Den stora mekanismen i Holm/Møllers Vasasagan Smiding, Birgitta 2006 Link to publication Citation for published version (APA): Smiding, B. (2006). Den stora mekanismen i Holm/Møllers Vasasagan. Lund University. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 DEN STORA MEKANISMEN BIRGITTA SMIDING DEN STORA MEKANISMEN - i Holm/Møllers Vasasagan TILL NICLAS DENNA BOK ÄR UTGIVEN MED STÖD FRÅN Stiftelsen Hjalmar Gullbergs och Greta Thotts stipendiefond Gyllenstiernska Krapperupstiftelsen Copyright © Birgitta Smiding Lunds universitet Mediatryck 2006 ISBN - 10 91 628 6994 9 ISBN - 13 978 91 628 6994 6 Men på teatern har den konkreta närvarons logik, ytornas onödiga objektivitet, ofta försökt ersätta den närvarons och frånvarons förförande dialektik, som är teaterns särmärke. - Timo Heinonen. INNEHÅLL INLEDNING.......................................................................................................................................11 Utgångsläge .............................................................................................................................11 Förutsättningar........................................................................................................................12 Syfte och metod.......................................................................................................................16 Centrala verktyg......................................................................................................................18 Min problematisering.............................................................................................................22 Avgränsning ............................................................................................................................24 Uppläggning............................................................................................................................26 VASASAGAN I TID OCH RUM .......................................................................................................28 Kulturpolitisk satsning...........................................................................................................28 Något helt nytt?.......................................................................................................................29 Från Stadsteatern till Hippodromen ....................................................................................34 Invigningen..............................................................................................................................35 En hel säsong med Strindberg...............................................................................................38 Strindberg på 1990-talet .........................................................................................................39 1990 – talets teater ...................................................................................................................41 Qui est là?......................................................................................................................42 Regiteater och klassiker ..............................................................................................44 Sceniska verktyg ..........................................................................................................46 Politisk teater................................................................................................................48 TEORETISKA FÖRUTSÄTTNINGAR ............................................................................................51 Poststrukturalistisk inriktning ..............................................................................................51 Ironibegreppet..............................................................................................................53 Estetisk - politisk nivå .................................................................................................54 Performance - Performativitet...............................................................................................56 Judith Butlers performativitet ...............................................................................................58 Feministisk teori och Brechts teori........................................................................................59 Genus - Distansering ...................................................................................................62 Genus - Dialektik .........................................................................................................63 Genus - Historisering ..................................................................................................64 7 Gestus - Åskådare........................................................................................................65 MED DRAMATURGI SOM UTGÅNGSPUNKT...........................................................................66 Texten i Vasasagan ...................................................................................................................66 Struktur och teman......................................................................................................66 Från Mora till Rom ......................................................................................................69 Strindberg då och nu ..............................................................................................................70 Strindberg - vår samtida .............................................................................................74 Rum i texten.............................................................................................................................75 Texten i rummet ......................................................................................................................79 MAKTEN.............................................................................................................................................84 Etablering av grundfiktion ....................................................................................................84 Folkets berättelse.....................................................................................................................86 Ritual och lek ...........................................................................................................................89 Simultanitet och visuella strukturer.....................................................................................92 Repetitivitet - en tidsrelaterad estetik ..................................................................................96 Maktporträtten ........................................................................................................................96 Generationskonflikter ...............................................................................................111 Maktens offer.........................................................................................................................112 Makt som tema......................................................................................................................117 Den stora mekanismen.........................................................................................................118 Repetitiva inklippsteman.....................................................................................................119 Repetitiv musik .....................................................................................................................122 KROPPEN .........................................................................................................................................127 A. Den episke skådespelaren...............................................................................................127 Metafiktioner I............................................................................................................127 Kroppens problematisering.................................................................................................128 Maktens fysikalitet................................................................................................................129 Eklektisk spelstil....................................................................................................................131 Strukturerande verktyg........................................................................................................133 Kritisk hållning ..........................................................................................................134