Nick Cave. El Canguro Errante
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Masaryk University Faculty of Arts
Masaryk University Faculty of Arts Department of English and American Studies Teaching English Language and Literature for Secondary Schools Petr Husseini Nick Cave’s Lyrics in Official and Amateur Czech Translations Master‟s Diploma Thesis Supervisor: Mgr. Renata Kamenická, Ph.D. 2009 Declaration I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. .................................................. Author‟s signature 2 Acknowledgements I would like to thank my supervisor, Mgr. Renata Kamenická, Ph.D., for her kind help, support and valuable advice. 3 Table of Contents Introduction ..................................................................................................................... 5 1. Translation of Lyrics and Poetry .............................................................................. 9 1.1 Introduction ................................................................................................... 9 1.2 General Nature of Lyrics and Poetry ........................................................ 11 1.3 Tradition of Lyrics Translated into Czech ............................................... 17 1.4 Conclusion ................................................................................................... 20 2. Nick Cave’s Lyrics in King Ink and King Ink II ................................................... 22 2.1 Introduction ................................................................................................. 22 -
Here Is a Printable
Ryan Leach is a skateboarder who grew up in Los Angeles and Ventura County. Like Belinda Carlisle and Lorna Doom, he graduated from Newbury Park High School. With Mor Fleisher-Leach he runs Spacecase Records. Leach’s interviews are available at Bored Out (http://boredout305.tumblr.com/). Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. An Oral History of The Gun Club originally appeared in Razorcake #29, released in December 2005/January 2006. Original artwork and layout by Todd Taylor. Photos by Edward Colver, Gary Leonard and Romi Mori. Cover photo by Edward Colver. Zine design by Marcos Siref. Printing courtesy of Razorcake Press, Razorcake.org he Gun Club is one of Los Angeles’s greatest bands. Lead singer, guitarist, and figurehead Jeffrey Lee Pierce fits in easily with Tthe genius songwriting of Arthur Lee (Love), Chris Hillman (Byrds), and John Doe and Exene (X). Unfortunately, neither he nor his band achieved the notoriety of his fellow luminary Angelinos. From 1979 to 1996, Jeffrey manned the Gun Club ship through thick and mostly thin. Understandably, the initial Fire of Love and Miami lineup of Ward Dotson (guitar), Rob Ritter (bass), Jeffrey Lee Pierce (vocals/ guitar) and Terry Graham (drums) remains the most beloved; setting the spooky, blues-punk template for future Gun Club releases. At the time of its release, Fire of Love was heralded by East Coast critics as one of the best albums of 1981. -
Girls Like Us: Linder
Linder Sterling is a British These include her 13-hour artist and performer whose NICOLE EMMENEGGER improvised dance perfor- career spans the 1970s WORDS mance piece Darktown Cake- B Manchester punk scene to Y walk and her most recent her current collaborations work, The Ultimate Form, a with Tate St. Ives and The 'performance ballet' inspired Hepworth Centre in north- at the photographed by Barbara Hepworth, fea- west England. turing dancers from North- PORTRAITS PORTRAITS ern Ballet and costumes by She has worked in a variety B arbara Pam Hogg. of mediums – from music H B Y DEVIN (as singer/songwriter/gui- Ives St. Tate Museum in epworth We met at the The Barbican B tarist for post-punk band LAIR Centre in London on a crisp Ludus) and collage (using March morning, just days a steady scalpel to splice after the opening of her first pornographic images into big retrospective at Le Musée feminist statements), to her d’Art Moderne in Paris. current durational works. Linder 18 19 Nicole Emmenegger: First off, thank you for send- Yes, I used to have this fascination for the mid-fifties. People ing through the preparatory text about you and your I know at every age seem to have this fascination about the work. It ended up being ten pages in 10-point font! culture that you were born into, climbed into. It’s your own personal etymology and you have to go back and work it Linder: How strange, I don’t even enjoy writing! out. It’s good detective work. It makes sense and how lucky for you that 1976 was such a great year. -
"My Songs Require You to Listen to and Understand Each Line"
1984 APR With both records, there's afeeling of something intangible, of aband an insect with an odd number of wings, she loves him not. Finally, "Box reachingwhere they ought not to go-they provoke imagination and For Black Paul" begins as aWho Killed Cock Robin-style elegy for the inspire hyperbole. Both are testaments of romantic daring and sick destruction of The Birthday Party, and develops into ahuge and bloated obsessiveness, full of feverish images of guilt, pictures of murder that are dirge that aches with ayearning beauty, the voice dredging the loss to simultaneously horrendous and secretly attractive. produce the loneliest sound you've ever heard. It was at that point that it first became clear that Nick's songwriting was Of course it's not constructed without acertain humour, but even by departing from every mode known to rock music and developing into the standards of The Birthday Party, it's adark variety indeed -there's some new, iridescent form, in turns trenchant and direct, epic and not alot to laugh about. It's awork more contemplative than Marc overblown. Meanwhile, the band's music was hurling itself into astate of Almond's Torment And Toreros, but one that shares its total ambition. wild, epileptic disorder that seemed to be driven by astate of frenzy, even From Her To Eternity is astatement of romantic irrationalism, stretching in its most dangerously restrained moments. to the very limits. With The Birthday Party literallyfalling apart-Rowland SHoward had already gone and Blixa Bargeld from Einstürzende Neubauten 1ALK TO NICK Cave and you're talking to avariety of characters. -
Dr. Richard Brown Faith, Selfhood and the Blues in the Lyrics of Nick Cave
Student ID: XXXXXX ENGL3372: Dissertation Supervisor: Dr. Richard Brown Faith, Selfhood and the Blues in the Lyrics of Nick Cave Table of Contents Introduction 2 Chapter One – ‘I went on down the road’: Cave and the holy blues 4 Chapter Two – ‘I got the abattoir blues’: Cave and the contemporary 15 Chapter Three – ‘Can you feel my heart beat?’: Cave and redemptive feeling 25 Conclusion 38 Bibliography 39 Appendix 44 Student ID: ENGL3372: Dissertation 12 May 2014 Faith, Selfhood and the Blues in the lyrics of Nick Cave Supervisor: Dr. Richard Brown INTRODUCTION And I only am escaped to tell thee. So runs the epigraph, taken from the Biblical book of Job, to the Australian songwriter Nick Cave’s collected lyrics.1 Using such a quotation invites anyone who listens to Cave’s songs to see them as instructive addresses, a feeling compounded by an on-record intensity matched by few in the history of popular music. From his earliest work in the late 1970s with his bands The Boys Next Door and The Birthday Party up to his most recent releases with long- time collaborators The Bad Seeds, it appears that he is intent on spreading some sort of message. This essay charts how Cave’s songs, which as Robert Eaglestone notes take religion as ‘a primary discourse that structures and shapes others’,2 consistently use the blues as a platform from which to deliver his dispatches. The first chapter draws particularly on recent writing by Andrew Warnes and Adam Gussow to elucidate why Cave’s earlier songs have the blues and his Christian faith dovetailing so frequently. -
The Experimental Music of Einstürzende Neubauten and Youth Culture in 1980S West Berlin
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2012-10-03 The Experimental Music of Einstürzende Neubauten and Youth Culture in 1980s West Berlin Ryszka, Michael Andrzej Ryszka, M. A. (2012). The Experimental Music of Einstürzende Neubauten and Youth Culture in 1980s West Berlin (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/28149 http://hdl.handle.net/11023/259 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY The Experimental Music of Einstürzende Neubauten and Youth Culture in 1980s West Berlin by Michael Andrzej Ryszka A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF GERMANIC, SLAVIC AND EAST ASIAN STUDIES CALGARY, ALBERTA SEPTEMBER 2012 © Michael Andrzej Ryszka 2012 Abstract In this thesis I examine the music of West Berlin experimental music group Einstürzende Neubauten. The unique social, political, and economic conditions of West Berlin during the 1980s created a distinct urban environment that is reflected in the band’s music. The city has been preserved by Einstürzende Neubauten in the form of sound recordings, and conserved in the unique instruments originally found by the band on the streets of West Berlin. -
Laura Harker & Paul Sullivan on Nick Cave and the 80S East
Behaviour 11 Extr me LaurA HArKer & PAul SullIvAn On Nick CAve AnD THe 80S East KreuzBerg SCene Photography by Peter gruchot 10 ecords), 24 April 1986 Studio session for the single ‘The Singer’ (Mute r Cutting a discreet diagonal between Kottbusser Tor and Oranienplatz, Dresdener Straße is one of the streets that provides blissful respite from east Kreuzberg’s constant hustle and bustle. Here, the noise of the traffic recedes and the street’s charms surge subtly into focus: fashion boutiques and indie cafés tucked into the ground floors of 19th Century Altbauten, the elegantly run-down Kino Babylon and the dark and seductive cocktail bar Würgeengel, the “exterminating angel”, a name borrowed from a surrealist film by luis Buñuel. It all looked very different in the 80s of course, when the Berlin Wall stood just under a kilometre away and the façades of these houses – now expensively renovated and worth a pretty penny – were still pockmarked by World War Two bulletholes. Mostly devoid of baths, the interiors heated by coal, their inhabitants – mostly Turkish immigrants – shivered and shuffled their way through the Berlin winter. 12 13 It was during this pre-Wende milieu that a tall, skinny and largely unknown Australian musician named Nicholas Edward Cave moved into no. 11. Aside from brief spells in apartments on naumannstraße (Schöneberg), yorckstraße, and nearby Oranienstraße, Cave spent the bulk of his seven on-and-off years in Berlin living in a tiny apartment alongside filmmaker and musician Christoph Dreher, founder of local outfit Die Haut. It was in this house that Cave wrote the lyrics and music for several Birthday Party and Bad Seeds albums, penned his debut novel (And The Ass Saw The Angel) and wielded a sizeable influence over Kreuzberg’s burgeoning post-punk scene. -
Danielle De Picciotto
Danielle de Picciotto Born in Tacoma, Washington USA Studied music & art in NYC Works as interdisciplinary artist in the fields of art / film/ music/ literature/performance Co-founder of Berlin "Loveparade" Has exhibited at Zoo London Art Fair (England), Berliner Liste Art Fair (Germany) Cooperation with German Cultural Goethe Institute in Hong Kong, Milan, Rome, Tokyo, Berlin, Prague, Sarajevo, Mexico City Book Publications by Danielle de Picciotto "We Are Gypsies Now" Publisher: Amok Books, Los Angeles Release Date: August 13th 2015 "We Are Gypsies Now - Der Weg ins Ungewisse" Publisher: Metrolit Verlag, Berlin 2013 “The Beauty of Transgression” (a Berlin Memoir) Publisher: Die Gestalten Verlag, Berlin 2011 Films & Publications featuring Danielle de Picciotto “Citiy of Exiles- Berlin from the Outside in” Stuart Brown, 2015 "Wendeklang" a Film about the fall of the wall & Berlin" von Felix Denk & Sven von Thülen, August 2014 "It's not only Rock'n'Roll : Sexe, drogues & sagesse du rock" by Catharine Viale & Matthias Moreau;Publisher:Laurent De Sutter 2014 "Berlin What?" Artpublication, Publisher: Uwe Neu & Oliver Thoben; Neonchocolate Gallery, 2013 “Der Klang der Familie” (Suhrkamp); Oral History of Techno in Berlin, by Felix Denk & Sven von Thülen 2012 “Künstlerische Transformationen” Artreviews, Publisher: Reimer Verlag; 2010 "Do You Love Me Like I Love You: Tender Prey" – Filmdocumentary on Nick Cave & the Bad Seeds & contemporaries by Iain Forsyth und Jane Pollard 2009 "SubBerlin" – Filmdocumentary about the legendary Berlin Techno-Club -
Sonik84full.Pdf
ww Depeche Mode by D.A. Pennebaker Chris Hegedus 101The Movie David Dawkins ΑΘΗΝΑ Προπώληση εισιτηρίων από 01.03.13 στα ταμεία του θεάτρου Badminton ΔΕΥΤΕΡΑ 01.04.13 Ολυμπιακά Ακίνητα Γουδή. Tηλ: 13855 & 210.88.40.600 Photo: Anton Corbijn. Design: Dimitris Panagiotakopoulos Kινηματογράφος ΘΕΣΣΑΛΟΝΙΚΗ Ολύμπιον Προπώληση εισιτηρίων από 01.03.13 στα ταμεία του Kινηματογράφου Ολύμπιον ΣΑΒΒΑΤΟ 06.04.13 Πλατεία Αριστοτέλους 10. Τηλ: 2310 378400 ΧΟΡΗΓΟΣ Μοναδικός. Καθημερινός. Αληθινός sonik_dm_21x27.5.indd 1 27/02/2013 3:32 μ.μ. 4 | LOGΙΝ Μηνιαίο μουσικό περιοδικό Mάρtιος 2013 ISSN: 1790-1960 Περιεχόμενα 6 My Latest Obsession 10 αναγνώστες του SONIK μας γνωστοποιούν το τελευταίο τους κόλλημα 10 SONIK World Τάσεις, εξελίξεις και προτάσεις από την παγκόσμια μουσική σφαίρα EDITORIAL 14 SONIK Greek Τάσεις, εξελίξεις και προτάσεις από την ελληνική μουσική σκηνή Τις μέρες που κλείνουμε το παρόν τεύχος, το YouTube έχει γεμίσει και αγορά σχόλια επιδοκιμασιών (αλλά και –αναμενόμενα– ειρωνειών) για το spoken word single/video “Lightning Bolts” του Nick Cave. Πέρα 18 Nick Cave «Υπάρχουν τραγούδια που πεθαίνουν με το πέρασμα του χρόνου. από τις υπερβολές περί αρχαίας τραγωδίας, μεταφορών περί κε- Οι καλές συνθέσεις σου, όμως, κάνουν μόνες τους φανερή ραυνών του Δία κ.α., ένας στίχος πρέπει να ανησυχήσει τη δική μας, την παρουσία τους.» εγχώρια μουσική ελίτ που απαξιεί να ασχοληθεί σοβαρά με το 22 Warren Ellis θέμα: «Στην Αθήνα οι νέοι κλαίνε από τα δακρυγόνα – εγώ είμαι «Από τη στιγμή που έφυγε ο Mick Harvey, το βάρος για μερικά στην πισίνα του ξενοδοχείου μου μαυρίζοντας». Δεν ξέρω αν χρει- ζητήματα έπεσε ακόμα περισσότερο στους ώμους του Nick.» αζόμαστε συμπόνια, αν οι εικόνες αυτές δεν βοηθούν τον τουρι- 28 The ch-ch-changing face of David Bowie σμό, αν απλώς είναι λαϊκίστικες κορώνες, αν απευθύνονται καν σε μας. -
Murder Ballads.Pdf
This is an Open Access document downloaded from ORCA, Cardiff University's institutional repository: http://orca.cf.ac.uk/104313/ This is the author’s version of a work that was submitted to / accepted for publication. Citation for final published version: Newman, Daniel 2017. Murder ballads: Nick Cave and his approach to killing in song. Musicology Australia 39 (2) , pp. 96-115. 10.1080/08145857.2017.1393149 file Publishers page: https://doi.org/10.1080/08145857.2017.1393149 <https://doi.org/10.1080/08145857.2017.1393149> Please note: Changes made as a result of publishing processes such as copy-editing, formatting and page numbers may not be reflected in this version. For the definitive version of this publication, please refer to the published source. You are advised to consult the publisher’s version if you wish to cite this paper. This version is being made available in accordance with publisher policies. See http://orca.cf.ac.uk/policies.html for usage policies. Copyright and moral rights for publications made available in ORCA are retained by the copyright holders. Daniel Newman, Cardiff Law School To be published in Musicology Australia Murder Ballads: Nick Cave and his approach to killing in song Abstract Violence and murder have a strong cultural currency the implications of which should be pursued by those with an interest in law and society, crime, and justice. Murder ballads are songs about death and killing with a history stretching back to the nineteenth century. Drawing out the major themes of this genre can help scholars gain a handle on how murder has been treated in popular culture, thereon providing an enhanced understanding of the human condition. -
NICK CAVE &The Bad Seeds
DAustrAlisk A NyA ZeeläWNNdskA väNskApsföreNiNgeN www.AustrAlieN-Ny AZeelANd.se UNDER NR 1 / 2013 NICK CAVE & THE BAD FISKEÄVENTYR SEEDS i Auckland intervju + recension Husbils- SEMESTER på Nya Zeeland THE GRAND B.Y.O, Barbie & Beetroot? CIRCLE Nyheter & medlemsförmåner Tasmanien runt The Swan Bell Tower / Whitsundays Hells Gate i Rotorua / Stewart Island VÄNSKAPSFÖRENINGENS NYA HEMSIDA På hemsidan hittar du senaste nytt om evenemang, nyheter, medlemsförmåner och tips. Du kan läsa artiklar, reseskildringar och få information om working holiday, visum mm. Besök WWW.AUSTRalien-nYAZEELAND.SE I AUSTRALISKA NYA ZEELÄNDSKA VÄNSKAPSFÖRENINGEN Medlemsavgift 200:- kalenderår. Förutom vår medlemstidning erhåller du en mängd rabatter hos företag och föreningar som vi samarbetar med. Att bli medlem utvecklar och lönar sig! Inbetalning till PlusGiro konto 54 81 31-2. Uppge Bli namn, medlem ev. medlemsnummer och e-postadress. 2 Det känns The Grand Circle - Tasmanian runt 5 & att få skriva årets första ledare i detta nr 1 år 2013. Nytt år och ny layout på Down Under, dessutom en massa spän- nande aktiviteter på gång i kalendern.inspirerande Jag vet att många av er un- der våra kallaste månader, november till februari varit på besök i våra länderfantastiskt Australien och kul Nya Zeeland. Jag tycker det är lika spännande varje gång att få höra om vad ni upplevt och varit med om. Skriv gärna och berätta om era resor till oss på Down Under. Den 10 februari hade vi årsmöte i Lund, ett möte som även inne- höll en spännande föreläsning av vår ordförande Erwin Apitzsch. Föreningens samarbete med Studiefrämjandet gjorde att vi kunde använda oss av deras lokaler, något vi är mycket tacksamma över. -
Nick Cave Anthology Free
FREE NICK CAVE ANTHOLOGY PDF Nick Cave | 128 pages | 24 Aug 2001 | Music Sales Ltd | 9780711986817 | English | London, United Kingdom Read Download Nick Cave Anthology PDF – PDF Download Goodreads helps you keep track of books you want Nick Cave Anthology read. Want to Read saving…. Want to Read Currently Reading Read. Nick Cave Anthology editions. Enlarge cover. Error rating book. Refresh and try Nick Cave Anthology. Open Preview See a Problem? Details Nick Cave Anthology other :. Thanks for telling us about the problem. Return Nick Cave Anthology Book Page. Preview — Anthology by Nick Cave. Anthology by Nick Cave. Since the late seventies, Nick Cave has continually reaffirmed his position as one of the greatest Australian songwriters, rock musicians and Nick Cave Anthology of all time. This terrific anthology represents some of his his best moments including his time with the Bad Seeds as well as solo collaborations. This volume contains Piano, Vocal and Guitar arrangements of eighteen classic Since the late seventies, Nick Cave Anthology Cave has continually reaffirmed his position as one of the greatest Australian songwriters, rock musicians and authors of all time. This volume contains Piano, Vocal and Guitar arrangements of eighteen classic songs by Nick Cave, with full lyrics. Get A Copy. Paperbackpages. More Details Original Title. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Anthologyplease sign up. Lists with This Book. This book is not Nick Cave Anthology featured on Listopia. Community Reviews. Showing Average rating 4. Rating details. All Languages. More filters.