporary art, Boston, Massachusetts, October 1966, 63x43.2cm Card, 1999 Note: stamped to the base of the bag, 'Guild Paper Products Co. 1154 Tracey Emin CBE RA, British b.1963- ''Be Faithful to Your Dreams''; Intervale Avenue, LU 9-3900 Bronx 59, N.Y.' embroidered cotton handkerchief, 40.6x40.6cm, (unframed/boxed) (may Andy Warhol, American 1928-1987- ''Campbell's Shopping Bag''; be subject to Droit de Suite) Provenance: Momart Christmas Greetings screenprint in colours on a shopping bag, from an edition of an unknown Card, 1999 size, published for a Warhol exhibition at and by the Institute of Est. 300 - 400 Contemporary art, Boston, Massachusetts, October 1966, 63x43.2cm Note: stamped to the base of the bag, 'Guild Paper Products Co. 1154 Intervale Avenue, LU 9-3900 Bronx 59, N.Y.' Est. 800 - 1,200
Page 21 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
285 Mark Wallinger, British b.1959- ''It's the Thought That Counts''; coloured 293 Jeff Koons, American b.1955- ''Ushering in Banality'', from the Banality paper/cardboard, ribbon, snap, 28x4.5cm (boxed) (may be subject to Series; multiple, screenprinted and glazed porcelain plate with gold Droit de Suite) Provenance: Momart Christmas Card, 2001 enamel trim, bears printed signature verso, produced by Bernardaud, Mark Wallinger, British b.1959- ''It's the Thought That Counts''; coloured France in 2013, from a limited edition of 4500, 26.9cm paper/cardboard, ribbon, snap, 28x4.5cm (boxed) (may be subject to Jeff Koons, American b.1955- ''Ushering in Banality'', from the Banality Droit de Suite) Provenance: Momart Christmas Card, 2001 Series; multiple, screenprinted and glazed porcelain plate with gold Est. 200 - 300 enamel trim, bears printed signature verso, produced by Bernardaud, 286 Richard Hughes, British b.1974- ''Joyful Sorrow''; mixed media, stamped France in 2013, from a limited edition of 4500, 26.9cm verso 'Momart 2008' & with printed artist's signature, 13x5.5cm Est. 80 - 120 (unframed) (may be subject to Droit de Suite) Provenance: Momart 294 Robert Indiana, American b.1928- Classic Love; multiple, hand tufted Christmas Gift, 2008 wool, produced in 2007 for Galerie-F, Germany, manufacturer's label Richard Hughes, British b.1974- ''Joyful Sorrow''; mixed media, stamped attached to the reverse numbered 822/10000, 76.2x76.2cm verso 'Momart 2008' & with printed artist's signature, 13x5.5cm Robert Indiana, American b.1928- Classic Love; multiple, hand tufted (unframed) (may be subject to Droit de Suite) Provenance: Momart wool, produced in 2007 for Galerie-F, Germany, manufacturer's label Christmas Gift, 2008 attached to the reverse numbered 822/10000, 76.2x76.2cm Est. 200 - 300 Est. 200 - 300 287 Gary Hume, British b.1962- ''Fuzzy Snowman'; coloured felt 295 Andy Warhol, American 1928-1987- ''Dollar Signs''; multiple, glazed (detachable) and blue flocked card, signed verso in felt-tip, 27.5x19cm, porcelain wall plate, bears printed signature, produced by Rosenthal (unframed) (may be subject to Droit de Suite) Provenance: Momart, studio-line in 2011, number 216 from a limited edition of 500, 23.5cm Christmas Card 2000 Andy Warhol, American 1928-1987- ''Dollar Signs''; multiple, glazed Gary Hume, British b.1962- ''Fuzzy Snowman'; coloured felt porcelain wall plate, bears printed signature, produced by Rosenthal (detachable) and blue flocked card, signed verso in felt-tip, 27.5x19cm, studio-line in 2011, number 216 from a limited edition of 500, 23.5cm (unframed) (may be subject to Droit de Suite) Provenance: Momart, Est. 50 - 70 Christmas Card 2000 296 Ingo Maria Sternberg, German b.1952- ''Winner vs. Loser''; Objectgrafik Est. 200 - 300 - box construction with coins and various figurines, the surrounding 288 Sir Howard Hodgkin CH CBE, British b.1932- ''Blue Skies, Nothing but mount bearing printed text, signed and numbered 17/99, 68.5x48.2cm Blue Skies''; screenprint in colours, scrunched up and presented in box, (may be subject to Droit de Suite) Note: a certificate of authentication 13x16cm, (unframed, boxed) (may be subject to Droit de signed by the artist accompanies this lot Suite)Provenance: Momart, Christmas Card 2002 Ingo Maria Sternberg, German b.1952- ''Winner vs. Loser''; Objectgrafik Sir Howard Hodgkin CH CBE, British b.1932- ''Blue Skies, Nothing but - box construction with coins and various figurines, the surrounding Blue Skies''; screenprint in colours, scrunched up and presented in box, mount bearing printed text, signed and numbered 17/99, 68.5x48.2cm 13x16cm, (unframed, boxed) (may be subject to Droit de (may be subject to Droit de Suite) Note: a certificate of authentication Suite)Provenance: Momart, Christmas Card 2002 signed by the artist accompanies this lot Est. 200 - 300 Est. 80 - 120 289 Anya Gallaccio, British b.1963- Acorn; bronze, boxed, 3x1.5cm: together 297 Dame Paula Rego DBE, Portugese/British b.1935- ''Homem''; glazed with one other work by the same hand entitled ''Absolute Gallaccio'' in ceramic tile, published by Ratton Ceramica, Portugal, signed and coloured resin with letters in the shape of an ice cube, in printed box, numbered 112/150 on the reverse, 14x14cm, (unframed, boxed) (may dated 2001 on the box, 3.5x4.5x4.2cm, (2) (unframed, boxed) (may be be subject to Droit de Suite) subject to Droit de Suite) Provenance: Sandy and David Orr, & Donald Dame Paula Rego DBE, Portugese/British b.1935- ''Homem''; glazed MacDonald, 'Arts Opening Party', at Millbank Lounge, City Inn ceramic tile, published by Ratton Ceramica, Portugal, signed and Westminster, 2003: Absolute Vodka art project, The Design Museum, numbered 112/150 on the reverse, 14x14cm, (unframed, boxed) (may 24th January 2001. be subject to Droit de Suite) Anya Gallaccio, British b.1963- Acorn; bronze, boxed, 3x1.5cm: together Est. 150 - 200 with one other work by the same hand entitled ''Absolute Gallaccio'' in 298 Dame Paula Rego DBE, Portugese/British b.1935- ''Veado''; glazed coloured resin with letters in the shape of an ice cube, in printed box, ceramic tile, published by Ratton Ceramica, Portugal, signed and dated 2001 on the box, 3.5x4.5x4.2cm, (2) (unframed, boxed) (may be numbered 148/150 on the reverse, 14x14cm, (unframed, boxed) (may subject to Droit de Suite) Provenance: Sandy and David Orr, & Donald be subject to Droit de Suite) MacDonald, 'Arts Opening Party', at Millbank Lounge, City Inn Dame Paula Rego DBE, Portugese/British b.1935- ''Veado''; glazed Westminster, 2003: Absolute Vodka art project, The Design Museum, ceramic tile, published by Ratton Ceramica, Portugal, signed and 24th January 2001. numbered 148/150 on the reverse, 14x14cm, (unframed, boxed) (may Est. 250 - 350 be subject to Droit de Suite) 290 Keith Tyson, British b.1969- Untitled, Woman in garden; mixed media, Est. 150 - 200 digital print and tape, signed and dated 95 verso, 12.5x17.6cm, (may be 299 Dame Paula Rego DBE, Portugese/British b.1935- ''Macaco com subject to Droit de Suite) Legarto''; glazed ceramic tile, published by Ratton Ceramica, Portugal, Keith Tyson, British b.1969- Untitled, Woman in garden; mixed media, signed and numbered 124/150 to the reverse, 14x14cm, (unframed, digital print and tape, signed and dated 95 verso, 12.5x17.6cm, (may be boxed) (may be subject to Droit de Suite) subject to Droit de Suite) Dame Paula Rego DBE, Portugese/British b.1935- ''Macaco com Est. 350 - 500 Legarto''; glazed ceramic tile, published by Ratton Ceramica, Portugal, 291 Jan Kaplicky, Czechoslovakian b.1937- Untitled; white metal, from an signed and numbered 124/150 to the reverse, 14x14cm, (unframed, edition of 100, signed on box, 20x3cm, (unframed/boxed) (may be boxed) (may be subject to Droit de Suite) subject to Droit de Suite) Provenance: Faggionato Fine Arts, on Est. 150 - 200 occasion of the exhibition 'Originals' by Future Systems, London, 2001 300 Grayson Perry CBE, British b.1960- ''The Vanity of Small Differences''; Jan Kaplicky, Czechoslovakian b.1937- Untitled; white metal, from an box set of six digital printed cards and book, to coincide with the Victoria edition of 100, signed on box, 20x3cm, (unframed/boxed) (may be Miro Gallery, London exhibition of the same name, 2012, 13x24.5cm subject to Droit de Suite) Provenance: Faggionato Fine Arts, on ea., (boxed) (may be subject to Droit de Suite) Provenance: Victoria occasion of the exhibition 'Originals' by Future Systems, London, 2001 Miro Gallery, London Est. 200 - 300 Grayson Perry CBE, British b.1960- ''The Vanity of Small Differences''; 292 Takashi Murakami, Japanese b.1962- ''Superflat Museum'', Los Angeles box set of six digital printed cards and book, to coincide with the Victoria Edition, 2005; plastic in unopened cardboard box, ten items, all in Miro Gallery, London exhibition of the same name, 2012, 13x24.5cm original printed cardboard packaging, 13.2x9.2x4.2cm ea., (boxed) (10) ea., (boxed) (may be subject to Droit de Suite) Provenance: Victoria Takashi Murakami, Japanese b.1962- ''Superflat Museum'', Los Angeles Miro Gallery, London Edition, 2005; plastic in unopened cardboard box, ten items, all in Est. 200 - 300 original printed cardboard packaging, 13.2x9.2x4.2cm ea., (boxed) (10) Est. 800 - 1,000
Page 22 Auction - Modern & Contemporary Prints, Multiples & Editions 25/04/2015 10:00 AM GMT
Lot Title/Description Lot Title/Description
301 Pablo Picasso, Spanish 1881-1973- ''Taureau'' (AR177); white earthenware bowl, partially glazed with white enamel and decorated with oxidized paraffin, from the edition of 500, stamped 'd'Apres Picasso' and 'Madoura Plein Feu' (faintly), bears inscription 'Edition Picasso' to the underside, diam. 15cm, height 5.5cm, (may be subject to Droit de Suite) Pablo Picasso, Spanish 1881-1973- ''Taureau'' (AR177); white earthenware bowl, partially glazed with white enamel and decorated with oxidized paraffin, from the edition of 500, stamped 'd'Apres Picasso' and 'Madoura Plein Feu' (faintly), bears inscription 'Edition Picasso' to the underside, diam. 15cm, height 5.5cm, (may be subject to Droit de Suite) Est. 500 - 800
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