The Avenue Songlist C/O Cleveland Music Group Updated 2018

Total Page:16

File Type:pdf, Size:1020Kb

The Avenue Songlist C/O Cleveland Music Group Updated 2018 The Avenue Songlist c/o Cleveland Music Group Updated 2018 Jazz/Dinner At Last Etta James Autumn Leaves Standard Blue Bossa Standard Everything Michael Bublé Fly Me to the Moon Sinatra I Can See Clearly Now Jonathan Butler/Johnny Nash I’m Glad There is You Standard It Had to Be You Standard My Funny Valentine Standard Someone To Watch Over Me Standard Somewhere Over the Rainbow Judy Garland Soon Standard Unforgettable Nat King Cole & Natalie Cole The Way You Look Tonight Sinatra What a Wonderful World Louis Armstrong Also Various Jazz/Standard Instrumentals Motown-Oldies-Disco Ain’t No Mountain High Enough Marvin Gaye & Tammi Terrell Ain’t Too Proud To Beg Temptations Best of My Love The Emotions Boogie Shoes KC & the Sunshine Band Boogie Oogie Oogie A Taste of Honey Brick House Commodores Brown Eyed Girl Van Morrison Can’t Take My Eyes Off of You Frankie Valli & the Four Seasons Car Wash Rose Royce Dancing In the Streets Martha & the Vandellas Dancing Queen ABBA Disco Inferno The Trammps Don’t Leave Me This Way Thelma Houston Easy Commodores Fire (When We Kiss) Pointer Sisters Freeway of Love Aretha Franklin Get Down Tonight KC & the Sunshine Band ClevelandMusicGroup.com/entertainment/the-avenue 1 of 4 The Avenue Songlist c/o Cleveland Music Group Updated 2018 How Sweet It Is to Be Loved By You James Taylor I Can See Clearly Now Jonny Nash/Jonathan Butler I Can’t Help Myself Four Tops I Love the Night Life Alicia Bridges I Want You Back Jackson 5 I Will Survive Gloria Gaynor I Wish Stevie Wonder Isn’t She Lovely Stevie Wonder Jump Jive and Wail Brian Setzer Orchestra Just My Imagination Temptations Lady Marmalade Patti Labelle Last Dance Donna Summer Livin’ on a Prayer Bon Jovi Let’s Stay Together Al Green Love the One You’re With Stephen Stills Love Train The O’ Jays Love Will Keep Us Together Captain & Tennille Mustang Sally Wilson Pickett My Girl Temptations Oh What A Night (December ’63) Frankie Valli Proud Mary Tina Turner Rescue Me Fontella Bass RESPECT Aretha Franklin September Earth Wind & Fire Shout Isley Brothers Sir Duke Stevie Wonder Stand By Me Ben E King Superstition Stevie Wonder Sweet Caroline Neil Diamond Sweet Home Alabama Lynrd Skynrd This Will Be Natalie Cole We Are Family Sister Sledge What I Like About You The Romantics What’s Goin On Marvin Gaye Wonderful Tonight Eric Clapton ClevelandMusicGroup.com/entertainment/the-avenue 2 of 4 The Avenue Songlist c/o Cleveland Music Group Updated 2018 80s to Today (* = usually played for dinner, special dance or by request only) ​ 24K Magic Bruno Mars All About That Bass Meghan Trainor All Of Me * John Legend Blurred Lines Robin Thicke Cake By the Ocean DNCE California Gurls Katy Perry Can’t Stop the Feelin Justin Timberlake Crazy In Love Beyoncé Don’t Stop Believin’ Journey Don’t Stop Til You Get Enough Michael Jackson Footloose Kenny Loggins/Blake Shelton Forget You Cee Lo Green Groove Is In the Heart Deee-Lite Happy Pharrell Williams Hit Me With Your Best Shot Pat Benetar How Long Will I Love You * Ellie Goulding I Hope You Dance * Leann Womack I Gotta Feeling Black Eyed Peas I Wanna Dance with Somebody Whitney Houston If I Ain’t Got You Alicia Keys Just Dance Lady Gaga Last Name Carrie Underwood Like a Virgin Madonna Love Shack B-52s Lucky Jason Mraz Moves Like Jagger Maroon 5 Party in the USA Miley Cyrus Piano Man Billy Joel Shake It Off Taylor Swift Shut Up and Dance Walk the Moon Sway * Pussycat Dolls Sweet Nothing Calvin Harris/Florence Welch Talk Dirty Jason Derulo Tik Tok Ke$ha Thinking Out Loud Ed Sheeran Treasure Bruno Mars ClevelandMusicGroup.com/entertainment/the-avenue 3 of 4 The Avenue Songlist c/o Cleveland Music Group Updated 2018 Uptown Funk Bruno Mars Walking on Sunshine Katrina & the Waves We Found Love Rihanna What I Like About You The Romantics You Are the Best Thing Ray LaMontagne Special Occasion/By Request Only Hang On Sloopy, Hava Nagila / Hora Medley, Polkas Your favorite songs not on this list may be played during band breaks by the soundman. The band will learn new songs on a limited basis only, at their own discretion. ClevelandMusicGroup.com/entertainment/the-avenue 4 of 4 .
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • CIM's First Artistic Director Was Ernest Bloch, a Swiss Composer and Teacher Who Came to Cleveland from New York City
    BLOCH, ERNEST (24 July 1880-15 July 1959), was an internationally known composer, conductor, and teacher recruited to found and direct the CLEVELAND INSTITUTE OF MUSIC in 1920. Bloch was born in Geneva, Switzerland. The son of Sophie (Brunschwig) and Maurice (Meyer) Bloch, a Jewish merchant, Bloch showed musical talent early and determined that he would become a composer. His teen years were marked by important study with violin and composition masters in various European cities. Between 1904 and 1916, he juggled business responsibilities with composing and conducting. In 1916 Bloch accepted a job as conductor for dancer Maud Allen's American tour. The tour collapsed after 6 weeks, but performances of his works in New York and Boston led to teaching positions in New York City. During the Cleveland years (1920-25), Bloch completed 21 works, among them the popular Concerto Grosso, which was composed for the students' orchestra at the Cleveland Institute of Music. His contributions included an institute chorus at the CLEVELAND MUSEUM OF ART, attention to pedagogy especially in composition and theory, and a concern that every student should have a direct and high-quality aesthetic experience. He taught several classes himself. After disagreements with Cleveland Institute of Music policymakers, he moved to the directorship of the San Francisco Conservatory. Following some years studying in Europe, Bloch returned to the U.S. in 1939 to teach at the Univ. of Calif.-Berkeley. He retired in 1941. His students over the years included composers Roger Sessions and HERBERT ELWELL. Bloch composed over 100 works for a variety of individual instruments and ensemble sizes and won over a dozen prestigious awards.
    [Show full text]
  • New York State's First Lady Launches Wheelchair Distribution Project In
    INSIDE:• World Economic Forum Roundtable begins in Kyiv — page 3. • Heifer Project donates dairy cows to aid Zaluchia Orphanage — page 9. • Yonkers plays host to Spring Volleyball Tournament — page 11. Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXXIII HE KRAINIANNo. 25 THE UKRAINIAN WEEKLY SUNDAY, JUNE 19, 2005 EEKLY$1/$2 in Ukraine Our Ukraine People’s Union emerges T U New York state’sW first lady launches as country’s leading political force by Zenon Zawada create the party and nominate its leaders. wheelchair distribution project in Ukraine Kyiv Press Bureau Despite the effective symbols and branding, Our Ukraine was not a political KYIV – With Ukrainians already antic- party, but a coalition of parties that united ipating the critical parliamentary elections under Mr. Yushchenko, who was always in March 2006, the Our Ukraine People’s independent of political parties until now. Union (OUPU) party has emerged as the Once Mr. Yushchenko became presi- nation’s leading political force. dent, it was apparent that a political party Led by President Viktor Yushchenko and under his leadership that retained the Vice Prime Minister for Administrative and widespread recognition and symbolism Territorial Reforms Roman Bezsmertnyi, of Our Ukraine would become an the party has retained all the symbols, extremely influential political organ, Western-oriented ideals and policies that political experts said. the Our Ukraine coalition stood for when The OUPU’s strength is that it appeals leading the Orange Revolution. to an extremely broad segment of the At a June 14 press conference, Mr. Ukrainian population that supports Bezsmertnyi emphasized that the OUPU President Yushchenko’s agenda, said Yurii is committed to leading a similar coali- Yakymenko, director of the political-legal tion in the March elections that includes programs at the Razumkov Center for Prime Minister Yulia Tymoshenko’s Economic and Political Research.
    [Show full text]
  • “Horizons Band” Partial Song List 1
    “Horizons Band” partial song list 1 Contemporary/Rock/Dance Move Your Body- Nina Sky Can’t Stop the Feeling - Justin Timberlake Save Room – John Legend Shut Up and Dance - Walk the Moon Don't Cha- Pussycat Dolls Cheap Thrills - Sia Man, I Feel Like a Woman – Shania Twain Me Too - Meghan Trainor Don't Stop the Music – Rhianna Fireball - Pit Bull Jump - Pointer Sisters Uptown Funk - Bruno Mars Mercy - Duffy Ex's and Oh's - Elle King You're Everything - Michael Buble All About That Bass – Meghan Trainor I Like It – Enrique Iglesias Rather Be – Clean Bandit DJ Got Us Falling In Love – Usher Happy – Pharrell Williams Born This Way – Lady Gaga You Gotta Be – Des'ree Edge of Glory – Lady Gaga I Gotta Feelin' – Black Eyed Peas I Like It – Enrique Iglesias Sweet Dreams Medley – La DJ Got Us Falling In Love – Usher Bouche/Eurythmics California Gurls – Katy Perry Crazy in Love – Beyonce Say It Right – Nelly Furtado Just Dance – Lady Gaga Dress You Up – Madonna Love Shack - B52’s Forget You– Cee-lo Green Get the Party Started - Pink Treasure – Bruno Mars I Need to Know- Marc Anthony Don't Stop Believin’ - Journey This is Your Night - Amber Party Rock Anthem - LMFAO Electric Slide - Marci Griffith How Will I Know - Whitney Houston Another Night - Real McCoy Let the Good Times Roll – BB King Mambo Number 5 - Lou Bega Moves Like Jagger - Maroon 5 Soak Up the Sun - Sheryl Crow Rolling In the Deep - Adelle Conga - Gloria Estefan Brokenhearted - Karmin What I Like About You - The Romantics Blurred Lines– Robin Thicke R.O.C.K.
    [Show full text]
  • The New Romantics: Romantic Themes in the Poetry of Guo Moruo and Xu Zhimo
    W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2009 The New Romantics: Romantic Themes in the Poetry of Guo Moruo and Xu Zhimo Shannon Elizabeth Reed College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Chinese Studies Commons, and the Literature in English, British Isles Commons Recommended Citation Reed, Shannon Elizabeth, "The New Romantics: Romantic Themes in the Poetry of Guo Moruo and Xu Zhimo" (2009). Undergraduate Honors Theses. Paper 305. https://scholarworks.wm.edu/honorstheses/305 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Table of Contents Introduction: Romanticism ..............................................................1 Part I: Historical Context ..............................................................10 Part II: Guo Moruo ......................................................................26 Part III: Xu Zhimo .......................................................................58 Conclusion ..................................................................................87 Appendix: Full Text of Selected Poems ..........................................89 Guo Moruo’s Poems ................................................................................................................
    [Show full text]
  • Garageland Rodeo Is Neither a Garage Band Nor Country Band
    Booking and Information Rodeo 925 348 2089 GarageLand www.garagelandrodeo.com rock and blues, with a lotta soul! Greetings, Don’t let the name fool you—Garageland Rodeo is neither a garage band nor country band. They’re a free-wheeling, 6 piece powerhouse that revels in playing rock and blues, with a lot of soul. Formed in 2004, and currently celebrating their 11th Anniversary as a band, Garageland Rodeo is comprised of local east bay musicians that bring a broad diversity of influences to the stage. They take pride in their craft (whether unplugged or fully charged) and play for events of all kinds, from music fests to weddings to wine bars to dive bars. Armed with both original songs as well as an eclectic mix of covers, this band has come together to create their own distinct sound, original style, and warm, welcoming energy. For more information, including audio and video samples, images and scheduled appearances, please visit http://www.garagelandrodeo.com Like Garageland Rodeo on Facebook to get all of the updates in one easy place. Meet the Band The Core Players: Pat Brady: Bass, Vocals Chris Bryant: Guitars, Vocals Bruce Campbell: Guitars, Vocals Tod Dauer: Keyboards Jenny Starmack: Lead Vocals Charles Waltmire: Drums, Percussion Supplemental Players Erol Gokbora - Saxophone Jay Olson: Harp Acoustic Duo: Chris Bryant: Guitars, Vocals Jay Olson: Harp Jenny Starmack: Lead Vocals (yeah we know it’s technically a trio...) Thank you for considering Garageland Rodeo for your venue or event. Feel to contact us at 925.348-2089 or drop us an email at [email protected] We look forward to providing entertainment for you in the future.
    [Show full text]
  • Martha Reeves
    Shake Your Booty (KC & The Sunshine Band) Walk of Life (Dire Straits) Sing a Song (Earth, Wind & Fire) What I Like About You (The Romantics) That’s The Way (KC & The Sunshine Band) We Are Family (Sister Sledge) Jazz & Standards Can’t Take That Away From Me Ballads Don’t Get Around Much Anymore (The Duke) Ain’t No Sunshine (Bill Withers) Girl From Ipanema (Jobim) At Last (Etta James) It Had To Be You (Harry Connick Jr) Can’t Help Falling In Love (Elvis) Java Jive (Manhattan Transfer) Change The World (Eric Clapton) L. O. V. E. (Nat King Cole) Could I Have This Dance (Anne Murray) Moondance (Van Morrison) Crazy (Patsy Cline) Pick Up The Pieces (Avenue Blue) Fields of Gold (Sting) Route 66 (Natalie Cole) Lights (Journey) Sleepwalk Ooh, Baby Baby (Temptations) The Way You Look Tonight (Frank Sinatra) Shower The People (James Taylor) Unforgettable (Natalie & Nat King Cole) Motown/R & B Time After Time (Cyndi Lauper) Wonderful World (Louis Armstrong) Ain’t No Mountain High Enough When You Say Nothing At All (Keith Ain’t Too Proud To Beg (Four Tops) Whitley) Acoustic Dinner Set Boardwalk (Linda Ronstadt) Wonderful Tonight (Eric Clapton) The Boxer (Simon & Garfunkel) Chain of Fools (Aretha Franklin) Words Get In The Way (Gloria Estefan) Don’t Know Why (Nora Jones) Dancin’ In the Streets (Martha Reeves) Everything I Own (Bread) Heard It Through The Grapevine (Gladys Here Comes the Sun (The Beatles) Knight & The Pips) Homeward Bound (Simon & Garfunkel) Harlem Shuffle (Rolling Stones) Pop/Rock If I Fell (The Beatles) I Feel Good (James Brown) All
    [Show full text]
  • Revolution Or Repetition: Woodstock's Romanticism
    Introduction Countercultures Ideologies and Practices Alternative Visions REVOLUTION OR REPETITION: WOODSTOCK’S ROMANTICISM Maarten Doorman If we try to understand global history by pointing to revolutionary moments we would probably mention 2001, 1989, and 1968 as the most striking years in the postwar Western world. And if we discuss utopian thought and the quest for “alternative realities,” the year 1968 comes to the fore, more than the years 1989and 2001,which might be seen as more important turning points in political history.1 As the writer Mark Kurlansky puts it in his book 1968:The Year That Rocked the World: “There has never been a year like 1968[…]. At a time when nations and cultures were still separate and very diff erent — and in 1968 Poland, France, the United States, and Mexico were far more diff erent from one another than they are today — there occurred a spontaneous combustion of rebellious spirits around the world.”2 Even for historians less focused on specifi c years than journalists and writers like Kurlansky it seems hard to deny that the late 1960s are oft en regarded as the most revolutionary years of the postwar period. However, if we take a closer look at the changes of that time, the question emerges in how far the cultural revolution of those days represented a shift in cultural values that was completely new. So in Footsteps: Adventures of a Romantic Biographer (1985),Richard Holmes describes how he tuned in to Radio Luxembourg in the spring of 1968and heard a live report on the storming of the Bourse in Paris: crowds shouting, the crack of tear-gas grenades, breaking glass, and cheers.
    [Show full text]
  • 129Th State Conference October 12 – 14, 2014 the Henry Hotel
    MICHIGAN MUSIC TEACHERS ASSOCIATION AFFILIATED WITH THE MUSIC TEACHERS NATIONAL ASSOCIATION FOUNDED IN 1885 129th State Conference October 12 – 14, 2014 The Henry Hotel, Dearborn, MI 2 3 4 TABLE OF CONTENTS Page Dear ColleaGues, Letter from Garik Pedersen, MMTA President ............................................... 6 Letter from MTNA Kenneth J. Christensen and Gary L. Ingle ..................... 7 th As your president, I aM deliGhted to welcoMe each of you to the 129 MichiGan Music Letter from Govenor Rick Snyder ....................................................................... 8 Teachers Association Conference! I hope you enjoy your stay at the beautiful Henry Hotel Letter from Jennifer Drake, KAMTA President ............................................... 9 and leave rejuvenated, inspired, and itching to get back to your students to try out List of KAMTA Volunteers ................................................................................... 10 soMethinG you have learned. We’re so glad you’re here! MMTA Board of Directors, Officers, and Committee Chairs .................... 11 Radisson Hotel Floor Plan .................................................................................. 12 This is your conference-it is planned with you in Mind because MMTA exists to serve you CompleteConferenceProgram ..................................................................... 13-15 and our students. We have a full itinerary planned for you, so be sure to take a few Minutes Conference in Detail ......................................................................................
    [Show full text]
  • “War of the Romantics: Liszt and His Rivals” OCTOBER 24-27, 2019
    2019 AMERICAN LISZT SOCIETY FESTIVAL “War of the Romantics: Liszt and his Rivals” OCTOBER 24-27, 2019 music.asu.edu AMERICAN LISZT SOCIETY www.americanlisztsociety.net A non-profit tax exempt organization under the provisions President of section Jay Hershberger 501 (c) (3) of Concordia College the Internal Music Department Revenue Moorhead, MN 56562 Code [email protected] Vice President Alexandre Dossin Greetings Dear Lisztians! University of Oregon School of Music & Dance Eugene, OR 97403-1225 On behalf of the board of directors of the American Liszt Society, it is an honor to welcome you to [email protected] the 2019 American Liszt Society Festival at the Arizona State University School of Music. We extend Executive/ Membership our gratitude to the Herberger Institute of Design and the Arts, Dr. Steven Tepper, Dean, to the School Secretary Justin Kolb of Music, Dr. Heather Landes, Director, and to our festival director, Dr. Baruch Meir, Associate Professor www.justinkolb.com 1136 Hog Mountain Road of Piano, for what promises to be a memorable and inspirational ALS festival. Dr. Meir has assembled Fleischmanns, NY 12430 a terrific roster of performers and scholars and the ALS is grateful for his artistic and executive oversight [email protected] of the festival events. Membership Secretary Alexander Djordjevic PO Box 1020 This year’s festival theme, War of the Romantics: Liszt and His Rivals brings together highly acclaimed Wheaton, IL 60187-1020 [email protected] guest artists, performances of important staples in the piano repertoire, a masterclass in the spirit of Liszt as creator of the format, informative lecture presentations, and a concert of choral masterpieces.
    [Show full text]
  • The Romantics Settle Lawsuit Over Song Royalties with Former Band Member Detroitnews.Com
    http://www.detroitnews.com/article/20130723/METRO02/307230110 The Romantics settle lawsuit over song royalties with former band member detroitnews.com Purchase Image Wally Palmarlead singer of The Romantics, belts out an old classic during the Charity Preview at the 2010 North American International Auto Show at Cobo Center. (John T. Greilick/The Detroit News) Pontiac After nearly six hours of mediation Tuesday, the Detroit-based rock band The Romantics reached an agreement with a former bandmate, averting an Oakland County Circuit Wally Palmarlead singer of The Romantics, belts out an old classic during the Charity Preview at the 2010 North American International Court trial scheduled to begin this week that would Auto Show at Cobo Center. have opened up tax and business records, personal bankruptcy and, perhaps, the seamier side of the recording industry. The Romantics, who performed in Detroit this summer, have recorded five albums and had a string of international hits in the 1980s fans still dance to today, including What I Like About You and Talking In Your Sleep. George Coz Canler, a former lead guitarist with the band from 1980 to 2011, sued two years ago, claiming he was cheated out of royalties from recordings that went to Master Beat, an entity created by the band to share profits. Band members countered saying Canler, who lives in Florida, was not entitled to monies from songs he neither wrote nor performed on, including What I Like About You, recorded in 1979. In an agreement put Tuesday before Judge Wendy Potts, in exchange for Canler relinquishing a 25 percent share in Master Beat, he will be paid $50,000 within 14 days and $20,000 annually for the next four years for a total of $130,000.
    [Show full text]
  • CBS Newsletter Aug 2017 Web Version
    August 2017 BLUES NEWS CBS Blues Cruise Was A Hit Blues Cruise July 10, 2017 CBS would like to thank all the musicians, volunteers and ticket holders that attended the Fifth Annual Blues Cruise. After a worrisome morning and afternoon of thunder and lightning (and lots of praying and doing the non-rain dance), the weather turned out to be perfect! Thank you for your support. The money we raised will be going towards the “Cleveland Blues Society Scholarship Fund” which is in the process of being set-up. Cleveland Blues Society 9/12/2017 1 Inside this i s s u e : CBS Blues Cruise 1,2,5,7, 2017 BLUES CRUISE Pictures 13,15, 16 Blues You Should Know 3 Jam Schedule 7 5 Years in a row!!! Band Spotlight 8 Jimmy’s Juke Joint 10 CD Review Volunteer of the Month 11 I AM THE BLUES 12 Jammer Spotlight 14 Newsletter Contributors News Director:...Elaine DeStephano Layout Editor: ……………….Kris Diehl Columnists: …………..Doug Schunick ……………………………………..Bob Frank ………………………………………...Jim Bell Photographers:………...Lloyd Braun …………………………………...Bill Koteles ………………………………..Kevin Richter CBS Board of Directors Officers: President - John Adams Vice Pres.- Michael Henighan Treasurer - Elaine DeStephano Secretary - Becky Francen Board Members at Large : Susanne Mayer Robert Dickow Mike Kormos Bill Koteles Diane Mocniak PO Box 40724 Broadview Heights, OH 44147 WWW.CLEVELANDBLUES.ORG 2 Cleveland Blues Society 9/12/2017 Blues You Should Know by Bob Frank LILLIAN MCMURRAY AND TRUMPET RECORDS Lillian McMurray was a proper Southern white lady. Born and, in short, developed the skills she would need to succeed Lillian Shedd in Purvis, MS to a fairly poor family that moved in the next endeavor she had in mind: starting her own record around a great deal, Lillian, as a young girl, taught herself to company.
    [Show full text]