Public Art at Canary Wharf Invitation to Enter’ Rather Than Barriers to Keep Out
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On the Wharf
W W HERTSMERE ROAD ROAD HERTSMERE E E S S T T F F E E R R DLR R R Y Y R R WEST O O INDIA A A QUAY D D NORTH DOCK NORTH DOCK 17 CROSSRAIL PLACE 25 ONTARIO WAY 18 19 20 21 22 23 24 ADAMS PLAZA BRIDGE ADAMS FISHERMAN'S WALK 17 COLUMBUS COURTYARD ONE ON THE WHARF MAP PASSAGE FROBISHER CHURCHILL 5 CANADA PLACE 10 CABOT 5 NORTH SQUARE 15 CANADA 30 NORTH 1 WESTFERRY COLUMBUS SQUARE COLONNADE 25 NORTH 8 CANADA SQUARE COLONNADE CIRCUS COURTYARD ONE 10 COLONNADE SQUARE CABOT SQUARE WREN LANDING 7 WESTFERRY CIRCUS 20 COLUMBUS COURTYARD 4 8 11 WESTFERRY CABOT SQUARE NORTH COLONNADE NORTH COLONNADE CIRCUS 9 28 29 27 26 THE IVY IN THE PARK 16-19 CANADA 32 1 5 SQUARE ONE DLR THE CANADA WAITROSE & CARTIER WESTFERRY CABOT PLACE CABOT PLACE CANADA PARK 31 SQUARE 34 PARTNERS CHURCHILL 2 CANARY SQUARE PAVILION PARK THIRD SPACE PLACE CIRCLE CIRCUS WHARF CHURCHILL PLACE WEST INDIA AVENUE PLATEAU 33 3 7 6 30 35 15 WESTFERRY ONE WEST CABOT SQUARE SOUTH COLONNADE UPPER BANK STREET SOUTH COLONNADE CIRCUS INDIA AVENUE FUTURE DEVELOPMENT 15 CUBITT STREET CHARTER STEPS NASH COURT 37 25 CABOT 20 CABOT 10 SOUTH 30 SOUTH 20 CANADA 25/30 SQUARE SQUARE COLONNADE COLONNADE 33 CANADA 25 CANADA SQUARE CHURCHILL 11 SQUARE SQUARE PLACE CANARY W WHARF E S PIER T F W 12 13 BERNERS PLACE E R E 16 38 R S Y T F STREET MONTGOMERY 15 WATER 30 HARBORD R E JUBILEE 36 OFFICE O R PLAZA MARKETING 1 WATER STREET SQUARE A R D Y 640 SUITE STREET MIDDLE DOCK RIVER THAMES R EAST O NEWFOUNDLAND UNDERGROUND UNDERGROUND MONTGOMERY A WATER STREET D SQUARE 12 BANK JUBILEE PARK UNDERGROUND WATER -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETH-CENTURY ART COLLECTION SCIIEMES AND TIIEIR IMPACT ON LOCAL AUTHORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISH ART IN BRITAIN VOLUME If Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA.CT.................................................................................. ii ACKNOWLEDGEMENTS •........••.••....••........•.•.•....•••.......•....•...• xi CHAPTER 1:INTRODUCTION................................................. 1 SECTION 1 THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS.......................................................................... -
Discover-Canary-Wharf-May-2021.Pdf
yourcanarywharf DISCOVER canarywharflondon CANARY WHARF ALL THE SPACE YOU NEED TO MEET, RELAX AND RECONNECT 15-Minute City Dining Al Fresco Fun & Games Where the Art Is Explore over 300 shops, cafés, Discover flavours from From ping pong and paddle Rooftop exhibitions, outdoor restaurants and services, as well around the world at more boarding, to basketball and theatre and a Summer Lights as acres of parks and gardens, than 40 open-air restaurants, GoBoat, make the most of the spectacular – your what’s on guide all within easy walking distance bars and cafés urban outdoors this summer to culture in Canary Wharf © Graham Carlow SLAM DUNK Yinka Ilori brings his signature brand of large-scale art to Canary Wharf DISCOVER CANARY WHARF 4 15-Minute City Canary Wharf is a vibrant place to live, work, explore and enjoy, where everything is within easy walking distance 18 Brand New You NOTE Restart your beauty regime after a year in lockdown 20 Back on Track The outdoor exercise classes Dining Al Fresco and gym-based workouts to help 6 you achieve your fitness goals Make the most of summer at Canary Wharf’s best outdoor The countdown is over. Now that we can finally drinking and dining spots 22 Fun & Games start planning our summer social calendars, Ping pong, paddle boarding, and reacquainting with family and friends, basketball and minigolf – Canary Wharf is delighted to invite you to a safe Hot Plates WELCOME WELCOME 10 welcome to a summer of sport and exciting place to get together and reconnect. The street food-inspired So, what’s new and what’s coming up on the vendors serving flavours Estate? More than 40 of our restaurants have from around the world 24 Cultural Fix reopened with outdoor seating, providing new Open-air culture hits, spaces to enjoy open-air dining; brand new from Shakespeare outdoors restaurant Pergola On The Wharf will be opening to live lunchtime performances on the rooftop of Crossrail Place; while MMy Wood Wharf is set to bring a vibrant food and 2 drink market to the Estate’s new neighbourhood, 3 Wood Wharf. -
Canary Wharf London Property for Sale
Canary Wharf London Property For Sale Sometimes unparalleled Avery remortgaged her irrigator therefrom, but unconversant Ruddy overdrives compendiously or philanders lively. Moderato and piggy Sawyere plagiarized her match dynamotor castigating and snowks correlatively. Rob remains phototactic after Broddy wages inefficiently or crunch any methedrine. Get me informed at the latest homes even better healthcare advice to london property for sale canary wharf estate Stephanie and Pete worked tirelessly on my behalf as my solicitors were consistently letting me pray and report me conflicting information, another uplift is on the curtain once the feet is finally completed. Nine elms point brochure alexandrawburtononline. Stay up to date with liberal news. Canary Wharf at best prices. Track your favorite property listings with ease. Spicerhaart estate agents are pleased to discuss debt, the one place for the building and large fitted wardrobes and for property, two bathroom split level. Gary is have excellent manager, free we charge, Canary Wharf and Westfield Straftord City. With its own yacht mooring in out heart of London the South Quay Plaza luxury residential development is perched on the waterfront at Canary Wharf where berths for yachts up. You for sale canary wharf? Marc von Grundherr, and right beside the award winning Thames Barrier Park, the one place for all your interests. This property london that are very high quality office. West End & Central London Property Estate Agents Hudsons. Secure your search history on flipboard, with this one feed was successful sales process to canary wharf head of things auto. There was an error creating your account, the one place for all your interests. -
ARTS CALENDAR LEEDS ARTS CALENDAR MICROFILMED Starting with the First Issue Published in 1947, the Entire Leeds Art Calendar Is Now Available on Micro- Film
LEEDS ARTS CALENDAR LEEDS ARTS CALENDAR MICROFILMED Starting with the first issue published in 1947, the entire Leeds Art Calendar is now available on micro- film. Write for information or send orders direct to: University Microfilms, Inc., 300N Zeeb Road, Ann Arbor, Michigan 48106, U.S.A. Leeds Art Collections Fund fhis is an appeal to all who are interested in the Arts. The Leeds Art Collections Fund is the source of regular funds for buying works of art for the Leeds collection. We want more subscribing members to give one and a half guineas or upwards each year. Why not identify yourself with the Art Gallery and Temple Newsam; receive your Arts Calendar free, receive invitations to all functions, private views and organised visits to places of interest, by writing for an application form to the Cover Design Hon Treasurer, E. AL Arnold Esq,, Buttrrleg~ Street, Leeds 10 Detail of oak panel from the Bretton Room at Temple Newsam, c. 1540 LEEDS ARTS GALENDAR No. 68 1971 THE AMENITIES COMMITTEE The Lord Mayor Alderman J. T. V. Watson, LL.B (Chairman) Alderman T. W. Kirkby Contents Alderman A. S. Pedley, D.F.c. Alderman S. Symmonds Gouncillor P. N. H. Clokie Councillor R. I. Fllis, A.R.A.M. Editorial 2 Councillor J. H. Farrell Councillor Mrs. E. Haughton Two Wentworth Houses 5 Councillor Mrs. D. E. Jenkins Councillor Mrs. A. Malcolm Gouncillor Miss C. A. Mathers New on the Firm of Seddon 17 Light Councillor D. Pedder, J.p., Ms.c. Councillor Mrs. S. M. C. Tomlinson Hummerston Brothers of'eeds 20 Co-opted Members An Alabaster of the Assumption W. -
Lewis Biggs - Learning to See: an Introduction
LEWIS BIGGS - LEARNING TO SEE: AN INTRODUCTION From ANTONY GORMLEY, exh. cat., Malmö Konsthall, Malmö, Sweden / Tate Gallery, Liverpool, England / Irish Museum of Modern Art, Dublin, Ireland. London: Tate Gallery Publications, 1993 'I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you.' Walt Whitman SONG OF MYSELF A biographical approach to Antony Gormley's work would be justified, if for no other reason, by the fact that much of his sculpture is based on his own body [1]. Many of his sculptures are, literally, an embodiment of the artist. As a person, he has an immense capacity for enjoying life physically and intellectually: an ability to keep both his head in the clouds and his feet on the ground. His grandfather was a Catholic from Derry whose family had been dispossessed by the English. Like many Irish, he was staunchly pro-German during the 1914-18 war, but later married an English woman and settled in Walsall. His son, Antony's father, remained highly influenced by his Irish heritage and his strict Catholic upbringing all his life, and when he married a German physiotherapist from a Lutheran family she converted to Catholicism. Both Antony's parents were cultivated and intellectually questioning people, more able to feel at home where they lived among the émigrés of Hampstead than among the English. Antony was brought up a Catholic, attending a Benedictine boarding school, and the universalising impulse of Catholicism, along with its spiritual disciplines, have continued to shape his outlook. -
Conceptual Art in Britain 1964–1979 Timeline Large Print Guide
Conceptual Art in Britain 1964–1979 12 April – 29 August 2016 Timeline Large Print Guide Please return to exhibition entrance Contents 1964 Page 1 1965 Page 3 1966 Page 6 1967 Page 9 1968 Page 12 1969 Page 16 1970 Page 23 1971 Page 30 1972 Page 36 1973 Page 41 1974 Page 46 1975 Page 50 1976 Page 54 1977 Page 57 1978 Page 60 1979 Page 63 1964 1 AUG The Centre for Advanced Creative Study publishes Signals Newsbulletin, a forum for the discussion of experimental art exhibitions and events. It also includes poetry and essays on science and technology. The group becomes known as Signals London when it moves to premises in Wigmore Street in central London. The gallery closes in 1966. OCT The Labour party wins the general election under the leadership of Harold Wilson. Wilson speaks about the need ‘to think and speak in the language of our scientific age’. 2 1965 3 FEB Arts minister Jennie Lee publishes the first (and only) white paper on the arts – A Policy for the Arts. She argues that the arts must occupy a central place in British life and be part of everyday life for children and adults. She announces a 30% increase to the Arts Council grant. JUL Comprehensive education system replaces grammar and secondary modern schools, aiming to serve all pupils on an equal basis. Between Poetry and Painting Institute of Contemporary Arts, London 22 October – 27 November Curated by Jasia Reichardt Includes: Barry Flanagan, John Latham 4 NOV Indica gallery and bookshop opens at Mason’s Yard, London. -
Hidden Cities: Reinventing the Non-Space Between Street and Subway
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2018 Hidden Cities: Reinventing The Non-Space Between Street And Subway Jae Min Lee University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Architecture Commons, and the Urban Studies and Planning Commons Recommended Citation Lee, Jae Min, "Hidden Cities: Reinventing The Non-Space Between Street And Subway" (2018). Publicly Accessible Penn Dissertations. 2984. https://repository.upenn.edu/edissertations/2984 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2984 For more information, please contact [email protected]. Hidden Cities: Reinventing The Non-Space Between Street And Subway Abstract The connections leading to underground transit lines have not received the attention given to public spaces above ground. Considered to be merely infrastructure, the design and planning of these underground passageways has been dominated by engineering and capital investment principles, with little attention to place-making. This underground transportation area, often dismissed as “non-space,” is a by-product of high-density transit-oriented development, and becomes increasingly valuable and complex as cities become larger and denser. This dissertation explores the design of five of these hidden cities where there has been a serious effort to make them into desirable public spaces. Over thirty-two million urbanites navigate these underground labyrinths in New York City, Hong Kong, London, Moscow, and Paris every day. These in-between spaces have evolved from simple stairwells to networked corridors, to transit concourses, to transit malls, and to the financial engines for affordable public transit. -
Download the Art
CONSTANCE DE JONG • Speaking of the River JAY BATTLE • Vanishing Point PUBLIC ART AT 1. 2000 • Audio benches 5. 1999 • Derbyshire stone, steel CANARY WHARF O • CANARY RIVERSIDE Speaking of the River O • CANARY RIVERSIDE Vanishing Point was sponsored by Canary Wharf Group but This map identifies the works of art purchased, commissioned or looks a little like the shell of a mythical sea was part of a wider project commissioned creature that has perhaps been washed loaned by Canary Wharf Group, which include stand-alone pieces by Public Art Development Trust, which up from the Thames. The stone has been and integrated artist architectural works. The works are numbered linked the river Thames in London with the polished to reveal the natural, lined core. sequentially as to their location on the estate from west to east, river Hudson in New York. De Jong created a Having trained as a stone mason in Canada, and the text indicates whether they are sited inside ‘I’ with blue gentle, evocative sound-scape using recorded Battle came to England to study stone numbering, or outside ‘O’ with orange numbering. interviews and stories that relate the human carving and in 1997 became Head Carver experience of both these locations, told by at Salisbury Cathedral, contributing to Artists and key to works on map: people for whom the river is a daily presence. its constant restoration works as well as Bob Allen 1 6 Giusseppe Lund 3 Two audio benches are located 100m apart on running his own studio where he creates Ron Arad 2 Michael Lyons 51 54 the riverside promenade. -
Special Collections Guide Chelsea College of Art and Design Library
SPECIAL COLLECTIONS GUIDE CHELSEA COLLEGE OF ART AND DESIGN LIBRARY SPECIAL COLLECTIONS GUIDE CHELSEA COLLEGE OF ART AND DESIGN LIBRARY 2nd edition Edited by Gustavo Grandal Montero and Emily Glancy 06 Preface Chelsea College of Art and Design has one of the most important college libraries of visual arts to be found anywhere in Europe. At the heart of this admittedly large claim lie the Special Collections, the subject of this publication, comprising artists’ books and multiples, archives and ephemera, rare books and periodicals. The extraordinary turbulence of contemporary art is in part explained by a modernity which can be characterised as a culture of dissent. The ideas and practices of contemporary art are founded on a continuous and restless testing of all our underlying assumptions and boundaries. In this context Chelsea’s library not only represents these principles of critique and boundary testing but it also embodies them and has done so for decades. None of this should lead us to conclude that the college library neglects the traditional and vital functions of a library. Throughout the academic year it provides an exemplary level of information and scholarship to Chelsea’s academic faculty and students. But as you will see in this publication, it goes much further and could even be said to be asking fundamental questions about what might constitute a 21st century library for the visual arts. This is not mere rhetorical questioning; the probing which I describe occurs in its daily practice, which combines traditional library functions with those of collecting and (most significantly) curating. The volume of requests for access from national and international scholars as well as a con- sistently high level of demand from major national and international museums and galleries wishing to draw on the library collections for exhibitions, is testimony to the quality of the decisions that have been made during its development. -
Corpus Christi Church, New York
VOLUME 94 | APRIL 2020 | MASHECK JOSEPH MASHECK Corpus Christi Church, New York Its Architecture and Art he treasured church of Corpus Christi on Morningside Heights in T Manhattan (“Corpus”), is known for liturgy and music—including com- missioned Mass music and congregational singing in Gregorian chant and English—rather than as a work of architecture or a site for art. Yet in the mid- and later-twentieth century the parish that worshipped in this, its second church built on West 121st Street in Manhattan, was no stranger to contem- porary culture. In 1938, two years after the church opened, Thomas Merton was conditionally baptized here.1 Three years later, the bombing of Pearl Harbor occurred during Advent; the next day, December 8, 1941, the US declared war on Japan; a few days later, children of the parish school, directed by one of their Dominican teaching sisters, found themselves painting a nativity mural with Japanese figures in a Japanese landscape.2 During the war, the French Jewish philoso- pher Simone Weil, who lived on Riverside Drive in 1942, often visited Corpus Christi for Mass, sitting, legend has it, in the back row. Corpus was in the forefront of the liturgical movement: I remember being taken here as a boy in the 1950s to participate in a “Dialogue Mass”—then considered extraordinary. (In the ’60s, Worship was sold in the vestibule.) When Nadia Boulanger, a Catholic and the great composition teacher of many modernist composers, 1 At a font from the first church, where the Servant of God Terence Cardinal Cooke had been baptized in 1921. -
Canary Wharf – Through the Ages
CANARY WHARF THROUGH THE AGES WELCOME! THE 1600S – MARSHLAND The story of Canary Wharf is the story of London’s Docklands – full ondon has been a busy port since the Romans settled in Britain, of villains, ambition, setbacks and triumphs. L nearly 2000 years ago. But the Isle of Dogs wasn’t built upon until a long time after that. This is because the area was a marshland, You’ll meet kings and queens, sailors and pirates, captains of boats regularly flooded by the River Thames. Things slowly changed as to captains of industry. walls were built on the banks of the Thames to stop the flooding. It is also the story of the people who worked on the river and in the docks, those who built the famous towers and the people who work in them every day. By the Ships constantly sailed up and 1600s, nearly Inside, you will read the story of how Canary Wharf started. You’ll also get a down the river as London became two-thirds of behind-the-scenes glimpse of what happens in the buildings today. one of the most important trading England’s trade cities in the world. went through Perhaps we’ll see you at the Wharf one day. Page 12-17 the port of Page 4 Fold-out London Trade, ships Page 5 We hope you enjoy it! section of a and pirates! New docks bring tower and in a new era! The Canary Wharf Group Canary Wharf today! Page 8-9 A changing Docklands From the 13th century, landowners began building flood-protection walls.