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Re-Mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity by Melina Kristine Dabney A
Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity By Melina Kristine Dabney A thesis submitted to the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Film Studies 2017 This thesis entitled: Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the new Femininity written by Melina Kristine Dabney has been approved for the Department of Film Studies ________________________________________________ (Melinda Barlow, Ph.D., Committee Chair) ________________________________________________ (Suranjan Ganguly, Ph.D., Committee Member) ________________________________________________ (Reiland Rabaka, Ph.D., Committee Member) Date: The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Dabney, Melina Kristine (BA/MA Film Studies) Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity Thesis directed by Professor Melinda Barlow While there is a substantial amount of scholarship on the depiction of African American women in film and television, this thesis exposes the new formations of African American femininity on screen. African American women have consistently resisted, challenged, submitted to, and remixed racial myths and sexual stereotypes existing in American cinema and television programming. Mainstream film and television practices significantly contribute to the reinforcement of old stereotypes in contemporary black women characters. However, based on the efforts of African American producers like Shonda Rhimes, who has attempted to insert more realistic renderings of African American women in her recent television shows, black women’s representation is undergoing yet another shift in contemporary media. -
The US Civil Rights Movement Film and Documentary Suggestions Documentaries A. Philip Randolph: for Jobs and Freedom (1996)
The US Civil Rights Movement Film and Documentary Suggestions Documentaries A. Philip Randolph: For Jobs and Freedom (1996) All Power to the People (1996) At the River I Stand (1993) The Black Panthers: Vanguard of the Revolution (2015) Breaking the Huddle: The Integration of College Football (2008) Brother Outsider (2002) Chisholm ‘72: Unbought and Unbossed (2004) Eyes on the Prize (1987-1990) Freedom on My Mind (1994) Freedom Riders (2010) Freedom Summer (2014) Fundi (1981) Home of the Brave (2004) Ida Wells: A Passion for Justice (1989) James Baldwin: The Price of the Ticket (1990) King: From Montgomery to Memphis (1970) Klansville USA (2015) Love and Solidarity (2015) The Loving Story (2012) The Murder of Emmet Till (2003) Paul Robeson: Here I Stand (1999) Richard Wright- Black Boy (1994) Scarred Justice: The Orangeburg Massacre (2009) Scottsboro: An American Tragedy (2001) Simple Justice (1993) Soundtrack for a Revolution (2009) Strange Fruit (2002) A Time for Burning (1966) The Untold Story of Emmet Till (2005) We Shall Overcome (1989) You Got to Move (1985) Zora Neale Hurston: Jump at the Sun (2008) Fiction Films 42 (2013) 10,000 Black Men Named George (2002) All the Way (2016) Fences (2016) Freedom Song (2006) Ghosts of Mississippi (1996) Guess Who’s Coming to Dinner (1967) In the Heat of the Night (1967) The Long Walk Home (1990) Loving (2016) Malcolm X (1992) Mississippi Burning (1988) Rebekah Buchanan Fulbright Roving Scholar 2018-19 Updated December 2018 Murder in Mississippi (1990) Nothing but a Man (1964) A Raisin in the Sun (1961) Selma (2014) Other Film Suggestions that Connect to the CRM Documentaries 13th (2016) I Am Not Your Negro (2016) What Happened, Miss Simone? (2015) Whose Streets? (2017) Fiction Films BlacKkKlansman (2018) Detroit (2017) Do the Right Thing (1989) Fruitvale Station (2013) Hidden Figures (2017) The Hate U Give (2018) Tuskegee Airmen (1995) Rebekah Buchanan Fulbright Roving Scholar 2018-19 Updated December 2018 . -
Juliet Ouyoung 917-528-9764
Feb. 2015 Page #1 of 2 Juliet Ouyoung 917-528-9764 www.jouyoung.com Costume Designer Assistant Costume Designer The Shanghai Hotel 2006 Late Show With David Letterman 2006-2015 Feature / Cornucopia Productions Talk –Variety TV Show \ CBS – Worldwide Pants INC. 2006 Contemporary Drama/ Human Trafficking Fast Paste Sketch Characters \ Comedy Hill Harper, Pei Pei Cheng, Eugenia Yuan Bruce Willis, Steve Martin, Martin Short, Bill Murray,Chris Elliott Jerry Davis, Director Jerry Foley , Director ; Sue Hum, CD Neurotica 2000 Bernard & Doris 2005 Feature / Three Forks Productions Feature / Trigger Street Productions 2000 Contemporary Comedy / Road Trip 1980’s-1990’s Drama / Doris Duke Biopic Brian D’Arcy James, Amy Sedaris Ralph Fiennes, Susan Sarandon Roger Rawlings, Director Bob Balaban, Director ; Joe Aulissi, CD Mob Queen 1997 Copshop 2003 Feature / Etoile Productions Pilot / PBS Television 1956 Comedy / Mafia Meets Transvestite 2003 Contemporary Drama / NYPD - Brothel Tony Sirico, David Proval, Candice Kane Richard Dreyfuss, Rosey Perez, Rita Moreno, Blair Brown Jon Carnoy, Director Anita Addison & Joe Cacaci , director ; Bobby Tilly, CD Harwood 1999 Like Mother Like Son 2002 Feature / Absolutely Legitimate Film MOW / CBS Televison 1999 Contemporary / Sci-fi Thriller 1998 Contemporary Drama / Sente Kimes’ Story Morgan Roberts, Director Mary Tyler Moore, Jean Stapleton Arthur Seidelman, Director; Martin Pakledinaz, CD The Floys Of Neighborly Lane 1998 Deconstructing Harry 1996 Short / Once Upon A Picture Production Feature / Sweetheart Productions -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Dayton Duncan Sees the National Parks As the “Declaration of Independence Applied to the Landscape.” Now He and Ken Burns Ha
any years later, as his son faced the Mmountain goats, Dayton Duncan C’71 would remember that distant time when his own parents took him to discover the national parks. He was nine years old then, and nothing in his Iowa upbringing had prepared him for that camping trip to the touchstones of wild America: The lunar grandeur of the Badlands. The bear that stuck its head into their tent in Yellowstone. The muddy murmur of the Green River as it swirled past their sleeping bags at Dinosaur National Monument. Sunrise across Lake Jenny in Grand Dayton Duncan sees the national Teton, an image that would cause parks as the “Declaration his mother’s eyes to grow misty for decades to come … of Independence applied to the landscape.” Now he and Ken Burns have made an epic movie about them. By Samuel Hughes 34 SEPT | OCT 2009 THE PENNSYLVANIA GAZETTE THE PHOTOGRAPHPENNSYLVANIA GAZETTE BY SEPTJARED | OCT 2009LEEDS 35 Now it was the summer of 1998, and national parks, and a few weeks later Ken Burns film. For one thing, the Duncan had brought his family to spent three incandescent nights in national parks were a uniquely American Glacier, Montana’s rugged masterpiece Yosemite camping with the legendary invention; for another, their history was of lake and peak and pine. Having spent conservationist John Muir. After the rife with outsized characters and unpre- some blissful days there 13 years before president and the high priest of the dictable plot twists—and issues that still with his then-girlfriend, Dianne, he was Sierras awoke their last morning covered resonate today. -
Great Literature Collection
Great Literature Collection Aldrich Ames: Traitor Within CIA operative Aldrich Ames has, like his father, always been a company man. Although not always competent, he is chief of the Counter Intelligence Soviet Branch and has few friends within the Agency. On the verge of financial ruin due to, among other things, his wife Rosario's heavy spending, the hard-drinking and desperate Ames decides to sell secrets to the Russians. His first "job" has fatal consequences for ten Russians who worked for the CIA. Ames' boss, the Chief of Operations, who is friendly toward Ames, discovers that someone within the CIA is divulging high-level information. He appoints Jeanne Vertefeuille to head up the investigation. Jeanne recruits her own older staff, derisively dubbed the "over the hill gang". Poring through an abundance of records, case files and information proves to be an awesome task and their search goes on for eight years. After a year-long stint in Rome and now with Bush in the White House, Ames continues turning over information to the Russians for millions of dollars, re-routing deposits to Swiss banks and his wife's family in Colombia. Still an alcoholic, he buys a Jaguar and moves his family to an expensive home in a plush suburb. Ames soon realizes, however, that the investigation is closing in and gets very nervous when a Russian politico who could disclose Ames' duplicity defects to America. Ames gets lucky, his treason is not yet uncovered. Ames' own actions, however, begin to draw suspicion towards him, especially when he tries to conduct his own investigation to uncover the spy within the CIA. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
True Confessions Free
FREE TRUE CONFESSIONS PDF Rachel Gibson | 384 pages | 11 Jul 2011 | HarperCollins Publishers Inc | 9780380814381 | English | New York, NY, United States True Confessions () - Rotten Tomatoes NO need to pussyfoot. No need to mince words. Get straight to the point, even if it's not pretty or, for that matter, even if it is. Sometimes things do go right. It does happen. You know it first in True Confessions pit of your stomach. A nice feeling but unfamiliar - it's the bile vanishing True Confessions things look up. Like watching ''True Confes sions. Quite simply it's one of the most entertaining, most intelligent and most thoroughly satisfying commercial American films in a very long time. She can kill you True Confessions easily as she burns toast. Dunne's best-selling novel, loosely True Confessions on an actual Los Angeles murder case, uses history as the author sees fit, and though its syntax is familiar, its concerns are more far-reaching and more psychologically complex than the fiction it recalls. It's a big novel and ''True Confessions'' is a big True Confessions. To begin with, it has America's two best actors in its leading roles, as brothers, one an up-and-coming monsignor of the Roman Catholic Church, Desmond Spellacy Robert De Nirowho is on his way toward some of the higher honors the church can bestow, and Tom Spellacy Robert DuvallDesmond's older brother, a Los Angeles detective of shabby background. Early in his career, when he was a member of the vice squad, Tom had been on the take. -
Transsexuality in Film by Carolyn Kraus
Transsexuality in Film by Carolyn Kraus Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Representations of transsexuality in films fall along a spectrum from freak-show sexploitation, to dramatic and documentary depictions of the struggles of transsexuals, and, finally, to the metaphorical use of transsexuality in exploring borders, not only sexual borders but also racial, religious, and political ones as well. The Transsexual as Joke Whereas transvestites have been depicted in film since the silent era, transsexuals (people who have undergone sex-change surgery or who choose to live as the opposite gender) entered the movies only in the early 1950s. The earliest celluloid glimpses of transsexuality appeared shortly after news of George/ Christine Jorgensen's 1952 sex-change surgery shocked and mesmerized the world with headlines such as "Ex-GI Becomes Blonde Beauty," "Christine, by George!" and "Thousands in U.S. Don't Know Their True Sex." The first movie attempting to capitalize on the story came from Ed Wood, a quirky filmmaker who was once named the "World's Worst Director." Wood's Glen or Glenda (I Changed My Sex) (1953) tells two stories, one about a transvestite, one about a transsexual. Ex-Dracula Bela Lugosi lurks between scenes delivering screwball pleas for tolerance: "Vat are little boys made ov? Ees eet puppy dog tails? Beeg fat snails? Or maybe brassieres!" The result is pure camp, although Wood, a cross-dresser himself, flashed an intended moral across the screen in the film's opening frames: "Judge Ye Not!" The filming of Glen or Glenda is depicted in Tim Burton's 1994 film biography Ed Wood. -
October to December 2012 Calendar
October to December 2012 DIVISION OF PUBLIC PROGRAMS EVENTS, EXHIBITIONS, AND PROGRAMS EXHIBITION OPENINGS OCTOBER Fall The huge Black Sunday storm—the LOWER EAST SIDE TENEMENT worst storm of the decade-long Dust MUSEUM, New York, NY Bowl in the southern Plains—just before it engulfed the Church of God Shop Talk in Ulysses, Kansas, April 14, 1935. Long-term. www.tenement.org Daylight turned to total blackness in mid-afternoon. From the October to January 2013 documentary film The Dust Bowl PORT DISCOVERY CHILDREN’S airing November 18 on PBS (check MUSEUM, Baltimore, MD local listings). Courtesy,Historic Adobe Museum. Gods, Myths, and Mortals: www.pbs.org/kenburns/dustbowl Discover Ancient Greece Traveling. Organized by the Children’s Museum of Manhattan. www.cmom.org October 1 to January 6, 2013 STEPPING STONES MUSEUM FOR CHILDREN, Norwalk, CT October 10 to December 7 October 10 to November 30 Native Voices: New England UNIVERSITY OF MASSACHUSETTS, CULVER EDUCATIONAL Tribal Families AMHERST W.E.B. DUBOIS LIBRARY, FOUNDATION, Culver, IN Traveling. Organized by the Children’s Museum of Boston. www.bostonkids.org Amherst, MA Lincoln: The Constitution and Pride and Passion: The African the Civil War October 3 to November 2 Traveling. American Baseball Experience LOURDES COLLEGE, Sylvania, OH Traveling. Organized by the American Library October 10 to November 30 Manifold Greatness: The Association. www.ala.org HOWARD COUNTY LIBRARY, Creation and Afterlife of the October 10 to November 30 Columbia, MD King James Bible CALIFORNIA STATE UNIVERSITY Traveling. Organized by the Folger Lincoln: The Constitution and Shakespeare Library and the American Library CHANNEL ISLANDS, Camarillo, CA the Civil War Association. -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
CORY Mccrum ABDO 818.752.9450 – Home 818.625.3883 – Mobile
CORY McCRUM ABDO 818.752.9450 – Home 818.625.3883 – Mobile July 2009 POST PRODUCTION SUPERVISOR Independent Feature Zanuck Productions – “GET LOW” Film November Dean Zanuck, 2009 Dir: Aaron Producer Schneider Richard Rothschild, Line Producer K5 International & Sony Picture Classics June 2009 POST PRODUCTION PRODUCER ASC & PGA Camera Revelations Assessment Entertainment Camera Assessment Series Collaboration & Assessment for Lori McCreary CEO Digital and Film Cameras November ASSOCIATE PRODUCER LifeTime Movie For Sony Television 2008 – “Georgia O’Keeffe” Television April 2009 Dir: Bob Balaban October POST PRODUCTION SUPERVISOR Independent Animals Are People 2008 – “Magic” Feature Film Too, Inc. November Dir: Robert Davi 2008 October ASSOCIATE PRODUCER Feature Film Yari Film Group 2007 – “The Lonely Maiden” Dir: Peter Hewitt August 2008 November POST PRODUCTION SUPERVISOR Feature Film Yari Film Group 2007 – “Real Men Cry” Dir: Brian Goodman August 2008 Cory McCrum Page 2 December ASSOCIATE PRODUCER HBO Movie HBO Films 2006 – “Bernard and Doris” December Dir: Bob Balaban 2007 2007 POST PRODUCTION SUPERVISOR Feature Film Good Looking Ink “Mysterious” Productions Dir: Stewart Raffill 2005 – POST PRODUCTION SUPERVISOR Feature Film Mandate Films, December “Stranger Than Fiction” Distribution – Sony 2006 Dir: Marc Forster Pictures 2004 – POST PRODUCTION SUPERVISOR Feature Film Stay, Inc. 2005 “STAY” New Regency Dir: Marc Forster Distribution – 20 th Century Fox 2003 POST PRODUCTION SUPERVISOR Feature Film Bad Santa “Bad Santa” Productions, Dir: