La Scena Musicale Avril 2005 April Vol
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Elektra's Mandate Is to Inspire and Lead in the Choral Art Form Through
Elektra’s mandate is to inspire and lead in the choral art form through excellence in performance and the creation, exploration, and celebration of women’s repertoire. I Am in Need of Music Listener's Guide by Morna Edmundson, Artistic Director Saturday, May 4, 2019 Shaughnessy Heights United Church, Vancouver Elektra Women’s Choir Morna Edmundson, Artistic Director Stephen Smith, piano with special guest, Suzie LeBlanc, soprano and with David Greenberg, violin Welcome! This “Listener’s Guide” is meant to give you insight into Elektra’s season programming and to make the concert experience richer and more meaningful. I’ll be sharing my thoughts on the music we’re singing on May 4, 2019 in Vancouver and May 5 at ArtSpring on Salt Spring Island. Here you’ll also find poems and translations. My days are spent either making music or planning for it to be made, and sometimes I forget because I am so close to it what a privilege it is to be surrounded by the beauty of voices, notes, and words on a daily basis.Our May program celebrates the ineffable mystery of music both with brand new pieces and also arrangements of songs that may connect you to past experiences. It is a treat to welcome our special guest, Canadian soprano Suzie LeBlanc, CM. This is our first-ever collaboration with her, although she and I have known each other for a long time. The concert weaves together many of her passions - baroque music, Acadian music, and the poetry of Elizabeth Bishop. It stand to be a rare insight into a consummate performer who was recently made a member of the Order of Canada for "contributing to the development of early-period music and Acadian culture as a singer and teacher". -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Il Est Un Petit Honneur «Qui Fait Grand Plaisir!» Michèle Thibodeau-Deguire a Accédé À L’Académie Des Grands Montréalais En 2001
LE DEVOIR, LE MERCREDI 16 NOVEMBRE 2011 MONTREAL CAHIER C LES GRANDS MONTRÉALAIS Sid Stevens Frédéric Back Pierre Fortin est le Grand Montréalais devient à 87 ans et Aldo Bensadoun en 2011 le Grand Mont- rejoignent du secteur social réalais culturel la communauté Page 3 Page 5 Pages 4 et 6 JACQUES NADEAU LE DEVOIR Centraide encourage le développement du réseau des intervenants au sein de chaque quartier de Montréal. Il est un petit honneur «qui fait grand plaisir!» Michèle Thibodeau-DeGuire a accédé à l’Académie des Grands Montréalais en 2001 En 2001, Michèle Thibodeau-DeGuire, présidente et directri- police, l’école, les organismes communautaires, le CLSC, etc., ce générale de Centraide du Grand Montréal, s’est vu décer- travaillent dans le même sens ner le titre de Grand Montréalais, un honneur qui lui a fait pour trouver des solutions avec réellement plaisir. «C’est très, très, très excitant, lance tout à les citoyens, indique Mme Thi- fait joyeusement cette Acadienne de souche. C’est probable- bodeau-DeGuire. Nous finan- çons donc des tables de concerta- ment même, de tous les honneurs que j’ai reçus, celui qui tion depuis près de vingt ans, m’a le plus touchée!» afin de réunir les divers interve- nants pour qu’ils s’entendent sur CLAUDE LAFLEUR l’un ou l’autre des quatre les priorités de leur quartier. La champs d’activité — écono- table réunit ceux qui possèdent ela m’a même mique, social, culturel et une partie de la solution, ce qui surprise, se scientifique. Il y a ensuite un a déjà tout un impact.» « souvient Mi- petit groupe qui se réunit chèle Thibo- pour établir une courte liste 2011 sera deau-DeGuire, — trois ou quatre noms par une bonne année nomméeC «Grande Montréalai- secteur d’activité. -
Heidelberg Feiert Hölderlin
20. MÄRZ 2020, 08.30 – 09.00 UHR 20. MÄRZ 2020, 18.00 UHR – OPEN END 20. MÄRZ 2020, 21.30 – 22.15 UHR 20. MÄRZ 2020, 01.00 – 02.00 UHR 21. MÄRZ 2020, 19.00 – 20.00 UHR 22. MÄRZ 2020, 19.00 – 20.30 UHR BESETZUNG „ALTE BRÜCKE“ LANGE JUBILÄUMS-NACHT AUF DEM SCHAUSPIEL – ZUR BLINDHEIT LESUNG – DES DUNKLEN LICHTES VOLL LESUNG – INS OFFENE. HÖLDERLIN UND WIR FILM – HÄLFTE DES LEBENS BTHVN2020 MUSIKFRACHTER* ÜBERREDETE AUGEN / HÖLDERLIN Symbolische und künstlerische „Besetzung“ der Alten Heidelberger Dichterinnen und Dichter lesen auf dem Zwei fünfte Klassen begaben sich auf die Spuren Friedrich DDR 1984. Regie: Herrmann Zschoche. 98 Minuten, Brücke durch die Schülerschaft des HölderlinGymna Nach Sonnenuntergang beginnt auf dem BTHVN2020 Das Theater und Orchester Heidelberg zeigt noch einmal BTHVN2020 Musikfrachter selbstgeschriebene Texte Hölderlins, um die Orte, die der Dichter vor über 200 Jahren ab 12 Jahren, Darsteller: Ulrich Mühe u. a., siums Heidelberg. Musikfrachter die „Lange JubiläumsNacht“: Das Schau sein erfolgreiches Stück zu Hölderlin: Eingeschlossen in zu Friedrich Hölderlin oder HölderlinNeudichtungen. in seiner Ode besungen hat, zu besuchen und um selbst JUBILÄUMSJAHR spiel des Theaters und Orchesters Heidelberg zeigt seine seinen Turm überblickt der Dichter das Scheitern seiner Begleitet werden sie von umgedichteten Hölderlin kreativ zu werden. In anderen Klassen wurde zu Hölderlin Der DefaFilm zeigt Friedrich Hölderlin als einen Mann in ZUM Veranstaltungsort Alte Brücke erfolgreiche Produktion „Zur Blindheit überredete Augen / Hoffnungen. Ohne Aussicht auf Veränderung und ohne Hymnen, die zu einem indischen Harmonium gesungen gerappt, es entstanden Paralleltexte und Rollenbiografien. der Hälfte des Lebens, der an seiner Zeit zerbricht und AUFTAKT-WOCHENENDE Veranstalter Germanistisches Seminar der Universität Heidelberg / Hölderlin“. -
Promenade Doorheen De Schemerzone
Promenade doorheen de schemerzone Een wandelroute langs symfonieën en concerto's van Mozart, Monn, Bach en Beck De achttiende-eeuwers velden bijwijlen harde oordelen over de muziek van hun tijd. Toen Johann Sebastian Bach in 1750 stierf, werd dit in Leipzig nauwelijks opgemerkt, laat staan dat zijn heengaan in Europa voor enige deining zorgde. Van de Duitse muziek werd vaak beweerd dat ze weinig hoogstaande composities voortbracht. Dit hardnekkige gerucht sproot voort uit een pro-Italiaanse houding die zich van het toenmalige muzieklandschap heer en meester maakte. In deze context werd de inheemse muziek uit Duitsland (musica tedesca) als leuk, maar boertig en platvloers beschouwd. Op deze visie kwam een krachtige repliek in de vorm van boeiende instrumentale muziek, die de hegemonie naar het Duitse taalgebied deden verschuiven. Vier stalen bieden zich hiervoor als bewijsmateriaal aan. W.A. Mozart 'Sinfonia in F' (Milaan, 1771) Eén ding is zeker: de componist van de tweede helft van de achttiende eeuw diende rekening te houden met de erfenis van de Barok en deze was in wezen Italiaans. Zowel de belangrijkste instrumentale (sinfonia en concerto) als vocale genres (opera en oratorium) kwamen voort uit de Italiaanse schoot. Plichtsgetrouw noteerde Wolfgang Amadeus Mozart (1756-1791) daarom bovenaan zijn symfonie in fa groot de term 'Sinfonia'. Vader Leopold vervolledigde dit met de woorden "del Sig[no]re Cavaliere Amadeo Wolfgango Mozart à Milano 2 di Novemb. 1771." Mozarts Milanese sinfonia vertoont een typisch Italiaanse planning. Oorspronkelijk was het werk driedelig. Een pittig en beknopt Allegro in verkorte hoofdvorm werd opgevolgd door een tweeledig Andante in cantabile-stijl en een dansant Molto Allegro in een rondostructuur met een aanstekelijk refrein. -
Suzie Leblanc O R I P a H S D E E : U O T Q O O H R P
HaGnd elloria Suzie LeBlanc o r i p a h S d E e : u o t q o o h r P Hand el Bach Vivaldi a B ACD2 2215 ATMA Gloria Handel Nous reconnaissons l’aide financière du gouvernement du Canada par l’entremise du Programme d’aide au développement de l’enregistrement sonore. Suzie LeBlanc We acknowledge the financial support of the Government of Canada through soprano the Sound Recording Development Program for this project. Académie Baroque de Montréal Enregistrement et réalisation / Recorded and produced by: Johanne Goyette Eglise St-Augustin, St-Augustin de Mirabel (Québec) 19-21 août 2001 / August 19-21, 2001 Montage numérique / Digital mastering: Studio l’Esplanade Alexander Weimann Adjoints à la production / Production assistants: Valérie Leclair, Jacques-André Houle Graphisme / Graphic design: Diane Lagacé Couverture / Cover art: Le diptyque de Wilton 1395-99 / The Wilton Diptych 1395-99 2 George Frideric Handel (1685-1759) (attribué à… / attributed to… ) George Frideric Handel o Gloria in excelsis Deo (15:43) Sonate en trio op. 5 n 2 en ré majeur • Trio Sonata Op. 5 No. 2 in D major (8:01) 1 Gloria in excelsis Deo (2:27) 9 Adagio – Allegro (2:34) 2 Et in terra (2:45) 10 Musette : Andante – Allegro – Musette : Andante (3:46) 3 Laudamus te (2:06) 11 Marche (1:15) 4 Domine Deus (1:09) 12 Gavotte : Allegro (0:26) Hélène Plouffe, Christopher Verrette – violons / violins ; 5 Qui tollis peccata (4:00) Mathieu Lussier – basson / bassoon ; Alexander Weimann – orgue / organ 6 Quoniam tu solus – Cum Sancto Spiritu (3:16) Suzie LeBlanc – soprano; ABM -
Spring-Summer 2014
UNIVERSITY OF TORONTO The Surgical Spotlight ON ALUMNI, FACULTY, RESIDENTS, STUDENTS & FRIENDS OF THE DEPARTMENT OF SURGERY EVENTS AND STORIES FROM SPRING-SUMMER 2014 Karen Devon SURGEON - ETHICIST AND SOMETHING MORE INSIDE Karen Devon: Surgeon-Ethicist and Karen Devon is an endocrine and Something More 1 general surgeon at Women’s College Chair’s Column: Towards a Network Hospital and the UHN. She teaches of Excellence in Simulation 2 ethics to students, residents and col- A Collective Vision of leagues in various original formats. Arthritis Research 3 She leads a popular ethics quality of Ken Kizer’s Bigelow Lecture: care rounds each month at General Achieving Change in Surgery Quality of Care Conference Complex Systems 4 for UHN and hopes to roll this out Department wide. She is engaged Identifying Driver Genes in in a variety of writing projects, Liver Cancer including an article on the ethics Toward Genomically Personalized of personalized genomic medicine Care 9 for a surgical oncology journal, a Visiting China in the Tradition of popular article on chefs and surgery Norman Bethune 9 for the popular health blog “kev- The Janes Surgical Society – inmd” which was published by the A part of our history 19 Culinary Institute of America, and STUDENTS’ CORNER she contributes actively to patient SEAD Director Neil D’Souza 11 advocacy conversations on Twitter. Karen Devon Editor’s Column: Karen founded the Surgery Department Book Club with a discussion of Open A Surgical Ethics Course, and Wound, a historical novel based on the gastric fistula experiments conducted A Sad Footnote on the VA 13 on Alexis St. -
Disney and His Worlds
DISNEY AND HIS WORLDS Disney and his Worlds is a thorough overview of what is by now quite a large literature on the Disney organization, in particular the theme parks and their significance for contemporary culture. The author looks at Walt Disney’s life and how his biography has been constructed; the Walt Disney Company in the years after his death; and the writings of various commentators on the Disney theme parks. He raises important issues about the parks: whether they are harbingers of postmodernism; the significance of consumption at the parks; the nature of the parks as tourism; and the representation of past and future. The discussion of theme parks is central but links with the presentation of Walt Disney’s biography and his organization by showing how central economic and business considerations have been in their development, and how the significance of these considerations is typically marginalized in order to place an emphasis on fantasy and magic. In the process, the book questions the assumption that the parks are sites of postmodern sensibility. Disney films, merchandizing and theme parks are one of the defining features of our times and one of the more effective elements in American cultural imperialism. It is impossible to imagine an encyclopedic sociology of contemporary culture that did not devote at least a chapter to Disney and his Worlds. In particular the parks are often employed as examples in areas like cultural studies, the sociology of postmodernism, tourism and leisure studies, while Walt Disney and his organization are important to the area of organization studies. -
Slch Prog 2019-20 Ang F Nc Low.Pdf
T TABOUT US T Founded in 1904, the Schulich School of Music of McGill University is home to a diverse community of performers, composers, music theorists, educators, scientists, and researchers, and offers more than 45 undergraduate, graduate, and professional programs. In 2018, 513 undergraduate and 375 graduate students were enrolled at Schulich, with a third of that total coming from outside of Canada. This season, Schulich will present over 600 public events at a variety of venues within the School, throughout the City of Montreal, and elsewhere. S SSS S SCHULICH STUDENT POPULATION 63% 37% PERFORMANCE RESEARCH 34% 33% 33% FROM QUEBEC REST OF CANADA INTERNATIONAL S SSS S @schulichmusic INFORMATION S BOX OFFICE 514-398-4547 · mcgill.ca/music T TABLE OF CONTENTS T About Us ..........................................4 Musical Chairs Welcome Message ..........................5 Chamber Music Festival ...........25 McGill Symphony Orchestra........ 6-7 Schulich in Concert .................. 26-28 Opera McGill ................................ 8-9 Schulich in Your Neighbourhood ......28 Baroque Orchestra ........................10 McGill Noon-Hour Organ ..............29 Contemporary Music Ensemble .......11 Intermezzo .....................................29 McGill Choral Ensembles ........ 12-14 Musical 5 à 7 ..................................30 McGill Wind Orchestra ...................15 Schulich@COC ...............................31 McGill Jazz Ensembles ............ 16-17 Schulich@McCord .........................31 2019-2020 Competitions -
635212061923.Pdf
8771_CO_Strum und Drang BOOKLET_FINAL.indd 1 10/12/2019 15:25 Recorded at St John’s Smith Square, London, UK from 4 to 6 January 2019 STURM UND DRANG Produced, Engineered and Edited by Andrew Mellor Assistant engineer: Brett Cox Design: Toucari Live and Debbie Coates Volume 1 Cover image: Shipwreck by Claude Joseph Vernet (1714-1789) Session photography: Benjamin Ealovega Session filming: Martin Kendrick Music by Gluck, Jommelli, Haydn, Beck and Traetta Italian language coach: Matteo dalle Fratte Harpsichord technician: Malcolm Greenhalgh Orchestra playing on period instruments at A = 430 Hz CHIARA SKERATH soprano The recording of Haydn’s ‘La Passione’ symphony is dedicated to Ken Coates, in loving memory. We are extremely grateful to George & Efthalia Koukis and Koukis Aviation for making this recording possible. THE MOZARTISTS Matthew Truscott (leader) We are also grateful to the following people and organisations for their generous support and assistance: Kate Bingham & Jesse Norman, Sir Vernon & Lady Ellis, Jeffery & Jennifer Eldredge, Jeanette Grohe, Richard Heason and all the staff at St John’s Smith Square, Pearce & Beaujolais Rood, Hamish and Carole Ritchie, Dyrk Riddell, Joe IAN PAGE conductor & Christine Swanson, Tina Vadaneaux, Michael & Rosemary Warburg, and all the other individuals who support our work. 2 STURM UND DRANG 1 STURM UND DRANG 1 3 sturm8771_CO_Strum und drang 1 finalund forDrang nick.indd BOOKLET_FINAL.indd 2 2 09/12/201910/12/2019 11:12:16 15:25 sturm und drang 1 final for nick.indd 3 09/12/2019 11:12:16 Recorded -
Radio 3 Listings for 13 – 19 August 2011 Page 1 of 11 SATURDAY 13 AUGUST 2011 Swedish Radio Choir, Olov Olofsson (Piano), Eric Ericson Editor Sally Dunkley
Radio 3 Listings for 13 – 19 August 2011 Page 1 of 11 SATURDAY 13 AUGUST 2011 Swedish Radio Choir, Olov Olofsson (piano), Eric Ericson editor Sally Dunkley. In the library of Christchurch, Oxford (conductor) they uncover the Fanshawe manuscripts, one of the most SAT 01:00 Through the Night (b0132pt8) important collections of responses including the heartfelt and Jonathan Swain presents Mozart piano Concerti performed by 5:08 AM moving piece "Tis now Dead Night" by Thomas Ford, recently Clara Haskil Prokofiev, Sergey (1891-1953) reconstructed for performance by Gallicantus. Cinderella's waltz from (Cinderella) - suite no.1 (Op.107) 1:01 AM BBC Philharmonic, Vassily Sinaisky (conductor) Tristram also visits the National Portrait Gallery with its former Mozart, Wolfgang Amadeus [1756-1791] director, historian Sir Roy Strong, who has been fascinated by Concerto for piano and orchestra no. 9 (K.271) in E flat major 5:14 AM Henry's life since the 1960s. At the gallery, they see portraits of Clara Haskil (piano) ORTF Orchestra, Igor Markevitch Ebner, Leopold (1769-1830) the dashing young prince, a small medallion of him portrayed Trio in B flat major like a Roman emperor and an etching of the hearse for his 1:33 AM Zagreb Woodwind Trio lavish funeral. It's impossible to ignore the parallels to Diana's Enescu, George (1881-1955) death. Romanian Rhapsody No.1 in A major (Op.11 no.1) 5:21 AM Romanian National Radio Orchestra, Horia Andreescu (cond) Vivaldi, Antonio (1678-1741) Cello concerto in G major (RV.413) SAT 13:00 The Early Music Show (b0137yz1) 1:45 AM Stefan Popov (cello), Sofia Soloists Chamber Ensemble, Emil York Early Music Festival 2011 Mozart, Wolfgang Amadeus [1756-1791] Tabakov (conductor) Concerto for piano and orchestra no. -
Jan 25 to 31.Txt
CLASSIC CHOICES PLAYLIST January 25 - 31, 2021 PLAY DATE: Mon, 01/25/2021 6:02 AM Antonio Vivaldi Violin Concerto No. 10 "La Caccia" 6:11 AM Franz Joseph Haydn Symphony No. 22 6:30 AM Claudio Monteverdi Madrigals Book 6: Qui rise, o Tirso 6:39 AM Henry Purcell Sonata No. 9 6:48 AM Franz Ignaz Beck Sinfonia 7:02 AM Francois Francoeur Cello Sonata 7:13 AM Wolfgang Amadeus Mozart Twelve Variations on a Minuet by Fischer 7:33 AM Alessandro Scarlatti Sinfonia di Concerto Grosso No. 2 7:41 AM Franz Danzi Horn Concerto 8:02 AM Johann Sebastian Bach Lute Suite No. 1 8:17 AM William Boyce Concerto Grosso 8:30 AM Ludwig Van Beethoven Symphony No. 8 9:05 AM Lowell Liebermann Piano Concerto No. 2 9:34 AM Walter Piston Divertimento 9:49 AM Frank E. Churchill/Ann Ronell Medley From Snow White & the 7 Dwarfs 10:00 AM Wolfgang Amadeus Mozart Eight Variations on "Laat ons Juichen, 10:07 AM Wolfgang Amadeus Mozart Symphony No. 15 10:18 AM Wolfgang Amadeus Mozart Violin Sonata No. 17 10:35 AM Wolfgang Amadeus Mozart Divertimento No. 9 10:50 AM Wolfgang Amadeus Mozart Rondo for piano & orch 11:01 AM Louise Farrenc Quintet for piano, violin, viola, cello 11:31 AM John Alan Rose Piano Concerto, "Tolkien Tale" 12:00 PM Edward MacDowell Hamlet and Ophelia (1885) 12:15 PM Josef Strauss Music of the Spheres Waltz 12:26 PM Sir Paul McCartney A Leaf 12:39 PM Frank Bridge An Irish Melody, "The Londonderry Air" 12:49 PM Howard Shore The Return of the King: The Return of 1:01 PM Johannes Brahms Clarinet Quintet 1:41 PM Benjamin Britten Young Person's Guide to the Orchestra 2:00 PM Ferry Muhr Csardas No.