Public Art at Canary Wharf

IGOR MITORAJ • Testa Addormentata HELAINE BLUMENFELD OBE • Fortuna DO KÖNIG VASSILAKIS • Angelo I SOPHIE SMALLHORN • Colour East 41. 1983 • Bronze 45. 2016 • Bronze 49. 2000 • Bronze, steel, glass, gilded ceramic 53. 2004 • Vinyl

E • BANK STREET, OUTSIDE WEST E • JUBILEE PARK Fortuna is Helaine Blumenfeld’s I • 40 BANK STREET LOBBY, GROUND LEVEL I • JUBILEE LINE STATION, NORTH-EAST WINTERGARDEN The bandaged face of most ambitious work to date. Commissioned Angelo I was the second work by Do König ESCALATORS TO MALL, LOWER LEVEL Geometry Testa Addormentata (‘Head Asleep’) is for Canary Wharf Group’s new district, under Vassilakis to be purchased for Canary Wharf’s and flat saturated colour are the focal points of one of three sculptures by Igor Mitoraj construction, this monumental sculpture was inspired permanent collection. This sculpture reflects Sophie Smallhorn’s practice. Her palette of (1944–2014) located in Canary Wharf. by Fortuna, the Roman goddess of luck, and evokes the artist’s keen interest in Greek mythology coloured vinyls is deceptively simple: proportion His enigmatic works combine the surreal the fullness and complexity of the human condition. and culture, as well as in Surrealism. Both and composition are manipulated to create playful with the antiquity of Greece and Rome. Best known for her large-scale outdoor commissions, pieces were cast in Italy where the artist has and pleasing juxtapositions. Smallhorn trained in His earlier sculpture was predominantly Blumenfeld is passionate about bringing sculpture lived since 1989, using the foundries of furniture design, and moved into sculpture after in terracotta or bronze, but he turned to into public spaces. Notable works in London include Pietrasanta and Impruneta. A third sculpture graduating. She collaborated with Populous marble following a trip to Carrara, Italy in 1979. In 2012 he was awarded Tempesta overlooking Hyde Park, and Meridiana in is located in Westferry Circus. Architects to design a spectrum of colours for the exterior ‘Wrap’ and the Knight Commander’s Cross, one of Poland’s highest honours. Holland Park. internal features of the 2012 Olympic Stadium.

MAUREEN ANNE HOLLEY • The Spirit of East London MARTIN RICHMAN • We Could Meet JENNIE MONCUR • Redberries • Blueberries ALEXANDER BELESCHENKO • Art Glass Wall 42. 2007 • Photographic lightbox 46. 2015 • Acrylic, fibre optics, electronics 50. 1990 • Paint on linen 54. 2002 • Antique mouth-blown glass

I • WEST WINTERGARDEN, GROUND E • CROSSRAIL PLACE, QUAYSIDE Martin I • 40 BANK STREET LOBBY, GROUND LEVEL I • CITIGROUP, GROUND LEVEL Not publicly LEVEL Maureen Anne Holley has Richman is interested in how art can improve Jennie Moncur works mainly in textiles to accessible without permission from Citi. always been fascinated by London: the quality of life in cities, humanising and create sumptuous and robust woven designs. Alexander Beleschenko specialises in its architecture, urban landscape and helping to give locations a sense of place. As unexecuted designs for tapestries, her architectural glass, using a variety of people. The Spirit of East London was We Could Meet consists of a grid of over 500 Redberries and Blueberries paintings echo the techniques to produce beautiful and dramatic purchased by Canary Wharf Group illuminated acrylic rods installed in the water same bold shapes and bright colours as the effects. His two glass walls for Canary Wharf from her 2007 degree exhibition channel and visible from above, programmed weavings, abstracting and juxtaposing demonstrate different aspects of his work. at the University of East London, a so that it changes colour and frequency traditional and decorative references. Both are illuminated through computer photographic montage set within throughout the day and evening. Moncur has carried out a number of large- controlled lighting, creating slowly changing a composite lightbox that captures the spirit and atmosphere of As the lights change colour, the juxtapositions of our colour perception scale commissions in different media, effects. Here ‘walls of light’ create a corridor docklands, the vibrancy of regeneration as well as her East End change as well - red in a field of blue appears different to the same red including the linoleum floor at the ICA, made of antique mouth-blown glass infilled childhood, where her father worked in the Royal Docks. in an orange field. London in 1987, reinstated in 2008. with white resin.

DO KÖNIG VASSILAKIS • Tree MICHAEL LYONS • Shepherd of the Sun EMMA BIGGS • Wharf Walk ALEXANDER BELESCHENKO • Art Glass Wall 43. 2003 • Bronze 47. 1994 • Steel, painted 51. 2003 and 2013 • Stone and glass mosaic 55. 2002 • Glass, lighting

I • 40 BANK STREET LOBBY, GROUND LEVEL I • CROSSRAIL PLACE ROOF GARDEN. While I • JUBILEE PLACE MALL, LOWER LEVEL I • CITIGROUP ENTRANCE, CANADA PLACE Do König Vassilakis’ work is strongly influenced creating Shepherd of the Sun Michael Lyons began Emma Biggs’ Wharf Walk takes us through MALL, LOWER LEVEL Not publicly by the mythology and the culture of Ancient to think of the good shepherd of Christianity, but Jubilee Place, following a trail of floor mosaics accessible without permission from Citi. Greece and Rome. Her long-standing partnership the discs also seemed to have a planetary or solar depicting some of the trades passing through Alexander Beleschenko’s second glass with the Greek artist Takis, who she met in 1968 at reference, bringing a more primitive or pagan the dockyards that flourished here. Each image is wall for Canary Wharf is visible from the the Venice Biennale, led to extensive travel, association. Both notions are reflected in the title: framed by a piece of evocative text, derived from public walkway. Here he employed a new returning to Greece in 1974. Their close friendship Orion, the mythological hunter, is often referred to Biggs’ careful research for the commission in technique using poured resin infill with leading artists active during the 1960s and as The Shepherd and the constellation is associated 2003. In 2013, when the mall was extended to a combined with enamel glass to create swirling shapes. Beleschenko 1970s, including Salvator Dali, Max Ernst and with the sun-god. This work and Unity of Opposites: lower floor, Biggs was invited to create four new has undertaken numerous public commissions, including works for the Arman, served to infuse her work with a surrealist Vortex were purchased following Lyons’ exhibition mosaics on the same theme. Wharf Walk now Welsh Assembly Building in Cardiff, the Met Office in Exeter and edge, beautifully expressed in this bronze tree. at Canary Wharf in 2014. comprises 17 floor mosaics in all. Millennium Place in Coventry.

RACHAEL WOODMAN • Vertical 40 ALISON CROWTHER • Kidney I • Kidney II SOPHIE SMALLHORN • Colour West JULIAN WILD • Origin (Vertical) 44. 2004 • Glass 48. 2008 • Green oak 52. 2004 • Vinyl 56. 2017 • Painted steel, polished stainless steel I • 40 BANK STREET LOBBY, GROUND LEVEL I • 40 BANK STREET LOBBY, GROUND LEVEL I • JUBILEE LINE STATION, NORTH-WEST E • CROSSRAIL PLACE ROOF GARDEN Rachael Woodman’s tall elegant, glass pieces Alison Crowther is both a sculptor and a ESCALATORS TO MALL, LOWER LEVEL Julian Wild uses a range of materials from were created especially for 40 Bank Street furniture maker. Her preferred medium is Geometry and flat saturated colour are focal polished and painted stainless steel to glass and they mirror the far-reaching skyscrapers green oak, which she always tries to source points of Sophie Smallhorn’s practice. Her and ceramic. Recent work includes a series that surround the building. Her work shows from sustainable woodland. Kidney I is carved palette is deceptively simple: proportion and of sculptures that act as man-made versions a concern for simplicity of line and purity in direct relation to the medullary rays of the composition are manipulated to create playful of natural structures. Wild also looks at the of form, whilst the subtle colours celebrate wood, the carving following them from ‘top’ and pleasing juxtapositions. Smallhorn trained relationship between colour and sculpture. the inner beauty of glass. Woodman has to ‘bottom’ of the form. Kidney II relates to the in furniture design, and moved into sculpture In some works the surface of the material worked in the medium for many years, and annual rings on the wood, the rippling surface after graduating. She has since undertaken a underneath is revealed as he leaves areas her glasswork is found in a number of public and carving marks following their concentric range of international exhibitions and unpainted or splits open a coloured collections, including the V&A Museum and the ‘rings’ around the form. Gentle forms, they appear as soft and commissions, including an installation in One sculpture to reveal its shiny metallic core. Contemporary Arts Society. malleable as kidney would be. Canada Square in 2004.

LBO LICHTBANKOBJEKTE • Lightbenches ‘Classic’ YVONNE DOMENGE • Coquino Coral SURESH DUTT • Drawing Cube (Blue) 57. 2011 • Translucent glass, LED 61. 2015 • Polymer with onyx powder, stainless steel base 65. 2010 • Mild steel COMING SOON E • CANADA SQUARE PARK Created by E• JUNCTION OF BANK STREET / UPPER BANK E • MONTGOMERY SQUARE Suresh Dutt was German design duo Heidi and Bernd Spiecker, STREET Yvonne Domenge was one of four the winner of the First@108 Public Art Award the ten benches are illuminated through contemporary Mexican artists exhibiting their in 2010, the second year of this award by a programmed sequence, adding a new work at Canary Wharf as part of Mexico UK the Royal Society of Sculptors to provide an dimension to taking the weight off your feet. Year of the Arts 2015. Her work is defined by its opportunity for artists new to public art to The Lightbenches were launched as part of abstract and organic nature, her subject-matter create a large-scale sculpture commission. the Festival of Lights in Berlin in 2011. Bernd reflecting the relationship between man and The Award was sponsored by Canary Wharf explains ‘the emotional interaction of light the natural world. Here she evokes a marine Group in its first two years. Part of the Award and colours should get the park bench out of scene, inviting the viewer to step back from the was the opportunity to display the finished its conventional context and open up a new commotion of urban life to contemplate the sculpture at Canary Wharf, and Drawing Cube perception of these objects to the viewer’. beauty and fragility of coral formations. (Blue) has now been added to Canary Wharf’s permanent collection.

RICHARD HUDSON • Tear ANTONI MALINOWSKI • Untitled NIGEL ROSS • Cross Way • 2003 • European larch DANNY LANE • Parting of the Waves 2018 • polished mirrored steel, Edition 1/3 58. 2000 • Acrylic on canvas 62. Arbor • 2013 • Oak 66. 2003 • Glass, steel

I • CANADA PLACE MALL, LOWER E • MONTGOMERY SQUARE Cross Way and Arbor I • 20 CANADA SQUARE LOBBY, GROUND LEVEL LEVEL Antoni Malinowski’s were carved by hand from single tree trunks. Not publicly accessible without permission. painting in brilliant blue is Self-taught sculptor Nigel Ross developed his Danny Lane is well known for his monumental executed in his trademark pure skills after working as a tree surgeon in London sculptures made of horizontally stacked glass. pigment, resulting in a vivid and and as a forest contractor on the Isle of Arran. His work ranges from glass furniture combined vibrant matt finish. It evokes By 1995, he was working fulltime as a sculptor with wrought iron, to large-scale architectural dreams of river currents, shoals and maker, usually using fallen trees and taking commissions. At Canary Wharf he explored for of fish, and the gentle play of inspiration from the rhythms and energy of the first time the potential of stacking in the light on water. The original floor of the adjacent mall, since replaced, nature. Some of his works have a functional vertical and created two undulating glass walls, was designed by Malinowski. He has undertaken a number of public element and his sculptural benches are found in which transform this space into an experience commissions working with architects including the Royal Court rural and urban settings. likened to the ‘parting of the seas’. Theatre, London where he created a wall drawing of 86 sq m. RICHARD HUDSON • The Knot 2018 • polished mirrored steel, Edition 1/3 TERENCE WOODGATE • Seating IGOR MITORAJ • Centauro NIGEL HALL RA • Kiss 59. 2000 • Bead-blasted aluminium 63. 1984 • Bronze 67. 2000 • Painted steel The public art collection at Canary Wharf is constantly evolving. New pieces are added from time to time, and I • CANADA PLACE MALL, LOWER LEVEL Terence E • MONTGOMERY SQUARE Igor Mitoraj’s E • SOUTH COLONNADE Nigel Hall’s Kiss works may be moved to a new location, or temporarily Woodgate designed the public seating in the Centauro shows the great mythological beast comprises two elements, a cone and a wedge, removed for restoration. In Spring 2019, two sculptures by Canada Place mall to complement the original partially incomplete but ready for battle. A truly positioned to balance naturally, but – held Richard Hudson will be installed on the estate. floor design by Antoni Malinowski, since European artist, Mitoraj (d.2014) was born in East slightly apart at the base – a tension shimmers replaced, which evoked a sense of water. In Germany of Polish/French parents and initially between them. Often informed by his intense response, Woodgate decided to create studied classical painting in Krakow before interest in landscape, Hall’s sculptures aluminium seating with invisible fixings that moving to Paris in 1968. He began experimenting explore spatial ambiguity in deceptively appear to float like rafts across the floor and with sculpture following a visit to South America simple compositions, which often employ reflect the light from above. Woodgate and then embarked on a series of study trips to mathematical constructs in their resolution. established his design studio in 1988 specialising Greece. Two other sculptures are located on the Kiss was exhibited as part of Hall’s exhibition at Canary Wharf in autumn in furniture and lighting, and has designed estate, in Columbus Courtyard and outside West 2016, which focused on his use of elliptical and orbital configurations. Photographs by Aurelio Amendola, Alexander public seating for many varied environments. Wintergarden. Beleschenko, Theresa Bergne, Rod Dorling, Suresh Dutt, David Hoffman, Lesley Johnson, Melissa Kojan, Joe Low, Iain McLean, Peter Matthews & Folio MICHAEL BRENNAND-WOOD • Flight Paths EILIS O’CONNELL • Sacrificial Anode BILL CULBERT • Coup de Foudre II Photography, Nunzio Prenna, Heini Schneebeli, 60. 2005 • Mosaic, wood, metal 64. 2007 • Cast bronze, stainless steel 68. 2009 • Neon Andy Spain, Philip Vile, Richard Waite, Keith Watson, Sally Williams I • EAST WINTERGARDEN, GROUND LEVEL E• MONTGOMERY SQUARE Made in varying I • CHURCHILL PLACE MALL, LOWER LEVEL Primarily known as a textile artist, Michael materials from steel and bronze to plastics Bill Culbert is one of the world’s leading Photographs of Henry Moore Draped Seated Brennand-Wood created Flight Paths in response and found objects, Eilis O’Connell’s light artists and has been working in this Woman © Henry Moore Foundation to the colours, textures and architecture of the sculptures show her meticulous attention to medium for over forty years, with works in For further information contact East Wintergarden. Four constructed relief panels surface detail and close observation of the public collections worldwide. His neon light Public Art, Canary Wharf Group world around her. A ‘sacrificial anode’ refers sculpture, Coup de Foudre II, consists of lines hang in pairs either side of this airy glass-roofed One Canada Square, Canary Wharf of coloured light that move effortlessly inside space, each panel comprised of layers of tracks to an anode attached to a metal object, London E14 5AB made up of tiny mosaic tiles in red, white, black such as a boat or underground tank, in and outside the building creating the illusion of Telephone 020 7418 2000 and grey. Like drawings suspended in air, the works order to inhibit its corrosion. This sculpture one continuous piece. It was fabricated by the [email protected] are diagrammatical interpretations of the wing tip was purchased following O’Connell’s Birmingham-based City Neon Sign Company vortexes alluded to in the title, Flight Paths. exhibition in Jubilee Park in spring 2013. Ltd, whose director Laszlo Gregor has Copyright © Canary Wharf Group, 2019

collaborated with Culbert and other artists.

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Terence Woodgate Woodgate Terence 59

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Charles Hadcock Hadcock Charles 40 28

William Turnbull Turnbull William 35

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Leo Stevenson Stevenson Leo 13

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Sophie Smallhorn Smallhorn Sophie

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Nigel Ross Ross Nigel 62

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Martin Richman Richman Martin 46 29

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Wendy Ramshaw Ramshaw Wendy 11

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Alison Crowther Crowther Alison 48

Julius Popp Popp Julius

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Tatiana Orloff Orloff Tatiana 12

Jon Buck Buck Jon 25

Eilis O’Connell O’Connell Eilis 64

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Michael Brennand-Wood Brennand-Wood Michael

Henry Moore Moore Henry 19

between art, design and architecture. and design art, between him: the importance of life and light, contrast contrast light, and life of importance the him:

Helaine Blumenfeld Blumenfeld Helaine designers, whose work crosses boundaries boundaries crosses work whose designers, expresses what his experiences have taught taught have experiences his what expresses 45

Jennie Moncur Moncur Jennie 50

regarded as one of Britain’s most inventive inventive most Britain’s of one as regarded creating larger and bolder works. His work work His works. bolder and larger creating

Emma Biggs Biggs Emma

51 33 27

Igor Mitoraj Mitoraj Igor 63 41 9

at the Architectural Association and is now now is and Association Architectural the at but soon began experimenting in other media, media, other in experimenting began soon but

Jeff Bell Bell Jeff 18

Keith Milow Milow Keith came to London from Israel in 1973 to study study to 1973 in Israel from London to came later returned to ceramics and sculptural form form sculptural and ceramics to returned later 37

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Alexander Beleschenko Beleschenko Alexander 55 54

Bruce McLean McLean Bruce

wind, subverting one’s expectations of what what of expectations one’s subverting wind, his back on academia to concentrate first on on first concentrate to academia on back his

Oliver Barratt Barratt Oliver 10

Antoni Malinowski Malinowski Antoni fibre. It was designed to flex gently in the the in gently flex to designed was It fibre. a head injury as a teenager, Chapman turned turned Chapman teenager, a as injury head a 58

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Jay Battle Battle Jay 5

Michael Lyons Lyons Michael

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Bob Allen Allen Bob

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Two audio benches are located 100m apart on on apart 100m located are benches audio Two contemporary, self expressive work. expressive self contemporary, west to east, and the text indicates whether they they whether indicates text the and east, to west

people for whom the river is a daily presence. presence. daily a is river the whom for people his own studio where he creates creates he where studio own his

sequentially as to their location on the estate from from estate the on location their to as sequentially

Canary Wharf Canary experience of both these locations, told by by told locations, these both of experience restoration works as well as running running as well as works restoration

artist architectural works. The works are numbered numbered are works The works. architectural artist

interviews and stories that relate the human human the relate that stories and interviews Cathedral, contributing to its constant constant its to contributing Cathedral,

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which include stand-alone pieces and integrated integrated and pieces stand-alone include which gentle, evocative sound-scape using recorded recorded using sound-scape evocative gentle, became Head Carver at Salisbury Salisbury at Carver Head became

ART MAP ART river Hudson in New York. De Jong created a a created Jong De York. New in Hudson river to study stone carving and in 1997 1997 in and carving stone study to commissioned or loaned by Canary Wharf Group, Group, Wharf Canary by loaned or commissioned

linked the river Thames in London with the the with London in Thames river the linked in Canada, Battle came to England England to came Battle Canada, in

This map identifies the works of art purchased, purchased, art of works the identifies map This

by Public Art Development Trust, which which Trust, Development Art Public by Having trained as a stone mason mason stone a as trained Having

was part of a wider project commissioned commissioned project wider a of part was Thames. The stone has been polished to reveal the natural, lined core. core. lined natural, the reveal to polished been has stone The Thames.

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was sponsored by Canary Wharf Group but but Group Wharf Canary by sponsored was a mythical sea creature that has perhaps been washed up from the the from up washed been perhaps has that creature sea mythical a

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Speaking of the River River the of Speaking looks a little like the shell of of shell the like little a looks Point Vanishing

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5. 1.

2000 • Audio benches benches Audio • 2000 1999 • Derbyshire stone, steel steel stone, Derbyshire • 1999

JAY BATTLE JAY JONG DE CONSTANCE • Vanishing Point Vanishing • • Speaking of the River the of Speaking • IGOR MITORAJ • Centurione I LEO STEVENSON • The Hibbert Gate BOB ALLEN • It Takes Two PHILIP JACKSON & SOM • Bronze Bowls 9. 1987 • Bronze 13. 2000 • Bronze, stone 17. 2002 • Bronze 21. 1992 • Bronze

E • COLUMBUS COURTYARD Igor Mitoraj E • ADJACENT TO NORTH DOCK, WEST This E • CABOT SQUARE Following a serious E • CABOT SQUARE Philip Jackson CVO is best (1944–2014) was born in East Germany of replica of the main gate was commissioned operation, Bob Allen was advised to take up known for his figurative bronze sculptures, Polish/French parents and studied classical to commemorate the original entrance to the carving to strengthen his left arm. Discovering such as the equestrian statue of the Queen painting in Krakow before moving to Paris in West India Docks, built in 1803. The ship on top he had talent, Allen began creating sculpture, commissioned for her Golden Jubilee, the 1968, and later travelled in South America. His of the arch is a West Indiaman named Hibbert, taking his inspiration from nature, often carving memorial statue of The Queen Mother in The enigmatic and monumental sculptures combine which went to sea between 1785 and 1813 wood using traditional tools and working in the Mall unveiled in 2009, and his group of seven the surreal with the antiquity of Greece and and travelled extensively to the West Indies, open air. It Takes Two is a bronze cast of a figures for the Bomber Command Memorial Rome. At Canary Wharf there are three of his bringing back sugar, rum, cotton, coffee and carving from the fallen bough of an ancient in Green Park in 2012. At Canary Wharf he works, representing some of the themes that tropical hardwoods. All drawings of the ship are English Yew listed in the Domesday Book. worked with architects Skidmore, Owings & occupied him. Centurione I represents the now lost but this model by Leo Stevenson was Allen’s aim is to reveal the hidden quality he Merrill (SOM) to design the unique planters for head as an incomplete mask, suggesting the made based on extensive research into records sees in the wood. Here it was the female form the entrance steps into Cabot Square, and also surviving part of an enormous whole. of West Indiamen of the period. that emerged first, later a male form. found at Wren Landing.

OLIVER BARRATT • Opening Lines • 2010 GILES PENNY • Man with Arms Open JEFF BELL • Cast Glass Panels GILES PENNY • Two Men on a Bench 10. Turning Point • 2014 • Fibreglass, resin, stainless steel 14. 1995 • Bronze 18. 1992 • Cast lead crystal 22. 1995 • Bronze

E • COLUMBUS COURTYARD On loan E • WEST INDIA AVENUE Giles Penny’s Man with E • CABOT SQUARE Jeff Bell’s Cast Glass Panels E • WREN LANDING Giles Penny’s Two Men on from the artist. Oliver Barratt studied at Arms Open is a roughly hewn bronze figure with form the cladding for the four ventilation a Bench is a large bronze work in the classical Falmouth School of Art and was Henry his head thrown back and arms outstretched. shafts in Cabot Square that service the car figurative tradition, which has a contemplative Moore Fellow in 1990-92. He creates Penny came to the attention of Canary Wharf park below, turning the functional into a air as well as an element of fun. Simplified work for exhibition, private commissions Group when this work, together with another spectacle of light and colour. Born in Yorkshire, surfaces and contours imbue it with a and public projects. He has shown of his bronzes, Two Men on a Bench, was shown Bell established his studio in London in 1986 monumental presence and narrative sculptural regularly in the UK and around the as part of the Millennium exhibition, The Shape and has built up a reputation for making unique language. Penny came to the attention of world, and his commissions have ranged of the Century in 1999, held in Salisbury and cast glass sculpture, furniture and architectural Canary Wharf when this and another of his from the Everest Memorial at Base at Canary Wharf. Both sculptures were then pieces. He enjoys pushing the boundaries of bronzes, Man with Arms Open, were shown Camp, Mount Everest in Nepal to a work purchased and form part of the permanent the application of his chosen material and has as part of the Millennium exhibition The Shape to celebrate Liverpool as European City collection of works of art on the estate. cast the most unlikely structures, including a of the Century in 1999. Both works were of Culture. bath tub and a spiral staircase. purchased by Canary Wharf Group.

WENDY RAMSHAW • Columbus Screen JAMES HORROBIN & SOM • Cabot Square Railings HENRY MOORE • Draped Seated Woman BRUCE MCLEAN • Sculptural Railings 11. 2000 • Steel, Perspex 15 . 1992 • Steel 19. 1957-58 • Bronze • 2 in an edition of 6 23. 1992 • Steel

E • COLUMBUS COURTYARD When Canary Wharf commissioned E • CABOT SQUARE A master craftsman in E • CABOT SQUARE Henry Moore’s Draped Seated Woman was E • FISHERMAN’S WALK, WREN LANDING Bruce jewellery designer Wendy Ramshaw (1939-2018), the Columbus architectural and domestic forged ironwork, purchased in 1962 under London County Council’s Patronage of the McLean’s intervention at Canary Wharf is theme led her to a design based on the navigational charts used James Horrobin worked with architects Arts Scheme for the Stifford Estate in Stepney. In 1997, when the the sculptural railing alongside Fisherman’s by the great explorer, an apposite Skidmore, Owings & Merrill (SOM) to design estate’s tower blocks were due for demolition, the sculpture was moved Walk. The 40-metre long charcoal steel rail is choice given the proximity of Greenwich two sets of railings for Canary Wharf. for safekeeping to Yorkshire Sculpture Park. In 2015 the new Mayor heavily worked with shapes, faces, circles and and its associations with maritime The perimeter Cabot Square Railings are of Tower Hamlets pledged to bring the squares, true to his style. McLean challenges history. Best known for her jewellery, reminiscent of the cogs on a steam engine, sculpture back to the borough and Cabot the traditional structure of the railing, intricate brooches and rings, which can and make a subtle addition to the ambiance Square was chosen as its temporary home. subverting the straight line with wit and vigour. be seen at the V&A Museum and other of this popular square. Horrobin has created The reinstatement of this important piece McLean has worked on numerous architectural collections, she also tackled large- a wide diversity of architectural, ecclesiastic, of the borough’s artistic heritage has been schemes in collaboration with architect Will scale architectural works, such as the domestic and sculptural works from his funded by Canary Wharf Group on behalf Alsop, including the Queen Mary College Edinburgh Gate at Hyde Park, 2010. Doverhay Forge Studios in Somerset. of London Borough of Tower Hamlets. School of Medicine & Dentistry in Whitechapel.

TATIANA ORLOFF • Planters GERALD LAING • Relief Portrait of Michael von Clemm LYNN CHADWICK • Couple on Seat WALES & WALES • Benches 12. 2001–02 • Bronze 16. 1998 • Bronze 20. 1984 • Bronze 24. 1992 • Beech

E • COLUMBUS COURTYARD Tatiana E • CABOT SQUARE A bronze relief portrait E • CABOT SQUARE Courtesy of the Lypiatt E • WREN LANDING AND THROUGHOUT Orloff is perhaps best known for her by Gerald Laing (1936–2011) set on a Portland Studios and Pangolin Editions. Lynn ESTATE Husband and wife design team portrait sculpture. During her career stone plinth commemorates Michael von Clemm Chadwick (1914–2003) began his career Wales & Wales have created many of the she has worked in a variety of materials (1935–1997), ‘investment banker and pioneer of as an architectural draughtsman but after wooden benches that are found in Canary and techniques, which include welding the Euromarkets whose vision helped to create World War II he took up sculpture. Couple on Wharf’s exterior and interior spaces. in mild steel. The mastering of each this financial centre’. Laing first came to fame Seat is one of his later works. He produced Their work is influenced by architecture, new discipline has had an influence on as one of the significant British Pop artists in many pieces with figures in various positions, characterised here by the subtle her work as a whole. These 12 planters the 1960s, known for paintings that commented following in the tradition of sculptor Henry sensitivity with which the benches relate reflect her skill in ceramics transposed on the contemporary scene. He later focused Moore. Chadwick created a permanent to their surroundings. Originally trained as here into sculpture in bronze. They are unique, designed specifically on sculpture, first abstract then figurative exhibition of his work at his home at Lypiatt cabinet makers, they soon became more for Canary Wharf, and were originally located either side of a short subjects, and undertook a number of high Park in Gloucestershire. An exhibition of his interested in the design process and the flight of steps in Canada Square Park. profile commissions. work was held in Canary Wharf in 2004. scale of their production increased.

JON BUCK • Returning to Embrace MARTIN RICHMAN • Float EMMA BIGGS • Sartor Resartus KEITH MILOW • Twentieth Century Thames 25. 1999 • Bronze 29. 2002 • Light, glass, steel 33. 2003 • Stone and glass mosaic 37. 1998 • Oxidised iron

E • 10 CABOT SQUARE FORECOURT Jon Buck’s E • NORTH COLONNADE Martin Richman’s I • HERON WALK TO JUBILEE PLACE, LOWER I • ONE CANADA SQUARE LOBBY, GROUND sculpture appears to show a couple locked Float was designed to transform an otherwise LEVEL Emma Biggs’ Mosaic Workshop is one LEVEL Twentieth Century Thames, Keith Milow’s together, gazing into each other’s eyes. Closer unremarkable space into an uplifting visual of Britain’s leading studio workshops, creating series of works for Canary Wharf’s signature examination reveals a strange fusion of forms, experience after dusk. His working life began walls, floors and small-scale artworks using building, are millennial in their conception. If you their bodies so far intertwined as to have as a lighting designer in the music industry, the ancient method of mosaic. Sartor Resartus look closely at the apparently rusty discs, hundreds become a single organism. Central to Buck’s but from 1985 he started his artistic career depicts a playful collage of the different forms of embossed names are revealed. Some are work is an interest in our connection to the exploring the medium of light. He has had of dress of the office workers of Canary Wharf. immediately recognisable, others more obscure, natural world and his figures depict not only numerous exhibitions as well as permanent Between the two wall panels, a floor roundel but all are artists, composers, writers and architects men and women but also Man and Nature. He public commissions and temporary projects. shows an amusing collage of footwear, from who made their mark in the twentieth century. has long been fascinated by art outside the In 2010 he completed a scheme with Eric office brogues to dance slippers. Additional A prolific sculptor, painter and installation artist, Western tradition, particularly African sculpture. Parry Architects, illuminating the faience mosaics by Biggs are found in Cabot Place Milow has exhibited extensively since the 1960s. façade of a building in Bond Street, London. and Jubilee mall.

JAMES HORROBIN & SOM • Promenade Railings JULIUS POPP • bit.fall ‘London Games’ MICHAEL LYONS • Unity of Opposites: Vortex LAWSON OYEKAN • Trail with Light (LIP) Series 26. 1992 • Steel 30. 2012 • Valves, pump, computer, filter • 1 in an edition of 5 34. 2001 • Copper, patinated and waxed 38. 1998 • Terracotta

E • MACKENZIE WALK AND DOCKSIDE E • CHANCELLOR PASSAGE UNDER DLR BRIDGE E • ADAM’S PLAZA Unity of Opposites: Vortex I • ONE CANADA SQUARE LOBBY, GROUND LEVEL Four works from PERIMETER A master craftsman in OVER MIDDLE DOCK Julius Popp’s bit.fall is one of a number of works inspired by Lawson Oyekan’s series Trail with Light are on permanent display in architectural and domestic forged ironwork, produces an ever-changing cascade of words, Michael Lyons’ visits to China, for whose One Canada Square, rough-hewn terracotta vessels that have been James Horrobin worked with architects taken from live newsfeeds from the media. Using culture he developed a deep affinity. Echoing described by Oyekan as reflecting emotional Skidmore, Owings & Merrill (SOM) to design sophisticated technology, a series of valves open the writings of Chinese philosophers, this experiences in their surface treatment. They two sets of railings for Canary Wharf. at exactly the right moment to let droplets of sculpture has been described as embodying look as if they have been exploded and put The Promenade Railings along the entire water fall to form letters. The words appear in the tensions within modern society between back together again. Oyekan was born in perimeter of the docks echo sails on a sailing mid-air, illuminated from above as they move materialistic cravings and spiritual needs. South London and raised in Nigeria. In 2001 boat. Horrobin has created a wide diversity downwards, and are only visible for the time it This work and another sculpture, Shepherd he won the Grand Prix Award in the 1st World of works, encompassing architectural, takes to drop before dissolving forever. bit.fall is of the Sun, were purchased following Lyons’ Ceramic Biennale, held in Korea. He had a solo ecclesiastic, domestic and sculptural pieces. timed to come on at dusk. exhibition at Canary Wharf in 2014. exhibition at Canary Wharf in 2011.

EMMA BIGGS • Pattern for Democracy SINTA TANTRA • A Beautiful Sunset Mistaken for a Dawn WILLIAM TURNBULL • Blade of Venus KONSTANTIN GRCIC • Six Public Clocks 27. 2008 • Mosaic 31. 2012 • Paint, with underbridge lighting scheme by Lighting 35. 1985 • Bronze 39. 1999 • Steel, glass Design International (LDI) I • CABOT PLACE MALL, GROUND I • ONE CANADA SQUARE LOBBY, GROUND E • REUTERS PLAZA Six Public Clocks by LEVEL Emma Biggs’ floor mosaic in E • DLR BRIDGE OVER MIDDLE DOCK Sinta LEVEL Blade of Venus by William Turnbull Konstantin Grcic was the winning design Cabot Place, Pattern for Democracy, is Tantra’s inspiration was drawn from the (1922–2012) is part of a series of bronzes in a competition inviting proposals for a contemporary take on a traditional natural elements, ever-changing light that originated in the shape of Japanese this public space. His playful installation geometrical floor. Instead of striving for and towering buildings of Canary Wharf. swords and Chinese chopping knives. The is based on the iconic Swiss railway machine-like precision, elements of the Sunset and sunrise influenced her palette: metamorphosis of these hidden references clock but here each of the 12 faces design vary in colour, form and even blues and greys working well during the adds an element of ambiguity and the surreal, shows a single and different numeral. direction, the differences combining to day; purples and pinks at night. LDI’s giving the image a wide frame of reference German designer Grcic is best known for create a harmonious whole, much like lighting scheme brings the bridge to life and a compelling figurative identity. Turnbull’s his furniture and product design. Based the way we as individuals can harness our variety to create a benign at dusk. LED projectors wash soft light bronzes are distinguished by a rich contrast in in Munich but working internationally, he has won numerous prestigious society. A second, smaller roundel is located at the entrance from from each end, changing from early to surface, patina and detail, which create a kind awards, including Honorary Royal Designer for Industry awarded by the Cabot Square. late evening. of skin. Royal Society of Arts in 2009.

CHARLES HADCOCK • Helisphere TO THE CITY CATHERINE YASS • Descent: HQ3 SERGIO FERMARIELLO • Guerrieri (Warriors) CHARLES HADCOCK • Torsion II 28. 2009 • Cast iron AND THE 2002 • Photographic lightbox 2013 • Aluminium laser cut-out, paint 2009–11 • Cast iron WEST END 32. 36. 40.

E • HERON QUAYS DLR STATION In I • HERON WALK LINK TO JUBILEE PLACE, I • ONE CANADA SQUARE LOBBY, E • BANK STREET, OUTSIDE JUBILEE PARK Charles Hadcock’s Torsion II Helisphere Charles Hadcock has LOWER LEVEL Between November 2001 GROUND LEVEL Initially studying has been described as being like a stairway to the stars. It is an combined the characteristics of the and January 2002 Catherine Yass was sciences at the University of Naples, example of the artist’s practice of revisiting his TO sphere with that of the helix – a curve given permission to take photographs Sergio Fermariello soon turned his sculptures over time, transforming them in the LONDON CITY in 3-dimensional space. The sphere is and film from one of the Canary Wharf attention to art, focussing on ideas process, part of his strategy to kick-start new AIRPORT made in horizontal sections, which spin towers under construction, for a body around collective unconscious memory. ideas and new sources of inspiration. Here out of alignment with its skin, causing of work exhibited for her Turner Prize In 1993 he represented Italy at the Venice Hadcock added further sections to an existing a curved and stepped distortion that nomination in 2002. Descent: HQ3 is Biennale with a body of work developing work Torsion I, already a tall spiralling form, as he is the helix curve. Walking around the one of three large-scale photographic his exploration of ‘The Warrior’, taking was preparing for his exhibition in Canary sculpture provides the viewer with a images subsequently commissioned by archetypal symbols and shapes from antiquity and mythology. In 1995 he Wharf’s Jubilee Park in spring 2011. Torsion II and multiplicity of gently changing shapes. Helisphere and Torsion II, also Canary Wharf Group. Yass is noted for her films and intensely-coloured began making works that were part painting part sculpture, as in the pair Helisphere were purchased for the collection. in the permanent collection, were exhibited in Jubilee Park in 2011. photographs that often combine the positive and the negative. of works here.

NORTH DOCK WALK WEST INDIA QUAY

CROSSRAIL PLACE NORTH DOCK NORTH DOCK 47 56

13 46 FISHERMAN’S WALK 26 34 10 11 WREN LANDING 9 COLUMBUS COURTYARD 23

12 22 ADAM’S PLAZA 24 25 29 1

16 21 37 8 20 54 55 CHURCHILL 3 BLACKWALL BASIN 58 PLACE WESTFERRY 35 6 14 27 CANADA CIRCUS 68 4 15 CABOT SQUARE SQUARE PARK 59 2 17 18 19 36 57 7 38

CANARY WHARF 67 CANARY 5 66 CANARY WHARF PIER RIVERSIDE

CUBITT STEPS

30 39 MACKENZIE WALK 65 31 52 53 63 MIDDLE DOCK 64 45 62 RIVER THAMES JUBILEE PARK MONTGOMERY CANARY CANARY SQUARE RIVERSIDE SOUTH WHARF WHARF (UNDER CONSTRUCTION)

33 28 32 40

51 HERON 41 QUAYS 61 WORK OF ART LONDON UNDERGROUND 50 43 RIVERBUS PIER DOCKLANDS LIGHT RAILWAY (DLR) 42 60 49 44 CROSSRAIL BUS STOP 48 SOUTH DOCK CAR PARKING SOUTH DOCK IGOR MITORAJ • Centurione I LEO STEVENSON • The Hibbert Gate BOB ALLEN • It Takes Two PHILIP JACKSON & SOM • Bronze Bowls 9. 1987 • Bronze 13. 2000 • Bronze, stone 17. 2002 • Bronze 21. 1992 • Bronze

NORTH DOCK WALK WEST INDIA QUAY

CROSSRAIL PLACE NORTH DOCK NORTH DOCK 47 56

13 46 FISHERMAN’S WALK 26 34 10 11 WREN LANDING 9 COLUMBUS COURTYARD 23

12 22 ADAM’S PLAZA 24 25 29 1

16 21 37 8 20 54 55 CHURCHILL 3 BLACKWALL BASIN 58 PLACE WESTFERRY 35 6 14 27 CANADA CIRCUS 68 4 15 CABOT SQUARE SQUARE PARK 59 2 17 18 19 36 57 7 38

CANARY WHARF 67 CANARY 5 66 CANARY WHARF PIER RIVERSIDE

CUBITT STEPS

30 39 MACKENZIE WALK 65 31 52 53 63 MIDDLE DOCK 64 45 62 RIVER THAMES JUBILEE PARK MONTGOMERY CANARY CANARY SQUARE RIVERSIDE SOUTH WHARF WHARF (UNDER CONSTRUCTION)

33 28 32 40

51 HERON 41 QUAYS 61 WORK OF ART LONDON UNDERGROUND 50 43 RIVERBUS PIER DOCKLANDS LIGHT RAILWAY (DLR) 42 60 49 44 CROSSRAIL BUS STOP 48 SOUTH DOCK CAR PARKING SOUTH DOCK JAY BATTLE • Vanishing Point CONSTANCE DE JONG • Speaking of the River 5. 1999 • Derbyshire stone, steel PUBLIC ART AT 1. 2000 • Audio benches E • CANARY RIVERSIDE Vanishing Point looks a little like the shell of E • CANARY RIVERSIDE Speaking of the River a mythical sea creature that has perhaps been washed up from the CANARY WHARF was sponsored by Canary Wharf Group but Thames. The stone has been polished to reveal the natural, lined core. was part of a wider project commissioned Having trained as a stone mason by Public Art Development Trust, which in Canada, Battle came to England This map identifies the works of art purchased, linked the river Thames in London with the to study stone carving and in 1997 commissioned or loaned by Canary Wharf Group, ART MAP river Hudson in New York. De Jong created a became Head Carver at Salisbury which include stand-alone pieces and integrated Public art at gentle, evocative sound-scape using recorded Cathedral, contributing to its constant artist architectural works. The works are numbered interviews and stories that relate the human restoration works as well as running sequentially as to their location on the estate from Canary Wharf experience of both these locations, told by his own studio where he creates people for whom the river is a daily presence. contemporary, self expressive work. west to east, and the text indicates whether they Two audio benches are located 100m apart on are sited inside (I) or outside (E). the riverside promenade.

HUGH CHAPMAN • Growth Form 2012 Artists and key to works on map: RON ARAD • Windwand 2012 • Bronze 2000 • Carbon fibre 6. Bob Allen 17 LBO Lichtbank 57 2. E • WESTFERRY CIRCUS Hugh Chapman’s Ron Arad 2 Giusseppe Lund 3 E • CANARY RIVERSIDE Windwand is as tall Growth Form 2012 was cast at the nearby as some of the buildings that surround it, a 34 47 Bronze Age foundry in Limehouse. Suffering Jay Battle 5 Michael Lyons 50-metre high needle made of red carbon a head injury as a teenager, Chapman turned Oliver Barratt 10 Antoni Malinowski 58 fibre. It was designed to flex gently in the his back on academia to concentrate first on wind, subverting one’s expectations of what Bruce McLean 23 ceramics before turning to photography. He Alexander Beleschenko 54 55 tall objects in this area should do. Ron Arad 37 later returned to ceramics and sculptural form Jeff Bell 18 Keith Milow came to London from Israel in 1973 to study but soon began experimenting in other media, at the Architectural Association and is now 27 33 51 Igor Mitoraj 9 41 63 creating larger and bolder works. His work Emma Biggs regarded as one of Britain’s most inventive expresses what his experiences have taught Helaine Blumenfeld 45 Jennie Moncur 50 designers, whose work crosses boundaries him: the importance of life and light, contrast between art, design and architecture. Michael Brennand-Wood 60 Henry Moore 19 and reflection. Jon Buck 25 Eilis O’Connell 64 ANDREW BURTON • Chimney Andrew Burton 7 Tatiana Orloff 12 GIUSSEPPE LUND • Gate • Sculptural Railings 2008 • Recycled fired bricks, steel 1992 • Steel, bronze 7. Lynn Chadwick 20 Lawson Oyekan 38 3. E • WESTFERRY CIRCUS Andrew Burton has Hugh Chapman 6 Giles Penny 14 22 E • WESTFERRY CIRCUS Inspired by the cycle of the seasons, created a number of works using miniature Lund’s Gate forms the entrance to the gardens at Westferry Circus, 48 Julius Popp 30 clay bricks, collaborating with artisans and Alison Crowther a remarkable work that incorporates delicate flowers flowing from artists in India, Korea and the Netherlands, Bill Culbert 68 Wendy Ramshaw 11 a single stem set against a chunky investigating brick-making as a vehicle for grid, complemented by his Sculptural Constance De Jong 1 Martin Richman 29 46 sculpture. He first visited India in 1983. Close Railings that surround the gardens. in form to chimneys of brick kilns the world Yvonne Domenge 61 Nigel Ross 62 Lund has had a long career working over, Chimney is also a tribute to India’s with metal, and has been influential Suresh Dutt 65 Sophie Smallhorn 52 53 tallest brick minaret of the Qutub Minar near in encouraging its creative use in Delhi. This work was first shown at Canary Sergio Fermariello 36 Leo Stevenson 13 the UK, organising exhibitions and advising bodies including the Wharf as part of his exhibition in Jubilee Park Konstantin Grcic 39 Sinta Tantra and LDI 31 in spring 2008. Crafts Council. 35 Charles Hadcock 28 40 William Turnbull 24 ROBERT WORLEY • Avatar Nigel Hall 67 Wales & Wales DO KÖNIG VASSILAKIS • Sasso Cosmico 8. 2009 • Aluminium Maureen Anne Holley 42 Julian Wild 56 4. 2007 • Bronze, steel 59 E • WESTFERRY CIRCUS Robert Worley ARBS James Horrobin & SOM 15 26 Terence Woodgate E • WESTFERRY CIRCUS Sasso Cosmico, was the winner of the First@108 Public Art which translated from the Italian means Philip Jackson & SOM 21 Rachael Woodman 44 Award in 2009, a new annual award by the ‘Cosmic Stone’, has been installed 8 Royal Society of Sculptors to provide an Do König Vassilakis 4 43 49 Robert Worley in the peaceful garden at Westferry Circus. The reflective surface captures opportunity for artists new to public art to Gerald Laing 16 Catherine Yass 32 create a large-scale sculpture commission. the surrounding planting, foliage, The Award was sponsored by Canary Wharf Danny Lane 66 architecture, sky and clouds. In this Group, who subsequently purchased Worley’s way it provides a constantly changing sculpture Avatar for its permanent collection. manifestation of the seasons and the Avatar portrays a hawk-like beast with canarywharf.com weather systems. König Vassilakis’ work is strongly influenced by the a human form embedded in its back. yourcanarywharf mythology and culture of ancient Greece and Rome. Two more of her

canarywharflondon sculptures are found in 40 Bank Street.

collaborated with Culbert and other artists. other and Culbert with collaborated

Flight Paths. Flight title, the in to alluded vortexes exhibition in Jubilee Park in spring 2013. spring in Park Jubilee in exhibition Ltd, whose director Laszlo Gregor has has Gregor Laszlo director whose Ltd, Copyright © Canary Wharf Group, 2019 Group, Wharf Canary © Copyright

are diagrammatical interpretations of the wing tip tip wing the of interpretations diagrammatical are was purchased following O’Connell’s O’Connell’s following purchased was Birmingham-based City Neon Sign Company Company Sign Neon City Birmingham-based

[email protected]

and grey. Like drawings suspended in air, the works works the air, in suspended drawings Like grey. and order to inhibit its corrosion. This sculpture sculpture This corrosion. its inhibit to order one continuous piece. It was fabricated by the the by fabricated was It piece. continuous one

2000 7418 020 Telephone

made up of tiny mosaic tiles in red, white, black black white, red, in tiles mosaic tiny of up made such as a boat or underground tank, in in tank, underground or boat a as such and outside the building creating the illusion of of illusion the creating building the outside and

5AB E14 London

space, each panel comprised of layers of tracks tracks of layers of comprised panel each space, to an anode attached to a metal object, object, metal a to attached anode an to of coloured light that move effortlessly inside inside effortlessly move that light coloured of

Wharf Canary Square, Canada One

hang in pairs either side of this airy glass-roofed glass-roofed airy this of side either pairs in hang world around her. A ‘sacrificial anode’ refers refers anode’ ‘sacrificial A her. around world

consists of lines lines of consists II, Foudre de Coup sculpture,

Group Wharf Canary Art, Public

East Wintergarden. Four constructed relief panels panels relief constructed Four Wintergarden. East

surface detail and close observation of the the of observation close and detail surface

public collections worldwide. His neon light light neon His worldwide. collections public

For further information contact information further For

to the colours, textures and architecture of the the of architecture and textures colours, the to sculptures show her meticulous attention to to attention meticulous her show sculptures medium for over forty years, with works in in works with years, forty over for medium

in response response in Paths Flight created Brennand-Wood and found objects, Eilis O’Connell’s O’Connell’s Eilis objects, found and light artists and has been working in this this in working been has and artists light Woman © Henry Moore Foundation Moore Henry © Woman

Primarily known as a textile artist, Michael Michael artist, textile a as known Primarily materials from steel and bronze to plastics plastics to bronze and steel from materials Bill Culbert is one of the world’s leading leading world’s the of one is Culbert Bill Photographs of Henry Moore Draped Seated Seated Draped Moore Henry of Photographs

EAST WINTERGARDEN, GROUND LEVEL GROUND WINTERGARDEN, EAST • I

MONTGOMERY SQUARE MONTGOMERY E•

CHURCHILL PLACE MALL, LOWER LEVEL LOWER MALL, PLACE CHURCHILL • I Made in varying varying in Made

Watson, Sally Williams Sally Watson,

60.

64.

68.

Andy Spain, Philip Vile, Richard Waite, Keith Keith Waite, Richard Vile, Philip Spain, Andy Mosaic, wood, metal wood, Mosaic, • 2005 Cast bronze, stainless steel stainless bronze, Cast • 2007 Neon • 2009

Photography, Nunzio Prenna, Heini Schneebeli, Schneebeli, Heini Prenna, Nunzio Photography, MICHAEL BRENNAND-WOOD MICHAEL Paths Flight • EILIS O’CONNELL EILIS Sacrificial Anode Anode Sacrificial • BILL CULBERT BILL II Foudre de Coup •

Joe Low, Iain McLean, Peter Matthews & Folio Folio & Matthews Peter McLean, Iain Low, Joe

Dutt, David Hoffman, Lesley Johnson, Melissa Kojan, Kojan, Melissa Johnson, Lesley Hoffman, David Dutt,

public seating for many varied environments. varied many for seating public Wintergarden. Beleschenko, Theresa Bergne, Rod Dorling, Suresh Suresh Dorling, Rod Bergne, Theresa Beleschenko,

2016, which focused on his use of elliptical and orbital configurations orbital and elliptical of use his on focused which 2016, designed has and lighting, and furniture in . estate, in Columbus Courtyard and outside West West outside and Courtyard Columbus in estate, Photographs by Aurelio Amendola, Alexander Alexander Amendola, Aurelio by Photographs

was exhibited as part of Hall’s exhibition at Canary Wharf in autumn autumn in Wharf Canary at exhibition Hall’s of part as exhibited was Kiss specialising 1988 in studio design his established Greece. Two other sculptures are located on the the on located are sculptures other Two Greece.

mathematical constructs in their resolution. resolution. their in constructs mathematical Woodgate above. from light the reflect and then embarked on a series of study trips to to trips study of series a on embarked then and

simple compositions, which often employ employ often which compositions, simple and floor the across rafts like float to appear with sculpture following a visit to South America America South to visit a following sculpture with

explore spatial ambiguity in deceptively deceptively in ambiguity spatial explore that fixings invisible with seating aluminium moving to Paris in 1968. He began experimenting experimenting began He 1968. in Paris to moving

interest in landscape, Hall’s sculptures sculptures Hall’s landscape, in interest create to decided Woodgate response, studied classical painting in Krakow before before Krakow in painting classical studied

between them. Often informed by his intense intense his by informed Often them. between In water. of sense a evoked which replaced, Germany of Polish/French parents and initially initially and parents Polish/French of Germany

slightly apart at the base – a tension shimmers shimmers tension a – base the at apart slightly since Malinowski, Antoni by design floor European artist, Mitoraj (d.2014) was born in East East in born was (d.2014) Mitoraj artist, European

Richard Hudson will be installed on the estate. the on installed be will Hudson Richard

positioned to balance naturally, but – held held – but naturally, balance to positioned original the complement to mall Place Canada partially incomplete but ready for battle. A truly truly A battle. for ready but incomplete partially

removed for restoration. In Spring 2019, two sculptures by by sculptures two 2019, Spring In restoration. for removed

comprises two elements, a cone and a wedge, wedge, a and cone a elements, two comprises the in seating public the designed Woodgate shows the great mythological beast beast mythological great the shows Centauro

works may be moved to a new location, or temporarily temporarily or location, new a to moved be may works

LEVEL LOWER MALL, PLACE CANADA • I COLONNADE SOUTH • E Kiss Hall’s Nigel Terence MONTGOMERY SQUARE MONTGOMERY • E Igor Mitoraj’s Mitoraj’s Igor evolving. New pieces are added from time to time, and and time, to time from added are pieces New evolving.

67. 59. The public art collection at Canary Wharf is constantly constantly is Wharf Canary at collection art public The 63.

2000 • Painted steel steel Painted • 2000 Bead-blasted aluminium Bead-blasted • 2000 Bronze • 1984

NIGEL HALL RA HALL NIGEL WOODGATE TERENCE Kiss • Seating • IGOR MITORAJ IGOR Centauro •

polished mirrored steel, Edition 1/3 Edition steel, mirrored polished • 2018

RICHARD HUDSON RICHARD Knot The •

Theatre, London where he created a wall drawing of 86 sq m. sq 86 of drawing wall a created he where London Theatre,

likened to the ‘parting of the seas’. the of ‘parting the to likened rural and urban settings. urban and rural commissions working with architects including the Royal Court Court Royal the including architects with working commissions

which transform this space into an experience experience an into space this transform which element and his sculptural benches are found in in found are benches sculptural his and element was designed by Malinowski. He has undertaken a number of public public of number a undertaken has He Malinowski. by designed was

vertical and created two undulating glass walls, walls, glass undulating two created and vertical nature. Some of his works have a functional functional a have works his of Some nature. light on water. The original floor of the adjacent mall, since replaced, replaced, since mall, adjacent the of floor original The water. on light

the first time the potential of stacking in the the in stacking of potential the time first the inspiration from the rhythms and energy of of energy and rhythms the from inspiration of fish, and the gentle play of of play gentle the and fish, of

commissions. At Canary Wharf he explored for for explored he Wharf Canary At commissions. and maker, usually using fallen trees and taking taking and trees fallen using usually maker, and dreams of river currents, shoals shoals currents, river of dreams

with wrought iron, to large-scale architectural architectural large-scale to iron, wrought with By 1995, he was working fulltime as a sculptor sculptor a as fulltime working was he 1995, By vibrant matt finish. It evokes evokes It finish. matt vibrant

His work ranges from glass furniture combined combined furniture glass from ranges work His and as a forest contractor on the Isle of Arran. Arran. of Isle the on contractor forest a as and pigment, resulting in a vivid and and vivid a in resulting pigment,

sculptures made of horizontally stacked glass. glass. stacked horizontally of made sculptures skills after working as a tree surgeon in London London in surgeon tree a as working after skills executed in his trademark pure pure trademark his in executed

Danny Lane is well known for his monumental monumental his for known well is Lane Danny Self-taught sculptor Nigel Ross developed his his developed Ross Nigel sculptor Self-taught painting in brilliant blue is is blue brilliant in painting

LEVEL permission. without accessible publicly Not were carved by hand from single tree trunks. trunks. tree single from hand by carved were Antoni Malinowski’s Malinowski’s Antoni

LEVEL GROUND LOBBY, SQUARE CANADA 20 • I MONTGOMERY SQUARE MONTGOMERY • E CANADA PLACE MALL, LOWER LOWER MALL, PLACE CANADA • I Arbor and Way Cross

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Glass, steel Glass, • 2003 Oak • 2013 • Arbor Acrylic on canvas on Acrylic • 2000

DANNY LANE DANNY Waves the of Parting • NIGEL ROSS NIGEL ANTONI MALINOWSKI ANTONI larch European • 2003 • Way Cross • Untitled • polished mirrored steel, Edition 1/3 Edition steel, mirrored polished • 2018

RICHARD HUDSON RICHARD Tear •

permanent collection. permanent

has now been added to Canary Wharf’s Wharf’s Canary to added been now has (Blue) beauty and fragility of coral formations. coral of fragility and beauty perception of these objects to the viewer’. viewer’. the to objects these of perception

Drawing Cube Cube Drawing and Wharf, Canary at sculpture commotion of urban life to contemplate the the contemplate to life urban of commotion its conventional context and open up a new new a up open and context conventional its

was the opportunity to display the finished finished the display to opportunity the was scene, inviting the viewer to step back from the the from back step to viewer the inviting scene, and colours should get the park bench out of of out bench park the get should colours and

Group in its first two years. Part of the Award Award the of Part years. two first its in Group the natural world. Here she evokes a marine marine a evokes she Here world. natural the explains ‘the emotional interaction of light light of interaction emotional ‘the explains

The Award was sponsored by Canary Wharf Wharf Canary by sponsored was Award The reflecting the relationship between man and and man between relationship the reflecting the Festival of Lights in Berlin in 2011. Bernd Bernd 2011. in Berlin in Lights of Festival the

create a large-scale sculpture commission. commission. sculpture large-scale a create abstract and organic nature, her subject-matter subject-matter her nature, organic and abstract were launched as part of of part as launched were Lightbenches The

opportunity for artists new to public art to to art public to new artists for opportunity Year of the Arts 2015. Her work is defined by its its by defined is work Her 2015. Arts the of Year dimension to taking the weight off your feet. feet. your off weight the taking to dimension

the Royal Society of Sculptors to provide an an provide to Sculptors of Society Royal the work at Canary Wharf as part of Mexico UK UK Mexico of part as Wharf Canary at work a programmed sequence, adding a new new a adding sequence, programmed a

in 2010, the second year of this award by by award this of year second the 2010, in contemporary Mexican artists exhibiting their their exhibiting artists Mexican contemporary the ten benches are illuminated through through illuminated are benches ten the

STREET the winner of the First@108 Public Art Award Award Art Public First@108 the of winner the Yvonne Domenge was one of four four of one was Domenge Yvonne

German design duo Heidi and Bernd Spiecker, Spiecker, Bernd and Heidi duo design German

MONTGOMERY SQUARE MONTGOMERY • E JUNCTION OF BANK STREET / UPPER BANK BANK UPPER / STREET BANK OF JUNCTION E• Suresh Dutt was was Dutt Suresh PARK SQUARE CANADA • E Created by by Created

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COMING SOON COMING

Mild steel Mild • 2010 Polymer with onyx powder, stainless steel base steel stainless powder, onyx with Polymer • 2015 2011 • Translucent glass, LED glass, Translucent • 2011

SURESH DUTT SURESH YVONNE DOMENGE YVONNE (Blue) Cube Drawing • Coral Coquino •

LBO LICHTBANKOBJEKTE LBO ‘Classic’ Lightbenches •

malleable as kidney would be. would kidney as malleable Canada Square in 2004. in Square Canada Contemporary Arts Society. Arts Contemporary

‘rings’ around the form. Gentle forms, they appear as soft and and soft as appear they forms, Gentle form. the around ‘rings’ commissions, including an installation in One One in installation an including commissions, collections, including the V&A Museum and the the and Museum V&A the including collections, sculpture to reveal its shiny metallic core. metallic shiny its reveal to sculpture

and carving marks following their concentric concentric their following marks carving and range of international exhibitions and and exhibitions international of range her glasswork is found in a number of public public of number a in found is glasswork her unpainted or splits open a coloured coloured a open splits or unpainted

annual rings on the wood, the rippling surface surface rippling the wood, the on rings annual after graduating. She has since undertaken a a undertaken since has She graduating. after worked in the medium for many years, and and years, many for medium the in worked underneath is revealed as he leaves areas areas leaves he as revealed is underneath

relates to the the to relates II Kidney form. the of ‘bottom’ to in furniture design, and moved into sculpture sculpture into moved and design, furniture in the inner beauty of glass. Woodman has has Woodman glass. of beauty inner the In some works the surface of the material material the of surface the works some In

wood, the carving following them from ‘top’ ‘top’ from them following carving the wood, and pleasing juxtapositions. Smallhorn trained trained Smallhorn juxtapositions. pleasing and

of form, whilst the subtle colours celebrate celebrate colours subtle the whilst form, of relationship between colour and sculpture. sculpture. and colour between relationship

in direct relation to the medullary rays of the the of rays medullary the to relation direct in composition are manipulated to create playful playful create to manipulated are composition a concern for simplicity of line and purity purity and line of simplicity for concern a of natural structures. Wild also looks at the the at looks also Wild structures. natural of

is carved carved is I Kidney woodland. sustainable from palette is deceptively simple: proportion and and proportion simple: deceptively is palette that surround the building. Her work shows shows work Her building. the surround that of sculptures that act as man-made versions versions man-made as act that sculptures of

green oak, which she always tries to source source to tries always she which oak, green points of Sophie Smallhorn’s practice. Her Her practice. Smallhorn’s Sophie of points and they mirror the far-reaching skyscrapers skyscrapers far-reaching the mirror they and and ceramic. Recent work includes a series series a includes work Recent ceramic. and

furniture maker. Her preferred medium is is medium preferred Her maker. furniture Geometry and flat saturated colour are focal focal are colour saturated flat and Geometry

were created especially for 40 Bank Street Street Bank 40 for especially created were polished and painted stainless steel to glass glass to steel stainless painted and polished

Alison Crowther is both a sculptor and a a and sculptor a both is Crowther Alison ESCALATORS TO MALL, LOWER LEVEL LOWER MALL, TO ESCALATORS

Rachael Woodman’s tall elegant, glass pieces pieces glass elegant, tall Woodman’s Rachael Julian Wild uses a range of materials from from materials of range a uses Wild Julian

40 BANK STREET LOBBY, GROUND LEVEL GROUND LOBBY, STREET BANK 40 • I

JUBILEE LINE STATION, NORTH-WEST NORTH-WEST STATION, LINE JUBILEE • I LEVEL GROUND LOBBY, STREET BANK 40 • I CROSSRAIL PLACE ROOF GARDEN ROOF PLACE CROSSRAIL • E

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2008 • Green oak Green • 2008 Vinyl • 2004 Glass • 2004 Painted steel, polished stainless steel stainless polished steel, Painted • 2017

ALISON CROWTHER ALISON II Kidney • I Kidney • SOPHIE SMALLHORN SOPHIE West Colour • RACHAEL WOODMAN RACHAEL 40 Vertical • JULIAN WILD JULIAN (Vertical) Origin •

at Canary Wharf in 2014. in Wharf Canary at edge, beautifully expressed in this bronze tree. bronze this in expressed beautifully edge, Millennium Place in Coventry. in Place Millennium comprises 17 floor mosaics in all. in mosaics floor 17 comprises

were purchased following Lyons’ exhibition exhibition Lyons’ following purchased were Vortex Arman, served to infuse her work with a surrealist surrealist a with work her infuse to served Arman, Welsh Assembly Building in Cardiff, the Met Office in Exeter and and Exeter in Office Met the Cardiff, in Building Assembly Welsh now now Walk Wharf theme. same the on mosaics

Unity of Opposites: Opposites: of Unity and work This sun-god. the with 1970s, including Salvator Dali, Max Ernst and and Ernst Max Dali, Salvator including 1970s, has undertaken numerous public commissions, including works for the the for works including commissions, public numerous undertaken has lower floor, Biggs was invited to create four new new four create to invited was Biggs floor, lower

as The Shepherd and the constellation is associated associated is constellation the and Shepherd The as with leading artists active during the 1960s and and 1960s the during active artists leading with combined with enamel glass to create swirling shapes. Beleschenko Beleschenko shapes. swirling create to glass enamel with combined 2003. In 2013, when the mall was extended to a a to extended was mall the when 2013, In 2003.

Orion, the mythological hunter, is often referred to to referred often is hunter, mythological the Orion, returning to Greece in 1974. Their close friendship friendship close Their 1974. in Greece to returning technique using poured resin infill infill resin poured using technique Biggs’ careful research for the commission in in commission the for research careful Biggs’

association. Both notions are reflected in the title: title: the in reflected are notions Both association. the Venice Biennale, led to extensive travel, travel, extensive to led Biennale, Venice the public walkway. Here he employed a new new a employed he Here walkway. public framed by a piece of evocative text, derived from from derived text, evocative of piece a by framed

reference, bringing a more primitive or pagan pagan or primitive more a bringing reference, with the Greek artist Takis, who she met in 1968 at at 1968 in met she who Takis, artist Greek the with wall for Canary Wharf is visible from the the from visible is Wharf Canary for wall the dockyards that flourished here. Each image is is image Each here. flourished that dockyards the

the discs also seemed to have a planetary or solar solar or planetary a have to seemed also discs the Greece and Rome. Her long-standing partnership partnership long-standing Her Rome. and Greece Alexander Beleschenko’s second glass glass second Beleschenko’s Alexander depicting some of the trades passing through through passing trades the of some depicting

to think of the good shepherd of Christianity, but but Christianity, of shepherd good the of think to by the mythology and the culture of Ancient Ancient of culture the and mythology the by . . Citi from permission without accessible Jubilee Place, following a trail of floor mosaics mosaics floor of trail a following Place, Jubilee

Michael Lyons began began Lyons Michael Sun the of Shepherd creating Do König Vassilakis’ work is strongly influenced influenced strongly is work Vassilakis’ König Do

MALL, LOWER LEVEL LOWER MALL, Not publicly publicly Not takes us through through us takes Walk Wharf Biggs’ Emma

CROSSRAIL PLACE ROOF GARDEN. ROOF PLACE CROSSRAIL • I LEVEL GROUND LOBBY, STREET BANK 40 • I While While

CITIGROUP ENTRANCE, CANADA PLACE PLACE CANADA ENTRANCE, CITIGROUP • I

JUBILEE PLACE MALL, LOWER LEVEL LOWER MALL, PLACE JUBILEE • I

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1994 • Steel, painted Steel, • 1994 2003 • Bronze Bronze • 2003 Glass, lighting Glass, • 2002 Stone and glass mosaic glass and Stone • 2013 and 2003

MICHAEL LYONS MICHAEL Sun the of Shepherd • DO KÖNIG VASSILAKIS KÖNIG DO Tree • ALEXANDER BELESCHENKO ALEXANDER Wall Glass Art • EMMA BIGGS EMMA Walk Wharf •

in an orange field. orange an in London in 1987, reinstated in 2008. in reinstated 1987, in London with white resin. white with childhood, where her father worked in the Royal Docks. Royal the in worked father her where childhood,

change as well - red in a field of blue appears different to the same red red same the to different appears blue of field a in red - well as change including the linoleum floor at the ICA, ICA, the at floor linoleum the including made of antique mouth-blown glass infilled infilled glass mouth-blown antique of made docklands, the vibrancy of regeneration as well as her East End End East her as well as regeneration of vibrancy the docklands,

As the lights change colour, the juxtapositions of our colour perception perception colour our of juxtapositions the colour, change lights the As scale commissions in different media, media, different in commissions scale effects. Here ‘walls of light’ create a corridor corridor a create light’ of ‘walls Here effects. a composite lightbox that captures the spirit and atmosphere of of atmosphere and spirit the captures that lightbox composite a

throughout the day and evening. evening. and day the throughout

Moncur has carried out a number of large- of number a out carried has Moncur controlled lighting, creating slowly changing changing slowly creating lighting, controlled photographic montage set within within set montage photographic

so that it changes colour and frequency frequency and colour changes it that so traditional and and traditional decorative references. references. decorative Both are illuminated through computer computer through illuminated are Both at the University of East London, a a London, East of University the at

channel and visible from above, programmed programmed above, from visible and channel weavings, abstracting and juxtaposing juxtaposing and abstracting weavings, demonstrate different aspects of his work. work. his of aspects different demonstrate from her 2007 degree exhibition exhibition degree 2007 her from

illuminated acrylic rods installed in the water water the in installed rods acrylic illuminated same bold shapes and bright colours as the the as colours bright and shapes bold same effects. His two glass walls for Canary Wharf Wharf Canary for walls glass two His effects. purchased by Canary Wharf Group Group Wharf Canary by purchased

consists of a grid of over 500 500 over of grid a of consists Meet Could We paintings paintings Blueberries and Redberries echo the the echo techniques to produce beautiful and dramatic dramatic and beautiful produce to techniques was was London East of Spirit The people.

helping to give locations a sense of place. place. of sense a locations give to helping As unexecuted designs for tapestries, her her tapestries, for designs unexecuted As architectural glass, using a variety of of variety a using glass, architectural its architecture, urban landscape and and landscape urban architecture, its

the quality of life in cities, humanising and and humanising cities, in life of quality the create sumptuous and robust woven designs. designs. woven robust and sumptuous create Alexander Beleschenko specialises in in specialises Beleschenko Alexander always been fascinated by London: London: by fascinated been always

Richman is interested in how art can improve improve can art how in interested is Richman Jennie Moncur works mainly in textiles to to textiles in mainly works Moncur Jennie LEVEL accessible without permission from Citi. Citi. from permission without accessible Maureen Anne Holley has has Holley Anne Maureen

QUAYSIDE PLACE, CROSSRAIL • E Martin Martin

40 BANK STREET LOBBY, GROUND LEVEL GROUND LOBBY, STREET BANK 40 • I

CITIGROUP, GROUND LEVEL GROUND CITIGROUP, • I WEST WINTERGARDEN, GROUND GROUND WINTERGARDEN, WEST • I Not publicly publicly Not

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2015 • Acrylic, fibre optics, electronics electronics optics, fibre Acrylic, • 2015 Paint on linen on Paint • 1990 Antique mouth-blown glass mouth-blown Antique • 2002 2007 • Photographic lightbox Photographic • 2007

MARTIN RICHMAN MARTIN Meet Could We • JENNIE MONCUR JENNIE Blueberries • Redberries • ALEXANDER BELESCHENKO ALEXANDER Wall Glass Art • MAUREEN ANNE HOLLEY ANNE MAUREEN London East of Spirit The •

Holland Park. Holland the Knight Commander’s Cross, one of Poland’s highest honours. highest Poland’s of one Cross, Commander’s Knight the internal features of the 2012 Olympic Stadium. Olympic 2012 the of features internal

in in Meridiana and Park, Hyde overlooking Tempesta marble following a trip to Carrara, Italy in 1979. In 2012 he was awarded awarded was he 2012 In 1979. in Italy Carrara, to trip a following marble is located in Westferry Circus. Westferry in located is Architects to design a spectrum of colours for the exterior ‘Wrap’ and and ‘Wrap’ exterior the for colours of spectrum a design to Architects

into public spaces. Notable works in London include include London in works Notable spaces. public into in terracotta or bronze, but he turned to to turned he but bronze, or terracotta in Pietrasanta and Impruneta. A third sculpture sculpture third A Impruneta. and Pietrasanta graduating. She collaborated with Populous Populous with collaborated She graduating.

Blumenfeld is passionate about bringing sculpture sculpture bringing about passionate is Blumenfeld His earlier sculpture was predominantly predominantly was sculpture earlier His lived since 1989, using the foundries of of foundries the using 1989, since lived furniture design, and moved into sculpture after after sculpture into moved and design, furniture

Best known for her large-scale outdoor commissions, commissions, outdoor large-scale her for known Best with the antiquity of Greece and Rome. Rome. and Greece of antiquity the with pieces were cast in Italy where the artist has has artist the where Italy in cast were pieces and pleasing juxtapositions. Smallhorn trained in in trained Smallhorn juxtapositions. pleasing and

the fullness and complexity of the human condition. condition. human the of complexity and fullness the His enigmatic works combine the surreal surreal the combine works enigmatic His and culture, as well as in Surrealism. Both Both Surrealism. in as well as culture, and and composition are manipulated to create playful playful create to manipulated are composition and

by Fortuna, the Roman goddess of luck, and evokes evokes and luck, of goddess Roman the Fortuna, by (1944–2014) located in Canary Wharf. Wharf. Canary in located (1944–2014) the artist’s keen interest in Greek mythology mythology Greek in interest keen artist’s the coloured vinyls is deceptively simple: proportion proportion simple: deceptively is vinyls coloured

construction, this monumental sculpture was inspired inspired was sculpture monumental this construction, one of three sculptures by Igor Mitoraj Mitoraj Igor by sculptures three of one permanent collection. This sculpture reflects reflects sculpture This collection. permanent Sophie Smallhorn’s practice. Her palette of of palette Her practice. Smallhorn’s Sophie

for Canary Wharf Group’s new district, under under district, new Group’s Wharf Canary for (‘Head Asleep’) is is Asleep’) (‘Head Addormentata Testa Vassilakis to be purchased for Canary Wharf’s Wharf’s Canary for purchased be to Vassilakis and flat saturated colour are the focal points of of points focal the are colour saturated flat and

WINTERGARDEN most ambitious work to date. Commissioned Commissioned date. to work ambitious most of face bandaged The ESCALATORS TO MALL, LOWER LEVEL LOWER MALL, TO ESCALATORS was the second work by Do König König Do by work second the was I Angelo Geometry Geometry

JUBILEE PARK JUBILEE • E E • BANK STREET, OUTSIDE WEST WEST OUTSIDE STREET, BANK • E 40 BANK STREET LOBBY, GROUND LEVEL GROUND LOBBY, STREET BANK 40 • I is Helaine Blumenfeld’s Blumenfeld’s Helaine is Fortuna JUBILEE LINE STATION, NORTH-EAST NORTH-EAST STATION, LINE JUBILEE • I

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Bronze • 2016 1983 • Bronze Bronze • 1983 2000 • Bronze, steel, glass, gilded ceramic ceramic gilded glass, steel, Bronze, • 2000 Vinyl • 2004

HELAINE BLUMENFELD OBE BLUMENFELD HELAINE IGOR MITORAJ IGOR DO KÖNIG VASSILAKIS KÖNIG DO Fortuna • Addormentata Testa •

I Angelo • SOPHIE SMALLHORN SOPHIE East Colour •

JAY BATTLE • Vanishing Point CONSTANCE DE JONG • Speaking of the River 5. 1999 • Derbyshire stone, steel PUBLIC ART AT 1. 2000 • Audio benches E • CANARY RIVERSIDE Vanishing Point looks a little like the shell of E • CANARY RIVERSIDE Speaking of the River a mythical sea creature that has perhaps been washed up from the CANARY WHARF was sponsored by Canary Wharf Group but Thames. The stone has been polished to reveal the natural, lined core. was part of a wider project commissioned Having trained as a stone mason by Public Art Development Trust, which in Canada, Battle came to England This map identifies the works of art purchased, linked the river Thames in London with the to study stone carving and in 1997 commissioned or loaned by Canary Wharf Group, ART MAP river Hudson in New York. De Jong created a became Head Carver at Salisbury which include stand-alone pieces and integrated Public art at gentle, evocative sound-scape using recorded Cathedral, contributing to its constant artist architectural works. The works are numbered interviews and stories that relate the human restoration works as well as running sequentially as to their location on the estate from Canary Wharf experience of both these locations, told by his own studio where he creates people for whom the river is a daily presence. contemporary, self expressive work. west to east, and the text indicates whether they Two audio benches are located 100m apart on are sited inside (I) or outside (E). the riverside promenade.