DOCSLIB.ORG

Jane Frank Allinson, Ph.D. the University of Connecticut, 1981 Fabliaux Ace Short Narrative Poems Written in England and in Fran

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jane Frank Allinson, Ph.D. the University of Connecticut, 1981 Fabliaux Ace Short Narrative Poems Written in England and in Fran THE FABLIAU IN MEDIEVAL ENGLAND Jane Frank Allinson, Ph.D. The University of Connecticut, 1981 Fabliaux ace short narrative poems written in England and in France during the thirteenth and fourteenth centuries. In England they were composed in Anglo-Norman and in English verse. The Anglo-Norman fabliaux have received little critical attention. This dissertation establishes a corpus of nine Anglo-Norman fabliaux: Romaunz de un chiyaler et de sa dame et de un clere, Lai du Corn, Les .1111. souhais saint Martin, Le heron. De .III. dames, De le chevalgr e la corbaylle. La qaqeure, Le chevalier gui fist parier les cons, and La housse partie. Seven of the nine stories have continental fabliau analogues. A comparison between these insular and continental fabliaux indicates that insular stories consistently eliminated obscenity, elevated the social level of the characters, presented a more cordial relationship between the sexes and were less anti-feminine than their continental counterparts. Anglo-Norman fabliaux consistently introduced motifs from courtly literature. A corpus of seven English verse fabliaux was established: Dame Sirith, A Penniworth of Witte, and five stories from Jane Allinson — The University of Connecticut, 1981 Chaucer's The Canterbury Tales: The Miller's Tale, The ESSYS's Tale, The Friar's Tale, The Surrmoner' s Tale and The ShiEEDSD r§ These stories were discussed in terms of the characteristics of Anglo-Norman and continental French fabliaux. The examination indicated that fabliaux written in English verse incorporated fewer noble and more bourgeois characters than those composed in Anglo-Norman. English fabliaux were similar to the insular corpus in their relative lack of violence and anti-feminism. The English fabliaux reflect the influence of both insular and continental French fabliaux. It was concluded that the continental French genre influenced both Anglo-Norman and English fabliaux from the mid-thirteenth through the end of the fourteenth centuries. There was also an indication of an Anglo-Norman fabliau tradition in medieval England. Transcriptions of three Anglo-Norman texts are included in the Appendix: A "dit” appended to Les .IIII. souhais Saint Martin from oxford, Bodleian Library, MS Digby 86, and two fabliaux from London, British Library, ms Harley 2253: De le cheyaler e la corbaylle and La qaqeure. The Appendix also contains a list of the printed editions of Anglo-Norman fabliaux THE FABLIAU IN MEDIEVAL ENGLAND Jane Frank Allinson D.S., Fairleigh Dickinson University, 1S6 M.A., Michigan State University, 1965 A Dissertation Sumbitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy at The Department of Medieval Studies The University of Connecticut Copyright by Jane Frank Allinson 1981 APPROVAL PAGE Doctor of Philosophy Dissertation THE FABLIAU IN MEDIEVAL ENGLAND Presented by Jane Frank Allinson, B.A., M.A. Associate Adviser Associate Adviser i/^ The University of Connecticut 1981 ii ACKNOWLEDGEMENTS This dissertation could not have been written without the aid of many helpful persons. First, I would like to thank my major advisor. Professor Charles Owen, Jr. for his continued support and advice. Professor Fred Cazel, Jr. read the draft several times and gave invaluable textual and bibliographical advice. Professor Michael McHugh aided with the Latin translations and background. Dr. Donald Maddox enriched the critical and literary background of the continental fabliaux. Professor Keith Sinclair, a former committee member, checked all of the transcriptions and gave valuable advice on medieval manuscripts. Microfilm copies of medieval manuscripts have been invaluable in the dissertation. I would like to thank the following libraries for their prompt and courteous attention to microfilm requests: Deutsche Staatsbibliothek, Berlin (Hamilton 257); Burgerbibliothek, Berne (Bern 354); Bibliotheque Albert ler, Brussels (536); Niedersashsische Staats- und Universitatsbibliothek, Berlin (Codex Theol. 126 and 140); Bodleian Library, oxford (Digby 86, Rawlinson ill): Bibliotheque Nationale, Paris (BN fr. 837, 1593, 2173, 12603, and 19152). iii The staff at the Wilbur Cross Library has cheerfully obtained numerous books and articles, often with a minimum of information. All of the librarians have been helpful, especially the Interlibrary Loan staff, Isabelle DiCenzo, Charles Searing and Robert Vrecenak. Richard Schimmelpfeng of special collections has also provided valuable advice. The staff at the computer Center has been most patient to a neophyte computer typist. Kevin Kearney, Joe Lubszewicz, Steve Morytko, Jeff Smith and Don Proulx have been most understanding. Sally Stake and Linda Polcari gave up their time to help type the final corrections. My husband, Derek, and my daughters, Rebecca and Deirdre, have provided much needed moral support. Thank you, everyone. iv TABLE OF CONTENTS Chapter Title I. Literary Criticism of the Fabliau The Continental French Fabliau 1 The Anglo-Norman Fabliau 21 II. The Vernacular Background of the Fabliaux in England Petrus Alfonsus 27 Le Castplement d^un pere a son fils. Marie de France 42 Fables. III. Anglo-Norman Fabliaux: Thirteenth-century MSS Cambridge, Corpus Christi College, MS 50 56 Romaunz de uq ch^yalep et de sa dame et de un clerk 56 Oxford, Bodleian Library, ms Digby 86 72 Lai du Corn 73 Les .1111. souhais saint Martin 90 Clermont, Archives Departmental du Puy de Dome 99 Le heppn 99 IV. Anglo-Norman Fabliaux: Fourteenth-Century MSS London, British Library, MS Harley 2253 109 Qe •III. dames ill De chevaler e de ja corbaylle 121 L2 qaqeure 129 Le chiyaler gui fist parler les cons 137 v Pieces in Harley 2253 related to the fabliau genre 145 Le roi d^nqleterre et le jongleur d‘Ely 147 LiSE^Ee de bel ayse 150 Ex-Cheltenham, Phillipps Library, MS 25970 153 L§ h2ii§§£ partie 153 V. Characteristics of the Anglo-Norman Fabliaux 161 VI. The Fabliau in English Oxford, Bodleian Library, MS Digby 86 170 Dame Sipi^h 172 Edinburgh, National Library, Advocates’ MS 19.2.1 178 A Penniworth of Witte 178 Aberystwyth, National Library of Wales Peniarth MS 392(D) 183 lb® Miller's Jale 186 The Reeve’s Tale 192 The Cook’s Tale 197 The Friar’s Tale 199 The Summoner's Tale 202 The Merchant *s Tale 207 IbS Shipmap's Tale 211 London, British Library, MS Harley 78 216 IbS LSjY Prioress and Her Three wooers 216 Edinburgh, National Library, MS Bannatyne 1568 220 The Freiris of Berwick 220 vii. Conclusion 224 vi Appendix I. oxfocd, Bodleian Library, MS Digby 86 Les .1111. sohaits saint Martin 232 Appendix II. London, British Library, MS Harley 2253 De le cheyaler et de la corbaylle 234 La gageure 240 Appendix III. Printed editions of Anglo-Norman Fabliaux 243 Footnotes chapter I 245 chapter II 253 Chapter III 264 chapter iv 283 Chapter V 298 chapter vi 299 chapter vii 310 Bibliography Primary Sources 311 Secondary sources 325 vii > Chapter I LITERARY CRITICISM OF THE FABLIAU GENRE The Continental French Fabliau Narratives have flourished in every literary epoch. During the European Middle Ages, the tale was popular in numerous literary forms. Often the same story is found in more than one genre, in such diverse contexts as the prose exemplum and the verse fabliau; form rather than subject differentiated the genres. From, the various literary types of the narrative emerged several closely related genres -- the long courtly romance and the shorter lai, dit and fabliau — that flourished in France and in England from the twelfth through the fourteenth centuries. These closely related genres are difficult to isolate for they were not seen uniformly as distinct forms during the Middle Ages. Paul Zumthor has argued that "entre les genres narratifs brefs traditionellement ecrits en cctcsyllabes, fabliau, lai et 'dit', il est impossible de relever des distinctions valables."1 Judging from the terminology in the bodies of the texts themselves as well as in the rubrics in the manuscripts, there was no universally-held medieval idea of 1 2 cither a fabliau or a hit or a lai; the terms were used interchangeably. When the twentieth-century critic attempts to isolate one of these genres, he is faced with a problem. The body of material is too vast to discuss under the categorization of short narrative literature, yet consistent genre distinctions were not made during the thirteenth and fourteenth centuries. In effect the critic must make an artificial literary distinction and definition. In this dissertation fabliaux will be defined as short narrative tales in verse, either humorous or serious, structured about one incident and its consequences. For the sake of analysis, fabliaux will be treated as distinct from the other genres. They will be distinguished from lais in that they take part in a pseudo-realistic world, usually devoid of supernatural and legendary characters; other-worldly figures and places are present occasionally, but they are not of interest in themselves and are subordinate to the essential irreverence of the theme. Fabliaux are distinct from dits in that their language is colloquial rather than lyrical and their primary interest is in plot rather than dialogue. In the fabliaux, character and theme are usually subordinate to the plot. These distinctions are academic and are not always clear-cut. The absence of distinct literary genres is reflected by the absence of a standard medieval definition of the fabliau. 3 Literary critics have discussed the tabliau ns a genre since the eighteenth century. An examination of the critical commentary on
Load more

Recommended publications
  • ANNUAL REPORT 1998-1999 JUSTIN GUARIGLIA Children Along the Streets of Jakarta, Indonesia, Welcome President and Mrs
    M E S S A G E F R O M J I M M Y C A R T E R ANNUAL REPORT 1998-1999 JUSTIN GUARIGLIA Children along the streets of Jakarta, Indonesia, welcome President and Mrs. Carter. WAGING PEACE ★ FIGHTING DISEASE ★ BUILDING HOPE The Carter Center One Copenhill Atlanta, GA 30307 (404) 420-5100 Fax (404) 420-5145 www.cartercenter.org THE CARTER CENTER A B O U T T H E C A R T E R C E N T E R C A R T E R C E N T E R B O A R D O F T R U S T E E S T H E C A R T E R C E N T E R M I S S I O N S T A T E M E N T Located in Atlanta, The Carter Center is governed by its board of trustees. Chaired by President Carter, with Mrs. Carter as vice chair, the board The Carter Center oversees the Center’s assets and property, and promotes its objectives and goals. Members include: The Carter Center, in partnership with Emory University, is guided by a fundamental houses offices for Jimmy and Rosalynn commitment to human rights and the alleviation of human suffering; it seeks to prevent and Jimmy Carter Robert G. Edge Kent C. “Oz” Nelson Carter and most of Chair Partner Retired Chair and CEO resolve conflicts, enhance freedom and democracy, and improve health. the Center’s program Alston & Bird United Parcel Service of America staff, who promote Rosalynn Carter peace and advance Vice Chair Jane Fonda Charles B.
    [Show full text]
  • PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance
    Graduate School ETD Form 9 (Revised 12/07) PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance This is to certify that the thesis/dissertation prepared By Todd Randall Dodge Entitled EXPERIMENTAL AND COMPUTATIONAL ANALYSIS OF DYNAMIC LOADING FOR BONE FORMATION Master of Science in Biomedical Engineering For the degree of Is approved by the final examining committee: Hiroki Yokota Chair Joseph Wallace Sungsoo Na To the best of my knowledge and as understood by the student in the Research Integrity and Copyright Disclaimer (Graduate School Form 20), this thesis/dissertation adheres to the provisions of Purdue University’s “Policy on Integrity in Research” and the use of copyrighted material. Approved by Major Professor(s): ____________________________________Hiroki Yokota ____________________________________ Approved by: John Schild 04/17/2013 Head of the Graduate Program Date EXPERIMENTAL AND COMPUTATIONAL ANALYSIS OF DYNAMIC LOADING FOR BONE FORMATION A Thesis Submitted to the Faculty of Purdue University by Todd Randall Dodge In Partial Fulfillment of the Requirements for the Degree of Master of Science in Biomedical Engineering May 2013 Purdue University Indianapolis, Indiana ii ACKNOWLEDGMENTS I would like to acknowledge my thesis advisor, Dr. Hiroki Yokota, for his invaluable guidance and assistance throughout the course of this thesis project. Dr. Yokota generously shared his passion for experimental research and pursuit of perfection in every detail, and I am very thankful to have been a part of his lab. I am also very appreciative of my advisory committee members, Dr. Joseph Wallace and Dr. Sungsoo Na, for their time and support during the completion of this thesis. I extend a special thanks to Dr.
    [Show full text]
  • Frank Bowling Cv
    FRANK BOWLING CV Born 1934, Bartica, Essequibo, British Guiana Lives and works in London, UK EDUCATION 1959-1962 Royal College of Art, London, UK 1960 (Autumn term) Slade School of Fine Art, London, UK 1958-1959 (1 term) City and Guilds, London, UK 1957 (1-2 terms) Regent Street Polytechnic, Chelsea School of Art, London, UK SELECTED SOLO EXHIBITIONS 1962 Image in Revolt, Grabowski Gallery, London, UK 1963 Frank Bowling, Grabowski Gallery, London, UK 1966 Frank Bowling, Terry Dintenfass Gallery, New York, New York, USA 1971 Frank Bowling, Whitney Museum of American Art, New York, New York, USA 1973 Frank Bowling Paintings, Noah Goldowsky Gallery, New York, New York, USA 1973-1974 Frank Bowling, Center for Inter-American Relations, New York, New York, USA 1974 Frank Bowling Paintings, Noah Goldowsky Gallery, New York, New York, USA 1975 Frank Bowling, Recent Paintings, Tibor de Nagy Gallery, New York, New York, USA Frank Bowling, Recent Paintings, William Darby, London, UK 1976 Frank Bowling, Recent Paintings, Tibor de Nagy Gallery, New York, New York, USA Frank Bowling, Recent Paintings, Watson/de Nagy and Co, Houston, Texas, USA 1977 Frank Bowling: Selected Paintings 1967-77, Acme Gallery, London, UK Frank Bowling, Recent Paintings, William Darby, London, UK 1979 Frank Bowling, Recent Paintings, Tibor de Nagy Gallery, New York, New York, USA 1980 Frank Bowling, New Paintings, Tibor de Nagy Gallery, New York, New York, USA 1981 Frank Bowling Shilderijn, Vecu, Antwerp, Belgium 1982 Frank Bowling: Current Paintings, Tibor de Nagy Gallery,
    [Show full text]
  • Cartographic Perspectives Information Society 1
    Number 53, Winterjournal 2006 of the Northcartographic American Cartographic perspectives Information Society 1 cartographic perspectives Number 53, Winter 2006 in this issue Letter from the Editor INTRODUCTION Art and Mapping: An Introduction 4 Denis Cosgrove Dear Members of NACIS, FEATURED ARTICLES Welcome to CP53, the first issue of Map Art 5 Cartographic Perspectives in 2006. I Denis Wood plan to be brief with my column as there is plenty to read on the fol- Interpreting Map Art with a Perspective Learned from 15 lowing pages. This is an important J.M. Blaut issue on Art and Cartography that Dalia Varanka was spearheaded about a year ago by Denis Wood and John Krygier. Art-Machines, Body-Ovens and Map-Recipes: Entries for a 24 It’s importance lies in the fact that Psychogeographic Dictionary nothing like this has ever been kanarinka published in an academic journal. Ever. To punctuate it’s importance, Jake Barton’s Performance Maps: An Essay 41 let me share a view of one of the John Krygier reviewers of this volume: CARTOGRAPHIC TECHNIQUES …publish these articles. Nothing Cartographic Design on Maine’s Appalachian Trail 51 more, nothing less. Publish them. Michael Hermann and Eugene Carpentier III They are exciting. They are interest- ing: they stimulate thought! …They CARTOGRAPHIC COLLECTIONS are the first essays I’ve read (other Illinois Historical Aerial Photography Digital Archive Keeps 56 than exhibition catalogs) that actu- Growing ally try — and succeed — to come to Arlyn Booth and Tom Huber terms with the intersections of maps and art, that replace the old formula REVIEWS of maps in/as art, art in/as maps by Historical Atlas of Central America 58 Reviewed by Mary L.
    [Show full text]
  • Exhibitions Photographs Collection
    Exhibitions Photographs Collection This finding aid was produced using the Archivists' Toolkit November 24, 2015 Describing Archives: A Content Standard Generously supported with funding from the National Historical Publications and Records Commission (NHPRC) Archives and Manuscripts Collections, The Baltimore Museum of Art 10 Art Museum Drive Baltimore, MD, 21032 (443) 573-1778 [email protected] Exhibitions Photographs Collection Table of Contents Summary Information ................................................................................................................................. 3 Scope and Contents....................................................................................................................................... 4 Arrangement...................................................................................................................................................4 Administrative Information .........................................................................................................................5 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 7 Exhibitions............................................................................................................................................... 7 Museum shop catalog.........................................................................................................................
    [Show full text]
  • Books in Book Towns
    Regenerating Regional Culture: A Study of the International Book Town Movement Jane Elizabeth Frank BA (Hons) The University of Queensland MBus (Arts Mgt) Queensland University of Technology School of Humanities Arts, Education and Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy September 2015 Declaration This work has not previously been submitted for a degree or diploma in any university. To the best of my knowledge and belief, this thesis contains no material previously published or written by another person except where due reference is made in the thesis itself. Jane Frank September 2015 ii Abstract This thesis explores the international Book Town Movement that, from its beginnings in the small Welsh market town of Hay-on-Wye in the early 1960s, has escalated to incorporate more than 50 villages and towns in 27 countries. This phenomenon has enabled peripheral communities in Europe and across the globe to reclaim their economic futures and impact on the cultural sphere as increasingly powerful sites and sources of creativity. This study seeks to understand the reasons for this renaissance of interest in the preservation of traditional print culture in the countryside at a point in history when the book publishing industry is in a state of flux as it adapts to new digital technologies and globalisation of markets, leading to a clarification of the relationship between new books and the second-hand book economy. At the centre of this investigation is an acknowledgement of the book as a unique item of cultural consumption and a catalyst in book town creation – at once a remarkable artefact and a springboard for contemporary cultural debate.
    [Show full text]
  • The Public Papers of Governor Lawrence W. Wetherby, 1950-1955
    University of Kentucky UKnowledge Legislative and Executive Papers Political Science 12-31-1983 The Public Papers of Governor Lawrence W. Wetherby, 1950-1955 Lawrence W. Wetherby John E. Kleber Morehead State University Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Wetherby, Lawrence W. and Kleber, John E., "The Public Papers of Governor Lawrence W. Wetherby, 1950-1955" (1983). Legislative and Executive Papers. 8. https://uknowledge.uky.edu/upk_political_science_papers/8 THE PUBLIC PAPERS OF THE GOVERNORS OF KENTUCKY Robert F. Sexton General Editor SPONSORED BY THE Kentucky Advisory Commission on Public Documents AND THE Kentucky Historical Society KENTUCKY ADVISORY COMMISSION ON PUBLIC DOCUMENTS William Buster Henry E. Cheaney Thomas D. Clark, Chairman Leonard Curry Richard Drake Kenneth Harrell Lowell H. Harrison James F. Hopkins Malcolm E. Jewell W. Landis Jones George W. Robinson Robert F. Sexton, General Editor W. Frank Steely Lewis Wallace John D. Wright, Jr. THE PUBLIC PAPERS OF GOVERNOR LAWRENCE W WETHERBY 1950-1955 John E. Kleber, Editor THE UNIVERSITY PRESS OF KENTUCKY library of Congress Cataloging in Publication Data Wetherby, Lawrence W. (Lawrence Winchester), 190&- The Public papers of Governor Lawrence W. Wetherby, 1950-1955. (The Public papers of the Governors of Kentucky) Includes index. 1. Kentucky—Politics and government—1951- —Sources.
    [Show full text]
  • Women and Arts : 75 Quotes
    WOMEN AND ARTS : 75 QUOTES Compiled by Antoni Gelonch-Viladegut For the Gelonch Viladegut Collection website Paris, March 2011 1 SOMMARY A GLOBAL INTRODUCTION 3 A SHORT HISTORY OF WOMEN’S ARTISTS 5 1. The Ancient and Classic periods 5 2. The Medieval Era 6 3. The Renaissance era 7 4. The Baroque era 9 5. The 18th Century 10 6. The 19th Century 12 7. The 20th Century 14 8. Contemporary artists 17 A GENERAL BIBLIOGRAPHY 19 75 QUOTES: WOMEN AND THE ART 21 ( chronological order) THE QUOTES ORDERED BY TOPICS 30 Art’s Definition 31 The Artist and the artist’s work 34 The work of art and the creation process 35 Function and art’s understanding 37 Art and life 39 Adjectives’ art 41 2 A GLOBAL INTRODUCTION In the professional world we often speak about the "glass ceiling" to indicate a situation of not-representation or under-representation of women regarding the general standards presence in posts or roles of responsibility in the profession. This situation is even more marked in the world of the art generally and in the world of the artists in particular. In the art history women’s are not almost present and in the world of the art’s historians no more. With this panorama, the historian of the art Linda Nochlin, in 1971 published an article, in the magazine “Artnews”, releasing the question: "Why are not there great women artists?" Nochlin throws rejects first of all the presupposition of an absence or a quasi-absence of the women in the art history because of a defect of " artistic genius ", but is not either partisan of the feminist position of an invisibility of the women in the works of art history provoked by a sexist way of the discipline.
    [Show full text]
  • BOOKS ABOUT ARTISTS Catalogue 72 – January 2013
    BOOKS ABOUT ARTISTS Catalogue 72 – January 2013 1. (Aaltonen, Waino). WAINO AALTONEN by Onni Okkonen. Finland, 1945. 4to., boards, DJ, 31pp. text, 96 illustrations of sculpture in photogravure. Text in Swedish and Finnish. VG/VG $12.50 2. (Adam, Robert). ROBERT ADAM & HIS BROTHERS - Their Lives, Work & Influence by John Swarbrick. Scribners, NY, 1915. 4to., 316pp., t.e.g., illustrated. An important reference on one the leading British architect/designers of the 18th Century. A near fine copy. $125.00 3. (Albers, Josef). THE PRINTS OF JOSEF ALBERS - A CATALOGUE RAISONNE1915-1976 by Brenda Danilowitz. Hudson Hills Press, NY, 2001. 4to., cloth, DJ, 215pp. illustrated. Fine in Fine DJ. $75.00 4. (Albright, Ivan). IVAN ALBRIGHT by Michael Croydon. Abbeville, NY, 1978. Folio, cloth, DJ, 308pp., 170 illustrations, 83 in color. F/F $100.00 5. Ali. BEYOND THE BIG TOP. Godine/Pucker Safrai, Boston, 1988. Obl. 4to., cloth, DJ, text and 97 works illustrated, mostly in color. Fine/Fine. $10.00 6. (Allemand, Louis-Hector). LOUIS-HECTOR ALLEMAND - PEINTRE GRAVEUR LYONNAIS 1809-1886 by Paul Proute et al. Paris, 1977. 4to., wraps, 82 prints pictured and described. Fine. $25.00 7. (Allori et al, Allessandro). FROM STUDIO TO STUDIOLO - FLORENTINE DRAFTSMANSHIP UNDER THE FIRST MEDICI GRAND DUKES by Larry J. Feinberg. Oberlin, 1991. 4to., wraps, 211pp, 60 items catalogued and illustrated. Fine. $17.50 8. (Allston, Washington). "A MAN OF GENIUS" - THE ART OF WASHINGTON ALLSTON by Gerdts and Stebbins. MFA< boston, 1979. 4to., cloth, DJ, 256pp., 24 color plates, 162 b/w illustrations. Fine, DJ has white spots on back panel.
    [Show full text]
  • ANNUAL REPORT 2012 Officers Mission Douglas E
    ANNUAL REPORT 2012 Officers MISSION Douglas E. Evelyn Chairman Welcoming and connecting people to our shared cultural heritage Thomas O. Putnam through exhibitions and programs that provoke, delight, and inspire. Vice Chairman New York State Historical Association (NYSHA) has been welcoming and connecting Paul S. D’Ambrosio people to our shared cultural heritage since 1899 through exhibitions and President & Chief Executive Officer programs that provoke, delight, and inspire. NYSHA’s collection, showcased in the Fenimore Art Museum, contains some of the best examples of American Garet D. Livermore Vice President for Education landscape, history, and genre paintings. Additionally, the Fenimore Art Museum houses the Eugene and Clare Thaw Collection of American Indian Art and one of Joseph Siracusa Vice President for Operations the nation’s most comprehensive and significant American Folk Art collections. Stephen M. Duff NYSHA’s Research Library holds thousands of original manuscripts and documents, Treasurer as well as more than 80,000 volumes on American, New York State, and local Glenn A. Perrone history. Of note are first editions of James Fenimore Cooper’s novels. Secretary Richard C. Vanison Assistant Treasurer Board of Trustees Stephen M. Duff Donald Ellis Douglas E. Evelyn Lucy B. Hamilton Laurence Hauptman Jane Frank Katcher Charles Kieler Suzanne Kingsley Doris Fischer Malesardi Erna Morgan McReynolds Jeffrey H. Pressman Thomas O. Putnam John B. Stetson Craig Wilder Ex Officio The Hon. Andrew M. Cuomo Honorary Trustee Eugene V. Thaw COVER IMAGE: Willard Leroy Metcalf (1858-1925) Child in Sunlight, 1915, oil on canvas, 25 1/8 x 21 in. Florence Griswold Museum, Gift of Mrs.
    [Show full text]
  • List of Exhibitions Held at the Corcoran Gallery of Art from 1897 to 2014
    National Gallery of Art, Washington February 14, 2018 Corcoran Gallery of Art Exhibition List 1897 – 2014 The National Gallery of Art assumed stewardship of a world-renowned collection of paintings, sculpture, decorative arts, prints, drawings, and photographs with the closing of the Corcoran Gallery of Art in late 2014. Many works from the Corcoran’s collection featured prominently in exhibitions held at that museum over its long history. To facilitate research on those and other objects included in Corcoran exhibitions, following is a list of all special exhibitions held at the Corcoran from 1897 until its closing in 2014. Exhibitions for which a catalog was produced are noted. Many catalogs may be found in the National Gallery of Art Library (nga.gov/research/library.html), the libraries at the George Washington University (library.gwu.edu/), or in the Corcoran Archives, now housed at the George Washington University (library.gwu.edu/scrc/corcoran-archives). Other materials documenting many of these exhibitions are also housed in the Corcoran Archives. Exhibition of Tapestries Belonging to Mr. Charles M. Ffoulke, of Washington, DC December 14, 1897 A catalog of the exhibition was produced. AIA Loan Exhibition April 11–28, 1898 A catalog of the exhibition was produced. Annual Exhibition of the Work by the Students of the Corcoran School of Art May 31–June 5, 1899 Exhibition of Paintings by the Artists of Washington, Held under the Auspices of a Committee of Ladies, of Which Mrs. John B. Henderson Was Chairman May 4–21, 1900 Annual Exhibition of the Work by the Students of the CorCoran SChool of Art May 30–June 4, 1900 Fifth Annual Exhibition of the Washington Water Color Club November 12–December 6, 1900 A catalog of the exhibition was produced.
    [Show full text]
  • Numero Kansi Arvostelut Artikkelit / Esittelyt Mielipiteet Muuta 1 (1/2005
    Numero Kansi Arvostelut Artikkelit / esittelyt Mielipiteet Muuta -Full Metal Panic (PAN Vision) (Mauno Joukamaa) -DNAngel (ADV) (Kyuu Eturautti) -Final Fantasy Unlimited (PAN Vision) (Jukka Simola) -Kissankorvanteko-ohjeet (Einar -Neon Genesis Evangelion, 2s (Pekka Wallendahl) - Pääkirjoitus: Olennainen osa animen ja -Jin-Roh (Future Film) (Mauno Joukamaa) Karttunen) -Gainax, 1s (?, oletettavasti Pekka Wallendahl) mangan suosiota on hahmokulttuuri (Jari -Manga! Manga! The world of Japanese comics (Kodansha) (Mauno Joukamaa) -Idän ihmeitä: Natto (Jari Lehtinen) 1 -Megumi Hayashibara, 1s (?, oletettavasti Pekka Wallendahl) Lehtinen, Kyuu Eturautti) -Salapoliisi Conan (Egmont) (Mauno Joukamaa) -Kotimaan katsaus: Animeunioni, -Makoto Shinkai, 2s (Jari Lehtinen) - Kolumni: Anime- ja mangakulttuuri elää (1/2005) -Saint Tail (Tokyopop) (Jari Lehtinen) MAY -Final Fantasy VII: Advent Children, 1s (Miika Huttunen) murrosvaihetta, saa nähdä tuleeko siitä -Duel Masters (korttipeli) (Erica Christensen) -Fennomanga-palsta alkaa -Kuukauden klassikko: Saiyuki, 2s (Jari Lehtinen) valtavirta vai floppi (Pekka Wallendahl) -Duel Masters: Sempai Legends (Erica Christensen) -Animea TV:ssä alkaa -International Ragnarök Online (Jukka Simola) -Star Ocean: Till The End Of Time (Kyuu Eturautti) -Star Ocean EX (Geneon) (Kyuu Eturautti) -Neon Genesis Evangelion (PAN Vision) (Mikko Lammi) - Pääkirjoitus: Cosplay on harrastajan -Spiral (Funimation) (Kyuu Eturautti) -Cosplay, 4s (Sefie Rosenlund) rakkaudenosoitus (Mauno Joukamaa) -Hopeanuoli (Future Film) (Jari Lehtinen)
    [Show full text]