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RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No. -
A Register of Music Performed in Concert, Nazareth, Pennsylvania from 1796 to 1845: an Annotated Edition of an American Moravian Document
A register of music performed in concert, Nazareth, Pennsylvania from 1796 to 1845: an annotated edition of an American Moravian document Item Type text; Thesis-Reproduction (electronic) Authors Strauss, Barbara Jo, 1947- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 23:14:00 Link to Item http://hdl.handle.net/10150/347995 A REGISTER OF MUSIC PERFORMED IN CONCERT, NAZARETH., PENNSYLVANIA FROM 1796 TO 181+52 AN ANNOTATED EDITION OF AN AMERICAN.MORAVIAN DOCUMENT by Barbara Jo Strauss A Thesis Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC WITH A MAJOR IN MUSIC HISTORY In the Graduate College THE UNIVERSITY OF ARIZONA 1 9 7 6 Copyright 1976 Barbara Jo Strauss STATEMENT BY AUTHOR This thesis has been submitted in partial fulfill ment of requirements for an advanced degree at The Univer sity of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate ac knowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manu script in whole or in part may -
Mozart-Rezeption in Franz Danzis Der Berggeist1 Adrian Kuhl
»Feingefühlte Charakteristik« Mozart-Rezeption in Franz Danzis Der Berggeist1 Adrian Kuhl I In der Allgemeinen musikalischen Zeitung erschien am 25. März 1804 ein Artikel über Wolfgang Amadeus Mozarts Opern, in dem der anonyme Autor über Charakteristika von dessen Musiktheater reflektiert: Was aber den meisten Menschen entgeht, ist die feingefühlte Charakteristik, nicht allein der einzelnen Personen, sondern der ganzen Handlung einer jeden Oper. Im Don Juan die Mischung von Erhabenheit und Leichtsinn; im Figaro die joviale Haltung des Ganzen; in der Zauberflöte Munterkeit gepaart mit Würde und feyerlichem Ernste; in Così fan tutte die sanften Halbtinten der feinern Welt- verhältnisse, diese süsse Schwärmerey, die von der Ouvertüre bis zum letzten Ak- kord des Schlusschors das schönste, in allen Theilen harmonischste Ganze ausma- chen, das irgend ein Künstler je hervorzubringen vermochte, in der Entführung aus dem Serail diese Nationalcharakteristik in der erhabensten Darstellung – was überhaupt ein Vorzug Mozart’s, und nur bey ihm in der Grösse anzutreffen ist: diese Einheit des Charakters – wer hat das je gefühlt, bemerkt, bewundert? Wenn aber ein jedes seiner theatralischen Werke das grosse, seltene Verdienst der Einheit und Charakteristik, das Gepräge des feinsten Menschenkenners an der Stirne trägt: welchem soll ich den Vorzug geben?2 1 Der folgende Beitrag basiert auf Teilen meines Vortrags bei der Tagung Mozartvariationen. Franz Danzi und die Mozartverehrung im ausgehenden 18. Jahrhundert, die am 15. Juni 2013 anlässlich des 250. Geburtstages des Komponisten von der Forschungsstelle »Geschichte der Südwestdeutschen Hofmusik im 18. Jahrhundert« der Heidelberger Akademie der Wissen- schaften in Schwetzingen ausgerichtet wurde. 2 [Franz Danzi]: »An meinen Freund«, in: Allgemeine musikalische Zeitung 6 (1804), No. -
Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
30 the Anniversary Concert, 27 April, 2003, Sundin Music Hall, Hamline
table of contents 2002-03 Concert Season 4 The Dale Warland Singers 6 Dale Warland, Founder and Music Director 8 Artistic Staff 9 From the President 10 Special Guests, Aaron Jay Kernis and Tom Crann 11 30th Anniversary Concert 12 Program Notes 14 History of the Dale Warland Singers 22 30th Anniversary Awards 26 Alumni Singers 29 Former Board Members and Staff 31 The Singers 32 Honor Roll 36 Acknowledgements 39 Sponsors 40 Please note: No cameras or recording devices of any kind may be used during performances. Please turn off any electronic beeping devices (watches, pagers, etc.) or leave them with an usher prior to the performance. Please hold your applause until each section is completed. 3 2002-03 concert season Choral Ventures ™ Tuesday, May 13, 2003, 7:00 pm Sundin Music Hall Hamline University, St. Paul On May 13th, the Dale Wariand Singers presents the 16th annual Reading Session for the finalists of the 2003 Choral Ventures ,. program. This free concert is a unique opportunity for all interested in the process of composing. Four new works will be rehearsed by the Singers, then the floor is open for audience questions and comments. This year's semi-finalists, chosen from 149 applicants in 36 states are Luis Jorge Gonzalez, Jay Huber, Martha Sullivan, and Frances White. Don't miss out on the opportunity to let your voice be heard! FREE ADMISSION! Sponsored by Jerome Foundation 2003-2004 Season of Music Sponsored by Target, Mervyn's and Marshall Fields' with support from the Target Foundation An American Thanksgiving 11/01/03, 8:00 p.m., Nativity of Our Lord Catholic Church, St. -
Connecting Through Music
CONNECTING THROUGH MUSIC Public Radio Music Stations Serve Audiences, Artists & Communities Across America Spring 2019 New Orleans jazz musician Roderick Paulin and his band perform live on WWOZ’s Traditional Jazz with Leslie Cooper. Photo credit: Michael E. McAndrew CONNECTING THROUGH MUSIC ABOUT THE noncomMUSIC ALLIANCE The noncomMUSIC Alliance, which produced this report, celebrates noncommercial, nonprofit, local public radio’s role in connecting artists with the communities that enjoy and support their music. Established in 2018, the Alliance’s primary aim is to bring diverse noncommercial music constituencies together, amplify their voices, and inform others – particularly public policymakers – about the need to support public radio’s role in local communities across the United States. As this report describes more fully, the noncomMUSIC Alliance highlights five values public radio music stations share: Discovery Public radio is a space where listeners can find vast troves of new American music, classical traditions, and contemporary music from around the world. Curation Public radio music stations are one-of-a-kind community tastemakers that reflect and shape listeners’ love of music. Preservation Public radio stations provide the airtime and live performances that sustain and enable historic and regional music traditions, and develop audiences for American genres like jazz, bluegrass, and zydeco. Performance Public radio is a driving force in the local music scene, connecting musicians and listeners on air, on stage, online, on video, and on-the-go. Community Locally operated and community-based, public radio stations tailor their programming and services to meet community needs. noncomMUSIC Alliance Leadership EXECUTIVE DIRECTOR: Michael Riksen, Vice President, Policy & Representation, NPR ADVISORY COUNCIL: Brenda Barnes, CEO, KING FM • Shannon Connolly, Senior Vice President, Music, NYPR & General Manager, WQXR • Abby Goldstein, General Manager, WYEP • Val Hoeppner, Executive Director, WMOT • Nick Kereakos, Sr. -
Pdf Program Prireditev Hugo Wolf E-Oblika
– Hugo Wolf’s Year Program 160. obletnica rojstva skladatelja prireditev Huga Wolfa (1860–1903) Program 160th Anniversary of the Birth of of events Composer Hugo Wolf (1860–1903) 1 Program 160. obletnica rojstva skladatelja prireditev Huga Wolfa (1860–1903) 97, 2 Program 160th Anniversary of the Birth of of events Composer Hugo Wolf (1860–1903) 2 Kazalo Kazalo Contents 30. 1. Predstavitev priložnostne poštne znamke Hugo Wolf Presentation of the Hugo Wolf commemorative postage stamp 14 15. 2. Pevski večer, posvečen 160. obletnici rojstva skladatelja Huga Wolfa Evening of songs, dedicated to the 160th anniversary of the birth of Composer Hugo Wolf 16 22. 2. Slavnostna akademija ob 160. obletnici rojstva skladatelja Huga Wolfa Festive academy on the 160th anniversary of the birth of Composer Hugo Wolf 18 7. 3. Skrivnostni zvoki godal in klavirja / glasbena delavnica za otroke Mystery sounds of strings and piano / musical workshop for children 20 13. 3. WOLF POVEZUJE 020 »Wo find’ ich Trost – Kje bom našel tolažbo« ob 160. obletnici rojstva skladatelja Huga Wolfa WOLF CONNECTS 020 “Wo find’ ich Trost – Where will I find comfort“ On the 160th anniversary of the birth of Composer Hugo Wolf 22 20. 3. Modra noč z Vito Mavrič Blue night with Vita Mavrič 24 29. 3. Hugo Wolf med zvezdami / glasbeno-scenska uprizoritev Hugo Wolf among the stars / musical performance 26 4. 4. Pojte, pojte drobne ptice / glasbena predstava za otroke Sing, sing you little birds / musical performance for children 28 14. 4. WOLF POVEZUJE 020 »Na severni in južni strani Alp« WOLF CONNECTS 020 “On the northern and southern side of the Alps“ 30 23. -
Verdi Falstaff
Table of Opera 101: Getting Ready for the Opera 4 A Brief History of Western Opera 6 Philadelphia’s Academy of Music 8 Broad Street: Avenue of the Arts Con9tOperae Etiquette 101 nts 10 Why I Like Opera by Taylor Baggs Relating Opera to History: The Culture Connection 11 Giuseppe Verdi: Hero of Italy 12 Verdi Timeline 13 Make Your Own Timeline 14 Game: Falstaff Crossword Puzzle 16 Bard of Stratford – William Shakespeare 18 All the World’s a Stage: The Globe Theatre Falstaff: Libretto and Production Information 20 Falstaff Synopsis 22 Meet the Artists 23 Introducing Soprano Christine Goerke 24 Falstaff LIBRETTO Behind the Scenes: Careers in the Arts 65 Game: Connect the Opera Terms 66 So You Want to Sing Like an Opera Singer! 68 The Highs and Lows of the Operatic Voice 70 Life in the Opera Chorus: Julie-Ann Whitely 71 The Subtle Art of Costume Design Lessons 72 Conflicts and Loves in Falstaff 73 Review of Philadelphia’s First Falstaff 74 2006-2007 Season Subscriptions Glossary 75 State Standards 79 State Standards Met 80 A Brief History of 4 Western Opera Theatrical performances that use music, song Music was changing, too. and dance to tell a story can be found in many Composers abandoned the ornate cultures. Opera is just one example of music drama. Baroque style of music and began Claudio Monteverdi In its 400-year history opera has been shaped by the to write less complicated music 1567-1643 times in which it was created and tells us much that expressed the character’s thoughts and feelings about those who participated in the art form as writers, more believably. -
Monday, June 30Th at 7:30 P.M. Blue Lake Fine Arts Camp Free Admission
JUNE 2008 Listener BLUE LAKE PUBLIC RADIO PROGRAM GUIDE Monday, June 30th at 7:30 p.m. TheBlue Grand Lake Rapids Fine ArtsSymphony’s Camp DavidFree LockingtonAdmission WBLV-FM 90.3 - MUSKEGON & THE LAKESHORE WBLU-FM 88.9 - GRAND RAPIDS A Service of Blue Lake Fine Arts Camp 231-894-5656 http://www.bluelake.org J U N E 2 0 0 8 H i g h l i g h t s “Listener” Volume XXVI, No.6 “Listener” is published monthly by Blue Lake Public Radio, Route Two, Twin Lake, MI 49457. (231)894-5656. Summer at Blue Lake WBLV, FM-90.3, and WBLU, FM-88.9, are owned and Summer is here and with it a terrific live from operated by Blue Lake Fine Arts Camp Blue Lake and broadcast from the Rosenberg- season of performances at Blue Lake Fine Clark Broadcast Center on Blue Lake’s Arts Camp. Highlighting this summer’s Muskegon County Campus. WBLV and WBLU are public, non-commercial concerts is a presentation of Beethoven’s stations. Symphony No. 9, the Choral Symphony, Blue Lake Fine Arts Camp with the Blue Lake Festival Orchestra, admits students of any race, color, Festival Choir, Domkantorei St. Martin from national or ethnic origin and does not discriminate in the administration of its Mainz, Germany, and soloists, conducted programs. by Professor Mathias Breitschaft. The U.S. BLUE LAKE FINE ARTS CAMP Army Field Band and Soldier’s Chorus BOARD OF TRUSTEES will present a free concert on June 30th, and Jefferson Baum, Grand Haven A series of five live jazz performances John Cooper, E. -
Heidelberg Feiert Hölderlin
20. MÄRZ 2020, 08.30 – 09.00 UHR 20. MÄRZ 2020, 18.00 UHR – OPEN END 20. MÄRZ 2020, 21.30 – 22.15 UHR 20. MÄRZ 2020, 01.00 – 02.00 UHR 21. MÄRZ 2020, 19.00 – 20.00 UHR 22. MÄRZ 2020, 19.00 – 20.30 UHR BESETZUNG „ALTE BRÜCKE“ LANGE JUBILÄUMS-NACHT AUF DEM SCHAUSPIEL – ZUR BLINDHEIT LESUNG – DES DUNKLEN LICHTES VOLL LESUNG – INS OFFENE. HÖLDERLIN UND WIR FILM – HÄLFTE DES LEBENS BTHVN2020 MUSIKFRACHTER* ÜBERREDETE AUGEN / HÖLDERLIN Symbolische und künstlerische „Besetzung“ der Alten Heidelberger Dichterinnen und Dichter lesen auf dem Zwei fünfte Klassen begaben sich auf die Spuren Friedrich DDR 1984. Regie: Herrmann Zschoche. 98 Minuten, Brücke durch die Schülerschaft des HölderlinGymna Nach Sonnenuntergang beginnt auf dem BTHVN2020 Das Theater und Orchester Heidelberg zeigt noch einmal BTHVN2020 Musikfrachter selbstgeschriebene Texte Hölderlins, um die Orte, die der Dichter vor über 200 Jahren ab 12 Jahren, Darsteller: Ulrich Mühe u. a., siums Heidelberg. Musikfrachter die „Lange JubiläumsNacht“: Das Schau sein erfolgreiches Stück zu Hölderlin: Eingeschlossen in zu Friedrich Hölderlin oder HölderlinNeudichtungen. in seiner Ode besungen hat, zu besuchen und um selbst JUBILÄUMSJAHR spiel des Theaters und Orchesters Heidelberg zeigt seine seinen Turm überblickt der Dichter das Scheitern seiner Begleitet werden sie von umgedichteten Hölderlin kreativ zu werden. In anderen Klassen wurde zu Hölderlin Der DefaFilm zeigt Friedrich Hölderlin als einen Mann in ZUM Veranstaltungsort Alte Brücke erfolgreiche Produktion „Zur Blindheit überredete Augen / Hoffnungen. Ohne Aussicht auf Veränderung und ohne Hymnen, die zu einem indischen Harmonium gesungen gerappt, es entstanden Paralleltexte und Rollenbiografien. der Hälfte des Lebens, der an seiner Zeit zerbricht und AUFTAKT-WOCHENENDE Veranstalter Germanistisches Seminar der Universität Heidelberg / Hölderlin“. -
Promenade Doorheen De Schemerzone
Promenade doorheen de schemerzone Een wandelroute langs symfonieën en concerto's van Mozart, Monn, Bach en Beck De achttiende-eeuwers velden bijwijlen harde oordelen over de muziek van hun tijd. Toen Johann Sebastian Bach in 1750 stierf, werd dit in Leipzig nauwelijks opgemerkt, laat staan dat zijn heengaan in Europa voor enige deining zorgde. Van de Duitse muziek werd vaak beweerd dat ze weinig hoogstaande composities voortbracht. Dit hardnekkige gerucht sproot voort uit een pro-Italiaanse houding die zich van het toenmalige muzieklandschap heer en meester maakte. In deze context werd de inheemse muziek uit Duitsland (musica tedesca) als leuk, maar boertig en platvloers beschouwd. Op deze visie kwam een krachtige repliek in de vorm van boeiende instrumentale muziek, die de hegemonie naar het Duitse taalgebied deden verschuiven. Vier stalen bieden zich hiervoor als bewijsmateriaal aan. W.A. Mozart 'Sinfonia in F' (Milaan, 1771) Eén ding is zeker: de componist van de tweede helft van de achttiende eeuw diende rekening te houden met de erfenis van de Barok en deze was in wezen Italiaans. Zowel de belangrijkste instrumentale (sinfonia en concerto) als vocale genres (opera en oratorium) kwamen voort uit de Italiaanse schoot. Plichtsgetrouw noteerde Wolfgang Amadeus Mozart (1756-1791) daarom bovenaan zijn symfonie in fa groot de term 'Sinfonia'. Vader Leopold vervolledigde dit met de woorden "del Sig[no]re Cavaliere Amadeo Wolfgango Mozart à Milano 2 di Novemb. 1771." Mozarts Milanese sinfonia vertoont een typisch Italiaanse planning. Oorspronkelijk was het werk driedelig. Een pittig en beknopt Allegro in verkorte hoofdvorm werd opgevolgd door een tweeledig Andante in cantabile-stijl en een dansant Molto Allegro in een rondostructuur met een aanstekelijk refrein. -
Thomas Augustine Arne: a Bicentenary Appreciation Author(S): Frank Kidson Source: the Musical Times, Vol
Thomas Augustine Arne: A Bicentenary Appreciation Author(s): Frank Kidson Source: The Musical Times, Vol. 51, No. 805 (Mar. 1, 1910), pp. 153-154 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/906730 Accessed: 03-12-2015 02:14 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 138.73.1.36 on Thu, 03 Dec 2015 02:14:37 UTC All use subject to JSTOR Terms and Conditions THE MUSICAL TIMES.-MARCH I, I9Io. I53 THOMAS AUGUSTINE ARNE: determination to become a musician, and wisely gave in. Free to make music his profession, he A BICENTENARY APPRECIATION. taught his sister and his brother the art, and BY FRANK KIDSON. with much success. The former, Susanna Maria Arne, who married the brutal Theophilus Cibber What was the state and condition of English in haste, had, perhaps, leisure to regret her music in the year I 7 1 ? I do not ask what was the matrimonial choice: she became a singer and an appreciation of music in England, but how it was actress of great merit.