DOCSLIB.ORG

Knud Schrã¸Der Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Knud Schrã¸Der Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨) Knud Schrøder 电影 串行 (大全) https://zh.listvote.com/lists/film/movies/20495836/actors Little Dorrit https://zh.listvote.com/lists/film/movies/little-dorrit-20653156/actors Seksdagesløbet https://zh.listvote.com/lists/film/movies/seksdagesl%C3%B8bet-286619/actors Tag til marked i Fjordby https://zh.listvote.com/lists/film/movies/tag-til-marked-i-fjordby-7675110/actors Father of Four and the Wolf https://zh.listvote.com/lists/film/movies/father-of-four-and-the-wolf-cubs-5437675/actors Cubs Min datter Nelly https://zh.listvote.com/lists/film/movies/min-datter-nelly-6862626/actors Vejrhanen https://zh.listvote.com/lists/film/movies/vejrhanen-7918738/actors Café Paradis https://zh.listvote.com/lists/film/movies/caf%C3%A9-paradis-3838066/actors Vagabonderne pÃ¥ https://zh.listvote.com/lists/film/movies/vagabonderne-p%C3%A5-bakkeg%C3%A5rden- BakkegÃ¥rden 1762537/actors De sjove Ã¥r https://zh.listvote.com/lists/film/movies/de-sjove-%C3%A5r-12307931/actors Rikki og mændene https://zh.listvote.com/lists/film/movies/rikki-og-m%C3%A6ndene-7174808/actors Den opvakte jomfru https://zh.listvote.com/lists/film/movies/den-opvakte-jomfru-5256519/actors Det store løb https://zh.listvote.com/lists/film/movies/det-store-l%C3%B8b-5265537/actors Helle for Helene https://zh.listvote.com/lists/film/movies/helle-for-helene-5707103/actors Father of Four in the City https://zh.listvote.com/lists/film/movies/father-of-four-in-the-city-5437674/actors Det Sande Ansigt https://zh.listvote.com/lists/film/movies/det-sande-ansigt-5265490/actors https://zh.listvote.com/lists/film/movies/det-skete-p%C3%A5-m%C3%B8lleg%C3%A5rden- Det skete pÃ¥ MøllegÃ¥rden 5265530/actors Ved kongelunden... https://zh.listvote.com/lists/film/movies/ved-kongelunden...-7917885/actors Kampen om NæsbygÃ¥rd https://zh.listvote.com/lists/film/movies/kampen-om-n%C3%A6sbyg%C3%A5rd-6359179/actors Elly Petersen https://zh.listvote.com/lists/film/movies/elly-petersen-5366221/actors Farlig Ungdom https://zh.listvote.com/lists/film/movies/farlig-ungdom-5435451/actors Taxa K 1640 efterlyses https://zh.listvote.com/lists/film/movies/taxa-k-1640-efterlyses-7689489/actors Der brænder en ild https://zh.listvote.com/lists/film/movies/der-br%C3%A6nder-en-ild-5261254/actors Be Dear to Me https://zh.listvote.com/lists/film/movies/be-dear-to-me-4875485/actors En ven i bolignøden https://zh.listvote.com/lists/film/movies/en-ven-i-bolign%C3%B8den-12310074/actors Forelsket i København https://zh.listvote.com/lists/film/movies/forelsket-i-k%C3%B8benhavn-5468643/actors https://zh.listvote.com/lists/film/movies/12322967/actors.
Load more

Recommended publications
  • Reading the Surface: the Danish Gothic of B.S. Ingemann, H.C
    Reading the Surface: The Danish Gothic of B.S. Ingemann, H.C. Andersen, Karen Blixen and Beyond Kirstine Marie Kastbjerg A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Marianne Stecher. Chair Jan Sjaavik Marshall Brown Program Authorized to Offer Degree: Scandinavian Studies ©Copyright 2013 Kirstine Marie Kastbjerg Parts of chapter 7 are reprinted by permission of the publishers from “The Aesthetics of Surface: the Danish Gothic 1820-2000,” in Gothic Topographies ed. P.M. Mehtonen and Matti Savolainen (Farnham: Ashgate, 2013), pp. 153–167. Copyright © 2013 University of Washington Abstract Reading the Surface: The Danish Gothic of B.S. Ingemann, H.C. Andersen, Karen Blixen and Beyond Kirstine Marie Kastbjerg Chair of the Supervisory Committee: Professor in Danish Studies Marianne Stecher Department of Scandinavian Studies Despite growing ubiquitous in both the popular and academic mind in recent years, the Gothic has, perhaps not surprisingly, yet to be examined within the notoriously realism-prone literary canon of Denmark. This dissertation fills that void by demonstrating an ongoing negotiation of Gothic conventions in select works by canonical Danish writers such as B.S. Ingemann, Hans Christian Andersen, and Karen Blixen (Isak Dinesen), as well as contemporary writers such as Peter Høeg and Leonora Christina Skov. This examination does not only broaden our understanding of these culturally significant writers and the discourses they write within and against, it also adds to our understanding of the Gothic – an infamously malleable and indefinable literary mode – by redirecting attention to a central feature of the Gothic that has not received much critical attention: the emphasis on excess, spectacle, clichéd conventions, histrionic performances, its hyperbolic rhetorical style, and hyper-visual theatricality.
    [Show full text]
  • The Philosophic Game: Eighteenth-Century Masquerade in German and Danish Literature and Culture a DISSERTATION SUBMITTED TO
    The Philosophic Game: Eighteenth-Century Masquerade in German and Danish Literature and Culture A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Anne Beryl Wallen IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Rembert Hüser, Poul Houe May 2012 © Anne Beryl Wallen, 2012 Acknowledgements My studies, research and dissertation writing have been supported by several institutions, for which I must express my most sincere appreciation: the University of Minnesota, particularly for the Doctoral Dissertation Fellowship and the Graduate School Fellowship; the Department of German, Scandinavian & Dutch, particularly for the Hella Lindemeyer Mears Fellowship, the Gerhard and Janet Weiss award, and to Hella Mears and Gerhard Weiss themselves for their support; the U.S.-Denmark Fulbright Comission; the American Scandinavian Foundation; and the P.E.O. Scholars Award. I am also grateful to the University of Copenhagen Institute of Nordic Studies and Linguistics for hosting me during my Fulbright year in Copenhagen. Thanks to Lisbet Hein of Hørsholm Museum and to Ida Poulsen of the Theatre Museum in the Court Theater for generously sharing materials and knowledge with me. At the individual level, my thanks go first to my co-advisors, Rembert Hüser and Poul Houe, for sharing their experience and providing guidance over the past several years. The size of my dissertation committee has raised eyebrows, but I could not imagine having gone forward with my project without the invaluable input each of my committee members has provided. Ruth-Ellen Joeres and Richard Leppert both also served on my Master’s committee, and so deserve special thanks for their support throughout my graduate studies.
    [Show full text]
  • A Welfare Citizen in the Danish Folkeskole
    ‘Being’ and ‘Becoming’ a Welfare Citizen in the Danish Folkeskole A thesis submitted for the degree of Doctor of Philosophy by Ditte Strunge Sass School of Social science Brunel University August 2013 Abstract for ‘Being’ and ‘Becoming’ a Welfare Citizen in the Danish Folkeskole This thesis is an ethnographic investigation into the ‘bringing about’ of the Danish welfare citizen as observed through everyday values and practices in the Danish folkeskole. The thesis takes as its starting point the notion of dannelse, which is the ’holistic formation of social human beings who can manage their own lives, who know how to behave properly in society, and how to fit in with each other’ (Jenkins 2011:187) and hygge (cosiness), as the primary frameworks through which Danishness can be understood. While trying to unravel what these values/practices are and how they were expressed and inculcated in the everyday lived reality at the Danish folkeskole, I observed the importance of several other key concepts, including lighed (equality as expressed through sameness), and medborgerskab (co-citizenship). This thesis will attempt to understand the importance of these concepts in relation to wider Danish society, and as defining features on the ‘citizenship-journey’ that the Danish folkeskole in this thesis represents. I will argue that the Danish folkeskole to some degree exemplifies a ‘playpen of democracy’ (Korsgaard 2008) as it exists as a liminal sphere, both in terms of providing a space in which students can practice ‘being’ and ‘becoming’ welfare citizens, but more crucially also as a space in-between the public and the private sphere, a home- away-from-home.
    [Show full text]
  • Pathos, Performance, Volition: Melodrama's Legacy in the Work of Carl Th
    Pathos, Performance, Volition: Melodrama's Legacy in the Work of Carl Th. Dreyer by Amanda Elaine Doxtater A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Scandinavian Languages and Literatures and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Sandberg, Chair Professor Linda Rugg Professor Linda Williams Fall 2012 Pathos, Performance, Volition: Melodrama's Legacy in the Work of Carl Th. Dreyer © 2012 by Amanda Elaine Doxtater Abstract Pathos, Performance, Volition: Melodrama's Legacy in the Work of Carl Th. Dreyer by Amanda Elaine Doxtater Doctor of Philosophy in Scandinavian Languages and Literatures and the Designated Emphasis in Film Studies University of California, Berkeley Professor Mark Sandberg, Chair This dissertation reads melodrama as an important influence in Carl Th. Dreyer’s work and oeuvre and shows that his work demonstrates melodrama’s relevance to the tradition of Scandinavian art-house, modernist cinema. Dreyer’s work has come to embody a stern and severe aesthetic seen largely as the epitome of artistic restraint rather than indicative of melodramatic expressivity. Dreyer began his career in cinema, however, at the Danish studio Nordisk Films Kompagni in the 1910s when the company became synonymous with early Danish film melodrama and other spectacular, mass-produced, popular fare. Scholars have subsequently labeled this decade “The Golden Age of Danish Melodrama.” Although the standard reception of Dreyer’s work predicates his status as a masterful auteur director upon his decisive break with the company’s production model, its themes, and popular-culture ambitions, this dissertation argues that asserting such a break occludes intriguing continuities in Dreyer’s oeuvre.
    [Show full text]
  • Peripeti 7 – 2007 (Teatralitet)
    Peripeti – tidsskrift for dramaturgiske studier | nummer syv | 2007 Teatralitet Peripeti © Peripeti og forfatterne TEMAREDAKTION Erik Exe Christoffersen og Torunn Kjølner REDAKTION Erik Exe Christoffersen (ansvarshavende), Janicke Branth, Falk Heinrich, Mads Thygesen, Thomas Rosendal Nielsen, Birgitte Hesselaa, Laura Schultz, Solveig Gade, Michael Eigtved, Jens Christian Lauenstein Led og Jeppe Sejer Sørensen (PR). Layout: Christian Brink Christensen og Mads Thygesen Foto på omslag: Torunn Kjølner Tryk: Werks Offset Oplag: 500 ISSN: 1604-0325 REDAKTIONSADRESSE Peripeti Afdeling for Dramaturgi Institut for Æstetiske Fag, Aarhus Universitet, Langelandsgade 139, DK – 8000 Århus C. E-mail: [email protected] BESTILLING OG ABONNEMENT [email protected] Abonnement (to numre): 150 kr. Løssalg 100 kr. Internet: http://www.dramaturgi.au.dk/forskning/publikationer/peripeti Peripeti udgives af Afdeling for Dramaturgi (Aarhus Universitet) i samarbejde med Teatervidenskab (Københavns Universitet) og Dramatikeruddannelsen (Aarhus Teater) Tidsskriftet udgives med støtte fra Forskningsrådet for Kultur og Kommunikation. Alle temaartikler gennemgår et peer review. Peripeti udkommer to gange om året. Planlagte udgivelser: Teatertekster (nr. 8 – Efterår 2007), Instruktion og iscenesættelse (nr. 9 – forår 2008), Dramaturgi (nr. 10 – Efterår 2008). Tidligere udgivelser: Jon Fosse (nr. 1 – 2004), Why a Theatre Laboratory? (nr. 2 – 2004), Ny dansk dramatik (nr. 3 – 2005), Dogme og dramaturgi (nr. 4 – 2005), Henrik Ibsen (nr. 5 – 2006), Performativitet (nr. 6 –
    [Show full text]
  • UC Berkeley UC Berkeley Electronic Theses and Dissertations
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Pathos, Performance, Volition: Melodrama's Legacy in the Work of Carl Th. Dreyer Permalink https://escholarship.org/uc/item/97m380jb Author Doxtater, Amanda Elaine Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Pathos, Performance, Volition: Melodrama's Legacy in the Work of Carl Th. Dreyer by Amanda Elaine Doxtater A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Scandinavian Languages and Literatures and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Sandberg, Chair Professor Linda Rugg Professor Linda Williams Fall 2012 Pathos, Performance, Volition: Melodrama's Legacy in the Work of Carl Th. Dreyer © 2012 by Amanda Elaine Doxtater Abstract Pathos, Performance, Volition: Melodrama's Legacy in the Work of Carl Th. Dreyer by Amanda Elaine Doxtater Doctor of Philosophy in Scandinavian Languages and Literatures and the Designated Emphasis in Film Studies University of California, Berkeley Professor Mark Sandberg, Chair This dissertation reads melodrama as an important influence in Carl Th. Dreyer’s work and oeuvre and shows that his work demonstrates melodrama’s relevance to the tradition of Scandinavian art-house, modernist cinema. Dreyer’s work has come to embody a stern and severe aesthetic seen largely as the epitome of artistic restraint rather than indicative of melodramatic expressivity. Dreyer began his career in cinema, however, at the Danish studio Nordisk Films Kompagni in the 1910s when the company became synonymous with early Danish film melodrama and other spectacular, mass-produced, popular fare.
    [Show full text]
  • Evangeliet 15, 4-7) I Vente”
    ...den kristne ugeavis Palmesøndag den 20. Marts 2016 • Uge 11-12 • Årg. 44 Annoncer: Café & Helsebutik Dæmring i - nu på nettet Nord Johannes Schwab og Mojtaba Mohamedi (dæknavne), som arbejder i Dansk Europamissi- Løvens Mærke ons projekter, giver et aktuelt og dybdegående Bind 3 indblik i situationen netop nu. x Syrien og Irak er særligt i fokus til mødet i København, som afholdes den 14. april 2016, Af Francine klokken 19.00-21.00, på Drejervej 17, 2400 Rivers København NV. x Iran er særligt i fokus til mødet i Silkeborg, som afholdes den 16. april 2016, klokken 12.00 Ude nu -15.30, på Frichsvej 2, 8600 Silkeborg.rg. www.morgenstjernen.dk Tilmelding inden den 5. april på 4444 1313 eller Café åben i påsken undtagen Langfredag. Langfredag www.scandinavia.as [email protected] 2 . NAVNE OG NYHEDER Udfordringen søndag den 20. marts 2016 Ugens profi l: Peter Lanting Påsken betyder at livet ikke slutter her - Vi skal opstå igen, siger graver Peter Lanting. ”Gensyn er vort Haab og vor Den gode Fredag Tro”, står der på gravstenen for De reformerte kristne i Hol- et kristent ægtepar på Hjern- lands ”bibelbælte” går tit i kirke drup kirkegård. mere end én gang hver søndag. Men de har ikke så mange guds- - I Holland taler vi ikke så me- tjenester i påsken. get om, at vi skal kende hinanden - Vi kender ikke til helligdage vi kommer i himlen. Det kostede hvordan det kommer til at foregå. i himlen. Det vigtigste er, at vi som Skærtorsdag og Langfredag. Jesus livet. Men vi får adgang til Og vi tror også, at Gud kan lade skal opstå.
    [Show full text]
  • Lau Lauritzen Jr. Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    Lau Lauritzen Jr. 电影 串行 (大全) Klingende toner https://zh.listvote.com/lists/film/movies/klingende-toner-6421028/actors Wilhelm Tell https://zh.listvote.com/lists/film/movies/wilhelm-tell-33595896/actors Jeg mødte en Morder https://zh.listvote.com/lists/film/movies/jeg-m%C3%B8dte-en-morder-12319183/actors https://zh.listvote.com/lists/film/movies/s%C3%B8ren-s%C3%B8ndervold- Søren Søndervold 12338588/actors The Red Meadows https://zh.listvote.com/lists/film/movies/the-red-meadows-1757020/actors Julia jubilerar https://zh.listvote.com/lists/film/movies/julia-jubilerar-1767235/actors Café Paradis https://zh.listvote.com/lists/film/movies/caf%C3%A9-paradis-3838066/actors Affæren Birte https://zh.listvote.com/lists/film/movies/aff%C3%A6ren-birte-4689045/actors Afsporet https://zh.listvote.com/lists/film/movies/afsporet-4690397/actors Alarm https://zh.listvote.com/lists/film/movies/alarm-4708388/actors Bedstemor går amok https://zh.listvote.com/lists/film/movies/bedstemor-g%C3%A5r-amok-4879441/actors Blaavand melder storm https://zh.listvote.com/lists/film/movies/blaavand-melder-storm-4920010/actors Cirkusrevyen 1936 https://zh.listvote.com/lists/film/movies/cirkusrevyen-1936-5121931/actors Me and My Kid Brother https://zh.listvote.com/lists/film/movies/me-and-my-kid-brother-5237853/actors De kloge og vi gale https://zh.listvote.com/lists/film/movies/de-kloge-og-vi-gale-5244924/actors De tre måske fire https://zh.listvote.com/lists/film/movies/de-tre-m%C3%A5ske-fire-5244987/actors Den opvakte jomfru https://zh.listvote.com/lists/film/movies/den-opvakte-jomfru-5256519/actors
    [Show full text]
  • Ib Schã¸Nberg Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    Ib Schønberg 电影 串行 (大全) We Who Go the https://zh.listvote.com/lists/film/movies/we-who-go-the-kitchen-route-12343883/actors Kitchen Route Bag Københavns https://zh.listvote.com/lists/film/movies/bag-k%C3%B8benhavns-kulisser-4841368/actors kulisser En sømand https://zh.listvote.com/lists/film/movies/en-s%C3%B8mand-g%C3%A5r-i-land-5375108/actors går i land The Old Gold https://zh.listvote.com/lists/film/movies/the-old-gold-5265515/actors Familien Olsen https://zh.listvote.com/lists/film/movies/familien-olsen-5432968/actors Blændværk https://zh.listvote.com/lists/film/movies/bl%C3%A6ndv%C3%A6rk-4930930/actors I kongens klær https://zh.listvote.com/lists/film/movies/i-kongens-kl%C3%A6r-8328979/actors Mani https://zh.listvote.com/lists/film/movies/mani-12325899/actors Dorte https://zh.listvote.com/lists/film/movies/dorte-5298999/actors The Son https://zh.listvote.com/lists/film/movies/the-son-12338475/actors Lise kommer til https://zh.listvote.com/lists/film/movies/lise-kommer-til-byen-6558742/actors Byen I dag begynder https://zh.listvote.com/lists/film/movies/i-dag-begynder-livet-5980128/actors livet Hendes store https://zh.listvote.com/lists/film/movies/hendes-store-aften-5713520/actors aften Odds 777 https://zh.listvote.com/lists/film/movies/odds-777-7077529/actors Café Paradis https://zh.listvote.com/lists/film/movies/caf%C3%A9-paradis-3838066/actors Panik i familien https://zh.listvote.com/lists/film/movies/panik-i-familien-7131155/actors I gabestokken https://zh.listvote.com/lists/film/movies/i-gabestokken-5980167/actors
    [Show full text]
  • Biblioteca Di Studi Di Filologia Moderna
    BIBLIOTECA DI STUDI DI FILOLOGIA MODERNA – 26 – BIBLIOTECA DI STUDI DI FILOLOGIA MODERNA Collana Open Access del Dipartimento di Lingue, Letterature e Studi Interculturali Università degli Studi di Firenze Direttore Beatrice Töttössy Coordinamento editoriale Fabrizia Baldissera, John Denton, Fiorenzo Fantaccini, Donatella Pallotti, Ernestina Pellegrini, Beatrice Töttössy Comitato scientifico internazionale Fabrizia Baldissera (Università degli Studi di Firenze), Enza Biagini (Professore Emerito, Università degli Studi di Firenze), Nicholas Brownlees (Università degli Studi di Firenze), Arnaldo Bruni (studioso), Martha Canfield (studiosa), Richard Allen Cave (Emeritus Professor, Royal Holloway, University of London), Piero Ceccucci (studioso), Massimo Ciaravolo (Università degli Studi di Firenze), John Denton (Università degli Studi di Firenze), Anna Dolfi (Università degli Studi di Firenze), Mario Domenichelli (studioso), Maria Teresa Fancelli (Professore Emerito, Università degli Studi di Firenze), Massimo Fanfani (Università degli Studi di Firenze, Accademia della Crusca), Fiorenzo Fantaccini (Università degli Studi di Firenze), Michela Landi (Università degli Studi di Firenze), Paul Geyer (Rheinische Friedrich-Wilhelms-Universität Bonn), Ingrid Hennemann (studiosa), Donald Kartiganer (Howry Professor of Faulkner Studies Emeritus, University of Mississippi, Oxford, Miss.), Sergej Akimovich Kibal’nik (Institute of Russian Literature [the Pushkin House], Russian Academy of Sciences; Saint-Petersburg State University), Ferenc Kiefer (Research
    [Show full text]
  • Film Som Design · Af Levende Billeder I Og Tv-Serier Solbjerg Plads 3 Dk-2000 Frederiksberg Danmark
    COPENHAGEN BUSINESS SCHOOL FILM SOM DESIGN · SOLBJERG PLADS 3 DK-2000 FREDERIKSBERG DANMARK WWW.CBS.DK DESIGN AF LEVENDE BILLEDER I FILM OG TV-SERIER ISSN 0906-6934 Print ISBN: 978-87-93155-84-8 Online ISBN: 978-87-93155-85-5 Jakob Ion Wille FILM SOM DESIGN DESIGN AF LEVENDE BILLEDER I FILM OG TV-SERIER PhD School in Organisation and Management Studies Ph.d. Serie 01.2015 Ph.d. Serie 01-2015 FILM SOM DESIGN FILM SOM DESIGN FILM SOM Design af levende billeder i film og tv-serier Jakob Ion Wille Ion Jakob en PhD afhandling af Jakob Ion Wille Copenhagen Business School & Det Kongelige Danske Kunstakademis Skole for Design Vejledere Lise Skov & Per Galle Jakob Ion Wille Film som design Design af levende billeder i film og tv-serier 1. udgave 2015 Ph.d. Serie 01-2015 © Forfatter ISSN 0906-6934 Print ISBN: 978-87-93155-84-8 Online ISBN: 978-87-93155-85-5 Doctoral School of Organisation and Management Studies (OMS) er et tværviden- skabeligt forskningsmiljø på Copenhagen Business School for ph.d.-stipendiater, der teoretisk og empirisk beskæftiger sig med organisation og ledelse i private, offentlige og frivillige organisationer. Alle rettigheder forbeholdes. Kopiering fra denne bog må kun finde sted på institutioner, der har indgået aftale med COPY-DAN, og kun inden for de i aftalen nævnte rammer. Undtaget herfra er korte uddrag til anmeldelse. FILM SOM DESIGN Om design af film og levende billeder Jakob Ion Wille Ph.d.-afhandling Copenhagen Business School, Institut for Interkulturel Kommunikation & Det Kongelige Danske Kunstakademis Skole for Arkitektur, Design og Konservering Indleveret til forsvar: Oktober 2014 Vejledere: Lise Skov & Per Galle (Omslag: Barbara Adler) Ph.d-afhandling Copenhagen Business School, Institut for Interkulturel Kommunikation & Det Kongelige Danske Kunstakademis Skole for Arkitektur, Design og Konservering Forskerskolen i Medier, Kommunikation og Journalistik & Doctoral School of Organisation and Management Studies.
    [Show full text]
  • Helhesten and the Danish Avant-Garde, 1934-1946
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2015 Mobilizing The Collective: Helhesten And The Danish Avant-Garde, 1934-1946 Kerry Greaves Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/566 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MOBILIZING THE COLLECTIVE: HELHESTEN AND THE DANISH AVANT-GARDE, 1934-1946 by KERRY GREAVES A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2015 © 2015 KERRY GREAVES All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Professor Emily Braun Chair of Examining Committee Date Professor Claire Bishop Executive Officer Professor Romy Golan Professor David Joselit Professor Karen Kurczynski Supervision Committee THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT MOBILIZING THE COLLECTIVE: HELHESTEN AND THE DANISH AVANT-GARDE, 1934-1946 by KERRY GREAVES Adviser: Professor Emily Braun This dissertation examines the avant-garde Danish artists’ collective Helhesten (The Hell- Horse), which was active from 1941 to 1944 in Nazi-occupied Copenhagen and undertook cultural resistance during the war. The main claim of this study is that Helhesten was an original and fully established avant-garde before the artists formed the more internationally focused Cobra group, and that the collective’s development of sophisticated socio-political engagement and new kinds of countercultural strategies prefigured those of postwar art groups such as Fluxus and the Situationist International.
    [Show full text]