Public Art at Canary Wharf Invitation to Enter’ Rather Than Barriers to Keep Out

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Public Art at Canary Wharf Invitation to Enter’ Rather Than Barriers to Keep Out 01 Constance De Jong 05 Wendy Ramshaw 06 Leo Stevenson 09 Bruce McLean 10 Lynn Chadwick 21 Alexander Beleschenko 22 Ron Arad Public Art Works Speaking of the River Columbus Screen The Hibbert Gate Sculptural Railing Couple on Seat Art Glass Wall The Big Blue 03 Giusseppe Lund 08 Jeff Bell 15 Catherine Yass 16 Kate Blee 20 Bob Allen Outside Entrance Gate & Sculptural Railings Cast Glass Panels HQ3 Moving On It Takes Two Inside, Ground Level 04 Igor Mitoraj 11 Wales & Wales 14 Martin Richman 19 Do Vassilakis-König 23 Antoni Malinowski Centurione I Benches Float Tree Canada Place Floor Inside, Concourse Level 07 James Horrobin & SOM 12 Jon Buck 17 Keith Rand 24 Eilis O’Connell Transport Cabot Square Railings Returning to Embrace Original Form Under and Over II & IV Jubilee Line Station & Docklands Light 02 Richard Wentworth 13 Wales & Wales 18 William Turnbull 25 Terence Woodgate Railway Entrances Globe Benches Blade of Venus Seating Bus StopsP Parking For 24 hour London Travel Information contact (020) 7222 1234 or log on to www.tfl.gov.uk Wren Landing Wren Fisherman’s Walk Adam’s Place Columbus Courtyard The North Colonnade P Canary Wharf P Westferry Cabot Canary Riverside West India Avenue Cabot Square Docklands Churchill Place Circus Place Canada Square Light Rail One Canada Park Square Art Upper Bank Street The South Colonnade Montgomery Street Westferry Road River Pier Nash Court PublicMap Art at Canary Wharf Mackenzie Walk Montgomery Square Jubilee Park Heron Bank Street Quays Docklands Light Rail N 26 Ron Arad 30 Katy Hackney 33 Emma Biggs, Mosaic Workshop 42 Alexander Beleschenko Windwand Willoughby Passage Gate Sartor Resartus Art Glass Wall 27 Jay Battle 34 Keith Milow 41 Tatiana Orloff Vanishing Point Twentieth Century Thames Planters 44 Danny Lane 28 Pierre Vivant 32 James Horrobin & SOM 35 Giles Penny 40 Catherine Yass Parting of the Waves Traffic Light Tree Promenade Railings Two Men on a Bench HQ5, HQ5:1/4s 4.7º, 0mm, 40mph 29 Giles Penny 31 Phillip Jackson & SOM 36 Igor Mitoraj 39 Emma Biggs, Mosaic Workshop Man with Arms Open Bronze Bowls Testa Addormentata Wharf Walk 37 Konstantin Grcic 38 Lawson Oyekan 43 Igor Mitoraj Six Public Clocks Trial with Light Centauro 30 Katy Hackney, Willoughby Passage Gate 1999, stainless steel 09 Bruce McLean, Sculptural Railing 1992, steel 05 Wendy Ramshaw, Columbus Screen 2000, steel & perspex 11 & 13 Wales & Wales, Benches 1992, beech Katy Hackney, a jewellery designer by trade, was invited to Bruce McLean’s work at Canary Wharf is the sculptural The Columbus Screen at Canary Wharf is jewellery designer Husband and wife design team Wales & Wales have created design these gates to a brief that demanded an ‘open railing alongside Fisherman’s Wharf. The 40 metre long Wendy Ramshaw’s largest work to date. The Columbus theme most of the wooden benches which you will find both inside Public Art at Canary Wharf invitation to enter’ rather than barriers to keep out. Katy charcoal steel rail is heavily worked with shapes, faces, led her to a design based on the navigational charts used by and outside the Canary Wharf Estate. The couple’s work takes her inspiration from the mysteries of the sea and the circles and squares, true to his style. McLean challenges the the great explorer, an apposite choice given the proximity is influenced by architecture, demonstrated by the subtle sky to create an image which looks like the planets have traditional structure of the railing, subverting the straight line of Greenwich and its associations with maritime history. sensitivity with which the benches relate to their collided, though there is obvious reference to the water with wit and vigour. McLean lives and works in London, and Ramshaw is best known for her jewellery, intricate brooches surroundings. Wales & Wales originally trained as which flows around the site. The jewellery of Katy Hackney is his prolific output includes a street redevelopment scheme in and rings, which can be seen at the Victoria & Albert cabinetmakers, however, they soon became more interested well known among gallery owners and fashionistas from New Glasgow. He teaches at The Slade School of Fine Art, London. Museum, but she has also tackled larger scale works, for in the design process and the scale of their production York to London. She also runs her own East End shop Shelf example her ornamental gates for St. John’s College Oxford increased. Their furniture can be seen in chapels, This map is designed to enable you to find and identify all the art At the core of our business lies a commitment to build the highest where she sells personally selected design objects. or her glass doors at Southwark Cathedral. boardrooms, restaurants and galleries world-wide. projects at Canary Wharf; these include both stand alone sculpture quality environment for the people who work in and visit this area. 32 James Horrobin & SOM, Promenade Railings 07 Cabot Square Railings 1992, steel 34 Keith Milow, Twentieth Century Thames 1998, oxidised iron 17 Keith Rand, Original Form 1999, douglas fir 02 Richard Wentworth, Globe 1995-98, steel & glass and integrated artist-architectural works, all executed by some of We have a strong belief in the role that artists and designers can play A master craftsman in architectural and domestic forged Keith Milow’s series of works for Canary Wharf’s signature The sculpture of Keith Rand is inspired by the natural world. Funded and produced by Public Art Commissions Agency. the most inspired designers, craftsmen and artists of today. to help create a more humane and pleasurable built environment. ironwork, James Horrobin worked together with architects building are millennial in their conception. If you look He realises his ideas through his poetic vision and technical Richard Wentworth’s Globe reminds us of our proximity to Skidmore, Owings & Merrill to design two sets of railings at closely at the four rusty discs, hundreds of embossed names rigour. Original Form was conceived and made specifically the Meridian. He says: “Geographical good fortune is the Canary Wharf is under the management and control of one This commitment is demonstrated by the large number of art projects Canary Wharf. The perimeter railings of Cabot Square are are revealed. Some are immediately recognisable, others for this site at Canary Wharf as a part of the Millennium source of London’s success, and in their previous form the company, the Canary Wharf Group, which is responsible for the which have been either commissioned, purchased or facilitated by reminiscent of the cogs on a steam engine, and make a more obscure, but all are artists, composers, writers and exhibition Shape of the Century. Rand studied sculpture at West India Docks were central to it. Two hundred years later initial master planning and development of Canary Wharf, the Canary Wharf Group, which we list below. In 2002, the Art Programme subtle addition to the ambience of this popular square. architects who have made their mark in the last 100 years. Winchester School of Art. In 1984 he moved to Scotland and it is international time zones which dictate the ebb and flow construction of the buildings and public spaces, and their at Canary Wharf was recognised by an Art and Work Award ‘for an The entire length of railings along the central perimeter of A prolific sculptor, painter and installation artist, Milow was established his reputation for innovative sculpture and of business life at Canary Wharf.” Richard Wentworth worked the docks were designed with a gentle sweeping bow echoing born in England and now lives and works in New York. sensitively informed landscape works. He returned in 1996 for Henry Moore, studied at the Royal College of Art and continuing management and maintenance. Outstanding Contribution to Art in the Working Environment’. sails on a sailing boat. to the South-West of England where he runs his studio. went on to teach at Goldsmith’s College. He is currently the 32 Ruskin Master of Drawings in Oxford. 20 Bob Allen, It Takes Two 2002, bronze 39 Emma Biggs, Mosaic Workshop, Wharf Walk 33 Sartor Resartus 2003, stone & glass 31 Phillip Jackson & SOM, Bronze Bowls 1992 36 Igor Mitoraj, Testa Addormentata 1983 04 Centurione I 1987 43 Centauro 1994, bronze 14 Martin Richman, Float 2002, light, glass & steel 25 Terence Woodgate, Seating 2000, bead blasted aluminium Bob Allen takes his inspiration from nature. He carves pieces Mosaic Workshop have established themselves as one of Phillip Jackson is best known for his figurative bronze Igor Mitoraj’s works combine the surreal with the antiquity Martin Richman began his career as a lighting designer in Terence Woodgate designed the public seating in the Canada in wood using traditional tools such as adze, bolster and Britain’s leading studio workshops creating walls, floors and sculptures and has most recently been commissioned to of ancient Greece and Rome. His beautifully crafted the music industry and worked with artists such as Jimi Place retail mall to complement the Antoni Malinowski floor chisels. Working in the open air, his aim is to reveal the small scale artworks using the ancient method of mosaic. create a sculpture of the Queen riding on horseback to sculptures are both thoughtful and monumental. At Canary Hendrix, Pink Floyd and Mike Oldfield. From 1985 he there. The floor evokes a sense of water and Woodgate hidden quality in the wood he uses. It Takes Two is a bronze Wharf Walk takes one through the new shopping mall, celebrate her Golden Jubilee. For Canary Wharf he worked Wharf we are delighted to have three of his works started his career as an artist exploring the medium of light.
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