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Introduction: the Queen Versus the People 1
N OTES Introduction: The Queen versus the People 1 . J e a n n e L o u i s e C a m p a n , Memoirs of the Court of Marie Antoinette, Queen of France , ed. M de Lamartine (Philadelphia, PA: Parry and McMillan, 1854), pp. 158–159. 2 . Nancy Nichols Barker, “Revolution and the Royal Consort,” in Proceedings of the Consortium on Revolutionary Europe (1989): 136–143. 3 . Barker, “Revolution and the Royal Consort,” p. 136. 4 . Clarissa Campbell Orr notes in the introduction to a 2004 collection of essays concerning the role of the European queen consort in the Baroque era that “there is little comparative work in English on any facet of European Court life in the period from 1660 to 1800.” See Clarissa Campbell Orr, “Introduction” in Clarissa Campbell Orr (ed.), Queenship in Europe: 1660–1815: The Role of the Consort (Cambridge: Cambridge University Press, 2004), p. 2. There are strong exceptions to Orr’s conclusion, including the works of Jeroen Duidam and T.C.W. Blanning, which compare the culture, structure, and politics of Early Modern courts revealing both change and continuity but these stud- ies devote little space to the specific role of the queen consort within her family and court. See Jeroen Duindam, Vienna and Versailles: The Courts of Europe’s Dynastic Rivals 1550–1780 (Cambridge: Cambridge University Press, 2003), and T.C.W. Blanning, The Culture of Power and the Power of Culture: Old Regime Europe 1660–1789 (Oxford: Oxford University Press, 2002). 5 . See Kevin Sharpe, The Personal Rule of Charles I (New Haven, CT: Yale University Press, 1996); Bernard Bourdin, The Theological-Political Origins of the Modern State: Controversy between James I of England and Cardinal Bellamine (Washington, DC: The Catholic University of America Press, 2010), pp. -
The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions
Center for Basque Studies Basque Classics Series, No. 6 The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions by Philippe Veyrin Translated by Andrew Brown Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 6 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2011 by the Center for Basque Studies All rights reserved. Printed in the United States of America Cover and series design © 2011 by Jose Luis Agote Cover illustration: Xiberoko maskaradak (Maskaradak of Zuberoa), drawing by Paul-Adolph Kaufman, 1906 Library of Congress Cataloging-in-Publication Data Veyrin, Philippe, 1900-1962. [Basques de Labourd, de Soule et de Basse Navarre. English] The Basques of Lapurdi, Zuberoa, and Lower Navarre : their history and their traditions / by Philippe Veyrin ; with an introduction by Sandra Ott ; translated by Andrew Brown. p. cm. Translation of: Les Basques, de Labourd, de Soule et de Basse Navarre Includes bibliographical references and index. Summary: “Classic book on the Basques of Iparralde (French Basque Country) originally published in 1942, treating Basque history and culture in the region”--Provided by publisher. ISBN 978-1-877802-99-7 (hardcover) 1. Pays Basque (France)--Description and travel. 2. Pays Basque (France)-- History. I. Title. DC611.B313V513 2011 944’.716--dc22 2011001810 Contents List of Illustrations..................................................... vii Note on Basque Orthography......................................... -
Special List 318 1
special list 318 1 RICHARD C.RAMER Special List 318 The Middle Ages 2 RICHARDrichard c. C.RAMER ramer Old and Rare Books 225 east 70th street . suite 12f . new york, n.y. 10021-5217 Email [email protected] . Website www.livroraro.com Telephones (212) 737 0222 and 737 0223 Fax (212) 288 4169 December 3, 2018 Special List 318 The Middle Ages Items marked with an asterisk (*) will be shipped from Lisbon. SATISFACTION GUARANTEED: All items are understood to be on approval, and may be returned within a reasonable time for any reason whatsoever. VISITORS BY APPOINTMENT special list 318 3 Special List 318 The Middle Ages Important Study of Medieval Portuguese Sigillography, Nicely Bound *1. ABRANTES, D. Luís Gonzaga de Lancastre e Távora, Marquês de. O estudo da sigilografia medieval portuguesa: I. Panorama dos estudos sig- ilográficos no nosso país e normas para a sua sistematização; II. Esboço de um Corpus esfragístico medieval português. Lisbon: ICLP / Ministério da Educação, 1983. Large 8°, contemporary navy blue half morocco over marbled boards, spine with raised bands in five compartments, gilt letter, top edges tinted blue, original illustrated wrappers bound in. In very fine condition. 353 pp., (3 ll.), 485 illustrations on 78 ll. plates. ISBN: none. $350.00 FIRST and ONLY EDITION. ❊ OCLC: 165508668 (Bayerische Staatsbibliothek, Universitätsbibliothek Erlangen- Nürnberg,Universitätsbibliothek Würzburg, Universitätsbibliothek Ausburg); 959001864 (Biblioteca de Arte Calouste Gulbenkian). Another Copy, in the Original Wrappers, of this Important Study of Medieval Portuguese Sigillography *2. ABRANTES, D. Luís Gonzaga de Lancastre e Távora, Marquês de. O estudo da sigilografia medieval portuguesa: I. -
Reflexos Dirige Calles. the Iconographic Program of The
Reflexos dirige calles. The Iconographic Program of the Monastery of Santa Maria la Real de NievaÕs ecclesia fratrum (1414-1432)1 Diana Lucêa Gîmez-Chacîn UDC: 726.71.04(460.188)"13" D. Lucía Gómez-Chacón Original scientific paper Universidad Complutense de Madrid Manuscript received: 24. 03. 2016. Departamento de Historia del Arte I (Medieval) Revised manuscript accepted: 29. 03. 2016. Facultad de Geografía e Historia DOI: 10.1484/J.HAM.5.111363 28040 Madrid, España In 1399, Queen Catherine of Lancaster founded the Monastery of Santa Maria la Real de Nieva (Segovia, Spain). e present paper aims to highlight the relevance of the apparently profane scenes and representations of Friars Preachers that decorate this former Dominican convent's ecclesia fratrum, as they constitute a message through which the religious community, and especially its novices, could be instructed in regular observance at a time when the Order of Preachers was undergoing a profound spiritual reform. Key words: Santa Maria la Real de Nieva, Order of Preachers, Queenship, Observant reform, ecclesia fratrum, medieval iconography. According to the chronicles, in 1392 the Virgin Mary In spite of its iconographic richness, the sculptural reliefs appeared to a shepherd called Pedro Amador while he was preserved inside the church have been buried in oblivion for watching over his flock in a slate quarry near the village of many centuries. The representations of diligent as well as Nieva, in the current Spanish province of Segovia. The Mar- lazy Dominican friars that decorate the capitals and corbels ian apparition asked him to go to Segovia and beg Bishop inside the sanctuary have been relegated to the background Alonso de Frias to unearth her effigy, which had remained as a consequence of the interest aroused not only by the hidden in that exact place for a long time. -
Encenações Talássicas E a Imagem De Poder Das Dinastias De Avis E Sabóia Nos Portos De Lisboa E Villefranche-Sur-Mer Por Ocasião Do Casamento Da Infanta D
encenaçõestalássicas e a imagem de poder encenaçõesdas dinastias de avistalássicas e sabóia nos portos e ade lisboa imageme villefranche-sur-mer de poder daspor ocasião dinastiasdo casamento de avisda infanta e sabóiad. beatriz (1521) ... 145 carla alferes pinto* Encenações talássicas e a imagem de poder das dinastias de Avis e Sabóia nos portos de Lisboa e Villefranche-sur-Mer por ocasião do casamento da Infanta D. Beatriz (1521)** No dia 5 de Agosto de 1521, a Infanta D. Beatriz (1504-1538) deixava o Paço da Ribeira para embarcar na nau Santa Catarina do Monte Sinai a caminho de Nice e do ducado de Sabóia, depois do casamento por procuração com o Duque Carlos III (1486-1553) reali- zado em Abril. O embarque assinalava o culminar de uma série de cerimónias cortesãs e eventos públicos realizados na cidade de Lisboa que se destinavam a comemorar o aus- picioso evento, que fora negociado e era interpretado de maneiras diversas pelas cortes portuguesa e saboiana. Se para D. Manuel (r. 1495-1521) era sobretudo uma maneira de procurar intervenção e afirmação dinástica na Europa mediterrânica, onde o seu campo de acção era diminuto, para o Duque, era a concretização de uma ousada estratégia polí- tico-financeira, que desviava o ducado dos matrimónios tradicionalmente ligados à Casa Real francesa, aproximando-se ao invés da dinastia imperial, e que recheava os depau- perados cofres saboianos com o rendimento do dote da Infanta, que em dinheiro, jóias, pedras preciosas, prata, tapeçarias e têxteis ascendia aos 150 000 cruzados (Buescu 2012; Merlin 2012; Pinto 2018a; Pinto 2018b). -
Engineers of the Renaissance
Bertrand Gille Engineers of the Renaissance . II IIIII The M.I.T.Press Massachusetts Institute of Technology Cambridge, Massachusetts ' ... � {' ( l..-'1 b 1:-' TA18 .G!41J 1966 METtTLIBRARY En&Jneersor theRenaissance. 11111111111111111111111111111111111111111111111111111111111111111 0020119043 Copyright @ 1966 by Hermann, Paris Translated from Les ingenieurs de la Renaissance published by Hermann, Paris, in 1964 Library of Congress Catalog Card Number 66-27213 Printed in Great Britain Contents List of illustrations page 6 Preface 9 Chapter I The Weight of Tradition 15 2 The Weight of Civilization 3 5 3 The German School 55 4 The First Italian Generation 79 5 Francesco di Giorgio Martini 101 Cj 6 An Engineer's Career -Leonardo da Vinci 121 "'"" f:) 7 Leonardo da Vinci- Technician 143 ��"'t�; 8 Essay on Leonardo da Vinci's Method 171 �� w·· Research and Reality ' ·· 9 191 �' ll:"'t"- 10 The New Science 217 '"i ...........,_ .;::,. Conclusion 240 -... " Q: \.., Bibliography 242 �'� :::.(' Catalogue of Manuscripts 247 0 " .:; Index 254 � \j B- 13 da Page Leonardo Vinci: study of workers' positions. List of illustrations 18 Apollodorus ofDamascus: scaling machine. Apollodorus of Damascus: apparatus for pouring boiling liquid over ramparts. 19 Apollodorus ofDamascus: observation platform with protective shield. Apollodorus of Damascus: cover of a tortoise. Apollodorus ofDamascus: fire lit in a wall andfanned from a distance by bellows with a long nozzle. 20 Hero of Byzantium: assault tower. 21 Hero of :Byzantium: cover of a tortoise. 24 Villard de Honnecourt: hydraulic saw; 25 Villard de Honnecourt: pile saw. Villard de Honnecourt: screw-jack. , 26 Villard de Honnecourt: trebuchet. Villard de Honnecourt: mechanism of mobile angel. -
ROBERT BRIAN TATE Robert Brian Tate 1921–2011
ROBERT BRIAN TATE Robert Brian Tate 1921–2011 Life BRIAN TATE WAS A MAJOR FIGURE IN Hispanic studies, as much at home in Catalan and Latin as in Spanish. He was born in Belfast on 27 December 1921 and died on 21 February 2011. He was educated at the Royal Belfast Academical Institution: the school was unusual in offering Spanish at this period, and produced a number of eminent Hispanists (among them F. W. Pierce). In 1939 he began studies at Queen’s University, and in his second year left for war service in India, Nepal and Burma; while out east he began learning Arabic. In the company of General Slim he was one of the first to enter Rangoon in 1945. On graduation in 1948 with a first in French and Spanish, his teacher Ignasi González i Llubera (1893–1962) encouraged him to go to Barcelona and Girona (in Catalonia) to do research. (This was early in the Franco regime, when Catalan politics and Catalan studies in general were suppressed.) His MA thesis at Queen’s University was ‘The Life, Works and Ideas of Cardinal Margarit’ (1949), and his PhD (also Queen’s University, 1955) was ‘The Influence of Italian Humanism on the Historiography of Castile and Aragon during the Fifteenth Century’. After teaching at Manchester (assistant lecturer, 1949–52) and Queen’s (lecturer, 1952–6) he was appointed reader at Nottingham in 1956 and was professor (indeed, the first professor of Spanish at Nottingham) from 1958 to 1983; dean of the faculty of arts 1976–9; professor emeritus in 1991. -
Portugal Caminhos Da Fé Paths of Faith Portugal Caminhos Da Fé Paths of Faith
Portugal Caminhos da Fé Paths of faith Portugal Caminhos da Fé Paths of Faith Vitrais do Mosteiro dos Jerónimos, Lisboa Stained glass, Jerónimos Monastery, Lisbon PORTUGAL CaMiNHOS Da fÉ Paths of faith Este folheto apresenta de forma muito resumida os locais de culto e celebração religiosa mais visitados em Portugal, organizados de norte para 03 CAMINHOS sul do território. This brochure sums up the places for religious worship DA Fé São locais de fé e espiritualidade que se visitam and celebration that receive most visitors in Portugal. em oração e recolhimento. Mas são também They are displayed from north to south of Portugal. Paths of Faith um convite à viagem, locais de cultura que enriquecem o visitante qualquer que seja a Each path located on the map is related to an act of intenção ou objetivo da visita. Faith, but it’s not limited to this path. With each path is associated an intention and an objective that inspires Os Santuários religiosos, alguns anteriores à the motivation for that visit and propels for an inner 04 devoção e Festas fundação da nacionalidade, multiplicam-se em search, promoting the spiritual enrichment of the religiosas Portugal e culminam, na Cidade da Paz, no visitor. Santuário de Nossa Senhora de Fátima, local das Devotion and religious Aparições de Nossa Senhora aos três Pastorinhos, The religious Sanctuaries, some built before the festivities em 1917. creation of the nationality, multiply in Portugal. They all culminate at the City of Peace in the Sanctuary of Os Caminhos Portugueses para Santiago de our Lady of Fátima, located where the three young Compostela, percorridos desde o século XII, shepherds saw the Apparitions of Our Lady in 1917. -
FECIT VI Spanish Old Master Drawings FECIT VI FECIT VI Spanish Old Master Drawings
FECIT VI Spanish Old Master Drawings FECIT VI FECIT VI Spanish Old Master Drawings Acknowledgements: Ángel Aterido, Cipriano García-Hidalgo Villena, Manuel García Luque, Macarena Moralejo, Beatriz Moreno de Barreda, Camino Paredes, Laura Suffield, Zahira Véliz & Gerard Llobet Codina for his support during the last intense days of this CATALOGUE publication © of this catalogue: DE LA MANO Documentation and research: Gloria Martínez Leiva Design: Daniel de Labra Editing and coordination: Alberto Manrique de Pablo Photography: Andrés Valentín Gamazo Joaquín Cortés (cat. 30) Printers: ADVANTIA Gráfica & Comunicación DE LA MANO c/ Zorrilla, 21 28014 Madrid (Spain) Tel. (+ 34) 91 435 01 74 www.delamano.eu [1] ROMULO CINCINATO (Florence, c. 1540 – Madrid, c. 1597) Christ washing the Disciples’ Feet c. 1587-1590 Pencil, pen, ink and grey-brown wash on paper 555 X 145 mm INSCRIBED “60 Rs”, lower left corner PROVENANCE Madrid, private collection hilip II manifested a notable interest Salviati 3 but in recent years it has been thought in both the construction and the that he may have learned his profession in the pictorial decoration of El Escorial. studio of Taddeo Zuccaro due to the similarities The building was not yet completed evident between some of his works and models Pwhen the King began to have paintings sent to used by Zuccaro. 4 Nonetheless, Cincinato’s the monastery, the arrival of which are recorded work reveals a rigidity, an obsession with form in the Libros de entregas [delivery books]. 1 He and a degree of academicism much greater than was also personally involved in seeking out and that of his master. -
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 46100 I I
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again - beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Art from the Ancient Mediterranean and Europe Before 1850
Art from the Ancient Mediterranean and Europe before 1850 Gallery 15 QUESTIONS? Contact us at [email protected] ACKLAND ART MUSEUM The University of North Carolina at Chapel Hill 101 S. Columbia Street Chapel Hill, NC 27514 Phone: 919-966-5736 MUSEUM HOURS Wed - Sat 10 a.m. - 5 p.m. Sun 1 p.m. - 5 p.m. 2nd Fridays 10 a.m. – 9 p.m. Closed Mondays & Tuesdays. Closed July 4th, Thanksgiving, Christmas Eve Christmas Day, & New Year’s Day. 1 Domenichino Italian, 1581 – 1641 Landscape with Fishermen, Hunters, and Washerwomen, c. 1604 oil on canvas Ackland Fund, 66.18.1 About the Art • Italian art criticism of this period describes the concept of “variety,” in which paintings include multiple kinds of everything. Here we see people of all ages, nude and clothed, performing varied activities in numerous poses, all in a setting that includes different bodies of water, types of architecture, land forms, and animals. • Wealthy Roman patrons liked landscapes like this one, combining natural and human-made elements in an orderly structure. Rather than emphasizing the vast distance between foreground and horizon with a sweeping view, Domenichino placed boundaries between the foreground (the shoreline), middle ground (architecture), and distance. Viewers can then experience the scene’s depth in a more measured way. • For many years, scholars thought this was a copy of a painting by Domenichino, but recently it has been argued that it is an original. The argument is based on careful comparison of many of the picture’s stylistic characteristics, and on the presence of so many figures in complex poses. -
University of Dundee MASTER of PHILOSOPHY Changing British Perceptions of Spain in Times of War and Revolution, 1808 to 1838
University of Dundee MASTER OF PHILOSOPHY Changing British Perceptions of Spain in Times of War and Revolution, 1808 to 1838 Holsman, John Robert Award date: 2014 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 MASTER OF PHILOSOPHY Changing British Perceptions of Spain in Times of War and Revolution, 1808 to 1838 John Robert Holsman 2014 University of Dundee Conditions for Use and Duplication Copyright of this work belongs to the author unless otherwise identified in the body of the thesis. It is permitted to use and duplicate this work only for personal and non-commercial research, study or criticism/review. You must obtain prior written consent from the author for any other use. Any quotation from this thesis must be acknowledged using the normal academic conventions. It is not permitted to supply the whole or part of this thesis to any other person or to post the same on any website or other online location without the prior written consent of the author.