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Introduction Notes Introduction 1. Jan Kott, Shakespeare Our Contemporary, trans. Boleslaw Taborski (New York: W.W. Norton, 1974), xix. 2. Julia Reinhard Lupton, Thinking with Shakespeare: Essays on Politics and Life (University of Chicago Press, 2011), 18. 3. Clare Asquith, Shadowplay: The Hidden Beliefs and Coded Politics of William Shakespeare (New York: Public Affairs, 2005), xiii. For a Catholic reading of the plays, see Joseph Pearce, Through Shakespeare’s Eyes: Seeing the Catholic Presence in the Plays (San Francisco: Ignatius Press, 2010). For the question of secrecy in Shakespeare, see Richard Wilson, Secret Shakespeare: Studies in Theatre, Religion and Resistance (Manchester University Press, 2004). 4. Park Honan, Shakespeare: A Life (Oxford University Press, 1999), 64. 5. For a useful and lucid discussion of these contested issues, see Arthur F. Marotti, “Shakespeare and Catholicism,” in Theatre and Religion: Lancastrian Shakespeare, ed. Richard Dutton, Alison Findlay, and Richard Wilson (Manchester University Press, 2003), 218–41. 6. See Peter Milward, SJ, “Shakespeare’s Jesuit Schoolmasters,” in Theatre and Religion: Lancastrian Shakespeare, ed. Richard Dutton, Alison Findlay, and Richard Wilson (Manchester University Press, 2003), 58–70. 7. Jack Lynch, Becoming Shakespeare: The Unlikely Afterlife that Turned a Provincial Playwright into the Bard (New York: Walker, 2007). 8. See Foreign Shakespeare: Contemporary Performance, ed. Dennis Kennedy (Cambridge University Press, 1993); Painting Shakespeare Red: An East- European Appropriation, ed. Alexander Shurbanov and Boika Sokolova (Newark: University of Delaware Press, 2001); Four Hundred Years of Shakespeare in Europe, ed. A. Luis Pujante and Ton Hoenselaars (Newark: University of Delaware Press, 2003); Shifting the Scene: Shakespeare in European Culture, ed. Ladina Bezzola Lambert and Balz Engler (Newark: University of Delaware Press, 2004); Shakespeare in the Worlds of Communism and Socialism, ed. Irena R. Makaryk and Joseph G. Price (University of Toronto Press, 2006). 9. See Peter Lake and Michael Questier, The Trials of Margaret Clitherow: Persecution, Martyrdom and the Politics of Sanctity in Elizabethan England (London: Continuum, 2011), 5–6. 10. See John Gerard, SJ, The Autobiography of a Hunted Priest, trans. Philip Caraman (San Francisco: Ignatius Press, 1988), 71–77 (“Search at Braddocks”). 11. See Lindsey Hughes, The Romanovs: Ruling Russia 1613–1917 (London: Continuum, 2008), 4. 12. Ellen Schrecker, Many are the Crimes: McCarthyism in America (Princeton University Press, 1998), 166. 13. See Stephen Greenblatt, “Shakespeare in No Man’s Land,” New York Review of Books LVI/20 (December 17, 2009), 58–61 (60). 225 226 Notes to Introduction 14. See Robert Hornsby, Protest, Reform, and Repression in Khrushchev’s Soviet Union (Cambridge University Press, 2013). 15. See Kieran Williams, The Prague Spring and its Aftermath: Czechoslovak Politics 1968–1970 (Cambridge University Press, 1997). 16. For the centralization of censorship under Elizabeth I and James I in the figure of the Master of the Revels, see Janet Clare, “Art Made Tongue-Tied by Authority”: Elizabethan and Jacobean Dramatic Censorship (Manchester University Press, 1999), second edition. 17. Ethan H. Shagan, The Rule of Moderation: Violence, Religion and the Politics of Restraint in Early Modern England (Cambridge University Press, 2011), 228. 18. See Seymour Martin Lipset, The First New Nation: The United States in Historical and Comparative Perspective (New York: W.W. Norton, 1979). 19. Vladislav Zubok, Zhivago’s Children: The Last Russian Intelligentsia (Cambridge, MA: Harvard University Press, 2009), 222–23. 20. See Robert Fuller, Naming the Antichrist: The History of an American Obsession (Oxford University Press, 1995). 21. Wendy Z. Goldman, Inventing the Enemy: Denunciation and Terror in Stalin’s Russia (Cambridge University Press, 2011), 34. 22. Stephen Alford, The Watchers: A Secret History of the Reign of Elizabeth I (New York: Bloomsbury Press, 2012), 116. 23. Quoted from Ronald Hingley, Pasternak: A Biography (New York: Alfred A. Knopf, 1983), 3. 24. James Shapiro, Contested Will: Who Wrote Shakespeare? (New York: Simon and Schuster, 2010). 25. See Howard Louthan, The Quest for Compromise: Peacemakers in Counter- Reformation Vienna (Cambridge University Press, 1997). 26. Peter Holmes, Resistance and Compromise: The Political Thought of Elizabethan Catholics (Cambridge University Press, 1982), 61. 27. Tom Stoppard, The Real Inspector Hound and Other Plays (New York: Grove Press, 1998), 175–211. 28. Grigori Kozintsev, Shakespeare: Time and Conscience, trans. Joyce Vining (New York: Hill and Wang, 1966). 29. See Spencer Golub, “Between the Curtain and the Grave: The Taganka in the Hamlet Gulag,” in Foreign Shakespeare: Contemporary Performance, ed. Dennis Kennedy (Cambridge University Press, 1993), 158–77. 30. The poem went through two versions, both written in 1946. The second version, which adds the figure of Christ to those of Hamlet and the poet, was written as a response to the purges of August 1946 and the denunciation of the writers Akhmatova and Zoshchenko. See Richard Pevear’s introduc- tion to Boris Pasternak, Doctor Zhivago, trans. Richard Pevear and Larissa Volokhonsky (New York: Pantheon Books, 2010), xviii–xix. 31. Eleanor Rowe, Hamlet: A Window on Russia (New York University Press, 1976), 152. 32. See Robert S. Miola’s introduction to the Norton critical edition of Hamlet (New York: W.W. Norton , 2011), xxvi. 33. See Philip Caraman, Henry Garnet 1555–1606 and the Gunpowder Plot (New York: Farrar, Straus, 1964). 34. Alvin Kernan, Shakespeare, the King’s Playwright: Theater in the Stuart Court, 1603–1613 (New Haven: Yale University Press, 1995), 76. Notes to Chapter 1 227 35. For a discussion of this question, see Alfred Thomas, A Blessed Shore: England and Bohemia from Chaucer to Shakespeare (Ithaca: Cornell University Press, 2007), chapter 6. 36. For the belief that Shakespeare has a valid appreciation of freedom, see Stephen Greenblatt, Shakespeare’s Freedom (University of Chicago Press, 2010). 37. Quoted from Evelyn Waugh, Edmund Campion: A Life (San Francisco: Ignatius Press, 2005), 207. 1 Culture and Dissent in Shakespeare’s England and Cold War Europe 1. See Ethan Shagan’s introduction to Catholics and the “Protestant Nation”: Religious Politics and Identity in Early Modern England, ed. Ethan Shagan (Manchester University Press, 2005), 8. 2. See Greg Walker, Writing under Tyranny: English Literature and the Henrician Reformation (Oxford University Press, 2007), 24. The strength of Walker’s book is his emphasis on the political rather than simply the religious opposi- tion to Henry’s policies. 3. Richard Rex, Henry VIII and the English Reformation (Basingstoke: Palgrave Macmillan, 2006), second edition, 25. 4. G.R. Elton, Policy and Police: The Enforcement of the Reformation in the Age of Thomas Cromwell (Cambridge University Press, 1972), 275–76. 5. Sir Thomas Wyatt, Collected Poems, ed. Joost Daalder (Oxford University Press, 1975), 185–86. 6. See Eric Ives, The Life and Death of Anne Boleyn (Oxford: Blackwell, 2005), 320. 7. See Eamon Duffy, The Voices of Morebath: Reformation and Rebellion in an English Village (New Haven: Yale University Press, 2001), 134. 8. See Eamon Duffy, Fires of Faith: Catholic England under Mary Tudor (New Haven: Yale University Press, 2009). 9. Alexandra Walsham, Charitable Hatred: Tolerance and Intolerance in England, 1500–1700 (Manchester University Press, 2006), 59. 10. K.J. Kesselring, The Northern Rebellion of 1569: Faith, Politics, and Protest in Elizabethan England (Basingstoke: Palgrave Macmillan, 2010), 125–26. 11. Christopher Haigh, English Reformations: Religion, Politics and Society under the Tudors (Oxford University Press, 1993), 263. 12. Arnold Pritchard, Catholic Loyalism in Elizabethan England (Chapel Hill: University of North Carolina Press, 1979), 7–8. 13. See Frank Brownlow, “Richard Topcliffe: Elizabeth’s Enforcer and the Representation of Power in King Lear,” in Theatre and Religion: Lancastrian Shakespeare, ed. Richard Dutton, Alison Findlay, and Richard Wilson (Manchester University Press, 2003), 161–78. 14. Christopher Devlin, The Life of Robert Southwell: Poet and Martyr (London: Sidgwick and Jackson, 1956), 93. 15. See Hugh Ross Williamson, The Gunpowder Plot (New York: Macmillan, 1952), 33–34. The parallel with Guantanamo Bay is striking. 16. Robert Southwell, An Humble Supplication to Her Maiestie, ed. R.C. Bald (Cambridge University Press, 1953), 3. 228 Notes to Chapter 1 17. John Morris, SJ, The Condition of Catholics under James I: Father Gerard’s Narrative of the Gunpowder Plot (London, 1871), ix–xi. 18. James Sharpe, Remember, Remember: A Cultural History of Guy Fawkes Day (Cambridge, MA: Harvard University Press, 2005), 26. 19. Thomas M. McCoog, SJ, “‘Playing the Champion’: The Role of Disputation in the Jesuit Mission,” in The Reckoned Expense: Edmund Campion and the Early English Jesuits, ed. Thomas M. McCoog (Woodbridge: Boydell Press, 1996), 119–39 (128). 20. Simon Sebag Montefiore, Stalin: The Court of the Red Tsar (New York: Vintage Books, 2003), 228. 21. Antonia Fraser, Faith and Treason: The Story of the Gunpowder Plot (New York: Anchor Books, 1996), 268. 22. For the medieval origins of this invented enemy in Christian Europe, see Robert I. Moore, The War on Heresy (Cambridge, MA: Harvard University Press, 2012). 23. David Riggs, The World of Christopher Marlowe (New York: Henry Holt, 2004), 336–38. 24.
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