Spring Mixed Show

bernard jacobson gallery Including works by Larry Bell, Bram Bogart, Georges Braque, Patrick Caulfield, Robyn Denny, Sam Francis, Pia Fries, Richard Hamilton, James Hayward, David Hockney, Shirley Kaneda, Phillip King, , Bruce McLean, Robert Motherwell, Larry Poons, Ed Ruscha, Richard Smith, Stanley Spencer, Frank Stella, William Tillyer, Marc Vaux and Tom Wesselmann Spring Mixed Show

On the cover

William Tillyer Nine Refections 2015-19 Acrylic on acrylic mesh laid on canvas 230 x 230 cms (90 5/8 x 90 5/8 ins) see p.17

For further information, please contact the gallery at: [email protected] tel: +44 (0)20 7734 3431 bernard jacobson gallery 28 duke street st james’s london sw1y 6ag tel +44 (0)20 7734 3431 fax +44 (0)20 7734 3277 | [email protected] All prices are subject to VAT. Some prints can be sold under Margin Scheme. www.jacobsongallery.com | Bernard Jacobson Limited Registered No 00962605 VAT No GB 510329685 Spring Mixed Show bernard jacobson gallery

“ Who places some thing some where? Any one who is a sculptor.

Any one is a sculptor. Any one is a sculpture. Any where. Any time. Bruce McLean is a sculptor. Bruce McLean has been a sculptor for “ a long time, in many places. Some times he has been a sculpture.

Mel Gooding Five Decades og Sculpture, 2018

1. Bruce McLean

Untitled 2009 Acrylic and oil on canvas 171.5 x 152.4 cms (67 1/2 x 60 ins)

£ 30,000

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2. Marc Vaux

Untitled (BY) 1965 Acrylic on cotton duck 77 x 77.5 cms (30 3/8 x 30 1/2 ins)

£ 15,000

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3. - 10. William Tillyer

Zephyr 2019 Archival giclée print, Set of 8, Edition of 70 Paper size: 57.2 x 56 cms (22 1/2 x 22 ins) Image size: 40 x 40 cms (15 3/4 x 15 3/4 ins)

£ 1,000 each £ 7,000 the set

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11.

12. Stanley Spencer

Women with Baloons (Two drawings framed together) c.1935 Pencil on paper 17.2 x 23.5 cms (6 3/4 x 9 1/4 ins)

£ 3,000

12. Stanley Spencer

Hanging Holly 1926 Pen and ink on paper 17.2 x 21.6 cms (6 3/4 x 8 1/2 ins)

£ 4,500

13. Stanley Spencer

Sword of the Lord 13. 12. c.1935 Pencil on paper 17.8 x 25.4 cms (7 x 10 ins)

£ 10,000

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Eighteen Small Prints followed on from another portfolio of screenprints published the previous year by the Bernard Jacobson Gallery entitled 14 BIG Prints. At this time, a number of contemporary artists had been experimenting with the medium of screenprinting; the earlier portfolio, as its title suggests, was one of the frst to exploit the medium’s ability to create prints on a larger scale. Some of the other artists invited to make prints for the frst portfolio were Peter Blake, Bernard Cohen, Robyn Denny, John Hoyland and Eduardo Paolozzi. The story goes that it was Peter Blake who suggested to Bernard Jacobson that, as a riposte to 14 BIG Prints, he might ask artists to make prints on a very small scale, through a note left at the original gallery.

14. From Eighteen Small Prints

14. Ed Ruscha

Hot Shot 1973 Lithograph on white wove paper: cut edges, bleed image Edition of 100 21 x 15.2 cms (8 1/4 x 6 ins)

£ 10,000

15. Richard Hamilton

Un des Efets des Eaux de Mier 1973 Etching, Edition of 100 21 x 15.2 cms (8 1/4 x 6 ins) 15.

£ 1,000

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16. William Tillyer

Nine Refections 2015-19 Acrylic on acrylic mesh laid on canvas 230 x 230 cms (90 5/8 x 90 5/8 ins)

Price Upon Request

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17. William Tillyer

Air / Aer 2019 Watercolour and embossing on paper 57.2 x 55.9 cms (22 1/2 x 22 ins)

£ 10,000

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18.

18. Patrick Caulfeld

Jules Laforgue - I’ll take my life monotonous 1973 Screenprint, Edition of 100 61 x 56 cms (24 x 22 ins)

£ 1,500

19. Patrick Caulfeld

Jules Laforgue - Thus she would come, escaped, half-dead to my door 1973 Screenprint, Edition 100 61 x 56 cms (24 x 22 ins)

£ 1,500 19.

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20. Marc Vaux

Midday Blue 2019 Acrylic on MDF 60 x 60 x 5.5 cms (23 5/8 x 23 5/8 x 2 1/4 ins)

£ 15,000

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Robert Motherwell painting with tusche on a lithographic stone for his Elegy print with negative print

21. Robert Motherwell

Black Flag 1983 Etching on Georges Duchene Hawthorne of Larroque handmade paper, Edition of 42 47 x 56.5 cms (18 1/2 x 22 1/4 ins)

$ 6,000

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22. Robert Motherwell

Black Open 1973 Acrylic on canvas 182.9 x 91.4 cms (72 x 36 ins)

Price Upon Request

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In La Saucière, Georges Braque revisits his early praises man’s ability to endure the daily fascination with Cubist conceptions surrounding tribulations of food rationing and shortage during space. A highly texturised and inventive still-life, the war. Such scarcity of materials allowed the present work exemplifes the artist’s Braque to explore the space between objects, a engagement with the theme of the pedestal table subject that had preoccupied him throughout his – a leitmotif that occupied his œuvre from 1911 to career. 1952. Painted in 1942, amidst the drama of the Second In the artist’s own words, ‘Objects! For me there World War, the present work liberates the purely are no such things! What counts are relationships. relational space between mundane objects by They are infnite […] People are incredible! They juxtaposing them against the surface of a dark say to me: “You have painted this tin of tobacco table top and muted background; in the process, and this cup.” And what is between the two? [...] Braque emphasises his naturalistic view point, It is more important. I started by painting a space which at the time of the war had transformed into and then by furnishing it. The object is a dead a more intimate and ritualistic iconography. thing. It only comes alive when it is activated. That is what poetry is, don’t you see? Find the In contrast to Braque’s early Cubist still lifes, the common ground between things. “A swallow present work demonstrates the austerities of life pierces the sky like a dagger.” The swallow was 23. George Braques in occupied Paris: the cherries, lemons, glass, not what counted. There were thousands in the sauce boat, potato and fork are sparsely sky. But it becomes a dagger! You have to sub- La Saucière scattered across the table top, illustrating wartime ject things to change, to stop living on automatic’ 1942 scarcity. Although Braque famously disclaimed all quoted in Nadine Pouillon & Isabelle Monod- Oil on canvas symbolic interpretations of his work, the spatial Fontaine, Braque, Œuvres de Georges Braque 33.6 x 55.1 cms (13 1/4 x 21 5/8 ins) concerns of his still life are still at the mercy of (1882-1963), Musée Nationale d’Art Moderne Price Upon Request circumstance, and La Saucière contemplatively Centre Georges Pompidou.

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24. Henri Matisse

Le repos du modèle 1922 Lithograph on Chine appliqué on Japon paper, Edition of 575 Paper size: not listed Image size: 22.2 x 30.4 cms (8 3/4 x 12 ins)

£ 12,000

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I make no erasures or alterations in a painting. I change it but not in “ the sense of altering the original intention. All my mistakes are left in

the painting. I will add something but never alter or remove. If I have

a blue I don’t like, I don’t work at it and change it to another blue. I add another colour to it, like black or green. But the original blue will “ still be there.

Sam Francis

25. Sam Francis

Untitled (SFF.737) 1980 Acrylic on gatorboard 56.5 x 121.9 cms (22 1/4 x 48 ins)

Price Upon Request

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26. Bruce McLean

Untitled 2019 Screenprint and acrylic on paper collage on plywood 152 x 152 cms (59 3/4 x 59 3/4 ins)

£ 12,000

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27. Frank Stella 28. Frank Stella

K.52 Sidney Guberman 2006 1972 Stainless steel tubing and cast aluminium Lithograph, Edition of 100 40.6 x 40.6 x 26.7 cms (16 x 16 x 10 1/2 ins) 40.6 x 55.8 cms (16 x 22 ins)

$ 95,000 $ 8,000

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30. Bram Bogart

Sunday Morning 2007 Mixed Media 140 x 137 cms (55 x 54 ins)

€ 90,000

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31. James Hayward 32. Shirley Kaneda

Chromachord # 28 Volatile Serenity 1998 2005 Oil on canvas on wood panel Oil on canvas 35.6 x 26.7 cms (14 x 10 1/2 ins) 127 x 101.6 cms (50 x 40 ins)

$ 7,500 $ 20,000

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At a certain point the surface of the sea reached -1.8C, and the frst “ ice crystals form a temporary membrane that the wind and waves

break up into frazil ice. This is kneaded together into the soapy

mash called porridge ice which gradually forms free-foating plates, pancake ice, which one cold noonday hour, on a Sunday, freezes “ into a single solid sheet.

Peter Hoed, Miss Smilla’s Feeling for Snow included in Shirley Kaneda: New Paintings Essay by Sherman Sam

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33. Pia Fries

Grax 2006 Oil and silkscreen on wood 100 x 70 cms (39 3/8 x 27 9/16 ins)

€ 16,000

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34. Marc Vaux

OVM 2 2018 Acrylic on MDF 98 x 104 x 4 cms (38 5/8 x 40 7/8 x 1 5/8 ins)

£ 25,000

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36.

36. Robyn Denny

3 (2) Portuguese Airlines 1961 Gouache on card 61.2 x 20.3 cms (24 1/8 x 8 ins)

£ 15,000

35. Robyn Denny

The Golden Gospel 1963 Oil on canvas 213.4 x 182.9 cms (84 x 72 ins)

35. £ 75,000

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Spring Mixed Show bernard jacobson gallery Nature is always right, be it under a microscope or in a vista in Utah. “ “ Good art has the same rightness about it.

Larry Poons

37. Larry Poons

Untitled (82C-7) 1982 Acrylic on canvas 133.4 x 28.6 cms (52 1/2 x 11 1/4 ins)

$ 45,000

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38.

38. Larry Bell

Fraction Series (LB 4644) 1999 Collage on paper 25.4 x 25.4 cms (10 x 10 ins)

$ 2,000

39. Larry Bell

Fractions Series (LB 4970) 1999 Collage on paper 25.4 x 25.4 cms (10 x 10 ins)

39. $ 2,000

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40. Yumi Katayama

Glow 2019 Oil on canvas 152.4 x 132.1 cms (60 x 52 ins)

£ 8,500

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The For series was commissioned and published by Bernard Jacobson in 1976 to celebrate the bicentenary of John Constable’s birth. It comprised individual works by nineteen artists including Peter Blake, Patrick Caulfeld, Howard Hodgkin, Richard Smith, Duncan Grant, David Hockney, Michael Sandle, Ivor Abrahams, Bill Brandt, Robyn Denny, Barry Flannagan, , John Hoyland, Ivon Hitchins, Alexander Hollweg, William Tillyer, Magaret Priest, M. Heather.

41. David Hockney

For John Constable 1976 Etching, Edition of 100 38 x 44.5 cms (15 x 17 1/2 ins)

£ 6,000

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42. Tom Wesselmann

Still Life with Four Roses and Pear (Blue Pillow) (With Black) 1968 1993 Alkyd on laser cut steel, flled in 55.9 x 59.7 cms (22 x 23 1/2 ins)

Price Upon Request

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43. Philip King

Yellow Disc 2007 Marble and hand-painted steel, Edition of 35 15.3 x 30.5 x 15.3 cms (6 x 12 x 5 7/8 ins)

£ 1,200

60 61 bernard jacobson gallery 28 duke street st james’s london sw1y 6ag tel +44 (0)20 7734 3431 fax +44 (0)20 7734 3277 | [email protected] www.jacobsongallery.com | Bernard Jacobson Limited Registered No 00962605 VAT No GB 510329685