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~ ~ ~ LEGACIES TO THE LEEDS ART COLLECTIONS FUND The LACF depends for its income entirely on members and supporters. Please consider leaving the LAc F a legacy in your will: it is a charitable organization and all legacies to it are exempt from Capital Transfer Tax and aggregation without limit. Bequests can take the form of a lump sum or the residue or a fraction of your estate. Some members might prefer to consider leaving works of fine or decorative art but if you contemplate doing this it would be helpful if you could please seek the advice of the Secretary who can let you know if any item will fit into the permanent collection of the Leeds City Art Galleries. The following would be a suitable form of words to send to your solicitor for inclusion in your will: 'I bequeath to the Leeds Art Collections Fund of Temple Newsam House, Leeds, a legacy of ...... free of all taxes'he Hon Solicitor of the LAc F is always very happy to advise potential benefactors.

TFIB I EEos Axr co LLF etio NS F u un is one of the oldest supporting bodies for the visual arts in Great Bntain, 3 source ol regular funds tor buying works of art for the Leeds collections. Why not identify yourself with thc Art Gallery, Temple Ncwsim House and Lotherton Hall, receive your Arts Calendar free, receive invitations to all funcnons, pnvate views and organized visirs to places of interest. Membership is open to everyone on payment of a mimmum annual subscription of f I o. There is also a concessionary )oint membership for E I I and life membership for Ei 5o pcr person or Ezzs )oint. Corporate membership for organizations is Ezn If you would like to jom simply complete the form and send it with your remittance io the Hon. Secretary, Leeds Art Collections Fund, Tcmplc Newsam House, Leeds Is I I OAB. Telephone 66yI xi.

President Lord Martin Fitzalan Howard; Vice President Thc Rt Hon the Earl of Harewood Leo; Trustees E. M. Arnold, Mrs S. Gilchrist, W. T. Ohver; Committee W. A. B.Brown (Chairman), F.. M. Arnold (Vice-Chairman), Dr H. R. Alpin, Councillor B. P. Atha, Mrs M. Black, Mrs D. H. Boyle, P. R. P. Chadwick, Mrs J. H. Epstone (Events Committee Assistant), Mrs M. Morris, Mrs B. Roberts; Joint Hon Treasurers E. M. Arnold, J. S. Fox; Hon Secretary C. G. Gilbert; Hon Membership Secretary Dr R. B. Welch; Hon Legal Adviser T. A. Last; Hon Excursions Secretary Mrs Audrey Warburton; Events Committee Chairman Dr J. R. Sherwin.

LzlsURE sERvlcEs coMMITTEE Thc Lord Mayor; Chair Councillor B. P. Aiba; Deputy Chair Councillor T. Briggs; Councillor Miss A. D. Atkinson, Councillor M. J. Bedford, Councillor C. B.Cliff, Councillor P. Crotty, oBF., xso, Councillor Mrs I. Favell, Councillor R. D. Feldman, Councillor J. G. B. Frankland, Councillor Mrs S. M. Gill, Councillor G. P. Kirkland, Councillor R. Lund, Councillor J. B. W. Meade, Councillor A. Miller, Councillor G. Moakcs, Councillor Mrs M. Monks, IF, Councillor E. H. Morris, MBE, Councillor Mrs C. Myers. sTAFF Director ofArt Galleries Christopher Gilbert MA FMA; Principa( Keeper Anthony Wells Cole MA AMA; I'rinctpa( Keeper (Art Gal(ery and Henry Moore Centre for the Snidy of Sculpture) Terry F. Friedman BA I'Ftiiui Keeper (Art Gallery) Alexander Robertson MA AMA; Keeper (Lotherton Hall) post vacant; Keeper (Temple Neu sam) James Lomax MA AMA; Keeper (Conservation) lan Fraser; Keeper (Education) Adam White BA MA; Senior Assistant Keeper (Education) Judith Ncsbitt Mant Senior Assistant Keeper (Art Gallery) Corinne E. Miller BA AMA; Senior Assistant Keeper (Exhibitions) Nigel Walsh Beu Research Assistant (Henry Moore Centre for the Study of Sculpture) Daru Rooke Bto Curatorial Assistant post vacant; I'aintings Conservator Michael Sheppard; Technical Supervisor John Berry BA; Technical Assistant David Hudson; Administrator Christine Stokes; Secretary Denise Lawson; Clerk Typist Valeoe Jackson; Clerical Assistants Sheel Bharj, Jacqueline Wade; Manager, Craft Centre and Design Gallery Mercia Southon.

NQTE Starring with the first issue published in IBAy, the entire Leeds Arts Calendar is now available on microfilm. Wnte for information or send orders direct to Xerox University Microfilms, Ann Arbor, Michigan 68 Io6, usA.

FRONT COVER ILLUSTRATION Cat. No. TA9 (Detail) Painting r9So by Francis Bacon (b. 1909) Bought by the LACF, I9 S I

BACK COVER ILLUSTRATION Cat. No. JzS Writing Cabinet by John Channon, c. ITAS —So Bought with the aid of a contribution by the LACF, I98 S

This special number of the Leeds Arts Calendar, which is also appearing separately as an exhibition catalogue, has been partly funded from the Ruth Holdsworth Bequest LEEDS ARTS CALENDAR (No. I05 ~ I989)

SALUTE TO THE LEEDS ART COLLECTIONS FUND

AN EXHIBITION OF ACQUISITIONS z9z2.—z989

LEEDS CITY ART GALLERY 2,6 January —z z March z99o Cat. no. I43 Pierre Auguste Renoir, Apres le Bain, pastel. Acquired z943. FOREWORD The seventy-fifth anniversary of the Leeds Art Collections Fund was clearly an auspicious signpost to this major exhibition of selected additions to the City' collections made by, or with the aid of, the Fund over the years since it was founded. Such are the current pressures on the Art Gallery's exhibition spaces, not least because of the close association with the Henry Moore Sculpture Trust and the run of distinguished exhibitions that this has spawned, that we have had to wait until some two years past our true anniversary before we could take our rightful place in the Gallery. The exhibits are in the Henry Moore Gallery. This lends itself best to the fine arts, and for that reason, and also to avoid any risk to furniture pieces by moving them, most of the items are pictures or sculptures. Additionally, for the duration of the show, special stickers will be found marking all LACF items on normal display at Temple Newsam and Lotherton, and elsewhere in the Art Gallery. Often more important than an exhibition itself is the accompanying catalogue —certainly in our case, because we believe it covers every Fund-related item now in the City's collections. Its compilation has taken many hours of devoted research by the senior curatorial staff, to whom we record our grateful thanks. This uniquely valuable document will shortly form the basis of new computer records, and these in turn will lead to constant future updating of the list of acquisitions connected with the Fund. Of the 3 y6 listed, some of them multiple, as the eight Henry Moore maquettes, or the Derby porcelain Four Seasons, only fifty are items representative of the Decorative Arts: so that the selection on show reasonably fairly reflects the whole. Recently we have debated in Committee whether to change our name by including the word 'friends', or some variant, to match the fashion in organizations wishing to impress potential members with their informality and general air of welcome. But we are proud of our title, which links us to our distinguished progenitor, the National Art-Collections Fund, and we want to keep it. We do moreover give a much warmer welcome, nowadays, both to members and to outsiders, by having someone present in the Art Gallery, generally in the Members'oom, on several days each week, and recruiting has noticeably improved as a result. Forty years ago, the Fund exhibited to mark the first thirty-five years— behind the date, too, but also with good reasons? Let the omen be, not the date but the deed! Our organization is better than ever, and our membership, in the mid-6oos, certainly up on the t g g rated as 'unsatisfactory'y my predecessor of r949. We should keep progressing, and I suggest every member can take a hand in recruiting —by bringing someone to the exhibition —so as to take our numbers on towards the r,ooo mark by the end of 199o. ANTHONY BROWN Chairman INTRODUCTION After a preliminary meeting held at University House on z6 July z9zz,, the Leeds Art Collections Fund was formally inaugurated at a public assembly in the City Art Gallery on z z November z9zz. It is therefore the oldest regional supporting body for the visual arts of its kind in the country and only nine years younger than the National Art-Collections Fund founded in t9o3. Sir Michael Sadler, Vice-Chancellor of Leeds University, was elected Chairman. Frank Rutter, the Director, became Hon. Secretary —a traditional linking of offices which persists to this day. Colonel T.W. Harding, a notable local benefactor of the Arts, asserted that 'there was wealth enough in Leeds to ensure the growth of their collection of art treasures without depending on the rates'. It was not, in fact, until t936 that Leeds Corporation first provided a purchase grant. Prior to that date funds for acquisitions came either from the subscriptions of LACF members, or from the Alfred Bilbrough Bequest (z9z g) or the Harding Funds, given and bequeathed in z9z5 and I927. Constable's Vale of Dedham, bought in z93y at a cost of Zz,zoo, was only obtained by saving investment income from the Harding Fund for three years. Accord- ingly, the role played by the LACF, particularly in the purchase of contemporary British work, can hardly be exaggerated. The acquisitions policy was initially directed towards strengthening the Gallery's holding of black and white images and purchasing what at the time was known as 'decorative furniture'o make the interiors a little less bare. This is how a group of ostentatiously splendid pieces —mainly Italian baroque side tables —came to enter the collection. Frank Rutter wrote to Sir Michael Sadler in z 9z 7 pointing out 'there are moderns like Manet, Renoir, Cezanne and Toulouse Lautrec, prints by all of whom can still be obtained at quite modest prices'. However, Rutter had by then left Leeds, it was wartime and the LACF if not dormant was relatively inactive, so his advice was not acted upon. Many of the origi.nal committee members were themselves discerning connoisseurs who made generous gifts, Sir Michael, for instance, presented some outstanding early English watercolours, and there can be no doubt that the LACF helped enormously to stimulate interest in the municipal collection and encouraged many direct gifts. Handsomely illustrated Annual Reports were published in I9I3 and z9zy (the only known copies are in Leeds Reference Library) but for many years thereafter sources of information are scanty and not wholly reliable because the Art Gallery had no Director between the years z 9 z 7 and z 9z,y and because the LACF's own archive is minimal. It is not always clear whether certain watercolours such as Brabazon's An Eastern Street or John Nash's Trees in a Flood given by regular benefactors (R. H. Kitson and Sadler respectively) were donated to the Fund or presented directly to the City Art Gallery. Various well-intentioned inventories were started, given up, restarted and abandoned; acquisitions were often entered in the Gallery's own registers while others are recorded only in LACF lists. In December x9zy an exhibition accompanied by a catalogue featuring most of the collection was organized and at the opening the works were formally handed over to Leeds Corporation as a gift; a few acquisitions not transferred at that time have disappeared. A patchy series of Treasurer's accounts contains evidence about purchases during the inter-war years and a modicum of early correspondence has by chance survived. One spin-off of the present project has been the collation of all available information resulting for the first time in a consolidated list in which reasonable confidence may be placed. Happily documentation since z9y6 is complete. In that year a new constitution was drawn up and in order to revive interest in the LACF the Leeds Arts Calendar appeared from z9yy, while in z9y9 a second exhibition of Acquisitions was staged. Prior to its relaunch in z9y6 the LACF had been a very small organization with fewer than a hundred members. In the early days it functioned along the lines of an informal club. When A.J. Sanders, the Hon. Treasurer, died in z9z,z, several drawings including one attributed to Velazquez, then in his hands, were returned by the executors. In z 9z 7 Muller's mezzotint The Baggage Wagon, presented by A.G. Lupton, was lent to the City Libraries Department and is not heard of again. The committee felt free to barter items for what they felt were superior works (a Sickert was part- exchanged for a Bonnard), at least one life-size plaster statue was destroyed in the x93os, another sculpture was stolen in z96g and none of the Oriental ceramics, glass or figures can now be traced. Presumably they were traded for something more desirable in a long-forgotten deal. This occasionally cavalier attitude makes compilation of a definitive list of what the LACF has owned since its foundation and what now survives no easy task. However, special pains have been taken to establish the status and exact year of acquisition of every work. Sir Philip Hendy's period as Director oi Art Galleries and Hon. Secretary of the LACF (t93y—y6) was marked by an ambitious programme of purchases which included magnificent works by Stanley Spencer (y), Sickert (z), Gore, Gilman, Moore, Matthew Smith, Renoir, Sutherland and Cotman —to name a few. In z93y he accepted responsibility for Temple Newsam: its develop- ment as a country house museum of decorative art made even greater demands on the LACF and widened its scope of acquisitions. Throughout the fifties and sixties the Fund's finest achievement was in purchasing contemporary sculpture by Henry Moore, Barbara Hepworth, Alexander Calder and other leading figures. More recently the LACF has contributed to the acquisition of exceptional and expensive masterpieces such as the Turner Bird Studies from Farnley Hall; the John Channon writing cabinet; the Kirkleatham silver centre piece; the Hallett writing table and eight Henry Moore plaster maquettes. However its traditional emphasis on procuring progressive work by living artists has not been neglected, also several modern pots have been bought for display at Lotherton Hall. Until z968 the LACF was legally only able to buy objects on its own behalf, which, while normally integrated in the City's collection, remained the property of the Fund vested in the name of the Trustees; but in that year the Trust Deed was altered allowing it to transfer money to the City and so attract a go'/0 government grant. When this procedure is adopted the acquisition becomes the property of Leeds City Council, the LACF, on the other hand, effectively doubles its purchasing power. The immediate reason for this significant change was that in I96y the committee had been forced to stand aside during the triumphant campaign to save Chippendale's famous Harewood House library table from going abroad and so its name was sadly never associated with this treasure. The first painting to be bought under the terms of the new system with the aid of a contribution from the LACF was John Walker's huge Lesson II, acquired in I968. A year after its inception the LACF assisted in raising a public subscription to purchase Frans Pourbus's Portrait of a Man and in I94o it again helped to promote an appeal for funds to buy a spectacular Chinese coromandel screen. During the I98os the committee and membership have become increasingly active in campaigning to save major masterpieces from leaving the country and, with steeply escalating prices, crusading zeal is likely to become even more vital in the future. We must never lose the will to collect. C. G. GILBERT Hon. Secretary

CATALOGUE This catalogue provides a complete record of works of art acquired by or with the help of the Leeds Art Collections Fund from its foundation in r9r2, until the end of r989. The exhibition comprises a selection of the pictures and sculpture; a few relevant items on display elsewhere in the City Art Gallery are flagged with the LACF logo. An anthology of the decorative art, shown in appropriate settings at Temple Newsam House and Lotherton Hall, is indicated in the same way. Fine Art Cat. Nos I—2,96 Furniture Cat. Nos 297 325 Metalwork Cat. Nos 3z6-332, Ceramics Cat. Nos 333—346 t A Bend in the Seine, Auteuil Given by J. C. Lyon to the LACF, t9t3 Maurice Asselin (t 882.—?947) (543»S) Watercolour, z,5.8 x 33.4 ro Portrait of Jacob Epstein the Bought by LACF, t9r 3 Augustus John (t878—t96t) (53o/z5) Etching, tz.6 x to Chorlton, Sussex Given by W. R. Child to the LACF, r9r 3 Hanslip Fletcher (r 874—t955) (539»S) z,o.6 Etching, 6.6 x r r Wells Farm Railway Bridge, Acton Given the artist to the LACF, by r9r3 Lucien Pissaro (t863—r944) (3 54/~ 3) Oil on canvas, 45.7 x 54.5 Butter Market, Montreuil-sur-Mer Dated t9o7 Henry Silkstone Hopwood (r86o—r9r4) Bought by the LACF, r9t3 Charcoal, 66.4 x 55.3 (5 z8/z5) Dated r9tz t z. Reposing Temple Figure of Buddha Given the by J. C. Lyon to LACF, r9r 3 Siamese (LACF/HP z,) Burnished white metal and enamel The Music of the Wind Untraced (illust. in Annual Report, I 9I 3) Stirling Lee ( r 865—t 9r 6) Given by A. J. Sanders to the LACF, t9t 3 Sculpture in wax, 66 x z,5 x z.3.5 (LACF/S t ) Date c. r9o7 (Untraced) The model for the silver statuette in the Sam Wilson r Midday Rest Bequest 3 r9z5 Camille Pissaro (t83o—r9oz) Given Sam Wilson to the LACF, by t9t3 Gouache and watercolour, t 6.6 x z,3.5 (LACF/S 3 ) Dated r 887 Portrait of the Artist's Father Bought by the LACF, t9r4 Antonio Mancini (r 852.—?930) (54»z4) Oil on canvas, 66 x 55.8 r4 The Sower Dated r9ro J. F. Millet (r8r4 —75) Given Sir Hugh Lane to the LACF, by r9t3 Lithograph, r 9.r x r 6.r (z5o/t 3) Bought by the LACF, t 9r 4 6 The Return from Calvary (5 34/z,5) Arthur Melville (t858—r9o4) t 5 Portrait of Thomas Hardy Oil on x canvas, 45z, 37t Sir William Rothenstein (t 872.—I945) Given Mrs A. Melville to the LACF, by t9t 3 Lithograph, 37.z, x z,8.8 (5z9/zs) Dated r 897 The Flagellation Bought by the LACF, r9r4 Albrecht Durer (r 47 t—r 5 z8) (5 3 8/z. 5) Woodcut, x 37.9 z9.I r 6 Queen of the Circus Given by R. H. Kitson to the LACF, r9r 3 F. J. de Goya Lucientes (t746—t8z8) (54o/z.4) Etching, aquatint and drypoint, zt.6 x 3z,.4 8 Mentone Dated r 877 Henri Harpignies (t8I9—I9I6) One of four plates prepared for the series Charcoal, r8.4 x z5.z. Proverbios but not published until r 877 Dated t9o9 Bought by the LACF, t9t4 Given by Sir Michael Sadler to the LACF, t9t 3 (535»5) (54z./z5) t7 A Young Spanish Lady (after Goya) Cheyne Walk, Chelsea Jules F. Jacquemart (r 837—8o) Dame Laura Knight (t877—r97o) Etching, z,7 x t 5.4 Watercolour and gouache, 5o.z. x 6o.4 Bought by the LACF, t9t4 Date c. I909 (536/z4) Cat. no. t t Lucien Pissaro, Wells Farm Railway Bridge, Acton, dated t9op. Acquired 19I3.

t8 A Man's Head (after Rembrandt) zr Portrait of a Man Jules F. Jacquemart (t83y—8o) Frans Pourbus, the younger (r 569—r6zz) Etching, z8.6 x zo.y Oil on panel, q9.g x 3y.g Bought by the LACF, t9ty Bought with support from the LACF, r9ty (S3V»C) (z)8/tg) t Misery and Splendour 9 Poole Park T. A. Steinlen (r —t923) 859 James H. Hay (t874—t9t6) Lithograph, zo.z x tg.z Charcoal and watercolour, z6.7 x z6.8 Bought by the LACF, t9ty Bought by the LACF, r9tg z/zy) (g 3 (LACF/HP3) zo The Disputer (the Argument) Mervyn Lawrence (b. t 868) Portrait of an Old Man Sculpture in bronzed plaster Philip Naviasky (t89y—r983) Life-size statue Black chalk, g 8.g x y g.z Presumed destroyed in the t93os Dated t9r5 Given by the artist to the LACF, t9ty Bought by the LACF, t9rg (LACF/Sz) (gy6/zg) Trees in a Flood Bought by the LAcF, I9I7 John N. Nash (I893—I977) (548/z,5) Drawing with wash, 44.7 x 3 6.5 Given by Sir Michael Sadler to the LACF, I9I5 Billingsgate —Fishing Boats (630/z5) J. McNeill Whistler (I804—I903) Etching, x z, z. Seated Woman I5.I 5 Bought the LACF, Charles S. Keene (I8z3— by I9I7 9I) 86) Pencil and gouache, I 5.9 x 9.z, (3 Given Mr 5c Mrs Sickert the LACF, by W. through 30—3z, Three Prints: I9I5 The Count's Castle (z,8 5/I 5) Ghent Market Place z6 The Field of Battle Hoisting the Dragon on the Belfry at Ghent Karel Du Jardin (I6z,5—78) William Bruyker (I870—I945) Etching, I6.8 x I9.9 Etching, various sizes Dated I65z Given by Sir Michael Sadler to the LACF, I9I7 Given by Mr Ilc Mrs W. Sickert to the LACF, I9I6 (553 554 554»9z5) (64 I/z,4) Portrait of Alphonse Legros z,7 Searchlights Sir William Rothenstein (I87z— C. R. W. Nevinson (I889—I946) I945) Lithograph, x I Oil on canvas, 60.9 x 40.6 3 3 9 Dated Dated I9I5 I897 Bought by the LAcF, Given anonymously to the LACF, I9I6 I9I7 (394/z,I) (44/z,8) z,8 La Rue Des Toiles, Bourges Piccadilly Circus — Charles Meryon (I 8 z, I—68 ) Walter Taylor (I860 I943) Etching, z.I.4 x Iz. Watercolour, 35.3 x 42..7 Given by the artist to the LACF, I9I7 (5 50/z,5) Two Drawings of Lionesses Elsie Henderson, Baroness de Coudenhove (b. I880) Charcoal Bought by the LACF, I9I7 (Untraced)

36 Portrait of Josephine Butler Emily Ford (I85I—I930) Chalk with gouache, 3 8.5 x z,5.5 Dated I903 Given by the artist to the I ACF, I9I7 Six Prints of Industrial War Work: The Shipyard Furnaces The Great Tunnel The Steam Hammer Shell Casting The Steelyard Joseph Pennell (I860—I9z6) a.:e .~ s'~~ Lithograph, various sizes Cat. no. z7 C. R. W. Nevinson, Searchlights, Bought by the LACF, I9I7 dated r9I5. Acquired r9r6. (647—65z/z4) 43 West Front, Marchelepot Church Dressing Wheat Sir William Rothenstein (1872.—1945) Sir George Clausen (185z—1944) Gouache, z,6.8 x 53.3 Etching, 3o.1 x z,z,.s Dated 1918 Bought by the LACF, 19z4 Bought by the LACF, 1918 (6o7/z.4) (5 z,4/z,4) Barn Door 44 Portrait of an Ecclesiastic Sir George Clausen (185z—1944) Ottavio Leoni (1587—163o) Etching, 15.7x 11.9 Black chalk, t4.4 x ro.8 Bought by the LACF, 192.4 Formerly attributed to Velazquez (6o8/z4) Bought by the LACF, 19zo Three Wood Engravings: (576/z.4) The Plot Thickens Old Battersea Bridge Henry Irving as 'Badger' J. McNeill Whistler (1834—r 9o3) Town on a Hill Lithograph, zo.8 x 34.4 Edward G. Craig (187z,—1966) Date c. 1879 Wood engraving, various sizes Given by R. H. Kitson to the LACF, 19z,o Dated 1 898, 19oo and 19o7 respectively (385) Bought by the LACF, t9z4 — 46 Beech Trees (5 8 z 4/z4) Frank Dean (1865—1947) Little Lane, Halifax Etching, zo.z, x z5.3 Cuthbert Crossley (b. 1883) Dated 19z,o Watercolour, 44.?. x z8 Given by Miss Bee to the LACF, 19z,1 Dated 19z4 (769/2.4) Bought by the LACF, 19z.4 Landscape, Two Hills and Cultivated Fields (LACF/CP6) Alexander Cozens (c. 1717—86) 56 Sogne Fjord Watercolour, z,3. 1 x 3 r. 3 Edward Lawrenson (b. 1868) Given by Sir Michael Sadler to the LACF, 192.2. Aquatint, 3o.r x 39.8 (LACF/CPz) Bought by the LACF, 19z,4 48 Castle of Salerno (S87/z4) John R. Cozens (1752.—99) Old Man's Head Watercolour, 66.8 x 93 Ernest L. Sichel (1864—1941) Given by Sir Michael Sadler to the LACF, I 92.2. Coloured chalks, z,3.3 x zo (39r/zz) Bought by the LACF, 19z4 Landscape with Farm Buildings (S7S/z4) Thomas Monlo (1759—1833) 58 A Harbour Charcoal with wash, t5.3 x zo.3 William C. Stanfield (1793—1867) Given by Sir Michael Sadler to the LACF, 192.2. Watercolour, z4.5 x 34.9 (6oz,/z,4) Bought by the LACF, 19z4 so Rydal Bridge (6o6/z.4) Joseph Farington (1747—18zr) Ponte Santa Trinita, Florence Ink with grey wash, z,5.5 x 38.3 Francis S. Unwin (1885—19z 5) Dated 1786 Etching, zr.z x z9.6 Given by Sir Michael Sadler to the LACF, 192.2. Bought by the LACF, 19z,4 (5 z7/z.3) (78z,/z,4) sr Almina 6o Street in Smyrna Gerald L. Brockhurst (r89o—1976) Marius Bauer (1867—I93?) Etching, 18 x 13.6 Etching, 17.4 x 13 Bought by the LACF, 19z4 Bought by the LACF, 19zs (5 86/z,4) (6 to/z4) 6t A Fantasy 65 The Village Merrymaking Marius Bauer (z867—z93>) After Sir David Wilkie (>785—t84t) Etching, 3o.6 x 37.6 Oil on panel, 34.3 x 44.5 Bought by the LACF, I92.5 Bought by the LACF, z9a5 (609/2.4) (686/2.6) 6a Place Des Halles, Tours 66—68 Three Drawings: Malcolm Osbourne (z88o—z963) Refugees Etching with drypoint, z9.z, x z9.9 The Barricade Figures in an Interior Bought by the LACF, t9>5 Two William — (6 z a/z,4) By Strang (z859 z9z,z) Chalk, z7.3 x 2,2,.4 63 Church of St Francis, Assissi Given by E. L. Sichel to the LACF, z9a5 — Percy F. Gethin (r874 t9?6) (683, 598—9/2.5) Etching, 2.o.z x z,4.7 69 Interior Rutland Lodge Bought by the LACF, z9a5 Patrick W. Adam (I954—t92,9) (6z z/z5) Oil on canvas, 67.3 x 45.7 64 The Beach Runswick Bay Dated z9z,o Florence Hess (d. z974) Rutland Lodge, Potternewton, Leeds, was the Oil on canvas, 63.5 x 76.z, home of Sam Wilson, who bequeathed his art Bought by the LACF, z9a5 collection to Leeds in z9z,5. His widow commis- (6o4/z,5) sioned two other oils from Adam showing

,~if

Cat. no. 94 Thomas Hearne, North East View of Durham, watercolour. Acquired r9z9. the collection in its original setting, these were 79 The Great Pier, York Minster presented to the Art Gallery in 19z5 Gordon M. Forsyth (1897—195z) Given by the artist to the LACF, 19z.5 Watercolour and gouache, 55.5 x 37.5 (67r/z5) Dated 19z7 the 7o Landscape (after J. R. Cozens) Bought by LACF, 19z7 J. M. W. Turner (1775—1851) (LACF/FP3) Drawing with watercolour, z,3.7 x 36.9 8o Portrait of Mrs Hone Bought by the LACF, 19z5 Sir William Orpen (t878—1931) (664/z,5) Pencil with watercolour, 38.8 x 3 I Bought the LACF, 71 West Door St Nicholas, Kings Lynn by 19z7 John Sell Cotman (178z—t84z) (76o/z7) Pencil, 3I.z x z,r 81 Westminster From My Window Bought by the LACF, 19z6 Joseph Pennell (186o-19z6) (LACF/CP9) Mezzotint, z5.t x 37.8 Blean Colliery Given by R. H. Kitson to the LACF, r 9z,7 Sir Charles J. Holmes (1868—1936) (789/z7) Drawing with watercolour, z5.8 x 34.4 8z, Mare and Foal Bought by the LACF, 19z6 James Bateman (1893—I959) (694/z6) Woodcut, 8.4 x to.t Charcoal Burners, Rokeby Park Dated 19z7 Alfred W. Hunt (183o—96) Bought by the LACF, 19z7 Watercolour, z,6.5 x 37.5 (81z/z7) Bought the LACF, 19z,6 by 83 A Girl's Head (7oo/z6) J. T. Y. Gilroy (b. 1898) Near Long Crendon Pencil, z7.8 x z,z.6 Philip Wilson Steer (186o—194z) Dated 19z7 Watercolour, zz.z x 3z Bought by the LACF, I927 Given by R. H. Kitson to the LACF, 19z6 (749/z7) (693/z,6) 84 Deer Landscape Vere May Temple Francis S. Unwin (1885—t9z,5) Pencil 3 z.4 x 44.5 Watercolour with pencil, z.8.1 x 38.8 Bought by the LACF, I927 Given by R. H. Kitson to the LACF, t9z6 (75o/z7) (695/z,6) 85 The Communist 76 Elephants Charles Davidson (b. t 897) Marius Bauer (1867—193z) Watercolour, 46.3 x z9.1 Etching, tz,.7 x 17.7 Dated 19z t Bought by the LACF prior to I927 Bought by the LACF, 19z,7 (8o7/z,7) (753/z7) La Ministere De La Marine 86 Drift Valley Charles Meryon (18zr—68) Harold Harvey (1874—I94I) Etching, 16.5 x 14.4 Oil on canvas, 6o.9 x 76.z, Bought by the LACF prior to ?927 Bought by the LACF, 19z7 (8o6/z7) (75 t/z7) 78 On the Rhine (after Turner) 87 Plane Trees, Avignon Hercules Brabazon Brabazon (18z t —19o6) Marianne Trench (b. 1888) Watercolour, zo.6 x 3t.z Oil on canvas, 4z x 33 Given to the LACF by R. H. Kitson, 19z7 Bought by the LACF, t9z7 (LACF/BP8) (75z/z7) Cat. no. r3t Walter R. Sickert, St jacques, Dieppe. Acquired r938. 88 Souvenir d'Italic Portrait of Victor Hugo Jean Baptiste Corot (x796—z 875) Auguste Rodin (z840—I9I7) Etching, z.9.5 x z.z,.x Etching with drypoint, z,z.6 x z5.8 Given by Sir Michael Sadler to the LACF prior to Bought by the LACF, zyz,y I 92.7 (87z,/z,y) (y.x/z.8) 98 Shap Fell 89 Winter in the Dales Sir Frank Short (x857—x945) Thomas W. Rutter (b. z874) Mezzotint, zz.5 x 3z..5 Oil on canvas, 40.6 x 5I Bought by the LACF, I92.9 Dated zyz,6 (873/zy) Bought by the LACF, zyz,8 The Beach (4 I 5/z,8) 99 Dame Ethel Walker (x867—z95z) 90 Cloister at Gravedona Watercolour, 65.4 X 88.8 Hester Frood (z88z—I97z) Study for a large watercolour at the Tate Etching, z3.z, x zz..4 Given by R. H. Kitson to the LACF, I yz,y Given by Sir Michael Sadler to the LACF, zyz8 ( I4.3/2.9) (y.z,/z,8) zoo Head of a Woman yz A Gloucestershire Farm James A. Grant (b. z887) James Bateman (I893—I959) Pastel, 48 x 40.3 Watercolour, z,8.I X 38.z Bought by the LACF, zygo Dated zyz6 (LACF/GP4) Bought by the LACF, zyz,8 (4.I/z,8) zoz The Farm at Duncton Edgar T. Holding (z 870—I952.) Anemone Watercolour, 39.4 x 56.5 Vernon Hill (b. z887) Bought by the LACF, I930 Line engraving, x7.3 x z4.9 (4/30) Bought by the LACF, zyz8 zoz, Lyndra (4.2/z,8) Derwent Lees (x885—xy3I) Lisbon Oil on panel, 50.8 x 39.3 Allan McNab (b. xyoz) Dated zyz4 Watercolour, 26.6 x 45.8 Bought by the LACF, x930 Bought by the LACF, zyz,8 (8.z,/30) (4.3/z,8) z03 Children on Chelsea Embankment North East View of Durham Theodore Roussel (I847—zyr6) Thomas Hearne (I744—zSI7) Etching, zy x I3.4 Watercolour, 32..7 x 45.4 Bought by the LACF, x930 Bought by the LACF, zyz.y (8.z/30) (LACF/HPx z) I04 Bust of Jacob Kramer Head of a Girl Sir Jacob Epstein (x 880—I959) Philip Naviasky (I 894—z983) Sculpture: bronze, 63.5 Oil on canvas, 50.8 x 40.6 Date c. zyzz Dated zyz,7 Given by the artist to the LACF, zy3z Given by N. Middleton to the LACF, zyz9 (zy/3 x) (9»9) z05 The Weald, July 96 The Farmyard Evelyn Cheston (x875—zyzy) Vivian Pitchforth (z895—I983) Watercolour, 2.3.5 x 36.z Watercolour, 39 x 56 7 Date c. zyz7 Dated zyz9 Bought by the LACF, z93z Given by R. H. Kitson to the LACF, zyzy (LACF/CPz z) I4 zo6 Golgotha Bought by the LACF, z93z Sybil Andrews (LACF/LP5) Linocut, 34.8 x 2,4.z zoo Spring in Essex Presented anonymously to the LACF, z93z Percy F. Horton (z897—I970) (96o/3 t) Watercolour, 3z.5 x 48.6 zo7 Interior with Nude Date c. z92,8 Spencer Gore (z878—r9z4) Bought by the LACF, z 933 Oil on canvas, 55.8 x 4o.6 (3.3/33) Date c. z9o7 z z z Stonehouse, Gloucestershire Bought by the LACF, z932, Stanley R. Badmin (b. z9oz) (zo/3z) Watercolour, 24.7 x 34.5 Dated z932. zo8 Advice — Bought by the LACF in memory of J. E. Town, Therese Lessore (z884 t945) r933 Watercolour, x z8.7 45.6 (*7 4/33) Bought by the LACF, z932. z r 2, Evening, Wales (7/32) Derwent Lees (?885—z93z) I09 Portrait of Wing Commander Orlebar Watercolour, z5 X 35.9 Wyndham Lewis (z 882.—I957) Bought by the LACF in memory of J. l'.. Town, Pencil, 38 x 2.7.9 r933 Dated t93z (r 7.3b/33)

Cat. no. z32 Pierre Bonnard, Grandmother and Child, dared I 894. Acquired t939. I z 3 Evening, Wales Given by F. Dean to the LACF, z934 Derwent Lees (I885—z93z) (I7/34) Watercolour, 2,z.7 x 35.3 I 2.2, Ferring Grange Bought by the LACF in memory of E. Town, J. Charles Conder (I868—z9o9) I933 Oil on canvas, 5o.8 x 6o.9 (I7 3/33) Bought by the LACF, I934 z z4 Landscape (z/34) Hercules Brabazon Brabazon (ISzz—z9o6) Watercolour, I8 x 2,4.8 I 2,3 On the River Yare John Sell Cotman (I782,— Bought by the LACF in memory of J. E. Town, I84z) x I933 Oil on panel, 42,.5 33.6 Date (2.9.z/3 2.) c. z8o9 Bought by the LACF, z934 z z 5 Landscape (9 34) Thomas Collier (I84o—9z) Watercolour, zS.I x z 2,4 Returning from Market 38.7 — Bought by the LACF in memory of J. E. Town, William Jackson (z73o z8o3) I933 Watercolour and black lead, I9 x z4.I (LACF/CP I z) Formerly attributed to Thomas Gainsborough Bought by the LACF, z935 z z6 Woman Digging ( Io.I/3 5) Henry S. Hopwood (z86o—I9z4) Watercolour, 2.9.6 X 36.3 I 2.5 Musical Interlude — Bought by the LACF in memory of J. E. Town, Dame Ethel Walker (I867 I95I) z933 Oil on canvas, 5o.8 x 6o.9 (~9 3/3~) Bought by the LACF with the aid of a contribution from Miss E. Barran, z935 z I Chalmington 7 (7/35) Ernest Proctor (I886—I935) Watercolour, 2,8.2. x 38.7 z z6 Madonna Lilies, Cookham Bought by the LACF in memory of J. E. Town, Sir Stanley Spencer (I89z—z959) I933 Oil on panel, 43.2, x 53.z (I7 ~/33) Date c. z 93 5 Bought by the LACF, z 936 I z 8 Antiques (z o.2/3 5) Thomas Rowlandson (z 757—I Sz7 Watercolour, z3.2, x z,o.7 z 2.7 Letchworth Bought by the LACF in memory of J. E. Town, Spencer F. Gore (z878—I9z4) I933 Oil on canvas, z 5.4 x 3o.5 (I7 I/33) Bought by the LACF, z936 z/36) z I9 The River Evenlode (3 Geoffrey Rhoades (b. I 898) z 2,8 Rene's Room Oil on canvas, 76.2, x 63.5 Winifred Nicholson (z893—z98I) Dated z932. Oil on canvas, 6o.9 x 6o.9 Bought by the LACF, I933 Bought by the LACF, I936 (3 z/33) (52,/36) zzo Suffolk Cottage — z 2,9 Juliet and the Nurse Charles Mahony (z9o3 68) Walter R. Sickert (z86o-I942) Oil on canvas, 49.5 x 6z.2, Oil on canvas, 76.z x 6o.9 Bought by the LACF, z933 Date c. I936 (3 2/33) This work shows Dame Edith Evans as the Nurse I z,z Evening Light, Sevenoaks and Dame Peggy Ashcroft as Juliet Stanley R. Badmin (b. I9o6) Bought by the LACF, I937 Etching, zz,.S x I6.4 (4o/37) z6 Cat. no. t39 Sir Stanley Spencer, Christ's Entry into Jerusalem. Acquired z94z

Cat. no. t46 L. S. Lowry, Industrial Landscape: The Canal, dated z 94'. Acquired 1948. r 3o Me and My True Love Bought by the LACF, r94r Madeline Green (LACF/MP8) Watercolour, 38.z, x 5z,.7 Bought the LACF, r r 39 Christ's Entry Into Jerusalem by 938 — (r 3/38) Sir Stanley Spencer (r89r r959) Oil on canvas, rr4.z x r44.8 r 3 r St Jacques, Dieppe Bought by the LACF, Walter R. Sickert — r94I (r86o r94z) (rz,.r/4r) Oil on canvas, 5o.8 x 4o.6 Bought by the LACF with the aid of a contribution r4o The Model Waking from Mrs M. Green, r938 Sir Matthew Smith (r 879—t959) (r 7/38) Oil on canvas, 64.7 x 8z.5 r 3z. Grandmother and Child Dated r94r Pierre Bonnard (r867—r947) Bought by the LACF, r94z, Oil on panel, 34.4 x 4r.9 (z,o/4z,) Dated r 894 t r In Gloucestershire Sickert's The Blue Vase or New Home bought by 4 Harold Gilman — the LACF in r93 8 was traded in part exchange for (r878 r9r9) Oil on canvas, x this work Acquired by the LACF, r 59.7 46.3 939 Gilman's The (r z,.z,/39) Shopping List bought by the LACF in t936 was exchanged for this work Rome, St Peters and Castle S. Angelo Acquired by the LACF, r 944 David Roberts —r (r 796 864) (r 8/44) Oil on canvas, 58.5 x r t9.4 Bought by the LACF, t939 t4z Cornish Tin Mine —Emerging Miner (r z,.z/39) Graham Sutherland (r9o3—8o) Oil on r r 34 Gardens in the Pound, Cookham canvas, t8.r x 76.z Sir Stanley Spencer (r89r —r959) Bought by the LACF, r944 Oil on canvas, 9I.4 x 76.z (z8/44) Date c. r936 Apres Le Bain Bought the LACF, by r94o Pierre Auguste Renoir (r84r —r9r9) (4/4o) Pastel, 65.5 x 5z.9 r 3 5 Ingleton Bought by the LACF, r945 Douglas Andrews (r 886—I944) (z,.r/45) Watercolour, z,z.7 x 35.5 Dated Davy Jones'ocker r939 — Bought by the LACF, r94r John Tunnard (r9oo 7r) (r 8.r/4r) Oil on panel, 5o.8 x 63.3 Dated r94o t36 Air Raid Shelter —Two Women Bought by the LACF, t 946 Henry Moore (r898—r986) (LACF/TP5) Drawing with wash, 4z.5 x 5 r.9 Dated r94r r45 Dahlia Bought by the LACF, r94r Edward Wadsworth (r889—r944) (r z.z,/4r) Tempera on panel, 66 X 78.8 r37 Peahen and Chick Dated r 945 Lilian Andrews (b. r 878) Bought by the LACF, r946 Watercolour, z,7.7 x 44.t (z8.r/46) Bought the by LACF, I94I r46 Industrial Landscape: The Canal (r 8.z./4 t) L. S. Lowry (r 886—r976) t38 Woman Seated in Front of a Leaded Oil on canvas, 6o.9 x 76.z Window Dated r945 Robert Macbryde (r9r3 —66) Bought by the LACF, r948 Oil on canvas, 9r.7 x 58 (r 7.r/48) r8 r47 Head of a Man Date c. r947 Georges Rouault (r87r —r958) Bought by the LACF, t95r Aquatint, 57.7 x 43.7 (LACF/VP r ) Dated t9z6 r Three Rocks Bought by the LACF, r948 56 (t t/48) Wilhelmina Barns-Graham (b. 19tz) Oil on canvas, 6r.6 x to6.7 t 48 Fenestration —The Lamp Dated r95z — Dame Barbara Hepworth (r9o3 75) Bought by the LACF, t95z Oil and pencil on panel, 35.5 x 45.8 (LACF/GP r o) Dated r 948 Bought by the LACF, r 948 r 57 On the Move — (LACF/HP r 5) Jack Butler Yeats (t87I I957) Oil on canvas, 6o.9 x 88.8 t49 Painting r95o Date c. r95o Francis Bacon (b. r9o9) Bought by the LACF, r95z Oil on canvas, r98.t x t3z..t (LACF/YP r ) Bought by the LACF, r 95 t (LACF/BP t 5) r 58 Peasant Woman Josef Herman (b. t 5o Lovers r9r7) Oil on canvas, Robert Colquhoun r r —62 9I.I x 70.6 ( 9 4 ) Bought the Oil on canvas, 9r.4 x 6o.9 by LACF, I953 (LACF/HP r Bought by the LACF, r95t 7) (LACF/CP r 5) t 59 Female Figure Seated r5r Anemones and Lemons Emilio Greco (b. r9r3) Patrick Heron (b. r9z,o) Sculpture: bronze, z5.5 Date c. Oil on canvas, 5 r x 6t >949 Dated r95o Bought by the LACF, t954 Bought by the LACF, 195t (LACF/54) (LACF/HP t 6) t6o Portrait De La Femme De L'Artist r5z Goatin Snow Jacques Chapiro (b. r 887) Louis Le Brocquy (b. 1916) Oil on canvas, 9I.4 x 59.7 Oil on canvas, 45.7 x 38.6 Dated r938 Dated r95o Given by the artist ?954 Bought by the LACF, r95r (LACF/CP I6) (LACF/BP r 6) r 61 Portrait of Jacob Kramer r53 Fish in a Glass Tank Thomas Watt (b. t9zo) John Minton (I9I7—57) Oil on canvas, 63.3 x 5o.8 Oil on canvas, 63.3 x 76.z Dated r95z Dated t939 Bought by the LACF, r954 Bought by the LACF, t 95 r (LACF/WP7) (LACF/MP9) r 6z, High Yellow r 54 The Dragon Pot n Terry Frost (b. r9t5) Ceri Richards (r9o3—7r) Oil on board, r zt.9 x tzr.9 Watercolour, 38 x 56 Date c. t955 Dated r 949 Bought by the LACF, t955 Bought by the LACF, r95r (LACF/FP7) (LACF/RP r z) r 63 Portrait of a Man (Untraced) Style of Kneller (r 646—r7z3) t 5 5 Figure Undressing Oil on canvas, 95 x 73.5 Keith Vaughan (I9I2,—77) Given by Mrs E. L. Webster to the LACF, t956 Oil on canvas, 56 x 4t.z, (LACF/KP2.) r 64 Eve r 73 The Gladiators Jean Souverbie (b. r89r) Leslie Thornton (b. r9z5) Oil on canvas, 96.5 x 43.z Sculpture: bronze, copper, brass, Bought by the LACF, r 956 79.5 x 35.5 x 48.5 (LACF/SP r 6) Date c. r957 the LACF, r 65 Girl Bought by r.958 Reg Butler (r9r3—8r) (LACF/Sr r) Sculpture: bronze, I47.3 x 45 x 37 r 74 The Flight Into Egypt Date c. r956 Louis James (b. r9zo) Bought by the LACF, r 957 Oil on canvas, rot.7 x 5o.9 (LACF/S6) Bought by the LACF, r 958 r 66 Standing Figure (LACF/JP5) John Warren Davis (b. r9r9) r 75 The Deposition Sculpture: bronze, 98 x 36 x z6 Ceri Richards (r9o3—r97r) Date c. r956 Oil on canvas, 6o.9 x 9r.4 Bought by the LACF, I 957 Dated r958 (LACF/S5) Bought by the LACF, r958 r 67 Winter, Cornwall (LACF/RP r 3) Paul Feiler (b. r9r8) r 76 Configuration: Phira Oil on board, X 99 I39.7 Dame Barbara Hepworth (r9o3—75) Dated r955 Sculpture: Guarea wood, 8r.3 x 74 x 65 Bought the LACF, by I957 Dated r955 (LACF/FP5) Bought by the LACF, r 958 r 68 Tragic Group (LACF/S8) Ralph Brown (b. r9z8) I — Three Line Engravings: Sculpture: bronze, x 48.5 x z3.r 77 79 47 An Owl Dated r953 A Ram Bought by the LACF, r958 Lion Pursuing a Deer (LACF/S9) Joseph Hecht (r89r —r95z) r69 Running Girl with Wheel Various sizes Brown Ralph (b. r9z8) Bought by the LACF, t959 Sculpture: bronze, z5.5 (LACF/HPr 8—r 9—zo) Dated r954 Rain Bought by the LACF, r 958 r8o Wooded Hill in (LACF/S r o) Norman Adams (b. r9z7) Oil on canvas, 7r.r x rot r Coucher De Soleil 7o Dated Raoul Dufy — r957 (r877 I953) Bought the LACF, Watercolour, 5o.z x 65.6 by r959 (LACF/AP6) Bought by the LACF, r 958 (LACF/DP4) r8r Icon Hubert Dalwood — r7r Object for Meditation t gc n (r9z4 76) x x Frank Avray Wilson (b. r9r4) Sculpture: aluminium, r44 76 z3 Oil and acrylic/synthetics, both r 74.z x r r 8.5 Dated r958 Bought the LACF, Bought by the LACF, r 958 by t96o (LACF/WP9 R WPro) (LACF/S r 3) r7z Lamia No. z t8z. Object: Open Square Francis W. Sargent (r87o—r96o) Hubert Dalwood (r9z4—76) Sculpture: bronze, 3r Sculpture: aluminium, 4z x 34 x r 3 Date c. r9ro Dated r 959 Given anonymously through the LACF, r958 Bought by the LACF, r 96o (r 4/58) (LACF/Sr z) Cat. no. I93 Alexander Calder, Chicago Black, c. r949. Acquired z963.

Cat. no. I94 Henry Moore, Reclining Figure: Bridge Prop, dated t963—64. Acquired r964. x83 Brown Verticals x9z, Unit Relief Terry Frost (b. x 9 x 5) Matt Rugg (b. x935) Oil on canvas, zx3 x x7x Relief in wood, x x7 x 9x Dated x958—59 Dated x96z Bought by the LACF, x96o Bought by the LACF, x 963 (LACF/FP8) (LACF/S x 6) x 84 Yorkshire Landscape x93 Chicago Black Martin Froy (b. x9z6) Alexander Calder (x898—x976) Oil on board, xzz x 9x Mobile sculpture: aluminium, 45o x zxo Bought by the LACF, x96o Date c. x949 (LAC F/FP9) Bought by the LACF, x 963 x85 Seated Nude (LACF/S x 4) Martin Froy (b. x9z6) x94 Reclining Figure: Bridge Prop Crayon and gouache, 3 x.6 x z4 Henry Moore (x898—x986) Bought by the LACF, x96o Sculpture: bronze, z5x x x3z x xo4 (LACF/FP x o) Date x963—64 x86 The Table Bought by the LACF, x964 Jacob Bornfriend (b. x9o4) (LACF/S x 7) Oil on canvas, 9x x 7o x95 Study for 'November zznd'dward Dated x96o Giobbi (b. x9z6) Bought by the LACF, x96x Watercolour, chalk, blacklead, 58 x 73 (LACF/BP x 8) Dated x963 x87 Beach and Sea This work refers to the assassination of President John Selway (b. x938) Kennedy in x963 Oil on canvas, 76 x 5o A drawing for the painting bought by th e Tate Date c. x96x Gallery Bought by the LACF, x96x Bought by the LACF, x964 (LACF/SP x 8) (LACF/GPx x) x88 The Black Jug x96 Red Circle Trevor Stubley (b. x93z) Harry Thubron (x9x5—85) Oil on canvas, xzo x 9o Relief sculpture in wood, 68.5 x 7x x zx Date c. x957 Date c. x964 Given by H. P. Peacock through the LACF, x96x Bought by the LACF, x 964 (5.x7/6x) (LACF/TP6) x 89 Moonrise x97 The Jungle Samuel Palmer (x8o5—8x) Bezalel Mann (b. x9o6) Black ink and bodycolour, x x.3 x x3.z Sculpture: wood, 78.7 Bought by the LACF, x96x Date c. x964 (LACF/PP x z) Given anonymously to the LACF, x964 x9o Lambeth Bridge (LACF/S x 9) Bruno Bobak (b. x9z3) x98 Study of Old Woman for 'The Village

Oil on canvas, 76.z x xox.6 Mortality'orman Date c. x959 Adams (b. x9z7) Given anonymously to the LAC F, x96z Oil on canvas, 38 x z8 (LACF/BP x 9) Given to the LACF by the Contempora ry Art x9x Sign Elements m Society, x965 Matt Rugg (b. x935) (LACF/AP7) Relief in wood, xo9 >< xo9 x99 Three by Fifteen Dated x963 Winslow Foot (b. x939) Bought by the LACF, x963 Relief in wood and metal, 67 x 58 (LACF/S x 5) Date c. x954 zz Bought by the LACF, r965 Bought by the LACF, r966 (LACF/Sz8) (LACF/Szq) zoo The Tower zo8 Wire Five Kenneth Armitage (b. x9t6) Winslow Foot (b. r Sculpture: bronze, 939) 9I.5 Relief in metal and wood, to8 x Dated 98 t963 Date c. r966 Bought with insurance money from Armitage's Bought by the LACF, x 966 bronze sculpture Two Standing Figures bought (LACF/Sz3) <956, stolen zy Dec. I96$ Bought by the LACF, r 965 zo9 Diagonal Structure (LACF/S t 8) Gunther Uecker (b. t93o) zox Irish Sword/Blarney Stone Relief in metal and wood, toz x toz F. E. McWilliam (b. t9o9) Given anonymously to the LACF, I966 Sculpture: bronze, 87 x 6 x tq (LACF/Sz5) Dated x959 Given anonymously to the LACF, r965 (LACF/Sz7) zoz Foundry Street Peter Brook (b. t9z7) Oil on canvas, rot.6 X xz7 Bought by the LACF, t965 (LACF/BPzo) zo3 Rati Prafulla Mohanty (b. r936) Watercolour, 76.5 X 56.x Bought by the LACF, r965 (LACF/MP t r) zoy Procession Through a Split Curve Neville Boden (b. x9z9) Sculpture: painted mild steel, r 83 Dated t965 Bought by the LACF, x966 (LACF/S z, x ) zo5 Titterary Tee Rose Neville Boden (b. r9z9) Sculpture: polychromed aluminium, I83 X 76 x 33 Dated r965 Bought by the LACF, l 966

(LACF/Szz) ' %ma zo6 Liseuse f~ A. E. Carrier Belleuse (t8z4 —87) ~ ' ~~E Sculpture: ivory and bronze, 6o Date c. t887 Given anonymously to the LACF, r 966 dgjli~ (LACF/Sz6) zo7 Hydroform Roger Leigh (b. t9z5) ~ ~ Sculpture: metal and wood, 38 x y3 x 89 Cat. no. ar7 Barbara Hepworrh, Dual Form, c. I965. Date c. x965 Acquired r 967.

23 z, to Leeds z,z,o Series No. z Dennis Creffield (b. r93t) William Tucker (b. r935) Oil on canvas, 9t x tot Sculpture: fibre glass, 83 x zz8 x zto Dated t965 Dated r968 Bought by the LACF, t 966 Bought by the LACF, t 969 (LACF/CP t 7) (LACF/S3 t) z, t t—z.t3 Three Oil Paintings: zzt Three Reds White Moment John Walker (b. r939) The Sick Child Acrylic on canvas, 3 canvases, each 30I x 2, I4 Pine Fire Dated t 968 Ross Mendes (b. r9z7) Bought by the LACF in recognition of the work Various sizes done by Sara and Wilfred Gilchrist, t969 Dated r959, t965 and r966 respectively (LACF/WP r z,) Given anonymously to the LACF, r966 — z.z,z George Frederick Bodley (LACF/MP tz,—r3 t4) Mark Lancaster (b. t938) z.r4 Garden of Paradise n Aquatec on canvas, r7z x t7z Scottie Wilson (t89o—t97z) Dated r97o Gouache, 35 x 2.4.5 Bought by the LACF, r 97o Given anonymously to the LACF, t966 (LACF/LP8) (LACF/PL39r) Clevedon Belle — z,t 5 Peaceful Village n Peter Lanyon (r9t 8 64) Scottie Wilson (r 890—I972) Gouache, 57.5 x 75.6 Gouache, t6.3 x rz,.8 Dated t964 Given anonymously to the LACF, >966 Bought by the LACF, I97I (LACF/PL39z.) (LACF/LP9) zt6 Relief No. 6 The Hands of Sir John Barbirolli Neville Boden (b. t9z9) Jocelyn Horner (I902,—73) Relief in painted mild steel, 9I x 68 Sculpture: bronze, rz7 Date c. r967 Bought by the LACF with the aid of a contri bution Given anonymously to the LACF, t 966 from Adam Jones, I97z (LACF/S3o) (LACF/S4o) Dual Form Untitled/Horse Dame Barbara Hepworth (z,9o3—75) Keith Milow (b. >945) Sculpture: bronze, t9o x r45 x 6z Sculpture: resin and fibreglass, tz,z, x z44 Date c. t965 Bought by the LACF, I97z Bought by the LACF, t967 (LACF/S4 5) (LACF/S z,9) zz6 Ziggurat zt8 River Scene Richard Oginz (b. t944) Sculpture: coloured wood, r zz x x William Payne (c. t76o—r8r3) z74 z,74 Watercolour, zz.6 x z9.4 Bought by the LACF, t97z (LACF/S4 r Bequeathed by Miss Nance Pflaum to the LACF, ) t968 Numbers Square n gc rn (LACF/PP t 3) Rita Donagh (b. t939) Oil on canvas, x 2,I9 Lesson n r968 30.5 30.5 Dated John Walker (b. r939) t97z Bought by the LACF, r 97z Acrylic on canvas, z,74 x 5 to One of a series, Lesson I is in the Tate collection (LACF/PD5) Bought with the aid of a contribution from the zz.8 But Drowning LACF, t968 Bruce James (r939—76) (3 z,/68) Sculpture: acrylic, 3r x z.7 x z5 Bought by the LACF, r97z The work is squared for transfer (LAC F/S4 3 ) Bought by the LACF, I973 zz9 Untitled (r5 Knots) (LACF/SPz3) Richard Smith (b. r93r) The Watercolour and mixed media, 59 x 78 following nine objects were bequeathed by the Dated r97z Yorkshire sculptor Jocelyn Horner to the LACF in Bought by the LACF, r97z memory of Ernest Musgrave, r973 (LACF/SP r 9) Miss Horner was at art college with Henry Moore (r898-r986) z3o Landscape Through Trees Anthony Cross (r9o5—89) Typescript of the Play Narayana 5c Oil on canvas, rz9 x r98 Bhataryan Dated r968 Written by Henry Moore, r9r7—zo Bought by the LACF, r973 (LACF/MPr 5) (LAC F/GP r z) z33 Exercise Book with notes and sketches — z3 r The Shepherds Amazed Filled by Henry Moore, r9r9 zr Gilbert Spencer (r89z—r979) (LACF/MPt 5) Waterco lour, 3 r .8 x 4 3 .z Enamelled plate Date c. r9zo Henry Moore, r9r9—zr Study for a painting of the same title given to Earthenware, Diam. z3.z, LCAG in r938 (LACF/S36)

Cat. no. a4a Andy Warhol, Mao, screenprint. Acquired r974. Seated Nude Man Henry Moore, c. x92,x Sculpture: plaster, zz.5 (LACF/S3 3) z36 Nude Man Henry Moore, c. x 9z x Relief in plaster, 3 x.7 x zo.3 (LACF/S3 z) Enamel Plaque Henry Moore, c. x9zx (Enamelled by H. E. Simpson), Diam. 5.8 (LACF/S3 7) z38 Double Head Henry Moore, c. x9z8 Sculpture: bronze, 7.6 Also known as 'Holding

Sculpture'LACF/S34)

2.39 Boy's Head (Victor) Sir Jacob Epstein (x 880—x959) Sculpture: bronze, x7.5 Dated x949 Victor was the son of Epstein's West Afric an cook (LACF/S3 5) z4o Leaves Compared with Flowers Kenneth Lord Screenprint, 75 X 56 Dated x97o (LACF/LP x o) z4x Study for Leeds Decoration Sir Stanley Spencer (x89x—x959) Watercolour, 5o.z x 34.9 Preparatory sketch for an unexecuted mural Cat. no. a86 M. W. Turner, Peacock, one of twenty scheme for Leeds Town Hall, instigated Sir J. by watercolours, from the Farnley Book of Birds, c. r 8 r 5. Michael Sadler in x9zx The studies were originally mounted in an album with Bought by the LACF, x 973 representative feathers opposite each painted bird. (LACF/SPz4) Acquired r985. Mao Date c. x968 Andy Warhol (x9z8—87) Bought the LACF, x Screenprint, 9z x 9z, by 974 (LACF/PP x Bought by the LACF, x974 4) (LACF/WP x 4) Image No. m John Walker (b. z43 Giant Faucet x939) Silkscreen, x xoz.5 Claes Oldenburg (b. x9z9) x4x Bought the LACF, Photo-lithograph, 8z x 63 by x974 Dated x97z (LACF/WP x 3) Bought by the LACF, x974 z46 Extracts from Landscape m (LACF/OP3) John Loker (b. x938) Pencil drawing with acrylic, 3o.5 x 5o.5 r44 Russian Church Dated x975 Oleg Prokofiev (b. x9z8) Bought by the LACF, x975 Oil on canvas, xo7.5 x 73.5 (LACF/LP x z) z6 Condensed Edge Grid Joel Fisher (b. t947) Pen drawing, 94 x 94 Bought by the LACF, t 976 (LACF/FPr t) Lincoln Centre Poster Roy Lichtenstein (b. t9z3) Silkscreen on silver paper, t t 5.6 x 76.t Dated t966 Bought by the LACF, r 976 (LACF/LP t 4) The Book of Genesis (twelve prints) Paul Nash (t 889—I946) Woodcut, various sizes Dated t9z4 Bought by the LACF, t976 (LACF/NP6) z56 Plate From Urne Buriall Paul Nash (t 889—t946) Cat. no. Robert Horse Fair at the a87 Bevan, Barbican, Collotype with wash, t z.6 x c. r9I 3. Acquired t983. t9.z Dated r93r —3z Bought the Three Horizons by LACF, I976 John Loker (b. t938) (LACF/NP5) Etching, 34.z X 53.9 z57—7t Fifteen etchings of pop stars Dated t974 David Oxtoby (b. t938) Bought by the LACF, t975 Various sizes (LACF/LP t t) Dated t974 z48 A Young Girl Seated by her Window Joe Cocker Martin Naylor (b. I944) Bill Haley Sculpture: mixed media, zo5 X z87 X 84 Elvis Presley Dated t973 Mare Bolan Bought with the aid of a contribution from the Bob Dylan LACF, t975 Stevie Wonder (t7/75) Otis Redding Location Piece Ray Sawyer Robert Morris (b. t93t) Ringo Starr Jimi Hendrix Relief in lead and aluminium, 53.5 x 53.5 Dated t973 Mick Jagger Bought with the aid of a contribution from the Jim Capaldi LACF, t975 Roger Daltrey (z6/75) Stevie Winwood Chris Wood z,5o—5z Three Prints: Bought by the LACF, I976 Clapboard (LACF/OP4 —t 8) Stonehenge Morning Upwards Norman Stevens (?937—88) Willy Tirr (b. t9r5) Various sizes Gouache, 77.t X 55.7 Dated r974 Dated t975 Bought by the LACF, I975 Given anonymously to the LACF, t976 (LACF/SP zo—z t—z z) (LACF/TP7) Drawing for Forestry Commission Sculpture 28 x National Grid Project Anthony Caro (b. x924) Ainslie Yule (b. x94x) Sculpture: metal, x 33 X x83 X x29 Watercolour, 25 X 4o Date x978—79 Dated x976 Bought to mark the reopening of Leeds City Art Bought by the LACF, x976 Gallery, with the aid of a contribution from the (LACF/YP2) LACF, x982. Monet and the Hoschedes xx (LACF/S38) Ainslie Yule (b. x94x) 282. Temple Newsam, Long Gallery Pencil and wash, 23 >< 32,.5 Augustus Hare (x934—x9o3) Dated x975 Watercolour, 2,5 x 35.3 Bought by the LACF, x976 Dated x974 (LACF/YP3) Bought by the LACF, x983 Poem for the Trio MRT (LACF/HP22) Sir Eduardo Paolozzi (b. x924) 2,83 First Portrait of Dierdre With Arms Sculpture: metal, 2,x6 x 2x8 x x x x Jacob Epstein (x880—x959) Dated x964 Sculpture: bronze, 64.3 Bought with the aid of a contribution from the Dated x94x LACF, x977 Given anonymously to the LACF, x984 (xo/77) (LACF/S4 x) 2,76 As Seen From Other Angles 20477 284 Dry Eyed David Vaughan (b. x946) Boyd Webb (b. x947) Sculpture: ceramic, 22, x 4x Coloured photograph, xz,o x x52.5 Dated x977 Dated x974 contribution from the Bought by the LACF, x977 Bought with the aid of a (LACF/S39) LACF, x984 (33/84) Hillside With Factory: Hebden Bridge Uomo David Blackburn (b. x939) 2,85 Thubron — Pastel, 64.6 x 53.x Harry (x9x 5 85) x 6x Dated x979 Assemblage, 5x.5 Bought with the aid of a contribution from the Given anonymously to the LACF, x979 LACF, (LACF/BP2, x) x985 (2x/85) December Water 278 x976 286 The Farnley Book of Birds John Hilliard (b. x946) J. M. W. Turner (x775—x85x) Three photographs, x each 57 38 Watercolour, various sizes Bought with the aid of a contribution from the The series of 2,o watercolours was painted by LACF, x979 Turner during visits to Farnley Hall, Yorkshire. (LACF/HP2x) The studies were originally mounted in an album 279 Four Extracts xv with representative feathers opposite each painted John Loker (b. x938) bird Acrylic on canvas, x 5o x 244 Date c. x8x5—zo Dated x977 Bought with the aid of a contribution from the Bought with the aid of a contribution from the LACF, x985 LACF, x979 (x/85) (LACF/LP x 3) 2,87 Horse Fair at the Barbican 28o Encounters Robert Bevan (x865—x925) Rita Donagh (b. x939) Pencil and crayon, 33.5 x 29.2 Collage, 68.2, x 9x.7 Date c. x9x3 Dated x975 Bought with the aid of a contribution from the Bought by the LACF, x98o LACF, x985 (LACF/DP6) (39/85) ena ALL Cat. no. >9'tkinson Grimshaw, On the Tees at Barnard Castle, watercolour, c. t 868. Acquired t988.

z9 11'::

W@~ Cat. no. 297 Commode Medallier, possibly by Henri Dasson, Paris, c. 187o. Acquired 19I3.

Cat. no. 325 Library Writing Table, attributed to William Hallett, London, c. x7y5. Acquired I988. 30 z.88 Two Gulls and a Fish Dated t988 Sir Eduardo Paolozzi (b. t9z4) Given anonymously to the LACF, t988 Watercolour, gouache, collage, 46 x 6o (LACF/S44) Dated t946 Three Men of Exactly the Same Size in an Bought with the aid of a contribution from the Unequal Room LAFC, t985 Stephen Campbell (b. t953) (z,z,/85) Oil on canvas, 2.49 X z,77 z89 Precious Stones Dated r987 Eileen Agar (b. t899) Bought with the aid of a contribution from the Collage, z,6 x z, t LACF, I989 Dated t936 ( t 7/ I 9 89) Bought to mark George Black's retirement as 2,96 Eight Maquettes chairman with the aid of a contribution from the Henry Moore (t 898—t986) LACF, t986 Plaster, six upright z,8, two panels t5 x t 3 (?.4/86) In t954 Henry Moore was asked by the architect Michael Rosenauer to carve z9o Composition eight stone sculptures for the proposed Marconi House extension to the John Selby Bigge (t89z,—t978) English Electricity Co. headquarters in the Strand, Oil on board, z3.5 x 36 London. Dated t94o He modelled these maquettes but the commission was never executed Bought with the aid of a contribution from the Bought with the aid of a contribution from the LACF, t986 LACF, t 6/86) z989 ( (z3/t989) z,9t On the Tees at Barnard Castle John Atkinson Grimshaw (t836—93) Watercolour and gouache, 44.5 x 35 Date c. z868 FURNITURE Bought with the aid of a contribution from the 2,97 Commode Medallier LACF, r988 Possibly by Henri Dasson, Paris, c. t87o (3o/t 988) Kingwood, tulipwood, etc with gilt bronze mounts and a Rouge Griotte marble Monument (Colonial Version) top H.9II W. Susan Hiller (b. I940) t73 An exact copy of the celebrated commode made for Installation, photographs, etc, zz,8 x 457 Date t98o—8t Louis XV at Versailles by Antoine Gaudreaux in t738 after designs by the Slodtz brothers. Several A preliminary study for this work was bought by high quality reproductions are known Leeds Art Gallery in t98t Bought the LACF, Bought with the aid of a contribution from the by t9t3 (LACF/F t LACF, x988 ) (3 t/t 988) z.98 Side Table English, c. r 7o5. Gilt pine The Doppelganger H.84; w.rz7 Stephen Willats r (b. 943) The elaborately decorated top suggests this table Photographic print, mixed media, z, panels, each was intended more for display than use X t36 98 Bought by the LACF, t9t4 Dated r984 (LACF/F z) Bought with the aid of a contribution from the Bracket and LACF, t988 2.99 Canopy (Mensole) Italian, (5/t989) early t 8th century. Gilt pine H. II4 z,94 Small Stone Bridge Mural brackets of this kind often serve in Catholic Glynn Williams (b. I939) churches as monstrance stands Sculpture: Hopton Wood Stone, Given to the LACF by R. H. Kitson, r9t4 45.7 x t5.r X t1.4 (LACF/F3) 3I 500 Side Table Formerly at Farfield Hall, Yorkshire North Italian, c. x7z.o—50. Gilt limewood with a Given through the LACF by Lady Martin, x952, Portovenere marble top (z,x/52) H. 86; L. 2x x 308 Toilet Glass Bought by the LACF, x9x6 English, c. x745 (LACF/F4) Mahogany and walnut but with evidence of 3 ox Pedestal for Sculpture restoration Italian, c. x goo. Scagliola marble H. 80; W. 66 Bought by the LACF, x9x6 Said to have come from Hampton Court, (LACF/F5) Herefordshire the LACF Martin, 3oz. Pair of Side Tables Given though by Lady x952 Italian (Rome) c. x70o—xo. Gilt pine with Breccia (53/52) Violetto tops bordered by Siena marble 5o9 Writing Table H.xox; L.x65 Probably by H. Harris, Cheltenham, c. x9zo Bought in Italy by the LACF, x92,0 Mahogany (LACF/Fx 5) H. x650 w. xx4 The design is based on a writing desk in the 305 Centre Table 'Chinese at Nostell Italian, late x9th century. Gilt pine with a grey Chippendale'tyle the Brocatello marble top Bought by LACF, x955 (LACF/F x H. 96; L. x2.2, x) Bought in Rome by the LACF, x92x (LACF/F6) 3o4 Side Table Possibly by William Linnell, London, c. x755—6o Carved and gilt pine with a Florentine marble top H.99; L.x70 Formerly at Bramshill, Hampshire Given through the LACF by Lady Martin, x940 (x 6/4o) 305 'Coromandel'creen Chinese, K'ang Hsi period (x662,—x7zz) Lacquered and painted hardwood H. 2.82,; W. 572 Bought with support from the LACF, x940 (2, x/4o) 3o6 Sedan Chair French, c. x 740-5o Pine, painted with scenes from mural decorations attributed to C. Huet in La Petite Singerie room at Chantilly c. x 75 5 H. x68 Formerly at Gatton Park, Surrey Given through the LACF by Lady Martin, x950 (z.o/5o) 5o7 Sideboard Dutch, c. x 805 Mahogany with brass inlay incorporating a basin and cistern bearing a Rotterdam pewter mark H. 99> L. x20 The corners ornamented with brass mummy-head Cat. no. 326 Race Cup, silver, by William Holmes and and foot terminals in the Egyptian taste Nicholas Dunce, London, r774-75. Acquired r964. 3 Io Sideboard Given to the LACF by Stanley Burton, I963 English, c. I79o (LACF/F I 3) Mahogany and satinwood Based on a design by Thomas Shearer in The 3 I6 Bureau-Plat London Cabinet-Makers'ook of Prices, x788 By Bernard II van Risenburgh, Paris, c. I74g H. 87> L. 244 Kingwood and walnut with ormolu mounts

Formerly owned by John Ambler, Killinghall Stamped in three places 'BVRB'nd once 'FL'. 8x Given through the LACF by Lady Martin, I955 > L. 2,I I (2,o.I/g g) A drawing by John Vardy at the RIBA portrays this table surmounted by a cartonnier which has now 3II Pair of Vase Knife Cases disappeared. This table is one of the few pieces of English, c. I79g high style French furniture known to have been in Satinwood with later silver escutcheons. The England before the Seven Years War interiors slotted to receive 2I knives, I8 forks and Formerly at Allerton Park, Yorkshire I2. spoons Bought with the aid of a contribution from the H. 62 LACF, x972, Given through the LACF by Lady Martin, I953 (3 2/72) (2o.z/g g) 3 I 2 Four-Fold Screen 3I7 Pair of Console Tables and Pier Glasses By E. H. Khan Sc Co., London, c. I9xo By William Vile and John Cobb, London, x76o Painted and gilt leather panels on a pine frame Pine, painted white and gilt with Breccia Corallina H. I83> W. 2,I3 marble tops Illustrated in Kahn's French Furniture trade cata- The original bill records that the looking glasses logue (c. I9xo) p. 34 as 'Springtime'riced cost fI73 and the table frames f33 x 2.s. od. f2,o ys. od. Formerly at Croome Court, Worcestershire Given through the LACF by Lady Martin, I9g6 Bought with the aid of a contribution from the (23/g6) LACF, I974 (I3/74) 3I3 Pair of Sideboard Pedestals and Urns Probably by John Linnell, London, c. I77o 3I8 Sofa and Four Armchairs Mahogany with gilt brass mounts By William Fell and Lawrence Turton, London, H. I83 I77I One is fitted up as a platewarmer, the other Gilt beech frames covered with floral tapestry contains a sink for the use of the Butler during woven on the Gobelin looms meals H. 97 (chairs) Io9 (sofa) Formerly at Culford Hall, Suffolk A companion sofa, six armchairs, a pair of window Bought by the LACF from Frank Partridge 5c Sons stools and two firescreens from this suite are now at with the aid of a contribution from the vendor in the Philadelphia Museum of Art. The matching memory of Claude A. Partridge, I9g9 wall hangings are at Aske Hall, Yorkshire (LACF/FS) Commissioned for the Tapestry Room at Moore Park, Hertfordshire. The sofa cost and the 3 I4 Collectors'abinet f23 English, c. x76o chairs fIo each Mahogany Bought with the aid of a contribution from the The upper stage contains shallow drawers LACF, I97) (66/7g) H. I73 > L. IO9 There is a strikingly similar cabinet in the Martin Chest Gersh collection, New York 3I9 English, oak with inlays Bought by the LACF, I96o 'GRACE Inscribed: FRITH I976'. (LACF/F x 2) 73 > L. I40 3 I g Hurdy-Gurdy Probably from Derbyshire By T. Henry, Mirecourt, France Bought with the aid of contributions made through x 8th century, third quarter. Maple the LACF, I979 L. 64 (43/79)

33 3z,o Chest of Drawers resembles his accredited furniture English, c. I66o Bought with the aid of a contribution from the Oak, fruitwood, ivory, pearl-shell LACF, I988 H. I 2.8; L. I 2,0 (4I/I988) Given to the LACF by Henry Moore, I979 METALWORK (LACF/F I7) 326 Race Cup Cover and Stand 3z I Box Silver. Maker's mark of William Holmes and By William Webb, Newington, Surrey, c. I8oo Nicholas Dumee Oak and elm London, — H. 2.4; L. I774 75 75 H. William Webb's trade label featuring rustic chairs 55 Inscribed by the retailer: 'Willm Moore fecit Pater- is pasted under the lid noster —Row, Bought by the LACF, I98I London'ormerly in the Mrs James Rothschild collection (LACF/F I8) Bought by the LACF, I964 3zz, Rug (LACF. M/I) By Fay Morgan 5c Roger Oates, I98z. 3 z,7 Globe Inkstand z,4z, x wool pile, I6I Ormolu with blue glass panels and jars Bought by the LACF to mark the retirement of Probably by Matthew Boulton, Birmingham, Robert Rowe in I983 c. I78o (LACF/F z.o) H. 40 Writing Cabinet Given anonymously through the LACF, I969 By John Channon, London, c.I745 (LACF. M/3) with engraved brass inlay and gilt Mahogany 3 z,8 Cassolet bronze mounts Ormolu and white marble H. 2.45; L. II 7 By Matthew Boulton, Birmingham, c. I775 This spectacular cabinet (which contains eleven H. 3I concealed compartments) is attributed to the The design corresponds to a drawing in Boulton R Channon workshop on the evidence of stylistic Fothergill's pattern book analogy with a pair of signed bookcases at Bought by the LACF, I967 Powderham Castle, Devon. It is widely regarded as (LACF. M/2.) the epitome of the fashionable rococo 'St Martin' Lane'tyle Cup and Cover Silver. Maker's mark of Charles Wright, London, Formerly at Ochtertyre, Perthshire I77o Bought with the aid of a contribution from the 7I H. 42, LACF, I985 Engraved with the arms of the Coryton family (23/85) Bought with a donation made to the LACF by Mrs Set of Fire-Irons V. Penrose May, I97z, English, c. I7zo—3o (LACF. M/4) Cast brass 3 3o Flagon L. 7I Silver gilt. Maker's mark IA in a plain shield Nottinghamshire Formerly at Clarkson Hall, (probably for John Acton) Bought by the LACF, I985 London, I6ot-oz, (LACF/FI9) H. 34 Library Writing Table The engraved decoration is probably by Nicaise Attributed to William Hallett, London, c. I745 Roussel with the arms of Sir Roger Mostyn of Mahogany with a leather top Mostyn, Wales H. 82.j L. 94 The pair to this flagon is at Manchester City Art Commissioned by Henry, 7th Viscount Irwin for Galleries his new library at Temple Newsam and visible in an Bought with the aid of a contribution from the early-Victorian watercolour of the room. Hallett is LACF, I978 known to have worked for the family and the table (4/78)

34 This centrepiece or surtout a table comprises a combination of cruets and casters, replaceable with dishes and candlesticks arranged in tiers round a central tureen or stand. It is the earliest complete example to have survived Bought with the aid of a contribution from the LACF, r988 (2/2 988)

CERAMICS Two Bowls Persian Given to the LACF by R. H. Kitson, r927 (Untraced) Vase Persian, c. ry6o Blue glass Acquired by the LACF, r9zy (Untraced) Wine Pourer Persian, c. 265o Bronze coloured glass Acquired by the LACF, r 927 (Untraced) 556 Large Vase Chinese, Han Dynasty Earthenware, green glaze, modelled on a bronze Cat. no. 33o Flagon, silver, London, r6or —oz. original with two pendant ring handles in relief Acquired rsZ8. Bought by the LACF, r929 (Untraced) Pair of Tiles 33r Pair of Ewers Chinese, Ming Dynasty Silver gilt. Maker's mark of Pierre Harache Bought by the LACF, r95r London, rp9y-98 (Untraced) H. 2.4 Engraved with the arms of Howard impaling Capel 558 The Four Seasons for Charles, 5rd Earl of Carlisle Derby Porcelain, c. ryy5 Formerly in the Warwick Castle collection H. 24.5 Bought with the aid of a contribution from the The models are attributed to Pierre Stephen with from LACF, r9y9 Bought assistance the LACF, 2943 (49/V9) (5/4S) The Kirkleatham Centrepiece Plate Silver. Maker's marks of David Willaume II and Leeds Pottery, c. r Soo Anne Tanqueray Creamware with painted decoration London, ry3r-52 D. 24.5 H. 29 The border design is illustrated in the Leeds Pottery Engraved with the arms and crest of Turner Enamelled Tea Service Book, priced at 5s per dozen impaling Marwood for Cholmley Turner of Kirk- Given anonymously to the LACF, r

96'LACF/C leatham, Yorkshire r )

35 34o Tea Pot The relief decoration, symbolic of fecundity, is Wedgwood, c. r77o copied from a model by the t6th-century potter Creamware with painted decoration executed at Bernard Palissy the Leeds enamelling shop Bought with the aid of a contribution from the H. I I.4 LACF, r985 Bought by the LACF with funds donated by Miss (35/85) Joan Greaves, r976 Lattice Jug: Formed from the Bottom of the (LACF/C2.) Sea By Kate Malone, 34 r Bowl t987 Earthenware with green lead glaze By Martin Smith, t978 Raku H. 2.3.3 the H. 2,8 Bought by LACF, t 988 (LACF/C4) Given by S. M. Cooper to the LACF, r978 (LACF/C3) 345 Large Plate By Sutton Taylor, t989 342, Pilgrim Bottle Earthenware with lustre decoration By Bernard Leach, r963 D. 47.5 Stoneware with tenmoku glaze Bought by the LACF, t989 H. 37 (LACF/C5) Bought with the aid of a contribution from the Pot LACF, t984 346 By Fiona Salazar, t988 6/84) (3 Earthenware with painted and burnished slip 'La Fecondite'ish decoration London, c. t67o H. 2.6.5 Tin-glazed earthenware with enamel colours Bought by the LACF, t989 L 463'37 8 (LACF/C6)

.I

Cat. no. 28r Anthony Caro, National Grid, dated t978—79. Acquired t98z.. 36 ~. 1l..li)S Leeds

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