DOCSLIB.ORG

Visions and Revisions: the Sources and Analogues of the Old English Andreas

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Visions and Revisions: the Sources and Analogues of the Old English Andreas Visions and Revisions: The Sources and Analogues of the Old English Andreas by Bill Friesen A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy, Graduate Department of English, University of Toronto © Copyright by Bill Friesen, 2008 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-57992-3 Our file Notre référence ISBN: 978-0-494-57992-3 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. without the author’s permission. In compliance with the Canadian Conformément à la loi canadienne sur la Privacy Act some supporting forms protection de la vie privée, quelques may have been removed from this formulaires secondaires ont été enlevés de thesis. cette thèse. While these forms may be included Bien que ces formulaires aient inclus dans in the document page count, their la pagination, il n’y aura aucun contenu removal does not represent any loss manquant. of content from the thesis. ii Thesis Abstract Title: Visions and Revisions: The Sources and Analogues of the Old English Andreas Degree: Doctor of Philosophy, 2008. Submitted by: Bill Friesen Department: Graduate Department of English, University of Toronto This dissertation investigates through the paradigms of the opus geminatum genre the relationship of the Old English verse Andreas to its potential exemplars, influences and subsequent renderings. The study focuses specifically upon the ways in which inherited textual dynamics of the opus geminatum—a pair of texts, one in verse and one in prose, which ostensibly treat the same subject—contribute to substantive and stylistic parallels or deviations between Andreas and these other texts. The first chapter positions the paradigm of the opus geminatum alongside the ongoing discussions about the relationships both of internal elements within Andreas, and between Andreas and its Latin or Old English analogues. It provides a detailed overview of the opus geminatum as this grows out of late antique traditions of paraphrase and into the distinctive and highly nuanced genre which Anglo-Saxon authors made their own. It argues that amidst the debates about Andreas’ relationship to other texts, the opus geminatum affords both an historically appropriate and potentially very productive paradigm. The second chapter considers within this paradigm the interplay of content and style between Andreas and what is often thought to be its closest Latin exemplar found in the Casanatensis manuscript, for I contend here that the shift in style, from Latin prose to Old English verse, bears a necessary, dramatic and consistently iii overlooked influence upon the content of the Old English Andreas, changing not only how one reads that content, but the very substantive nature of the content itself. In Chapter Three the discussion shifts to the relationship Andreas has with an indigenous work, Beowulf, for which a number of recent studies have laid a new groundwork which suggests exciting possibilities for analysis, most significantly at the formulaic level, exploring the tension between explicit oral and literary indebtedness between the two poems. Finally, in Chapter Four the focus shifts to a comparison between the verse Andreas and its Old English prose version of the legend, in MS Cambridge, Corpus Christi College, 198, fols. 386r–394v, allowing one to explore in concrete detail the assertions which opus geminatum writers like Alcuin made about the difference and affinities between prose and verse treatments of opus geminatum texts. My conclusion draws together the broad tendencies mapped throughout this inquiry and considers the intrinsically relational nature of a text like Andreas. It argues in light of uncovered evidence for the efficacy and flexibility of the methods intrinsic to the opus geminatum as a highly appropriate analytical lens and explores from the broad perspective how this paradigm opens numerous horizons of engagement, such as with the embedded language of the liturgy in MS Cambridge, Corpus Christi College, 198, or the self-conscious investment of secular literary traditions in Beowulf with Christian literary projects, such as Andreas. iv For my parents, who know not at all, and for my wife, who knows only too well. v Acknowledgements Too often, acknowledgements like these are quickly written and just as quickly forgotten, but I shall not quickly forget the personal, professional and institutional support I enjoyed and often needed while writing this thesis. I am grateful to the Department of English at the University of Toronto for the open fellowship and extensive employment opportunities which funded my studies. I was also fortunate to enjoy wise and astute guidance from Joe Goering at early stages of my work which kept me from many later difficulties, and at the other chronological end of the project, I would like to thank my external examiner, Fred Biggs, whose considerable expertise and munificent attitude turned the completion of the project into an extremely productive and positive experience. Moreover, I am deeply appreciative of Will Robin’s and Toni Healey’s meticulous and sagacious advice which did much to balance the varied impulses in my research. I must also offer my heartfelt thanks to David Townsend, whose knowledge, professionalism and encouragement never failed. Above all, however, I would like to thank my advisor, Andy Orchard, for his breadth of understanding, tremendous efficiency, unfailing support and academic acumen, which was all put with remarkable generosity at my disposal; it is this generosity more than anything else which constitutes the tap-root of my recent development as a scholar. Then there are those in the background who brought me to this point, and without whom I would have surely faltered. I think here of my professors from the past and colleagues in the present: Scott Veenvleit, Scott Masson, John Cooper and particularly Stephen Dunning, all of whom showed me what was good and important about being a scholar. But finally, there is my dear and beloved wife, Tammy, who has been with me through it all, and now I find, at the end, words are utterly insufficient to express my gratitude. vi Abbreviations BHL Bibliotheca Hagiographica Latina CCSL Corpus Christianorum, Series Latina. Turnhout: Brepols, 1954–. CSEL Corpus Scriptorum Ecclesiasticorum Latinorum. Vienna: Hoelder, Pichler, Tempsky, 1866–. EETS os Early English Texts Series, original series. EETS ss Early English Texts Series, supplementary series. MGH AA Monumenta Germaniae Historica, Auctores antiquissimi. MGH SGR Monumenta Germaniae Historica, Scriptores rerum Germanicarum. MGH SRM Monumenta Germaniae Historica, Scriptores rerum Merovingicarum. PL Patrologiae Cursus Completus Series Latina. 221 vols. Paris: J.P. Migne, 1844–1864. vii Table of Contents Title Page . i Dedication. ii Abstract. iii Acknowledgements . v Abbreviations. vi Table of Contents. vii List of Appendices . viii I. Andreas and the Opus Geminatum. 1 II. Andreas and the Legend of Saint Andrew . 33 III. Andreas and Beowulf: Family Resemblances . 107 IV. The Old English Prose and Verse Andreas . 242 V. Conclusion. 293 Appendix I: Content of the Casantansis Account and Andreas . 301 Appendix II: Cluster Index: Beowulf and Andreas . 308 Works Consulted . 313 1 Chapter I Andreas and the Opus Geminatum For scholars of Old English literature, the concept of pairing or twinning is very familiar;1 at the level of prosody, lines of verse are divided into their a- and b- components; compounds constitute an essential part of this literature’s diction; its kennings depend upon the interplay between a pair of verbal elements; its alliteration in and between lines doubles, and then often plays off that doubling for effect.2 At a broader level, characters and their characteristics are portrayed relative to one another, incidents repeat, and are simultaneously varied, stages of life or plot are presented in light of one another.3 Intertextually, texts and their components gesture significantly towards other texts, providing their audiences with an often methodical, complex and pervasive web of allusions, an understanding of which is requisite to the appreciation of such literature.4 A substantial amount of modern scholarship surrounds aspects of this twinning. What is less clear,
Load more

Recommended publications
  • The Intertextuality of Beowulf, Cynewulf and Andreas1
    The departure of the hero in a ship: The intertextuality of Beowulf , Cynewulf and Andreas 1 Francis Leneghan University of Oxford This article identifies a new Old English poetic motif, ‘The Departure of the Hero in a Ship’, and discusses the implications of its presence in Beowulf , the signed poems of Cynewulf and Andreas , a group of texts already linked by shared lexis, imagery and themes. It argues that the Beowulf -poet used this motif to frame his work, foregrounding the question of royal succession. Cynewulf and the Andreas -poet then adapted this Beowulfian motif in a knowing and allusive manner for a new purpose: to glorify the church and to condemn its enemies. Investigation of this motif provides further evidence for the intertextuality of these works. Keywords : Old English poetry; Beowulf , Cynewulf; Andreas ; Anglo-Saxon literature 1. Introduction Scholars have identified a number of ‘motifs’, ‘themes’ or ‘type scenes’ in Old English poetry. Two of the best-known such motifs are ‘the beasts of battle’, typically featuring the carrion eagle, wolf and raven, anticipating or rejoicing in slaughter (Magoun 1955, Bonjour 1957, Griffith 1993), and ‘the hero on the beach’, wherein a hero is depicted with his retainers in the presence of a flashing light, as a sea-journey is completed (or begun), usually at dawn 1 I would like to thank Daniel Anlezark, Hugh Magennis, Richard North, Andy Orchard, Rafael Pascual and Daniel Thomas for their helpful comments on earlier versions of this article. Francis Leneghan, Selim24 (2019): 105 –132. ISSN 1132-631X / DOI https://doi.org/10.17811/selim.24.2019.105-134 106 Francis Leneghan (Crowne 1960: 368; Fry 1966, 1971).2 Broadening the focus to consider both Old English verse and prose, Mercedes Salvador Bello identified the ‘leitmotif’ of ‘the arrival of the hero in a ship’ in the Anglo-Saxon Chronicle and Beowulf , featuring “a recurrent thematic pattern which presents the story of the heroes (or the hero) who arrive from northern lands in a boat and become the ancestors of Anglo-Saxon dynasties” (1998: 214).
    [Show full text]
  • Spatial Effects: Juxtapositions of Nature and Artifice in Beowulf
    SPATIAL EFFECTS: JUXTAPOSITIONS OF NATURE AND ARTIFICE IN BEOWULF by Kevin D. Yeargin A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in English Middle Tennessee State University August 2014 Thesis Committee: Dr. Rhonda McDaniel, Chair Dr. Amy Kaufman ABSTRACT Critics have extensively explored the tensions in Beowulf between Christianity and Paganism, literacy and orality, and heroism and kingship, yet little work has been done toward understanding another prominent binary: nature and artifice. This thesis examines instances when the Beowulf-poet brings images of artifice and images of nature into close proximity. Along with the introduction of literacy, new technologies and ideas were suddenly thrust into Anglo-Saxon culture, and one of the ways in which the people explored these social matters was through poetry such as Beowulf. The thesis first attempts to delineate the concepts of artifice and nature as they might have been viewed from an Anglo-Saxon perspective. This enables us to see how the poet utilizes these concepts to build vibrant aesthetic effects, to construct dynamic characters, and finally to bridge the conceptual divide between his current Christian audience and their Pagan ancestors. These “spatial effects” recur with enough frequency and sophistication to suggest that they stem from intentional creative decisions. Still, many Modern English translations of Beowulf obscure their significance or ignore them altogether. If, for instance, an image appears to waver between artifice and nature, the critical inclination has been to resolve instead of embrace the tension. Contemporary scholars and translators tend to simplify what the Beowulf-poet apparently wanted to complicate.
    [Show full text]
  • Oral Tradition
    _____________________________________________________________ Volume 1 October 1986 Number 3 _____________________________________________________________ Editor Editorial Assistants John Miles Foley Lee Edgar Tyler Juris Dilevko Patrick Gonder Nancy Hadfield Slavica Publishers, Inc. For a complete catalog of books from Slavica, with prices and ordering information, write to: Slavica Publishers, Inc. P.O. Box 14388 Columbus, Ohio 43214 ISSN: 0883-5365 Each contribution copyright (c) 1986 by its author. All rights reserved. The editor and the publisher assume no responsibility for statements of fact or opinion by the authors. Oral Tradition seeks to provide a comparative and interdisciplinary focus for studies in oral literature and related fields by publishing research and scholarship on the creation, transmission, and interpretation of all forms of oral traditional expression. As well as essays treating certifiably oral traditions, OT presents investigations of the relationships between oral and written traditions, as well as brief accounts of important fieldwork, a Symposium section (in which scholars may reply at some length to prior essays), review articles, occasional transcriptions and translations of oral texts, a digest of work in progress, and a regular column for notices of conferences and other matters of interest. In addition, occasional issues will include an ongoing annotated bibliography of relevant research and the annual Albert Lord and Milman Parry Lectures on Oral Tradition. OT welcomes contributions on all oral literatures, on all literatures directly influenced by oral traditions, and on non-literary oral traditions. Submissions must follow the list-of reference format (style sheet available on request) and must be accompanied by a stamped, self-addressed envelope for return or for mailing of proofs; all quotations of primary materials must be made in the original language(s) with following English translations.
    [Show full text]
  • Landscape and Community in Old English Poetry
    FORESTS OF THOUGHT AND FIELDS OF PERCEPTION: LANDSCAPE AND COMMUNITY IN OLD ENGLISH POETRY by MARY ELIZABETH WARD A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of English College of Arts and Law The University of Birmingham September 2017 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract. Old English poetry is centred on the concept of community and the importance of belonging. Landscape was a component of any community since, during the period when Old English poetry was being composed and written down, the landscape was a far more important constituent of daily life than it is for the majority of people today. Landscape dictated the places that could be settled, as well as the placing of the paths, fords, and bridges that joined them; it controlled boundaries, occupations, and trading routes. In the poetry of the period landscape, as part of the fabric of community, is the arbiter of whether each element of a community is in its proper place and relationship to the others. It is the means of explaining how a community is constructed, policed, and empowered.
    [Show full text]
  • Studies on Medieval English Language and Literature
    The Grove Studies on Medieval English Language and Literature Número 8 2001 UNIVERSIDAD DEjAÉN 1 1 1 ,. The grove : working papers on english studies. -- N. 1 (l 996) - Jaén : Publicaciones de la Universidad de Jaén, Vicerrectorado de Extensión Universitaria, 1996- Anual Abierta ISSN 1137-00SX l. Inglés (Lengua) 2. Literatura inglesa I. Universidad de Jaén. Vicerrectorado de Extensión Universitaria, ed. Front cover design: David Medina Sánchez Depósito Legal: J. 530 - 1996 ISSN 1137-00SX Publisher: Publicaciones de la Universidad de Jaén, Vicerrectorado de Exren­ sión Universiraria, Campus Las Lagunillas s/n, Edificio D8, 23071 JAÉN; Teléfono: 953 212355 Printed by: Gráficas Chamorro CI Barreras, 15 23440 BAEZA (Jaén) Teléfono 953 74 04 26 - Fax 953 74 04 26 THEGROVE WORKING PAPERS ON ENGLISH STUDIES Editors Alejandro Alcaraz Sintes & Eugenio Olivares Merino Assitant Editor for Part 2 juan Pérez Padilla General Editor Carmelo Medina Casado Secretary Concepción Soto Palomo Editorial Board Alejandro Alcaraz Sintes, Luciano García García, María José Mora Sena, Eugenio Manuel Olivares Merino Scientific Board Joaquín Comesaña Rincón (University of Sevilla), Teresa Fanego Lema (University of San­ tiago de Compostela), Francisco García Tortosa (University of Sevilla), Santiago González Fernández-Corrugedo (University of Oviedo), Miguel Martínez López (University of Almería), jane Roberts (King's College, London), Fred C. Robinson (Yale University), james Simpson (University of Cambridge) Grupo de Investigación HUM 0271 de !ajunta de Andalucía INDEX FOREWORD PART 1: LANGUAGE 1. Renderings of Wulfand Eadwacer Revisired. Jorge Luis Bueno Alonso . .. .. 13 2. The Dating ofMiddle English Manuscripts: The Case ofMs Egerton 2622. Javier Calle Martín .. ... .. ...... ... ..... ............... .... ...... .. .......... ......... ... .. 39 3. A Study of Phrasal and Prepositional Verbs together wirh Prepositional­ Stranding Phenomena in Ancrene Wisse.
    [Show full text]
  • The Beowulf Poet's Accommodation of Pre-Christian Germanic Culture
    University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2014 The Beowulf Poet's Accommodation Of Pre-Christian Germanic Culture Walter Beverly University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the Medieval Studies Commons Recommended Citation Beverly, Walter, "The Beowulf Poet's Accommodation Of Pre-Christian Germanic Culture" (2014). Electronic Theses and Dissertations. 544. https://egrove.olemiss.edu/etd/544 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. THE BEOWULF POET’S ACCOMMODATION OF PRE-CHRISTIAN GERMANIC CULTURE A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of English The University of Mississippi by Walter B. Beverly, Jr. May 2014 Copyright Walter B. Beverly, Jr. 2014 ALL RIGHTS RESERVED ABSTRACT Since the beginning of Beowulf scholarship, much debate has been given to whether the poet emphasizes the paganism of his pre-Christian characters, or the Christianity practiced by himself and his audience. Proponents for each stance have given sound arguments, often through comparing Beowulf to other works of heroic Germanic literature, particularly Icelandic sagas and Eddic poetry. In this thesis, I, myself compare Beowulf to works such as Volsunga Saga, Hrolfssaga Kraka and Snorri Sturluson’s Prose Edda. As I acknowledge and expand on prior scholarship, I argue that the Beowulf poet portrays pre-Christian Germanic society as one accommodated within his own, by showing how the poet develops his hero according to virtues from the pre-Christian past, and which were still celebrated by his contemporary audience.
    [Show full text]
  • Ÿþm I C R O S O F T W O R
    Leeds Studies in English Article: Jenny Rowland, 'OE Ealuscerwen/Meoduscerwen and the Concept of "Paying for Mead"', Leeds Studies in English, n.s. 21 (1990), 1-12 Permanent URL: https://ludos.leeds.ac.uk:443/R/-?func=dbin-jump- full&object_id=122541&silo_library=GEN01 Leeds Studies in English School of English University of Leeds http://www.leeds.ac.uk/lse \ OE Ealuscerwen/Meoduscerwen and the Concept of 'Paying for Mead' Jenny Rowland The purpose of this article is not to review the extensive range of semantic and philological studies of the poetic compounds ealuscerwen and meoduscerwen, but rather to approach the problem of the meaning, origin and appropriateness of these words from a comparative standpoint. It was sparked off by a brief comment in T. A. Shippey's excellent study of Old English poetry on the use of meoduscerwen in Andreas: '. it is . odd to compare anything "bitter" to mead, a sweet drink. The metaphor is muddled, and may have been borrowed.'1 To any student of early Welsh verse the concept of 'bitter mead' is not odd, but very familiar. Since it is best expressed in The Gododdin where it is closely linked to the idea of the retainer paying for his lord's mead in battle, an idea which I knew is also found in Old English poetry, it appeared to be worthwhile to examine whether meoduscerwen belonged to a similar complex of ideas. If it is accepted that it does, at least on this account the Andreas poet can be absolved of having clumsily imitated the compound ealuscerwen in Beowulf by thoughtlessly substituted sweet mead for ale in the context of 'bitter drinking'.
    [Show full text]
  • Chayter 7 Sources Nnd Annlogues
    . 124 / Ursula Schaefer Chayter 7 Such investigations into the larger rhetorical patterns of Beowulf make us nsitive to designs that are not at once conspicuous to the reader trained in modern erature. Yet again, we must take care not to arrive at conclusions too rashly. Such sources nnd Annlogues Itterns were successful in that they aptly conveyed the narrative. Still, we must ,ep in mind that they are not icons of the mind-set of the composer or the audience Beowulf but merely symptoms of this mind-set. For some scholars, an investigation into the rhetoric and style of Beowulf may em an inadequate approach to the poem, since it requires criteria that are hy rheodore M. Anlersson achronistic in their application to this text. This brief survey shows, however, at, as long as scholars control their heuristic premises and tools, such investiga- )ns may uncover linguistic techniques that otherwise would remain unnoticed by e modern reader. Evidently, in a work of art rhetorical and stylistic art techniques )ummary: Scholars have adduced sources and analogues from every ed not be conspicuous in order to enhanca the audience's aesthetic experience. conceivable time and place but chiefly from Norse, Irish, and classical literature it is the analytic task ofliterary historians reveal these to techniques for any text, (mainly Homer and Virgil), church tradition (including biblical, apocryphal, and is task is the more difficult as the text recedes in time. patristic material), and other Old English texts. Despite the voluminous literature on these matters, almost everything is in doubt. Among the Norse analogues only Notes Grettis Jag4 seems convincing to most students, although the recently emphasized 1.
    [Show full text]
  • The Warrior Gets Married
    The Warrior Gets Married: Constructing the Masculine Hero in Beowulf and Chrétien de Troyes’ Erec et Enide A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy David C. Fritts August 2012 © 2012 David C. Fritts. All Rights Reserved. 2 This dissertation titled The Warrior Gets Married: Constructing the Masculine Hero in Beowulf and Chrétien de Troyes' Erec et Enide by DAVID C. FRITTS has been approved for the Department of English and the College of Arts and Sciences by Josephine Bloomfield Associate Professor of English Howard Dewald Interim Dean, College of Arts and Sciences 3 ABSTRACT FRITTS, DAVID C., Ph.D., August 2012, English The Warrior Gets Married: Constructing the Masculine Hero in Beowulf and Chrétien de Troyes' Erec et Enide Director ofDissertation: Josephine Bloomfield The hero that emerged in twelfth-century romance appears to respond to a different masculine ideal than the heroes of genres with earlier roots. What changing conditions of the social construction of masculinity contributed to the emergence of a new literary hero? Comparing Chrétien de Troyes’ first Arthurian romance, Erec et Enide, with the Danish adventure that comprises the first two-thirds of Beowulf through the lens of masculinity reveals much about the hero’s changing initiation into manhood. Each receives the property and status that recognizes his manhood at the end of his exploits, suggesting that his performance has demonstrated accepted masculine behavior. The heroes’ actions are measured against an array of others—beasts, women, boys, and old men—not only demonstrating their superiority over these others but also absorbing some of their qualities.
    [Show full text]
  • Loss, Remembrance, and Community in Anglo-Saxon and Old Norse Literature
    THE PASSING OF THINGS: LOSS, REMEMBRANCE, AND COMMUNITY IN ANGLO-SAXON AND OLD NORSE LITERATURE A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in English By Daniel D. Atherton, B.A. Washington, D.C. April 19th, 2017 Copyright 2017 by Daniel D. Atherton All Rights Reserved ii THE PASSING OF THINGS: LOSS, REMEMBRANCE, AND COMMUNITY IN ANGLO-SAXON AND OLD NORSE LITERATURE Daniel D. Atherton, B.A. Thesis Advisor: Kelley M. Wickham-Crowley, Ph.D. ABSTRACT The desire to return to the past and to re-experience events as they happened is a powerful creative force. Reinterpreting aspects of Beowulf’s narrative through the allegorical framework of towers and ruins, with towers representing achievements and ruins serving as the permanent reminder of those achievements, this master’s thesis explores the malleability of this creative process to summon and reshape the past in Anglo-Saxon literature. By extending the allegory of ruins to characters, material objects and their verbal descriptions, and imagined spaces that exist only within cultural recollections, one can more readily see the currents and forces by which narratives have the power to shape realities—and how there are absences that hint at possible realities left unexpressed. Beowulf is imbued with history because its settings revivify places that are dead and destroyed. Much of what happens in Beowulf occurs inside what to the Beowulf poet and his contemporary audience would have been a culturally remembered ruin, if not a physically known one.
    [Show full text]
  • A History of Beer in Ancient Europe
    University of Windsor Scholarship at UWindsor Languages, Literatures and Cultures Department of Languages, Literatures and Publications Cultures 2005 The Barbarian's Beverage: A History of Beer in Ancient Europe Max Nelson University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/llcpub Part of the Modern Languages Commons, and the Modern Literature Commons Recommended Citation Nelson, Max. (2005). The Barbarian's Beverage: A History of Beer in Ancient Europe. https://scholar.uwindsor.ca/llcpub/26 This Book is brought to you for free and open access by the Department of Languages, Literatures and Cultures at Scholarship at UWindsor. It has been accepted for inclusion in Languages, Literatures and Cultures Publications by an authorized administrator of Scholarship at UWindsor. For more information, please contact [email protected]. THE BARBARIAN’S BEVERAGE THE BARBARIAN’S BEVERAGE A History of Beer in Ancient Europe Max Nelson First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Avenue, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2004. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © 2005 Max Nelson All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
    [Show full text]
  • DATING BEOWULF Series Editors: Anke Bernau, David Matthews and James Paz Series Founded By: J
    DATING BEOWULF Series editors: Anke Bernau, David Matthews and James Paz Series founded by: J. J. Anderson and Gail Ashton Advisory board: Ruth Evans, Patricia C. Ingham, Andrew James Johnston, Chris Jones, Catherine Karkov, Nicola McDonald, Sarah Salih, Larry Scanlon and Stephanie Trigg Manchester Medieval Literature and Culture publishes monographs and essay collections comprising new research informed by current critical methodologies on the literary cultures of the Middle Ages. We are interested in all periods, from the early Middle Ages through to the late, and we include post-medieval engagements with and representations of the medieval period (or ‘medievalism’). ‘Literature’ is taken in a broad sense, to include the many different medieval genres: imaginative, historical, political, scientific, religious. While we welcome contributions on the diverse cultures of medieval Britain and are happy to receive submissions on Anglo-Norman, Anglo-Latin and Celtic writings, we are also open to work on the Middle Ages in Europe more widely, and beyond. Titles available in the series 15. The Scottish Legendary: Towards a poetics of hagiographic narration Eva von Contzen 16. Nonhuman voices in Anglo-Saxon literature and material culture James Paz 17. The church as sacred space in Middle English literature and culture Laura Varnam 18. Aspects of knowledge: Preserving and reinventing traditions of learning in the Middle Ages Marilina Cesario and Hugh Magennis (eds) 19. Visions and ruins: Cultural memory and the untimely Middle Ages Joshua Davies 20. Participatory reading in late-medieval England Heather Blatt 21. Affective medievalism: Love, abjection and discontent Thomas A. Prendergast and Stephanie Trigg 22. Performing women: Gender, self, and representation in late-medieval Metz Susannah Crowder 23.
    [Show full text]