2019 June/July Waterlogue

Total Page:16

File Type:pdf, Size:1020Kb

2019 June/July Waterlogue NEWSLETTER OF THE VIRGINIA WATERCOLOR SOCIETY http: //www.virginiawatercolorsociety.org Number 137 June/July, 2019 PRESIDENT’S MESSAGE worked on. This is an ongoing project. Like all volunteer run organizations, the VWS depends Welcome to the summer painting season! Whether on its volunteers to survive and thrive. We serve YOU. If you feel you have vacation traveling in your plans or staying home re- that the time has come for you to serve VWS, there are many laxing in your plans, I hope everyone will have a productive opportunities to do that. Vacancies exist on the standing board summer with watercolor creativity. And, of course, time with and the area representative board as follows: family and friends is a necessary ingredient to a good summer • Treasurer (Lynn Hosegood has stepped down to become as well. Program Director For those of us who were able to attend our 40th An- • Co-Editor of the Waterlogue (Jack Frable is stepping down) nual Exhibition in Lorton, or who were able to take John • Historian (Jane Frank is stepping down) Salminen’s workshop, it was a very memorable weekend! • Congratulations to all those whose work was selected and Area rep for Northern Virginia (Debbie Conn is stepping double congratulations to all those who received awards! It down) • was, and is, a magnificent show. Since the show will be up for Area rep for Williamsburg 3 months, there is still plenty of time to see the show or bring Another position that we are looking for is someone to out-of-town visitors to see the show. Kudos to co-chairs Tam- become the “expert” on Call for Entry, the system of entering my Wiedenhaefer and Amy Arons, and the entire exhibition our annual exhibitions that we have committee, who did a fantastic job. I especially enjoyed the used for the past 2 years. Cafè, as it is focus on the 40th anniversary which included specially made known, is a system that many arts or- paintbrushes inscribed with 40th anniversary –Virginia Water- ganizations are using and it has made color Society, and the pins, credit card holders, goodies from entering our exhibitions online very vendors, and much more. One very special detail that I loved easy, for most of us. We have deter- was the cupcakes with the 40th anniversary logo on it. I ate 3 mined that VWS will continue to use of them!! Eye candy and also delicious!! We will have about this system, but we need someone 13 months before our 41st annual exhibition 2020 in Rich- who will commit to being the Cafè ex- mond, so there is a lot of time to paint and get ready. If your pert for at least a 3 or 4 year term. painting was not selected for this year’s exhibition, please take Cafè will train you, so there will be free heart and plan to enter again. We all know the feeling of hav- instruction. This is a really essential ing a painting not selected for a big show. Keep painting and position and will make the running and keep entering organization of our future exhibitions so much easier Do you know who your area rep is? Do you know Many thanks and appreciation go to Lynn Hosegood, Jack who is listed or “assigned” to a particular area? For some Frable, Jane Frank, and Debbie Conn for their selfless work for time, there has been confusion about who is included in which the Virginia Watercolor Society over the years. Without the areas. In an ongoing effort to clarify this, I have been talking support and commitment of such “stars” the VWS would not to area reps and getting ideas on what to do about this. Al- exist. Cheers to all of you. though I have divided up areas into smaller ones, the consen- Best wishes for a wonderful summer! Paint on sus from most has been to combine areas into larger areas. Elaine Nunnally This would be easier for communication and for joining togeth- er within areas to share resources, workshop opportunities, The Deadline for the September/October Waterlogue is Sep- and exhibit opportunities. Although the particular areas (or districts) that have been suggested are not final, this is what tember 9, 2019. This issue should have important information we have come up with so far: Northern Virginia, the Valley, about the 2020 VWS Exhibition. Area Representatives and the Charlottesville, Roanoke, Lynchburg, Richmond, Williamsburg, Exhibition Chair please make note of this so you will have time Hampton Roads, Middle Peninsula, and Southern VA (including to gather and send information to VWS editor Jean Miller at SW, and out of state members). Please contact me with your [email protected]. ideas about this. A list of members in each area is being Page 2 GREETINGS FROM THE 2019 VWS EXHIBITION SPONSORS FOR THE 2019 VWS EXHIBITIONE COMMITTEE The 40th Annual VWS Exhibition at the McGuire Woods Gallery at This year we were very lucky to have the generous the Workhouse Arts Center opened on Friday May 24th to a crowd support of many corporate sponsors. They generously do- of over 120 artists and guests. John Salminen, our Juror, Judge and nated cash and merchandise that were awarded to the win- Instructor, did a fabulous job of choosing many beautiful paintings ners, as well as local merchants who offered generous dis- that comprise a stunning show! The evening was fun filled with counts in order for the Exhibition to keep its costs down. camaraderie, good food and conversation. Saturday morning we had a lively Business Meeting with an Awards Luncheon at The Bis- When companies support us, it is nice to let them tro L’Hermitage in Occoquan. The food was delicious and the ambi- know weSue appreciate Egbert, what Nancy they Stark,have done Tracy for ourBudd organiza- ance was delightful. There, we presented 18 generous awards to tion. Please take the opportunity, when it presents itself , to the winning artists. The awards are posted online at: thank our sponsors and merchants. Let them know that you www.virginiawatercolorsociety.org/award-list.cfm?exhibYear=2019. not only like their products and services, but you appreciate We also announced four new Signature members of VWS, and pre- sented the accompanying certificates to Sharon Boyle, Penny Cham- their generous support of VWS. pagne, Nancy Harvey and Lorrie Herman. Sharon Boyle was present to receive her certificate; the others will be mailed to the artists. OUR CORPORATE SPONSORS FOR 2019 nd The show will hang until August 2 . You don’t want to miss the • Artist Magazine—the Artist Publishing Co. Ltd show! • Bistro L’Hermitage This year we had 218 artists submit 532 entries. All but 12 artists • Blick Art Materials entered via the Café entry system. A total of 80 paintings were ac- • Burke & Herbert Bank cepted to be in the show. Unfortunately, 4 paintings had to be re- jected due to failure to follow prospectus instructions. There is no • Cheap Joes joy for the receiving committee to turn away an artist and their • F.M. Brush Company painting. At the same time, VWS wants to put on a high quality ex- • Golden Artist Materials hibition. We respectfully request that for future exhibitions artists • HB Holbein Artist Materials read the prospectus instructions carefully and follow the rules as • KH Art and Framing written. • Leisure Painter Magazine –Artist Publishing Co. Ltd Please note that besides the usual closed days of Monday and Tues- • Meakum Group Financial day, the McGuire Woods Gallery will be closed for private events during public hours on the following dates: • Plaza Art July 13, 5pm-Close • Jack Richeson & Company July 27, 2pm- Close • Meakum Group Financial Because the Gallery closes occasionally for private events, they rec- • Plaza Art ommend that before traveling long distances it would be wise to • Wegmans call the Workhouse Arts Center at 703-584-2900 to confirm that the Gallery is open to the public on the date you plan to visit. We apolo- gize in advance for any inconvenience Best in show: Christopher Wynn’s “Offshore Respectfully submitted, Breeze Tammy Wiedenhaefer & Amy Arons 2019 VWS Exhibition Co-Chairs Exhibition Co-Chairs Page 3 Snapshots from Exhibition Opening and Luncheon Photos by Elaine Nunnally Page 4 Splashings Angela Fields, Roanoke Area Representative, reports: • Pat Carr, Judy Conner, Susan Egbert, Reveille Hamilton, Martha Rhodes, Suzanne Ross, Linda Ryan, Michele Walter, Krista Westman exhibited in Figuratively Speaking presented by the Soup Group in May in Westlake Library Gallery, Hardy, Virginia. The showing of humanity in a favorable positive light by portraitists was well received and will travel to Salem History Muse- um next. Contact Suzanne Ross if you include figures or portrait emphasis in your work. Meeting quarterly over soup, the artists plan to share one portrait each per annual show with the show traveling around the Commonwealth. If you have a venue, they are available. • The February 2019 issue of Watercolor Artist magazine featured the photo of the Virginia Watercolor Society Best in Show 2018 winner, “My Lovely Parrot Head”, by Vera Dickenson. It is included in an article entitled”21 Best Watermedia Paintings of the Year”. Congratulations on this national recognition for Vera and the Virginia Watercolor Society. Thanks to David Ea- kin for getting the painting included in the article. • Nancy Stark’s painting “Orange Crush, was awarded the Blick Art Materials Purchase Award at the 2018 National Watercolor Society’s 98th Open Exhibition. • Vera Dickerson has an article in Art of Watercolour winter issue#33. The title of the two-page article is “Three Approaches to Abstract Art”.
Recommended publications
  • ANNUAL REPORT 1998-1999 JUSTIN GUARIGLIA Children Along the Streets of Jakarta, Indonesia, Welcome President and Mrs
    M E S S A G E F R O M J I M M Y C A R T E R ANNUAL REPORT 1998-1999 JUSTIN GUARIGLIA Children along the streets of Jakarta, Indonesia, welcome President and Mrs. Carter. WAGING PEACE ★ FIGHTING DISEASE ★ BUILDING HOPE The Carter Center One Copenhill Atlanta, GA 30307 (404) 420-5100 Fax (404) 420-5145 www.cartercenter.org THE CARTER CENTER A B O U T T H E C A R T E R C E N T E R C A R T E R C E N T E R B O A R D O F T R U S T E E S T H E C A R T E R C E N T E R M I S S I O N S T A T E M E N T Located in Atlanta, The Carter Center is governed by its board of trustees. Chaired by President Carter, with Mrs. Carter as vice chair, the board The Carter Center oversees the Center’s assets and property, and promotes its objectives and goals. Members include: The Carter Center, in partnership with Emory University, is guided by a fundamental houses offices for Jimmy and Rosalynn commitment to human rights and the alleviation of human suffering; it seeks to prevent and Jimmy Carter Robert G. Edge Kent C. “Oz” Nelson Carter and most of Chair Partner Retired Chair and CEO resolve conflicts, enhance freedom and democracy, and improve health. the Center’s program Alston & Bird United Parcel Service of America staff, who promote Rosalynn Carter peace and advance Vice Chair Jane Fonda Charles B.
    [Show full text]
  • Frank Bowling Cv
    FRANK BOWLING CV Born 1934, Bartica, Essequibo, British Guiana Lives and works in London, UK EDUCATION 1959-1962 Royal College of Art, London, UK 1960 (Autumn term) Slade School of Fine Art, London, UK 1958-1959 (1 term) City and Guilds, London, UK 1957 (1-2 terms) Regent Street Polytechnic, Chelsea School of Art, London, UK SELECTED SOLO EXHIBITIONS 1962 Image in Revolt, Grabowski Gallery, London, UK 1963 Frank Bowling, Grabowski Gallery, London, UK 1966 Frank Bowling, Terry Dintenfass Gallery, New York, New York, USA 1971 Frank Bowling, Whitney Museum of American Art, New York, New York, USA 1973 Frank Bowling Paintings, Noah Goldowsky Gallery, New York, New York, USA 1973-1974 Frank Bowling, Center for Inter-American Relations, New York, New York, USA 1974 Frank Bowling Paintings, Noah Goldowsky Gallery, New York, New York, USA 1975 Frank Bowling, Recent Paintings, Tibor de Nagy Gallery, New York, New York, USA Frank Bowling, Recent Paintings, William Darby, London, UK 1976 Frank Bowling, Recent Paintings, Tibor de Nagy Gallery, New York, New York, USA Frank Bowling, Recent Paintings, Watson/de Nagy and Co, Houston, Texas, USA 1977 Frank Bowling: Selected Paintings 1967-77, Acme Gallery, London, UK Frank Bowling, Recent Paintings, William Darby, London, UK 1979 Frank Bowling, Recent Paintings, Tibor de Nagy Gallery, New York, New York, USA 1980 Frank Bowling, New Paintings, Tibor de Nagy Gallery, New York, New York, USA 1981 Frank Bowling Shilderijn, Vecu, Antwerp, Belgium 1982 Frank Bowling: Current Paintings, Tibor de Nagy Gallery,
    [Show full text]
  • Cartographic Perspectives Information Society 1
    Number 53, Winterjournal 2006 of the Northcartographic American Cartographic perspectives Information Society 1 cartographic perspectives Number 53, Winter 2006 in this issue Letter from the Editor INTRODUCTION Art and Mapping: An Introduction 4 Denis Cosgrove Dear Members of NACIS, FEATURED ARTICLES Welcome to CP53, the first issue of Map Art 5 Cartographic Perspectives in 2006. I Denis Wood plan to be brief with my column as there is plenty to read on the fol- Interpreting Map Art with a Perspective Learned from 15 lowing pages. This is an important J.M. Blaut issue on Art and Cartography that Dalia Varanka was spearheaded about a year ago by Denis Wood and John Krygier. Art-Machines, Body-Ovens and Map-Recipes: Entries for a 24 It’s importance lies in the fact that Psychogeographic Dictionary nothing like this has ever been kanarinka published in an academic journal. Ever. To punctuate it’s importance, Jake Barton’s Performance Maps: An Essay 41 let me share a view of one of the John Krygier reviewers of this volume: CARTOGRAPHIC TECHNIQUES …publish these articles. Nothing Cartographic Design on Maine’s Appalachian Trail 51 more, nothing less. Publish them. Michael Hermann and Eugene Carpentier III They are exciting. They are interest- ing: they stimulate thought! …They CARTOGRAPHIC COLLECTIONS are the first essays I’ve read (other Illinois Historical Aerial Photography Digital Archive Keeps 56 than exhibition catalogs) that actu- Growing ally try — and succeed — to come to Arlyn Booth and Tom Huber terms with the intersections of maps and art, that replace the old formula REVIEWS of maps in/as art, art in/as maps by Historical Atlas of Central America 58 Reviewed by Mary L.
    [Show full text]
  • Exhibitions Photographs Collection
    Exhibitions Photographs Collection This finding aid was produced using the Archivists' Toolkit November 24, 2015 Describing Archives: A Content Standard Generously supported with funding from the National Historical Publications and Records Commission (NHPRC) Archives and Manuscripts Collections, The Baltimore Museum of Art 10 Art Museum Drive Baltimore, MD, 21032 (443) 573-1778 [email protected] Exhibitions Photographs Collection Table of Contents Summary Information ................................................................................................................................. 3 Scope and Contents....................................................................................................................................... 4 Arrangement...................................................................................................................................................4 Administrative Information .........................................................................................................................5 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 7 Exhibitions............................................................................................................................................... 7 Museum shop catalog.........................................................................................................................
    [Show full text]
  • Books in Book Towns
    Regenerating Regional Culture: A Study of the International Book Town Movement Jane Elizabeth Frank BA (Hons) The University of Queensland MBus (Arts Mgt) Queensland University of Technology School of Humanities Arts, Education and Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy September 2015 Declaration This work has not previously been submitted for a degree or diploma in any university. To the best of my knowledge and belief, this thesis contains no material previously published or written by another person except where due reference is made in the thesis itself. Jane Frank September 2015 ii Abstract This thesis explores the international Book Town Movement that, from its beginnings in the small Welsh market town of Hay-on-Wye in the early 1960s, has escalated to incorporate more than 50 villages and towns in 27 countries. This phenomenon has enabled peripheral communities in Europe and across the globe to reclaim their economic futures and impact on the cultural sphere as increasingly powerful sites and sources of creativity. This study seeks to understand the reasons for this renaissance of interest in the preservation of traditional print culture in the countryside at a point in history when the book publishing industry is in a state of flux as it adapts to new digital technologies and globalisation of markets, leading to a clarification of the relationship between new books and the second-hand book economy. At the centre of this investigation is an acknowledgement of the book as a unique item of cultural consumption and a catalyst in book town creation – at once a remarkable artefact and a springboard for contemporary cultural debate.
    [Show full text]
  • Women and Arts : 75 Quotes
    WOMEN AND ARTS : 75 QUOTES Compiled by Antoni Gelonch-Viladegut For the Gelonch Viladegut Collection website Paris, March 2011 1 SOMMARY A GLOBAL INTRODUCTION 3 A SHORT HISTORY OF WOMEN’S ARTISTS 5 1. The Ancient and Classic periods 5 2. The Medieval Era 6 3. The Renaissance era 7 4. The Baroque era 9 5. The 18th Century 10 6. The 19th Century 12 7. The 20th Century 14 8. Contemporary artists 17 A GENERAL BIBLIOGRAPHY 19 75 QUOTES: WOMEN AND THE ART 21 ( chronological order) THE QUOTES ORDERED BY TOPICS 30 Art’s Definition 31 The Artist and the artist’s work 34 The work of art and the creation process 35 Function and art’s understanding 37 Art and life 39 Adjectives’ art 41 2 A GLOBAL INTRODUCTION In the professional world we often speak about the "glass ceiling" to indicate a situation of not-representation or under-representation of women regarding the general standards presence in posts or roles of responsibility in the profession. This situation is even more marked in the world of the art generally and in the world of the artists in particular. In the art history women’s are not almost present and in the world of the art’s historians no more. With this panorama, the historian of the art Linda Nochlin, in 1971 published an article, in the magazine “Artnews”, releasing the question: "Why are not there great women artists?" Nochlin throws rejects first of all the presupposition of an absence or a quasi-absence of the women in the art history because of a defect of " artistic genius ", but is not either partisan of the feminist position of an invisibility of the women in the works of art history provoked by a sexist way of the discipline.
    [Show full text]
  • Jane Frank Allinson, Ph.D. the University of Connecticut, 1981 Fabliaux Ace Short Narrative Poems Written in England and in Fran
    THE FABLIAU IN MEDIEVAL ENGLAND Jane Frank Allinson, Ph.D. The University of Connecticut, 1981 Fabliaux ace short narrative poems written in England and in France during the thirteenth and fourteenth centuries. In England they were composed in Anglo-Norman and in English verse. The Anglo-Norman fabliaux have received little critical attention. This dissertation establishes a corpus of nine Anglo-Norman fabliaux: Romaunz de un chiyaler et de sa dame et de un clere, Lai du Corn, Les .1111. souhais saint Martin, Le heron. De .III. dames, De le chevalgr e la corbaylle. La qaqeure, Le chevalier gui fist parier les cons, and La housse partie. Seven of the nine stories have continental fabliau analogues. A comparison between these insular and continental fabliaux indicates that insular stories consistently eliminated obscenity, elevated the social level of the characters, presented a more cordial relationship between the sexes and were less anti-feminine than their continental counterparts. Anglo-Norman fabliaux consistently introduced motifs from courtly literature. A corpus of seven English verse fabliaux was established: Dame Sirith, A Penniworth of Witte, and five stories from Jane Allinson — The University of Connecticut, 1981 Chaucer's The Canterbury Tales: The Miller's Tale, The ESSYS's Tale, The Friar's Tale, The Surrmoner' s Tale and The ShiEEDSD r§ These stories were discussed in terms of the characteristics of Anglo-Norman and continental French fabliaux. The examination indicated that fabliaux written in English verse incorporated fewer noble and more bourgeois characters than those composed in Anglo-Norman. English fabliaux were similar to the insular corpus in their relative lack of violence and anti-feminism.
    [Show full text]
  • BOOKS ABOUT ARTISTS Catalogue 72 – January 2013
    BOOKS ABOUT ARTISTS Catalogue 72 – January 2013 1. (Aaltonen, Waino). WAINO AALTONEN by Onni Okkonen. Finland, 1945. 4to., boards, DJ, 31pp. text, 96 illustrations of sculpture in photogravure. Text in Swedish and Finnish. VG/VG $12.50 2. (Adam, Robert). ROBERT ADAM & HIS BROTHERS - Their Lives, Work & Influence by John Swarbrick. Scribners, NY, 1915. 4to., 316pp., t.e.g., illustrated. An important reference on one the leading British architect/designers of the 18th Century. A near fine copy. $125.00 3. (Albers, Josef). THE PRINTS OF JOSEF ALBERS - A CATALOGUE RAISONNE1915-1976 by Brenda Danilowitz. Hudson Hills Press, NY, 2001. 4to., cloth, DJ, 215pp. illustrated. Fine in Fine DJ. $75.00 4. (Albright, Ivan). IVAN ALBRIGHT by Michael Croydon. Abbeville, NY, 1978. Folio, cloth, DJ, 308pp., 170 illustrations, 83 in color. F/F $100.00 5. Ali. BEYOND THE BIG TOP. Godine/Pucker Safrai, Boston, 1988. Obl. 4to., cloth, DJ, text and 97 works illustrated, mostly in color. Fine/Fine. $10.00 6. (Allemand, Louis-Hector). LOUIS-HECTOR ALLEMAND - PEINTRE GRAVEUR LYONNAIS 1809-1886 by Paul Proute et al. Paris, 1977. 4to., wraps, 82 prints pictured and described. Fine. $25.00 7. (Allori et al, Allessandro). FROM STUDIO TO STUDIOLO - FLORENTINE DRAFTSMANSHIP UNDER THE FIRST MEDICI GRAND DUKES by Larry J. Feinberg. Oberlin, 1991. 4to., wraps, 211pp, 60 items catalogued and illustrated. Fine. $17.50 8. (Allston, Washington). "A MAN OF GENIUS" - THE ART OF WASHINGTON ALLSTON by Gerdts and Stebbins. MFA< boston, 1979. 4to., cloth, DJ, 256pp., 24 color plates, 162 b/w illustrations. Fine, DJ has white spots on back panel.
    [Show full text]
  • ANNUAL REPORT 2012 Officers Mission Douglas E
    ANNUAL REPORT 2012 Officers MISSION Douglas E. Evelyn Chairman Welcoming and connecting people to our shared cultural heritage Thomas O. Putnam through exhibitions and programs that provoke, delight, and inspire. Vice Chairman New York State Historical Association (NYSHA) has been welcoming and connecting Paul S. D’Ambrosio people to our shared cultural heritage since 1899 through exhibitions and President & Chief Executive Officer programs that provoke, delight, and inspire. NYSHA’s collection, showcased in the Fenimore Art Museum, contains some of the best examples of American Garet D. Livermore Vice President for Education landscape, history, and genre paintings. Additionally, the Fenimore Art Museum houses the Eugene and Clare Thaw Collection of American Indian Art and one of Joseph Siracusa Vice President for Operations the nation’s most comprehensive and significant American Folk Art collections. Stephen M. Duff NYSHA’s Research Library holds thousands of original manuscripts and documents, Treasurer as well as more than 80,000 volumes on American, New York State, and local Glenn A. Perrone history. Of note are first editions of James Fenimore Cooper’s novels. Secretary Richard C. Vanison Assistant Treasurer Board of Trustees Stephen M. Duff Donald Ellis Douglas E. Evelyn Lucy B. Hamilton Laurence Hauptman Jane Frank Katcher Charles Kieler Suzanne Kingsley Doris Fischer Malesardi Erna Morgan McReynolds Jeffrey H. Pressman Thomas O. Putnam John B. Stetson Craig Wilder Ex Officio The Hon. Andrew M. Cuomo Honorary Trustee Eugene V. Thaw COVER IMAGE: Willard Leroy Metcalf (1858-1925) Child in Sunlight, 1915, oil on canvas, 25 1/8 x 21 in. Florence Griswold Museum, Gift of Mrs.
    [Show full text]
  • List of Exhibitions Held at the Corcoran Gallery of Art from 1897 to 2014
    National Gallery of Art, Washington February 14, 2018 Corcoran Gallery of Art Exhibition List 1897 – 2014 The National Gallery of Art assumed stewardship of a world-renowned collection of paintings, sculpture, decorative arts, prints, drawings, and photographs with the closing of the Corcoran Gallery of Art in late 2014. Many works from the Corcoran’s collection featured prominently in exhibitions held at that museum over its long history. To facilitate research on those and other objects included in Corcoran exhibitions, following is a list of all special exhibitions held at the Corcoran from 1897 until its closing in 2014. Exhibitions for which a catalog was produced are noted. Many catalogs may be found in the National Gallery of Art Library (nga.gov/research/library.html), the libraries at the George Washington University (library.gwu.edu/), or in the Corcoran Archives, now housed at the George Washington University (library.gwu.edu/scrc/corcoran-archives). Other materials documenting many of these exhibitions are also housed in the Corcoran Archives. Exhibition of Tapestries Belonging to Mr. Charles M. Ffoulke, of Washington, DC December 14, 1897 A catalog of the exhibition was produced. AIA Loan Exhibition April 11–28, 1898 A catalog of the exhibition was produced. Annual Exhibition of the Work by the Students of the Corcoran School of Art May 31–June 5, 1899 Exhibition of Paintings by the Artists of Washington, Held under the Auspices of a Committee of Ladies, of Which Mrs. John B. Henderson Was Chairman May 4–21, 1900 Annual Exhibition of the Work by the Students of the CorCoran SChool of Art May 30–June 4, 1900 Fifth Annual Exhibition of the Washington Water Color Club November 12–December 6, 1900 A catalog of the exhibition was produced.
    [Show full text]
  • A Comprehensive Solution Explore How They Work
    A COMPREHENSIVE SOLUTION FLEX Curriculum and PRO Learning are interactive platforms designed to help teachers be the best they can be. PRO Packs dive deep into rich video tutorials, giving art teachers the essential skills they need to be successful with the lessons and resources inside FLEX Curriculum. EXPLORE HOW THEY WORK TOGETHER This download gives you access to a sampling of the Stories From Black Artists, which is aligned to a Mixed-Media Basics PRO Pack. Use the links to explore how FLEX and PRO elevate every aspect of what you do in the art room. LESSONS VIDEOS SAMPLE COLLECTION SAMPLE PACK Introduction The Basics 2D Mixed Media Techniques Monoprint Examples STORIES FROM BLACK ARTISTS MIXED MEDIA BASICS FIND THE FULL COLLECTION . HOW I BELONG • BEGINNER MY AMERICA • INTERMEDIATE OUR TRUTH MAGAZINE • ADVANCED FIND THE FULL PACK . HERE Students will examine the art of Students will examine the work of Students will study Kadir Nelson’s visual HERE Christian Robinson with a focus on Gordon Parks and his use of symbolism narratives that show the experiences of belonging. Students will create an of American society through the lens Black Americans. Students will create DESCRIPTION AREAS OF STUDY artwork about a place of personal of multiple populations. Students paintings of a magazine cover telling visual DESCRIPTION 4 PD HOURS Community Identity significance where they feel they will create a mixed-media artwork narratives of their life stories past and 1. Learn the basics of mixed In this collection, students will explore how belong. Students will include symbolizing personally relevant present, revealing their lives’ truths.
    [Show full text]
  • " Eating Humble Crow": Interactional Discourse Analysis of a Marital
    DOCUMENT RESUME ED 285 410 FL 016 890 AUTHOR Frank, Jane TITLE "Eating Humble Crow": Interactional Discourse Analysis of a Marital Argument. PUB DATE Dec 86 NOTE 34p.; Revised version of a paper presented at the Annual Meeting of the Linguistic Society of America (61st, New York, NY, December 27-30, 1986). PUB TYPE Reports - Evaluative/Feasibility (142) -- Speeches /Conference Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Conflict; Discourse Analysis; *Interaction Process Analysis; *Interpersonal Communication; Interpersonal Relationship; Language Styles; Sex Differences; *Spouses; *Verbal Communication; Word Frequency IDENTIFIERS *Argumentativeness ABSTRACT A marital argument over the content of a previous conversation is analyzed using an interactive discourse analysis approach. The analysis focuses on the frequency and use of particular discourse strategies to show how marked use of these strategiesmay not only typify speakers who share similar "high involvement" conversational styles, but also may be used and progressively modified within the structural and contextual framework provided by the argument. The role played by gender differences is also addressed, to demonstrate that the participants' discourse strategies were more reflective of their intent to maximize outcomes, or the interaction of these two phenomena, than their differences in gender. Some preliminary conclusions are drawn about the strategic use of discourse devices and their relationship to the progression of conflict within the argument's larger structural framework. (MSE) *********************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * *********************************************************************** 'Eating Humble Crow': Interactional Discourse Analysis of o Marital Argument (abbreviated title) Discourse Analysis of o Marital Argument Jane Frank Georgetown University 1212 35th St., N.
    [Show full text]