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Den Stora Mekanismen I Holm/Møllers Vasasagan Smiding Den stora mekanismen i Holm/Møllers Vasasagan Smiding, Birgitta 2006 Link to publication Citation for published version (APA): Smiding, B. (2006). Den stora mekanismen i Holm/Møllers Vasasagan. Lund University. 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LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 DEN STORA MEKANISMEN BIRGITTA SMIDING DEN STORA MEKANISMEN - i Holm/Møllers Vasasagan TILL NICLAS DENNA BOK ÄR UTGIVEN MED STÖD FRÅN Stiftelsen Hjalmar Gullbergs och Greta Thotts stipendiefond Gyllenstiernska Krapperupstiftelsen Copyright © Birgitta Smiding Lunds universitet Mediatryck 2006 ISBN - 10 91 628 6994 9 ISBN - 13 978 91 628 6994 6 Men på teatern har den konkreta närvarons logik, ytornas onödiga objektivitet, ofta försökt ersätta den närvarons och frånvarons förförande dialektik, som är teaterns särmärke. - Timo Heinonen. INNEHÅLL INLEDNING.......................................................................................................................................11 Utgångsläge .............................................................................................................................11 Förutsättningar........................................................................................................................12 Syfte och metod.......................................................................................................................16 Centrala verktyg......................................................................................................................18 Min problematisering.............................................................................................................22 Avgränsning ............................................................................................................................24 Uppläggning............................................................................................................................26 VASASAGAN I TID OCH RUM .......................................................................................................28 Kulturpolitisk satsning...........................................................................................................28 Något helt nytt?.......................................................................................................................29 Från Stadsteatern till Hippodromen ....................................................................................34 Invigningen..............................................................................................................................35 En hel säsong med Strindberg...............................................................................................38 Strindberg på 1990-talet .........................................................................................................39 1990 – talets teater ...................................................................................................................41 Qui est là?......................................................................................................................42 Regiteater och klassiker ..............................................................................................44 Sceniska verktyg ..........................................................................................................46 Politisk teater................................................................................................................48 TEORETISKA FÖRUTSÄTTNINGAR ............................................................................................51 Poststrukturalistisk inriktning ..............................................................................................51 Ironibegreppet..............................................................................................................53 Estetisk - politisk nivå .................................................................................................54 Performance - Performativitet...............................................................................................56 Judith Butlers performativitet ...............................................................................................58 Feministisk teori och Brechts teori........................................................................................59 Genus - Distansering ...................................................................................................62 Genus - Dialektik .........................................................................................................63 Genus - Historisering ..................................................................................................64 7 Gestus - Åskådare........................................................................................................65 MED DRAMATURGI SOM UTGÅNGSPUNKT...........................................................................66 Texten i Vasasagan ...................................................................................................................66 Struktur och teman......................................................................................................66 Från Mora till Rom ......................................................................................................69 Strindberg då och nu ..............................................................................................................70 Strindberg - vår samtida .............................................................................................74 Rum i texten.............................................................................................................................75 Texten i rummet ......................................................................................................................79 MAKTEN.............................................................................................................................................84 Etablering av grundfiktion ....................................................................................................84 Folkets berättelse.....................................................................................................................86 Ritual och lek ...........................................................................................................................89 Simultanitet och visuella strukturer.....................................................................................92 Repetitivitet - en tidsrelaterad estetik ..................................................................................96 Maktporträtten ........................................................................................................................96 Generationskonflikter ...............................................................................................111 Maktens offer.........................................................................................................................112 Makt som tema......................................................................................................................117 Den stora mekanismen.........................................................................................................118 Repetitiva inklippsteman.....................................................................................................119 Repetitiv musik .....................................................................................................................122 KROPPEN .........................................................................................................................................127 A. Den episke skådespelaren...............................................................................................127 Metafiktioner I............................................................................................................127 Kroppens problematisering.................................................................................................128 Maktens fysikalitet................................................................................................................129 Eklektisk spelstil....................................................................................................................131 Strukturerande verktyg........................................................................................................133 Kritisk hållning ..........................................................................................................134
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