ED395857.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

ED395857.Pdf DOCUMENT RESUME ED 395 857 SO 025 945 AUTHOR Allen, Ray; Groce, Nancy, Ed. TITLE Folk and Traditional Music in New York State. INSTITUTION New York Folklore Society, Newfield. REPORT NO ISSN-0361-204X PUB DATE 88 NOTE 201p.; A special double issue on this theme. AVAILABLE FROMNew York Folklore Society, P.O. Box 130, Newfield, NY 14867 ($6). PUB TYPE Collected Works Serials (022)'-- Historical Materials (060) Viewpoints (Opinion/Position Papers, Essays, etc.)(120) JOURNAL CIT New York Folklore; v14 n3-4 Sum-Fall 1988 EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS American Indian Culture; Anthropology; Black Culture; Chinese Americans; Community Education; Community Resources; Cultural Activities; Cultural Maintenance; *Ethnic Groups; *Folk Culture; Greek Americans; Italian Americans; Japanese American Culture; *Music; *Music Education; Musicians; Puerto Rican Culture; Songs; Whites IDENTIFIERS Ethnomusicology; *Folk Music; Haitian Culture; Irish Americans; Musical Performance; Music Ensembles; *New York; Rap Music ABSTRACT This special journal issue is designed to draw attention to the varied musical traditions of cultural groups living in New York State. Recent research by folklorists and musicologists also is examined. Articles include:(1) "Introduction: Folk and Traditional Music in New York State" (Ray Allen; Nancy Groce); (2) "African-American Sacred Quartet Singing in New York City" (Ray Allen);(3) "The Anglo-American Fiddle Tradition in New York State" (Simon Bronner);(4) "Survival of Greek Folk Music in New York (Sotirios Chianis);(5) "Writing While They're Singing: A Conversation About Longhouse Social Dance Songs" (Michael Sam Cronk); (6) "Traditional Japanese Music in New York State" (Linda Fujie);(7) "Country Dancing in Central and Western New York State" (James Kimball);(8) "Music in New York City's Chinese Community" (Audrey R. Mazur) ;(9) "'Our Own Little Isle:' Irish Traditional Music in New York" (Rebbeca S. Miller);(10) "From Eastern Europe to East Broadway: Yiddish Music in Old World and New" (Henry Sapoznik); (11) "Italian Music in New York" (Michael Schlesinger);(12) "Puerto Rican Music in New York City" (Roberta Singer);(13) "'Rock the House:' The Aesthetic Dimensions of Rap Music in New York City" (Madeline Slovenz);(14) "Anglo-American Folksong Collecting and Singing Traditions.in Rural New York State" (Vaughn Ramsey Ward); and (15) "'Haiti Cherie': Journey of an Immigrant Music in New York City" (Lois E. Wilcken). (NP) 7 7****7 Reproductions supplied by EDRS are the best that can be made * * from the original document. *********************************************************************** t. ift a U S DEPARTMENT OF EDUCATION Office ot Educational Research and improvement EDUCATIONAL RESOURCES INFORMATION CENTEF1 (ERIC) )(This document has been reproduced as received horn the person or organization originating it 0 Minor changes have been made to improve reproduction quality I Points of ,aeror opinions staled in this document do not necessarily represent lir official OERI position or policy air MIOr. I 1,° PERMISSION TO REPRODUCE THIS (Pa"-- t MATERIAL HAF N L,RANTED BY '44 V aNN TO THE EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) a a BEST COPY AVAILABLE The New York FolkloreSociety, Inc. Founded 1944 Executive Board, 1988-89 President: Daniel Franklin Ward (Seneca Falls);Vice President: John Eilertsen (Southamp- (Buffalo); ton); Secretary/Treasurer: Ellen Mc Hale(Esperance); Past President: Lydia Fish Jr. (Buf- Business Administrator: John Suter(Newfield); Journal Editor: Phillips Stevens, Jackie Day falo). Regional Representatives: VarickA. Chittenden (Canton, Northern), Western). Members-at-Large: Ray Allen (New (Syracuse, Eastern), Kate Koperski (Buffalo, Peter 'fork), Mary Bari le (Arkville), Janis Benincasa(Pine Hill), Mitzie Collins (Rochester), \/oorheis (Bath). Annual membership in the Society is $25individual, $35 institutional; foreign, add$5; twice a student (U.S. only) $15. Members receiveNEW YORK FOLKLORE, published the quarterly New "Ibrk FolkloreNewsle 'ter. Address all inquiries year (Spring and Fall), and journal and newsletter concerning membership, subscriptions,and back issues of ft Administrator, PO. Box 130, Newfield, NY 14867.Address inquiries to John Suter, Business P.O. Box concerning items for the Newsletter toDaniel Franklin Ward, Newsletter Editor, Special Issues), 678, Seneca Falls, NY 13148. Backissues of the journal (except certain YORK FOLKLORE, as available, are: NewYarkFolklore Quarterly, Vols. 1-30 (1974), $4; NEW Administrator. Vols. 1-9 (1983), $6; obtain a price list forsubsequent issues from the Business addressed Manuscripts for the journal, and requestsfor editorial information, should be films, recordings. to the Editor; addresscorrespondence concerning reviews of books, exhibitions, etc., to the Reviews Editor.Editors' addresses appear on the opposite page; contributors, appears in- a summary statement ofeditorial policy, and information for side the back cover of this issue. Special Issue: Folk and TraditionalMusic in New YorkState Ray Allen and NancyGroce, Guest Editors Vol. 14, Nos. 3-4 Summer-Fall, 1988 Pro- Publication of this issue is supported in part be a grant frorn the Folk Arts gram, NeN York State Council onthe Arts. NEW YORK FOLKLORE The Journal of the New YorkFolklore Society (succeeds New Thrk Folklore Quarterly,1945-1974) Editor: Phillips Stevens, Jr., Department ofAnthropolou, SUNY at Buffalo, Ellicott Com- plex, Buffalo, NY 14261. Tel (716) 636-2302; messages(716) 636-2414. Reviews Editor: Lydia Fish, Depaitment ofAnthropology, SUNY College at Buffalo, 1300 Elmwood Avenue, Buffalo, NY 14222. Tel (716)878-6110. Editorial Board: Varick A. Chittenden, LydiaFish, Joyce Ice, Bruce Jackson, Barbara Kirshenblatt-Gimblett, W. E.1 I. Nicolaisen, Mary ArnoldTwining, Daniel Franklin Ward. Editorial Assistants, this issue: David DiMinni,Crv,4a1 Nla/ur, Michael Zehe. The Editorship of NEW YORK FOLKLORE issponsored by the State University of Net. Thrk at Buffalo. NEW YORK FOLKLORE Is indexed in Art!. Inanandres Citation Mkt:tufa( Indei abstracted in Ihshmeal Abstnrets and America.In-:tory:mil 1.11e. ISSN 036I-204X 1085 by The New Thrk Folklore Cocietv. Inc. Allrights reserved. Note from the Editor New Thrk Folklore aims to publish a Special Issueor Special Section on a topic of currency in folklore studies. or on an aspect of the incredibly rich cultural heritage of our State, at leastonce a Year. The usual first move is to select a specialist in the chosenarea, and to invite that person to act as Guest Editor. But any feelings of having been honored by sucha re- quest rapidly pass, as the Guest Editors realize thenature of the task they have agreed to undertake (and the Editor recalls hismother's advice on the proper way to treat a guest). It's not like editinga book, to which a publisher is not yet committed. The Guest Editor ofa special issue of a journal has to deal not only with authors and theirown agendas, but with the journal's regular.Editor and his (damned) publicationschedule. But always, when everything is in, the Guest Editor plucksout hislier ne; gray hairs, kills off the antacid bottle, and pens 'acknowledgements," graciously thanking all who had a part in the project. But whothanks the Guest Editors? Ray Allen and Nancy Groce are both distinguished enthnomusicologists, current or past members of our Society's Executive Board, andamong the most energetic and imaginative folklori- ts inour State. They have worked patiently and persistently on this project for %yellover a year. They com- bined continual good cheer with a determinedcommitment to excellence Here is the result, and on behalf ofe New York Folklore Society, I thank them deet:ly for it. It is a unique and remarkable'olurrk., and I know that it will be regarded as an important-one. jr. November, 1988 Cover photo: Los Pleneros de la 21, a Puerto Rican ho mbaand plena enscnibh' in New York City (see article by Robe4a Singer,p. 1.39). 7op, 1-r: Francisco Rivera, Salmi/ Tanco, Pablo Ortiz, luan Gutierrez. Bottom, 1-r: AlbertoCepeda, Euxenia Ramos, and Beniamm llores (1935 1988. )Photo but Marlis Mombei; 198b. r. Ii ) NEW YORK FOLKLORE Vol. XIV, Nos. 3-4, 1988 CONTENTS Special Issue: Folk and Traditional Music in New York State Ray Allen and Nancy Groce, Guest Editors Introduction: Folk and Traditional Music in New York State Ray Allen and Nancy Groce African-American Sacred Quartet Singing in New 'fOrk City Ray Allen 7 The Anglo-American Fiddle Tradition in New York State Simon Bronner 23 Survival of Greek Folk Music in New `iiirk Sotirios (Sam) Lhianis Writing While They're Singing: A Conversation about Longhouse Social Dance Songs Michael Sam ( ronk 49 Traditional Japanese Music in New York State Linda Fujie 61 Countr, Dancing in Central and Western New York State lames Kimball 71 Musk in New York City's Chinese Community Audrey R. Maiur 89 "Our Own Little Isle:" Irish Traditional Music in New York Rebecca S. Miller 101 From Eastern Europe to East Broadway: Yiddish Music in Old ' orld and Ne I lenry Sapoinik 117 Italian Music in New Nbrk Michael Schlesinger 129 Puerto Rican Music in New York Cite Roberta Singer 139 "Rock the I louse:" r e Aesthetic Dimensions of Rap Music in New York City Madeline Sloven/ 151 Anglo-American Folksong Collecting and Singing Traditions in Rural New York State Vaughn Ramsey Ward 165 Hath Cht Inc: Journey of an Immigrant Music in New York City I ois E. Wilcken 170 Contributors to this Issue!, PA); Editor's `rear-End Report. 192. iii NEW YORK FOLKLORE
Recommended publications
  • Dzovig Markarian
    It is curious to notice that most of Mr. Dellalian’s writings for piano use aleatoric notation, next to extended techniques, to present an idea which is intended to be repeated a number of times before transitioning to the next. The 2005 compilation called “Sounds of Devotion,” where the composer’s family generously present articles, photos and other significant testimony on the composer’s creative life, remembers the two major influences in his music to be modernism and the Armenian Genocide. GUEST ARTIST SERIES ABOUT DZOVIG MARKARIAN Dzovig Markarian is a contemporary classical pianist, whose performances have been described in the press as “brilliant” (M. Swed, LA Times), and “deeply moving, technically accomplished, spiritually uplifting” (B. Adams, Dilijan Blog). An active soloist as well as a collaborative artist, Dzovig is a frequent guest with various ensembles and organizations such as the Dilijan Chamber Music Series, Jacaranda Music at the Edge, International Clarinet Conference, Festival of Microtonal Music, CalArts Chamber Orchestra, inauthentica ensemble, ensemble Green, Xtet New Music Group, USC Contemporary Music Ensemble, REDCAT Festivals of Contemporary Music, as well as with members of the LA PHIL, LACO, DZOVIG MARKARIAN Southwest Chamber Music, and others. Most recently, Dzovig has worked with and premiered works by various composers such as Sofia Gubaidulina, Chinary Ung, Iannis Xenakis, James Gardner, Victoria Bond, Tigran Mansurian, Artur Avanesov, Jeffrey Holmes, Alan Shockley, Adrian Pertout, Laura Kramer and Juan Pablo Contreras. PIANO Ms. Markarian is the founding pianist of Trio Terroir, a Los Angeles based contemporary piano trio devoted to new and complex music from around the world.
    [Show full text]
  • 1St Annual Dreams Come True Feis Hosted by Central Florida Irish Dance Sunday August 8Th, 2021
    1st Annual Dreams Come True Feis Hosted by Central Florida Irish Dance Sunday August 8th, 2021 Musician – Sean Warren, Florida. Adjudicator’s – Maura McGowan ADCRG, Belfast Arlene McLaughlin Allen ADCRG - Scotland Hosted by - Sarah Costello TCRG and Central Florida Irish Dance Embassy Suites Orlando - Lake Buena Vista South $119.00 plus tax Call - 407-597-4000 Registered with An Chomhdhail Na Muinteoiri Le Rinci Gaelacha Cuideachta Faoi Theorainn Rathaiochta (An Chomhdhail) www.irishdancingorg.com Charity Treble Reel for Orange County Animal Services A progressive animal-welfare focused organization that enforces the Orange County Code to protect both citizens and animals. Entry Fees: Pre Bun Grad A, Bun Grad A, B, C, $10.00 per competition Pre-Open & Open Solo Rounds $10.00 per competition Traditional Set & Treble Reel Specials $15.00 per competition Cup Award Solo Dances $15.00 per competition Open Championships $55.00 (2 solos are included in your entry) Championship change fee - $10 Facility Fee $30 per family Feisweb Fee $6 Open Platform Fee $20 Late Fee $30 The maximum fee per family is $225 plus facility fee and any applicable late, change or other fees. There will be no refund of any entry fees for any reason. Submit all entries online at https://FeisWeb.com Competitors Cards are available on FeisWeb. All registrations must be paid via PayPal Competitors are highly encouraged to print their own number prior to attending to avoid congestion at the registration table due to COVID. For those who cannot, competitor cards may be picked up at the venue. For questions contact us at our email: [email protected] or Sarah Costello TCRG on 321-200-3598 Special Needs: 1 step, any dance.
    [Show full text]
  • IRCA FOREIGN LOG 10Th Edition +Hrd Again W/Light Inst Mx at 0456 on 1/4
    IRCA FOREIGN LOG 10th Edition +Hrd again w/light Inst mx at 0456 on 1/4. Poorer than before. (PM-OR) DX World Wide – West +NRK 0244 12/29 country music occasionally coming thru clearly in domestic TRANS-ATLANTIC DX ROUNDUP slop (I've logged & QSLed this one with this early Mon morning country-music show before). First time I've had audio from this one all season. [Stewart-MO] 162 FRANCE , Allouis, 0230 3/7. Male DJ hosting a program of mainly EE pop +2/15 0503 Poor to fair signals in NN talk and oldies mx. Only TA on the MW songs. Fair signal, but much weaker than Iceland. (NP-AB) band. (VAL-DX) +0406 4/18, pop song in FF. (NP-AB*) 1467 FRANCE , Romoules TRW, 12/27 2309 Fair signals peaking w/good Choraol 189 ICELAND , Guguskalar Rikisutvarpid, 2/15 0032. Fair signals with Icelandic mx and rel mx. Het on this one was huge! New station and new Country on talk and a mix of mx some in EE. Only LW station to produce audio. MW. (SA-MB) (VAL-DX) 1512 SAUDI ARABIA , Jeddah BSKSA, 12/27 2248 poor signals w/AA mx and talk. +0227 3/7. Very good signal w/EE lang R&B pop/rock songs hosted by man in New station. (SA-MB) what I presumed was Icelandic. Ranks up there as the best signal I've hrd +12/29 seemed to sign on right at 0300 with no announcements, int signal, from them. (NP-AB) anthem, or anything, just Koranic chanting.
    [Show full text]
  • Mid-America Standardized Syllabus for December 1, 2015 – November 30, 2016
    Mid-America Standardized Syllabus for December 1, 2015 – November 30, 2016 Please Note: IN EFFECT AND APPLICABLE FOR ALL FEISANNA AS OF 12-1-14. It is strongly PREFERRED AND ENCOURAGED that each feis use the numbering system contained in this Standardized Syllabus for the sake of consistency and clear communication and understanding. However, each Feis may use their own numbering system if they so desire. The attached numbering system is encouraged and was put together by Jack Richens and is based on the following: . 1st Digit – Category: FIRST FEIS Dances all begin with 1, and so forth . 2nd and 3rd Digits – Age Group, Girls begin at 01 and Boys begin at 51 . 4th and 5th Digits (Letters) – Dance Type RL = REEL, LJ = LIGHT JIG, SN = SINGLE JIG, SJ = SLIP JIG, TJ = TREBLE JIG, HP = HORNPIPE, PD = ST PATRICK DAY, TS = TRADTIONAL SET All entry fees are at the discretion of the Feis. Optional Competitions are marked with a (* ) and highlighted in blue. If you do choose to offer the optional competitions, they must be offered as outlined in the standardized syllabus. (i.e., if you choose to offer ceilis, you must offer ALL of the required age groups, subject to the usual rules and feis procedures for combining competitions. Each Feis may add additional competitions at their discretion. The standardized syllabus is intended to be a minimum guarantee of what competitors can expect. Any questions, concerns, feedback, etc – feel free to ask. FIRST FEIS The First Feis level has been established for dancers who are competing in their very First Feis.
    [Show full text]
  • Bill to Raise. Drinking a E Passes in Maryland Senate Housing Cancels Paper.Mill Apts
    • ev1e Vol. 106 No. 42 University of Delaware, Newark, DE Tuesday, March 16. 1982 Bill to raise.drinking a e passes in Maryland Senate Poland ... House, governor expected to approve; A day-long open forum, "Poland: Between East and law to affect Newark alcohol problem West," concerning the cur­ ple, drunk driving and rent crisis in Poland and By CASEY GILMORE The.Maryland State Senate rowdiness.'' Polish ethnic reaction in the Brierley said driving while United States, was presented passed a bill Thursday morn­ ing that would raise the legal intoxicated (DWI) accidents on Saturday in the Ewing · and alcohol-related crimes in­ Room of the Student Center. drinking age to 21. The bill must still be passed by the creased when states began The forum, sponsored by the lowering the drinking age. He Del a ware Humanities House an~ approved by· the governor. expects the reversal of this Forum, was divided into trPnd to curb alcohol-related three sessions: "Modern Corky Troutner, assistant Poland is Its Historical .Con­ to the Maryland House crimes. Judiciary committee chair­ In its meeting on March 8, text," "The Polish Upheaval Newark City Council propos­ of 1980-81 and Its Significance man, explained that the House and the Senate have ed raising Delaware's· drink- . in the Relationhip Between ing age to 21. Brierley sup­ the Soviet Block and the each approved their own bill. Western World," and "The "The intent of the bill has ports this proposal; Role of·the Polish American been voted on favorably in 'Tm not against young peo­ Community in the Polish both Houses," Troutner .said.
    [Show full text]
  • In Honolulu's Christ Church in Kailua, Which Will Repeat Next Hemenway Theatre, UH Manoa Campus: Wed
    5 The Fear Factor 8 Pritchett !ICalendar 13 Book Bonanza l!IStraight Dope Volume 3, Number 45, November 10, 1993 FREE Interview by JOHN WYTHE WHITE State Representative DaveHagino has spent 15 years fighting the system he's a partof- and theparty he belongs to. !JiORDERS BOOKS & MUSIC· BORDERS BOOKS & MUSIC· BORDERS BOOKS & MUSIC· BORDERS BOOKS & MUSIC· BORDERS BOOKS & MUSIC· BORDERS BOOKS & MUSIC· BORDERS BOOKS 8 ,,,, :,..: ;o 0 0 � �L � w ffi 8 Cl 0 ;,<; 0::: w 0 il,1.. � SELECTION: w 2 No Comparison 00 Cl 0::: i0 co co 0 ;o 0 -- -- co�:. 0 0 7' $�··· C nw oco ;o· · 0 m � co 0 0 w7' ::c: :::: C w 0:co 0 ;o 0 m � co 0 0 ci: � $ C w Borders® Books &Music. n ;o8 0 m The whole idea behind Finda book or music store the new Borders Books w;o co .- Borders Books & Music is to &Music. 0 with more titles and 0 w7' create an appealing place with Welcome to the new � $ we'll shop there. C more selection. So we brought Borders Books &Music. w () 100,000 in over book titles, more times the average store. Borders co 0 than 5 times the average bookstore. especially excels in classical and ;o It 0 CD m .r::;"' � OJ ;o What that means is that Borders jazz recordings. 0 E w (.) "' i co .r::; 'l' CD I 0 E 0 offersmore history, more com­ Borders also carries the area's (!) 0 """' 7' H-1 Fwy. w puters, more cooking. More of broadest selection of videotapes, � Waikele/Waipahu Exit 7 ::::: C everything, not just more copies including classic and foreign films.
    [Show full text]
  • Dictionary of the Chuj (Mayan) Language
    A DICTIONARY OF THE CHUJ (MAYAN) LANGUAGE As Spoken in San Mateo Ixtatán, Huehuetenango, Guatemala ca. 1964-65 CHUJ – ENGLISH WITH SOME SPANISH GLOSSES Nicholas A. Hopkins, Ph. D. © Jaguar Tours 2012 3007 Windy Hill Lane Tallahassee, Florida 32308 [email protected] i A DICTIONARY OF THE CHUJ (MAYAN) LANGUAGE: INTRODUCTION Nicholas A. Hopkins The lexical data reported in this Chuj-English dictionary were gathered during my dissertation field work in 1964-65. My first exposure to the Chuj language was in 1962, when I went to Huehuetenango with Norman A. McQuown and Brent Berlin to gather data on the languages of the Cuchumatanes (Berlin et al. 1969). At the time I was a graduate student at the University of Texas, employed as a research assistant on the University of Chicago's Chiapas Study Projects, directed by McQuown (McQuown and Pitt-Rivers 1970). Working through the Maryknoll priests who were then the Catholic clergy in the indigenous areas of Huehuetenango and elsewhere in Guatemala, we recorded material, usually in the form of 100-word Swadesh lists (for glottochronology), from several languages. The sample included two speakers of the Chuj variety of San Mateo Ixtatán (including the man who was later to become my major informant). In the Spring of 1962, as field work for the project wound down, I returned to Austin to finish drafting my Master's thesis, and then went on to Chicago to begin graduate studies in Anthropology at the University of Chicago, with McQuown as my major professor. I continued to work on Chiapas project materials in McQuown's archives, and in 1963 he assigned me the Chuj language as the topic of my upcoming doctoral dissertation.
    [Show full text]
  • Bay Filly; Deposit Ticket
    Barn 2D-H Hip No. Consigned by Taylor Made Sales Agency, Agent XXVII 1 Great Hunter Seattle Slew A.P. Indy . { Weekend Surprise Aptitude . Northern Dancer { Dokki . { Alluvial Great Hunter . Fappiano Dark bay/br. colt; Roy . { Adlibber foaled 2004 {Zenith . Northern Fashion (1997) { Sequins . { Brilliant Touch By APTITUDE (1997), [G1] $1,845,410 in NA. Sire of 4 crops, including 2- year-olds of 2008, 5 black type winners, $9,401,051, including Great Hunter (Lane’s End Breeders’ Futurity [G1], Robert B. Lewis S. [G2], etc., Total: $970,500), Outperformance ($291,449, Hill Prince S. [G3], etc.), Amandatude (3 wins, $408,570), Cristobal (to 4, 2008 in France). 1st dam ZENITH, by Roy. 4 wins at 3 and 4, $205,186, Gala Lil S. [L] (PIM, $39,696), 2nd Gardenia H. [G3], Obeah S. [L] (DEL, $20,000), Wide Country S. [L] (LRL, $10,700), 3rd Nastique S. [L] (DEL, $8,250), Open Fire S. [L] (DEL, $8,250), Cleveland Oaks [L] (TDN, $6,000), Allen E. Paulson H.-R (GP, $8,250). Dam of 4 foals of racing age, including a 2-year-old of 2008, three to race, all winners-- GREAT HUNTER (c. by Aptitude). Black type winner, see below. Glitzen Glory (f. by Honour and Glory). 2 wins at 3, 2008, $98,135, 2nd Cozy Lace S.-R (PID, $15,000). Top of the Town (g. by Old Trieste). 2 wins at 3, $69,170. 2nd dam SEQUINS, by Northern Fashion. Winner at 4, $19,490. Dam of 7 winners, incl.-- IM OUT FIRST (f. by Allen’s Prospect).
    [Show full text]
  • WV Graded Music List 2011
    2011 WV Graded Music List, p. 1 2011 West Virginia Graded Music List Grade 1 Grade 2 Grade 3 Grade 4 Grade 5 Grade 6 Grade Artist Arranger Title Publisher 1 - Higgins, John Suo Gan HL 1 - McGinty Japanese Folk Trilogy QU 1 - McGinty, Anne Elizabethan Songbook, An KJ 1 - Navarre, Randy Ngiele, Ngiele NMP 1 - Ployhar Along the Western Trail BE 1 - Ployhar Minka BE 1 - Ployhar Volga Boat Song BE 1 - Smith, R.W. Appalachian Overture BE Variant on an Old English 1 - Smith, R.W. BE Carol 1 - Story A Jubilant Carol BE 1 - Story Classic Bits and Pieces BE 1 - Story Patriotic Bits and Pieces BE 1 - Swearingen Three Chorales for Band BE 1 - Sweeney Shenandoah HL 1 Adams Valse Petite SP 1 Akers Berkshire Hills BO 1 Akers Little Classic Suite CF 1 Aleicheim Schaffer Israeli Folk Songs PO 1 Anderson Ford Forgotten Dreams BE 1 Anderson Ford Sandpaper Ballet BE 1 Arcadelt Whiting Ave Maria EM 1 Arensky Powell The Cuckoo PO 1 Bach Gardner Little Bach Suite ST Grand Finale from Cantata 1 Bach Gordon BO #207 1 Bach Walters Celebrated Air RU 1 Bain, James L. M Wagner Brother James' Air BE 1 Balent Bold Adventure WB Drummin' With Reuben And 1 Balent BE Rachel 1 Balent Lonesome Tune WB 1 Balmages Gettysburg FJ 2011 WV Graded Music List, p. 2 1 Balmages Majestica FJ 1 Barnes Ivory Towers of Xanadu SP 1 Bartok Castle Hungarian Folk Suite AL 1 Beethoven Clark Theme From Fifth Symphony HL 1 Beethoven Foulkes Creation's Hymn PO 1 Beethoven Henderson Hymn to Joy PO 1 Beethoven Mitchell Ode To Joy CF 1 Beethoven Sebesky Three Beethoven Miniatures Al 1 Beethoven Tolmage
    [Show full text]
  • Songs by Title
    Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C.
    [Show full text]
  • The Chautauqua Lake Camp Meeting and the Chautauqua Institution Leslie Allen Buhite
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 The Chautauqua Lake Camp Meeting and the Chautauqua Institution Leslie Allen Buhite Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE & DANCE THE CHAUTAUQUA LAKE CAMP MEETING AND THE CHAUTAUQUA INSTITUTION By LESLIE ALLEN BUHITE A Dissertation submitted to the School of Theatre in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2007 The members of the Committee approve the Dissertation of Leslie Allen Buhite defended on April 17, 2007. Carrie Sandahl Professor Directing Dissertation Donna Marie Nudd Outside Committee Member Mary Karen Dahl Committee Member Approved: C. Cameron Jackson, Director, School of Theatre Sally E. McRorie, Dean, College of Visual Arts, Theatre & Dance The Office of Graduate Studies has verified and approved of the above named committee members. ii For Michelle and Ashera Donald and Nancy Mudge Harold and Ruth Buhite As a foundation left to create the spiral aim A Movement regained and regarded both the same All complete in the sight of seeds of life with you -- Jon Anderson iii ACKNOWLEDGEMENTS My very special thanks and profound gratitude to Dr. Carrie Sandahl, whose unrelenting support and encouragement in the face of my procrastination and truculence made this document possible. My thanks and gratitude also to committee members Dr. Donna Marie Nudd and Dr. Mary Karen Dahl for their patient reading and kind and insightful criticism. Of my acquaintances at Florida State University, I also extend my appreciation to Dr.
    [Show full text]
  • To Play Jewish Again: Roots, Counterculture, and the Klezmer Revival Claire Marissa Gogan Thesis Submitted to the Faculty Of
    To Play Jewish Again: Roots, Counterculture, and the Klezmer Revival Claire Marissa Gogan Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In History David P. Cline, Co-Chair Brett L. Shadle, Co-Chair Rachel B. Gross 4 May 2016 Blacksburg, Virginia Keywords: Identity, Klezmer, Jewish, 20th Century, Folk Revival Copyright 2016 by Claire M. Gogan To Play Jewish Again: Roots, Counterculture, and the Klezmer Revival Claire Gogan ABSTRACT Klezmer, a type of Eastern European Jewish secular music brought to the United States in the late 19th and early 20th century, originally functioned as accompaniment to Jewish wedding ritual celebrations. In the late 1970s, a group of primarily Jewish musicians sought inspiration for a renewal of this early 20th century American klezmer by mining 78 rpm records for influence, and also by seeking out living klezmer musicians as mentors. Why did a group of Jewish musicians in the 1970s through 1990s want to connect with artists and recordings from the early 20th century in order to “revive” this music? What did the music “do” for them and how did it contribute to their senses of both individual and collective identity? How did these musicians perceive the relationship between klezmer, Jewish culture, and Jewish religion? Finally, how was the genesis for the klezmer revival related to the social and cultural climate of its time? I argue that Jewish folk musicians revived klezmer music in the 1970s as a manifestation of both an existential search for authenticity, carrying over from the 1960s counterculture, and a manifestation of a 1970s trend toward ethnic cultural revival.
    [Show full text]