A Character Type in the Plays of Edward Bond
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Chapter 36 Harold Pinter: the Dramatist and His World
Chapter 36 Harold Pinter: The Dramatist and His World Background Nobel winner, Harold Pinter (1930- 2008) was born in London, England in a Jewish family. Some of the most recognizable features in his plays are the use of understatement, small talk, reticence , and silence. These devices are employed to convey the substance of a character’s thoughts. At the outbreak of World War II, Pinter was evacuated from the city to Cornwall; to be wrenched from his parents was a traumatic event for Pinter. He lived with 26 other boys in a castle on the coast. At the age of 14, he returned to London. "The condition of being bombed has never left me," Pinter later said. At school one of Pinter's main intellectual interests was English literature, particularly poetry. He also read works of Franz Kafka and Ernest Hemingway, and started writing poetry for little magazines in his teens. The seeds of rebellion in Pinter could be spotted early on when he refused to do the National Service. As a young man, he studied acting at the Royal Academy of Dramatic Art and the Central School of Speech and Drama, but soon left to undertake an acting career under the stage name David Baron. He travelled around Ireland in a Shakespearean company and spent years working in provincial repertory before deciding to turn his attention to playwriting. Pinter was married from 1956 to the actress Vivien Merchant. For a time, they lived in Notting Hill Gate in a slum. Eventually Pinter managed to borrow some money and move away. -
PART 1 of Volume 13:6 June 2013
LANGUAGE IN INDIA Strength for Today and Bright Hope for Tomorrow Volume 13:6 June 2013 ISSN 1930-2940 Managing Editor: M. S. Thirumalai, Ph.D. Editors: B. Mallikarjun, Ph.D. Sam Mohanlal, Ph.D. B. A. Sharada, Ph.D. A. R. Fatihi, Ph.D. Lakhan Gusain, Ph.D. Jennifer Marie Bayer, Ph.D. S. M. Ravichandran, Ph.D. G. Baskaran, Ph.D. L. Ramamoorthy, Ph.D. Assistant Managing Editor: Swarna Thirumalai, M.A. Contents Drama in Indian Writing in English - Tradition and Modernity ... 1-101 Dr. (Mrs.) N. Velmani Reflection of the Struggle for a Just Society in Selected Poems of Niyi Osundare and Mildred Kiconco Barya ... Febisola Olowolayemo Bright, M.A. 102-119 Identity Crisis in Jhumpa Lahiri’s The Namesake ... Anita Sharma, M.Phil., NET, Ph.D. Research Scholar 120-125 A Textual Study of Context of Personal Pronouns and Adverbs in Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner” ... Fadi Butrus K Habash, M.A. 126-146 Crude Oil Price Behavior and Its Impact on Macroeconomic Variable: A Case of Inflation ... M. Anandan, S. Ramaswamy and S. Sridhar 147-161 Using Exact Formant Structure of Persian Vowels as a Cue for Forensic Speaker Recognition ... Mojtaba Namvar Fargi, Shahla Sharifi, Mohammad Reza Pahlavan-Nezhad, Azam Estaji, and Mehi Meshkat Aldini Ferdowsi University of Mashhad 162-181 Language in India www.languageinindia.com ISSN 1930-2940 13:6 June 2013 Contents List i Simplification of CC Sequence of Loan Words in Sylheti Bangla ... Arpita Goswami, Ph.D. Research Scholar 182-191 Impact of Class on Life A Marxist Study of Thomas Hardy’s Novel Tess of the D’Urbervilles .. -
The Formulaic Dynamics of Character Behavior in Lucan Howard Chen
Breakthrough and Concealment: The Formulaic Dynamics of Character Behavior in Lucan Howard Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Howard Chen All rights reserved ABSTRACT Breakthrough and Concealment: The Formulaic Dynamics of Character Behavior in Lucan Howard Chen This dissertation analyzes the three main protagonists of Lucan’s Bellum Civile through their attempts to utilize, resist, or match a pattern of action which I call the “formula.” Most evident in Caesar, the formula is a cycle of alternating states of energy that allows him to gain a decisive edge over his opponents by granting him the ability of perpetual regeneration. However, a similar dynamic is also found in rivers, which thus prove to be formidable adversaries of Caesar in their own right. Although neither Pompey nor Cato is able to draw on the Caesarian formula successfully, Lucan eventually associates them with the river-derived variant, thus granting them a measure of resistance (if only in the non-physical realm). By tracing the development of the formula throughout the epic, the dissertation provides a deeper understanding of the importance of natural forces in Lucan’s poem as well as the presence of an underlying drive that unites its fractured world. Table of Contents Acknowledgments ............................................................................................................ vi Introduction ...................................................................................................................... -
From Free Cinema to British New Wave: a Story of Angry Young Men
SUPLEMENTO Ideas, I, 1 (2020) 51 From Free Cinema to British New Wave: A Story of Angry Young Men Diego Brodersen* Introduction In February 1956, a group of young film-makers premiered a programme of three documentary films at the National Film Theatre (now the BFI Southbank). Lorenza Mazzetti, Lindsay Anderson, Karel Reisz and Tony Richardson thought at the time that “no film can be too personal”, and vehemently said so in their brief but potent manifesto about Free Cinema. Their documentaries were not only personal, but aimed to show the real working class people in Britain, blending the realistic with the poetic. Three of them would establish themselves as some of the most inventive and irreverent British filmmakers of the 60s, creating iconoclastic works –both in subject matter and in form– such as Saturday Day and Sunday Morning, The Loneliness of the Long Distance Runner and If… Those were the first significant steps of a New British Cinema. They were the Big Screen’s angry young men. What is British cinema? In my opinion, it means many different things. National cinemas are much more than only one idea. I would like to begin this presentation with this question because there have been different genres and types of films in British cinema since the beginning. So, for example, there was a kind of cinema that was very successful, not only in Britain but also in America: the films of the British Empire, the films about the Empire abroad, set in faraway places like India or Egypt. Such films celebrated the glory of the British Empire when the British Empire was almost ending. -
Graphic No Vels & Comics
GRAPHIC NOVELS & COMICS SPRING 2020 TITLE Description FRONT COVER X-Men, Vol. 1 The X-Men find themselves in a whole new world of possibility…and things have never been better! Mastermind Jonathan Hickman and superstar artist Leinil Francis Yu reveal the saga of Cyclops and his hand-picked squad of mutant powerhouses. Collects #1-6. 9781302919818 | $17.99 PB Marvel Fallen Angels, Vol. 1 Psylocke finds herself in the new world of Mutantkind, unsure of her place in it. But when a face from her past returns only to be killed, she seeks vengeance. Collects Fallen Angels (2019) #1-6. 9781302919900 | $17.99 PB Marvel Wolverine: The Daughter of Wolverine Wolverine stars in a story that stretches across the decades beginning in the 1940s. Who is the young woman he’s fated to meet over and over again? Collects material from Marvel Comics Presents (2019) #1-9. 9781302918361 | $15.99 PB Marvel 4 Graphic Novels & Comics X-Force, Vol. 1 X-Force is the CIA of the mutant world—half intelligence branch, half special ops. In a perfect world, there would be no need for an X-Force. We’re not there…yet. Collects #1-6. 9781302919887 | $17.99 PB Marvel New Mutants, Vol. 1 The classic New Mutants (Sunspot, Wolfsbane, Mirage, Karma, Magik, and Cypher) join a few new friends (Chamber, Mondo) to seek out their missing member and go on a mission alongside the Starjammers! Collects #1-6. 9781302919924 | $17.99 PB Marvel Excalibur, Vol. 1 It’s a new era for mutantkind as a new Captain Britain holds the amulet, fighting for her Kingdom of Avalon with her Excalibur at her side—Rogue, Gambit, Rictor, Jubilee…and Apocalypse. -
A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2002 A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays. Bonny Ball Copenhaver East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the English Language and Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Copenhaver, Bonny Ball, "A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays." (2002). Electronic Theses and Dissertations. Paper 632. https://dc.etsu.edu/etd/632 This Dissertation - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. The Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays A dissertation presented to the Faculty of the Department of Educational Leadership and Policy Analysis East Tennessee State University In partial fulfillment of the requirements for the degree Doctor of Education in Educational Leadership and Policy Analysis by Bonny Ball Copenhaver May 2002 Dr. W. Hal Knight, Chair Dr. Jack Branscomb Dr. Nancy Dishner Dr. Russell West Keywords: Gender Roles, Feminism, Modernism, Postmodernism, American Theatre, Robbins, Glaspell, O'Neill, Miller, Williams, Hansbury, Kennedy, Wasserstein, Shange, Wilson, Mamet, Vogel ABSTRACT The Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays by Bonny Ball Copenhaver The purpose of this study was to describe how gender was portrayed and to determine how gender roles were depicted and defined in a selection of Modern and Postmodern American plays. -
University of Pardubice Faculty of Arts and Philosophy Angry Young Men
University of Pardubice Faculty of Arts and Philosophy Angry Young Men in British Drama: Analysis and Comparison of The Entertainer and The Kitchen Bachelor Thesis 2020 Karolína Jeníčková Prohlašuji: Tuto práci jsem vypracovala samostatně. Veškeré literární prameny a informace, které jsem v práci využila, jsou uvedeny v seznamu použité literatury. Byla jsem seznámena s tím, že se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Beru na vědomí, že v souladu s § 47b zákona č. 111/1998 Sb., o vysokých školách a o změně a doplnění dalších zákonů (zákon o vysokých školách), ve znění pozdějších předpisů, a směrnicí Univerzity Pardubice č. 7/2019, bude práce zveřejněna v Univerzitní knihovně a prostřednictvím Digitální knihovny Univerzity Pardubice. V Pardubicích dne 14. 4. 2020 Karolína Jeníčková ACKNOWLEDGEMENTS I would like to express my gratitude to my supervisor, Mgr. Petra Kalavská, Ph.D., for her kindness and valuable advice during writing of this thesis. I would also like to thank my family for their support throughout my studies. ANNOTATION This bachelor thesis focuses on The Entertainer (1957) by John Osborne and on The Kitchen (1959) by Arnold Wesker, the plays written by playwrights referred to as the Angry Young Men. -
Using Postmodernism in Drama and Theatre Making David Porter AS/A2
Using postmodernism in drama and theatre making AS/A2 David Porter AS/A2 Introduction David Porter is former Head of Performing Arts at Kirkley High School, We live in an increasingly ‘cross-genre’ environment where things are mixed, Lowestoft, teacher and one-time sampled and mashed up. History, time, roles, arts, technology and our cultural children’s theatre performer. Freelance and social contexts are in flux. Postmodernism expresses many of the ways in writer, blogger and editor, he is a senior which this is happening. assessor for A level performance studies, IGSCE drama moderator and GCSE drama As the reformed A levels come on stream, postmodernism may appear to examiner. have little place except in BTECs. However, performing arts in general and drama in particular require knowledge and understanding of wider contexts, reinterpretations, devising and study of texts from different periods. Exploring postmodernism is an excellent way to open up a world of artistic interest, exploration, experiment and mash-ups for students who are 16 and over. Although different in details, the Drama and Theatre A level specifications offered for teaching from 2016 (first exam in 2018) are similar in intention and breadth of study. All require exploration of some predetermined and some centre-chosen texts, a variety of leading practitioners, and devising and re- interpretations. Using postmodernism broadens students’ viewpoints, ideas and practical experiences of using art forms to express material. Exam preparation aside, this scheme serves as an -
Prologue: 'After Auschwitz': Survival of the Aesthetic
Notes Prologue: ‘After Auschwitz’: Survival of the Aesthetic 1. In 1959 the German poet Hans Magnus Enzensberger called Adorno’s state- ment ‘one of the harshest judgments that can be made about our times: after Auschwitz it is impossible to write poetry’, and urges that ‘if we want to con- tinue to live, this sentence must be repudiated’. Hans Magnus Enzensberger, ‘Die Steine der Freiheit’ in Petra Kiedaisch (ed.). Lyrik nach Auschwitz? Adorno und die Dichter (73). 2. Herbert Marcuse, too, criticised the tendency toward uniformity and repres- sion of individuality in modern technological society in his seminal 1964 study One-Dimensional Man: Studies in the Ideology of Advanced industrial Society. 3. For philosophers such as Hannah Arendt the culmination of totalitar- ian power as executed in the camps led not only to the degradation and extermination of people, it also opened profound and important questions about our understanding of humanity and ethics (see: Arendt, The Origins of Totalitarianism). The question of an ethical response to Auschwitz also preoc- cupies Giorgio Agamben who argues that an ethical attempt to bear witness (testimony) to Auschwitz must inevitably confront the impossibility of speak- ing without, however, condemning Auschwitz to the ‘forever incomprehensi- ble’ (Remnants of Auschwitz 11). 4. See Alan Milchman and Alan Rosenberg’s Postmodernism and the Holocaust. However, Adorno’s response to the Holocaust is not discussed in this volume. His most notable reflections on Auschwitz can be found in Negative Dialectics (‘Meditations on Metaphysics’), Metaphysics: Concepts and Problems (1965), and in the collection Can one Live after Auschwitz? 5. -
Matrix Co-Factorization for Cold-Start Recommendation Olivier Gouvert, Thomas Oberlin, Cédric Févotte
Matrix co-factorization for cold-start recommendation Olivier Gouvert, Thomas Oberlin, Cédric Févotte To cite this version: Olivier Gouvert, Thomas Oberlin, Cédric Févotte. Matrix co-factorization for cold-start recommenda- tion. 19th International Society for Music Information Retrieval Conference (ISMIR 2018), Sep 2018, Paris, France. pp.1-7. hal-02279385 HAL Id: hal-02279385 https://hal.archives-ouvertes.fr/hal-02279385 Submitted on 17 Sep 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Open Archive Toulouse Archive Ouverte OATAO is an open access repository that collects the work of Toulouse researchers and makes it freely available over the web where possible This is an author’s version published in: http://oatao.univ-toulouse.fr/22489 To cite this version: Gouvert, Olivier and Oberlin, Thomas and Févotte, Cédric Matrix co-factorization for cold-start problem. (2018) In: 19th International Society for Music Information Retrieval Conference (ISMIR 2018), 23 September 2018 - 27 September 2018 (Paris, France) Any correspondence concerning this service should be sent to the repository administrator: [email protected] MATRIX CO-FACTORIZATION FOR COLD-START RECOMMENDATION Olivier Gouvert1 Thomas Oberlin1 Cedric´ Fevotte´ 1 1 IRIT, Universite´ de Toulouse, CNRS, France [email protected] ABSTRACT tem cannot recommend songs which have never been lis- tened to, and similarly it cannot labeled untagged songs. -
A Study of the Royal Court Young Peoples’ Theatre and Its Development Into the Young Writers’ Programme
Building the Engine Room: A Study of the Royal Court Young Peoples’ Theatre and its Development into the Young Writers’ Programme N O Holden Doctor of Philosophy 2018 Building the Engine Room: A Study of the Royal Court’s Young Peoples’ Theatre and its Development into the Young Writers’ Programme Nicholas Oliver Holden, MA, AKC A thesis submitted in partial fulfilment of the requirements of the University of Lincoln for the degree of Doctor of Philosophy School of Fine and Performing Arts College of Arts March 2018 2 DECLARATION I declare that this thesis is my own work and has not been submitted in substantially the same form for a higher degree elsewhere. 3 Acknowledgements First and foremost, I would like to thank my supervisors: Dr Jacqueline Bolton and Dr James Hudson, who have been there with advice even before this PhD began. I am forever grateful for your support, feedback, knowledge and guidance not just as my PhD supervisors, but as colleagues and, now, friends. Heartfelt thanks to my Director of Studies, Professor Mark O’Thomas, who has been a constant source of support and encouragement from my years as an undergraduate student to now as an early career academic. To Professor Dominic Symonds, who took on the role of my Director of Studies in the final year; thank you for being so generous with your thoughts and extensive knowledge, and for helping to bring new perspectives to my work. My gratitude also to the University of Lincoln and the School of Fine and Performing Arts for their generous studentship, without which this PhD would not have been possible. -
Den Stora Mekanismen I Holm/Møllers Vasasagan Smiding
Den stora mekanismen i Holm/Møllers Vasasagan Smiding, Birgitta 2006 Link to publication Citation for published version (APA): Smiding, B. (2006). Den stora mekanismen i Holm/Møllers Vasasagan. Lund University. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 DEN STORA MEKANISMEN BIRGITTA SMIDING DEN STORA MEKANISMEN - i Holm/Møllers Vasasagan TILL NICLAS DENNA BOK ÄR UTGIVEN MED STÖD FRÅN Stiftelsen Hjalmar Gullbergs och Greta Thotts stipendiefond Gyllenstiernska Krapperupstiftelsen Copyright © Birgitta Smiding Lunds universitet Mediatryck 2006 ISBN - 10 91 628 6994 9 ISBN - 13 978 91 628 6994 6 Men på teatern har den konkreta närvarons logik, ytornas onödiga objektivitet, ofta försökt ersätta den närvarons och frånvarons förförande dialektik, som är teaterns särmärke.