THE DIAPASON AN INTERNATIONAL MONTHLY DEVOTED TO THE ORGAN AND THE INTERESTS OF ORGANISTS

Sixty-fourth Yt'aT~ No.1 - WIlDie No. 757 DECEMBER, 1972 Subscriptions $4-.00 a year - .fa cents a coy!

1973 FLANDERS FESTIVAL BOSTON AGO CHAPTER INCLUDES ORGAN COMPETITION HOLDS FRANCK FESTIVAL

An otl!'3n plavinlt competition on the A festival celebrating the 150th anni­ works of T. ~. Bach will be inch1flcd in versary of the birth of Cesar Franck was the 10th' Intem~lionat Fnrtnil!ht of held on Dec. 3 at the Church of the Im­ Music Festival of Flanders. Bruges. Bet­ maculate Conception. Boston, under the }!illm from Tuly 27 throue;h Aue;. 4. sponsorship of the Bolton Chapter of 1973. The competition is open to Of,ran­ the A,G.O. The program consilted en· jc:t!l of all nations who wcre horn after tirely of works by the noted 19th cen­ Dec. 31. 1940. The deadline (or applica. Ulry composer played by chapter memo tion is Mav I. 1973. bers. The competition includes t h r c e Perfomting were Yuko Hayashi, chair­ rounds, each round containing an obliga­ Ulan of the organ department at New tory work and onc of the competitor's England Conservatory of Music; John choice from the works of T. S. Bach. The Ferris. organist and choinnaster at Har­ first eliminatinlt ronnd includes Allein vard University's Memorial Church; Gall in da- HoI, Jtd Elir (Pclcn Vol VII Jack Fisher, inn ructor at Boston Uni· 6) . and a toccata and fll~lIc of the com­ vcrsit}'; .~rank Taylor, faculty member petitor's choice. The semi-final round at Wellesley College and Lasell Junior wilt include the Trio Sonata No.3 in D College; and Brian Jones. instructor in minor and a prelude and fugue or fan­ music at Noble &: Greenough School. tasia and fueue of the competitor's The works performed included the choice, The final round will include Pi~ct: SympllOnique. Fantaisie in .A# the Passaca(lia and Fugue in C minor Choral in E minor. Pribe, and Final. A and a chorale prelude of the contes­ choral group also sang the familiar sel­ tant's choice. ting of Psalm 150. The oTJr.ln competition will be held Immaculate Conception Church houtes on the organ of the communal conser­ one of the finest American organs of \'atoire and the ol1f.ln of St. Sa\'iour's the Romantic period. built in 1865 by Cathedral for the final round, Plans of the Boston firm of E. " G. G. Hook. As· the two organs will be sent to all parti­ sociated with the organ has been a long cipants, and other organs will be avail­ and rich musical history in which ,uch able for practice. Center Church, New Haven, Has New Fisk Organ luminaries of former day. as J. H. Wil­ The jury will consist of Kamiel cox, George E. Whiting and Guton D'Hooghe, Brussels, Belgium; Ludwig The First Church of Christ in New is evidenced by the open space below Dethier have been participants. In re­ Doerr, Freiburg, Germany; Bernard La­ cent times, the organ has become fa· I!'3ce, Montreal, Canada; Lionel Rogg, Haven. Connecticut. known as Center the Great case. Two members of the Church from its central location on New Fisk finn who grew up in New Haven miliar to a wider audience through a Genen, SwitRrland; Gabriel Verschrae­ recording of work. by Francie. by gen, Ghent, Belgium; and David Pizar­ Haven Green, is quite unusual in that contributed their efforts to thi! organ: it had no organ until the mid 19th cen· Barbara Owen. who voiced most of the Thomas Murray# one of many )?layers ro, Boston, MaM, who have Jong felt that this mstru· The first prize will be 40,000 Belgian tury. Originally. instrumental music was pipes, and Jerry Wayne Lewis, who provided by an orchestra of strings and did all of the electrical work. ment affords the best opportunity for Florins; the total prizes amount to 150,- registrational authenticity of Frank'. 000 Belgian Florins. Interpretation woodwinds. The 1814 building. designed The organ was completed in the fan by Ithiel Town and Asher Benjamin, works of any organ in the country. Until courses on the works of J. S. Bach will of 1971. and dedicated on Nov. 7. 1971 recently this instrument. electrified by also be held during the competition by was never intended to house an organ, with a recital by Charles Krigbaum of and its shallow rear gallery has always Hook &: Hastings in 1902 and unaltered the various jury memben. Further in­ Yale University, During the past year. since, hu been falling into an alarming formation may be obtained by writing: posed a problem to organ builders. The organist and choirmaster Jack. Dane Lit­ first organ, a !J·manual built in 1856 by state of disrepair. further compounded Organ Competition J. S. Bach, Sea-e­ ten has instituted a series of recitals by by the fact that it had been little played tariaat. C. ' Mansionstraat !n. B·8000 E. " G. G. Hook of Boston. had a wide guest artists. case front, but was deeply recessed into in recent years. A renewal of interest Brugge. Belgium. in it has since prompted a drive for the steeple. A larger organ. built by GREAT Austin in 1913. was recessed even fur· funds [or its restoration. The fint .tep Bourdon 16 It. 61 pipes in this procedure. a complete rebuild· MANDER TO RESTORE ther into the steeple. and suffered great­ Prestant J.lI 8 ft., 83 pipa ly £rom this acoustical ha.ndicap. Stopped Flute 8 ft. 61 pipes ing of the console. will be accomplished WILLIS ORGAN AT When a new organ was ordered from Octave 4 ft. 61 pipes by December. One of the purposes of ST. PAUL'S CATHEDRAL C. B. Fisk, Inc. of Gloucester. Mass., Twelfth 2~ ft. 61 pipes the Franck concert will be to aid the the builders felt it imperative that the Blodr.nute 2 IL 61 pipes church in raising funds for further res­ Filkenth 2 ft. 61 pipes toration and repair work.. Noel Mander of St. Peter's Organ sound-producing portions of the instru· 5eptierce II-III 159 pipes 'Vorks, London, England, has been con­ ment be located within the four walls Misture IV-VI 280 pipes tracted by SI. Paul's Cathedral, London, of the auditorium. The result has been Trumpet 8 IL 61 pipes U. OF TENNESSEE, Clarion 4 re. 61 pipes to carefully restore the cathedral organ, a design in which the Great. Echo. and KNOXVILLE AGO most of which dates from the 1872 in­ Pedal an: located in a broad but shallow CHOIR strument built by Fr. 'Villis. The ori· case against a newly made back wall Chimney Flute 8 re. 61 pipes SPONSOR WORKSHOP ginal characteristIcs of the instrument in the gallery, with the Choir division Dulciana 8 ft. 61 pipes in RQckpositiv position at the gallery Prestant 4 ft. 61 pipe. will be most carefully preserved. but a Spindle Flute .. fL 61 pipes The University of Tennessee and the new console, new action and new sound­ rail. The only portions of the organ Doublet 2 fL 61 pipCl Knoxville Chapter of the A.G.O. will boards throughout will be constructed. now in the steeple area are the blower Sesquialtera II 112 pipes jointly sponsor an organ and church The same finn has also been retained and bellows. Sharp IV 1+1 pipes music workshop on Feb. I, 2 and 3, to rebuild the late Fr. Willis organ in The case [email protected] pipes of both Cremona 8 ft. 61 pipes 1973. It wiII be held at the Church Aberdeen Cathedral. N. P. Mander Ltd. wood and burnisb~ tin in the facade, ECHO (Enclosed) Street United Methodist Church. Knox­ also specializes in the construction of the wooden pipes being from the Pedal Spire Flute 8 It. (Prepared) \·ille. Guest clinicians for the worklhop "period" instruments, a regal table- or­ Subbass and the Choir Chimney Flute. Flute 4 It. (Prepared) Principal 2 ft. (Prepared) will be Robert Anderson of Southern J!an being used in the much publicized The matching carved pipe shades by Langoe 1~ ft. (P«,pared) Methodist University. Dallas. and Phillip TV films "The Six Wives of Henry James McClellan of Ipswich, Mass .• are Cymbal II (Prepared) Dietterich of Union Seminary School of VIII" and "Elizabeth R." Noel Mand­ of Honduras mahogany. Embossed tin Hautbois 8 fL (Prepared) Sacred Music. New York. City. Dr. An­ er's eldest son John. having worked four pipes highlight the three V·shaped tow­ PEDAL derson will conduct three master classes years with Rudolf von Beckerath in ers in the main case and Choir case. Subbau 16 ft. 31 pipes for organists, and he will play a recital Germany. will shortly be returning to The keydcsk is attached to the main Oda,'e 8 ft. 31 pipCl as part of the Church Street United London to take up an executive position case. The key action is mechanical. and Rohrpipe 8 ft. 32 pipes Methodist Church', master arts aeries. in his father's firm. SupefOCtavet II 6f pipes the stop action is electrical with ad­ Misture IV 128 pipes Dr. Diettericb will conduct workshops justable combinations. At present, the Trombone 16 ft. 32 pipes on adult and children's chain. The ORGANA EUROPAE CALENDAR 1975 II entire Echo division is "prepared.II as Trumpet 8 ft. 32 pipes H 0 Is ton Conference Fellowship of once apin available at a Cmlt of $4 plus post· United. Methodist Musicians is also sup· age. The calendar. wbich includes exquisite porting the conference. Further infor· 9'" J: 11- color photograpin of European organ mation may be obtained from John cases taken by Dr. Pierre-Loub Robert on • SYRACUSE CHAPTER AGO MAKES REQUEST ~clt page. includes this year the followinl Brock. Auistant Professor of Music, The organs: WilrWurg Cathedral, Meneburg Cath· University of Tennessee. Dept. of Mu­ edral, and Stade in West Germany; a 16th The 197.!1 regional convention of the pre. L. Vieme, C. Tournemire. K. sic. Knoxville, Tenn. 57916. century cabinet organ at the Leipzis Mweum. A.G.O. at Syracuse. New York will spon­ Straube. G. Ramin. F. Heitmann, D. P. East Gennany; Valrias, Embrun. and SL Mas· sor as part of its presentations a three Hebestreit, and A. Sittard. They would DR. HELEN HEWI1T, retired bead of the imin in France; St. Florian in Austria; Leu­ day symposium dealing with late 19th also be interested in knowing of people organ department a' North Tau Stale Ulli. j.k (1693) and Jcdn:ejov (l8th century) in and eady 20th century French and Ger­ who have old 78 R.P.M. recordings. or· versity School of Music, Deaton. Tau, wu Poland: St. Pierre in Geneva, Switzerland; and man organ perfonuancc practices. They gan rolls. or recordings of organ rolls of preseated with the ru,hat award of tIae iater. Kralovice and Olomouc (1745) in Czechoslo­ would be most interested in immediately the above named performers. Anyone national boaorary music 10rorit.,.. Mu Phi lop­ vakia. Orders for leven or mon: calendars dian, The preseatation of the Eliubeth W.tb. will be filled post-paid. Air Mail delivery addi contacting former students, close col· who can be of assistance is urged to leagues, and other knowledgeable indi­ iu Award took plaee at a receptiOD oa Oct. $1 COlt lor each calendar. Orden may be lent write immediately to Wayne Leupold, 7 15 in DeatoD. Dr. Hewitt iJ ODe 01. oaly three to: Concerti Spmtueb. B.P 16 F 8B - Salat­ viduab of the following organists: C. M. E\'ergreen Lane. Cazenovia, New York. penODl ia the U.s, to receiVIl the .ward thia Die, Fnmcc. Widor. A. Guilman" J. Bonnet, M. Du- 1!1055. ,.... THE DIAPASON To All of Our Readers and Friends EdablW..d In 1909

Instead of an editorial at years end, we send you simply ollr (Tradlmlark re,'-tered at U. S. Potent OffiCII) warmest greetings for tbeHoliday Searon, 1972 and tbe New Year, 1972. S. E. GHUENSTEIN. Publbh., «1909-1957) May your spirit be filled with happy songs, may your habitat be invaded DECEMBER. 1972 ROIERT SCHUNEMAN Edllor with peace, may tbe New Year bring you enrichment and joy ofall kinds! FEATURES DOROTHY ROSER With best wishes, Performance cmd the "AflektenJehP·· lualn... Manage, Robert Schllneman Dorothy R",er bI Bach·. "OrqelbuechlelD-'· Part I by Thomaa Barmon 4, 5. 14 WESLEY VOS Walry V", Arulrey Edgren AAI"an, Eallor Bow TIme Was Nolcrted lD Early Keyboard Mu.aie. Part n by Tb. YOn Bullatee 1-7 ,I., correcl;on in ,I., body 0/ ,h, er,ic1,. HaUl­ Letters to the Editor ever, m one who hm reJloud lIum,row "all' LETl'EBS TO THE EDITOR 2 A.'I 'n'emationol Alonlhlll Deoolfld '0 lun,ed" melod,onl 41 weU lIS played 'h,m, 1 .he OrlOO and Or«an"" and con only reply Mr. Dou,lm ,1.0' his ri,hl '0 '0 HARPSICHORD NEWS Chureh Mu-'c pocasset. Mass., Oct. 15, 1972 - ollUe must be more ,uppl, ,han mine. Ev,,, 7" wj,h " reserlloir which relaj'lJ air 15 or ,ve" To the Editor ~ 25 Itcond" i, Illu been my ,xp,nenc:e tha' i. As a col1ector of rrnl organs ~Y5df, ! ~a, require, a spli' second {or /lap VIIIVIJ be­ Th. DlapGIOn O\05t int~~strd in Mr, Richards desc,nptlOn ,I., tween 'he pump and 'hI! tt'ufvoir Jeo', ,hul REVIEWS Edl'orial and Bwine&l' Offlc. of the Miles ColkTtl"n instnlments. HIS ~rst '0 producill, 01 I,a..st a ,lirh' ,hoke IlIl II., relurn stalf'ment, about mu

2 THE DIAPASON 3rcl ANNUAL LlSZT SAN JOSE CHAPTER FESTIVAL AT WESTMINSTER AGO ANNOUNCES COMPOSITION CONTEST "re~tmin Sl er Choir College, Princcton, N.J. ho~tcd the third annual American The San Jose Chapter A.G.O., Cali· Liszt Festiv3l from Oct. 27 through Oct. fornia, will commemorate its 50th an· 29. The three days of the festival wcre niversary year by holding a composition de\"Oted to lectures, recitals, and con­ competition. The work must be a "Fes· certs dealing with the various aspccts of til'al Prelude for Organ" of approxi· Fromz Lim's life and composition. mately 10 minutes duration. The win­ Dr. R3Y Robinson. president of the ning piece will be presented in recital Choir College. dclh·croo. the opening on May 20, 19i8. First prize in the com· lccture on " Liszl's Influence 3S Educa· petition will be $200, and seconu prize tor." Joan Lippincott, head of West· will be $100. The deadline for entries minster's orp'm department presented a will be March I, 19i3. The judges will recital of Llszt's organ \\'orl;,s as part of be Lou Harrison, Herbert Nanney, and the £e.o;th·al. The program includcd the Porter Heaps. Emry blanks anu further Prelude aud Fugue 0'1 BACH, T rauer· i"fonnation Illay be obtained from: ode, 0 Sacrum C,mV;l1;UUI for 3ho and A.G.O., San Jose Chapler, Anita Graves, organ, OSJa A rida for men's chorus and Competition Chairman, 810 Menker organ fonr hands, Falltas;a mid Fugue A,·e., San Jose, Calirornia 93128. on Afl Nos. Ad Salutarem Undam, and Godfr.y Hewi", organist and choirmaster the "ariatiorlS on H't'iUt'1i Klagt'li . Mrs. of Christ Church Cathedral, O"owa, Canada, Lippincott was assisted by Eugenc Roan ZUMBRO LUTHERAN CONGREGATION. is to receive the Lambeth degree of dodor 3t the organ. alto Carol Roan, 3nd a Rochester, Alinn.. has .ponsored a busy season C. Griffith Bratt received the coveted of music in recognition of his "diltinction men's chorus of \ Vestminster studcnu . 01 musial Ac tiviti" durins October, Novem­ Governor's Award of the State of Idaho for as a musician and of outstanding services The final concert included a pedonn· ber lind December of thi, year. A Cho,..,1 ..cellence in the arts, Selected by the Idaho Vespers lung by the Bach Choir of Zumbro to church music:." This is an honor bestowed ance of Bcla Bartok's Cantata Pro/ana Church IlIn! work. by Grandjany, Near, Pur· CommiJlion on the Arts and Humanities for on comparatively few church mllsicians by by the Westminster Symphonic Choir cell, Joubert, Tye and Faure on Oct. IS, and his outstanding contributions in the field of the Archbishop of Canterbury. Th. degree under the direction of Joseph Flummer­ Merrill N. Davis III, organis t of the church, music in the Itate, Dr. Bratt was presented will b. conf.rred in the chapel of Lambeth felt. Other participants in the fesl h'al piayt'd a neilal on Ocl. 22. Music lun, by the solid silver award by Idaho', Governor, Palace, ,h. London residence Dl the Arch­ were Halsey Stc'·ens of the U . of 50 111 h· the Rochester Male Chorus wal featured at Cecil Andrus. In addition, Dr. Bratt was di,. bishop of Canterbury, at a dot. to be ar­ ern California; Julio Esteban of the the Oct. 29 Vespe n, and Paul Ah n't. was gu es t lingui~ed gll8,t at a lunduran giY.n in his PeaOOdy Conscn'atory of Music; Todd CNlJaniJc alonl' " l th nt.:Iny choirs of the Rochet· honor by tile Idona State Federation of ranged. Mr. Hewitt was organist at Lam· ler arts in an aU'aty Festival of Christian beth Palace before assuming his present Crow of Vassar College: La"y Wah: of Hymns on Nov • .5 . The high school choir of Music Clubs. where he was presented a position In 1931. In inviting him to accept North Texas State U.: Harold T ompson Westwood Lutheran Church under the direc. plaque for his oulltandlng achievements as the degre., the Archbishop of Canterbury, of Mississippi State College; Joscph tion of Ronald A. Nelson Jan! at the New. 12 composer, concert organist, and as a teach. the Most Rev. Michael Ramsey, pointed out Danowitz of Central Michigan Un i\'(~ r ' Vespers. Britten', opera, " Noyc', Fludde," er. Dr. Bratt was forme,ly chairman of the thaI the term "honorary" is not lIsed in SilY; Stephen Eroley of Toledo U.; Son· was presented under the direction of Roy music department at Boise Slate College, connection with the Lambeth doctorate, which ya Hanke. Australian pianist; Agnes Broulund and Lloyd Ketterlins as part 01 the and he Is now composer In relidence 01 th" Rochesler Relisiou, Arts Festival on Nov. 19. "0 Walker, pianist from Scotland; anti Na· Khool. He is state choirman of the A.G.O. Is straight-forward recognition of merit." Alexander Boggs Rvan was presented in re­ Mr, Hewi" was born in England and re­ dia Kouucn. violinist from Princeton. cital on Nov. 26, and Robert E. Scoggin played In Idaho, and he was the 1971 winner of ceived his musical training the, e, His con­ organ and harpsichord with a consort of ,ing. Peabody Conservotory's Distinguished Alum. tribution to church music was recognized in ~n and inllrumentalists on Dec. 3. A multi­ ni Award. His late,t opera, "Roche!," was 1969 when fie was made an auoclate of the ST. ANDREW'S CATHOLIC CHURCH, med ta sen'ice ltd b)' Ihe voutb of Zwnbro premiered in Bats. in October, wII.,. It was Royal School of Church Mllsic. Fort Worth, Texas, \

DECEMBER 1972 3 • Performance and the Affeldenlehre In Bach' 5 Orgelbuechlein Registration, Tempo, Phrasing and Articulation, Ornamentation, and Expressive Nuance Part I: Chorale Preludes for Advent and Christmas

by Thoma. Harmon

A rulllidan CAnnot move ocben without him­ which the period or Ihe eilhtecnth century thc nouns and verbs. For, as• Lang con. sel( beinl moved•..• He mUll especiall, per_ developed and put to we rhythmic, melodic, lant aspect of Bach's pictorial aud ex­ form this duty in millie or which the _lure .nd motivic ronnulaa in the art of unaie •• •1 eludes, "The spedfic formal principle of pressive langu:age in Ihe cantatas, ora· is hilhJ,. upnsaivc whe-thtt it .. by him or the baroque is the statement of the 'b:a­ torios, and pusions. The Frcnch over­ another composer, 1n che! lauu _I he mUll sic atrcctlOn' and its subsequent CJ:ploi . be lure 10 take on lbe Cedinl which tt.e «1m. Late Ba~uc authon contemporary to ture·style of the opening chorus of his poser intended in wrilinl iI. B:ach offer many interesting comments t:alion by continuous exeansion.''' from Cantata, BWV 61, abo based On Nun - C. P. E, Oach1 ahout the a(£cctions in music, as Scrauky this ~int, a more dctalled scrutiny of It o mm~ der Heiden Heilmld and com· summarizes: Andreas Werckmeister in Bach s symbolic and pictorial techniques posed at Weimar, provides an interest. This advice to (he eerforming musi. his Harmon% gia Mwica (1702) recom· is the next step toward a discerning per. 109 model. Although the prominent dot­ cian from the pen of j. S. Bach'l most mends to the organist the changing or Cormanee of the ..... ork.. Again, the Ger. ted rhythms in the cantata setting stress celebrated son i. well taken and prob­ keys when playing chorales in order to man text or a literal translation should particularly the element of majesty, nnd ably rcOectJ bit fatber's careful tutoring bnng out the inherent afCect.s; Johann be the guide, since the usual poetic tbe spirited section in triple meier sug· in the art of mU5icai performance and Matthcson in Der Yollhommene Capell. translations, although beautiful in tbem. gests a glad state o( wonderment, the composition. Indeed. the Or,cr.i1.chlein meister (17!9) mentions the affective selves, often alter roruiderably the mean. orchestration is not large and brilliant itself may bue played a very important implications of dance music and its rhl.' ing and placement of the k.ey descriptive but relies only on the beautiful Counda­ role in Bach's traming of his IOn, as thms; Jean.Philippe Rameau claims n ..... ord.. In the following discussion of tion tone of the string ripieno. For the su~ted by the composer In his prefa. hi, Observations Jur notre irutinct pour diverse chorale settings hom the Orgel. Orgelbuchlein setting the aura oC won· tory inxription: "Wberrin a beginning '0 musique (17541) thal the beauty of bikhtein, this autbor', literal tnnsla­ derment and the richneu of the har. organilt i, riven instruction in many harmony is the key to arrective expres­ tions of the German are offered. with key monic texture suggest an cnsemble of divcne way. of realizing [i.e., composin& sion; while his compatriot .lean-Jacques afCectlve words italicized as a ~int of the most beautiful Coundation stops on Dr' performing] a chorale , . .''11 tlespite Rousseau posits th:at melody is Indeed reference for the stUdy of Bach s use of the organ - either flutes or principals. Bach's seOou, ~:agogical intentions the primary vehicle for expression of the the AJlelttenlehre and the implications or a fusion of both. Flutes 8' and of' in and the sage adVice o( his JOn, however, arfccts in his Leure .mr fa musique to performance. To permit a Rudy in the manual with Subbas 16' and Prin. the expreS5ive implications of the text Jranrai.se (1752) nnd Dictionnaire de depth, only rep'resentative choiolles for cipal 8' to set orf the petInl slightly by and tbe affective mUllcal devices are mwique (1767). A summary of the ob. each season Will be treated as models means of 'cello-like color should be very often ignored in otherwise fine &ervations of these and other writen, for subsequent independent study by ideal, In a large room, manual princi. modern performances of Bach's works. both historiClI and contemporary, dis. the reader. p:ab 8' and of' may be used with pedal To pc:rform a Bach chorale.prelude with closes that affective powers arc attri­ In the first chor.Ue-seuing for Advent principals 16', 8', and 4'. Tempo, like­ no regard for the exprasive inrerenccs buted to nearly e\'ery element of musical NIHI Itomm. der Heiden Heiland, BWV wise, plays a vital role in creating the of the text is to overlook one or the composition and performance. 599, a gencral mood of sUfplication and proper affect. For this work, the chorale composer'. most subtle and artrul con. What were some of these lpecinc IIIU­ wondrous anticipation 0 tbe coming melody must be discernible in four beats tributions to the piece :and might be sical·rhetorical devices at the time of of Christ is dearJy described by the key to the meaSUre so that 'he figuration compared to the acting of a st:age role nach? Arnold Schering's enlightening words in the text: does not dominate, yet the tempo must completely out or character, or, :as Rus. Itudf of Christian WolCfs Psychologia maintain the wondroul longing and rna. sel Mile. amusingl)' obsef\'es: emplrica (1733), one o( the most im­ HoUl &0".•• Savior or the HeatheD, jesty of the affect, Hermann Keller's portant of all late Baroque documents Recosnhed Son of the vtrFn i recommendation of quarter·nole = of 0 • • , the orpairt who pla,.. &cb a~rdiq­ dealing with the Affelctenlehre, reveals Whael~ the whole world ill ia DIOII"nJfI.II' seems well advised.1t Ph"'aJing lind Grli. to tbe "raiap of bt. own coaceit, aided aDd some of tile prindp:al devices: That Cod o,".ill#" (lor Him) ncb a birth. eulalion is anothcr aspect of perCorm. abetted by the Unc:onKioUi driyes o( bit tolar anee which may enhance or contradict ple:naJ, .hould be .bunDed, .. tbe paJater would Primitive symbolic figures (those Bach evokcs the mood of supplication the mood implied by the text as it may AU"dr be art"Ctted who attelDpted \0 "rn the through the reJentles.s appoggiatural and Mona LiM. whb a pet'lDaDeftt waft.- which do not derive their origin. from also bring into relief or completely dis. other earlier figures): suspended diMOnances cascading down. guise the tone p:ainting of the melodie Before delving into a study of Bach's I) Ascending and descending scales ..... ard through all the voices and plead. figures. In Nun homm the accompani • affective musical language and Its mean. for ascent and descent ing for resolution on the final tenor mental figures must flow downwnrd in ing to performancr of rep~ntalive 2) High and Jow register for moun­ note. A wondrous ercect is created by a smooth legato 50 as not to dominate chorale settings from the OrgelbiJchlein. tain and valley or heaven and earth the ethereal bc:-:auty of the suspended the melody, While careful brnths at the a few general remark.. IDlght be in order 3) }'amiliar figures for hu~ing, hes­ harmonics and by the unbrok.en .pell end. of each phrase of the melody and regarding the commonly uled but sel. itating, awakening, p I u n gin g, of the gentle 16th·note motion. More before each new apex of the pedal', dom undentood term AI/dtenlehre, or marChing•• taggering, ete. specific tone painting is exhibited by descending line will set these important "Doctrine of the Affcctloru," as it it the descending patlems oC four 16th. rhetorical figures into relief. Regarding Derived I)1nboJic figures (those which notes and the descending pedal figura' ornamentation and expressive nuance~ uJUlllr translated into Engll.h. In hll jtem from other figures): extenl ve monograph on the subject tion which many authon have recog. any imprOVised gracrs would clutter and Waller Serauky points out that descrip. I) Rocking figures for the sea amI nized as symbolism of the descent or confuse the already lavish 16th·note di­ tiona of mullic related to AI/eclw (pas­ waves Cod'. Son to earth. Moreover, the dot­ minutions. which must be recognized as sive of Latin aI/juTe - to do to some. 2) Resting tones for sleep ted rhythm in the pedaJ, cited as "ma. ornamental and performed accordingJy one or something) date all the way back 3) Tritone (or pain and the Cross jesty" rhythm by Albert Riemenschnei. with deep concentration on the affect to Arbtotle and Plato up through Cas­ 4) Accumulative dissonances for death der," contributes not only a feeling of to be ponrayed. Such a gem as this siodoru. (llth·12th c.), Clarc:anus :and and ten-or4 majesty pervading the supplication and chorale·setting might very well have Zarlino (16th v.) to a flourishing peak wonderment but may also symbolize been used by Bach (or the "Prelude to in the 17th and 18th centuries or the Schering, in :addition, undertook. a corn. God's ordaining the coming of His Son the Chorale" which he himself indicaled Baroque.' Ciullo Caccini in his foreword plete study of the symbolic use oC canon, on earth, as suggested in the fourth line to be part of the "Order of divine ser. to Le nuove Musiche (1602) describes and tracing this device b:ad as far as of the text. Mattheson's comment that vice in Leipzig on the morning of the the expre.ssive power of hannony :and the time of Dufay (d. lof74) ill a Iymbol the key of a A minor is "honorable and first Sunday In Advent," notated in his vocal embellishments: Monte\'crdi in of the onenew of tbe Father and the cabn" seems to be completely in agrt'e­ own hand on the inside cover oC Can. ment with Bach's chOIce: of that key bll foreword to MGdrigali Guerrini et Son, categorizes Bach's use of canon (I) ll tat:a, BWV 61, as reported by Albert AmOf"osi (1638) cites three di££crent af. to depict the verb fo/gen (to follow): bere. A. another eluddntion of the I)'ID' Sclnveitzer.u fecu depicted by rhythmic devices: stile (2) to reveal through the l:ack of inde­ holism, the noted Viennese organist An. A reading of the text itselC does not cona/o/o (:agitated Ilyle) , stile tempera­ pendence of the two voices some manner ton Heiller recognizes the four-nole fig­ wholly reveal the geneioll arrcct pot. to (temperate style), and stile moUe of bond between the two (metaphoric­ arc in 16th.! not only as the rint four trayed by the music of Golles Sohn ist (soh Ityle) representing Ira (angcr), .Ily); (5) to symboli.. met.phorically tones of the chorale melody in diminu. Itommen~ BWV 600: TemperanUJ (temperance), and Humi. the lead voice as a model to be imitated tion and inversion but also as the sign lita (humility) respecth·cly. In his Har. by something represented by the suc. oC the O'oss, :anticipating the Passion of Coli', So. hal come monie Universelle (1636) Marin Mer. cessive canonic voiCCt; (4) to symbolize Christ. FDt II.. z-J D/ ,.u ....li,." senne dilCuDCS the affective powers of spiritual unanimity oC the voices: (5) Hc~ 011 .""". musical instruments - trumpet, hue, to symbolize a compUlsory imitation, as Of 'owl7 "i"", the second voice is controlled by the TItat he may fn:e stringed instruments, nute, etc., while And ''''''i,,1/ us from ala. Albanalius Kircher in the Mwu ...gia first and forgoes its independence and unive... salis (1650) considers the validity individuality: and (6) to symbolize ele­ Nevertheless, a study of the music mm. of geneioll associations o( the major and ments which are divided and yet at the pletcs the picture. The key of F Major, minor keys with specinc affects, :and same time are inseparably bound. there­ reports Mattheson, "is capable oC ex. Isaak. VOISius in his De poematum cant" by suggesting lOme kind of previous di. Although ulis may at fiNt strike the vine Jaw.' reader as f:ar·fetched fantasy, there is pressing the most beautiful sentimenll et viribus Rhythmi (167~) relates the in the worJd: m:agnanimity, ateadrast. andent poetic meters to the affects. In As to the comparative importance of :ample documentation, Cirst of all, of thl:! symbolic interconnection of Pa.ssiontide ness, love ..• in the most tremendously the 18th century, according to Scrauky: the role which this Doctrine of the Af­ n:atural manner and with unparalleled fections plays in the Baroque period, with the Advent and Christmas sc:ason in other music of Bach as well as in facility." Thus. the key helps to cre:ate ••• 1M AI/.41.. /.A .... coma iato doau couch Paul Henry Lang comments in a recent essay: ~Jigious "Tilings and art throughout the mood of stc:adCast Christian lovc cs­ with ....thetic:l of rauskal imitation. • • • The tablished by Christ's coming "for the old Al/d,nJ."r. &he~ro~ undcrJoes a notable history.u Secondly, Bach's graphic sf""' bolism of the Cross through mUSical good of all mankind hcre on c:arth." .,stematbation throulh the Ityliution or &he The music of the baroque Jpran, from the The smooth, natural flow of the upper fiauns of p-ammalkal aUec:tive upre-ion, lor moth'Cs such as this one has long bt.'Cn background furnLahed .". the aUeetion. and three lines heightens the atmosphere of tclftpenmentt; ud (rolD its YU')' bqianinp recognized in connection with his SI. prcle~DCe was accorded tel mUlic coDneeteel Mnul.ew Pcwion and with the Orgd. goodness and a semi-detacbed articula. with worn. a"d action.- tion of thc walking bass line (I.h.) com. _Dr, Harmon is University Organist and blichlein SC'tting of Da Jesw an dem Kreuu stund {to be discussed later).u municates stcadCastness "on earth." Kell ­ AssistlUIl Professor of Music ot the Unl·' cr secs Bach's uSC' of canon for the ex. versit, of California# us Angeles, and Thus, in interpreting the organ works Finally, HeiHer points out the genlly of Bach, it is particularly important to undulating figure in the treble accotn. position of the cantw lirmus as sym . arganist at First United MethodiJt bolic that "God's Son fulfilled the Law," Church, Santa Monica. In addition to his consider the afrective qualities of those panimental voices oC the last measure :as works which are connected with words: the cradle· rocking motive which arpeara while Anton Heiller suggests that the scholarl, 'Work in the performance prac. the Chorale-preludes. As a point of de. canonic voice represents the Son on eanh licu of b4f'oque mwic, he is active IJI a subsequently in Bach's setting 0 Pile,. panure, every sensiti\'e artist should ex. Nnlus in Bethlehem. (s)'lnbolized by the earthly voice of the red"lis/~ lecturer, and ped.,ogue. His trumpet registration requested by B.ach) amine first of all the original Gennan Of prime importance in the realization doctoral d;s.serlalion (unpublished) WGS text of the fint .tanra of the chorale to following in the image of the Father in on ·'The Registration of J, S. Bach', of thesc arrecuve devices in performance Heaven (symbolized by the "lead" voice Organ Worb." determine the basic expressive quality on the organ is tbe choice of registra. through key wordJ in tbe text, usually played on the "Principal" 8'). Another tion, just as orchestration was an impor. mterpretlltion might be to a.seociate the

THE DIAPASON llrst voice \\' jtlt Christ. the "Principal," Heillcr, on the othcr hand, sces the gen­ association of trumpets with majesty and C~ristmas settings from the Orgelbllch· leading mankind. the earthly canonic tle undulating figuration as the rocking joy in the late Baroque.11 For the left lem. As onc last example in this study, ,'oice of the trumpet. from sin. Less of the cradle, already foreshadowed in hand accompaniment a scintillating rcg· his chorale· prelude on Wir Christen/ellt • 5pcculativc is the symbolism of the can· the final measure of N,,,, komlll, der istration on the IWckjJositili or Brrdl­ UWV 612, presents three difrerent ai­ stant sIring of 8th-notes unwinding in Heiden Heiland mcntioncd above. Re­ U'crk. topped by a Scharff or C)'mhel fects deri\"Cd from thc text: the alto voice 10 depect the " unbinding" garding the dl.'Sccnding moth·c in the mixturc. is idcal. Foundations 16', S', from sin. It is prohably no accident that pedal, this author would agree with and 4' perhaps undcrlincd by a Fagotto We Chri.uian rolk; we Chri5tian folk I he descending scale In the bass voice Keller's allal)sis that it represents the 16' pro"ide an appropriate complement May now ujo;Cl', (m. 9 - 10) occurs simultaneollsly with descent of Christ from hea,'en, a motive in t.hc pedal. Here is also a fine oppor· For Christ is born 10 comfort the textual reference "here on earth," a u'h k h pCf\'ades the entirc Ad,'ent and tlll11t)' to usc a cymbelstcm if it is not And to brinl to us aalwtion. Whosoe"er seeketh comfot' in Him concept which is also honored in the Christmas portions of the Orgelbiicl,- too lOUd. A moderatc tempo of about And b,lil't'"h .d,aJltJJll)' shall ne'er be 101t. placement of the Trumpet caulIls liTmus 1(,;11, rathcr than with Schweitzcr's eXLTa· quarter-note = 66 aHows both the mao to delineate hC31cn and earth. Bach's polation beyond the text to vicw this jl.'Sty of thc melody and the joy of the ~:irst of all, an atmosphere of rejoicing single indication for a trill in the main descending figure as .. 'a constant suc­ accompaniment to cOllie forth, particu­ l'i produced by the stylizcd Passepicd \-oice on the word "FrommeR" (for the ccssion of deep obeisances' of ule kings larly if the cantus /inrlUs is articulated dancc rhythm Figurations good or bcnent of us all) suggests per· before the Child Jesus." The o,'crall slightly betwcen notes to create the bril· haps it is Christ who is portrayed by e[(c(t of this pedal (igurc, as previously Iiant cffect of tonguing on a trumpet the Principal's mclod)'. suggested, is more like Ule pealing of and if thc tcnor's 16th notes arc treated J JJJj rID,J) ] n regard to pcrfonnance, it should bells as in the pedal ostinato of In dir staccato and arc answered by staccato £irst be noted that the indication a 2 ill Frellcle; nwv 615. 16ths ill thc alto \'oicc to clarify the dia· found aho in the 9/S C Major Prelude C14-11 . It Pedale as fom'arded in most In the registration of this work, one logue bctween the t\\'o \,oices and to B\\,~r 547 (cited by Kellcr) , the finai editions and in Keller's book. is both IllUSt find a sollnd which will reflect cOllIributc to the Q\'crall sparklc: section or the "Sl , A""e" Fugue BWV impractical and absent from Bach's au­ both tendcrness and controlled gladness. :152, ,thc A ",itlOr Fugue, BWV 543, Ihe tograph manuscript of the work. {This Dcpending on the acoustical situation, Glon~ of the IJ m;'lOr Mass, and the i! also true of f' om Himmel ham der a flute or principal ensemble not ex· ecstatic Herrscher des Himmels chorus /£lIgd Scllaar, HWV 607, and In dille; ju­ ceeding 2' pilch in the manuals should froUl thc Christmas Oratot"io, just to Mia, (BWV 60S.) Probably this stems produce the dcsired quality. Especially nil me a few . S~condl)', the mood is quiet. (rom a lack of understanding of Bach's effcctivc is the use of flutes S', .... 2' in ed somcwhat III 111. to and II in parallci ,'aluable and unique registration mark­ the manual with Subbass 16' and Prin­ to the phrase "Whosoever seeketh com­ rort ill J-lim" as the pcdal drops out to ings, calling for Mall. Princip. S F. and cipal 8' in the pedal to sct the ostinato This is a finc example of Bach's melo­ figure slightly apart from the other focus Oil the mOTC delicate manual lex­ Ped. 'rrolllp. S F., which Hans Klotz in­ dic, rh)·thmic, and aerccti\'e usc of mor· correctly intcrprets in the older Ncther­ ,·oices. An allegreUo half-note = 58 I urc which suddenly begins to mo"c dClll'i, appogl(iaturas, and slides (alto more complaccntly 111 steadily flowing lands tradition indicating a Principal should produce thc desired fceling of ,,"oice) as wcll as notes im!gales (tcnor ple""m up through the mixtures. Yet controlled joy at the tcnder nathity I6llnlOtes, Finally, as Schweitzer points "oice), and the tcmpo II1USt not be so Ollt, the contrasting "step motive" in Uach's registration, as taken literally to scenc. Phrasing and articulation should slow or the articulation so pronouncl...t include breaths after cach phrase o( the the pl'tlal aptly pOTtrays the concept or indicatc only two S' stops, is perfcctly as to £oc us undue attention on thcse in keeping with ncwer trends of registra­ choralc melody in the soprano and a steadfast bclief by means of its promi­ decorath·c clements. Finally, the pedal nent m~tric. pulse and strong melodic tion in the late Baroque, particularly in moderate articulation in the pedal be­ linc benefits rrom a breath bclore each Hach's nati\'c central Gcrmany. Only forc each syncopated half-note 10 em­ angulanty fmuly undcrscoring both the apex to emphasize the symbolic dcsccnt. rhyth!" and the hamlOny.n It is a vcry nach's registration is capable of correct­ phasize Ule apex of each descending line Thc joy of Christmas reaches its peak ly rcalizing the balance necessary be­ as wcll as to produce the cffect of peal­ c(fcctn·c 10llch indced that Bach silences in Hach's selling of J'om Himmel hocll, tl,l.e pedal .during the phrases dealing tween canonic voices as well as between ing bclls. Rlogarding the two instances cia homm' ich her, B"rv 606: I he bass and alia voices, at the same of common notes between the soprano ~\ Ith sal\"atlon and comfort. then bril1"lI time producing thc appropriate a((ect amI alto \·oices, the alto should rule in From hl'allen abov, ,., earth 1 ,"o rne It. back dramatically in the final phra~ m. 4 at the end of thc phrase in order To bear good news to every home; Wllh thc words "whosoever belic\'eth of stcadfast Im'e and goodness. The mod· Glad lidin" 01 It.. j. y I bring, crn pcrformcr must, however, bewarc of to maintain the Sth·note motion but a, stead,fastly," which arc gil-en final em. Where"f I now will say and ling. phasls by the firm tonic pedal point a badly voiced or dull Principal (which should allow the melody to rule in the (Tr. C. Winkworth) may be improved by combination with pcnultimatc measure where the SUI-note III the last two mcasures. O"erall unity a flulc ... or a string S') and must take 1Il0tioil is reinforccd in the tenor. The Great joy is nonnaHy associated with of all. three affects is prO\'idcd by the care that a lJlodern French·stylc Trom­ constant 1Il0"Clllcnt of the eight-notes the Baro'1ue composers' use of the ke}· G I!111l0r . tonality, which. Mattheson pctte docs not Q\'erbalancc the Princi- dcmands special control in pcrlormance of 0 Major. as witnessed by Handel's ~onflflns, IS also suitable for expressing al. The tcmpo should be a moderate to create thc a(fcct of tenderness and Hallduia', CllOrrts, Vivaldi's Gloria. and moderat~ seriousness," A vcry spccial Clalf-notc = 60 to bring the canon into to complement the other voiccs rathcr the GI~ia from Bach's B minor Mass. momcnt III the harmoll), occurs with Ule relief and to allow the 8th-notes to un­ than to lead them in it stream of con­ Matthcson says that D Major " is by na· eXlendcd tritone dissonances in the third fold in a relaxed and natural manner. sciousncss. Hnall)'. an improviscd trill turc somewhat sharp and capricious and mcasurc from the end on the accent d Phrasing and articulation should care­ on thc melodic leading tone to the final for loud. joyous. martial, and arousing syllable .of ver/ore" (lost), which Ih~n fullv heed thc rests at the end of each measurc will help to enliven the final things." Certainly DOlch's ecstatic out· rt.'SOI\'e IIlto thc optimistic and joyful phrase in both canonic ,'oices, while cxclamation of "Alleluia'" pouring o( I6th·notes intcnsifies the af. c~msonance of thc G Major tonic in the rmal two measures. the alto ,'oice should maintain a smooth Badl dcpicts rcjoicing in it more exu­ feet , although Ulcre is more to these legato so as not to attract attention bcrant mallner in his setting for two chains of diminutions than fint mect! .AII th.ree affcCli\'e idcas must be sup. away from the canon. and the bass manuals and pedal of thc chorale Der thc caT. Spilta recognizes the rising and po.rled III the choicc of registration. A should be only slightly detached in or· l·ag. der isl so freudenJ"eich, BWV 605~ rall~ng tetrachords of 16th·notes as sym­ bngh!, y~t dolce and cantabile manual der to prcservc its lincar flow. Further bolism o( the singing "angelic hosts soar­ COmbl!latlon , su~h as (Jutes or especially expn.'Ssh'e nuances suggestcd in conncc­ ing 10 and from heaven.'- Moreover. ~all~lful prmclpals S· and 2' or 8', .. . tion with the intcrpretation of the af· This day is so lull 01 joy I!IC rising and falling 8th·note pedal 2 w!ll help to transmit simultaneowly Of all living creatures, (Igure, also in rOUT' note motivic units, thc J?y '1I1d the solace of the text. while fective language includc careful empha­ For God'. Son rrom Ille Hea\'enly KingdOlJl, sis of the trill in m. 7, resolving it rciterates this pictorialism. In the final a sohd pedal or foundations 16' and 8' Above all Nalure. phrase of Ule piece. the long descent of smoothly into the two quarter-notcs Is born of a Virgin. a~propnat~ly balanced with the manual which form a turn at UIC end. Con· :Mary, thou wert chosen all four voices, culminating dramatically will contnbllle a fecling of steadfast­ sciousness or both canonic voices cntcr­ That thou were Mollier. on a ler~a firma of .o's .spanning fOUT ness. An allegretto> tempo of about dot­ ing and cxiting may be cnhanced by What wondrolU thing has come to pass? octaves, IS an awe·msplnng example ted quarter-note = 52 will allow aU SUbtle nuance as can the approach to God's Son Irom II•• Heal1enl7 Kin,Jom o( ~ach 's genius in tone· painting. Anton t!lree moods to be impressed upon the 1s born all manl.:ind. the low "C" in the bass line in 111. 10 '0 Heillcr looks c"en dceper into this final IIstencr. ,\s regards phraling and arti. and in the penultimate measure to com· phrase . and rccognizes .in the pedal the culation. the slightest comma after each municate the symbolism of "here on His choice of G Major as the tonal symbolic refercncc agam to the Passion group of (our 16th.notes in the inner earth ~ to the informcd listcner. ccnter is, according to Mattheson. "apt o( Christ in the fonn of the sign of the ,oices .w.il~ enhance the dancelike quality Joy breaks forth in the Christmas for checrful pieces,'· To produce an af· cross~ fol1~wed by the s)'ncopated dC!­ of reJOIclllg; howe,·cr. the performer chorale, Puer 'latlts in BetMellem: fect e,'cn more (ull of joy" the com· a:ndlllg hnes, as later used in the set­ should be watchful to let the chain of poser employs writtcn·out mordent and ting of Da Jesus an dem Kreuu shmd 16ths in m. 10 anti II unwind smoothly appoggiatura ornamcntation in the alto 10 depict Christ's hanging on the Cross. and legal o to suggcst "comfort." The A bftY is bftrll in Bethlehem ,'Olce to provide a "joyful. soaring . To reflect ule "grcat jO)·" mentioned pedal's Sth.notes should be played semi· Thus r.jltice, Jerusalem I rhythm," as described by Philipp Spit­ III UI~ l~xt an~. the "loud. joyous, and dctached to stress their steadfastness. AU"";,,I \lIduia! taP Ricmcnschneider's correlation of aro~ s mg quahttcs or the kcy, the regis­ Throughout the picce sensitive and sub. the tenor's dotted rhythms willi majesty trauon should be "sturdy and big." as tic h'-filS o~ thc phrase will help to com­ Bach's musical intcrpretation of this mOl )" indeed pro"ide the nccessary sym· Ricmcnschneider recommends. rather mUnicate III sound all of the inner a((cct incJudl.'S the joyous Sth·note Ole· bolic reference to "the Hea"cnly King· than "misty and delicate," as Keller al­ secrets of the piece as rC"calcd in the tivity of the inncr vOices and the bcll­ dom." as docs the chorale melody itself lows. Late Baroq ue practices as well as scorc. like peal of the syncopated pedal osti­ with its dOllcd rhythms and darion·like Bach's personal tastes would sugge!l a In summary. this study has attempted nato along with his choice of key - a straightforwardness. suggcsting regal fan­ p/~num uniting foundations, reeds. and to ~onfinn the especially important role skillful blcnding of G minor and its fare. Thc combincd e{(ect of the con­ nllxtures of coupled manuals with a which the Alle/delilellre plays in Bach's relative B-f1at Major. Among other trapuntal intcrwea"ing of the alto and hca,'y, rced·dominated pedal, including dlorale.prcludes as well as to establish qualities associated with the key o( G tenor "oices is certainly too ebullient, even a 32·foot flue if manual 16·foot a method by which the modern organist minor. Mattheson instructs that it is ho\\·c,-cr. to rcpresent the "rocking of tone is a,'ailable. The tempo should may approach the pcrfonnance of these the "most beautiful kcy." usable not the: Child's cradle." as suggested by Gei· bring out the joyous exubcrance at about works analytically in order to realize only for "tendcr ulings" but also for ringer" and Kellcr, who sees this motive quarter-note = 68-72, thus requiring their fulll.'St artistic contcnt and to com­ "controllcd gladness." B·flat Major. he already anticipatcd in the previous chor· ample breaths after each mclodic phrase municate them "a((ectively" to the lis· feels, shOUld be ""ery cntertaining and ale setting. Gdobe. seist du, Jew Christ. and careful attcntion to rests in order tener. This approach should include: brilliant." These keys. therefore, arc In thc pedal the familar descending fig· that the rhetoric of the mwic will be (I) study of the original German text perfcctly in keeping with the controlled ure symbolizes the last two lines of the clear. Grouping of the ~dal figure into of the first stanza of the chorale to de­ gladness and brilliance appropriate to stanza. sweeping phrases of four notes each. ex­ termine the key affective words and cept for the penultimate measure in the tender scenc of the child in the The registration of this work should t~eir prccise occurrence in the organ sct­ manger. As regards symbolism in this ~~ich the two quarter-notes should be tmg; (2) careful choice of registration reflect both ule joy and the majesty of JOlllcd to the four Sth-notes whidl fol­ setting. Schering suggests that the en­ Ule text and mllsical ideas. Bach singles so that both the color and dynamiCS re­ twining Sth·notes of the inner voices low, will elucidate the symbolism and neet the general a(fcct of the text as out the ca,.tlls firm us on a separate produce a fine musical effcct. Again in represc_nt the wrapping o( the child in manual to pernlit the usc of a solo ,'oice well as the registration practices of the swaddling clothc;s. a technique which this chorale the performer should be time: (3) establishment of a tempo hl\'iting the selection of either a trumpet careful to control the 16th·notes so as has a rrecedent In the first rccitative of or. cornet or both combincd in keeping which will bring all elements of the I to a,'oid an uncomfortable sense of ur­ SchUtz s Christmas Oratorio: ' 'nth 18th.century tastes and thc general picce into propcr balance with one an­ gency or a stream of consciousness. Spe· other and with the basic mood of the cial emphasis may be placed upon the tex.t; (4) application of phrasing and ;"Bnd sbe bore ber rirb bl-ginning of the long descent of Ule artlculallon not only to enhance the final phrase and its resolution on the overall mood but also to differentiate F' F p .~n. I • .. . J ....e tonic octavcs . various musical-rhetorical figures and i I I Bacll's techniques for expressing joy to stress. those; of special significance; a I Q at the coming of Christ seem almost (5) conSideration o( ornamental figures son aDd wrapped him in svadd ling " inexhaustiblc as one marvcls at the (Co,ltinued, p. 14) • DECEMBER 1972 5 J suppose that the rrader has got tJ,is To mate the durations longer it W3.5 b.T mote or Il'SS aliL'gm. I must ask. him. then possible 10 be:u the minim3. It is however, (0 change into aclagio when casy to see that possibility III docs not How Time Was Notated studying what (ollows; at £irst reading it ha\'e the same effect as possibility 11. is not easy to understand this. as it is ndore we go on with this we have rather complicated. We ha\'c to think of certain results of "transla· lions" of old music manuscripts into In Early Keyboard Music, Part II ~ ,II modern notation. I shall only speak whol.," half·,J quarter-. efghth-notes of the notation of time and not of PUdlo by Th. van Huijstee lM:caIiSC the relation between two notes t'S of notes, rel:ltions of intervals. orna· following one another anti indicated by lIlent3tion, dds, or accidentals. (First publi.hed in Ho' Or"ol, monthly malazine of the Dutch Society of Organi... , these symbols is aIW3)'S Ihe relationship Bars were originally pl:lced 10 hold April 1971. Reprinted by permi.sion of the author. Translated by Dr. ANr.d Ro.enber." Frankfurt alMaln, W•• t Germany.' 2: I. We do lIot ha"c "thinl" noles, al­ together what had to sound together; though l'o'C can. of (ourse, write triplets. Ihey brought a ccrtain cle:lrncss huo the groups oC notes. In the old manuscripts How long note duratiuns should be is well as a duple meter mcasure; this de­ attained. This, too, was ad:lpted to 1 not clear all hr itscU. The relation of the noles were not alwa)'s placed clear· I)' one below the other. The first pur­ pends on the rhythm. 1/3 1/6; I I/~ 1/6. the "old" notcs, used until qUite a num­ The C symbol seems to be extremely Above all ber of years after 1600 - pose for placement of barlines was to makc aCCcnts in the music evident. To long-lived; it is still used fr~uent1y. stress certain notcs in the stream of a living fossil; in English it is called "f t=I <> ¢ "common time" :lnd it means no more longl, brevis, sem1brevls. &G lnta. sound is one of tllC most fundamcntal mtlsiClI aCln lUes; it regul:ltes the than it 4/4 measure, a meaning which was thoroughly ":ldapted" in this way. was sol1lcliml."S 2: I, but could also be stream, gh'cs some order here and there, the reader will understand was not pos­ Rarely was the duration reducl'tl to 8:1. This dcr.ndctl on 3. symbol at tbe some rhythm, If ccrt3in rhythmic pat· sible in fonner times bl'ClUse there were lhe fourth part; in fact unly in the case bt.'ginning 0 the score. The duration of terns, cOlistell:ltions, can be countec.l and 110 measures, tcmpus irnperfectulIl cum prol:llione im­ lhe scmibrc,'is was absolutely constant: measured referring to the tillie, we can Lel us go back to the second passi· perfecta: C. The result \'0'3.5 then: 1/2 i.e., the time IICCL'SSary for two unhur­ SIlC3k of a meter. Old music notation hilit)· menlioned above: i,e., to divide 1/4 1/8 - proportio quadrupla, symbol ril'tl steps of an adult. A mc: tronome was could define the duration of the sounds the durations of all notes by two or to C4. not necessary. by the lactus, but it could not gh'e any reduce them to one·third. To make un· The reduction 10 2/' of the duration The relation longa/brevis which could information about their metric con· derstanding easier, I shall repeat the - proportio sesquiahcra. symbol 3/2 - be lIection which is possible in our mod­ fOllr fundamental relations: measured was frequently called for. The series ern system up to a certain degree. Not by tacti, the durations, respccth'ely, of then read: "".31=1. "9 · ,r=t lhe all accentuation is a question of time; (See Examplc 4) was called modus, a word di[ficult to it is possible HefC again Ihe last numbers of e) and undersland because of many meanings: t::J, and are undl!r I) to make a cerlain note sound 0 J !) had 10 he adaplcd 10 1·1/3 2/3 1/3; also meier (\-erse) or mode (key) . The stronger (See Example I) ;lnd 2 2/3 1/3; the two relations lciation brevis/semibrevis was caJlet.l 2) to gin: It a higher pitch in rder· tempus; the relation semibrc\'is/ minima eflce to others By dh'ision the so c:tlled proportions arc possible. Division by 2, the so·Cllled ""as called prolatio. The relation "mo­ 3) to give it a longer duration ci'"'Gl dus" is extremely rare in keyboard mu­ 4) to shollen the preceding note and proportio uupla, is because of possibility Ill, (0 I 2/3 1/3 sic. In addition to it there arc four m:lkc a new attack possibilities: (Sec Example 2) and I 2/3 1/3. It strikes us that in dif­ 5) to give it a ncw color by :I disson. mvision by ~, the so-calcd proportio ferent ways more than once the same te.pus 2:1 with prohtton 2:1, sY ll bo1C ant chord, for example. or a dif­ triple. is series is attained. fen:nt timbre As menlioned abovc, possibility II te.pus 3:1 with prol.t'on 2:1, 5Yllbol£) 6) to provide it with an omament, (See Example 3) Perhaps the reader will be astonished is indicated by placing a vertical bar te.p.s Z:l w1th prol.tton 3:1, sy.bol~ as for example, a mordent, to notice that, beginning with the 5CC· through the symbol; lhe proportio dupla or 10 usc a combination of these pos. ond possibilit)'. the cast'S a) . b) , c). an~ bl' placing a 2 ahcr it. Sometilllt'S the te.p.5 3;1 with ,roletton 3:1, SI.bol~ sibilities, It is interesting that people dl attain what was suggestt.'tI by poSSI. result is the same: Thus the complete or haIr circle ex­ who know languages. for whom this bility Ill. that is, the tactus will n~ presses the tempus relation; 3 was "pcr­ SUbject is of some interest, GIll the $CC· longcr indicate the dur.ttion of a scml· ¢·C2t lect," 2 was "imperfect;" and a dot or ond case "musical" accent. Cases 3 and hre\'is but th3t of a bre\'isl We can s:lY the absence of a dot indicates thc pro. 4 :lTC (Iucstions of time. but the others that the seric.>; of the original list have Thc proportio triple Is marked by 3 latio, whethcr "perfect" or "imperfect." define the rhythm as well, been shifted to the leh: the I which or 3/1; the English sometimes pl:lce it The complications which come from It is evident that old music, nOlated indicated the scmibrevis has got under under the symbol as wdl; the proportio this can be sccn by what follow!!: under the symbol C Cln bc transcribcd lhe brc\ is. nut now I remind the re3der scsquiahera by 3/2 and sometimes the directly into our contemporary system: of the rule "Notes shorter than the whole symbol is not written at all. but CI=I· , O •• J ; all relatiolls are duple; the metric pat. minima e:!list only with the relation only the number is marked, One has to tern derh't!u from the old lIol n indicatts 2: I." Such notC5 did not exist in the gd accustomed to this bcctuse it just '.'01=1· 3 0· , J where oorJincs arc to be p13crd: if the original !Cries, but now, by shifting to dOt.'S not mean a duration 5 or 3/2 times In the latter coast: each minima lasts 2/3 of sclllibrc\'is is translated by a quarter· the left, they get into usc, and arc in a as long; nor docs it mean that measures the time a minima lasts in the first flole, the hrc\'is is, of course, a half' llote, certain liCnsc represcnted by the nUIU ­ of three half.notes (minims) will (01. case. On the other hand. a bre\'is under and so on, Nott'S of the same value he­ her mo)t to the right. In the cases c) low. the tween two bars are counted, the nu­ and d) the last numbers do not corres Here I ha\'e made a survey of (he rc· merator indkales the ntlmber of notes, pond to the necessary relation 2:1; they I;ltions of long to short durations and e the denominator the \'alne. so the mod­ arc simply :ltlapted to it and changed placed the symbols :lfter them. I ha\'e ern 4/,1. 3/8 and other tillle signatures symbol lasts I V2 timcs as long as under into I 1/3 1 / 6 ~ I 1/ 3 1/ 6. e milled s)mbols not (or almost never) C: the scmibre\'is, howe\'er, has a con­ arc pos.o;ihh:, Such a modern fraction It was e\ ident. too. that in the cases uscd. The meaning of :I few symbols stant duralion, the time necessary for coln e\'eu say something about the rhy· not menl:oned until now will become two unhurried steps, of which :ahout 120 thm: "/2 or 6/4; the C symbol may be clcar: done away with now, as, for el(:lmplc a C 3 .., €3 are possible in one minule. In the (See Example 5) modern way, sequencc of notes nuder the olll C the :.im (If p<»5ilJility III that the bre­ lOay llccolUe a modem triple meter a. \ is should last olle taclUS was not l ct E\'en now the I- symbol is called alia· breve; the tactus was alia brevis; this o . "" ,. tactus was not beaten faster, bllt the Mostly the duration of a semibre\'is Example I. ~ duration of the notcs marked after that was marked by beating down and up ,.) e: 2 1 0: 1 <::: 2 1 0: 3 1 ', ~f symbol was halved b)' comparison with \\'ith the hand in the time ntocded for ~ ~ ~ their duration under the C symbol. The Ihe two steps - in other words, time Example 2, expression "tactus 311a semibre\'c" for beating, A "tactus" was lhen the time Ihis .'iign has become obsolcte; hm\'c\'er, necessary for one down and lip heal. 1/ 1 ~ ~.); 1 16 " common time" still existsl Time beating by 110 means meant "to 1~ ~ }:{ ~ J6'\ 1~~ ~ If lOU have some sense of variation usc the balon" in the modern sensc. or EXilmplc you can imagine more symboJs 3nd cal. e\'en "to indicate the spt."Cd;'· it simply a. culate their relationships, as, for elCarn· had the (unction of clockwork. bl pic! If we express the relations indiClted %~Ye 1 X re ; %~~ 1 X ~dJ; above by the tactus as time unit, the ~ 3 0.(1)1 result will be as follows! Example 4. You might meet them sooner or later. 2%~ 1~ %%f); 2 %%0; Do not forget that first the number has t:I ~ ! 1.~ %~ to be applied to (he symbol, then aher· EX:lmple 5. n'anls. perhaps the reduclion to haU by c 2 1 1/2 Ihe \ertical bar. 0 3 1 1/2 1=1 The symbols indicated in this survey 2 1 1/3 ~ ! were used by the composcrs mentioned <:: 3 1 1/2 3 1 1/3 0 in the first P3rt of this article. After all this hard work, I shan most likely 0 3 1 1/3 (Notes shorter than the minima existed 0 disappoint the reader. The system dc­ tailt'll abm'e is the result of 20th·cen· only in the relation 2:1.) 2 1 1/2 C Now a poSSibility seemed necessary tury perfectionism. Historic reality was to gh'e the sounds marked by the notes 2 1 1/3 ~ mostl)' different: less exact, more richly· a shorter duration. Three ways seemed faceted. possible; 2 2/3 113 Time symbols are more or less like m = 0~ the name or Sweelinck. Van den Sigten· horst Me)'er. in his book about that I. To beat faster; but this w:as out 1~ 1/2 1/4 02 of tile question, because it did not cor· = composer's instruln~nl:ll music, writes respond 10 the idea of "tactus." 2/3 1/3 C~ = 0 = ~~ = ~ lhat he had found ll10re than 25 dif­ n. To agree to hah'e the durations ferent spellings of the name. even of all sounds; this was marked by a ver­ 1 1/2 1/4 ¢ :::> = 2 S"e\'elingh. ''''hat wns that man's n:lme, tical bar put through the symbol. E\'en = asl..s the lIIan of the 20th century? The the shortening of durations to a third 1 1/3 1/6 oi = ¢~ = 03 = C3 =~3 = :!)=3=l mistake is in the question. We ClU him or fourth part could be planned. Swcelincki that su££ices. Ill. To agree that the tactus should 1/2 1/3 1/6 ¢~ Until now 1 have left aside all vari­ no longer indicate the duration of a ants and doubts: pont of them, however, semibrevis but that of a brevis. Tbis 1/2 1/4 1/8 C4 = j) = :xc = ~ I have to demonstrate now. All time was indicated by adding a number to symbols were nol developed during the the symbol - following it, or linda it. 112 1/6 1112 $3 = q:3 same period; lhey were changed, used 6 THE DIAPASON ,,'ilh different meanings. sometimes nUL oh, the J3ck of exactitude in In the fi n t case a half·note gets 2/ 5 \'erdi. In the prefaces 10 his editions. hrought into il system which WilS mler· formt: r times, according to our ideal! of its duration aftC!J the bar. In reality Frescobaldi asks for vari3tion of tempo rclcd wrongl)' laler, then notated care· A dot aher a note means (now and in it sounds shorter: the proportio ses-­ when playing his TOCC:tt3S. He still r.4."$;\1)". and as we ha"c said, were no (ormer times) to lengthen the nOle by quialtcra. In the second case the dura· sticks to a rich arsen31 of old symbols. iOI1Mcr used after 1000. for the most paft. half. r\ dot in the C symbol lil;.cwisc tion of the haH·notc is not ch;lOged, but but the playcr is not obliged to submit How IOllg did il tactus last. aftcr all? had the meaning "to It:ngthcn thc dura­ the accent is. and a duple mct~r is :oilrictl)' to the lactus. C3dcnzas must be !'\Ol all SI

May ;ffl,is holiday seasom fill you and you rrs with the

liIa~p i ness of its trrl!le mea n i ng. the birth of our Lorrd and Sav.ior, Jesl!ls Clil rist.

HlIllfII'8toWn, M ar.y'/tJnil

DECEMBER 1972 7 Clavichord, Herbert Howells. The in­ being composed to cure an insomlllac, strument used was Richard Kingston's once called it '30 sleeping piUs'; 60 is HJi2 copy of the I ilh century Ridol£i an overdose," harpsichord in the Smithsonian Institu· The Houslon Harpsichord Society tion. (Urian Davis, presidcnt) held a mttt­ Jerry Brainard, harpsichord, and Rob­ ing on Sept. 13 at the home of mcmbcf5 ert J. Alcala, oboe, presented II rechal Mr. and Mrs. James Ratliff. The pro­ for 'fCXlIS Tech's Department of Music gram consisted of EIiwbethan songs

8 THE DIAPASON .. .

CfHRISTMAS

THE PRAISE OF CHRISTMAS Edited by Paul Thomas Volume 1-97-5050-$3.00 Volume 11-97-5085-$3.00 For two treble instruments, organ or harpsichord, and bass instrument. Also suitable for general use. NEW ORGAN MUSIC 12 ORGAN CAROLS FOR CHRISTMAS

By Hermann Schroeder Way,... H. Conn has became the assi.'ant Martin Neary. argonht and laO"e.. of director of music at St. Gu'Ue', Episcopal music at Winchester Cathedral. England, will No. 97-5017 - $3.00 Church on Stuyvesant Square, New York make his next American recilal tour under Based on the same carols that Hermann Schroeder arranged City. H. will .hare responsibilities of the the lilian Murtagh Concert Manogemenl. musical program for the ,egular Sunday Mr. Neary is already well known on this for choir and instruments. services and ,h. IIxten.in Mrie. of Sunday continent from th'ee previous tours. Further­ afternoon choral program. for which the more, he has been heard by mOllY Ameri­ church has long b."n renownHi. Actin as cans in England who hO'ie ottended his ,e­ SUITE FROM DROTTNINGHOLMS-MUSIQUE a recilalist, Mr. Cohn It olsa a faculty mem­ cilab in london, where he was organhi at SI. ber of the American Academy of Music. Margare"" Westminster previous to his ap­ Johan Helmich Roman. Arranged for organ by Tenafly, New Jersey. HII did under·graduate pointment Ihis year to Winchester Cathedral. studies 01 Texa, Christian Univenity, Fort Mr. Neary wal olso conductor of the South. S. Drummond Wolff Worth, with Emmel Smith. organ, and Bev ern Cathedral, Fe.tival held in Winchester No. 97-5106-$2.75 HenIOn , tDnducting; special summer studies la.t summer. and many Americans attended the f."ivol. Mr. Neary" next trankOnfinen­ From the orchestral suite of music composed for the marriage in Parh. France, with Jean langlois; and graduate s,,,.d ... 0' Union TheafQikal Selnt­ fal tour jlt the Fall of J973 will begin on festivities at Drottningholms Castle, Sweden, in 1744. nary. New York City, with Claire Coci. or· Od. 1.4, 1973. His tour will include recitals gan. and Robert Baker. Earl Berg, and in both the u.s. and Canada. Abraham Kaplan, conducting.

JOHN N. KENNEDY, M.D., of Metuchen, N.j., played ~dt.a" in Europe throu&:hout THE ST. PAUL'S CHOIR OF MEN AND jllly and AUKUSt or the patt .ummer. Hil novs, St. P.aul's Episcocu.l Church, Akron, ilinc:r.... ,), look him to churches nd cathednlU Ohio. iworan iu 80th &eason with a lour or in Leiden, HaarJ.:m, ' .. Uertogenbosch, The Ensland pnd the! Continent. The touring clloir Hasue, CopcnhajJen, lIillerod, Salzburg, Lon­ or 42 choNters sang 14 servicn pnd concert, don, Bristol. Wellt, Ely, and Edinbursb where at 51. George', Chapel, Wintbor Castle; Exe­ he played works by Bach, Dayno, Haydn, ler Cathedral; the Church of St. Mary and Monk, and improvisations. SI. Nicol:.. , Spalding, Lincolnshire; Canler­ bury Cathedral; and 51. Paul', Cathedral, Lon­ don. Englanll; and 01110 in The American Cath­ TilE MEN AND BOY CHOIR Of CHRIST ~~!?Ia edr.al, l'aris, Fr.utce, and the c..tbedral in CHURCH, Fllchbuf'J. Mau., periortMd Faure', 3~58 SOU," oIE"fftSON AWNUl Antwerp, Delirium. TI,e choir, which lu, served "Requiem" and Bach'. "M.o.snirJC:lt" on Nov. SAINt LOUIS. JoUSSOUAI &)111 the parish sina: its beginnin, in 1892, is di· 5 under the direction of Da\'id Hewlelt with reeled by Robert Quade. Manball Bush lervins at organin.

10 THE DIAPASON "In iuuing ,h. present djl~, 'he 8ac" Choit of Set'dehem i • • , • plaHn,in. G dacumen' ,ha' ,ommand. enduring tlgnWcon,e in '''e world of 8a~h p.rfarm­ once." - Allred MGnn

a new 33 1/3 stereo record of MENDELSSOHN'S BACH RECITAL

(first perform.d August 6. 1840, at St. Thomas' in Leipzig) Kamiel D'Hoogh, well known Belgian or· Robert Roubos. chairman 0' the music d. gonist, will make his second American tour partment at 'he Stota University of New early in 1973. Mr. D'Hooghe, who is direc· Yorlc, Cortland. N.Y., has been added to played by tor of the Royal Conservatory of Brunels, the artist list of Arts Image. A Chicago na­ and organist of the Abbey Church of Grim. tive, Dr. Roubos received his formal educa. bergen, will open his tour January 19 with Hon in Michigan from grade &Choo1 through WILLIAM WHITEHEAD a recital at the University of West Florida, a mader', deg,e. In applied music at Michi. Pensacola. Mr. D'Hooghe, who also is pro­ gan State University and Ihe OMA degree on ,h. 70 rank organ of Th. first Presbytarian Church of Bathleh.m fessor of organ at the Lemm.ns Institute in at the University of Michigan. He has taught In the re~.nt lach fe.tival Louvain. and at the Conservatory of Moal' on the fa~ulti.' of Easl.rn Mkhigan Uni­ lIicht. HoUand. will give a master clau in \'tinily and the Univenity of Michigan, and Pensacola on January 20. On February '" he has been chairman of the music depart­ and 5, he will toke part in ,h. Church MulTc ments of Adrian College and the Univer· contents: Passacaglia and Fugue In C minor; Fugue In E-flat Workshop to be h.ld at Southern Methodist sity of South.rn Mississippi. In addition to ("$t. Anne"); Toccata in F; and the Pastorale in F University, Dallal, where he will OliO g'''' perfDt'ming os an organisl. Dr. Raubos has both a recital and master cloll. Oth.r ap. alN» worked with chamb.r music: enNmble. (four movements) pearanc.' include "an,o, City, Houston. the as a pianist and harpsichordill, and h. has Univenity of California in ..rkeley. a re­ served as organist-c:hoirmaster In churches cital for the AGO in Fre,no, St. Mat"" of vatious denomination. during hi. student Pari'" in '0t11and. toy, Town. St. Norbert's and fac:ully assignments over tha past 20 $5.00 per record, plus 50¢ postage and handling charge Abbey, St. Joan of Arc Church in St. Clair years. Shores, and the Notional Shrine in Wcnh. ingtan. In New Yorlc City Mr. D'Hooghe will THE CENTRAL MORAVIAN CHURCH, lklhkh~ m , P;l. I.tld ii' annual Elitrllc Bothelr. Please include name, address and zip code when ardering. ploy at 51. Thomas Church on February ~ . John'ton MemorUl Music Festival on Nov. The da'e' of the recitals will appear In the 19. The program includ~d Bruc.knC'r', " Mass calendar poge,. in E minor," G;lbricli', "In EccleslU." Pur. cell', " E"ening Hymn ," " 'Vater Music" by Make check payable to: BACH CHOIR OF BETHLEHEM THE LYNCHBURG, V,\. CHAPTER David Moritz Michael, and Rew', " Chorale A.G,O. u· ... "rlled to Syria, Vitlinia on Oct. Ind VariatioN." n.c ChOIUS, 1OI0Bb, ;lnd the and mail to Main and Church Streets 28 to 5R Ihc 1800 Tannenbers organ still in Concerto Soloi.ts of Philadtlphi;l we re con­ usc at Hcbron Luthua n Churt'h. Robcrt Gar­ Bethlehem, Pennsylvania 18018 bef' poi nled nul intlrrl!Stin", an:hilec:tul';ll tea­ dllcled by Richard Schanu:. tU1'el of the buildin, which dall!S from 17-40, JIM EADES, 16 ye;lr old .enlor ;It South· tllC oId"t LUlliera" church buildin, .till tiled can High Sc:hool, Wkhil;l, Ka 11SOlS. w.:u. pre­ And owned by LUlllennl in the U.S. Its )0.. Knlcd in ucital by the Wichita Chapter AGO, r:ation in the Blue Rid",e Mountains provided KanPJ:. He has .tudied organ for four ycan Li'ian Murlagh Concert Management, 80x 272, Canaan, Conn. 06011 the chapter with It colorful autumn outing. under Dorothy Addy.

WE'VE MOVED IN!

Lawrence PhelpS announces his return from Canada and the relocation of his Company

to the United States to its new facilities tn

ERIE PENNSYLVANIA at 2419 Holland Street

Lawrence Phelps and Associates

peCEMBER 1972 11 New La Montaine Work Premiered at Kennedy Center

A FRANCK FIRST The N31 ional Symphony On:hestnl. ('cello and contrahass) ha\'e cue"" the ,\0'31 Dorali. conductor; Paul C:1I13wuy. $JIIlC pitches throughout thc text; \'t't orpnisl; Donald Cramm. baM-baritonej thc), occur at diffcrcnt times rhythmic· at The john F. Kennedy ecOle)" ror ::lily, so that they arc sitnult::lneously de­ the Performing Arts, Washington, D.C., pendent ::lnd indepcndcnt. The "un· The premier recording of the Saint Meinrad Archabbey organ, October 10. 1972. Program: Ditlryramb, speakablc" ::lt the close of Silence Is por­ one of the truly beautiful organs of the country. Spacious, four· Stephen Burton: Wilderness Journal. tr:t\·cd bv a pM, or(!an tone duster with lohn 1.::l Montaine (world> premiere); elcven "ery high pitches over ::l low E· channel "QUAD" recording faithfully reproduces the glorious "Holidays" Sym/JI.ony. Charles I\'es. nat pedal, reinforced by tam· 13m. In sound of this magnificent instrument and is fully compatible the .succeeding mO"ernent, the organ Washington audienccs h('":Ird the long­ Zimbclstern join!! woodwind!! and ~r ~ and playable on standard stereo and mono equipment. ",waited world premiere of John La cussion in forming Ice Cr)'~/al.( which Montaine's lI'i1deniess Journal as Ant~1 can almost be 5Cen to ~liuer. Through­ A "tour-de-force" of Franck's organ works including Piece Dorati ami the National Symphony Or· out the S)'ml,IIony. thc composer h::l"i Heroique, Priete, Pastorale, and Final. chestra opened their 1972·73 season with !ihown ::l tremendous nair ror color in a bold and stunning contcmporary pro­ orchestration!. Thc highest compliment gram or American music. Commissioned that can he oFrcred is to .QV that he has by Cathcrine Filelle Shouse for the sllcc~fully coO\'ertccl Thoreau', "word· opening of the Kcnnedy Centcr Conccrt paintings" to "mmdc-paintings." I-Iall and the I:ilene Oqr.m.. dedication With all thill, it must he said that one lear carher, the La Monlaine work thc work is not particularly succcssful (subtitled "Symphony for bilss, baritone. ::l:'l a ,"ehiclc for the organ. Enept in organ, .lIld orchestra") was delayed be· ~ctions I and 7. it is uscd as an iO!!tru­ cause the organ W:lS not completely in· ment of the orchestra: pcdalpointJ, hinl SI:lllctJ :lcconling 10 sclu.-uule. !iOng interjections. lCf!3'o chords in "a Mrs. Shome, whose generosity ill sup­ scamlcs..'I, kaleidoscopic legato from be­ port of the arl"i ha' also gi\'cn the na­ ginnin~ to end" (Smuet) , hright lfilh. tion its first lIational park. for the per. notc fi~t1re<; in Ice Cry'slab. ]n thc Iwo forming ::lrts (Wol£ Tr::lp F::lrm Park, secliollS where the or(!an is gi\'cn ex­ in ne::lrby Vicnna, Virginia) , £irst wrote tended solo pas.<;3JJCS (Paean to NahITt! 10 John La Mnntaine in January of a'ld Nnillre i.f a lI'i.:nrd), thcy ::arc n01 1969 10 rcqucst that he compo~ ::l work hasically otl!3nistic in stl'le: the toccata for the combincd occasions of the Ken­ !i('ction of IIlc nnening IIIm'cmcnt con­ nedy Center opening ::lnt! the organ sists of disiunct 16lh.nntcs O\'cr a pedal· dcdication. In his respollsc.the composer. ooint, and the main organ clements of whose Pint'" COliurto, opus 9, won for the Tf'i:nrd section are 16th.note triplet him thc l"ulit1cr Prizc for Music in 19j9, figurnlions in parallcl oCla\'c~. Thc indicated his interest ill the sounds or memnrablc MIIIUls of Wilr/ernes.t JouTn­ naturc, ami commcntcd: "tn f:lct, it is af arc not tho~ of thc organ as a solo possible that the org:m. with its . "ast iustrument. And \'et it shouhl he point­ colorful rcsourc(.'S, would he ::lfl Ideal ed out Ihat 1.., Montainc has succccdcd complcmcnt 10 the orchcstra for realiz· in tilling the organ to great ad\'antilgc ing both thc elcmental rorees o[ nature, in Ihi!! particul:tr role. ::lIul thc lIIost delicatc tr:tcerics or birds Thc performance was excellcnt in al. and lapping watcrs." Mn. Shouse IIIOSt e\'cry rcspecl. The sole instancc agreed, commenting that she has long In which the !;corc wa<; not realized fell thc I1t't,>d of a great work based on W:lS .. , the Olll~t, when conductor Do­ the wrilings or Thoreau. r::lti insisfccl th:u the introductory lor­ "'rom this corn'Spondcncc grew a I;n;".o chords of the or~n part he SylUphony of 15 sections, c~ch bascd on cut hack !!harpl)' so that the orche!itral 'I mclodic scrial thcUlc wlHeh servcs to m;ltcrial (mark.ed with lower dynamic ~mify the cntire composition. Sections lc\'cls in the scol'C) could he heard. I, 7, ::llld 15. which delincate the arch The grnndiose erfcct wa!i thm dimin­ uf the Spnpholl)', arc for or~n and ished. OTJ:p. l~ist Paul Calbway played orcht'Stra; in all thc othcr seClions, the thc "crr difficult orgal' score hrilliantly. bas''I.haritone 5(.loist juins in words se­ and with !iCCmingl)' little effort. Whilc Iccled from Thoreau's writings. The hill quict consolc dcmeallcr would win IIlO\'ClUcnts arc: him few scrcams of adulation froln those Paean to Nature who need a \'ariely show with thcir mu­ lI' e ~feed tile TOllic 01 JlTildfiess sic. his complcte command of the in­ Little Brook l'itrtlment ahfl h iJ musicianship were ai­ Michael Murray, one of America's brilliant young organists Spruce Swamp l\'a"5 in e\'idcnce. Frogs The Filenc Mcmorial Organ. gift of and a pupil of Marcel Dupre, made his European debut in Leiden, 1 Sit jn My Boal au lI'aldeli the Uncoln and ThcTt'SC Filenc Fnnn­ Holland last summer the week before these recordings were Nature is a lI'iznrd dacion through Mn, Shousc, i5 an Aco­ My Friend Ii:m-Skinner thrce lUilnual (Great, Swell. made, drawing rave notices from the Dutch critics. In January, Cobwe bs cnclo!ICd Posith', Pedal) of 76 ranks. Mr. Murray will give recitals in Stockholm, Amsterdam, Paris, Silence Placed abu\'e the orchestra across thc lee Crystals grcaler portion of the width of the London, Berlin, Bern, Barcelona, Strasbourg, Cleveland, and In Wildness Is ti,e Preservation 01 stagc or lhc Conccrt Hall, its named New Haven. the World cnpllCr pcdal Principal pipes domfnatc SU flSet the "isual aspccts of thc room. with Mr. Murray is represented by International Concert Admini­ T he World is Gilded lor My De­ the cxposed Grcat dh ision fanning the light ccnt~r of the p~pe fa.cade. It is e5.'lCntially stratie, Von Boshuizen.traat 549, Amsterdam 11, Netherlands. Epiloglle a fmc souudmg tnstrllment, harking We were rcminded or the Ul3nclous hack to thc ,\colian-Skinner sounds of c\'QC31ion of t he British spirit and thc the ';i()s rather than somc of the unbal. lIalUral beallties o[ thc English land­ anc<.'d micings of the past dt'Qdc. Its scape anti seascape portr:t)'ed by Ra!ph CIne tmuhle SI){)t is in thc pedal reeds. Vaughan 'Villial11s in his sympholllcs: which arc both unmusical in sound and An ADVENT limited edition recording available from: John L::l Mon13ine has captured lUall)' g) fuzz)' in pitch a~ 10 rcnder rapid FFF of the images paintcd by the Thoreau pcdal solos uudeclphcr.dlle. The hilm ~ tcxts, wea\'ing rich t::lpcstries of color­ 'tlcring of thc rccds against the shalJolis ORGAN RECORDS ful thre3ds wo\'ell 011 ;] Sl'rial loom. The was ch'arl}' hcard when the pedal of most 01)\ iousJy accessiblc of these pic­ thc orgall and the orchestrnl trombonc/ 23366 Commerce Park Rd. tun'S is the UlO\'Cll1cllt Frogs. Following tuha wcre pJa)ing in ullison. Surcly tltis the tcxt "And thcn the frogs, bullfrogs; could hc improved. Cleveland, Ohio 44122 they are the more sturdy spirits of an· In SU1l1l1lar)', thc JI'i1tlemess Jottrnal cient wine bibbers and wassailers, still is a magnificent addition to the con­ nnrepcnt::lnt, tf)'ing 10 sing a catch in tempurary rcpertoire: all of liS owe a their Stn;i:m lakcs ...," La Montainc sinccre deht of gratitude to Mrs. Shouse Please send _ .. Michael Murray Franck records to: writes "Frog c.,nons" :1 2 ::lnd a 3. willi for gh'ing to the nation both this com. rambunctious " .-ibbcu" ( 16th-note coup­ mi~ ion~ worl.. ;U)(J th.e great organ for lets, the first of C::lch lorle and the scc­ wlllch It was tllc dedication. With the Name ...... ______... __ . _____ .... ______...___ ._. ____ ._ ..___ -- ..... ______.. _ ond pintlo) from b:wooll aud trom· Kcnned)' Ccnter instrumcnt ::ldded to bones: crickclS. and soprano. contralto, it!! collection, the nation's capital is sec­ and contrabass Rubber Raucrs inhabit­ ond to none as ::In organ and church ing the movcmcnt. Thc audience greeted music c.tpital dty. Address ..... __ . _ .. __.. _____. ___..... ______._ .. _ .. __ .. this non-Aristophencall comedy with - Gcorrrey Simon rrcqucnt chuckles. If you hne been in an old swamp, Geollrq Simoll, MA. FCCAl. "" GO, with wcighty moss hanging fro," e\'ery ChM, is orgatlisl·cho;rmnsler 01 Christ City ___. ___ . ______. ______.... ______State _. _____ ._ ..___ Ii P ______trec branch, you know UtC mood of the Lutheran Church. lI'a.shinglon, D.C., suspcnded animation which pervades proleJSo rial let turer i" music at The S/1Tuce Slvamp. O\'er a low F-sharp American Urtiversit)', and dean 01 ti,e Price: $4.98 each plus 50¢ postage and handling. pcdalpoint. a sombcr quiet only occa­ DiMr;cl 01 Coltn"'Jia Cllapter 01 tile sionally is accented by swamp creaturcs A.r..O. Active as a recitalut and con ~ We pay postage and handling if payment accompanies order. com'cuing in woodwind )::lngtlilgc. dllclor, he WIIS also general chairman The musical portrait of My Friend is Of 'he HJiO A.C..O. Mid·Willler Con(lt'n' clear; the bass singcr and the baM strings lton.

12 THE DIAPASON New Frobenius Organ Dedicated in Cambridge, Mass.

James Johnson, organist, in the inau­ sto ps and !;mall comhinations and. }"e~. gural concert of the new Fmbcnhl!l or­ e,'en thc swcllhos, were tastefully em­ Jr-ln at Fin' Church, Congregational, ployed. After thi!'i there camc a slightly MUSIC CALENDAR 1973 Camhridge, Mass., OCI. 6, 1972; assisted breathless DOlch Tormta mul Fugue, re hy imtrlllllcntal group conducted by lic\'ed by a screne Aflagio, and all played A most welcome gift combining unusual beauty and usefulness Gernld Moshell. the First ChUTCh Choir, with COIl!>ider;lble techniqlle as well :15 throughout the year, and remaining a permanent record and Marlc-cn MOlllgomery. percussionist: life. Prelude tUul Fugue in E minor, nu="tc­ One has the feeling thai the cnthu!; i thereafter. hndc: DtUlCc.I from lilt! AlJtwu/1cner astie helting OUl of Eiu feslt: [Jurg In Tauz'",c1,. (16th (cnlUty); ConceTto 4 ("hoir, congregation and orchestra might The 29 illustrations for the 1973 Music Calendar (including the in F. opus 4. Handel; CllncOFmt! in F hare drowned the organ Ollt had it not cover, title page and each two-week calendar page) are minor, rachclhcl: Touatn. Adngio- and hc..'C1I posscs~d of somc \'itamin,enrichc,1 superb reproductions of works of art concerned primarily Fugue in C. nach; COllurlo i,. G lIIi'lOf uppcrwnrk that sparkled abo"e e,'cr)" lor Organ, Slrhlgl anti Timl,n,,;, Poulcoc. thing :lIId led the way. It set the stag:c with composers, musical instruments and manuscripts. The dedicatioll of the new Frohenius nicel)' for the roulenc concerto which organ in the First Congregational closed thc program. Thc run org.1II Various countries and many centuries are represented through Church of Camhridge, ~bss" was a chords which hcgan the work h~ d , for the widespread media of architecture, collage, crystal, mixed hag of goodies. The chutch was :til their complexity, a lean alul wiT) transformed ituo a concert hall with n !'uund. Of :III the work!> on (he program. drawing, engraving, iIIuminated manuscript, lithography, siZt.'ablc orchestra of strings anti wood­ the roulenc conlained the greatest num· painting, photography, porcelain, printing, sculpture in winds occupying a platform in the cen­ her of contrasts, from the aforcmcn· bronze, stained glass, woodcut and woodwork. The tradi­ ler, backed up by what was billed as tioned full organ to some disClCeli) Ro­ "The First Church Choir" bllt which mamic soumis, prc\'ionsl), unheard, from tional Peters Edition green cover (with easel back) encloses looked more like a segment oC thc the Swell. A !;pitiled and drh ing inter· superior paper, beautifully printed. Uat\-;ml-RadcliCfe Choir. At the left, prctalion wall ghcII h)' org3ni~t johnson. facing the congregation from a wide Ihe !; tring~ or the orche~tra, and a de­ Important musical events associated with each day of the year transept, slooo the organ in all its hlond ceptively inscTlllihle tympanist whosc are listed on the reverse of each page: dates of composers, 'oicandina\'ian splendor, upon which or­ n:ullc conld not he found 011 the pro· Aa ni~t J:lInes Johnson was \'isibly groO\'· grail). conductors, concert artists, other musiciar.s, educators, i,,~ . ' AU in all. it was a most S3.tisr)'ing mu­ critics and publishers; first performances of various musi­ The ptogroull bcgan with the singing sical experience: the sort of happy celc· of OM /-Imulretltll, followed by a spicy bration an organ dedication should be. cal classics; founding dates of many leading schools and p~rfntlllallce by johnson of the Prelude but often isn't. Perhap!! a clue to this orchestras - interesting and valuable information In plan­ a"d Fugue in E minor by Buxtehude. congregation's healthy ::utitude may be ning anniversary programs, and for many other purposes. Then mmc a ncal /Iieu fie resistauce foulld in the fflllowing stalement b)' in the rorlll of nine dances frolU the the ministeu. \\ hich appearcd in the A special list of outstanding anniversaries occurring in 1973 is lfith celllury AutUluJlener Tanzbuc/, in dedic:ltion probrram: "The Frnhcnius or­ nhich Johnson was assisted on an assort­ Gan stands complctc. all instrument of also included. ment of drullls, jingles and finger cym· gracious dt.'Sign and transparently heau· hals hy C.,mhridgc's acknowledged tiful sound, making its own statcment. mailrt:SJe of Renaissance music. Mar· lelJing us that bt'aut), has ils OWII 29 ilIustralions 7 x 10 inches h,'C1l Montgomery. This, plus sOllie in· ' l)Cech and claim. We arc respollsi\e spired handling of the organ's ample to the artist'!! gift precisely in this Limited Edition $3.50 and excellent single \'oices and small world. a world in which the human cnrnhinatioJ15, reproduced convincingly spirit is torn and brutalized. a world I he eHct:t of a broken consort replete in which wc work out our lo\"c and an­ with e\crything from sopranino rccord· guish. We celebratc the prt:scncc uf (his C. F. PETERS CORPORATION cr to tacket. new 1)(:auIY, not as a distraction or ir· 373 Park Avenue South New York, N. Y. 10016 Somc \'cr), diffcrent ensemble WOIl\; rc!!pUl uihlc ension of the real world. was hearll in the Handel concerto. nOli­ but as l)01 rt or that world's depth and (212) 686·4147 alice hetwccn organ and orchestra Was ulIlh. ha\ing it!> right to lifc hcc:nuc exce)Jcnt frolll Ihis listener's v::lnt

SllALLWAY FOUNDATION, Connelln'iIIe, boychoir dirt'clors lipan reqllnt. Construction 1'01., hal announct'd the formation of on In· of the library will commence during 1972, and ll'rn~linnal Bn)'choir MUlic Library '0 be 10- it will be in full opt'r.ltion by March, 1974. ealt'Ll in r .. n._ France. The libraJ'Y will micro­ FinuciolJ for Ihe projt'ct has bttn providt'tl film boychoir music (rom all parts 01 the by the Fn!nch National gO\'CHUQent and by PHIlliP TRUCKENBROD, Director world, and will make it Available for IUC of pri\,.nc donation'.

DECEMBER 1972 13 (Contirllled Irom I'. 5) 11 Fnr Ihi, and a complete listing nf Malthe· hOlh notated and impro"isctl, in well Jon', aUKtive chanctcrislioQ of the keJ'l bum DiU N"u·E,otll1f.cle O,e/UJ'" (l7I3), sec: as the milny olher techniques or musiC'dl Thomas Hannon, " The Regillr.ation of J. S. nuance wh ich lIIay be applied toward 8ach's Orpn Woru," unpublished rh.D. dis· OND~S the goal o( fK'fceplh'c musi.eal expro­ urta:ton (51 . Louia. Washington Univenity. sion. 1!l7l ), pp. 313-15. All fUr1hcr reference In this NOTES arlicle In lil.3tthc:son will be to diU acutee. 1 Robert Donin!lton, Tit, IlItuP""dti,HI 01 n C/. K:lrl GciringCf. Symb"/um in ,I" Mu. FA,ly.\llUi.c ( Lontlo n, 100] ), Pl" 51.2, quoting Jir 01 Btlrh {WashinglDIl , 1956 ), p. 9. C. P. E. Bach, l'erJu'" ueber tlie lI:ah,~ A r' 13 Frir.drich Srnrnd, " Luther lind Bach," NEWX·99 tlas Clavl'~r ZIoI l pidnt (Perlin, 1753l. ttl, 13. ZrMentior/er S'utlie" Jer Kir.c lJj~h.n Hocl.. I J . S. Bach. Or,tlb""Alt;", ~d . Albert Rie· lelt"'t Brt' i. (Berlin , 19H), II, 3~ fI,. and mf'nschndder (Bryn Ma.w r, 1933 ), p. iii, tr.ms. ChriSioph Alb~hl , " J . S. Daehs ' CI:wier hr this author. Olllmg. Driller Tln:i!.' Venuch dner Deutllng," I RUI$C'.:II Hanenck Miles. "BAh Interpreta.. Bat l. Jtllr,6uelt, 53. Jahrpng ( 1969 ), PII. 46-66, ORGAN tion, Baroque VI. RomantM:," A .O.O . Q_,'t,. (Dr dct:tiled sllxiics of the IIIe of symholic rel'~ I,., Vnl , IX, No, 3, July, 1964, p. 91. rcsenllli ion of the C"."., in I1Il1sic. t Walter Ser.auky, ""Hektenlehre," in Dit It Hennann Keller, TI., O"an 11'0,1.-1 01 M,,,ik ilt GtJchit:/d, IoIIU/. G"tnwtJ" ( ~:wel , & rh, erans. by Hden Hewitt (New Yllrk, 19-49 -51). t, 119·122, 1%7), p. 200 If. All further rderence in this ' /bM ., p. 118. :lrtide to Kdkr will be to this JOurcc:. ' Arnold Scllering, "Bach und das Symbol," ",\lbert Schweilzcr. J. S. Sael., Ir.a n •. by 3 Studlc. Bad! J4ltrht lt . 25. Jahrpng ( 1937) . F.n,nt Newmall ( Boston, 1962), t. 129. 11• 91. 'l5chrring, " Bach und daJ Symbol," 3. T Schenng, " B:lch und das Symbol." Bruit Si udie (1 931). p. 87 • /DltrhMtll, 22. Jahrpns (1925), pp. 45-48. 17 Philipl. Spitt:l. Jolrann SebtlJ,ia" Rael.. ••• for the ·I'aul Henry Lang. ":.Ildial ThoUllhl of the lrans. b,. Bell and Fuller·},bittand (New York, Baroque; The ~trine of Temperamenll and 1951) I, 600. organist AfI«tiuIIS," Twentieth Century l'itwl 01 Music 18 Karl Geinnger, }oh"nn StbtlJ,j"n Bach. lIiJtory, ed. William HaJ'l, New York, 1972 ), '''t Cwi".;nldio n. al GIl E,a (New York, 1%6. II. ",holikes I" 197. 236, I Ibid., p . 202. I· Schering, " B:ldl lind das Symbol." 11925 ), 10 Albert Riemenschneider, ed., O"tlbu, el. . and Cci,ingcr, S)'rnbolunl in 'I.e MIU;e 01 Bach , to pIau lein, b,. J. S. Bach (Bryn Mawr, 1933 ), p. 2. have bllth eonfinned tilts generally rccngnizcd To avoid ext'Ot~ foolncHH. all further rrltl1!ou f:let. jazz! in dlis article 10 Riemenschneider will be to :0 Spitta, 01' . eil" I . ~ !)6 . this source. II Schweitzer, tip. cit., II, 60.

STATEM ENT OF OWNERSHIP, MAN· Dorothy Roscr, 8 usiness Mana ger. AGEMENT AND CIRC ULATION OF THE II. A. T otal number of copies Ildnted .(net Make no mistake about it DIAPASON, as ft'quirt'd by Act of AuS. 12, preu run) aver.lle numhl'r copies each tUtIC t91€); S ection 36M, i itk 39, United Stales pra:eding 12 mo nths, 9,892 ; single iuuc ncar· •• • this is not a church Code. est filing dale, 9,815. organ. The new X·99 Hammond I. Titl e of Publicatinn - Till! DIAPASON. B. Paid circulation: I. Sales Ihrough de:ll· utilizes all the latest space age 2. Dale of Filing - Oct. I , 1972. .-n and canicn, street vendon and counler circuitry to provlde sounds and rhythms effects never 3 , Frrq..eney of istue - monthl,.. s.aks, avel11lge number copies c3ch wuc durin! -I. and 5. Location of OHice of Publiotion, Illeceding 12 monlhs, 183 : .insle issue ne:lrut made by any electronic organ. This new Headquarten nnd General Busineu OHices - filing dale, 179 , 2. }'bil subscriptinnsl .a.VC!rage Hammond never needs tuning, or voicing .•• and is -114 South W .. b3sh A\·enue. Chicalo, Illinois number copin exh ;,we durinl ptttl:din! 12 totally un1f1ed. Call Altenburg's 'or more Information about ro605. 1II0nths, 9.204 ; lingle iSiSue ne3rest lilin! date, 6. Names and addrcucs of Publisher, Editor the Hammond computer. 9,226. a.nd Ma.n:lging Editor - Publisher - Till! DIA· C . Tot.. 1 I).aid circufation: :J.\'el'ilge number PASON, Inc.; Editor, Roben Schuneman, both copies tach woe during preceding 12 months, ~-...... 43-1 South Wakuh Avenue, ChN:aIJO, Illinois 9,387; tingle isaue ntattll filing dale, !I,405 . 60603: Manalin. Editor - none. D. free dUitribulion average numbc:r copies 7. Owocr - Till! DIAPASON, Inc.; I13lbett each issue durinll pr«edinS 12 mondu, 161; S. Gillette, addrus DJ above. Sinlle issue nearest filing date, 163, Copies 8. Known bondholden, mort!3gees and olher dUitributed tn neW! agents hut not sold, .IIIvel'ilge lecurity holdC'n owninl or holding I per Iltlmber copies e:lch mue during preceding 12 cent or nlO re of total amount of bomb, mort· mon1!,.. 0; sinlie Wue neal't'St lilin! date, 0, pges and mhtf k'Curilics - Halbert S. Gil. E. Total dUiuibution (sum of C and D) lette, address DJ above. 9. For optional completion by publishen Ilver.age number COllies e:lch ilsue durinl pre· I:l'ding 12 moneM, 9,574; sin.ie mue ncarat mailins at the ftll'lla-, r.ales (Section 131.121, mini date, 9,568. Postal Service Manual); 39 U.S.C. 3676 pro­ vides in pertinent part: "No penon who F. Office Ule. left·nvcr, unaccounted, would have been entitled 10 mail matter un~ spoiled aftcr printing; avenge number copies der formt.r sn:tion -1339 01 thit lide .haU mail each inue during pl'Cceding 12 months, 318; tuch mailer at the ratet provided under this lingle issue ne;!;rn' filing dale, 307. lubseclion unlcu he files annuaUy widl Ihe G. Total (Ium of E &: F - should rqual Postal Service a written request for permission IIrt II"", run l!town in A): avel'ille numba­ 10 mail matter at such r.lt~." In aIXordanee rotlies e.uh wue (Ifn:C1linl 12 montN, 9,892; wilh the provisions of Ihis statute, I herehy re· 5inglc iuue llearest filin! d~le, 9,815. quesl pt'nnission tn mail the publication named I cer1ify tlUlt Ihe statements made by me in Item I at Ihe retloced I_tage r.alcs pre:lI'QI. allll\'e :Ire oorrect :100 c:lllI1plcte. 1y authorized by 39 U.S.C. 3626, (.igned) DOROTHY ROSER, Dwincu Manager PELCA RECORDS The 'inest in European organ recordings. Many item. In stock. Write for new cata­ Harpsichords logue. S. H. Dembinsky, 1035 Iroquois Dr. S.E., GraM Rapids, Michigan 049506.

Clavichords THE NATIONAL ARCHIVE OF BOY CHOIRS ~'Sh.ring the p.tterns of success" tnqulre for brochure: INCORPORATED THE NATIONAL ARCHIVE OF BOY CHOIRS Hage.-'I()\\n, \ 'Iaryland 2I 7-H I I'ho l1l' 11l1 - 7 11-~ 5617 Locke Fon: Worth, Tex.s 76101 ••••••••••••• : ORGANIIIA ES'ANOLA tMOtIrWt • S o on. - YES. NO on - b-.alldl o,,&u 8m· .TER thIn Ib' DEDJC.t.TED 8PANIRB .lRTJ· • SA"'8. W, I'" 'UII VUY COUPJ:TITIV&. &tad • IU 7OW' Sperl Dr 1ie""1 - .u.L 'l'TPU - w. • will Quot, and perM." ,ulllrb, J'IIu. D. WIIItIUI: SCHLICKER · IAOOI . Repre"nt.lIn. 109 Booth Orend AnaH, : t.- Ana"" DGGU • ••••••••••••••••••••••••• for excellence of d.slgn, the flnest of quality materials, and the high.st order of craftsmanship in mechanical and electric act/on ANDOVER ORGAN COMPANY, INC. Sperrhake 10.36 pip. orgDnL Methuen, MoNOChu""1 01144 Harpsichords mode,n mechanical action

Buffalo, New York 14217 TE DECEY LAUS Passau IW. -Germany A Hymna) for th. Mudda.. Ral.d by eOQnoscantl as "cr.m. d. I. 1530 Mlillary Road cr.m•• " Prlclfd to a church mUllelan's puna at $S ..a POd~akl . Sent on approva' Box 532 0" ad'quat. Id.nl nutTon. brochure ayallable member APOIA Add,e.. : Oliver S. aeh., Editor P.O. lox 325, Lama Undo, Calif. 92354

THE DIAPASON ~ heard at the Church of the Transfigura· tion, Dallas, during the 1972 A.G.O. coll\'cntion, and the new electric action olh'iln in the john F. Kenncdy Ccntcr PITMAN CHESTS for Ihe Performing Arts, Washington. D.C. were completed under Mr. SIPC'S guidance. He IS presently engaged ill Ihe installation and tonal finishing of sc,'cml instruments (or Acolian·Sldnner, :IIUJ he will continue to act as a consul. tant allli tonal finisher for the firm , 3.\ well OIS 10 build his 0\\,11 instruments.

Edmund Shay has been ar.poiulcd to the organ depanment at Co umbia Col. lege, Columbia, South C:lrolina. Dr. Shar holds the as and MS dcgr<.'t'S from the Juilliard School of Music, and a Mari ..lc.ui , 1! Jaquet, French concert or­ DMA dt'gree froUl the Uni\' e~ity of ganist, will be presentltd for the first time Cincinnati. He has also sludied with to North American audiences ne .. t leolOn Helmut Wa1cha as a Fulbright scholar. in a debut lour organilltd by Arts Image. In addition to his teadling at the col· Min Jacque. was trained as a lawyer Gnd lege. he ,,'so plays for the Shandon hold, her degree in low from the Univer­ Methodist Church, Columbia. and he .. II :t - . ~: ::. -V:"': ~ - t ~__ 4oI=t-, sity of Stra,bourg, but upon graduation her will also continuc to ni\'c recitals and t t ~ ~ _ c :.:. ::::\--___ -- "t.----_~~ life.long Ion of organ music prompted her condu~t maslcr. classc..'S III Baroque inter· .. _._~-_._.~ - - -- __ -_-t_- _- ~- _-'I .. - ..... - ~t to change profeSSional directions. She en­ pretatlOn. He IS pn-sently preparing a rolled in th. smola Conlorum in Paris as new edition o( Coupt.'rin's " Mass for a special sludent of Jean langlais, and upon thc Parishes." graduation ,he went on to the Sorbonne to complete a degree in musicology. Miss Ja­ Walter Wales Smith has been appoint· quet was born In Casablanca. For the post ed organist of the First Presbyterian five years she has IItl'Yed as aubtant to Church, QUincy, Florida. In 111 5 new JflIn langlail at the Church of St. CJalilde position, he is mponsible rOT :all formal in Pa,is. She is a speciaUst in french organ services of the church, the children's After many years af building fine pipe organs, we are music: with emphasis on the period from choirs, and special musical activities offering to the trade Pitman Chests of our own design which 1920 to 1970, especially the works of long. which hopefully will be expanded to in· lob. She Is also organbt of the Temple St. clude an organ recital series. Mr. Smith have proven their rellobillty in organs of our own manu­ Jean in Mulhoul8, On her North American is a second year student at Florida State facture. lour, Min Joque' will offer worlr.thopt in Univel'!ity whcre he studies with Ra· french organ literature as well as ,ecitals. mona Cruikshank Beard. His formcr Our practice has been to build half chests for ease of handl­ IC3Chcrs ha\'e lJecn Harold Rohlig, John ing and installation, although we will custom-build chestwork Garen Morrison, and William Bates. He to your specification. hehJ a similar position Jut year at St. New Appointments Peter's Church. Montgomery, Alabama. Easily accessible built·on relays to play unit stops or offset Augwt Humer has ~en appointed pipes are another feature of our chests. organist and choinn~slcr of St . .Ja~n~ ' Fredcrick Swann, director of music Episcopal ChUrch, Richmond, Vlrgmla. and organist of The Riverside Church, Let us quote you on your needs. Competitlv. prices. A native of Ried/lnnkreis, Austria, he New York City, has been appointed to was organist of the Church of St. Peter the organ faCUlty of the Manhattan anti St. P.tul while a student there. Sub· School o( Music, New York. City, (or sequently he recclved diplomas in the CUfTcnt ac:adcmic yar. A graduate MUTCHLER PIPE ORGAN SUPPLY COMPANY church music and organ performance of the School of Sacred Music, Union P. O. Box 127 from the Vienna Conservatory of Music Theological Seminary, and from North· where he was a pupil of Anton Heiller western University, Mr. Swann studied Hudsonville, Michigan in organ and Isolde Ahlgrimm in harpsi­ with Thomas Matthews, Hugh Porter, 49426 chord. At the Univcl'!itr of Vicnnot he Car! Weinridl. anti Charles Courboin. studied musicology, theottn: science, and He was formcrly on the (acuity of Union law, He has also studied with Luigi Theological Seminary and thc Guilmant Ferdinando Tagliavini. Mr. Humer re­ Organ School. ceived prizes at the International Paul Hofheimer Competition, Innsbruck, Aus­ CONCORDIA SENIOR COLLEGE, Fort BERKSIDRE ORGAN COMPANY triot in 1971, and at the ~n(emottional Wayne, Indiana. l'telIented Bach', Canuta No. 80, Bw;tehude', c:anbla, "Apente mihi Port:u. Organ Week, Nurcmberg In 1972. He Justitiae," Villughan Williams' canlicJe "Lord, 68 So. Boulevard, West Springfield, Massachu.eHs has also broadcast over the Ha\'arian Thou hast been our Refuge," and motets and radio ill Germany tUld ,?RF, .vienna, .in psalm settings by Hassler, D. Johns, Monte· Member: IntemBlional Society or O ....n Ballden addition to playmg recitals 10 Austna, verdi, Schiltt, R. Shaw, And T . Zuehlow at Denmark. Spain. Germany. Czcchoslo\·a· its Refonnalion Chol1lll Vespen on Oct. 29. kiot, aud the United Statcs. The choirs and irntrumenuliJu of the colk-t;e were joined by memben of che Fort Wayne the direction of 10 Phill.armonic: under Herbert Leonard Raver has been appointed Nllccbterlein. the [acuity of Hartt College of Musi.c A. David Moore & Co. of the University uf Hartford. Connecti­ DEnY TURNER. well·known aUlhority on cut. Mr. Ra,'cr \Viii leach organ an~I 0,11 and Kodaly mltJic tlrKhift, mcthodt, wu TRACKER ORGAN DESIGNERS & BUILDERS harpsichord. Aside fr~m his church posl' lutured in n flrctllre demonjtration lor the tions in New York City, Mr. Raver has Boston Chapter AGO nt the chapter', lint North Pomfret Vermont 05053 been on the faculty of Union Theolol?"i· m«tins of the year nt Wellesley Fint Baptist cal Sem inary School uf Sacred MUSIC, Chun:h. anti General Theological Seminary New York City. I'reviously he taught at pcnn· CkEAnVE OROAN IUI1OINO rot AlTlmC MUSICAl USVLTS syh'ania State University.

William James Ross has ~ccn appo.int­ Greenwood Organ Company cd organist at Laurel Helgh~ Umted G. F. ADAMS CIIAILOTTE. NORTH c.uOUNA 2nos Methodist Church. San Antomo, Texas. Mr. Ross holds the BA and MEd dcgr<."C5 '7Hm GENE/lAr/ONS OF ORGAN IUI_ from Trinity Un i \'~~ity and the MMu.s Organ Builders, Inc. degree in cmnposiliou (rom the Unl' versity of Midubran. His organ teachers have been Marilyn Mason, Vernon de "Qwolity wklt Tar, and Donald Willing. He h"s swd· 204 W.st Houston Street ied composition with Ross Lee Finney, [AlttWj AIKIN ASSOCIATES 'COIf."".. Leslie Bassell, and George Balch Wil­ New York, New York 10014 ALL ELE(.'TRIC CHESTS son. Hc has held a previous position as AA ELECTRO rNEUMATIC rEDAL CHESTS music director of St. Rita Roman Cath· Telephono OR ..on 506160 olic Parish in Detroit, Michigan, where lox 143 .rook),n, Po. '11'3 he ~n 'ed on the Music Advisory Com· mittee of the Archdioc~e of Detroit. He has also been Coordinator o( Fine Arts for the S'lD Antonio Independent School ORGAN LEATHERS District. E. H. HOLLOWAY Ro~rt L Sipe n."s ignct.l his position as vice president of ,\colian-5kinner Or­ WHITE, SON COMPANY l,,'iln Co., Inc. 011 June 26 to return to CORPORATION 286 Summer Street BOAton, M.... chu.et .. 02210 building organs under his own name in the Dallas, Texas area, whne he Sui/ders of ~~b)ishtd himself Ol!l a repulablr- build­ er during his ten years spc'nt there 1Je· Tracker and Eledro-pneumalic FAZAKAS ORGAN CO. fore joining Aeoitan·Skinn'!'r in 1969. Felix Schoenstein Mr. Sipe was responsible iC'! Ihe artistic slider chest organs. e". ,,'7 and technical direction of Aeolian·Skin­ ner during his tenure with the firm, and INDIANArOUS, INDIANA &Sons Pipe Organ Builders Elechonic Adion .. Mollornllatl4tn lie established a mcrhanicd action de· N.w pr,. 0,."15 Tot 637-2029 P. O. I.x 20254 SAN FRANCISCO, CALIF. partmc..nt in the firm's shops. Instru­ P.O. hll 106, MartlnloAno, N. J, 0113' menU 'Udl as the new trader organ

DECfM&EJ! J972 CI,ristmas Story by SchlilZ, Church of Boar's Head Festival, First Presbyter­ the AscetUion, New York City II aM ian. Ann Arbor. MI 6 pm CALENDAR Dmla Nabis Pacem by Vaughan Wil· Christmas Music (or Choir and Or~n liams. 5t Luke's Church, Forest Hills, to honor Helmut Wakha; St Cecilia DECEMBER New YorL City 5 pm Choir. John L Hooker, dir and org; 51 Carols o( Many Nalion, Brick Presby· Paul's EpiKopal. Chattanooga, TN 1 2 terian. New York City of pm 12:05 pm Hodie by Vaughan Williams, Canter­ 3 4 5 6 7 8 9 bury Choral Society, Church of the 21 December He.... "enly Rest. New York City ... pm Trinity Church Choir. Larry King, 11 12 13 14 15 16 Carol Sen-ice, Plrmomh Church of dir: Trinity Church, New York City 10 the Pilgrims. Brookl)'n, NY 4 pm 12:45 pm Carol Service. Riverside Church, New 17 18 19 20 21 22 23 York City 4 and 6:30 pm • 23 December Png~anl of the Holy Nalivity by D K MeS.fiall by Handel (Christmas por­ 24 25 26 27 28 29 30 McWilliams. 5t Bartholomew's Church, tion). Pocono Boy Singers, Coneerlo New York City 4 pm Soloisls of Philadelphiil, K. Bernard 31 Alan Barthel, 51 George's Cburch, Schade, dir; EiI! t Siroudsburg St:tte Col. New York City 4 pm; (onowed by Carol lege, PA DEADLINE FOR THIS CALENDAR WAS NOV. 10 Sen'ice 4:!0 pm Paulist Choristers, SI I'aul the Apostle 24 December Church, New York City .. pm Lessons and Carols, St George's M essinh Pt 1 by Handel, Fint Pres· Church. New York City 10:30 am byterian. New York City 4:50 pm MeSJ iaff Pt 1 by Handel, St Lukc's 5 D

16 THE DIAPASON U, :itlth Anm.l.d Carol Concert. Emman· '\ Caruth And, Southcrn MethOdist uel Episcopal. Baltimore. MD II ;un D311as. T X 8 pm Uoar's Head and Yule Log Festival, THE DIAPASON A MUST FOR EVERY ORGANIST 9 Janua f)' Chrin Church. Cincinnati. DB 11 and 5 Char1c's S McClain. Cathedral o( lilt! (Jill Sacred • kart. Newark, NJ 8:30 pm Send THE DIAPASON for .. ._-- year(l) to Lt.'ssons and C;nols, Sl ]'aul's Church, Wonh .Crow Duo. Newtown, PA Chattanoo!:.'it, TN 10:30 am 10 Janua ry Name ... _ .. - .. - -. Enclosed is $ ... _ 3 I:tnuarr Karel Paukert. Clc,'eI:md Museum of -- Episcopal. Reill), Lewi5. St. John's Art, Cle"eland. on ($4 per year-do not ..nd QlshJ Washington. DC 12: 10 pm John Rose, \\'cstl1linstcr Abbe)'. Lon- Virgil Fox, Bryan, OH lion, En gland Street --...... _-- ... THE DIAPASON 5 January II January Augsburg Music Clinic, Conconlia Tcd 1\ b.n Worth. Cumberland. MD City .. -_.__ ._------434 South Wabash Ave• College. 5t Paul, MN (Ihru Jan 6) John Rose. I'aisley Abbey, ~cotland J2 Janua Gerre :Tancuck. ,\rclt St Presbytcrian, State ...... _ ... Zip • _.__ Chi,ago, III. 60605 6 J:tnuary Philallel phia. l'A .. pm Victor Hill. harpsichonl. Williams Augsb urg Music Clinic, Emmanuci l.utheran • ~orth Hollywood, CA «(hru College, Williamstown. MA 8:30 pm CHARLOTTE WILLIAM Worth,Crow Duo, Milford. CT Jan 13) 15 Janua Orlonl,. FIotltl 7 January Crozicr, ror Pasadena AGO, THE ATKINSON DUO Calhar irxc FlIIST PRESlYTt1IIAN CHURCH Victor Hill. harpsichord. Williams \an Nu rs naptist. Van Nuys, CA ARMY AND NAVY ACADEMY College. Williamstown. MA 8:30 pm OCEANSIDE, CAUFORNIA CARLSaAD, CAUFORNIA Mall and A Psalm of David by Delio 14},anuary BOX 785, CARLSBAD, CA 92008 714/729·2990 ,uio, 51 Uartholomcw's Church. New rid: Visions oJ Isaiah by Robcn • "ark City -I pm Starer , St Bartholomew's Churd), Nt!\\' Consort or Early Instnllnents. All York Cit r" pm Saillls' Church. l'r(nccton, N J 8 pm CCITC Hau(()(k, Arch St Prt.'Sbytcriau, James Higdon. St Luke's Episcopal. I'hiladel &hia, I'A ARTHUR C. BECKER, Mus D., A.A.G.O. E,'anstoll. IL -I pm UM aroque T rio. U o( Miami, Virgil Fox. Minnesota Orch; Northrup Coral Gabl"" FL 4 pm DE PAUL UNIVERSITY ,\ud, Minneapolis, MN Frcderi c)'; S\\';mn, Christ Church, Cin· J erald Hamilton, First Presbyterian, dnnati, OH ST. VINCENTS CHURCH, CHICAGO San Antonio. TX Roben Schultenlan, Concordia Senior Organ Vt.'Spers and E\'cmong: Music Collegc. .·t Wayne, I~ or Flor Peelcrs; renn), Forbcs Hix, sop: Karel Paukert. Dm),;e U. Des Moines, Da\'id Billetcr, org; St Mark's Choristcrs IA 3 pm Edward D, "nyaon, SMD Wa,,.n L lenyJnGft, SMD and Junior Choir . Richard W Slater. Harbara Hulac, St John's Cathedral. dir; 5t Mark's Episcopal, Glendale, CA Denvcr. CO 4 ~m 4 pm Joyce Joncs, 'iest Congrcgottional. Los a E R RY M A N ~cnneth Fox. countertcnor; John I\.tlz· Angeles. CA 8 pm OrgonIst-ChoIf'fttOS", Head, Organ-Church Mu,1c Dept. mOl. organist; Elizabeth Hamilton, hOlrp· John Rose, Selby Abbey, England siehord; St Paul's Episcopal, San Diego, WESTMINSTER PRESBYTERIAN CHURCH ....LDWIN·WALLACE COLLEGE MinMapolb CA 4 pm 15 Janua ry hreo, Ohio Musica Sacra or New York. Central 8 January }'rcsb}'terian, ~ew Yors.. Cit)' Thomas Murray. ror Dallas AGO, Ted A Ian Worth. Adrian MI Margaret Melvin D I C K I N S N lecture-demonstrations 0 UnfwMIy of L•• ". on composing, improviaation louisville loch Society NOEL GOEM ANNE Cal""" Ephcopal St. " .._ ..... now. Ep.... ,.. CHRIST THE KING CHURCH 8017 Pr.ston Rd DALLAS, Tuas, 75225 WAYNE FISHER DAVID HEWLETT College-Conservatory of Music MARSHALL BUSH University of Cincinnati The Cont.vat.,., of Mu .Ie at Chrld Church, filthbur., Mast. 01420 THE TEMPLE SOMETHING NEW Cleyeland, Oklo 44106 PEMBROKE (handcrafted) Ii""'~:~~~'~~~~'!:':""""'" DAVID ORGAN KITS ! t for easy rio-iI-you,"" g • Organist: CENTER CONGREGATIONAL CHURCH, Hartford a ...,"&#y , cample,. instrudions. lleaso"oWy i.11111...... 111!!I"IIIIIIIIIIIIIIIIIIIIII'IIII'IIIIIIII"'!1111111'1111111111111111 1111111t111'"Iu.uIIIIIIIIIIIIIIII'111111111111111111 .. GOODING pr;cetl THE CLEVELAND ORCHESTltA 'rom MUSICAL HERITAGE soclm THE ORGAN LOFT Ga ••villa, New Hampshire 03239 GEORGE MARKEY RECORDINGS Ft.. illf.rmation on requnt. Records Markey Enterprises 201·762·7674 Recitals 42 Maplewood Avenue Instrudion Maplewood, N.J. 07040 VemOR tie TIlT FAG.O., Mu •• Doc., S.M.D. Dwight Oarr Church of lhe Ascension Fifth Avenue ot Tenth Str•• t Recitals New Yo,k. N.Y. 10011 pocol'lO BDq sl00eRS The Juilliard School Wells College STAn COI..L£GE, EAST STROUDSBURG, PENNSYLVANIA 18301 Union Theological Seminary Recitals Aurora, New York 13026 Organ and Choral Workshops K. BERNARD SCHADE, FOUNDER AND MUSICAL DIRECTOR

George Wm. Volkel CANNARSA STEINER LAWRENCE ORGANS ORGANS SAC. MUS. DOC" f.A.G,O, INC. InCOfpora,ed ROBINSON First Presbyterian Church NEW SELECJIVE , ORGANS REBUILDING VIRGINIA COlrotMONWEALTH UNIVIRSITY POMPANO I!ACH P,O, BOX 23B I' 1138 CoiIrvin Place , Hollidaysburg, Pa. 16648 I,• I Louisvllie, KenttJckv 4020J RICHMOND, VIRGINIA flORIDA ...... 8! ~~1 ~ 1~3~..=.,,;~

DECEMBER 1972 17 LUDWIG ALTMAN robert anderson SMD fAOO s... fnltdtce Symphony Orch"tr. Organ Recitals Temple E.... nu..s S.u,h.m Mothoellst Unlw ....ity

C.llfemt. 'alae•• f the L.. Jon .f Honor Dallca., roxa, 75222 W. Raymond Aehnnan. Lowell, MA _ Jo Deme Blaine - .tutlent of Russell Saun­ Bethesda EpilCOpal, Sal'2toga Springs, NY Oct. den, Ea.tm.n School 01 Music, Rochester, 22: Pnludc and Fugue in G. Buxtehude; NY Oct. 13: Toccata, Jonlen; Suite du premier Durch Adanu Fall. lIomiliwi Wo soil ich ton, Guilain; Fantasia in F minor K .5901, nichen hin BWV 646, Kommst du nun BWV MD1:lrtj Prelude and FUlJue in G BWV !HI, HEINZ ARNOLD John Barry 650, Von Gott will idl nicbl lauen DWV 658 Buh; F:mta,ia en ut majeur, Fr:an,dr.; Prelude I Prelude and full'uc in 0 BWV 53!, Bach; B~ et DanK FuauJ:e, LilaUc. f.A.G.O. D.Mo .. ST. LUKE'S CHURCH ct dcsuu de Irompeltc, Cliramb.luh; Tbe BOI l­ tie 01. Trenlon, HelO.'iU j Anliphon 3, Dupre; Susan Blakely, Del Mar. CA - St. Paul', STEPHENS COLLEGE Benedlclw, Reser; Choral in A minor, Franck. Calhedrnl, Los Angdes, CA Nov. 10: Trumptt LONG BEACH, CALIFORNIA Tunc in C, Jobn.oni Fantasy in F minor K COLUMBIA, MO. Dorothy Addr. Wichita, KS - Fint United ' !H. MOlart: Prelude anti Fusue in B minor Mcthodist, WichitA Sept. 24: Les cloches nwv 544, Bacll. Lebrgue; Organ Pialms, Zimmerman; Varia: tion. on a Webb Hrmn Tune, Thomas' Prel­ D;nid S. Bue, Oberlin, OH - Calvary ude and Fu!ue in E-nat, Bacb; Sona'ta for Lutheran Chapd, Maduon, WI Oct. 9: Prel­ Wm. G. BLANCHARD Wonhip 6, R. W. Jones; Menuet.Scheno ude and Fugue in G minor, Lubeck; Magnili­ ORGANIST Jonsen; Cantilene·lmprO\·isce, Toumelllire: at VIII toni, Scheitktc1Jlnn, Concerto del ROBERTA BITGOOD Prelude and Fu,ut on BACH, Liszt. ' Sigr. Mrck, W.. Uher; 0 Wdt iell muu dkh POMONA COUEGE Fi", Congregntional Church (allen, Schmudr.e dkb, lIenlich Ihut mieh CLAREMONT GRADUATE SCHOOL Marion R. Anderson, Lr:wlston. ME _ Finl rrfrcucn, Brahm.; Riccrur A 6 voci. Liebsltt THE CLAREMONT CHURCH Cong~ga tional, Waterville, ME Oct. 2: jHu wir lind hitr, Toeat:!. IIond Fugue in F, BAmE CREEK, MICHIGAN Claremont California Prelude and Fugue in E minor, Bl'lIlm., Mlil. B.eb. !,ificat Fugues, Pachclbrl; Prelude and Fugue m .G, Mende~"ohn; God of the Expolnding Jerry Brainard - Cathedral at St. John, Umvene, Felaano; Prelude and Fugue in C Albuquerque, NM Sept. 24: OLra de OctayO minor, Bach. Tono Alto: Enlalada, de Jlermia; Concerto DAVID BOWMAN 7 in B.nat, Handd; F .. ntalie in F K 608 ETHEL SLEEPER BREIT Maurt; Pnlude and Fugue in G minor, Claire Amoold, Sprinsfjdd. :NY _ Grace Dupre; Grande Piece Symphoniqoe, Franck. D.M.A. Church. New York City NO\'. 2: \\'ir sl.. uben Organist and Recitalist :III, Meine Sede erhebt den Herren BWV David Britton, Los An!elet, CA - Neigh­ Alabama State University &18, Nun lreut eueh BWV 7].f, BOlCh · Rt'C'd borhood Church of I''l udena, CA Oct. 8: Grown Waten, Kar,·EICTt; Berccuse IU; Deux Prelude in D miROi", Chaconnr, Pachclbd; Nelles qui Comet, Blillade en Mode PhrYIJien Montgomery, Alabama Litanies, Alain. ' Reat de ticrce en bille. Dialo!ue de mila pour l' EleYation, de GrigI'JY: Allegro, Carvalho; Vllriations on La ROlnanescll, Vllltnte; Heinz Arnold, Columbia, 1010 - Slephpn, Rhosymedre, Vauglum Williamsj Sinfonietta, Collcse, Columbia Oct. 15: Fantasia Byrd' Cuillou; Komm Gall Schopfer heiliger Geist, JOHN BULLDUGH Prelude and Fugue in C BWV 5'17' Bach: Sdlmuclr.e web. Prelude :tad Fugue in C P.. rtita on At:h wie nichlig, Bohm' 'Prelud~ minor BWV 546, Bacll. WH.FRED BRIGGS A.B. M.5.M. Ch.M. and O.tin_to from Four Short PiCCCJ for M.S. CH.M. Farlel,h Dld:lnson University Manuals, Pinkham; Metamophosis on BACH lohn Brock, Knonille, TN Lake Hills THnet:lc. New Janey MaUhia. Kern; Chantt d'Oiseaux Musillen: Presbyterian, KnoxYille Oct. 23 : Conarto in St. John's in the Village M.-rIaI M.thodlot Chu'" La Nativiti, Les RamcaUll, Langlais. • B minor, Meclr.· Waltheri Ada!lo and Allelro New York 14, N.Y. White PkMM. New York K 5!H, Maurt; U thou but luUer God to Richard M. Babcoek, TUt:SOn, AZ _ Gra« suide thee BWV &t7, Prelude 3.nd Pusuc: in Episcopal, Tuaon Ott. ., : Ein td te Burs, C BWV 5017, BOlch ; Partil3. on S.vior of tbe Bucllhauscr; Overture 10 Reformation CantatA Nation. Come, Distler; Ten Chorales, Rayner F. M. Ch,ut;'1Ken; Ein fes te Burg, W: Drown; Prelude a nd FUlue in D op. 7/1, ARTHUR CARKEEK EARL CHAMBERLAIN Faulkes; Allegro vi~'ace trom Rd ltrmation Dupre. Symphony, MendelSi ohn; Phantasy on A M.S.M. A.A.G.D. '.T.C.L mighty lortreu, Pr.aetorius; Andantino trom DePauw University Organist Quinteto IV, Peter-Dickln.on' The Hwsite Recital program. for inclu.lon In ST. STEPHEN'S CHURCH Hymn, Tabaq Blanik, Smeta~.Dicki llS on. Gobin Memorial Church th ... pag•• must r.ach THE DIAPASON Gl'ftlKaldc, ladlaDa COM.h' Mauochu.. Hs Robert Baker, Freeport, IL - United Meth­ within four w ••ks of p.rformanc. da•• • octO t Church, Lena, IL Oel. 9: My Shepherd Ret:ilab .ngagina thr.. or_ will supply my need, Thompson; Peace 1 lean more than wilh Y1MI, Moo~ ; God that madat earth and goni," will not be In,lud.d. Th. pr0- GmcDItdD Award 5poDIOr hea~' en, .Baker; Lo\,t, VlIn Dyke; Lamb of gram must stat. the dal. and plac. of Bobert ClarA God, Gnmm; A Hymn of Tllank, _ Baumsart. CHICAGO ncr; 0 come 0 come Emmanud, Butler. the p.rformane. as w.1I a. the name CLUB OF School of Music of the perform.r. WOMEN John Barry, LoD, Beach, CA - St. Paul', Cathedral, Lot An8e1et Oct. 20: Ballad or the ORGANISTS University of Michigan Grand Duke, Sweellnck ; Concerto 5 in F Rayner Brown, Lot AnsdCl, CA - BioI .. Ell... LoIhcrg. PresideD. Ann Arbor Handel; Sonata 2 in C minnr, Mendelssohn! College, La Mirada, CA OCI. 25: Three Chor­ Sonata in the Fint Tone, Lidon. • ale Preludet, Stoekmeier; Colloquia for yiolin lind orRan, Kroprrciter; Vanattan. on a J. Michael Bart, New York. NY - Calhe­ Theme by Rayner Brown fOf" trumpet, trom­ Harry E. Cooper WALLACE M. COURSEN, JR. dr.tl of Ihe Sacred lIeart, Newark, NJ (XI. 10: bone and organ, Keith Wuthen. Assi,ted by Allegro and Cantabile from Sympllony 2, Keilh We"lhets, trumpet; Jim janJC n. virnin ; f.A.G.D. Vieme; Allegro from Sympho ny 6, Widor; Dll \'id Dickimon, tnnnbane. Mus. D., F.A.G.O. CHRIST CHURCH Suite, op. 5. Durun ~ . BLOOMFIELD AND GLEN RIDGE, NJ. James Brush, Cococt, FL _ Cathedral of RALEIGH, N. CAROLINA Hans.Joachim Bartsch, Framurt ai M, West All Sain" . Albany, NY NO\'. 26: Toccata and Th. Klmb.rly School, Montclair, N. J. Gennan,. - Cmlrnl Congre8ational Church FUl ue i lll F, I'artita on Auf melnen lichen of Newton, Newton \'ille. MA NO\' • .5: Veni Gatt. FlIgue in C, Von Gott will ich niebt Creator. de ',ri!lnyj Aria Sebaldina, PaebelLd: hlSsen, Ein fesle Burg, LoLt Golt ihr Christen, J·rclude ll nd t:u!lue in E, BUdehude; Trio Prelude, Fugue and GhaCClllne. Buxtehude. KATHRYN ESKEY Sonata in C BWV 529. I'rdude and FU!l'ue in DELBERT DlSSELHORST G nwv 541 , Bach; Clnlilene: in F, Rhein­ Frederick Bu."Iom:ISter, HurbJo, NY _ St. IJcrzu; For!;c et Aailili dn Co:ps glnri~u.a , Paul', Cathcdnl, BuHalo Oct. 13: FanIar1: DMA The Universily 01 j oie el Clarle des Corpl gloriew:, MeDiaen; on Gospel, \\"~ kocks; Fugue in B minor, Bach; Toct:ata on Veni Creator, Litaue. P.uli«:io. Langlait; EltBY. Darkc: Choral in Uft(werslty ctf Iowa North Carolina B minor, Fnnck. lowo at Green.bora Robert Bates. NlUhota, WI - St. Matthew', Herbert Burin, Red Bank. NJ - St. Thomas Church, Bloomingto n. IL Oct. 1.51 KyriC' Church, ~"w York City Del. 8: Cinquics me (Man fo r Con\'ents), Couperin: Toccab, Ton, Boyyill ; Wir , i:l ubC'n all BWV 680, Trio Adagio and FUlue in C, Bach; The Musi· Sonata in D minor BWV 527 , FantasL.. and cal Clocks. HII)·dn; FAnfare, Whitlock. Grand f ugue in G minor BWV 542, Ba ~ h , Piece Symphoniqup, Fnnck. GEORGE ESTEVEZ EARL EYRICH lohn Gartwri~ht,. New York, NY - St. Patricia Bird, New York Cily, NY - St. raul', Chapel. TriniW Pari. h, New York City ...... First Unitarian Church Paul'. Cathedr.r.l. BuCfa"', NY Oct. 6; 1m­ Nov. 29: FuSlte sur I' lnuoit Da pacnn, Li· Director Rhode Island College pfO\'isation on Viuimae Paschall. T oumemire; L'l i:r.e; T occata in F, Buxtehude; Thr~ Hymn Conurto 2 in B-f).t, H. nddi 0 Gnd be T une Preludes, Garoner. T roi.ieme Fanlaisie, CHICAGO CHAMBER CHOIR Providence merciful to me, B.. eh; I1enlieb thut micll Sainl·Sacns. erinuen, Br:ahmt; Thou are the Rock, Mulet. JoIm. Christian, Clevc:land, OK - Bald­ Pder Bishop, Victnria, BC - Cathedra l of win-Wallace College, Btrea, OH Oct. 6: Charle. H. Ph. D., F. It.. O. o. St. John the E\':lngclist, Spokane, WA Oct. Prelude, Fugue and Cha~o nne in D minor, 22 1 TOCCIla, Variations on Mdn junget Leben, I'achelbel; Now pray wc 10 the Holy Spirit, GEORGE FAXON Swedinck; Prelude and FII!lue in F minor Buxtehude; Intomu ione Crorn:lltica dd Qu.. rto FINNEY UWV 53-1, Bach; Fanusia 01 Faure I'arts, Gib. ToRO, Mcrula; Canlona Prima, Fasola; Toe­ TRINITY CHURCH Chalrmttn. DIvision of Music & Alt bons; Voluntary in A minor, john Robinson; a ta (Eln.. z ione), Frescobakli: Prelude and Ga,'otta (rom Conce,lo ~ in G minor, CamidSe; Fugue in B minor BWV ~, Sicepen wake BOSTON Hout",an con.a •• HouaMon, N.Y. Tr.ronquilly, Pafry; Lento, Dridse; Chorale, UWV &l~ , Fantasia and Fugue in G minor Hough ..", WMleyan Malholilst Church jadson; Allduyas, l'retlon. BWV !H2. Bach. ;/)OIl4tJ P.pL4 Sr. 0"'41l BuiiJl" Robert Finster Organs built fa assist the congregation in its warship of the Lord, our Gad. DMA P.O, Box 61 Garden City, Michigan Rebuilding - Additions - Modernization St. Jahn's Cath.dral Sol •• r."",,'a,we Inqu'r;e. ;nvi,H. D.ny.,

18 THE DIAPASON Peter Crisa(ulU, Evanston, IL - St. Luke', Eilea:t Morris CueDther - Chriat Chun::h, Episcopal, Evanston Oct. 1: Ballo del Alaandrill, VA Oct. 22: Preludc and Fugue Granduca, Sweelinck; Canlona alia Prancese, in C minor, Ti. nice I would be praising. Guami; Toccata avanti I. Messa, Recercar Nun lreut cueh, Meine Seele erbcht den HENRY FUSNER Antone Godding dopo il Credo, Rettrcar con obiiao di can· HelTen, Bach; Concerto in D for trumpet ant.! tll re b quinta parte ~ ru.a toccarla (Me;,ta Of'Jan, T orelli; Fantalia lor tnuDpct, trom· S.M.D., A.A.G.O. Olclahent. ClOy Unlvonlty in Festu 8. Mariae Virsinil I). Beflramasca bone and orsan, Hingeston; The Hollow frum Fiori Mwicali, Fracobaldi; Sonata in Men lor trumpet a nd organ, Penichetti i firs' Pr.sbyt.,,'an Church Sch.ol .f Mu. G for nute and continuo, Marcello; Contra­ J'ostlude pour l' Office de Complies, Alain; Na,hvUIe, T.nn..... 37220 II.hop w. Angi. Smith C... ,.I punctw III from Art of FUBue, Sonata In B Cortege et Litanie. Dupre. Assisted by Jobn minOf" for flute and oblisato BWV 1030, Bach. Eckberg, trumpet, and Roy Cuenther, trom- AsWtcd by Linda CriJafulJi, nute and rccoro. """ .. ". Karen Sengstock Guthrie, Mt. Hennon, MA Ronald E. Dean, Shreveport, LA - Cen­ - Luther Colle,e, Decorah, IA Oct. 29: Con­ LESTER GROOM E. LYLE HAGERT tenary Collele, Shreveport Sept 26: Toccata, certo in B·llat, Handel; J'relude and Fugue in Seattle Adagio and Fugue in C BWV 5&1 , Vor E-nat, Wir gl .;luben all, Bach; Wie .chon Gcthsemanc Epila>pa1 Church deinen Tron BWV 668, Ach bJeib bel un& BWV, leuebtet, Distler; Wie wll ich dich empfangen, Sentlle Pacific Church or tile 6-19. Fantasy and Pusue in G minor BWV ~ bcJlt hoch die Til.. . Peppin!; La Nalivife du College Epiphany !H2, Bach; Sonata \' Hindemith: Fanb.sy I, Seisneur, Messiaen. l\linncapolll, Minnesota 55404 Finney; Romance from Symphony -I, Vlnne; 98119 98122 Litanies, Alain. Frr:cI Haley - T rinity U nivenity, San An­ tonio. TX Oct. 2: Tc Deum, Lanslais: Pal· Richard Dhcm" San Francisco, CA - toralc, Roger.Duawe; Sacr-t:d Harp Suite GlOlce Cathedral, San Fr.anciKo Oct. 15: on Do Not I Love Thee, Powell; pauaC3slia Prelude. and Fugue in B minor, Bach; 3 a nd Fugue in C minor BWV 582, Bach: DAVID S. HARRIS Pieces (or Flute ClI)CIr., Ualdn; Prelude and Son:r.ta on the 94th Psalm, Reubke. Yuko Hayashi Fugue on BACH, Lint : TocCOIta ala Paua­ Church 01 Our SaYlour caglia, Searle; Partha on Werde munter, Stephen Hamilton, Bristol, VA - Church Padu:lbel, Choral in E, Franck. MU lic Workshop, Dayton, OH Oct. 15: boston Trumpet Voluntary, Stanley: Noel I in Akron, Ohio David Dunkle, New Hal·en, ar - St, D minor, d'Aquin: Passacaslia and Fugue Jama ' Churdt, New London, CT Oct. I: in C minor BWV 582, BKh; Allesl'O from Orgon new england conservatory I' relude a nd Fu!!:ue in A minor, Fantasy Oil Sym(lhony 6, Widor; Andante from Sonata Nun Ireut euch, BlDtehude; Sonata in G, 6, Mendelssohn: Toccata, Sowcrby. Elgar; Prelude and Fugue ill A, Bach; Vari· lotions sur un Noel, Dupre. Calvia Hampton, New York, NY - Cal­ ,,·ary Episcopal, New York City Sept, l . WILL O. HEADLEE Jim E:ulo, Wichita, KS - Fint United 10, 17, 2-1: Prelude lind Fugtlf: i n E-Jlat, WILBUR HELD Methodist, Wkhita Oct. 17: Komm hdliaer Schmiic.ke didl, Kyrie Gott heili!er Ceist. SCIlOOI. OF ~lUSIC SM.D" FAG.O. Gclst BWV 651 , AUein Oolt in der Hoh sci Bach: middle movement from Gnmde Pirc:e Ohio State University Ehr BWV 663, Fugue in 0 BWV 577, Baeh; SYlnphonique. fint movement or FantaJia SYRACUSE lJNIVERSITY Ihr lieben Christen, Den die Hirten lobten, in C, Prelude Ironl P~lude, FUlue and Vari· Trinity Church Lobe den Herren, Walcha; Nazard, Ara­ ation, Franck. SYRACUSE, NEW YORK 13210 COLUMBUS. OHIO besque (rom Suite Frane:aLse, unslau; Ave John B. Haney, Columbia, SC - U. 01 Maria from Cathedral Windows. Kars.Elrrt; Soolh Carolina, Columbia Oct. 23: PaslllcaS­ Scheno, Cantabile and Final from Symphony lia in 0 minor, BWl tehudc; Noel 10, d'Aquinj 2, Vierne. Prelude and Fugue in B minor BWV 544, Bach; SAMUEL HILL Deu.xicme Choral. Franclr.; DeW!: Danses .. Harry H. Huber Terry L. Ensor - Itudent recital, More­ Asni Yavilhta, PO!itl ude pour l'OUice. de Com­ Sl. Paul" Chwdl head State U., Kenlucky Oct. 8: Prdude 3 plies, Alain; Dieu parmi nOUI, Mf:SI lacn. M. Mus. 01', 37, Mendelssohn; Herdiebsler JelU, ChIcoco. IllIDoll Kansas Wesleyan University SchmGd.e dich, Bnthlru; Ein lnte Bufll', Anwn Heilkr. Vienna. Austria - Salem ~CoUqc Walcha. CoII C'lle, Wintton .S~ le m, NC Oct. 27.: ~relude University Methodist Church and Fugue in E mmor, Bruhos; Vanatlons on KmOlba, WUcoaaia SALINA. KANSAS James R. Fitzpatrick - student n eital, Vatu unser in Himmelreich. Buxtehudc; Morehead State U., Kentucky Oct. 8: Con· Herr Jesu Chrilt dich zu un. wend, An cerlo in A minOf", Bach; Rhosymedre, Vaughan WauernUsien Babylon, Herzlidl tut mieh William.; Sonata 2, " indemith. ,·erlansrn, Prelude and Fugue in B minor. Bach ; Sonata I , Hindemith; F:r.n taJia on JOHN HUSTON d. deane Earl Eyrich ,Providence, RI - Rhode h land Wachet auf Gp. 5212. Reser. College, I'rovidence Oct. 15: Toccata and Fugue in D. Eberlin; Fa nta.s ia ut re mi fa sol Jama Hejduk, Milton, MA - The Law· FIRST PRESBYTERIAN CHURCH la, Byrd; T rio Sonata 5 in C, Bach; Prelude, rencevillc School, Lawrenceville. NJ Oct. 8: TEMPLE EMANU-EL hutchison Variation and Fusue, Fn.nck; 2 Chano le Prd· I'artita on Chriltus der ill rnrin Leben. udes, Ore; Sonata 3, H indcmith. Pachrlbel; :/ Nocb, d'Aquil1; Ach Golt New York City portland. oregon erba r mein Seub en, Krebs; Prelude and Celia Bell FCfFlSOn - ,raduation recital, Fugue in E minor BWV 548, Bach; Rhapsody Meredith College, Rald ,h, NC Oct. 15: on ABELL, Hejduk; Choral Dorien, Alain; Prelude and Fugue in G BWV 5011, Bach; Introduction and FUBUC on Ad nos ad ul­ ELlEN KURTZ Andante K IiIG. Mozart; Prelude and Fuaue utarem undam, Lint. KIM R. KASLING in B. Dupti. D.M.A. lama L. His k , Uttle Rock, AR - Trinity JACOBSON Ray FerslUOD, Dewit., MI - Shrine of Cathedral, Liult: Rock Oct, 21: Alleluya., 0'1lonitf and Chairman, k.y,,"rd Diy. the Immaculate Conception, Washington, DC Preston : Sonata 6 in G , Bach; Piea: lIeroique, Mankctto State Coli ... Oct. 20: Pauacaglia in C lUinor. Where .ball J M.MUL A.A.O.O. thither 10, Credo, Bach; LandJcal)e in M ist Franck. Manltata, Minn. hom Seven J':utels, Kars-Elert; Choral in A Herbert Manlred Hofrman. Fnnldurt, West Concord. CaUfornTo lecltal. - C...... - C.... ltatian. minor, Franck; SchertQ in E. Giaout; Fint Gennany - T ri nity Mem. Church, Warun, F3nta.y, Alain; Carillon·Soc-tie, Mulct. J'A Oct. 15: Prelude and Fugue in F minor, KrrlIti Ach bleib bei URI, Diet sind die Jel'l1' J. Field Jr., Richmond, VA - Ca­ htil'gen zehn Gebote, Passacaglia a nd Fusue GEORGE E. KLUMP thedral or the Sacred Heart, Richmond in C minor, B:r.ch; Fantasia D.lld Fugue on Sept. 17: Prelude and Fugue in E minor Wie Ichon leuchtet der Morgenstern, Reger; HOWARD KELSEY DIVISION OF THE ARTS (Cathed ral), Adasio (rom Trio Sonata 3, Lita ny.A,·e Marie Klau. Sc hillin!!:; S Dnn~ Bach: Kyrie·I'kin jeu, Kyri~Fugu e l UI" b tagullu. i• • Eben. WosTlington Univernty Trompette, EI",-a tion-Tierce en tailk (Man DALLAS BAP11ST CoLLEGE (or Conl-e ntJ ), Couperin; Le banquet celeste, Ralph S. Holland, AWlin, MN - .!it. Ola( Saint Louis, Mo. 63105 Messiaen; Cod 01 the E:Ji:panding Uni verse, l.lItheran, Austin Oct. 29: All I lory be 10 DALLAS. TEXAS 75211 Felciano; Cortege et Litanie, Dupre. God 011 high, Scheidt; Toccata in E minor, I'achclbel : The old yea r now hath p:uscd Robert M. Finster, Dm",·r, CO - St. away, a T hou of God the Father, In duJci Paul's Cllurch, Lakewood, CO Oct. IS : jtttH lo, Toccata a nd fugue in F. Bach; Canta­ Prelude. FUlue and Ch3conne in C, Duxte bile, Franck, For Safely Guiding T hrough the hude; Fantalie K !l9t, Mozart j Partita on Sight, Lurd We Ci,'c Thanks to Thee, 1101- RICHARD W. LlTTERST Lobe den Iterren, Ahrens; Choral in B mi­ ARTHUR P. LAWRENCE land; Fa n[are, I'roul.; Carillon de Westminster, nor, Franck; T hree P re1 ud~ , R. Brown; Vif"me. Doc. Mus. Art., A.A.O.O., Ch.M. Toa:.ata in F BWV 540, Bach. M. S. M. Saint Mary's Collat. and SECOND CONGREGATIONAL CHURCH Arlyn Fuent., Madison, WI - Trinity Lu­ Keith Jmlr.iru. Wash ir\Jton. DC - St. Ray· mond'. Ca thol i~ Church, Detroit, MI Nov. n. Unfv .....". ., N.tta o..n. Il,eran, Maduon No\', 26t Toccata and N.t,.. Dam., indiana 46556 Fugue in E minor. Bruhm; Fantasia and 12: Fa nfare, Cook; Apparition de l' Eglite Rockford. Illinois Etemelle. Meniaen; Suitt: 3S. Toumemire; Fugue in C minor, Badl; My Jesw b my lalting jO)., Buxtehude; Benediclw, Intm­ God of the E..panding Univene, Fdclano; Hosanna I. D i ~mente; Tr Ileum, Langla". dlOe tion and l';lISaCllslia. RelrCr; Two Prayen Frederick of Kierke,aard, Binrkr: }'ulm 23, 8erJilUki; Celioa Grasty lontll, Roclaester, NY A Simple Sons from Mas.t, Bernstein; Pream­ Park Central J.',esbyterian, SYracuse, NY William MacGowan MARRIOTT ble for Solemn Occasions, Copland. As­ Srpt. 26: Tl io cn p8sueaille, Rauon: Passa­ .i,ted by Ruth Honull, sopnmo. caglia and i' ugue in C minor, Bach; Sin­ All soint. Church The Detroit Institute fon if-lta, Guillou; Sonata on the !Hth Psalm, David F. Galla&her, Millonl. MA - Cathe­ Reubkc. of Musical Art, Detroit. dral of the Sacred lIearl, Newark, NJ Oct. 2-1 : )' f;II~st O$O in C l harp minor, Viemr: ; CiaCOR3, Roy F. Kdal, ChiClS'O, IL - Church of Organist. The Detroit Symphony Pache lbcl ; Prelude and Fugue in A minor. the ;\seenlion, Chicago Oct. 15: Prelude in Bacll; Allegn:tto, Parker; Sonata 2, llindemith; E, Lubeck; Rhosymedre. Vaughan Williams; a Clemens, 0 Ilia, Dallier; Christ II Rilen, I'relude, Fugue and Variation, F ranck ; Partita I'un:i• • nn Ja u mcine Freude, Walthe:r; Prelude and Fu!!:ue in C BWV 5-I7r Bach. ROSALIND MOHNSEN HAROLD MUELLER William Golf, Pittahursb. PA - lleinz fAG.O. Mem. Chl.~l, U. of Pittshufll'h, PA Noy, Ruth KO'V:ICh , Buffalo, NY - St. Paul's Westmar College 7: Second Suite. CIerambaulti Preludt: and C·u hedral, Bullalo Ckt. 20: 0 sacred head Trinity Episcopal Church FUlluc in C . Bach; Sonllta 2 in C, Men­ now wounded, Lo how a fOIt: e' re blooming, Colyary Methodist Church dclu ohn; Paraphrase on the Te Deum, Brahms; TriA in E.flat , Reubke; Sonata 2, Temple Sherith Israel Langlai•. Mendelssohn. LeMars, Iowa 500_

WILLIAM H. MURRAY Mus. M F.A,G,O. william whitehead Church of the M.dlotor Chicago, III. 2344 center street, bethlehem, pennsylvania

DECEMBER 1972 19 CntJ'!::!; L. Jones, Poudam, ,,-y - Finl David Mulberry, Oncin~ti, 0" - Colkge, l'resh.,.lC'rian, Ogdrnlburg, NY Oct. 22: Toe-­ Cm,tNalory of MII,ic, U. of Cincinnali Nm.'. CARLENE ata ill F. minor, Pachelbc:l; B3.uUI ct CCSIIIS 5: Three TromlK'ranlenU, Scull lIullon (pn:. NORLING de trompcttc. Cler.1mbault; Flute Solo, Am~ i miere) ; Wie .chun leuchtet, Duxlehllde: VolulI· I'relude and Fugue in B minor, By the watll'" 13ry in 0 , Boyce; V:n i3tiuns un Unter der NEIHART of Babylon, Dadl; Pastorol!e, Franck; Pastoralc Linden, Sweclinclr.; And3111e K 616. Mourt; ;md A\-iary, R(~r ts; l'IIS5at1ll!rlia fmm 5,-111- f:allwi3 on Wie ,chon leuchtcl, Reger; Fan· II. AMnw'. Iphc.pal Ch.rc~ Sl. John's Episcopal Church 1IIIlmy in G, Sowcrby_ t:uia and Fugue in G minur, Allein Golt in MI,.r ••\11 Warnoll der lIuh, RKercare a 6 (roUl MUliol OUcr· K..... Ctty, MltIOUrl 64113 Jency Oty Heigh .. New Jcncy William B_ Kuhlman, D«ol':lb. lA - Lu~ illS, Bach, t111~r eolege, Decorah Sepl. 24~ Fugue in C minor Dupre.Mozart; Wir glaubcn a ll BWV loon Obcu, Independence, 1.10 - Fin t 7.fO, DWV 680, Bacb; L'J\scenlion, Messiaen; l'rHloyterian. Ottumw3, IA Oct. B: Litanies, JOHN KEN OGASAPIAN La Romancsca, Valenlc; Allcgro from Sonata CIIOI':lI Darien, Alain; Tierce en taille, du Jack Ossewaarde in 0, Can'alho; Berceuse from Suite Brelonne, Millie : Noel . Curreue; Char011 in A minor, Dupre; Sonab on the 94th P~III , Reublte. Franclr. ; Four Variationl on a Tone Row, C, s..t Ala ...•• Church Kee; l'3i1l1caglia OInd fUBue in C minor, Bach; St, Bartholomew's Church E. Robert KuBinski, Sier..... Madre, CA - l'anaQ,gli:t qu;ui Toccata on BACH, ~lr.ola. _.-. Sto .. C."'" St. Paul'. (:athednl, Los "nlelu Oct. 13: New York l'relude and F ugue in C minor DWV 5-19, l>arrell Orwil, Long Be.:lch, CA - St. I'aul'. lowoll Bacb; POirtib, Zipoli; Siciliano (or a lligh Calhedral, Los l\ngtles, CA Nov, 17: Velli Ceremony, Uowelb; Sonab 3, lIindemith, Creator, de Grigny; l'ricre, Frallelr. : Lo AUBel, l>csseins Elernah, Dieu parmi nollS , Meniaen. Nelson LinabulT, SuUolk, VA - Berryville FRANK K. OWEN HaptLst Chu rc h, Berryville, V.\ ~ept. 10: RICHARD M. PEEK Voluntary in 0 minor, Stanley; Trumpet Kenneth R. O,bomc, Little Rock, ,\R - u-... -Red.... Air, Bremner; Chriltmas Voluut:lI'Y. Billingl; U. of Arlr.amas, LIttle Ruck NU'o', 12: J'rclude, Soc. Mus. Doc. A Child', Hymn, jll.clr.son; Chaml in A nlinor, rUllue and Ch;u;unlle, liuJOtehuikj Suite du Franck; Pn:iude for Rosh Halhana. Berlinllr.i: I,rrllli!'r 1011, Clh:uubault; Trio Sonala 6 ill St. Paul's Cathedral Covenanl Presbyterian Church God of the EJOpanding Uni\'ene, Fdciano; G DWV 510, l'ailllc.:a,lia and Fugue ill C minor Postlude for Compline, Alain; A Nobel and 6WV 582, Dach: A Trilll)ch of (-'UBUt'S, Ncar; Komallce from SYJIII,hon), 4, Vieruej Toccala Los Angeles 17 J California Chorlott., N. Co Solcomne Mwic lr. at the tombc o( jallles 1000 E. Mor.head Ilthni toni, !:Iarlt. heland, LiMohulT.

W. Da~ld Lynch, Raleigh, NC - SaIt'1I1 Jack H. Os.t_~rde, !'ole.. York. NV - COUele Wimton-Salem, NC Oct. ~ : (',elude WdllQinsler l'rabytEfliln, Willllillll.lII, l>~ ARTHUR A. PHILUPS t ~nd Fugue in Mode I. Kcrclr.htwell; R~cit de Dcl. 22: JutrudlM;tioll aniJ ,\I,egro III v, Wa· FrRlin E. Perkins MOO Ch.M. F.T.C.L Tierce en taille, de GrignYi 50113103 -I in E lond; Musette, DalldrM:uj l' lI~ IUtle and Fusue minor BWV .528, Toccab in F 8WV 5-10, Bach; ill D minor, Dadl; Calion III D, Schumann; A.A.O.O. - Ph. D. Shimah B'ltoli, Penichetti; F:lIlllUia 011 lIow Falltasy and Fugne CIII D,\CII, Llut; Cnorale 1M La"". Chapol St. Albans C.n,J•• otionol Church brightly .hines the morning sbr, 011. 40/1 , ill D minor, Frolllclr. j ,:,dleno lrom ':')'Inl'huIlY St. Loui., MlMau" Rl'Ber. :.!, Vlenle; Very Mowly from l::oOllalilla, l::o,m-· University of MIllO_I. St. Lout. 172.. 17 St. AlIHuII, N.Y. 11434 rrlo) ; hnIIlO\Ii;llioll UII LJloe "en lh:rrcll, 0,· 1homou McBeth - St. Andrew's Prem)'ler. SeW3arVe. i3n, Princeton, N,J. Ocl. I:;; SI. Michad'. Church. London, Onl. NO\!. I, I'ange Lin5l1a, Fl':lnk K. O"·l: n, LUI Anscles. CA - 51. SI. John'l Cathedral ThcJouze; Wir danlr.en (lir lIerr jC1U Chrill. )'alil's Cathedral, Lus Angeles Oct. I.i: I'aua­ Nun bitten wir den heiligen GeLst, Masnificat CoIgl.a, Du:\tehollC i Toccata and l'outor"le, MYRTLE REGIER primi toni, Buxtehude; Romanze op, SO/ 8, " .. chelbd: I'artila 011 Velli Crealor ~llirilus, Jack Edwin Ragers Reger; prclwde and Fanfan: on Christ ist I'ecleo; Meditation, Vitfllej )'ruise 10 the _ Holy .... CoIlo •• elSlanden, Kr.aehenbuehl; Son, of I'eace, Lang­ Lord, Kegel'. lais; Sonal3 3 in A, Mcondeluohn; Carillon, Vkrnc. SMth Kod&.y, ~""". Jacksonville. Florida Richard M. Peck, CharllM.te, NC - (!en-e­ !lant )'rewyleri;m, Charlolte Scllt. 24; Church Alexander McCurdy, C:u:linl', ME. - at Mc­ III the Redeemer, Cincinnati, OH Oct. 3: - Curdy residence: (or Bangor Chapter AGO Oct. fugue in G 8WV 577, l'n:lude and fUlue ill - 15: Our Father who art in he.wen, Come G llWV 541, Bacil; Allcin Gutt in der Uuh sci K. BERNARD SCHADE Sa\·iour o( the Gentiles, Glory be to God on Ehr, Sweelillckj Tucalll and Fugue ill f, Bw:· S.M.M. hilll, Christ by in the amn of death, Harlr.! ICllude: Adallio e meslo from Sunata I, C.II.E. RUSSELL SAUNDERS a \'oice ",illl all :arc morlal, t all to Thee lbch; IlrchKle in D minor, l'achclbel; Hcnlidl STAll! COLlEGE Lord JCIIlS, Blcollw jC3W1 at Thy ",-on:I. ('rei· 'tlUt lIIich erlrcouell, Dnalllluj ,\w tider NUl, Eallman School of Music EAST mOUDUUIG. PA. ude and FUluc in E minor, Bach. Flon Gnen­ Rraet; "artito! UII Lube den Herren, l'eelr.. wood McCurdy, harpist, played the (oIlowing Work.hops and lectures Universlly of Rocheller wilh organ: Prdude Co the Prodilal Son, Danse William D. Peten - Latrobe Presbyterian, Th. Kodaly Choral Method ~acrce, Debwsy; Zephyrs, Saitll:Clo; Introduc­ Latrobe, I'A Oct. 15, all-Dacll: J'relude and lion and Allegro, Ravel. FURue in E-f1at, I'.:lrtila 011 0 God Thuu faith· fUI God, l'ulonalc ill F, Toccata in F. Stephen "'cKcrsie, St. Loui., Ma - OUf' Lady of Bethlehem Chapd, La Gran!r. l'atk. JOSEPH SCHREIBER IL NO\'. 19: l'rclude and FlIluc in D. PaISa' Peter Plany...\1Ik" . ' ''tcnn:t. ,\Wln.. _ Chriu john h. schneider casli.. and Fugue in A minor, Ein (nte BUrg, Church, Uruluwick, Austr;alia. &-111. 2.5: The Indepencleftt Pr.. byt.rictn Church Nlln Ir.omm drr Heiden Heiland, In dulci ju. Cla~- ieriibUlIg, 1'1, III loy Bach (Ihe lour Sllcrcd Calvary Pre.sbyterian Church bilo, Bach; Hcrdicb thut mic:" nrlansen. Ouds umitted). Ilrminghom-Southe,., ColI.. e Herzlich Ihut mich erlreuen, Bf'3.IImSi Organ Sonab op. 18/2, Distler. Riverside, California Birmingham, Alabama Ceol"Ee H. Pro, Kansas City, KS _ Cathe­ drnl 01 the Sacred lIeart, Newarlr., Nj Oct. 17: F. Carroll McKinstry, Great Neck, NY _ Choral-lmIIrO\-hation all Viclilll4le l'asdlali, Community Clluuh of Gn:at Neck Nc ...' . 12: Tuurlleolire; Nuill .ur Irs (Iules, d 'J\quin; U, queanl Ia.JOiJ, Fuga a cualro, Candon I'T­ P,coIooe and Fugue iot D, 8~ch; Sonata in C, lilliliosa. Di";~nci,lI .oore la gallaJd3 lIIiJan~, )'enichetti; Brolher james' Air, Wrilht; Out· EDMUND SHAY Robert Shepfer Cabelon; Prelude anti Fugue in C. Bach; Soli­ bunl of Joy, Meniaell. Organist. Cholrmast.r ala I, Mendel"ol.n; From the World of My Columbia Conog. (o-ather, Bedim.!..i; Suite Gothiquc:, DoC;Jlmallll, SECOND PllESlnERtAN CHURCH Betty R. Punlcy, Westfield, NJ _ Cathedral Columbia, S. C. o( tllc 5:acred Heart, ~e",.:arlr., NJ Ocl. 3: Indlanapoll., Indiana "'260 Hai!C Ma"lirmian, Washington. DC _ Lllth­ lecitals Ma,to, Cia .... Falltaltie ill A, Fmnclr.; ,\lIegro vivace nnd Recitals conlin Clmrch (I( the Rdonnalion, Washin!Jlon. Final fmm Sym,ll.ony I, Vierne; I'rclude IlU DC Ikc. 3: Fant;uia in F minor K 608, Mo­ K)'riro, l 'anlaisle Irolll Homma!e • Frucobaldi, lart; Canonic Variations on Vom Himmd LanlllI Ju; Re\'elations, l'illlr.halll ; Le jardin hoch, P.uwc:aglia and Fugue in C minor, Bach; IUJI,,:ndu, '\Iain; Chorule and Variation on Master Tallis' Tutamcont, Unwell.; Variations "rlli Crll'llt"r, Ourlllle. ROBERT SMART on • Noel , Ouprf. L. ROBERT SLUSSER Swarthmore, Pennsylvania Cherr)' Rhodes, N~' York, NY _ All Souls MUS. M.. A.A.O.O. Trinity Episcopal Church Elizabclh Miller, Hilh Point, NC - Fint PrHbYlerian . High Point Del, 15: Toc:c:ala and Ullllarian, WashinSlon, DC Oct. 27: Prelude Swarthmore Collqe and FIiBue in G 8\\'V 541, BUh; Livre LA »lLA PUSIIYTaIAN CHUaCH F11sue in D minor, Bach; The Musial CkKlt,. Cong«galion Rodcph Shalom. naydn; Sonata of, Mendcluobn; PrclUtle from d' Orgue, d u Male; Olli« XXXV 'rota LA jOlLA, CALIfOlNlA PbDadeipbla Suile op, 5, Durufle; Pl':li'e God (rom whom L'Orgue Myu ique, Toumemirci Tocc.al.1o 7, all b1essinS' flow, Post; God rest ye merry Rossi; Toccata II, A, Scarlatti; Puur Ie Tom· gcnllelllen, Elmore: Te Dewn, Langlais, he:'!u de Colbert, Gulllou,

Georse W. Moser, New.:ark, OR _ Srocond Irene Robertsun, Los Angeles, C\ - St. JircsLyleri.:an, Newark Nov. 5: Toccal.:a in A John's EJliscopal, Los Angeles Oct. 22: Con· Carl Staplin minor, Swcdinclr.; 1'~ludc and Fusue in E· ('ulo ill C minor after Tcolconlann, 'Vahher; Ph.D. A.A.G.O. fbt, Ihch, j~us prict:las trC3.lUre, unt UIIS Our Father who art in heaven, Buhm: I'rco). ROLLIN SMITH erfrcuen, Sch:u::lr.; The Sih-er Trumpel, Di:t· Drake UnIversity ude and Fugue in E minor, UrvhlD; Rejoicc 10lllue, A Truml~t Fanfare, Martin; Four Var· ),c Christians, We all believe in one God, RECITALS UnIversity ChristIan Church iations on Down Ampney, Dentlrr; Air, Han. fanlasy in G, Dach: Sonatina, Sowerby; Sym· 1150 Forty-fint Stnet, BraokIfD. NY 11211 DES MOINES, IOWA coclr.; P.:aean on Djvinum My'l«:riunl, Coolt. "hnny I, "11. 20, A, Maquairc.

ADOLPH STEUTERMAN Offin Clay/on Su/hem, II JOHN M_ THOMAS - AAGO FREDERICK SWANN Org.nlst .. Dlrect.r Mu •• D.c., F.A.O,O. Frome Memorial Pre.byterlon Churm ProI'a.or of Muie Staff: University of WiKon.fn SOUth.... t..-n at Momphis The Riverside Church Orpnist-Coocluctor St.v.... '01 ..., WIse. 54411 Calvary fplKDpal Church New York City FOUNDER· DtRECTOR M.mphls. T.lln ..... Lincola UlLiyenilJ, Pa. "CHURCH MUSIC INTElESTS" AGENCY

ALEXANDER BOGGS Recilals and Mosler Class•• George Norman Tucker Organ Cansulratlon Mus. Bach- ST. LUKE'S CHORISTERS RYAN Cathedral Church of Christ the King Kalamazoo CONCERT ARnST Western Michigan University at Kalamazoo BOY CHOIRS

THE DIAPASON JobD ROle, Newark, NJ - St. Mark'. Epu.. Calria Maaric-e Taylor, Loa Ausela, CA - copal, Casper, WY Oct. 17: Prelude and St. Paul', Cathedral, Los AngelCi Oct. 27: Fugue in A minor BWV 543, Bach; Prelude Komm IUsser Tod BWV <178. Bach·Taylor; WlWAM The Baptist W. WILLIAM WAGNER and Fugue in Bop. 99/2, Saint.sai!n.; Acb Nun komm der Heiden Heiland BWV 6.59, bleib mit deiner Gnade, Karg-Elert; Flute Toccata and Fugue in P BWV 540, Bach. FRANCIS 'emp" Tune, Arne; Fantasy on Ein feste Burs OP. 27. Reger; Prelude, Fu!,!e and Variation, John Upham, New York, NY - St. Paul', VOLLMER Temp" Square AlT. LEBANON METHODIST CHURCH Franck; Vitrail from £Jquis.es Byzantines, Chapel, Trinity Parish, New York City Nov. Pilbbur;h, Pennsylvaaia Carillon·Sortie, Mulet. I: Concerto del Sigr. Telemann. Nun bitten Blclyn 17, N.Y. wir, Herr Gatt nun schleuss den Himmel auf. Robert Roubol United Presbyteriau Variations on a basso continuo of Carelli, Church, Cortland, NY Oct. 15: Partita OD Concerto del Sigr. Gentili. Ach Ichonster Jesu, Wat Gatt lUt, Pachelbel; Fantasy-The Leaves Toccata and Fugue in C, Walther. Nov. 22: on the trees ,poke, Finncy; Shimah B'KoH, Prelude and Fugue in G minor, Wir glauben Drop, Drop Slow Tean, Penichettij Toccata, aU, Passacaglia and Fugue in C minor, Bach. sally slade warner Adagio and Fugue in C BWV .532, Bach; Suite WA-LI-RO for a Mwial Clock, Handd; Prelude and Betty Valenta, Green Island. NY - Cathe­ a.a.g.o. ch.m. Fugue on ALAIN, Dunlnc. dral of All Saints, Albany, NY Nov. 19: Sin· BOY CHOIR CHURCH OF Jack Rubl, Port Waflle, [N - Fint Pres­ fonia from Cantata 29, Bad'l Three Litde WARREN C. MillER - DIRECTOR ST. JOHN THE EVANGEUST byterian, Fort Wayne Oct. 17: Sonata 3. Pieces in Twelve Tones, Valenta: Sonata I, Hindemitb; VariatiolU OD a Welsh Hymn Tune, Mendelssohn. Christ Church, Shaker Height, 22, Ohio Beacon Hill Boston Mathi.. ; Sicilienne flOPl Suite op• .5, Durone; Tocata and Fugue in D minor, Reger; Sana· W"1Dl van der Panne, the Netherlands, and ta 6 for Wonhip, R. W. JODn ; Variations on Gary Jenkins, Chicago, IL - duo orsaD re­ a Shape-note Hymn, Barber; Middlebury. cital. Glenview United Methodist, Glmv1cow. Wood; Allegro from Symphony II, Vierne. IL Oct. 6: Praise the Lord with the Drwn' C. GORDON and the Cymbals, Kars·Elert; Jlenlich tut CLARENCE WATTERS Lawrence P. Schreiber, Wuhington, DC - mich vcrlangen, Drahms; Prelude and Fusue National Presbyterian, Washington Nov. 12: in A minor, Bau;tehude; Ach bleib bei uns. RECITALS Festival Fanfare, Leighton; Passacaglia and WEDERTZ Bach; Concerto in A minor, Soler; Concerto Fugue in C minor BWV 582, Bach; L'Ange 1 in B.nat, Luchinctti; Concerto in G, Blanco; St. John's Church 2554 W ... IIS'h SL la Trompette, ChaTpentier; Priere, Franclr.; Cantabile, Franclr.; The Dells. Monnikend.am; W. Hartford, Connecticut CHICAGO 60655 Fantasy K 608, Mozart. Le banquet celeste, Messiaen; Toccata, An· Robert Schuneman, Evanston, [L - Bran­ driessen. deis Univenity, MA Oct. 20: Tocata 7 in C, Mullat; Vater unser im Himmelreich, Blihm; Kent Vanderband. Buffalo, NY - St. Paul' l DAVID A. Camona quarta, Toccata quarta per I'Eleva­ Cathedral, Buffalo Nov. 3: Sonata for the zione, Frescobaldi; Fantasia [, Hampton; Stops Trompeta Real, Lidon; Prelude in B minor, HARRY ARTHUR WELLS 1972, Schuneman; Prelude and Fugue in E­ Bach; Sonata 1 in F minor, Mendelssohn. nat BWV 552, 2 ICttings Alida Gotl In der Ph.D. Wa.hing.on State University Hah lei Ehr BWV 675 and 663, In dulci jubilo John W. Vandertuin, Brandord, Ontario - WEHR BWV 600, a Mensch bewein BWV 622, Bach. Grace Church. Brandord Oct. 15: Suite du Eastern Kentucky Unhently Pullman 99163 premiere ton, Clerambau1t; Fantailie en ut Richmond, Kentucky P. Mark Scott - dudent ru:tial, Texas majeur, Franck; Fanwia and Fugue in G Christian U., Fort Worth. TX Nov. 11: minor, Bach; Sonata 1 K 279, Mozart; Suppli· Prelude and Fugue in B, Duprej Fanwia ation, Langlais; Prelude and Final from chromatia. Swedinck; Prelllde and Fugue in Symphony I, Vierne. £..lIat BWV 552, Bach; Choral op. 154/8, Karg·Elert; Wondrous Love, Barber; Pastorale Velma Wachlin, Freeport, IL - United RUSSELL G. WICHMANN and Aviary, Roberti: Improvisation on Vic.· Methodist Church. Lena. IL Oct. 9: Air, lIan­ timae I'asc.hali Lauda, Tournemire. coclr.; All glory be to God on high. Ore: Chatham College Richard A. Sidey - Brainerd United Meth­ Psalm 136, Zimmermann; Cornn Autumn FOX CHAPEL EPISCOPAL CHURCH oditt, Chattanooga, TN Oct. 15: Voluntary Time, Sowerby: Even Song. La Montainc; Shadyside Presbyterian in A, Selby; Cromhome sur la taille, Baue de Passaaglia and FUKUe in E minor, Willan. Fcnc Chapel, Pittsburgh, Po. 15238 PiHsburgh, Pa. 15232 trompette (Mau for Com,enls), Couperin: I'relude and Fugue in B minor, Nun danket Stanley Eo Walker, Collqedale, TN - aile Gott, Bach: Ein feste Burg, Walcba; Southern Missionary College, CoUegedale Oct. Choral in A minor, Franck; Cortege et Litanie, 21: Three Preludn on Welsh Hymn Tunn. Dupre; Rhosymedre, Vaughan Williams: Vari­ Vaughan Williams; Romance sans paroles, ations on Nettleton, Young. Variatlonl de Concert, Bonnet; Rhythmic HARRY WILKINSON JOHN E. WILLIAMS Trumpet. t,arabande, [n the cross of Christ Ph.D., F.A.G.O. Robert Smart, Swarthmore, PA - Trinity I gloll'. Bingham. Sf. Andrew, Presbyterian CoUe.e Episcopal, Swarthmore Oct. 15: Toceata, Vil­ ST. MARTIN·IN·THE·FIELDS Clarence Wallen. West Hartford, lancico y Fusa, Ginastera; Nocturne, McCabe; cr _ eh ....luf Hili, Philadelphia Laurinburg Presbyterian Church Warum bt'triibst du dich mein Hen, Scheidt: Mem. Music Hall, Methuen, MA Oct. 25; Canonic Variations on Vom Himmel hoc:h, Church of the Heavenly Rest, New York City WEST CHESTER STATE COLLEGE, PA. Laurinburg, North Carolina Wac.het auf. Prelude and Fllgue in A minor, Nov. 26: Moderato and Andante from Sym· Bach. phonie Gothique, Largo and Allegro vivace from Symphony 5, Widor: Choral, Scheno Donald Spies, Ripon, WI - First ChuTCh and AIICSro from Symphony 2, Viemei The of Christ, Scientist. Arlington Heighls, IL World Awaiting the Savior, Corti:ge et Lita ,,~, DONALD WILLING Nov. 19: Prelude, Fugue and Variation, Variations on a Noel, Dupre. George Y. Wilson Frand: Three Organ Chorales, Stoutj Fan· ,," ..by wia, Byrd; Capriccio di obligo di cantare la Anita Euert Werlins, Macomb, IL - Mes­ INDIANA UNIVERSITY quinta parte, Frescobaldi; Fanwia, Sweelinclr.; siah Lutheran, Aledo, IL Oct. 15: All' Orrer· North Texas Stat. University Allein Gatt in der Hoh sei Ellr BWV 662, 664, torio. Pastorale, Zipoli; Prelude and Fupe in Bloomington, Ind. Pn!lude and Fugue in A minor BWV 543, F-.harp minor. Dau;tehude; Lord God now Denton Bach. open wide Thy heaven, Onr Father who art in heaven, From heaven a host of angels came, Frank B. Stearm - Zion's Reformed Church, Unto TI,ee I cry Lord Jaw, We thank Thee Greenville, PA Oct. 15: Suite Medievale, Chant J.ord JesUI (aU from Orgelbiichlein), Fugue in de paix, Allegretto from Hommage a Rameau, E·nat, Bach; Song of Peatt, Langtail; Paean, Gary Dialogue sur les mixtllres from Suite Breve, Leighton; Fantaisie in C, Franck; Variations Zwicky Langlais; 0 Trauriglr.eit. Schmucke dich, E, sur un Noll angcvin, Litaile. barclay wood OMA FAGO ilt ein Ros, a Welt ich muu dich IUlen, Brahms. David Wheeler, Richmond, VA - Cathedral FIRST BAPTIST CHURCH Illinois of the Sacred lIeart, Richmond Sept. 24: Fan­ Eastem Unlvenity Harold StoYer, New York, NY - St. Thonlal fare, Leishton; 2 Psalm Preludes, Howell.; Wo.-.. Mua.cbUIClti Charieston Church, New York City Oct. 15: Te Decet Serene Alleuiu, Messiaen; Choral in E. Franck. Hymnus in Sion, Sto\

Ladcl Thomu. Pasadena, CA - St. Mark', Vernon Wolcott, Bowling Green, OH - St. Episcopal, Glendale. CA Oct. 15: Concerto 4 Mark's Lutheran, Bowling Green Oct. 11 and in C, Toccata and Fugue in D minor, Bach: Calvary Episcopal. Sandusky, 011 Ocl. 15: LARRY PALMER Concerto 3 in G, Soler: 2 Sonaw in D K 287_ Missa Orbis Factor, Frescobaldi; Come Holy Orgon - Harpsichord 288, D. Sarlatti; Sonata I, Ilindemith; Varia­ Ghost BWV 651. Glory be to God BWV 662, tions sur un Nnel. Dupre; Le Cuclr.oo, d'Aquin; Lam Jesw Christ unlo w tum BWV 655, Southern Methodist University Obligato for the Flute Stops on an Advent Come Savior 01 the nations BWV 659, 660, 661, Hymn, Mader. Bach; Variations on America, hoes. Dallas, Texas 75222

Oswald G. D. M. A. 'BetLt ~ W~D .H\ . r A G'O RAGATZ ~ I. ~BA , \\ ~ CO!H Ct · 'IO!'. Tf VAI LO Prote'lOr of Orlan ~T LUKE'S fPI\CO?\1 CHURCH· BIRWSCHA'I INDIANA UNIVERSITY • " . ~ '.~ < ' . - - . : <

Organ Builders • Rebuilding FRANK J. SAUTER and SONS Inc. * • Repairing * Phones: 388-3355 For Unexcelled Service 4232 West 124th Place PO 7-1203 Alsip, illinois 60658 • Contractual Servicing

DECEM8ER 1972 21 CLASSIFIED ADVERTISEMENTS

POSITION WANTED POSITION AVAILABLE MISCELLANEOUS HARPSICHORDS I< PIANOS YOUNG UNIVERSITY PROFESSOR/OR· NO ONE WORKS HARDER THAN WHEN FINE STOPKNOBS IN IVORY OR ROSE­ HARPSICHORD KIT. BUILD A FULL pnill, KinK's Collt'ge, Cambridge, Cathedral Ihey work (or themseh.·ClI . If you have abilit,., wood. existing knobs accuratel,. copied, en· sh~e replica of a French 18th century harpsi­ background, experienced teadu!r/ Church M usi. integrity, the ri ght attitude, are a hard worker, grnving of all Ityles, all console fittings. Send chord, 2 x 8', I X .f.', FF.!"". Designed and dan desires position early 1973. following pres­ if you can stand up under Victor's " Lombar· (or price list. Thos. Harrison a: Sons (£Stab. made by Frank Hubbard. Single manual, $6::xJ; enl year's assignment. Location/denomination di" type Sales Training. Victor will put you )ished 1830 ) 66 Ada Street, London, E.8, Eng· double manual, $875. For brochure write Frank upen owing to wide experience. Resident USA in business with a Viclor Franchise from Miami land. Hubbard. 185A Lyman St.. Waltham, Mass. nowi very highly qualified. Address M.s, THE to Palm Beach. Victor supplies the "whole 02154. DIAI"A!lOH. thing," locations. Franchises. .elVice, trucks, AUSTIN ACTlONS REBUILT, (PRIMAR­ financing and the know how. Small invcstment ies and ICCOndaries) with new plastic Pernex HARPSICHORD, VIRGINAL, C L A V I· ORGANIST WITH B.M. FROM PEABODY required. Apply with resume to: 300 N.W. 5-f malC'rial. State you r needs and lend (or details. chord kits. Full site patterns after 17th century Conservatory sc('b full-time Organist or Organ­ St .• Miami, Florida 33127. 305/751·7502. instruments. from $235.00. Free brochure on ist/Choinnastcr posi'ion in evangelical dlUrch Perflex pouehes also. Foley-Baker. Inc.. Box 66, Buckland Station, Manchester, Connecticut request. Heuge! Kits, 2 bis, rue Vivienne, Paris which adhem to Biblically comervalivc dO(:­ trine. Will locale in Northeastern North Amer­ EXPERIENCED ORGAN SERVICE MEN .... ,. 2. France. ic.a. including Ohio and Canada, or Florida. and apprentices, Piano Technicians and mov­ en for Brnllches (rom Miami 10 Palm Beach. HARPSICHORDS AND CLAVICHORDS. Excellent reprrloirc lind references. Addr~ K- SERVICE MEN - DO YOU LACK SHOP Victar Pianos and Organs. 30) N.W. 54 St., Complete kits from $218. basic kits from $125. 6, THE DIAPASON . space? We specialbe in leather work. recovering Miami. Fla. 33127. 305/751-7502. pneumatics. ponches. actions, engraving, etc. Wrile for free illustrated brochure and price POSITION AVAILABI.E Write R. M. Minium .It Son. Box 293, Lewis­ list. Zuckennann Harpsichords, Inc., 160 Ave­ WANTED - MISCELLANEOUS burg, Pa. 17837. nue of the Americas. New York, N.Y. 100t~ . ORGANIST·CHOIR DIRECTOR, 4-MAN· FOR SALE - HARPSICHORDS, CLAVI­ uat organ and carillon. Teaching provileges for INFORMATION WANTED - CONCERN· EXPERT RECOVERING OF ANY MAKE chonb by Neupert world'. finest, oldest maker. voice, piano and organ excellent. ElI:pericnce ing Robert Morton organ removed from Colon· Catalop on Magnamusic, Sharon, and references requested. Send resume to Mil­ pneumatics, pouehboards. and primaries with req~est . ial TIleatre, Beach Haven, N.J. 3 years ago. Polyurethane. Plastic nut! used on primary valve Conn. 06069. lie Committee. First Baptist Church, 301 W. Contact! Gale. 33rd St., Beach Embargo St., Rome, N.Y. 13440. II. V. 20 E. wires. Melvin Robinson, 11 Park. Ave., Mount Haven. N.J. 08:xJ8, Vernon, N.Y. 10550. HARPSICHORDS. CLAVICHORDS MagnUic::ent tone 1\ handsome appcaranc::e at WANTED - ORGANIST·CHOIR DlREC· reasonable cost. Maurice de An&eli, Box HID, tor. Part dme. Church of Christ at Dartmouth WANTED - ONE COPY "ORGAN PIECES ORGAN SERVICE MEN - WE WILL R D #1, Pennsbufll, Pa. 18073. College, Hanover, N.Il. 00755. the Whole World Plays" published by Apple­ ncover Casavant and Skinner pouchboards. pri­ ton. Must he in good condition. State price mary and oUset actions. Write BumeQ Asso­ FINE HARPSICHORDS, CLAVICHORDS, desin-d. Address J-7, TilE DIAPASON. ciates, 1907 Susquehanna Rd., Abington, Pa. made in divene configurations and dispositions. SCHULMERICH CARILLONS, INC., world's 19001. Write, phone, visit ,hop. E. O. Witt, R3, Three Jargest manufadurer of Bells and Caril­ WANTED - BACK ISSUES Till!. DIAPASON Riven, Midi. 49093 . 616/244-5128. lons, hal seYeral immediale openings 1936 and earlier; TAO 1952 and earlier. Will PNEUMATICS AND POUCHBOARDS OF pay )'Our price. Jacoby, 3815 Springfield 2C, any make recovered with Polyurethane plastic. SPERRHAKE HARPSICHORDS AND throughout the Uniled Siaies for dishid Kansas City. Kansas 66103. managers. Musl have sales experience. Write for quotation. Church Organ Co., 18 clavichords. Excellent, dependable, beautiful. Robert S. Taylor, 8710 Garfield St., Bethesda, WANTED - WURLITZER CLARINET Walton St., Edison, N.J. 08817. We oH.r salary, commission, car and Md. 20034. expenses. Please forward resume 10 J. and Violin Celeste pipes and chClits, also large CUSTOM DESIGNED WtNDCHESTS AND Kale Marimba Harp and Toy Counter. Law. Frederick Schmidt, Notional Sales Mona. Solid·Stale relays and switching to your specs. "TlIE HARPSICHORD," INTERNATION· renee Crawford. Route 5. 0s5C'O, Minn. 55369. ger - SCHULMERICH CARILLONS, INC., High quality. fair prices. Orpnparts Div., 118 al quarterly for lovers of early keyboard instru· 612/425·2460 evenings. Ninth Street, Pauaic, N.J . 07055. ments and music. Articles, intervieWi. photo. Carillon Hili, SellenYllle, Po. 18960. graphs and illustrations by today'. foremost WANTED - WURLITZER POST HORN, TUNERS - TIIROW AWAY MESSY COT· an istl. $8 per annuln. "The Harpsichord," Oboe Hom, Quintadena. and Marimba. Advise WANTED - REED VOICERS. M. P. ton once and lor all! Mixture tunins is faster Box .f.323.D, Denver, Colo. 802D-l. completeness and condition. Garrett Shanklin. and ICSI rrustratinll with KO'., all-felt pipe Moller, Inc. has immediate need for the above Hemlock Park, Groton, Mass. 01450. individuals. Only (Xuuc::ienliolQ individuals will. ltans. One set fits up to 6 ranks. $3.50 postpaid. STEIN FORTEPIANO REPLICAS. CUS­ ing to relocate should apply. Pension program, KD Kaps P.O. Box 66 Buckland Station, Man­ tom instruments and kits. Philip Bell, Forte­ WANTED - DIRECT ELECTRIC MAN­ piano :Malr.u. Box 96, Batde Ground, Indiana insur.tnce, vacations. Send resume or contact ual chests Wicks or Reisner units. Also pipes chester, Connecticut 06040. directl,.. M. P. Moller, Inc .• 403 North Pros· for same if available. Send description and 47920. pect St•• Hagerstown, MD. 21740. 301/733·9000. QUALITY ALL ELECTRIC CHESTS ,trice to F·3, Till!. DIAPASON. made to order, good delivery. Aiken Auoclates. WANTED - ORGAN MAN wmI GEN­ WANTED - MUSIC ROLLS FOR AUS· BolC 143, Brooklyn. Pa. 18813. FOR SALE - PIPE ORGANS eral experience in both e1ectro-,meumalic and tin, Welte, Skinner, Acolian, Duo-Art and Esley tracker actions 10 work New York City arca. pipe organ playeR. J. V. Macartney, 4:J6 Haver. HARPSICHORDS FOR SALE - 33R MURRAY HARRIS MlQt be willing to be available for some road lord Ave., Narberth, I'a. 19072. pipe organ less console, dila.s:sembled, good work. Salary negotiable. All applications con_ FOR SALE - ERIC HERZ, TWO-MAN· condition $5500. Casavant 4-manual. 52-draw. fidential. Send application with rderences to WANTED - WILL l'AY HIGHEST PRICES Ilal Concert-Grand copy or Haas original; four knob console 1951 . clectropncumatic. exc::ellent M.G. THE DIAPASON . lor Ampico, Duo.Art. Welte piano rolls and string choin; seven pedals; manuals lixty three condition $8500. Spees on request. Fint Pres­ Austin, Weltc Skinner Aeolian, and Estey keys; for lull description enquire by mail; priced byterian Church. 320 Date St., San Diego, WANTED - ORGAN BUILDER TRAINEE organ rolls. AlSOr want all types of roll play. at $5,250.00. Owner now retired. Hugh Calif. 92101. 714/ 461-5457. or experienced man for small IhOI) in South· ing mechanisnu and player grand pianos. Abo O'Meagher, 2113 Kentuck,. Avenue. Ba1timore, west. ~ service. ~ building. Must have me. theater organ percussion instruments. G. W. Maryland 21218. FOR SALE - 3 MANUAL. 23-RANK chanical and musical aptitude & experience, Wicks, bullt 1961. Can be played at church MacKinnon. Aulomaled Music::al Instruments. FOR SALE - HARPSICHORDS AND interest in all types of organs. Send resume and 453 Atando Avenue. Charlotte, N.C. 28206. in California. OR, it can be leen and heard salary requirements 10 L .... TilE DIAPASON. clavichords made by J . C. Neupen and S. Sa· on " Hour of Power" telecasts SundaYl: Chi­ WANTED TO BUY - DUO·ART PLAYER bathil 1\ Son Ltd. Fincst quality. fuJI,. guran· cago, Channel 32. 9 a.m.; Los Angelcs, CH WANTED - EXPERIENCED PIPE OR­ rolls for Hammond Aeolian player organ. John tttd. Largest selection available from our show· 5, 10 a.m.; New York area, cn 9, 12 noon; gan K!rviceman for tuning. re;lairing and over· Seidel. Box: 218, Sugar Grove, Ill. 60554. 3121 rooms. Financinl Now Availabl,. Free CataloS. Philadelphia, CH 17. 9 a.m.; Sutde. cn 11, hauling organs in Metropolitan New York area. 466-4377. J W. Allen. 500 Glenway, Bristol, Va. 24201. 10:30 a.m.; specs on request. Buyer to remove. Must be! familiar wilh e1eclric all:l pneumatic 703/669-8396. Garden Grove Community Church, 12141 actions. Permanent pmitioll for right party. Lewis Sb'e1:t. Garden Grove, Calif. 92640. AddreQ K-5, TilE DIArA!lON. MISCELLANEOUS SABATHIL HARPSICHORDS - PEDAL Harpsichords and Clavichords - most reliable FOR SALE - PIPE ORGAN, SCHUELKE WANTED - SALES REPRE:;,ENTATIVES, ANY MUSIC, BOOKS, RECORDS FROM and beautifully sounding. from $895. Brochure Tracker, 4-rank, I-manual, over 70 yean old, all states. Donald Pepita, l'i,)c Organ Builder, England. Educ::ational-c::hurch music specialists. 25(. Stereo LP $5 lrom Dept. D, 1084 Homer, approximate sile 5' x 9' x 9' high. $950.00 Box 61, Garden City, M:ch. 48135. Adllrc!s Ai-4, TilE DIAPA.:!ON. Vancouver, B.C., Canada. FOB Milwaukee. 414/ 425.1158.

We are now QUALITY and COMPLETENESS supplying pipes, Our new voicers Pitman chest, Your "one-stop" supplier for all are electro pneumatic Cornelius (Kees) unit chest and pipe organ supplies and components. DeRooy electric valve and chest in addition Charles R. Oiesen to our standard DURST ORGAN SUPPLY CO., INC. line of products. P. O. Box 1165 Erie, Pennsylvania INC. 'Keeum 16512 MANUFACTURERS OF QUALITY ORGAN COMPONENTS Builders of Fine Tracker and CHESTER A. RAYMOND, INC. Electro·Pneumatic Pipe Organs PIPE ORGAN BUILDERS Inquiries are Cordially Invited Rebuilding, Maintena,lce and Additians W. Zill1.ll1.er & Sons INCORPORATED P.O. Box 55 Princeton, N.J. 08540 Phone: 609-924-0935 Mailing Add,... : P. 0, Box 11024. Charlotte, N, C. 28209 NATIONS FORD ROAD' CHARLOTTE, N. C.

That Iovilly soand ••• LIFE STYLE DO IT YOURSElf PIPE ORGAN KITS JULIAN E SULLEY of th. South Guman .aroq.... Cullom sPlclflcations for church or F. C. DREWS & CO. r.sidanci. complet. or Plrts. full In­ New Organs - Rebuilding PIPE ORGAN CO. structions by edabllsh.d orCJan bulldllS.. ORGAN BUilDERS SINCE 1960 Service NEW WORK FROM $6,000, 1117 Shell .. ID"d COLKIT MFG. Co. P.O. Box 112 SINCE 1906 REBUILT FlOM $4,000. AurDra. III. 60~D4 HUlr Station, BuHalo, N.Y. 14223 1376 Harvard Blvd.-Dayton, Ohio 450406 lox 505. MIddle Vllla,I, N.Y. 11m Ph....." 311/191-1113 513-276-2481 212..JU-1213

22 THE DIAPASON CLASSIFIED ADVERTISEMENTS a... lfi.d .dv.... hin. rat•• : per werd, $.20; minimum ch_.. , $2.50; box number, additional 51.00. Replle. to box numb.,. should b. 'en, ci a Th. Diapa.. n, 434 S. Wabash Avenue, Chicago, III. 60605.

FOR SALE - PIPE ORGANS FOR SALE - PIPE ORGANS FOR SALE - ELECTRONIC ORGANS FOR SALE - MISC.

FOR SALE - WICKS POSITlV, I.RANK, FOR SALE - 4-1.1, 32-R HooK-HAST­ VICTOR PIANOS AND ORGANS EIGHT FOR SALE - USED PIPES, CHESTS, 32.nole pedalboard. blower M:lf-contained. 4 inp with new ret!w &: strings less console. Wanhouscs with o\'er 1,000 Pianos &: Organs consoles. misc. parts. Organ Service, Box 2061, )"ears old. Danish modem linish. Excel1ent con· Write Box 2061. Knoxville, Tenn. 37901. of all makes lor home, theatre, and church. KnolCVille, Tenn. 37901. ,Iilion. $1 .500. St. Matthew Lutheran, 6901 500 Organs, 200 Grands, 300 Spinet Pianos a nd Ridge Rd., Cleveland, Ohio <14129. 216/845- FOR SALE - 1898 TRACKER, 11 RANKS, 15 Ampico Pla)'er Grands. We crate and ship oak case, dismantled. $1500 or best olft!r. De­ FOR SALE - WURLITZER CONCERT 2127. throughout the world. 300 N.W. 54 St., M iami, Fhue, Tenor C to C 61 , 49 pipes, $5O.0J. U.S. tails from David Eakin, Box 228, Pinole, CA Fla. 33127. 305/751-7502. 9fS64. O rgan Tibia, CCI to C 73. 73 pipes, $175.00. FOR SALE BEST OFFER. HINNERS Robert Morton Trumpet CCI to C61, 61 pipes, Antique pipe arpn. Real choice collectors item. FOR SALE - ALLEN "CLASSIC" OR­ $175.00. Call John Tay'201/472-7582 eveninp. 3.r.:ank tracker. :W·nole pcdalboard that "radi­ FOR SALE - THREE·MANUAL, 21-RANK pn, under 2 yean old, capture combon action, ales" opposite dirKtion of AGO pcdalboanl. Aeolian. Rt!built in 1961, in playable condition, antiphonal controls, suitable for chun:h or resi­ One 61-001c keyboard. Not far from playins needs ",mt! work. May play by appointment. FOR SALE - PARTS FROM TWO, TWO­ dence. Phone 201/9-17.2182 or write: Allen manual Moilers. Consoles (one dnawknob), condition. Partially dismantled. Robert '1 . Buyer to remove. Price ncsotiable. St. Ann'l Sever, 163 Christie St., Leonia, N.J. 076::15. Robinson, Union College, Lincoln, Nebraska Chureh, Shore Rd., Old Lyme, Conn. 06371. main manual chests, unit chest, blower, 16' 611506. 203/434.1435. Metal Open (mitered to 12'-6"), other mtscel­ FOR SALE - BALDWIN MODEL to, 2 lancous ranks. Serious partit!S write for list to FOR SALE - AEOLIAN 12-STOP PIPE manuals, AGO pedalboanl, 10 adjustable com­ R. Dyer, Holt -489, Jefrenon City, Tenn. FOR SALE :3 MANUAL 2O·RANK MOL- bination pistons, 2 sets speaken. Good condi· It.r. 3-manual 26·rank E. M. Skinner. 3_m.nual organ, #904, dis.assembled, clectro-pnt,·umatic. 37760. Campion, North Andover, Mass. 018-15. tion. $3,500.0l. Westchester Reform Temple, 18-rank Hook & Hastings, new all electric con­ Scanlsdale, New York !:tH/723-7727. ~ole electrified chests. Skinner 8' Stentorphone FOR SALE - 2·MANUAL &: PEDAL ES· 73 '"ilIes 10", $125.00. 8' Open 73 pipes 40 FOR SALE - AEOLIAN RESIDENCE OR· tey cORSolr'. White witb lold trim. escellcot !cale 7" $125.00. 16' Mitred Pedal Trombone gan. 16 rlts plus harp (49-note), chimt!S (20- FOR SALE - HAMMOND n·3 ORGAN, nott!). Also 8' Principal Walker fit. with ches t. PR-W tone cabinet with outside reverberation $1 50. Spenc('r Orgoblo, 'h liP at 6" Itatic. per_ 56 pip~ with 2 chests 15", $300.00. Spencer fec t for 6 ranb, $85. Prices FOB or trade lor In weekly Ult!. $200J or bt!St offt!r. BU)'er to ('ontrols. Cherry wood. Excellent condition. hlowen: 3 liP 5", $150.00; 7Y, liP 1150 RPM thratre organ items. Terry Hochmuth, 5921 6"-8" $100 00. W. J . Froehlich, 446 Grove remove. Will divide. Full list on request. Luth· Four yean old. Instrument not affected by eran Chun:h of Honolulu, 1730 Punahou St., wea dler changes. $2,000.00. Mn. S. E. Phelps, E. 86th St., Puyallup, Wash. 98371. Stree;, Westfield, N.J. 07090. Evenings: 201/ Honolulu, HI 96822. 5464 Storck Dri\'e, Day tOil, Ohio 4:.42-1 . 513/ 232·3867. 233-1763. FOR SALE - One 350 ClPM 12" SPEN­ FOR SALE - 2-7 KIMBALL INSTALLED cer Orgoblo, 110·220 replIlsion induction mo· FOR SALE - 2.MANUAL, I6-RANK MOL- tor, $200 ; I-rank Wurlill.er factor), mi'n.-d con­ 1('1', drawknob console 100% complete. Dis­ :Jnd playinr in my haK!ment. Diapason, Flute, FOR SALE - HAMMOND D-152, SELF· Vox, Tibia, Oboe, String, Trumpd, Xylo, cert nll te, 16-8-4, $100. G. E. VC'tner, 973. mantled, carefully packed and ItOred. Includes contained, 32 pedals, walnut, perfect condition. Glock. Toy Counter nt!eds rebuilding, but all IIYt Street S.W., Rochester, MN 55901. b~ower, generator, chests, rrscrvoin, pipes, $2,500.00. Chicago area. Address 1.1·3, T ill!. there. Chellts re-leathered about 10 yean ago. swell shades, conductor, harp and casework. DIAPASON. 3 hp blowt!r. I can assist in removal and crat­ FOR SALE - I ORGLOBLO JR. BLOW­ E~cellcnt condition. I'. La. GaJa, 59 Mcl~ ing. Asking $5,000 or offer. Harold R. Musolf, Hill Road, Clihon, New Jeney 07013. 201/ FOR SALE - HAMMOND RT-2 CON­ er, lIew (quiet ollemting model) with enclo­ Jr., 3034 N.W. <h, Seattle, WA 98107. 206/ -172-8555. cert model, AGO pedalboanl, Leslie speaker. ~ure. Enough air for 11 ranlts at 3'h" etc. SU3-9866. Mcellent condition. $2,000.00. Chicago al'C:l. Y2 liP motor (single phase 120V). 301/9-12- FOR SALE - MOLLER PIPE ORGAN. Olson, 8:30-4 :30 \\·eekd:JYS. 312/27-1-1600. 2J1 7. Electnl-Imemnatic action ; 2-m:mual, both under FOR SALE - 3-11 WURLITZER, IN­ exprc5$ion ; 15 ranks plus chimes; 32-note stand­ stallt!CI. and playing, complt!te with A1I Itops FOR SALE - RODGERS MODEL 100, including Post Hom &: Tuba. All Toys, Chrys., FOR SALE - USED PIPES, BLOWERS, ani AGO pcdalboanl, 8 combination pistons Baroque, 32 Itops, 2 manuals, AGO pedalboard. etc. See 0111' Oct. ad for list or send SASE and crescendo pedal; lub and luper couplen. Chimes, Xylo, Glock, Drul115, etc. and many Year old, perfect condition, $3100. R. T. extras. 5 hp blower. Can bt! let up in 8' ceil­ to Callnana Organs Inc., Hollidaysburg, Pa. Disassembled. Contact Fint Baptist Church, Brown, 116 Nottingham RO:Jd, Ramsey, New 1(.6-18. 107 Locust Street, Harrisburs, Pa. I71Dt. ing. I can assist in remov:J1 and catins. Alking Jeney OH-I6. 201/327-9199. $10,000 or oner. Harold R. Mwol£, Jr., 3034 FOR SALE - USED PIPE ORGANS NOW NoW. 6-Ith, Scaltit!, WA 98107. 206/SU3-9866. FOR SALE - RODGERS ORGAN, SELF­ FOR SALE - LIKE NEW DEAGAN CLASS in Itgrage in our faclory : 2-manual 8-rank contained, 3.mannal, I yr. old, thcatre style, A Chimes and action. 2 liP Of!loblo. 2-manual Moller; 2·manual ll-ranlt. Moller; 2·manual 15- FOR SALE - 2/6 STYLE 0 WURLITZER $6000.00. Address L-6, Till.: DlAPASON. horscshoe console. Collier, 19575 Rollins Acres, rank Casavant. These orpns will be completc1y opus #566. Toy Counter and Pucus:sions, Spen­ So. Belld, Ind. -Hilil-l. factory rehuilt, installed and guaranteed. M. P. cer lingle phase blower. Nct!w some relcather­ Moller, Inc., Hagentown, Md. 217·10. 301/733- ing. Presently installed in public hall. $1500 FOR SALE - MISC. FOR SALE - CLOSING BUSINESS. BOX !lOOO. or hi.hest offer. Buyer to remove. Irv Toner, Orgaflex, Flcxhawt $15. 200+ pipes to 8' 716/196-6538 or write Box 225, Warsaw, N.Y. $25. U,ed chimes. never uncrnted $125. Console FOR SALE PIPE ORGAN, THREE 14569. FOR SALE - 8' DIAPASON, 73 PIPES; (110 keyhoanls) $20. Othen. Donald Steele, 151 Itops unified, can be Iccn and heard. Also lur­ Flute Traveno -I'i console, 2 blowen; 2 73'note Third Street, Troy, N.Y. 12180. 518/271-6729. plus chests, consoles, pipell, blowen, miscellane­ FOR SALE - 2/5 MARR &. COLTON, electro.pneumatic chests; .\. J. Eilola, 739 Fint ous organ parts, and itenu of historical in· Tibia, Trumpet, Salicional, Diapason, Vox St:" Woodland, Calif. 95695. Phone evenings FOR SALE - AMPICO PLAYER (ELEC­ terest. Midmer Lcnb Co., 161 Smith St., 1.1.1'­ Human:" nicely unifi~ beautiful small instru­ 91b/662-5101. rick, N.Y. FR 8-7960. ment, 1\'Ory console. oJ",,5OO,OO. Robert Castle, tric) in Franklin ullright piano. Ne",'ly ruon­ 12350 E. 48th Avenut!, Denver, Colorado 80239. FOR SALE - 27 RANKS AEOLIAN OR­ ditioned. Excellent working ord... r. J. R. Thom­ as, Boanl of Tmde Bldg., Portland, Oregon. FOR SALE - PIPE ORGAN GEORGE S. gan pipes, Swell engine, Kinetic blower, 49 503/226-7-174. Hut~ binp &. Co., .. ranks, chests completely FOR SALE - KILGEN THEATRE OR­ and 61-note chests. Complete to highest bidder relined, any reasonable offer accepted. Charles ran, ci«tric coRSolt!, nt!eds rebuild. Easy ac· or in leparate lob. Address 1.1.2, THE 01". Bonar, Walled Lake, Mich. 48008. Td. 624-1132. cess, in stOr.lge centTill Nebr. P.O. Box 264, PA90N. FOR SALE OR SWAP - ESTEY RESI­ Neenah, Wis. 54956. dC'lIce organ test rolls, mil catalOgl; Clark test FOR SALE - II-RANK TUBULAR PNEU­ FOR SALE - 16' BOURDON, SMALL roll; Duo-Art rolls. WANTED - Duo-Art rolls, matic Pilcher. Partially assembled in raidenu, MOLLER DELUX THEATRE ORGAN scale, 44 pipes $70; Moller console, 2-man, csp«ially legitimate organ music. Alan Doul­ $500 or best oller. David Annstrong, Box 566, three.manuaJ, eleven ranlts, for we or trade sood finish, everything works $85 . II. Crandall, las, Box 225, Pocasset, Mass. 02559. Bladenboro, N.C. 28320. 919/ 863-3167_ lor electric. 90·1/255.7417. 302 2nd St., Mosinee, Wise. 54455. FOR SALE - APPROXIMATELY 80 FOR SALE - SIX· RANK PIPE ORGAN. FOR SALE - 4-RANK ROBERT MOR­ FOR SALE - USED PARTS INVENTORY. )-ards gold drapes from main curtain of Radio Suitable for small room or prage. $500.00. De­ ton Unit, blower, chests, shutten, pipes, all Must clcar shop. Some pipes, rela),l , other City Music lIall. $200.00. Harrison, I Sundew tails: Harrison, I Sundew Rd., Meadowood, complete and good at $500. Console extra. equipment. Stale needs. Orpnparts Div., 118 Rd., Mt"adowood, Newark, Debware 19711. Newark, Delaware 1971t. Phone 302/131-0742. Jont!S, 1518 Third, Albany, GCOrFa 31705. Ninth Street, Passaic, N.J. 0i055. Phone 302/737-0742. DELAWARE ORGAN COMPANY, INC. McMANIS a progressive company with traditional ideals KANSAS CITY, KANSAS designing and building custom pipe organs 66104 252 FILLMORE AVE. TONAWANDA, N. Y.

MUSICIANS WANTED 0 LOUIS F. MOHR & COMPANY FOR SALE ORGANISTS. SINGERS R Sine. 1906 ORGAN MOiler 5 ranks + Deagan chimes. INSTRUMENTALISTS G MAINTENANCE A Installed 1952 and In excellent For Church Musicians' Agency 2899 Valentine AYe. condition. Chamber installation Serving the Greater New York, New N Jersey, Connecticut areas. For Ser- 51.. S"mtolo/ Qualif" New York 58 N. Y. with swell shades. Buyer to re- 1 vices or employment, write: Telephone: SEdpick 5-5628 moye although remoyal and re- installation can be arranged. Lo- MONICO ARTISTS' Emqcncy Service Yearly CoDtncts cation: Detroit, Michigan, $5,000 p JEROME B. MEYER &SONS Harps - Chimes - Blowers MANAGEMENT Inc. firm. S. H. Dembinsky, 1035 Iro- t 2339 SO. AUSTIN ST. Espert OvcrhauliRl' quais Dr. S.E., Grand Rapids, 465 W. 23 Sl Suite 12-H p "An Drllltc Prop,rly Main,aitc,,, M ••ru Michigan 49506. New York City, 10011 MILWAUKEE, WIS. 53207 Or Call: (212) 741·3647 E Beu,r Music" . S ORGAN SERVICE -J. E. Lee, Jr. PIANO TUNING Reid Organ Co. CONRAD O. DURHAM Learn Plano tuning and r.patr wtth easy to follow home Itudy coune. Wide open P.O. lox 363 KNOXVILLE, TENNESSEE 37901 Rebuilding .. Revoking .. Consultation lox 2061 field wllh good .arnlng.. Mak.. excel- (4OIJ) 241-3167 lent "extra" job. Write P.O. lox 2125, Tallaha.... , Fla. 32304 Tuning .. Matntenance .. a.bulldlng Santa Clara, California American School of Plana Tunin. III Con.ultant. 17150 T.lf.r Dr. O.,1l. 0 .." ... Hili. CA 1S1S7

DECEMBER 1972 23 • • L I I I a n M u r t a g h C on~ert Manag e .1. e n t

• Box 272 Canaan, Connecticut 06018 203-824-7877

EUROPEAN ARTISTS Touring Winter·Spring 1973

NITA AKIN

KAl\UEL D'HOOGHE Jan. 19· Mar. 3

ROBERT ANDERSON CLYDE HOLLOWAY FREDERICK SWANN

HEINZ WUNDERLICH Feb. 25 . Apr. 2

ROBERT BAKER

First American Tour Mar. 1 • Apr. 8 ~ DAVID CRAIGHEAD JOAN LIPPINCOTT LAUD THOMAS

MICHAEL SCHNEIDER Mar. 25 • May 6 Two w,,.b willa Chris,Uin Stlaadd.r. 060"'

JOHN WEAVER

FRANCIS JACKSON Apr. 26 . May 27

JERALD HAMILTON MAHtLYN MASON