Indo-European Sacred Space
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NUOVA SERIE Rivista del Dipartimento di Scienze dell’antichità Sezione di Archeologia Fondatore: GIULIO Q. GIGLIOLI Direzione Scientifica MARIA CRISTINA BIELLA, ENZO LIPPOLIS, LAURA MICHETTI, GLORIA OLCESE, DOMENICO PALOMBI, MASSIMILIANO PAPINI, MARIA GRAZIA PICOZZI, FRANCESCA ROMANA STASOLLA, STEFANO TORTORELLA Direttore responsabile: DOMENICO PALOMBI Redazione: FABRIZIO SANTI, FRANCA TAGLIETTI Vol. LXVIII - n.s. II, 7 2017 «L’ERMA» di BRETSCHNEIDER - ROMA Comitato Scientifico PIERRE GROS, SYBILLE HAYNES, TONIO HÖLSCHER, METTE MOLTESEN, STÉPHANE VERGER Il Periodico adotta un sistema di Peer-Review Archeologia classica : rivista dell’Istituto di archeologia dell’Università di Roma. - Vol. 1 (1949). - Roma : Istituto di archeologia, 1949. - Ill.; 24 cm. - Annuale. - Il complemento del titolo varia. - Dal 1972: Roma: «L’ERMA» di Bretschneider. ISSN 0391-8165 (1989) CDD 20. 930.l’05 ISBN CARTACEO 978-88-913-1563-2 ISBN DIGITALE 978-88-913-1567-0 ISSN 0391-8165 © COPYRIGHT 2017 - SAPIENZA - UNIVERSITÀ DI ROMA Aut. del Trib. di Roma n. 104 del 4 aprile 2011 Volume stampato con contributo di Sapienza - Università di Roma INDICE DEL VOLUME LXVIII ARTICOLI AMBROGI A. (con un’appendice di FERRO C.), Un rilievo figurato di età tardo- repubblicana da un sepolcro dell’Appia antica ............................................... p. 143 BALDASSARRI P., Lusso privato nella tarda antichità: le piccole terme di Palazzo Valentini e un pavimento in opus sectile con motivi complessi...................... » 245 BARATTA G., Falere tardo-antiche ispaniche con quattro passanti angolari: aggiornamenti e ipotesi sulla funzionalità del tipo ......................................... » 289 BARBERA M., Prime ipotesi su una placchetta d’avorio dal Foro Romano .......... » 225 COATES-STEPHENS R., Statue museums in Late Antique Rome ........................... » 309 GATTI S., Tradizione ellenistica e sperimentazione italica: l’Aula Absidata nel foro di Praeneste ............................................................................................ -
Downloaded from Brill.Com09/27/2021 12:23:27PM Via Free Access 12 Chapter One
CHAPTER ONE CONSTITUENT CONCEPTS 1. Space Since they were conceptualized as human beings, Roman gods had a place in this world, in which they moved freely. This conclusion is unavoidable, if we consider that all Roman gods could be invoked, and that invocation implied spatial proximity to the invocator.1 Apart from this, at least the major gods were conceptualized as connected to speci c locations, normally marked as such by an altar, a temple, or in some other way. These locations I will call ‘spatial foci’. They are mostly represented by archaeological remains. However, by relying on archaeology, we unduly overemphasize the spatiality of major of cial divine concepts, which were more likely than private cults to be per- manently conceptualized by speci cally marked space. The sacred landscape of Rome was complex, time-bound and noto- riously anachronistic. It was complex because its parameters were not absolute and necessarily recognizable as such. Rather, it was intrinsi- cally relative and existent only within the full semiotic system of the topography of the city. Furthermore, it was time-bound, because the city itself developed rapidly, especially during the peak of urbanization from ca. 200 B.C.–200 A.D. It was notoriously anachronistic because the semiotic system underlying it was highly conservative and did not keep pace with the actual urban development (for instance, the pomerium was still remembered, when it had long become obsolete in the imperial period in terms of urban development; and the festival of the Septimontium was still celebrated separately by the communities that had long since merged into the city of Rome). -
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin Text, Study Aids with Vocabulary, and Commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119 Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary Ingo Gildenhard https://www.openbookpublishers.com © 2018 Ingo Gildenhard The text of this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author(s), but not in any way that suggests that they endorse you or your use of the work. Attribution should include the following information: Ingo Gildenhard, Cicero, Philippic 2, 44–50, 78–92, 100–119. Latin Text, Study Aids with Vocabulary, and Commentary. Cambridge, UK: Open Book Publishers, 2018. https://doi. org/10.11647/OBP.0156 Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/845#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. -
Chaotic Descriptor Table
Castle Oldskull Supplement CDT1: Chaotic Descriptor Table These ideas would require a few hours’ the players back to the temple of the more development to become truly useful, serpent people, I decide that she has some but I like the direction that things are going backstory. She’s an old jester-bard so I’d probably run with it. Maybe I’d even treasure hunter who got to the island by redesign dungeon level 4 to feature some magical means. This is simply because old gnome vaults and some deep gnome she’s so far from land and trade routes that lore too. I might even tie the whole it’s hard to justify any other reason for her situation to the gnome caves of C. S. Lewis, to be marooned here. She was captured by or the Nome King from L. Frank Baum’s the serpent people, who treated her as Ozma of Oz. Who knows? chattel, but she barely escaped. She’s delirious, trying to keep herself fed while she struggles to remember the command Example #13: word for her magical carpet. Malamhin of the Smooth Brow has some NPC in the Wilderness magical treasures, including a carpet of flying, a sword, some protection from serpents thingies (scrolls, amulets?) and a The PCs land on a deadly magical island of few other cool things. Talking to the PCs the serpent people, which they were meant and seeing their map will slowly bring her to explore years ago and the GM promptly back to her senses … and she wants forgot about it. -
2000 Goettingerfriedenspreisla
Laudatio Prof. Dr. Ulrich Albrecht, FU Berlin, Otto-Suhr-Institut Sehr verehrte Familie Röhl, sehr verehrte Festversammlung! Im Wintersemester 1988/89 war ich Gast an der TH Darmstadt und augenscheinlich Zeuge der Entstehung der IANUS-Gruppe. Aufgrund einer über die Jahre anhaltenden persönlichen Verbindung möchte ich diesen Tag der Freude nutzen, um die Laudatio eher heiter anzulegen - weniger als wissenschaftlich korrekte Würdigung der Tätigkeit der IANIER (dies auch), sondern als Reflexion über den selbstgewählten Namen der Gruppe. Wer oder was ist IANUS? Die Artbeitsgruppe hat seinerzeit gewiß mit Bedacht den Namen dieses antiken Gottes gewählt, als Vorbild. Also weiter gefragt: Was hat Janus seinerzeit und in der Neuzeit gemacht - schließlich geht es um eine Laudatio. Wer waren die Partner oder gar die Partnerin? Beim antiken Janus ist das bekannt, beim modernen weiß ich es nicht. In beiden Fällen sind aber Folgen aus den Partnerschaften entstanden, die viele Ähnlichkeiten aufweisen, wie gleich aufgezeigt werden wird. Schließlich gefragt: Was wird aus IANUS, was ist seinerzeit aus Janus geworden? Wer ist Janus? Im alten Rom der Gott der Anfänge, der Türen und Tore, der Durchblicke und Durchgänge. Das ist eine bezeichnende Perspektive für die heutigen IANIer: der Arbeitsgruppe ging es und geht es um Anfänge, um Durchblicke, um Verbindungen zwischen Naturwissenschaft und Gesellschafts-wissenschaft. In der bildenden Kunst wird Janus dargestellt mit zwei - in entgegengesetzte Richtung blickenden - Gesichtern, manchmal gar mit vier Gesichtern. Er sieht einfach alles, darunter - so ja auch der moderne IANUS - was andere nicht sehen. Sein griechischer Vorgänger wurde Panoptes, der Allesseher, genannt, er war einer der mythischen Giganten. Der blickte einfach alles, und die Griechen stellten sich vor, daß sein ganzer Kopf mit Augen besetzt war. -
Etruscan Biophilia Viewed Through Magical Amber
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) Spring 5-9-2020 Etruscan Biophilia Viewed through Magical Amber Greta Rose Koshenina University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Classical Archaeology and Art History Commons, and the Other Classics Commons Recommended Citation Koshenina, Greta Rose, "Etruscan Biophilia Viewed through Magical Amber" (2020). Honors Theses. 1432. https://egrove.olemiss.edu/hon_thesis/1432 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. ETRUSCAN BIOPHILIA VIEWED THROUGH MAGICAL AMBER by Greta Rose Koshenina A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2020 Approved by ___________________________________ Advisor: Dr. Jacqueline DiBiasie-Sammons ___________________________________ Reader: Dr. Molly Pasco-Pranger ___________________________________ Reader: Dr. John Samonds © 2020 Greta Rose Koshenina ALL RIGHTS RESERVED ii DEDICATION I dedicate this thesis with gratitude to my advisors in both America and Italy: to Dr. Jacqueline DiBiasie-Sammons who endured spotty skype meetings during my semester abroad and has been a tremendous help every step of the way, to Giampiero Bevagna who helped translate Italian books and articles and showed our archaeology class necropoleis of Etruria, and to Dr. Brooke Porter who helped me see my research through the eyes of a marine biologist. -
THE PONTIFICAL LAW of the ROMAN REPUBLIC by MICHAEL
THE PONTIFICAL LAW OF THE ROMAN REPUBLIC by MICHAEL JOSEPH JOHNSON A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Classics written under the direct of T. Corey Brennan and approved by ____________________________ ____________________________ ____________________________ ____________________________ New Brunswick, New Jersey October, 2007 ABSTRACT OF THE DISSERTATION The Pontifical Law of the Roman Republic by MICHAEL JOSEPH JOHNSON Dissertation Director: T. Corey Brennan This dissertation investigates the guiding principle of arguably the most important religious authority in ancient Rome, the pontifical college. Chapter One introduces the subject and discusses the hypothesis the dissertation will advance. Chapter Two examines the place of the college within Roman law and religion, giving particular attention to disproving several widely held notions about the relationship of the pontifical law to the civil and sacral law. Chapter Three offers the first detailed examination of the duties of the pontifical college as a collective body. I spend the bulk of the chapter analyzing two of the three collegiate duties I identify: the issuing of documents known as decrees and responses and the supervision of the Vestal Virgins. I analyze all decrees and responses from the point of view their content, treating first those that concern dedications, then those on the calendar, and finally those on vows. In doing so my goal is to understand the reasoning behind the decree and the major theological doctrines underpinning it. In documenting the pontifical supervision of Vestal Virgins I focus on the college's actions towards a Vestal accused of losing her chastity. -
The Eternal Fire of Vesta
2016 Ian McElroy All Rights Reserved THE ETERNAL FIRE OF VESTA Roman Cultural Identity and the Legitimacy of Augustus By Ian McElroy A thesis submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Master of Arts Graduate Program in Classics Written under the direction of Dr. Serena Connolly And approved by ___________________________________________ ___________________________________________ ___________________________________________ New Brunswick, New Jersey October 2016 ABSTRACT OF THE THESIS The Eternal Fire of Vesta: Roman Cultural Identity and the Legitimacy of Augustus By Ian McElroy Thesis Director: Dr. Serena Connolly Vesta and the Vestal Virgins represented the very core of Roman cultural identity, and Augustus positioned his public image beside them to augment his political legitimacy. Through analysis of material culture, historiography, and poetry that originated during the principate of Augustus, it becomes clear that each of these sources of evidence contributes to the public image projected by the leader whom Ronald Syme considered to be the first Roman emperor. The Ara Pacis Augustae and the Res Gestae Divi Augustae embody the legacy the Emperor wished to establish, and each of these cultural works contain significant references to the Vestal Virgins. The study of history Livy undertook also emphasized the pathetic plight of Rhea Silvia as she was compelled to become a Vestal. Livy and his contemporary Dionysius of Halicarnassus explored the foundation of the Vestal Order and each writer had his own explanation about how Numa founded it. The Roman poets Virgil, Horace, Ovid, and Tibullus incorporated Vesta and the Vestals into their work in a way that offers further proof of the way Augustus insinuated himself into the fabric of Roman cultural identity by associating his public image with these honored priestesses. -
The Imperial Cult and the Individual
THE IMPERIAL CULT AND THE INDIVIDUAL: THE NEGOTIATION OF AUGUSTUS' PRIVATE WORSHIP DURING HIS LIFETIME AT ROME _______________________________________ A Dissertation presented to the Faculty of the Department of Ancient Mediterranean Studies at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by CLAIRE McGRAW Dr. Dennis Trout, Dissertation Supervisor MAY 2019 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled THE IMPERIAL CULT AND THE INDIVIDUAL: THE NEGOTIATION OF AUGUSTUS' PRIVATE WORSHIP DURING HIS LIFETIME AT ROME presented by Claire McGraw, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. _______________________________________________ Professor Dennis Trout _______________________________________________ Professor Anatole Mori _______________________________________________ Professor Raymond Marks _______________________________________________ Professor Marcello Mogetta _______________________________________________ Professor Sean Gurd DEDICATION There are many people who deserve to be mentioned here, and I hope I have not forgotten anyone. I must begin with my family, Tom, Michael, Lisa, and Mom. Their love and support throughout this entire process have meant so much to me. I dedicate this project to my Mom especially; I must acknowledge that nearly every good thing I know and good decision I’ve made is because of her. She has (literally and figuratively) pushed me to achieve this dream. Mom has been my rock, my wall to lean upon, every single day. I love you, Mom. Tom, Michael, and Lisa have been the best siblings and sister-in-law. Tom thinks what I do is cool, and that means the world to a little sister. -
The Architecture of Roman Temples
P1: JzL 052181068XAgg.xml CB751B/Stamper 0 521 81068 X August 28, 2004 17:30 The Architecture of Roman Temples - The Republic to the Middle Empire John W. Stamper University of Notre Dame iii P1: JzL 052181068XAgg.xml CB751B/Stamper 0 521 81068 X August 28, 2004 17:30 published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, uk 40 West 20th Street, New York, ny 10011-4211, usa 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C John W. Stamper 2005 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2005 Printed in the United Kingdom at the University Press, Cambridge Typefaces Bembo 11/14 pt., Weiss, Trajan, and Janson System LATEX 2ε [tb] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication Data Stamper, John W. The architecture of Roman temples : the republic to the middle empire / John W. Stamper. p. cm. Includes bibliographical references and index. isbn 0-521-81068-x 1. Temples, Roman – Italy – Rome. 2. Temple of Jupiter Capitolinus (Rome, Italy) 3. Architecture, Roman – Italy – Rome – Influence. 4. Rome (Italy) -
4. Older Olympians.Key
The Older Olympians LVV4U1 - GRADE 12 CLASSICAL CIVILIZATION - MR. A. WITTMANN UNIT 2 – LECTURE 4 1 6 children of Kronos and Rhea are the first Olympians… Zeus, Hera, Poseidon, Demeter, Hestia, Hades Aphrodite born of his severed genitals of Uranus 2 God Competence God Competence 1. Zeus Storms 6. Apollo Wisdom 2. Hera Family 7. Artemis Hunt 3. Hestia Hearth 8. Hephaestus Forge 4. Demeter Harvest 9. Athena Knowledge Hades Underworld 10. Ares War 5. Poseidon Sea 11. Hermes Trade 12. Aphrodite Sex 3 Zeus, Lord of the Sky Evolved from Indo-European sky god Dyeus pater (Sky Father) Dyaus pitar (Indian) Dyeus (Iranian) Ju-pitar or Jove (Roman) Tues (Germanic) Sky, high places, thunder/lighting, Bull, eagle, oak, aegis (goat skin) epithets: Nephelegereta (cloud gatherer), Kataibates (descending) 4 5 Zeus, King of Gods & Men Father of all Xenia (guest/host, friendship/ hospitality) Justice, tradition, custom not modern justice heiros gamos sacred marriage with Hera… 1. Uranus + Gaea 2. Kronos + Rhea 3. Zeus + Hera 6 7 Zeus, King of Gods & Men Infidelity with goddess allegorizes the Indo- European male sky god’s triumph over local indigenous female earth goddesses Also illustrates how he organized the natural universe & est. human customs & traditions Metis (cleverness) = Athena (strength and judgment) Themis (established law) = Horae (seasons) Moerae (fates) Eurynomê (Custom) = Eirenê (Peace), Dikê (justice), 3 Graces 8 Zeus, King of Gods & Men Infidelity with mortals explains the origins of heroes & kings Legitimizes local kings and rulering families -
The Roman Virtues
An Introduction to the Roman Deities Hunc Notate: The cultural organization, the Roman Republic: Res publica Romana, and authors have produced this text for educational purposes. The Res publica Romana is dedicated to the restoration of ancient Roman culture within the modern day. It is our belief that the Roman virtues must be central to any cultural restoration as they formed the foundation of Romanitas in antiquity and still serve as central to western civilization today. This text is offered free of charge, and we give permission for its use for private purposes. You may not offer this publication for sale or produce a financial gain from its distribution. We invite you to share this document freely online and elsewhere. However, if you do share this document we ask that you do so in an unaltered form and clearly give credit to the Roman Republic: Res publica Romana and provide a link to: www.RomanRepublic.org 1 Roman Republic: Res publica Romana| RomanRepublic.org An Introduction to the Roman Deities The existence of the gods is a helpful thing; so let us believe in them. Let us offer wine and incense on ancient altars. The gods do not live in a state of quiet repose, like sleep. Divine power is all around us - Publius Ovidius Naso Dedicated to anyone who desires to build a relationship with the Gods and Goddesses of Rome and to my friends Publius Iunius Brutus & Lucia Hostilia Scaura 2 Roman Republic: Res publica Romana| RomanRepublic.org An Introduction to the Roman Deities Who are the Roman Gods and Goddesses? Since the prehistoric period humans have pondered the nature of the gods.