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Home , Albert Marre, Dale Wasserman, Joan Diener, Richard Kiley

SEPTEMBER 20 - OCTOBER 30, 2016 | QUADRACCI POWERHOUSE

Presented by

Executive Producers: Nathaniel Stampley’s performance sponsored by Greg and Rhonda Oberland Paul McElwee & Gayle Rosemann www.MilwaukeeRep.com | 414-224-9490 SEPTEMBER 20 - OCTOBER 30, 2016 | QUADRACCI POWERHOUSE

Written by | Music by | Lyrics by | Directed by Mark Clements Original Production Staged by | Originally Produced by Albert W. Selden and Hal James Executive Producers: Greg and Rhonda Oberland Nathaniel Stampley’s performance sponsored by Paul McElwee & Gayle Rosemann Presented by

Table of Contents About the Authors ...... 3 Mark Clements Who’s Who in ...... 4 ARTISTIC DIRECTOR Synopsis ...... 5 Chad Bauman Evolution of the Play into the Musical ...... 6 MANAGING DIRECTOR Man of La Mancha 7 ✸ ✸ ✸ vs...... PLAYGUIDE WRITTEN BY “The Impossible Dream” ...... 8 Emma Moll 8 Education Intern Dulcinea: “Half a prayer, half a song” ...... 9 PLAYGUIDE EDITED BY 16th Century Spain...... Jenny Toutant Knighthood ...... 10 Education Director 11 Amanda Garrigan Terminology ...... Education Programs Manager “Where Madness Lies”: Lisa Fulton Unreliable Narrators ...... 11 Chief Marketing Officer Bibliography ...... 13 GRAPHIC DESIGN Eric Reda Visiting The Rep ...... 14

2 ExecutiveExecutive Producers:Producers: Man of La Mancha - PlayGuide JackieJackie HerHerd-Barberd-Barber & MicMichaelhael BarBarberber ABOUT THE AUTHORS:

JOE DARION Lyricist Joe Darion was born on January 30, 1911 in City. After graduating from the City College of New York, he became a songwriter and author known for writing the Broadway stage scores for Shinbone Alley and Man of La Mancha. Joe Darion helped create the lyrics to “The Impossible Dream.” In 1966, he won two for Best Lyricist and Best Musical for Man of La Mancha. Darion passed away on June 16, 2001 in Lebanon, New Hampshire. MITCH LEIGH Composer Mitch Leigh was born on January 30, 1927 in Brooklyn, New York. After serving in the army, he (Portrait supposedly by Juan de Jáurequi, photo from Wikipedia.org) attended Yale University and received his bachelors and master’s degree in MIGUEL DE CERVANTES music. Mitch Leigh composed the Author of Don Quixote music for the songs in Man of La Miguel de Cervantes was born in 1547 near Mancha, including “The Impossible Madrid, Spain. At 21 years old he joined the Dream.” In 1966, along with Joe Spanish military. On September 7, 1571 at the Darion, he received two Tony awards Battle of Lepanto, Cervantes lost use of his left Mitch Leigh in January 2013. for Best Lyricist and Composer and (Credit Sasha Maslov for ) hand while fighting against the Turks. After Best Musical for Man of La Mancha. recovering from his injuries, Cervantes Leigh also received a Tony nomination returned to the Spanish military continuing to in 1985 for Best Director for his engage in many battles. revision of The King and I. He passed away on March 16, 2014 in Upon completing his military service in , New York. September 1575, Cervantes and his brother Rodrigo planned to set sail to Spain from Italy DALE WASSERMAN but were captured by pirates. The two were Author sold into slavery and despite escape attempts, Miguel de Cervantes remained enslaved for Dale Wasserman was born in five years until Trinitarian friars finally raised Rhinelander, Wisconsin on November enough money for his ransom. 2, 1914. He was orphaned before the age of ten, and from there, he traveled After returning to Spain, Cervantes fell deeply the country and worked odd jobs. in debt and struggled to find jobs. In 1585, Eventually, at 19 years old, he made Miguel de Cervantes published his first novel his way to working in theater, where La Galatea. Cervantes did not find success as a he began as a lighting designer. He writer until 1605, when Don Quixote was soon progressed into writing scripts, published. Despite the popularity of Don although he had very little formal Quixote, Cervantes did not make a financial Dale Wasserman in 1974. education. His two most famous profit from the novel because he sold the (Credit United Press International) works are One Flew Over the Cuckoo’s rights to a publisher. In 1615, Miguel de Nest and Man of La Mancha. Cervantes published the second part of Don Wasserman passed away on Quixote, shortly before his death on April 22, December 21, 2008. 16161616 iinn MaMadrid,drid, Spain.Sppainn.

www.MilwaukeeRep.com 3 WHO’S WHO IN MAN OF LA MANCHA CAST

Nathaniel Stampley Michael Accardo Emma Rose Brooks Michael J. Farina Cervantes/Don Quixote Captain of the Inquisition/Barber Antonia Sancho

Alvin Crawford Jonathan Gillard Daly Matt Daniels Michael Doherty Governor/Innkeeper Padre The Duke/Dr. Carrasco/Knight of the Mirrors Anselmo

Gavin Gregory Tommy Hahn Beth Mulkerron Leenya Rideout Pedro, Head Muleteer Paco Maria, The Innkeeper’s Wife Aldonza

Justin Senense Bethany Thomas ENSEMBLE Jose/Moorish Dancer Housekeeper/Vocalist

Jesse Bhamrah Darrington Clark Christie Coran Gia Erichson Matt Frye Juan Mule Fermina Tenorio 4 Man of La Mancha - PlayGuide “I am I, Don Quixote, SYNOPSIS It is 16th century Spain and Miguel de Cervantes the lord of La Mancha, has been thrown into a prison in Seville, awaiting trial by the Inquisition for an offense against the my destiny calls and I go.” church. In prison, he is brought to a different “trial” by his fellow prisoners, where they plan to take what little belongings he has, including the CREATIVE TEAM unfinished manuscript of his novel, Don Quixote. Wanting to save his manuscript, Cervantes presents a play as his “defense” in the mock trial. Once the “court” agrees, Cervantes and his assistant become Don Quixote and Sancho Panza, bringing the other prisoners in as characters to tell the story – a fantastic tale of his quest to restore chivalry, battle all evil, and right all wrongs.

Nathaniel Stampley and the Mark Clements Dan Kazemi Cast of Man of La Mancha Director Music Director Photo by Michael Brosilow Jack Magaw, Scenic Designer Alexander B. Tecoma, Costume Designer Jason Fassl, Lighting Designer Megan B. Henninger, Sound Designer John Tanner, Music Supervisor James Zager, Movement Director JC Clementz, Casting Director Marina Bergenstock, Assistant Director

Anne M. Jude, Stage Manager Kimberly Carolus, Assistant Stage Manager Hannah Wichmann, Assistant Stage Manager Kyle Winkelmann, Stage Management Resident

ORCHESTRA Ethan Bender, Bass • Bob Monagle, Guitar Patrick Morrow, Drums • Johnny Padilla, Reeds Kevin Wood, Trumpet Tanner Medding Kat Moser Candace Thomas Horse www.MilwaukeeRep.com 5 EVOLUTION OF THE PLAY INTO THE MUSICAL

1950s: Dale Wasserman travels to Spain and becomes interested in Miguel de Cervantes while researching Don Quixote. 1959: Wasserman creates a made for play, I, Don Quixote. Originally, he named the television play Man of La Mancha, but network executives believed the audience would not understand the title. Ultimately the title was misleading because the play was not about Don Quixote, but Miguel de Cervantes. 1964: Director Albert Marre and Dale Wasserman In June 1965, the first production of Man of la Mancha was turned I, Don Quixote, the TV Play, into a stage performed at the Goodspeed House in Connecticut (Image courtesy of Wikimedia.org) musical. Composer Mitch Leigh and lyricist Joe Darion write the music and lyrics. 1965: Man of La Mancha premieres at the ANTA was the original Miguel de Cervantes Washington Square in . and played the role for six 1966: Man of La Mancha wins five Tony awards: Best years which consisted of 2,328 performances. Kiley Musical, Best Composer and Lyricist, Best Actor in a also participated with the Musical (Richard Kiley), Best Scenic Design, and Best 1972 and 1977 Broadway Direction of a Musical. rivivals of Man of la Mancha. In 1966, Kiley won a Tony 1972: Albert Marre directs the revival at the Vivian Award for his perfomance as Beaumont Theatre. Miguel de Cervantes (Image courtesy of Wikimedia.org) 1972: Peter O’Toole and star in the film version of Man of La Mancha directed by . 1977: Albert Marre directs another revival at the Palace Theatre. 1992: Albert Marre once again directs a revival at the Marquis Theatre. 2002: Jonathon Kent directs a revival of Man of La Mancha at the Martin Beck Theatre (now known as the Al Hirschfield Theatre) starring Mary Elizabeth Mastrantonio and .

Peter O’Toole in the 1972 film version of Man of la Mancha (Image courtesy of Wikimedia.org)

6 Man of La Mancha - PlayGuide DON QUIXOTE VS. MAN OF LA MANCHA

Don Quixote Written by Miguel de Cervantes in 1604 Written as a novel Focus on fictional character, Don Quixote Dulcinea del Toboso is never seen Don Quixote is not imprisoned Don Quixote is an older knight Set in Spain Originally written in Spanish

BOTH Quixotic romances Innkeeper as “Lord of Castle” Main character attacks windmill Key Components: Imagination and Reality Enchantment Questionable narrator Main character values honor and adventure References to Mambrino’s helmet Quest against evil Loosely based on elements of the life of Miguel de Cervantes

Man of la Mancha Written by Dale Wasserman, Joe Darion, and Mitch Leigh in 1964 Originally written as a play for television, transformed into a stage musical Focus on Miguel de Cervantes and him turning himself into Don Quixote Dulcinea plays main role Miguel de Cervantes is imprisoned by Spanish Inquisition Miguel de Cervantes wishes to become a knight Set in a prison vault in Spain and the imagination of Cervantes/prisoners Originally written in English www.MilwaukeeRep.com 7 “To dream the impossible dream, “THE IMPOSSIBLE DREAM” To fight the unbeatable foe, The most well-known song in Man of La Mancha is “The Impossible Dream”, reprised three times throughout the production. To bear with unbearable sorrow, “The Impossible Dream” showcases Don Quixote’s most treasured To run where the brave dare not go” values throughout his quest: overcoming odds, demonstrating courage, and fighting for what is right. The first time audiences hear the song, Don Quixote is explaining to Dulcinea the importance of his quest; the first reprise follows the capture of Dulcinea by the Muleteers; Dulcinea sings the second reprise to Don Quixote in an effort to trigger his memory of himself; and the prisoners perform the final reprise back in the prison containing Cervantes.

“As everyone knows, it is imperative that a knight shall have a lady— for a knight without a lady is like a body without a soul.” (Man of La Mancha, pg 31)

Joan Diener, the original Dulcinea DULCINEA: “HALF A PRAYER, HALF A SONG” (Image courtesy of wikimedia.org) In Man of La Mancha, Don Quixote renames Aldonza Lorenzo, a peasant woman, Dulcinea. The term dulcinea originates from the original book, Don Quixote. A peasant character who remains unseen in Don Quixote, is renamed Dulcinea del Toboso by Don Quixote and he makes her into his lady. Although she is never seen, Duclinea del Toboso is viewed by Don Quixote as the ideal woman and inspiration for his adventures. Dulcinea is now commonly used to mean mistress or sweetheart. “A lady! The lady Dulcinea. Her beauty is more than human. Her quality? Perfection? She is the very meaning of woman and all meaning woman has to man.” (Man of La Mancha, pg 42) Dulcinea del Toboso (Image(Imageg ccourtesyourtesy of wwikimedia.org)ikimedia.oorgg)

8 Man of La Mancha - PlayGuide 16TH CENTURY SPAIN

Man of La Mancha takes place in the affluent 16th century Spain, when the Spanish Empire controlled territories throughout the world. Known as the Golden Age, paintings, sculptures, architecture, and literature flourished throughout the country. Spanish language developed more intensely after the Renaissance with the creation of dictionaries providing stability to the language. During this time, authors began to incorporate more realism into their stories. In 1478, King Ferdinand II and Queen Isabella established The Spanish Inquisition to combat heresy in Spain and maintain the Catholic religion. Many Jews, Muslims, Protestants, and Lutherans fell victim to the brutal methods of the Inquisition. In 1835, Queen Isabella II

abolished the Inquisition in Spain. (Image courtesy of Wikimedia.org) In Man of La Mancha, Miguel de Cervantes is a tax collector that “I made an assessment against must face the Inquisition because he foreclosed on a church. the monastery of La Merced. During The Inquisition, accused heretics remained imprisoned When they refused to pay I for the duration of their trial, which could be years. Often the issued a lien on the property.” individual did not know why they were imprisoned. They kept (Man of La Mancha, pg 6) the accused isolated and chained in high security prisons where the prisoners could not attend mass or receive the sacraments. Spanish Inquisitors frequently used torture to force a confession from those convicted of heresy. If the accused confessed and “They’ll haul him off—put the admitted to heresy, they were forgiven but required to absolve question to him. Next thing he themselves by performing penances. If the accused did not confess knows—he’s burning!” to committing heresy, they could be sentenced to life imprisonment (Man of La Mancha, pg 64) or burned at the stake.

“Scene from Inquisition” by Spanish painter Francisco Goya (Image courtesy of wikimedia.org)

www.MilwaukeeRep.com 9 “Knighting of Sir Galahad Jasper Anglican” by Julio César Martin Trejo KNIGHTHOOD (Image courtesy of wikimedia.org)

In Man of La Mancha, the character of Don Quixote exemplifies the qualities and adventures of a knight. During the story, Don Quixote confesses to the innkeeper that he has not been dubbed a knight and requests that the innkeeper dub him a knight in his “castle.” In Medieval Europe, knights were in the noble class as a part of the military order. Spain, England, and Germany each had their own knights and processes to knighthood. The title was often given to those from wealth or status, KNIGHTING CEREMONY/VIGIL but men from the poorer class could prove themselves Known as accolade, or dubbing, the Knighting Ceremony worthy of knighthood by their actions on the battlefield. began with a night vigil in the chapel of the castle, where the Today, knighthood is less widespread, largely due to the squire took part in a ritual bath to cleanse and purify the body. creation of firearms. Royals now award knighthood to An all-night prayer vigil followed the bath, with the squire individuals who have performed services to their country. standing at the chapel alter in silent prayer. Examples include Elton John, Paul McCartney, and Bono. Upon completion of the prayer vigil, the squire would be joined by others to hear a sermon on the duties and responsibilities of a knight. A priest would bless the sword and PAGES AND SQUIRES shield of the squire and then pass it on to the lord of the castle. The squire would swear an oath to the lord and take an On the journey to knighthood, families sent their 7 year old boys to oath of knighthood. live in a castle where they learned about archery, swordsmanship, and horsemanship. If they complete this step, the young boy Finally, a king or noble would take the sword of the squire and became a page. tap the squire on the shoulder with the flat surface of the sword and dub the individual a knight. At 14 years old, the young men trained to become a squire. Squires tended to the knight’s horses, ran errands, assisted the knight Nathaniel Stampley, Michael J. Farina, putting on his armor, guarded the knight while he slept, and Tanner Medding, and Darrington Clark assisted the knight in competitions and on the battlefield. Photo by Michael Brosilow Frequently, squires were eligible for knighthood at 21 years old, however it could be rewarded sooner if squires demonstrated bravery on the battlefield. In Man of La Mancha, Sancho is Don Quixote’s squire and he fulfills his role by following Don Quixote on his adventures. When asked by Dulcinea what a squire does, Sancho replies, “Well, I ride behind him and he fights. Then I pick him up off the ground.” (Man of La Mancha, pg. 35)

“God Speed” by Edmund Leighton (Image courtesy of wikimedia.org) KNIGHT CODE OF CHIVALRY THROWING DOWN THE GAUNTLET One of the chief values in a knight’s moral code was A gauntlet is an armored glove worn to protect the the honor and respect of women. Knights often wore hand. Historically, the term “throwing down the an item such as a ribbon or veil from their lady while gauntlet” meant to challenge an opponent to a duel. A in battle or competing in a tournament. gauntlet thrown at the feet of an opponent was seen Ladies gave knights these items, or tokens, with great as a huge insult to the opponent. Picking up the importance and asked the knights to return with the gauntlet meant that the opponent accepted the token when the battle or tournament was complete. challenge and would engage in the duel. In Man of La Mancha, Don Quixote sends Sancho to “Behold at thy feet the gage of battle! (Man of La give Dulcinea a message that requests she give him a Mancha, pg 75). After being approached by the Knight token. In response, Dulcinea throws a dirty rag at of Mirrors, Don Quixote takes off one of his gauntlets Sancho and says that can be her token to Don Quixote. and throws it to the feet of the Knight of Mirrors.

10 Man of La Mancha - PlayGuide GLOSSARY OF TERMS

Inquisition: a judicial procedure and later an Token: something that is a symbol of a feeling, event, etc. institution that was established by the papacy and, Golden helmet of Mambrino: Mambrino was a sometimes, by secular governments to combat heresy. fictional Moorish king. His helmet was made of pure gold Charade: something that is done in order to pretend and made the person wearing it invisible. something is true when it is not really true. Moor: A Moroccan or, formally, a member of the Muslim Castellano: Spanish language. population of what is now Spain and Portugal. Battlements: a low wall at the top of a castle with Quixotic: foolishly impractical in the pursuit of ideals; open spaces for people inside to shoot through. especially: marked by rash lofty romantic ideas or Chatelaine: the mistress of a household or of a large extravagantly chivalrous action. establishment. Muleteer: one who drives mules. Missive: a letter or other written message. Muleteer (Image courtesy of wikimedia.org) “WHERE MADNESS LIES”: UNRELIABLE NARRATORS

In both Don Quixote and Man of La Mancha, the Miguel de Cervantes created the Moorish character narrators remain unreliable throughout the stories. Cide Hamete Benengeli to be the narrator and An unreliable narrator is a narrator who tells the story original writer of Don Quixote. Miguel de Cervantes but cannot be entirely trusted by readers or the made himself the translator of the original stories. audience. In Man of La Mancha, the narrator is Miguel Cervantes utilized the character of Cide Hamete de Cervantes, as he tells the story of Don Quixote and Benengeli to question authorship in the 16th his quests. century, critique historians,historians, andand question thethe way in The narrator in the story may be viewed as insane, which authors idealizeealize romancesromannces in literature.literature. thus causing the audience to question the reliability of their words. The sanity of the main characters in “When life itself seems Don Quixote and Man of La Mancha is often lunatic, who knows where questioned. madness lies? Too much An unreliable narrator may add depth to the sanity may be madness.” literature, forcing the reader to decipher between the (Man of La Mancha, pg 66) facts or exaggerations/lies.

DON QUIXOTE: It is the dark Book Cover of Wit andd WisdomWisdom of Don Quixote, 18822 eeditiondition and dreaded ogre by the name (Image courtesy of wikimedia.org)kimedia.org) of Matagoger! You can tell him by the four great arms whirling on his back! SANCHO: It’s a windmill. (Man of La Mancha, pg 12)

www.MilwaukeeRep.com 11 12 Man of La Mancha - PlayGuide BIBLIOGRAPHY “Biography of Miguel de Cervantes Saavedra.” Donquijote.org. http://www.donquijote.org/vmuseum/biography-cervantes/. N.d. Web. 28 June 2016. “Dale Wasserman.” Britannica.com. https://www.britannica.com/biography/Dale-Wasserman. N.d. Web. 28 June 2016. “Dale Wasserman.” Playscripts.com. https://www.playscripts.com/playwrights/bios/667. N.d. Web. 28 June 2016. “Don Quixote as Theatre.” H-net.org. https://www.h-net.org/~cervantes/csa/artics99/wasserma.htm. N.d. Web. 28 June 2016. “Don Quixote.” Shmoop.com. http://www.shmoop.com/don-quixote/narrator-point-of-view.html. N.d. Web. 28 June 2016. “Don Quixote.” Sparknotes.com. http://www.sparknotes.com/lit/donquixote/context.html. N.d. Web. 28 June 2016. “Don Quixote.” Sparknotes.com. http://www.sparknotes.com/lit/donquixote/canalysis.html. N.d. Web. 28 June 2016. “Dulcinea.” Britannica.com. https://www.britannica.com/topic/Dulcinea. N.d. Web. 28 June 2016. “How Knights Work.” History.howstuffworks.com. http://history.howstuffworks.com/historical-figures/knight3.htm. N.d. Web. 28 June 2016. “How The Spanish Inquisition Worked.” History.howstuffworks.com. http://history.howstuffworks.com/historical-figures/spanish-inquisition3.htm. N.d. Web. 28 June 2016. “Inside Man of La Mancha.” Barringtonstageco.org. http://barringtonstageco.org/behind-the-story-man-of-la-mancha/. N.d. Web. 28 June 2016. “Inquisition.” Britannica.com. https://www.britannica.com/topic/inquisition. N.d. Web. 28 June 2016. “Joe Darion.” Imdb.com. http://www.imdb.com/name/nm0201256/bio. N.d. Web. 28 June 2016. “Knighthood Ceremony.” Medieval-life-and-times.info. http://www.medieval-life-and-times.info/medieval-knights/knighthood-ceremony.htm. N.d. Web. 28 June 2016. “Knights Code of Chivalry.” Lordsandladies.org. http://www.lordsandladies.org/knights-code-of-chivalry.htm. N.d. Web. 28 June 2016. “Man of La Mancha.” Broadwaymusicalhome.com. http://broadwaymusicalhome.com/shows/mancha.htm. N.d. Web. 28 June 2016. “Man of La Mancha.” Stageagent.com. http://stageagent.com/shows/musical/773/man-of-la-mancha/songs. N.d. Web. 28 June 2016. “Man of La Mancha.” Tamswitmark.com. http://www.tamswitmark.com/shows/man-of-la-mancha/. N.d. Web. 28 June 2016. “Medieval Tournaments.” Ancientfortresses.org. http://www.ancientfortresses.org/medieval-tournaments.htm. N.d. Web. 28 June 2016. “Mitch Leigh.” Imdb.com. http://www.imdb.com/name/nm0500272/. N.d. Web. 28 June 2016. “Mitch Leigh, Who Composed Man of La Mancha, Dies at 68.” Nytimes.com. http://www.nytimes.com/2014/03/17/theater/mitch-leigh-man-of-la-mancha-composer-dies-at-86.html?_r=1. 16 March 2014. Web. 28 June 2016. “Miguel de Cervantes.” Britannica.com. https://www.britannica.com/biography/Miguel-de-Cervantes. N.d. Web. 28 June 2016. “Points of View In Writing.” Aims.edu. http://www.aims.edu/student/online-writing-lab/tools/point-of-view. N.d. Web. 28 June 2016. “Richard Kiley, the Man of La Mancha, Is Dead at 76.” Nytimes.com. http://www.nytimes.com/1999/03/06/theater/richard-kiley-the-man-of-la-mancha-is-dead-at-76.html. 6 March 1999. Web. 28 June 2016. “Spanish Empire.” Donquijote.org. http://www.donquijote.org/culture/spain/history/spanish-empire. N.d. Web. 28 June 2016. “The Spanish Golden Age.” Donquijote.org. http://www.donquijote.org/spanishlanguage/literature/history/the-golden-age. N.d. Web. 28 June 2016. “Spanish Inquisition.” Newworldencyclopedia.org. http://www.newworldencyclopedia.org/entry/Spanish_Inquisition. N.d. Web. 28 June 2016. “Squires.” Lordsandladies.org. http://www.lordsandladies.org/squires.htm. N.d. Web. 28 June 2016. “Synopsis: Man of La Mancha.” Bard.org. http://www.bard.org/study-guides/synopsis-man-of-la-mancha. N.d. Web. 28 June 2016. “The Impossible Dream.” Traditioninaction.org. http://www.traditioninaction.org/Cultural/Music_P_files/P005_ImpossibleD.htm. N.d. Web. 28 June 2016. “The Spanish Inquisition.” Donquijote.org. http://www.donquijote.org/culture/spain/history/spanish-inquisition. N.d. Web. 28 June 2016. “The Unreliable Narrator in Fiction.” Fictionwriting.about.com. http://fictionwriting.about.com/od/glossary/g/unreliablenarr.htm. 13 May 2016. Web. 28 June 2016. “Training a Knight.” Medieval-life.net. http://www.medieval-life.net/knight_training.htm. N.d. Web. 28 June 2016. “What Does It Mean To Throw Down The Gauntlet?” History.com. http://www.history.com/news/ask-history/what-does-it-mean-to-throw-down-the-gauntlet. 17 June 2015. Web. 28 June 2016. “What Is Third Person Point of View?” Fictionwriting.about.com. http://fictionwriting.about.com/od/glossary/g/3rdperson.htm. 26 January 2016. Web. 28 June 2016. “What is an Unreliable Narrator?” Nownovel.com. http://www.nownovel.com/blog/unreliable-narrator/. N.d. Web. 28 June 2016.

www.MilwaukeeRep.com 13 VISITING THE REP Milwaukee Repertory Theater’s Patty and Jay Baker Theater Complex is located in the Milwaukee Center downtown at the corner of Wells and Water Streets. The building was formerly the home of the Electric Railway and Light Company. The Ticket Office is visible on the left upon entering the Wells Street doors. The Quadracci Powerhouse is located on the second level and can be accessed via the escalator or elevator. THE REP VALUES YOUR SUPPORT Financial support enables The Rep to: ✯ Advance the art of theater with productions that inspire individuals and create community dialogue; ✯ Provide a richer theater experience by hosting Rep In Depth, Talkbacks, and creating Play Guides to better inform our audiences about our productions; ✯ Educate over 20,000 students at 200+ schools in the greater Milwaukee area with Rep Immersion Day experiences, student matinees, workshops, tours and by making connections with their school curriculum through classroom teaching programs such as Reading Residencies and Scriptworks; ✯ Maintain our commitment to audiences with special needs through our Access Services that include American Sign Language interpreted productions, captioned theater, infrared listening systems and script synopses to ensure that theater at The Rep is accessible to all; ✯ Educate the next generation of theater professionals with our Artistic Intern Program which gives newly degreed artists a chance to hone their skills at The Rep as they begin to pursue their theatrical careers. We value our supporters and partnerships and hope that you will help us to expand the ways Milwaukee Rep has a positive impact on theater and on our Milwaukee community. Donations can be made on our website at www.MilwaukeeRep.com or at 414-224-9490. THE REP RECEIVES SUPPORT FROM: The Lynde and Harry Bradley Foundation The Richard & Ethel Herzfeld Foundation David and Julia Uihlein Charitable Foundation