Studies on Medieval English Language and Literature
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Gold Coins of England, Arranged and Described
THE GOLD COINS OF ENGLAND. FMOTTIS PIECE. Edward die Coiiiessor. 16 TT^mund, Abp.of Yo Offa . King of Mercia ?.$.&&>. THE GOLD COINS OF ENGLAND AERANGED AND DESCRIBED BEING A SEQUEL TO MR. HAWKINS' SILVER COINS OF ENGLAND, BY HIS GRANDSON KOBEET LLOYD KENYON See p. 15. Principally from the collection in tlie British Museum, and also from coins and information communicated by J. Evans, Esq., President of the Numismatic. Society, and others. LONDON: BERNARD QUARITCH, 15 PICCADILLY MDCCCLXXXIV. : LONDON KV1AN AND <ON, PRINTERS, HART STREET. COVENT r,ARI>E\. 5 rubies, having a cross in the centre, and evidently intended to symbolize the Trinity. The workmanship is pronounced by Mr. Akerman to be doubtless anterior to the 8th century. Three of the coins are blanks, which seems to prove that the whole belonged to a moneyer. Nine are imitations of coins of Licinius, and one of Leo, Emperors of the East, 308 to 324, and 451 to 474, respectively. Five bear the names of French cities, Mettis, Marsallo, Parisius. Thirty- nine are of the seven types described in these pages. The remaining forty-three are of twenty-two different types, and all are in weight and general appearance similar to Merovingian ti-ientes. The average weight is 19*9 grains, and very few individual coins differ much from this. With respect to Abbo, whose name appears on this coin, the Vicomte de Ponton d'Ainecourt, who has paid great attention to the Merovingian series, has shown in the " Annuaire de la Societe Francaise de Numismatique " for 1873, that Abbo was a moneyer at Chalon-sur-Saone, pro- bably under Gontran, King of Burgundy, a.d. -
THE COINAGE of HENRY VII (Cont.)
THE COINAGE OF HENRY VII (cont.) w. J. w. POTTER and E. J. WINSTANLEY CHAPTER VIII. The Gold Money 1. The Angels and Angelets Type I. The first angels, like the first groats, are identical in style with those of the preceding reigns, having St. Michael with feathered wings and tunic and one foot on the ridged back of a substantial dragon with gaping jaws and coiled tail. There are the same two divisions of compound and single marks, but the latter are of great rarity and have unusual legends and stops and therefore are unlikely to be confused with the less rare earlier angels. Only three of the four compound marks on the groats are found on the type I angels, and they were very differently used. There are no halved lis and rose angels but on the other hand the halved sun and rose is one of the two chief marks found on both obverses and reverses. The lis on rose is also found on obverses and reverses, but the lis on sun and rose is known only on two altered obverses showing Richard Ill's sun and rose mark with superimposed lis (PI. IX, 1). We have examined twenty-one angels, representing practically all the known speci- mens and the summary of the marks on these is as follows: Obverses Reverses 1. Halved sun and rose (3 dies) 1. Halved sun and rose 8 2. Lis on rose 2 2. Lis on rose (3 dies) 1. Lis on rose 6 2. Halved sun and rose 1 3. -
The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J. -
The Inscription of Charms in Anglo-Saxon Manuscripts
Oral Tradition, 14/2 (1999): 401-419 The Inscription of Charms in Anglo-Saxon Manuscripts Lea Olsan Anglo-Saxon charms constitute a definable oral genre that may be distinguished from other kinds of traditionally oral materials such as epic poetry because texts of charms include explicit directions for performance. Scribes often specify that a charm be spoken (cwean) or sung (singan). In some cases a charm is to be written on some object. But inscribing an incantation on an object does not necessarily diminish or contradict the orality of the genre. An incantation written on an amulet manifests the appropriation of the technology of writing for the purposes of a traditionally oral activity.1 Unlike epic poetry, riddles, or lyrics, charms are performed toward specific practical ends and their mode of operation is performative, so that uttering the incantation accomplishes a purpose. The stated purpose of an incantation also determines when and under what circumstances a charm will be performed. Charms inscribed in manuscripts are tagged according to the needs they answer-whether eye pain, insomnia, childbirth, theft of property, or whatever. Some charms ward off troubles (toothache, bees swarming); others, such as those for bleeding or swellings, relieve physical troubles. This specificity of purpose markedly distinguishes the genre from other traditional oral genres that are less specifically utilitarian. Given the specific circumstances of need that call for their performance, the social contexts in which charms are performed create the conditions felicitous for performative speech acts in Austin’s sense (1975:6-7, 12-15). The assumption underlying charms is that the incantations (whether words or symbols or phonetic patterns) of a charm can effect a change in the state of the person or persons or inanimate object (a salve, for example, or a field for crops). -
The Milled Coinage of Elizabeth I
THE MILLED COINAGE OF ELIZABETH I D. G. BORDEN AND I. D. BROWN Introduction THIS paper describes a detailed study of the coins produced by Eloy Mestrelle's mill at the Tower of London between 1560 and 1571. We have used the information obtained from an examination of the coins to fill out the story of Eloy and his machinery that is given by the surviving documents. There have been a number of previous studies of this coinage. Peter Sanders was one of the first to provide a listing of the silver coins1 and more recently one of us (DGB) has published photographs of the principal types.2 The meagre documentary evidence relating to this coinage has been chronicled by Ruding,3 Symonds,4 Craig,5 Goldman6 and most recently by Challis.7 Hocking8 and Challis have given accounts of what little it known of the machinery used. This study first summarises the history of Mestrelle and his mill as found in the documents and then describes our die analysis based on an examination of enlarged photographs of 637 coins. We combine these two to propose a classification for the coinage in Appendix 2. Mestrelle and the Milled Coinage of Elizabeth I Queen Elizabeth I succeeded her sister Mary I as queen of England and Ireland in November 1558. On 31 December 1558 she signed a commission to Sir Edmund Peckham as high treasurer of the mint to produce gold and silver coins of the same denominations and standards as those of her sister, differing only in having her portrait and titles.9 The coins struck over the next eighteen months mostly never saw circulation because the large amount of base silver coin in circulation drove all the good coin into private savings or, worse, into the melting pot. -
Monasticism in Angevin England
MONASTICISM IN ANGEVIN ENGLAND HELEN STEELE In 1164, King Henry II, now ten years into his the civil courts. Article three stated, “Clerks charged and reign, published the Constitutions of Clarendon. Henry accused of any matter […] shall come into his court to was attempting to clarify the laws of England that had been answer there to whatever it shall seem to the king's court left so uncertain after Stephen’s reign and the civil wars should be answered there […] if the clerk be convicted or that accompanied it1. The Constitutions included clauses confess, the church ought not to protect him further.”4 that made the relationships between laity and clergy the Henry might have expected his Archbishop of remit of King; he banned the church from Canterbury to support him and to sign the Constitutions. excommunicating his vassals without his consent; he Henry had appointed his good friend Thomas Becket to assumed control of the appointment of senior church that post after the latter had served him well as Lord officials and forbade clerics from traveling overseas Chancellor for the early part of his reign. During this without his permission.2 It was the third article that proved period, Becket had shown few signs of zealous allegiance most controversial. Traditionally, those in holy orders had to the Church, but when he was appointed Archbishop, “he been tried in ecclesiastic courts and exempt from civil on a sudden exhibited […] a change in his habit and action, but according to William of Newburgh, clerks manners”. Although all the other -
Violence, Christianity, and the Anglo-Saxon Charms Laurajan G
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1-1-2011 Violence, Christianity, And The Anglo-Saxon Charms Laurajan G. Gallardo Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Gallardo, Laurajan G., "Violence, Christianity, And The Anglo-Saxon Charms" (2011). Masters Theses. 293. http://thekeep.eiu.edu/theses/293 This Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. *****US Copyright Notice***** No further reproduction or distribution of this copy is permitted by electronic transmission or any other means. The user should review the copyright notice on the following scanned image(s) contained in the original work from which this electronic copy was made. Section 108: United States Copyright Law The copyright law of the United States [Title 17, United States Code] governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the reproduction is not to be used for any purpose other than private study, scholarship, or research. If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that use may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. -
Introduction
NOTES Introduction 1. Eric J. Hobsbawm, Primitive Rebels: Studies in Archaic Forms of Social Movement in the 19th and 20th Centuries (Manchester: Manchester University Press, 1959). 2. Eric J. Hobsbawm, Bandits, rev. ed. (1961; New York: Pantheon, 1981), p. 23. 3. Ibid., p. 17. 4. Ibid., pp. 22–28. 5. Anton Blok, “The Peasant and the Brigand: Social Banditry Reconsidered,” Comparative Studies in Society and History 1:4 (1972), 494–503. See also Richard W. Slatta, ed., Bandidos: The Varieties of Latin American Banditry (Westport: Greenwood Press, 1987). 6. See the summary by Richard W. Slatta, “Eric J. Hobsbawm’s Social Bandit: A Critique and Revision,” A Contracorriente 1:2 (2004), 22–30. 7. Paul Kooistra, Criminals as Heroes: Structure, Power, and Identity (Bowling Green: Bowling Green State University Popular Press, 1989), p. 29. 8. See Steven Knight’s Robin Hood: A Complete Study of the English Outlaw (Oxford: Blackwell, 1994); and Robin Hood: A Mythic Biography (Ithaca: Cornell University Press, 2003). 9. Mary Grace Duncan, Romantic Outlaws, Beloved Prisons: the Unconscious Meanings of Crime and Punishment (New York: New York University Press, 1996), p. 61. 10. Charles Mackay, Memoirs of Extraordinary Popular Delusions and the Madness of Crowds (London, 1841). 11. See, for instance, Kenneth Munden, “A Contribution to the Psychological Understanding of the Cowboy and His Myth,” American Imago Summer (1958), 103–48. 12. William Settle, for instance, makes the argument in the introduction to his Jesse James Was His Name (Columbia: University of Missouri Press, 1966). 13. Hobsbawm, Bandits, pp. 40–56. 14. Joseph Ritson, ed., Robin Hood: A Collection of all the Ancient Poems, Songs, and Ballads, now Extant Relative to that Celebrated English Outlaw, 2 vols (London: Egerton and Johnson, 1795; rpt. -
The Intertextuality of Beowulf, Cynewulf and Andreas1
The departure of the hero in a ship: The intertextuality of Beowulf , Cynewulf and Andreas 1 Francis Leneghan University of Oxford This article identifies a new Old English poetic motif, ‘The Departure of the Hero in a Ship’, and discusses the implications of its presence in Beowulf , the signed poems of Cynewulf and Andreas , a group of texts already linked by shared lexis, imagery and themes. It argues that the Beowulf -poet used this motif to frame his work, foregrounding the question of royal succession. Cynewulf and the Andreas -poet then adapted this Beowulfian motif in a knowing and allusive manner for a new purpose: to glorify the church and to condemn its enemies. Investigation of this motif provides further evidence for the intertextuality of these works. Keywords : Old English poetry; Beowulf , Cynewulf; Andreas ; Anglo-Saxon literature 1. Introduction Scholars have identified a number of ‘motifs’, ‘themes’ or ‘type scenes’ in Old English poetry. Two of the best-known such motifs are ‘the beasts of battle’, typically featuring the carrion eagle, wolf and raven, anticipating or rejoicing in slaughter (Magoun 1955, Bonjour 1957, Griffith 1993), and ‘the hero on the beach’, wherein a hero is depicted with his retainers in the presence of a flashing light, as a sea-journey is completed (or begun), usually at dawn 1 I would like to thank Daniel Anlezark, Hugh Magennis, Richard North, Andy Orchard, Rafael Pascual and Daniel Thomas for their helpful comments on earlier versions of this article. Francis Leneghan, Selim24 (2019): 105 –132. ISSN 1132-631X / DOI https://doi.org/10.17811/selim.24.2019.105-134 106 Francis Leneghan (Crowne 1960: 368; Fry 1966, 1971).2 Broadening the focus to consider both Old English verse and prose, Mercedes Salvador Bello identified the ‘leitmotif’ of ‘the arrival of the hero in a ship’ in the Anglo-Saxon Chronicle and Beowulf , featuring “a recurrent thematic pattern which presents the story of the heroes (or the hero) who arrive from northern lands in a boat and become the ancestors of Anglo-Saxon dynasties” (1998: 214). -
1 Introduction
Cambridge University Press 978-1-107-08638-8 - The Clergy in the Medieval World: Secular Clerics, Their Families and Careers in North-Western Europe c.800–c.1200 Julia Barrow Excerpt More information 1 Introduction Opening remarks How did clerics build their careers in the western church in the Middle Ages? At what stage in their lives was the decision taken that they should enter the clergy, and who made this decision? Did they continue to maintain ties with their families, and if so, how? How were they trained for their roles in the Church? Attempting to answer these questions sheds light on central aspects of western European society: family networks, education, administration, pastoral care and ecclesiastical institutions. Unlike monks and nuns, however, whose career patterns and family background have attracted considerable attention,1 the clergy of the period from 800 to 1200 have suffered neglect, but unjustly so, on several counts: they were numerous, and their lives and activities were woven into those of the laity of the societies in which they lived. Moreover, though the majority had significance only as part of a larger whole, a sizeable minority were doers and thinkers, many at the forefront of the whole range of cultural developments. No history of Europe in the central Middle Ages could overlook the contributions of – to take a few examples – Gerbert of Aurillac, Peter Abelard, Stephen Langton or Robert Grosseteste, all of them the products of a clerical formation and education.2 At the highest level of the clergy, all bishops, most of whom had built up their ecclesiastical careers as secular clerics, had at least 1 For some idea of the range of literature on monks and nuns, see NCMH, II, 995–1002; III, 759–62; IV (2), 817–22; Thomas F.X. -
Title Changes in Livestock Mobility and Grazing Pattern Among The
Changes in Livestock Mobility and Grazing Pattern among the Title Hamer in Southwestern Ethiopia Author(s) Tefera, Samuel African study monographs. Supplementary issue (2014), 48: Citation 99-112 Issue Date 2014-03 URL https://doi.org/10.14989/185108 Right Type Journal Article Textversion publisher Kyoto University African Study Monographs, Suppl. 48: 99–112, March 2014 99 ChangeS in LiveStoCk MobiLity and grazing Pattern aMong the haMer in SouthweStern ethioPia Samuel tefera Graduate School of Asian and African Area Studies, Kyoto University abStraCt different ethiopian regimes have encouraged pastoral people to adopt a settled way of life and to practice agriculture. despite these efforts, pastoral people in ethiopia have maintained their mobility in search of better pastures and water for their livestock. this paper examines changes in livestock mobility and grazing lands among the hamer during three regimes. the data discussed in this paper were collected during ethnographic field research using a participant-observer approach, as well as focus group discussions held in different villages across the district. the hamer have experienced several significant changes over the course of different regimes: distance to camp herds (i.e., livestock kept at distant camps near grazing areas) has increased, leading to less frequent visits to village camps, and mobility between camp herds has increased in frequency due to livestock population growth and increased competition. additionally, rain irregularities and shortages have led to the use of livestock enclosures, while changes in mobility patterns over the last eight decades have resulted in increased encroachment into territories beyond hamer jurisdiction. disruptions in rainfall and shrinkage of grazing land have also rendered preexisting alliances vulnerable to conflict. -
Mother Tongue Film Festival
2016–2020 Mother Tongue Film Festival Five-Year Report RECOVERING VOICES 1 2 3 Introduction 5 By the Numbers 7 2016 Festival 15 2017 Festival 25 2018 Festival 35 2019 Festival 53 2020 Festival 67 Looking Ahead 69 Appendices Table of Contents View of the audience at the Last Whispers screening, Terrace Theater, Kennedy Center. Photo courtesy of Lena Herzog 3 4 The Mother Tongue Film Festival is a core to the Festival’s success; over chance to meet with guest artists and collaborative venture at the Smithso- time, our partnerships have grown, directors in informal sessions. We nian and a public program of Recov- involving more Smithsonian units and have opened the festival with drum ering Voices, a pan-institutional pro- various consular and academic part- and song and presented live cultural gram that partners with communities ners. When launched, it was the only performances as part of our festival around the world to revitalize and festival of its kind, and it has since events. sustain endangered languages and formed part of a small group of local knowledge. The Recovering Voices and international festivals dedicated We developed a dedicated, bilingual partners are the National Museum of to films in Indigenous languages. (English and Spanish) website for Natural History, the National Museum the festival in 2019, where we stream of the American Indian, and the Cen- Over its five editions, the festival has several works in full after the festival. ter for Folklife and Cultural Heritage. grown, embracing a wide range of And, given the changing reality of our Through interdisciplinary research, audiovisual genres and experiences, world, we are exploring how to pres- community collaboration, and pub- drawing audiences to enjoy screen- ent the festival in a hybrid live/on- lic outreach, we strive to develop ef- ings often at capacity at various ven- line model, or completely virtually, in fective responses to language and ues around Washington, DC.