Trial of Henry Garnet and Jesuit Equivocation in Early
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Nicholas Owen
Saint Nicholas Owen Born: Oxfordshire The son of a carpenter, Nicholas was raised in a family dedicated to the Catholic Church and followed his father’s trade. One of his brothers became a printer of Catholic literature and two were ordained priests. Nicholas worked with Edmund Campion, Father John Gerard and Father Henry Garnet, Superior of the English Jesuits from 1587 – 1594. Sometimes using the pseudonym John Owen; his short stature led to the nickname Little John. He spent over twenty-five years using his skills in the construction of ‘priest- holes’, escape-routes and some annexes for Mass. In order to keep his building-work secret, most was carried out at night, his presence explained by the daylight role as carpenter and mason. Early examples of his work exist at Oxburgh in East Anglia, Braddocks and Sawston. There are over a hundred examples of his work throughout central England. He built around a dozen hiding-places for Thomas Habington’s household at Hindlip Hall, Worcestershire; including that which Owen himself used prior to his capture. The authorities were aware the hiding- places existed, but neither their extent nor who constructed them. Nicholas did not have a formal novitiate, but having received instruction, he became a Jesuit Brother in 1577. In 1581, when Father Edmund Campion was executed, Nicholas remonstrated with the authorities and was imprisoned but later released. He was re-arrested on 23 April 1594 with John Gerard and held in the Tower of London, from where managed to free himself. It is said that he later orchestrated the escape of Father Gerard. -
The Gunpowder Plot: Terror and Faith in 1605 PDF Book
THE GUNPOWDER PLOT: TERROR AND FAITH IN 1605 PDF, EPUB, EBOOK Antonia Fraser | 448 pages | 01 Feb 2003 | Orion Publishing Co | 9780753814017 | English | London, United Kingdom The Gunpowder Plot: Terror and Faith in 1605 PDF Book Before he died Tresham had also told of Garnet's involvement with the mission to Spain, but in his last hours he retracted some of these statements. The King insisted that a more thorough search be undertaken. Thomas Wintour begged to be hanged for himself and his brother, so that his brother might be spared. Thomas Wintour and Littleton, on their way from Huddington to Holbeche House, were told by a messenger that Catesby had died. Details of the assassination attempt were allegedly known by the principal Jesuit of England, Father Henry Garnet. Synopsis About this title With a narrative that grips the reader like a detective story, Antonia Fraser brings the characters and events of the Gunpowder Plot to life. Seven of the prisoners were taken from the Tower to the Star Chamber by barge. As news of "John Johnson's" arrest spread among the plotters still in London, most fled northwest, along Watling Street. Seller Inventory aa2a43fc1e57f0bdf. At first glance, it might seem a little odd that I am reading a book so closely connected with November and Bonfire Night at the beginning of August. He also spoke of a Christian union and reiterated his desire to avoid religious persecution. Macbeth , Act 2 Scene 3. This is a complex story, with many players, both high and low, but Fraser lays it out clearly and concisely. -
How Historic Hall Is Helping to Spread the Word
Pentecost 2021 NewsSOWER from How historic IN THE SPOTLIGHT ELISA hall is helping to G T N I A O V N E spread the word >> CENTRE PAGES l Photos in this magazine take into account social distancing measures in place in England due to the Covid-19 pandemic. WELCOME By ARCHBISHOP BERNARD LONGLEY To our Diocesan family, HELLO and welcome to this Pentecost edition of The Sower, your Diocesan magazine. I would like to take this opportunity to wish you blessings for this very special season, which commemorates the descent of the Holy Spirit upon Our Lady and the Apostles. Many of you will be joining in the Pentecost Novena, which offers several days of intercessory prayer for evangelisation and renewal of the Church in the days from Ascension to Pentecost. I hope you find this spiritually uplifting. We pray that the Gift of the Holy Spirit we receive through Baptism and Confirmation is once again poured upon us Power of the Holy Spirit is as we celebrate Pentecost this year on Sunday, 23 May. Over the last 12 months evident in countless acts of the power of the Holy Spirit has been ever more evident in our daily lives as people have stepped forward to support compassion and goodwill foodbanks, make PPE, become stewards at their church to inspire us as we rebuild our There are four areas I am parish community and we hope ensure it can open safely, checked church communities. asking us all to focus on: others will respond positively to on neighbours and many other We have an opportunity to Evangelisation, Formation, Liturgy the call to evangelise. -
The Historical Context of Macbeth
The Historical Context of Macbeth EXPLORING Shakespeare, 2003 Shakespeare wrote Macbeth sometime between 1605 and 1606, shortly after the ascension of King James of Scotland to the English throne. The new monarch brought Scotland—previously known to the English only as a mysterious, conquered neighbor—into the public limelight. The period of James' reign was further marked by political and religious conflict, much of which focused the kingdom's attention on the danger of regicide. Events in History at the Time of the Play Sources Following the process used in the creation of many of his plays, Shakespeare drew the plot for Macbeth from historical sources—particularly Raphael Holinshed's Chronicles of England, Scotland, and Ireland (1577), the authoritative historical text of the period. Although Holinshed contains the story of Macbeth and Duncan, Shakespeare did not rely on this only; rather, he combined different stories and different versions of the same story to create his drama. The Chronicles include an account of King Malcolm II (reigned 1005-34), whose throne passed first to Duncan I (reigned 1034-40) and then to Macbeth (reigned 1040-57), both of whom were his grandsons. For his portrayal of the murder through which Macbeth took Duncan's throne, Shakespeare mined another vein of the Chronicles—King Duff's death at the hands of one of his retainers, Donwald. In combining the two events, Shakespeare crafted a specific tone for the tale of regicide. When King Malcolm II of Scotland died in 1034, his last command was that the throne should pass to his oldest grandson, Duncan. -
The Gunpowder Plot and James I's Elimination of Catholicism in England
THE GUNPOWDER PLOT AND JAMES I’S ELIMINATION OF CATHOLICISM IN ENGLAND KELLY BARR In the predawn hours of November 5th, 1605 darkness loomed above the English House of Parliament. Hiding below in a cold, damp cellar, a traitor hid with thirty- six barrels of gunpowder. He intended, with the strike of a match, to blow a hole through the heart of his nation, engulfing the King, the Commons, the Lords, and the Bishops in a ball of flame that would end seventy-five years of oppression. But before he could light that match, Guy Fawkes was discovered by the King’s men, tortured, and executed for treason. He represented the most devilish intention of England’s secret Catholics—to violently overthrow King James.1 Or, at least, this is how the traditional story goes. The historical evidence suggests something else entirely. Fear has the power to inspire unprecedented change, to unite a divided nation, and in 1605, this is just what England needed to rid itself of its Catholic problem once and for all. The English government likely fabricated the details of what came to be known as the “Gunpowder Plot” and attributed blame to the Jesuits in order to turn public opinion AUTHOR BIOGRAPHY against Catholics and justify the harsh laws that would ultimately end widespread KELLY BARR Catholic recusancy and unite a nation that had been divided over faith for 75 years. In 1530 King Henry VIII requested an annulment of his marriage to his first wife, Catherine of Aragon and set into motion a chain of events that would ultimately Kelly Barr is a first year History major from Alamo, CA. -
St. Nicholas Owen (Ca
St. Nicholas Owen (ca. 1561–1606) Lawrence M. Ober, SJ ST. NICHOLAS Owen was a Jesuit lay brother famed for creating and building “priest holes” in England for priests who were secretly ministering to Catholics at end of the sixteenth and the beginning of the seventeenth century. 1 Background Legend and reconstructed history suggest that he was born into a recusant family in Oxford about 1561. Recusants were Catholics who refused to conform to the Anglican Church— which had become more Protestant during the reigns of King Edward VI (1547–1553) and his half-sister, Queen Elizabeth (1558–1603), with a short period between 1553 and 1558 during which yet another half-sister, Queen Mary, attempted to restore Catholicism in the kingdom. Nicholas’s father is thought to have been a carpenter, and among Nicholas’s siblings very likely were brothers John and Walter, who became secret Catholic priests, and another brother, Henry who clandestinely printed and distributed Catholic literature. As was common with most Jesuits in England and America, Nicholas often operated under an assumed name. We have no knowledge of his physical features; but, since his alias was “Little John,” people surmise that he was very short—or perhaps very tall, since the name might have been a joke. He also was known as “little Michael,” and as “Andrews” or “Draper.” It is known that he suffered from a hernia and also bad legs—a life-long legacy after falling from a horse. At some point, Nicholas was secretly admitted to the Society of Jesus (Jesuits), although there is no record of his formally making novitiate or taking vows. -
Paul Wake. 2008. “Writing from the Archive: Henry Garnet's
Paul Wake. 2008. “Writing from the archive: Henry Garnet’s powder-plot letters and archival communication” Archival Science, 8:2: 69-84. Writing on psychoanalysis in The Postcard Jacques Derrida asks, what happens in the psychoanalytic deciphering of a text when the latter, the deciphered itself, already explicates itself? When it says more about itself than does the deciphering (a debt acknowledged by Freud more than once)? And especially when the deciphered text inscribes in itself additionally the scene of the deciphering? When the deciphered text deploys more force in placing onstage and setting adrift the analytic process itself… (Derrida 1987, p. 414) Directed here to the archive, the questions posed by the self-explicating text become questions of the ways in which the processes of archivization manifest themselves within records, “placing onstage” the mechanisms and functions of the archives in which they exist. In addressing these questions, which turn on archival “saying,” explication and deciphering, both archive and record will be figured in terms of communication, situating the record not in isolation but rather in the changing contexts of its activations. In approaching the archive in terms of the interactions between recorders, records, archivists and analyst-historians my understanding of the “communicative” record is easily summarised in terms of John Searle’s distinction between the “token” and the “message”: The unit of linguistic communication is not, as has generally been supposed, the symbol, word or sentence, or even the token of the symbol, word or sentence, but rather the production or issuance of the symbol or word or sentence in the performance of the speech act. -
Robert Southwell and the Assumption and Coronation of the Virgin. Lilla
“No tombe but throne”: Robert Southwell and the Assumption and Coronation of the Virgin. Lilla Grindlay Sutton Valence School On 21 February 1595, the crowds flocked to Tyburn to witness the brutal theatrical spectacle of a man being hanged, drawn and quartered. The man on the scaffold was a Jesuit priest; he was dying for love, both of his Saviour and of the Catholic faith. His mildness and dignity are said to have moved the crowd, and when the hangman finally held up his severed head, it was reported that many signed themselves with the cross.1 The man was Robert Southwell, who had landed on England’s shores from Rome in 1586 and, prior to his capture in 1591, had been a driving force behind London’s underground Catholic movement. Southwell was a poet as well as a priest, and by the time of his death his verse had already caught the attention of the University Wits (Devlin 223). But although he spent much of his time in the houses of rich and influential recusant families, Southwell was no gentleman love poet. For him, the roles of priest and poet combined, and he wrote only sacred verse, displaying an exemplary post-Tridentine view of art’s didactic and sacred purpose. He also took a vehement stance against the love poetry of the age, claiming that poets who make “the follies and feyninges of love the customary subject of theire base endeavors” were guilty of abusing both their talents and poetry itself.2 1 An account of Southwell’s death is given in “Leake’s Relation of the Martyrdom of Father Southwell”, Stonyhurst MSS. -
A Narrative of the Gunpowder Plot
Digitized by the Internet Archive in 2011 with funding from University of Toronto http://www.archive.org/details/narrativeofgunpoOOjard A NARRATIVE GUNPOWDER PLOT. NARRATIVE GUNPOWDER PLOT. BY DAVID JARDINE, Esq. OF TIIE MIDDLE TEUPLE, BAEEISTEH-AT-I/AW. *i hZs^l LONDON: JOHN MURRAY, ALBEMARLE STREET. 1857. The right of Translation is reserved. T34- PREFACE. The substance of the following pages was published many years ago in the " Library of Entertaining Know- ledge," and formed the introduction to the trials of the several persons implicated in the Gunpowder Treason. The obvious objection to the course adopted with respect to the " Criminal Trials," was, that the introduction exceeded its office as an illustration of the judicial proceedings, and became a prominent part of the work, instead of being merely accessary to the main design. Another objection was, that a work, which professed some degree of research and a critical examination of the evidence and effect of disputed facts, was inconsistent with the object of the series to which it belonged, and with the character and capaci- ties of the readers for whose use that series was intended. Notwithstanding these objections, reprints vi PREFACE. of the Criminal Trials have been frequent during twenty-one years, and the consequence is that the stereotype plates, having become completely worn out, have been destroyed, and the work is out of print. Under these circumstances it is now proposed to arrange the materials in the form of a continuous narrative of the facts of the Gunpowder Plot, with such enlargements and corrections as subsequent inquiry and research have suggested. -
The Effect of the Gunpowder Plot on Artistic Expression" (2011)
University of Puget Sound Sound Ideas Summer Research 2011 The rP oblems of Treason and Tyranny: The ffecE t of the Gunpowder Plot On Artistic Expression Jessica K. Spevak University of Puget Sound, [email protected] Follow this and additional works at: http://soundideas.pugetsound.edu/summer_research Part of the European History Commons, Literature in English, British Isles Commons, and the Political History Commons Recommended Citation Spevak, Jessica K., "The rP oblems of Treason and Tyranny: The Effect of the Gunpowder Plot On Artistic Expression" (2011). Summer Research. Paper 95. http://soundideas.pugetsound.edu/summer_research/95 This Article is brought to you for free and open access by Sound Ideas. It has been accepted for inclusion in Summer Research by an authorized administrator of Sound Ideas. For more information, please contact [email protected]. THE PROBLEMS OF TREASON AND TYRANNY: THE EFFECT OF THE GUNPOWDER PLOT ON ARTISTIC EXPRESSION Jessica Spevak September 18, 2011 THE PROBLEMS OF TREASON AND TYRANNY: THE EFFECT OF THE GUNPOWDER PLOT ON ARTISTIC EXPRESSION On November 6th , 1605, Robert Cecil, one of King James’ closest advisors, sent a letter to Sir Thomas Edmonds detailing the previous’ nights discovery of “[a] most cruel and detestable practize against the person of his Matie that ever was conceaved by the hart of man”.1As Cecil wrote on, he asserted that the plot to kill the King and most of Parliament with gunpowder in the basement of the building was intended to destroy not only the King and his followers but also was intended to decimate the entirety of England. -
Download Thesis
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Post Reformation Catholicism in the Midlands of England Verner, Laura Anne Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 23. Sep. 2021 Abstract of a thesis entitled Post-Reformation Catholicism in the Midlands of England Submitted by Laura Anne Verner for the degree of Doctor of Philosophy at The University of Hong Kong and King’s College London in August 2015 This dissertation examines the Catholic community of the Midlands counties during the reign of Elizabeth I (1558-1603). -
James I: Monarchial Representation and English Identity
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 3-10-2020 James I: Monarchial Representation and English Identity Elizabeth Maria Taylor Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the European History Commons Recommended Citation Taylor, Elizabeth Maria, "James I: Monarchial Representation and English Identity" (2020). LSU Doctoral Dissertations. 5197. https://digitalcommons.lsu.edu/gradschool_dissertations/5197 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAMES I: MONARCHIAL REPRESENTATION AND ENGLISH IDENTITY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Elizabeth Maria Taylor B.A., Auburn University, 2012 M.A., University of Alabama, 2015 May 2020 For my family. ii Acknowledgements I would like to thank those who have been involved in this process, I am forever grateful for the support I have received from family and friends. I would like to thank my parents, Frances and Robert Taylor, for teaching me to continuously and relentlessly strive to complete my goals, and to never give up on my aspirations of obtaining a doctorate. Thank you to my siblings Linda, Will, and Cat, who never doubted in my ability to finish my degree, and have been immensely vocal in their support.