David Hockney Selected Bibliography
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Contemporary Art Society Annual Report 1982
Contemporary Art Society Annual Report and Statement of Accounts 1982 ate Gallery 0 John Islip Street Dndon SW1 P 4LL 1-821 5323 The Annual General Meeting of the Contemporary Art Society will be held at Warwick Arts Trust, 33, Warwick Square, S.W.1 on Tuesday, August 9th, 1 983 at 6.1 5 p.m. 1 . To receive and adopt the report of the committee and the accounts for the year ended December 31,1 982, together with the auditor's report. 2. To appoint auditors, special notice having been given, pursuant to section 1 42 of the Companies Act 1 948 and section 1 4 (1} (a) of the Companies ' Act 1 976, of the intention to propose the following resolution as an ordinary resolution:-- that Messrs. Neville Russell be, and are hereby, appointed auditors of the Society in place of the retiring auditors, Messrs. Sayers Butterworth, to hold office until the conclusion of the next general meeting at which accounts are laid before the Society. 3. To authorise the committee to determine Messrs. Neville Russell's remuneration for the coming year. 4. To elect to the committee the following who has been duly nominated; Philip Poilock, The retiring members are Joanna Drew and the Marquess of Dufferin and Ava. 5. Any other business. By order of the committee Petronilla Spencer-Silver Company Secretary May 28 1 983 Company Limited by Guarantee Registered in London No. 255486 Charities Registration No. 208178 Untitled Drawing from a series of paintings made in Australia, 1 981 Chalk, charcoal and wash on paper 44£ x 62 inches/1 13x157 cm. -
A Comparative Analysis of Artist Prints and Print Collecting at the Imperial War Museum and Australian War M
Bold Impressions: A Comparative Analysis of Artist Prints and Print Collecting at the Imperial War Museum and Australian War Memorial Alexandra Fae Walton A thesis submitted for the degree of Doctor of Philosophy of the Australian National University, June 2017. © Copyright by Alexandra Fae Walton, 2017 DECLARATION PAGE I declare that this thesis has been composed solely by myself and that it has not been submitted, in whole or in part, in any previous application for a degree. Except where stated otherwise by reference or acknowledgement, the work presented is entirely my own. Acknowledgements I was inspired to write about the two print collections while working in the Art Section at the Australian War Memorial. The many striking and varied prints in that collection made me wonder about their place in that museum – it being such a special yet conservative institution in the minds of many Australians. The prints themselves always sustained my interest in the topic, but I was also fortunate to have guidance and assistance from a number of people during my research, and to make new friends. Firstly, I would like to say thank you to my supervisors: Dr Peter Londey who gave such helpful advice on all my chapters, and who saw me through the final year of the PhD; Dr Kylie Message who guided and supported me for the bulk of the project; Dr Caroline Turner who gave excellent feedback on chapters and my final oral presentation; and also Dr Sarah Scott and Roger Butler who gave good advice from a prints perspective. Thank you to Professor Joan Beaumont, Professor Helen Ennis and Professor Diane Davis from the Australian National University (ANU) for making the time to discuss my thesis with me, and for their advice. -
The Contemporary Art Society Annual Report and Statement of Accounts 1985 Tate Gallery 20 John Islip Street London SW1P4LL 01-82
The Contemporary Art Society Annual Report and Statement of Accounts 1985 Tate Gallery 20 John Islip Street London SW1P4LL 01-821 5323 The Annual General Meeting of The Contemporary Art Society will be held at the Warwick Arts Trust, 33 Warwick Square, London S.W.1. on Monday, 14 July, 1986, at 6.15pm. 1. To receive and adopt the report of the committee and the accounts for the year ended 31 December, 1985, together with the auditors'report. 2. To reappoint Neville Russeii as auditors of the Society in accordance with section 14 of the Companies Act, 1976, and to authorize the committee to • determine their remuneration for the coming year, 3. To elect to the committee the following who have been duly nominated: Sir Michael Culme-Seymour and Robin Woodhead. The retiring members are Alan Bowness and Belle Shenkman. 4. Any other business. By order of the committee Petronilla Silver Company Secretary 1 May, 1986 Company Limited by Guarantee Registered in London No. 255486 Charities Registration No. 208178 Cover: The Contemporary Art Society 1910-1985 Poster by Peter Blake {see back cover and inside lor details) Her Majesty Queen Elizabeth The Queen Mother The CAS celebrated its 75th birthday this year. My report will be shorter than usual in order to allow space to print the speech made by Sir John Sainsbury when proposing the toast to the Society at. our birthday party at Christie's. Although, in fact, our Nancy Balfour OBE celebrations took place at the beginning of 1988, we felt an account rightly belonged in this year's report. -
Contemporary Masters from Britain
Contemporary Masters From Britain 85 British Painters of the 21st Century Seabrook Press Contemporary Masters from Britain 80 British Painters of the 21st Century Yantai Art Museum, Yantai 7 July–3 August Artall Gallery, Nanjing 10–23 October Jiangsu Art Museum, Nanjing 30 October–5 November Tianjin Academy of Fine Arts 1 December – 10 January China 2017 Seabrook Press David Ainley Iain Andrews Amanda Ansell Louis Appleby Richard Baker Karl Bielik Claudia Böse Day Bowman John Brennan Julian Brown Simon Burton Marco Cali Ruth Calland Emma Cameron Simon Carter Jules Clarke Ben Cove Lucy Cox Andrew Crane Pen Dalton Jeffrey Dennis Lisa Denyer Sam Douglas Annabel Dover Natalie Dowse Fiona Eastwood Nathan Eastwood Wendy Elia Geraint Evans Lucian Freud Paul Galyer Pippa Gatty Terry Greene Susan Gunn Susie Hamilton Alex Hanna David Hockney Marguerite Horner Barbara Howey Phil Illingworth Linda Ingham Matthew Krishanu Bryan Lavelle Laura Leahy Andrew Litten Cathy Lomax Clementine McGaw Paula MacArthur Lee Maelzer David Manley Enzo Marra Monica Metsers Nicholas Middleton Andrew Munoz Keith Murdoch Paul Newman Stephen Newton Gideon Pain Andrew Parkinson Mandy Payne Charley Peters Ruth Philo Barbara Pierson Alison Pilkington Robert Priseman Freya Purdue Greg Rook Katherine Russell Wendy Saunders Stephen Snoddy David Sullivan Harvey Taylor Ehryn Torrell Delia Tournay- Godfrey Judith Tucker Julie Umerle Mary Webb Rhonda Whitehead Sean Williams Fionn Wilson Julian Brown In his studio, London, 2013 Susan Gunn In her studio, 2014 Contents Alphabetical -
Biography and Career Exhibitions Exhibition Titles Are Given Where
Biography and career Exhibitions Exhibition titles are given where these are known. Much of the original information is from Peter Bird’s biographical account, which has been added to where more material has come to light. Catalogues, leaflets and pamphlets relating to some of the exhibitions mentioned can be found in the V&A archive: V&A AAD 1997/18. All exhibitions are in the U.K unless otherwise mentioned. One-person exhibitions are mentioned, otherwise references are to group shows, which means that Skiöld, at the most, may have exhibited only 2/3 works each time. In the main catalogue, exhibitions of named works are listed where these are known, based on information in exhibition lists and catalogues.1 Skiöld’s first significant one-person exhibition in the U.K was at the Curwen Gallery in 1968. Education and early career Skiöld was born in Stockholm, 18 March 1923. She came from a wealthy family who were partners in a shipbrokers firm: Skiöld & Lundberg AB. She was the eldest of 4 surviving children and had 2 brothers and one sister. She grew up in Stockholm and Saltsjöbaden, an elegant seaside town, 20km South-East of Stockholm, on the outskirts of which, her family had a country house. She attended the Saltsjöbaden Samskola and went on to study at the Tekniska Skolan, Stockholm (now the Konstfackskolan - University College of Arts, Crafts and Design), enrolling on the 1st September 1942. She attended for 2 years in the Lower School, but did not complete her studies in the Higher School (3 years). -
Craigie Aitchison CBE RA Hon
Trevor Jones BIOGRAPHY 1945 Stourbridge, Worcestershire, England 1960-1963 Stourbridge College of Art 1963-1965 Birmingham College of Art 1965-1968 Royal College of Art, London 1982 First print published at Advanced Graphics for the The London Suite 1999 Head of Department, Camberwell School of Art SOLO EXHIBITIONS 1972 New Art Centre, London 1974 Touring Exhibition: Peterloo Gallery, Manchester Dudley Art Gallery, Dudley New Art Centre, London Park Square Gallery, Leeds Arnolfini, Bristol 1978 New Art Centre, London 1979 Reneth Gallery, New York 1987 New Art Centre, London 1990 New Works on Paper, Flowers East, London 43rd Aldeburgh Festival, Suffolk 1992 Trevor Jones Prints 1982 - 1992, Flowers Graphics, London 1993 Trevor Jones New Prints, Flowers Graphics, London 1995 Trevor Jones Paintings, Flowers East, London 2000 'Intimate Layers', Open Studio, Suffolk Glass Mountain Gallery, Connecticut, USA 2002 New Paintings, Glass Mountain Gallery, Connecticut, USA 2006 'Paintings', Foyer Space, Camberwell College of Art London SELECTED PUBLIC COLLECTIONS BP Group; Credit Suisse/First Boston; Johannesburg Art Gallery and Melbourne Art Gallery; Lasmo UK; Office of National Statistics; Scottish National Gallery of Modern Art; Unilever; Victoria and Albert Museum ; SELECTED GROUP EXHIBITIONS 1969 'Some Recent Art in Britain', Leeds City Art Gallery 1970 'New British Painting', ICA, London 1974 'British Painting', Hayward Gallery Biennial, London 1976 Aberdeen Art Gallery 1977 'Works on Paper 1952-1977', Royal Academy Graduate Gallery, London 'British Painting 1952-1977', Royal Academy, London 1978 British Council Travelling Exhibition, Canada (touring) 1987 Woodlands Art Gallery, London 1988 'Artist of the Day', Angela Flowers Gallery, London 1989 'Monoprints', Flowers East; 'The Print Show', Flowers East, London Advanced Graphics London FINE ART PRINTERS, PUBLISHERS AND DEALERS 32 Long Lane London SE1 4AY t: 020 7407 2055 f: 020 7407 2066 e: [email protected] w: www.advancedgraphics.co.uk SELECTED GROUP EXHIBITIONS cont. -
The Contemporary Art Society Annual Report and Statement of Accounts 1986 Tate Gallery 20 John Islip Street London SW1P 4LL 01-8
The Contemporary Art Society Annual Report and Statement of Accounts 1986 Tate Gallery 20 John Islip Street London SW1P 4LL 01-821 5323 The Annua! General Meeting of The Contemporary Art Society wiii be held at the Warwick Arts Trust, 33 Warwick Square, London S.W.1. on Monday, 13 July, 1987, at 6.15pm. 1. To receive and adopt the report of the committee and the accounts for the year ended 31 December, 1986, together with the auditors'report. 2. To reappoint Neville Russeii as auditors of the Society in accordance with section 14 of the Companies Act, 1976, and to authorize the committee to determine their remuneration for the coming year. 3. To elect to the committee the following who has been duly nominated: Richard Morphet. The retinng members are David Brown and William Packer. 4. Any other business. By order of the committee Petronilla Silver Company Secretary 1 May, 1987 Company Limited by Guarantee Registered In London No. 255486 Chanties Registration No. 208178 Cover: Cartoon by Michael Heath from 'The Independent' of 5 November, 1986 The 3rd Contemporary Art Society Market was held at Smith's Gallenes, Covent Garden, 5-8 November 1986 Sponsored by Sainsbury's, and Smith's Galleries Her Majesty Queen Elizabeth The Queen Mother The most important event of the year, after our 75th birthday celebrations (which figured in our last Report), was the triennial Distribution show for which Christie's kindly lent us their Rooms. We opened the exhibition with a lunch for museum Balfour OBE directors and curators on 8 January. -
UNIVERSITY of LEEDS the LIBRARY Archives of the Queen Square and Park Square Galleries, Special Collections MS 712 Part I: Collective Exhibitions
Handlist 74 UNIVERSITY OF LEEDS THE LIBRARY Archives of the Queen Square and Park Square Galleries, Special Collections MS 712 Part I: Collective exhibitions Mrs Sarah Gilchrist opened her commercial gallery in Queen Square, Leeds, in 1964; the enterprise flourished and she moved it to new premises in Park Square, Leeds, in 1968. She retired in 1978 though the gallery has continued under different aegis. In 1981 she was awarded an honorary degree by the University of Leeds and in the summer of 1984 through the timely intervention of Mr Stephen Chaplin of the University's Department of Fine Art, she most kindly agreed to give the accumulated archive of her galleries up to the date of her retirement to the Brotherton Library. The archive illustrates the relationship between artist and gallery, and between gallery and collector; it also illuminates taste and patronage in Yorkshire in the third quarter of the 20th century. This first part of a complete catalogue refers to collective exhibitions; further parts will deal. with one-man exhibitions, a picture lending scheme and other matters. Each catalogue will have indexes of exhibitors and of correspondents. This handlist was formerly issued in four parts, as handlists 74, 76, 84 and 85 Compiled October 1985 Digitised May 2004 CATALOGUE 1. First collective exhibition, 'Five Australian painters', April-May 1964 Work by:- Charles Blackman, Arthur Boyd, Louis James, John Perceval and Kenneth Rowell. 1-39 Correspondence, 1964. 51 ff. 40 Invitation to private view, 15 April 1964. 41 Priced catalogue, 1964. 42-43 Two photographs of exhibits, [1964]. 44-45 Mounted press-cuttings, 1964. -
Contemporary Art Society Annual Report 1983
Tate Galiery 20 John Islip Street London SW1P4LL 01-821 5323 The Annual General Meeting of the Contemporary Art Society will be held at the National Westminster Hail, 25 Old Broad Street, London E.C.2., on Monday, July 23, 1984 at 6.15p.m. 1. To receive and adopt the report of the committee and the accounts for the year ended December 31, 1983, together with the auditors' report. 2. To reappoint Neville Russell as auditors of the Society in accordance with section 14 of the Companies Act, 1976, and to authorize the committee to determine their remuneration for the coming year. 3. To elect to the committee the following who has been duly nominated: Tom Bendhem. The retinng members are Bryan Montgomery and Geoffrey Tucker. 4. Any other business. By order of the committee Petronilla Spencer-Silver Company Secretary May 28 1984 Company Limited by Guarantee Registered in London No. 255488 Chanties Registration No. 208178 ROSE GARRARD Artist as Model 1982 Acrylic on plaster in gilt frame 31x24x21 inches/78.7x61x53.3cms. Her Majesty Queen Elizabeth The Queen Mother This year! am delighted to report that we have received two new grants which have enabled us to spend a record amount on our purchases for public galleries. The Henry Moore Foundation gave us £5,000 to buy work by younger sculptors. This is particularly welcome for two reasons. First, sculpture tends to be relatively speaking Caryl Hubbard Chairman more expensive than painting and hence, with limited funds, we have covered the Philip Pollock Honorary Treasurer field less thoroughly over the past decade. -
Press Release John Loker Six Decades
PRESS RELEASE JOHN LOKER 82 Kingsland Road SIX DECADES London E2 8DP T: +44 (0)20 7920 7777 18 September - 27 October 2018 [email protected] www.flowersgallery.com Flowers Gallery is delighted to announce a retrospective exhibition by British artist John Loker, marking the occasion of the artist’s 80th birthday.The show coincides with a survey exhibition taking place at Cartwright Hall Art Gallery, Bradford, and a new monograph written by Ben Lewis, published by Elephant. Described by Ben Lewis as “one of modern Britain’s most original, free-thinking and category-defying artists”, Loker has produced works of art across many different media in the past six decades. The exhibition explores Loker’s stylistically-varied approach to image-making, from minimal painting and photography in the 1970s to expressive gestural paintings from the 1990s to the present day, sculptural constructions, and works on paper from across his career. The exhibition begins with an example of Loker’s Blue Cathedral, 1988, Oil on canvas, 300 x 351 cm early semi-abstract paintings from the 1960s, fusing elements of Pop Art and the crisp shapes of hard-edge abstraction. Loker’s initial explorations of colour, shape and form took a new direction with a series of collages, photographs, paintings, and fibreglass wall-mounted constructions entitled Horizons, (exhibited at the ICA in 1970), which centred around the perception of space, focusing on objects in the distance as though seen on the horizon. Works on view include the wall-mounted fibreglass and resin Two Section Horizontal (1969); and the painting Six Horizons I (1972), which demonstrates Loker’s minimal approach to colour and shape during this period. -
Complete Dissertation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of East Anglia digital repository Table of Contents Page Title page 2 Abstract 3 Acknowledgements 4 Introduction 5 Chapter 1 A brief biography of E J Power 8 Chapter 2 Post-war collectors of contemporary art. 16 Chapter 3 A Voyage of Discovery – Dublin, London, Paris, Brussels, 31 Copenhagen. Chapter 4 A further voyage to American and British Abstraction and Pop Art. 57 Conclusion 90 List of figures 92 Appendices 93 Bibliography 116 1 JUDGEMENT BY EYE THE ART COLLECTING LIFE OF E. J. POWER 1950 to 1990 Ian S McIntyre A thesis submitted in partial fulfilment of the requirements for the degree of MASTER OF ARTS THE UNIVERSITY OF EAST ANGLIA September 2008 2 Abstract Ian S McIntyre 2008 JUDGEMENT BY EYE The art collecting life of E J Power The thesis examines the pattern of art collecting of E J Power, the leading British patron of contemporary painting and sculpture in the period after the Second World War from 1950 to the 1970s. The dissertation draws attention to Power’s unusual method of collecting which was characterised by his buying of work in quantity, considering it in depth and at leisure in his own home, and only then deciding on what to keep or discard. Because of the auto-didactic nature of his education in contemporary art, Power acquired work from a wide cross section of artists and sculptors in order to interrogate the paintings in his own mind. He paid particular attention to the works of Nicolas de Stael, Jean Dubuffet, Asger Jorn, Sam Francis, Barnett Newman, Ellsworth Kelly, Francis Picabia, William Turnbull and Howard Hodgkin. -
Contemporary Masters from Britain
Contemporary Masters From Britain 80 British Painters of the 21st Century Seabrook Press Contemporary Masters from Britain 80 British Painters of the 21st Century Jiangsu Arts and Crafts Museum Artall, Nanjing, China 10 to 23 October 2017 Seabrook Press David Ainley Iain Andrews Amanda Ansell Louis Appleby Richard Baker Claudia Böse Julian Brown Simon Burton Ruth Calland Emma Cameron Simon Carter Ben Cove Lucy Cox Andrew Crane Tony Casement Jules Clarke Jenny Creasy Pen Dalton Alan Davie Jeffrey Dennis Lisa Denyer Sam Douglas Annabel Dover Natalie Dowse Fiona Eastwood Nathan Eastwood Wendy Elia Tracey Emin Lucian Freud Paul Galyer Terry Greene Pippa Gatty Susan Gunn Susie Hamilton Alex Hanna David Hockney Marguerite Horner Barbara Howey Linda Ingham Silvie Jacobi Sue Kennington Anushka Kolthammer Matthew Krishanu Bryan Lavelle Cathy Lomax Clementine McGaw Paula MacArthur Lee Maelzer David Manley Enzo Marra Monica Metsers Michael Middleton Nicholas Middleton Andrew Munoz Keith Murdoch Stephen Newton Brian Lavelle Laura Leahy Kirsty O’Leary Leeson Gideon Pain Andrew Parkinson Mandy Payne Charley Peters Ruth Philo Alison Pilkington Robert Priseman Freya Purdue James Quin Greg Rook Katherine Russell Wendy Saunders Stephen Snoddy David Sullivan Harvey Taylor Delia Tournay-Godfrey Judith Tucker Julie Umerle Mary Webb Sean Williams Fionn Wilson 3 Freya Purdue’s Studio Isle of Wight, 2016 Susan Gunn In her studio, 2014 Contents Alphabetical Index of Artists 2 Introductory Essay by Robert Priseman 5 Notes 11 Works of Art New Realisms 13 New Abstractions