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The Norman Conquest: Ten Centuries of Interpretation (1975)
CARTER, JOHN MARSHALL. The Norman Conquest: Ten Centuries of Interpretation (1975). Directed by: Prof. John H. Beeler. The purpose of this study was to investigate the historical accounts of the Norman Conquest and its results. A select group of historians and works, primarily English, were investigated, beginning with the chronicles of medieval writers and continuing chronologically to the works of twentieth century historians. The majority of the texts that were examined pertained to the major problems of the Norman Conquest: the introduction of English feudalism, whether or not the Norman Conquest was an aristocratic revolution, and, how it affected the English church. However, other important areas such as the Conquest's effects on literature, language, economics, and architecture were observed through the "eyes" of past and present historians. A seconday purpose was to assemble for the student of English medieval history, and particularly the Norman Conquest, a variety of primary and secondary sources. Each new generation writes its own histories, seeking to add to the existing cache of material or to reinterpret the existing material in the light of the present. The future study of history will be significantly advanced by historiographic surveys of all major historical events. Professor Wallace K. Ferguson produced an indispensable work for students of the Italian Renaissance, tracing the development of historical thought from the fifteenth to the twentieth century. V Professor Bryce Lyon performed a similar task,if not on as epic a scale, with his essay on the diversity of thought in regard to the history of the origins of the Middle Ages. -
Richard Wilbur's 'Junk'
15 Recycling Anglo-Saxon Poetry: Richard Wilbur’s ‘Junk’ and a Self Study Chris Jones University of St Andrews Ever since scraps, both literal and metaphorical, of Anglo-Saxon (also called Old English) verse began to be recovered and edited in more systematic fashion, modern poets have tried to imagine and recreate its sounds in their own work.1 Often the manuscript materials in which Anglo-Saxon poetry survives show signs of having been uncared for and even mistreated; the tenth-century Exeter Book of poetry, for example, which preserves many of the texts now taught in universities as canonical, is scarred with the stains of having had some kind of vessel laid on it, as if it were a drinks mat, with knife-scores, as if it were a chopping board, and with singe marks, as if some red-hot object was temporarily rested on its back (Muir 2000: II, 2). Such treatment is scarce wonder, given that changes in both language and handwriting must have made such manuscripts unintelligible to all but a few until the studies of sixteenth- and seventeenth-century antiquarians began to render them legible again. But it is salutary to remember that fragments of the past which we hold valuable now have often been the junk of intervening ages, waste materials for which only some alternative function might save them from disposal. Recycled, however, fresh uses may be found for Anglo-Saxon poetry, uses that generate for it new currency, in addition to whatever independent value its stock possesses. This essay sets out to examine some of the generative possibilities of recycling Anglo-Saxon poetry, both from a critic’s perspective and a practitioner’s. -
The Case of the Missing Twelfth Century in English Literary History
Periodization and Politics: The Case of the Missing Twelfth Century in English Literary History Linda Georgianna or several years I have been at work on a narrative literary history F of medieval England from the beginnings to 1350. The project, to be published as the first volume of a new Oxford English Literary History, intrigued me in part because it requires the theorizing of a period in which an event as seemingly cataclysmic as the Norman Conquest falls not at the beginning, as in current Middle English studies, nor at the end, as in Anglo-Saxon studies, but in the middle. To me the project was an opportunity to pursue new lines of inquiry, particularly in eleventh- and twelfth-century studies, but to Oxford University Press it was simply the necessary result of a prior decision to figure the years 1350 – 1550 as a period that could borrow some cultural capital from the term early modern. Medievalist Nancy Partner once joked that if we wanted the medieval period to get more respect, we should call it “the Really Early Modern,” and Oxford has done just that with the former Late Middle Ages. But putting the origin of the modern at Chaucer’s birth left six hundred years never considered a period at all. The press invited me to take on the project because I had done work on both sides of the Conquest, having written on Beowulf and on the early-thirteenth- century Ancrene Wisse. Flattered by the invitation, I accepted, but in try- ing to work out a proposal, I realized the great flaw in Oxford’s logic and in mine: I had written on both sides of 1066, but, like most medieval- ists, I had never considered the space in between. -
Dublin, Norwegians, Anglo-Saxons, Danes, Tristram and Medieval Nuns in Notebook VI.B.18
GENETIC JOYCE STUDIES – Issue 16 (Spring 2016) Dublin, Norwegians, Anglo-Saxons, Danes, Tristram and Medieval Nuns in Notebook VI.B.18 Viviana Mirela Braslasu and Geert Lernout Buffalo Notebook VI.B.18 was filled in the spring and early summer of 1927, when Joyce had just started on chapter I.6, while revising and correcting the other chapters of Book I for publication in transition. The sources in this notebook seem to have been mostly historical, but they vary widely. Since the first of the questions to be answered in I.6 was about the “myther rector,” quite a lot of these notes have to do with the city and county of Dublin and the Scandinavian history of the British isles. The first extended set of notes was taken from The History of the City of Dublin: From the Earliest Accounts to the Present by John Warburton, James Whitelaw and Robert Walsh. The two volumes were published on 1818. The clergyman and philantropist James Whitelaw, who had earlier made a census of the Dublin population, collaborated on this history of the city with John Warburton, deputy keeper of records in Dublin Castle and the manuscript was later completed by John Walsh. Although mostly based on earlier studies, the book was widely read. Joyce makes use of the earliest chapters of the first volume and then suddenly stopped after filling no more than three notebook pages. The next source is another older history, this time of the whole county of Dublin, published in 1838 by the Dublin lawyer John D’Alton. -
The Translations of Beowulf, by Chauncey Brewster Tinker This Ebook Is for the Use of Anyone Anywhere at No Cost and with Almost No Restrictions Whatsoever
Translations of Beowulf, by Chauncey Brewster Tinker 1 Translations of Beowulf, by Chauncey Brewster Tinker Project Gutenberg's The Translations of Beowulf, by Chauncey Brewster Tinker This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Translations of Beowulf A Critical Biography Author: Chauncey Brewster Tinker Release Date: July 1, 2008 [EBook #25942] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE TRANSLATIONS OF BEOWULF *** Produced by Louise Hope, David Starner and the Online Distributed Proofreading Team at http://www.pgdp.net [Transcriber's Note: This text is intended for users whose text readers cannot use the "real" (unicode/utf-8) version of the file. Translations of Beowulf, by Chauncey Brewster Tinker 2 Characters that could not be fully displayed have been "unpacked" and shown in brackets: [-a] [-e] [-i] [-o] [-u] [-y] [-æ] (vowels with macron or "long" mark) [´æ] (æ with accent) [gh] (yogh) [/þ] [/þ] (thorn with line, typically abbreviating "that") "oe" is written out as two letters, unmarked Most of these letters are rare and occur only in the quotations from Old English. Book sizes such as 8^o (printed with superscript "o") have been changed to 4to, 8vo, 12mo. In a few selections, italics were used to indicate missing words or letters. These have been shown with {braces}. Elsewhere, italics are shown conventionally with lines. -
Creating the Pagan English (Sue Content and Howard Williams)
This pdf of your paper in Signals of Belief in Early England belongs to the publishers Oxbow Books and it is their copyright. As author you are licenced to make up to 50 offprints from it, but beyond that you may not publish it on the World Wide Web until three years from publication (October 2013), unless the site is a limited access intranet (password protected). If you have queries about this please contact the editorial department at Oxbow Books (editorial@ oxbowbooks.com). An offprint from Signals of Belief in Early England Anglo-Saxon Paganism Revisited edited by Martin Carver, Alex Sanmark and Sarah Semple © Oxbow Books 2010 ISBN 978-1-84217-395-4 Contents Preface .....................................................................................................................................ix List of Contributors ...............................................................................................................xi Acknowledgements..............................................................................................................xii Foreword: Heathen Songs and Devil’s Games (Neil Price) ........................................... xiii Chapter 1: Agency, Intellect and the Archaeological Agenda (Martin Carver) ..............1 Chapter 2: In the Open Air (Sarah Semple) .......................................................................21 Chapter 3: At the Water’s Edge (Julie Lund) .....................................................................49 Chapter 4: At the Funeral (Howard Williams) ...................................................................67 -
Anglo-Saxonism in Nineteenth-Century Poetry Abstract
Anglo-Saxonism in Nineteenth-Century Poetry Abstract: This article essays the first survey of nineteenth-century poetry that imitates, alludes to, or draws on, theories about Anglo-Saxon language and/or literature. Criticism has so far overlooked such a field as forming a distinct body of literature with shared preoccupations and influences, although some previous attention has been paid to the Anglo-Saxonism of individual poets or texts. This essay, then, provides the first scoping exercise of the extent and limits of a field one could term nineteenth-century Anglo- Saxonist poetry. This corpus is briefly contextualized within the wider field of Anglo- Saxonist literature, itself an important sub-genre of medievalism and medievalist literature. A possible fourfold typology is offered as a framework within which further study might be continued. Some consideration is briefly paid to the use of Anglo-Saxon in the poetry of William Wordsworth, Walter Scott, Alfred Tennyson, Lewis Carroll, William Barnes, William Morris, and Gerard Manley Hopkins. The importance of antiquarianism and philology is emphasized, with passing reference made to writers such as Sharon Turner, George Marsh, and to the essays of Ralph Waldo Emerson. The essay addresses a neglected topic in the broader field of the reception of the Middle Ages, and in particular the recovery and reception of Anglo-Saxon, or Old English language and poetry. The essay concludes by suggesting that new narrative models of literary history made be required to accommodate the concept of -
The Cambridge History of English and American Literature in 18 Volumes (1907–21)
The Cambridge History of English and American Literature in 18 Volumes (1907–21). Volume XIV. The Victorian Age, Part Two. II. Historians, Biographers and Political Orators. § 1. Sharon Turner. IN a comparison of English historical literature in the nineteenth with that in the eighteenth century, nothing is more striking than the advance and the expansion of the study of the national past. As was remarked in an earlier volume, 1 Hume’s was the first history of England by a native historian worthy to be classed as literature; and, after him, the subject fell largely into the hands of professed political or ecclesiastical partisans. Robertson’s History of Scotland is not wholly exempt from such a charge; Smollett’s continuation of Hume is certainly open to it; and no other work in the field of national history can be said to have been produced in the course of the century which has survived it except as material for subsequent use. A reason for the unproductiveness, on this head, of the closing years of the eighteenth century, and the early years of its successor, might, of course, be sought in the great national struggle against the French revolution and the conquering power to which it gave birth. This struggle finds its counterpart in the endeavours of the romanticists to break up the literary and artistic solidarity of classicism, and to trace the diversity of actual life in the specific features presenting themselves in national, provincial or local institutions, forms of government, social ways and manners. Scott, more than any other writer in verse or prose, by his incomparable historical novels, taught English historians to reproduce in their works the atmosphere of the times and the colouring of the localities which they desired to recall. -
Dublin, Norwegians, Anglo-Saxons, Danes, Tristram and Medieval Nuns in Notebook VI.B.18
GENETIC JOYCE STUDIES – Issue 16 (Spring 2016) Dublin, Norwegians, Anglo-Saxons, Danes, Tristram and Medieval Nuns in Notebook VI.B.18 Viviana Mirela Braslasu and Geert Lernout Buffalo Notebook VI.B.18 was filled in the spring and early summer of 1927, when Joyce had just started on chapter I.6, while revising and correcting the other chapters of Book I for publication in transition. The sources in this notebook seem to have been mostly historical, but they vary widely. Since the first of the questions to be answered in I.6 was about the “myther rector,” quite a lot of these notes have to do with the city and county of Dublin and the Scandinavian history of the British isles. The first extended set of notes was taken from The History of the City of Dublin: From the Earliest Accounts to the Present by John Warburton, James Whitelaw and Robert Walsh. The two volumes were published on 1818. The clergyman and philantropist James Whitelaw, who had earlier made a census of the Dublin population, collaborated on this history of the city with John Warburton, deputy keeper of records in Dublin Castle and the manuscript was later completed by John Walsh. Although mostly based on earlier studies, the book was widely read. Joyce makes use of the earliest chapters of the first volume and then suddenly stopped after filling no more than three notebook pages. The next source is another older history, this time of the whole county of Dublin, published in 1838 by the Dublin lawyer John D’Alton. -
Voices from the Reign of Æthelred II
Andreas Lemke ‘Ealle þas ungesælða us gelumpon þuruh unrædas’: Voices from the Reign of Æthelred II I. Introduction 1. King Æthelred II and the Problem of unræd “All those afflictions befell us because of ill counsel.”1 When translating the title of this thesis we get a fair notion of what is to be regarded exemplary for the so- called ‘lamentations’, which are to be found in those annals of the Anglo-Saxon Chronicle covering the reign of King Æthelred II (978-1016). Although he achieved to be the longest-reigning monarch in Anglo-Saxon history, the reputation of his legacy up to the present day has been tainted to a high degree by the work of a single chronicler who composed the ‘main’ account for Æthelred’s reign2 and its subsequent embellishment with discrediting remarks by later historians such as Henry of Huntingdon and William of Malmesbury. Æthelred became notorious 1 This is my tranlation of a passage from the Anglo-Saxon Chronicle s.a. 1011: “Ealla þas ungesæla us gelumpon þuruh unrædas […]”, see MS C, ed. K. O’Brien O’Keeffe, The Anglo-Saxon Chronicle: a Collaborative Edition, ed. D. Dumville and S. Keynes 5 (Cambridge, 2001), p. 95. 2 See pp. 17-19 infra in my chapter on the ‘Æthelredian Annals’. 14 Andreas Lemke for ill-advised policy in the face of the impending Danish conquest of Anglo- Saxon England, almost evoking the impression that he was the one who through his tarrying, incompetence and apparent acts of violence lost the inheritance of the House of Wessex single-handedly. -
Alaris Capture Pro Software
Richard III as a Fop: A Foolish Myth ANNE F. SUTTON One frivolous and almost unbelievable myth constructed about Richaxd III is that he was a fop or dandy, who took more than the usual interest in clothes and display. The myth has an amusing historiography — and it has had an effect on views of Richard’s morals and life style. After a brief and bright twinkle in Shakespeare’s eye in the early 15905, it became a steady glow in the work of popular historiansfromthe later eighteenth century and continued into the late twentieth century. It will be resurrected, no doubt, by someone in the twenty—first century. It has a number of contributory strands: the dramatic tradition of Shakespeare feeding into that of the popular and academic historians; the lack of sound knowledge and appreciation of the dress of the past again feeding into the work of historians; and thirdly, the tendency of some writers to despise the past, both for its dressand its morals. So, how did Rict III come to be called afop? It all derives ultimately from Shakespeare’s visualisation of the amazed reaction of a deformed Richard when he succeeds in persuading a woman to marry him. I’ll be at charges for a looking-glass, And entertain a score or two of tailors, To studyfashions to adom my body: Since I am crept in favour with myself, I will maintain it at some little cost.1 It is a moment most brilliantly evoked on stage (1944) and film (1954) in Laurence Olivier’s impersonation of Richard III, who fromthat moment was decked in extravagant fashions. -
Chairman's Report
Newsletter No. 80 – May 2014 Free to members Chairman’s Report In this Issue: Bob Flanagan Good news in that the long-delayed drainage and road- • ConservationThe English Heritage At Risk way works to the main entrance and to Church Road are News Page 3 complete apart from some tidying up. This was always Register Page 3 going to be a difficult operation, involving as it did firstly • The Page 4 • Benjamin closure of Church Road, and in turn use of Church Gate • DisraeliHenry Page and 6 as the entrance to the Cemetery for some 3 months whilst Kaiser Bill’s the works to the main entrance area were carried out. An • John Page 9 operation not made easier by concurrent major roadworks Mother Page 5 in Norwood High Street! However, this did mean that the • Tap Page 12 • The Brookes: a contractors Conway, who in my opinion have done a very • DynastyIron Tsar of Page 13 good job in the Cemetery despite this winter’s appalling Lambeth weather, were on site with heavy equipment and this will • The Page 14 have minimised costs to an extent. Thanks too to Conway Doctors Page 8 • for agreeing to fund the repair to the railings of the • Cemetery Page Gilbart memorial damaged in the preceding phase of the 14Simon McGillivray FRS roadway works. • (1785-1840)Forthcoming Whilst the new tarmac looks stark at the moment, the aim EventsPage 10 Page 15 is to cover this with a bonded gravel surface when funds permit. Such a surface would not only be in keeping with • A31 Bit London of Mystery CemeteriesPage 16 Page 13 • Recent FOWNC Events Page 14 • Forthcoming Events Page 15 • A Bit of Mystery Page 16 Tite Arch and War Memorial, March 2014 the original plan for the Cemetery, but would also hopefully help calm traffic in the cem- etery, speed humps of course being out of the question.