32Nd Sunday in Ordinary Time November 8, 2020

Total Page:16

File Type:pdf, Size:1020Kb

32Nd Sunday in Ordinary Time November 8, 2020 St. Christopher, Marysville Page 1 32nd Sunday in Ordinary Time November 8, 2020 Pope Francis’ Mission Statement: To Become a Band of Joyful Missionary Disciples. Archdiocese of Detroit’s Mission Statement: To Unleash the Gospel. Saint Christopher’s Parish Mission Statement: Transform Lives in Jesus Christ Through the Power and Freedom of the Gospel. Parish Vision Statement: Foster a Personal Encounter with Jesus. Pastor’s Points of Perspective. Greetings and the Father’s Blessing be upon you, my dear spiritual children. What happened to the Sign of Peace at the Mass? As you may recall the Sign of Peace at the Mass was ordered deleted for this time of great fear surrounding the corona virus. Even before the corona virus, parishioners were concerned about the possible exchange of germs between people through the Sign of Peace, which we addressed previously. You may recall that we informed everyone that at the Sign of Peace eye contact and a head nod along with the statement “Peace be with you” would be a sufficient way to exchange the Sign of Peace if one did not want to shake someone’s hand. Recall that the Sign of Peace was based on a “cultural norm,” which commonly, was a handshake. Now we are developing a new and acceptable “cultural norm” of an exchange of a Sign of Peace without any physical con- tact. The Leadership Team and Worship Commission believe it is time to restore some Sign of Peace to the Mass that is culturally acceptable just like the one mentioned above. Therefore, for our cultural standard of today, we will begin restoring the Sign of Peace with eye contact and a head nod along with the statement “Peace be with you” as this is most relevant for our time and circumstances. Reminder: New Shift in Financial Strategy for your Contributions (this year only). Our financial strategy (for this year only) is to direct your “larger” donations that you would normally have given to the CSA to the Christmas 2020 collection. The best time to make your Christmas contribution is December 11, 2020 – January 8, 2021. If you have any questions at all, please do not hesitate to call upon me. I will be happy to speak with you. Reducing and Overcoming Fear (because I care about the Flock of Christ whom you are). “Sticks and stones may break my bones, but names will never hurt me” … unless you believe them. You’ve heard me say time and again, if a person keeps hearing the same thing over and over again repeatedly several times each day, then the person begins to believe it. For instance, a person who is told ten times per day “You’re stupid,” or “You’re a failure,” will, after a certain amount of time, begin to believe that. Perhaps names can hurt us, but only if we believe them. What about fear? Where do fears come from? They come from being told scary or dangerous things over and over again, and then we begin to believe them – even if they’re not true. Ever think about the (Continued on page 2) Page 2 St. Christopher, Marysville (Continued from page 1) fear of heights? A person with the fear of heights was likely told often “If you get too close to the edge, then you’ll fall off” (or something similar). Ultimately, (irrational) fear (not rooted in truth) is a lie that is believed. How do you suppose fear affects us? What do you believe about life and health hearing so many times per day the number of increasing infections of covid-19 and the number of reported deaths? After hearing the same information so many times daily, what does that cause you to believe about your safety and health? Is it true? In an effort to alleviate the vast amount of fear surrounding covid-19 that we, as individuals, a culture, and a parish family, are experiencing, I wish to share some things I have discovered that help me live more fearlessly and feel safer, and hope you will too. To deal with fear, we need to discover the truth. With so much conflicting information about covid-19 and mask wearing, what are we left to believe among so much confusion, and where is the truth to be found that sets us free? Have you ever picked up a box of masks and read the product information? Did you know that typewritten on the side of the box of those commonly worn surgical masks (not an N-95) we can read, “WARNING This mask is not a respirator. This product is intended for infection control practices. When properly worn, it reduces potential contact by the wearer to blood and bodily fluids but DOES NOT eliminate the risk of contracting any disease or infection. Change mask immediately if splashed with blood or bodily fluid” or, on a different brand, “NOT FOR MEDICAL USE. INTENDED FOR SINGLE USE ONLY – DISCARD AFTER USE. THIS GENERAL USE MASK CANNOT ELIMINATE THE RISK OF CONTRACTING AN INFECTIOUS DISEASE.” With this simple fact in mind, from two different manufacturers, I can breathe easier – literally – because I need not wear a mask since it makes no difference as to whether or not I contract or spread an infectious disease. Plus, I no longer have a sense of false security wearing the mask around known infected people thinking “I’m protected and can be exposed to someone with covid-19 because I’m wearing a mask,” and you can see me smile. Secondly, I have learned that the pandemic ended June 1, 2020 in the state of Michigan since the number of deaths related to covid-19 are less than 7.5% (the threshold for an outbreak to be a pandemic, by definition (see https://www.michigancharts.com/October-2020/i-ps8gkrV/A and www.michigancharts.com). Thirdly, I have discovered two large groups of medical doctors with vast experience that hold differing opinions then the typical mainstream, namely, the World Doctors Alliance (https://worlddoctorsalliance.com) and America’s Frontline Doctors (see https://www.lifesitenews.com/news/group-of-doctors-masks-are-completely- irrelevant-to-blocking-covid-19?utm_source=LifeSiteNews.com&utm_campaign=59f01521ad-Daily% 2520Headlines%2520-%2520Canada_COPY_887&utm_medium=email&utm_term=0_12387f0e3e-59f01521ad -402311701. The World Doctors Alliance disagreed with the lockdown measures due to the negative mental health effects suffered by all. Moreover, they stated that “asymptomatic cases have never in the history of respiratory disease been the driver for spread of infection. Rather it is symptomatic people who spread respiratory infections – not asymptomatic people.” They’ve also confirmed the pandemic ended in June 2020. I have found these two different groups of medical professionals to be much more believable than anyone in government or politics. Listening to and reading what they have to say allowed me to feel safer, gives me inner peace and hope for the future. My dear spiritual children, common sense, common courtesy and love your neighbor as yourself teaches us that if you feel ill or are exhibiting symptoms of illness, then stay home and convalesce to good health. In the mean- time, I have shared some of my experience hoping it will help you feel safer, be safer, and alleviate any fear you may be experiencing. For me, these newly discovered truths help me see covid-19 as any other usual flu strain. In the end, everyone will have to make their own decision, and no one can force anyone’s will upon another. These few truths I’ve discovered have eased my mind and allowed me to live life more normally. I hope they help you too. Finally, if anyone is wondering why I do not wear a mask it is due to a health condition. (Continued on page 3) St. Christopher, Marysville Page 3 (Continued from page 2) WEEKLY Event Planners Needed (one to four) for planning a Scholarship SCHEDULE Dinner to benefit Blue Water Vicariate Catholic school students by raising money as tuition subsidies for students attending or Sunday, November 8 seeking enrollment in any Blue Water Vicariate Catholic School. 8:00 am Mass The funds raised from the dinner would be equally divided by six 9:30 am RCIA and distributed to each school for the purpose of tuition subsidies 11:00 am Mass for students. The expectations of those who serve would be 11:00 am Children’s Church/Babysitting approximately two meetings and they are looking for volunteers 12:30 Rake & Run before Thanksgiving (or sooner) so that the Dinner could occur in 4:00 pm Confession May of 2021. In addition, the hope is that they could find a 5:30 pm Mass publicized person who could attract a large crowd and most Monday, November 9 parishioners from each parish community. If anyone knows and 9:00 am Mass has some connections to any retired popes, or active Cardinals or † Marvin DiLaura Arch/Bishops, master theologians, or senators or representatives by Mid’s Kids or Hollywood actors or the like – anyone who would draw a Tuesday, November 10 crowd – then please let Dan Kilian know. Anyone who is 9:00 am Mass interested in serving in this capacity to help plan such an event, † Bernice & Eugene Melczarczyk please contact Dan Kilian directly at 810-765-8825, extension by Michael & Mary Byington 16, or [email protected]. Thank you so much. 5:30 pm Youth Choir Practice Wednesday, November 11 5:30 pm Small Church Community 3 Fraternally, 7:00 pm Small Church Community 12 & Fr. James 16 Thursday, November 12 12:00 pm Mass † Parents, Stepparents & Maria by Julia & John Szczygiel 5:00 pm Adult choir practice Friday, November 13 6:00 am That Man Is You 9:00 am Mass † Kurt Meyers by Karla Meyers Saturday, November 14 Sunday, November 15 8:00 am Mass 9:30 am RCIA 9:30 am RE Classes 11:00 am Mass 11:00 am Children’s Church /Babysitting 4:00 pm Confession 5:30 pm Mass Page 4 St.
Recommended publications
  • Palm Sunday 2017
    Cathedral Basilica of Saints Peter and Paul Palm Sunday of the Passion of the Lord April 9, 2017 Palm Sunday of the Passion of the Lord The Commemoration of the Lord’s Entrance into Jerusalem The Solemn Entrance 5:15 PM, 9:00 AM & 6:30 PM 5:15 PM Hosanna Michael Burkhardt Archdiocesan Boy and Girl Choirs Hosanna, blessed is he who comes in the name of the Lord, Hosanna! The Procession 11:00 AM Fanfare for Palm Sunday Richard Proulx Cathedral Basilica Choir 1937-2010 Hosanna! Hosanna to the son of David! Blessed is he who comes in the name of the Lord. Hosanna! O King of Israel! Hosanna! Hosanna in the highest. The Greeting, Address, Blessing and Sprinkling of Palm Branches Gospel Matthew 21:1-11 Invitation to begin the Procession Dear brothers and sisters, like the crowds who acclaimed Jesus in Jerusalem, let us go forth in peace. 11:00 AM Pueri Hebraeorum Liber Usualis Cathedral Basilica Choir English translation, sung in Latin The children of the Hebrews, carrying olive branches, went to meet the Lord, crying our and saying: Hosanna in the highest. 2 The Mass Processional All Glory Laud and Honor St. Theodulph Collect 3 Liturgy of the Word Word and Song Page 134 First Reading Isaiah 50:4-7 My face I did not shield from buffets and spitting knowing that I shall not be put to shame. Responsorial Psalm Psalm 22 Christopher Willcock 6:30 PM Owen Alstott Second Reading Philippians 2:6-11 Christ humbled himself. Because of this God greatly exalted him.
    [Show full text]
  • Introduction and Rubrics in English Liber Usualis
    INTRODUCTION AND RUBRICS IN ENGLISH LIBER USUALIS RUBRICS FOR THE CHANT OF THE MASS. I. When the priest goes towards the altar, the cantors begin the Introit. On Ferias and Simples the Intonation is to be sung by one cantor as far as the sign * : on other Feasts and Sundays, there should be two cantors: but on Solemn Feasts there should be four, if as many as four are available. The choir continues until the Psalm. The first part of the Verse of the Psalm as far as the asterisk, and the V. Gloria Patri, are sung by the cantors, the full choir taking up the rest of the verse. Afterwards, the Introit as far as the Psalm is repeated by the full choir. If the priest and ministers have some way to go in the church before reaching the altar, there is no reason why several Verses of the Introit Psalm should not be sung after the Antiphon and Verse. In that case the Antiphon may be repeated after every Verse or two Verses. When the priest reaches the altar, the Psalm is if necessary interrupted at the end of a Verse, Gloria Patri is sung, and finally the Antiphon. II. When the Antiphon is over, the choir sings the Kyrie eleison thrice, the Christe eleison thrice, and again the Kyrie eleison thrice, alternately with the cantors, or with the other half of the choir. But the last Kyrie eleison is divided into two or three parts, marked by a single or double asterisk. If there be only two parts, and hence only a single asterisk, the first part is sung by the cantors or by the first half of the choir, the second part by the full choir.
    [Show full text]
  • Roman Gradual
    De musica sacra et sacra liturgia (1958) Musicam sacram (1967) 3 degrees of Participation (chapter 25): 3 degrees of Participation (chapters 28-31): 1 – Dialogues-Responses Graduale Romanum (Roman Gradual) 1 – Dialogues-Responses + Pater Noster 2- Kyriale + Credo Includes: Dialogues-Responses(D-R), Kyriale+Credo (K), Proper (P) 2- Kyriale + Credo + Prayer of Faithful 3- Proper Latin chant (square notes), no explanatory text 3- Proper EXTRAORDINARY FORM (Tridentine) ORDINARY FORM (Novus Ordo) 1961 Roman Gradual 1974 Roman Gradual Liturgical Devotional Liturgical Must be used for EF Missa Cantata, per rubrics CHANTING IN LATIN Preferred in OF sung mass, other options are OK ENGLISH TRANSLATIONS (ICEL) LIBER USUALIS Gregorian Missal D-R, K, P + Matins, Lauds, Vespers D-R, K, P (only Sundays and Feasts) Books by father weber Latin chant (square notes) Latin chant (square notes) and English translations https://sacredmusicus.wordpress.com/ Missal Latin, Rubrics in English Missal Latin-English (OT) THE PEW MISSAL (D-R, K, P) THE PROPER OF THE MASS FOR SUNDAYS AND SOLEMNITIES English chant (square notes) PARISH BOOK OF CHANT D-R, K, Hymns in Latin (no Proper) Order of sung Mass (both EF and OF) Books by adam bartlett Latin chant (square notes) and English translations https://illuminarepublications.com/ Explanation on chant notation, latin pronunciation. Lumen Christi collection (Missal, Gradual, Hymnal,..) English chant (square notes) CHANTS ABREGES Graduale Simplex simpler P (ONLY GRADUAL AND ALLELUIAS) D-R, K, simpler P melodies Latin chant
    [Show full text]
  • ALEXANDER, JOHN DAVID, D.M.A. a Study of the Influence of Texts From
    ALEXANDER, JOHN DAVID, D.M.A. A Study of the Influence of Texts from the Liber Usualis on Three Improvised French Organ Works by Marcel Dupré, Charles Tournemire, and Olivier Latry. (2020) Directed by Welborn Young and André Lash. 82 pp. Improvisation has played a vital role in the French school of organ playing over the last several centuries, both in sacred and secular settings. Within the context of Catholic masses in France, the majority of the music played by the organists is improvisational. Much of the thematic material of these improvisations comes from the service music contained in the Liber Usualis. This document explores the treatment of these themes from the Liber Usualis, particularly focusing on the impact of the text of each chant on three works by Marcel Dupré, Charles Tournemire, and Olivier Latry, three of the leading improvisateurs of the twentieth and twenty-first century. Studying published reconstructions of their improvisations based on themes from the Liber Usualis gives insight into their respective improvisational languages and the affect created by a thorough knowledge of the text of each Liber Usualis theme used. Following an introduction, a chapter is dedicated to each composer and his work: Marcel Dupré’s Symphonie-Passion, Charles Tournemire’s Choral-Improvisation sur le ‘Victimae Paschali,’ and Olivier Latry’s Salve Regina. Each of these chapters contains brief biographical information about the composer, an overview of the instrument on which the original improvisation was performed, a description of each work, and how the chant is incorporated into each. The final chapter contains a comparison of the three works, reexamining the impact of the chant text on rhythm, registration, dynamics, form, and texture.
    [Show full text]
  • Appropriations of Gregorian Chant in Fin-De-Siècle French Opera: Couleur Locale – Message-Opera – Allusion?
    Journal of the Royal Musical Association, 145/1, 37–74 doi:10.1017/rma.2020.7 Appropriations of Gregorian Chant in Fin-de-siècle French Opera: Couleur locale – Message-Opera – Allusion? BENEDIKT LESSMANN Abstract This article compares three French operas from the fin de siècle with regard to their appropriation of Gregorian chant, examining their different ideological and dramaturgical impli- cations. In Alfred Bruneau’s Le rêve (1891), the use of plainchant, more or less in literal quotation and an accurate context, has often been interpreted as naturalistic. By treating sacred music as a world of its own, Bruneau refers to the French idea of Gregorian chant as ‘other’ music. In Vincent d’Indy’s L’étranger (1903), a quotation of Ubi caritas does not serve as an occasional illustration, but becomes essential as part of the leitmotif structure, thus functioning as the focal point of a religious message. Jules Massenet’s Le jongleur de Notre-Dame (1902) provides a third way of using music associated with history and Catholicism. In this collage of styles, plainchant is not quoted literally, but rather alluded to, offering in this ambiguity a mildly anti-clerical satire. Thus, through an exchange, or rather through a bizarre and unfortunate reversal, church music in the theatre is more ecclesiastical than in the church itself. Camille Bellaigue1 In an article in the Revue des deux mondes of 1904, the French critic Camille Bellaigue described the incorporation of church music into contemporary opera, referring to anticipated examples by Meyerbeer and Gounod; to works less well known today, such as Lalo’s Le roi d’Ys (which quotes the Te Deum); and also (quite extensively) to Wagner’s Parsifal, the ‘masterpiece […] or the miracle of theatrical art that is not only Email: [email protected] I am grateful to Stefan Keym for his support and advice with my doctoral studies and beyond.
    [Show full text]
  • When Children Reach for God David Turnley/Corbis
    BC_C21_Win04h 1/16/04 2:57 PM Page 1 C21Resources a service of boston college winter 2004 When Children Reach for God David Turnley/Corbis Handing on the faith can be a two-way street by julie donovan massey gazing at him with fond reverence. But before I could become lost in the t was a quiet Saturday morn- painter’s skillful strokes, one of my ing. I cuddled on the couch children yanked the book from her with one of our daughters as sister’s hand as another child spilled we looked at the small book a container of juice on the newly of children’s Bible stories. We scrubbed kitchen floor. Ah yes, real Iexamined the stories of Moses and life with children! So I sighed and Noah and Jonah. Each page held a admitted that our children are not brief text accompanied by a powerful sitting quietly anywhere, much less illustration. Soon enough we arrived gazing reverently into the Redeemer’s at a page that quoted Jesus saying, eyes. But despite the fact that they “Let the little children come to me; cannot touch Jesus, I know they ex- do not stop them; for it is to such as perience a vibrant relationship with these that the kingdom of God be- God. On a good day, I hear what the longs” (Mk. 10:14). children have to teach me. The image beside these words was grace before meals. She first encoun- quests that prayerful song by calling lovely, serene. It depicted a sunny day First Lesson: Joyful Noise tered the familiar tune “The Lord Is out “apple seed!” each evening.
    [Show full text]
  • GREGORIAN CHANTS in Standard Notation
    Gustav Anderson Arranger, Composer, Director, Interpreter, Teacher United States (USA), NORWALK OHIO About the artist A ROSE BY ANY OTHER NAME.....Hello...in order to keep my sheet music separate from my MP3 music on Freescores I, LEONARD ANDERSON, have established this second account...GUSTAV is my middle name....to hear my MP3's click on LEONARD ANDERSON under INTERPRETER Qualification: BA, MA, Ed.D, Ph.D in music and education Personal web: http://www.lenandersonmusic.com About the piece Title: GREGORIAN CHANTS in standard notation Composer: Anderson, Gustav Arranger: Anderson, Gustav Licence: GA@ARP Publisher: Anderson, Gustav Style: Gregorian Comment: This collection found freely on the internet Gustav Anderson on free-scores.com http://www.free-scores.com/Download-PDF-Sheet-Music-gustavanderson.htm ■ Contact the artist ■ Write feedback comments This work is not Public Domain. You ■ Share your MP3 recording must contact the artist for any use ■ Web page and online audio access with QR Code : outside the private area. First added the : 2014-02-26 Last update : 2014-02-25 21:44:06 ©Copyright 2013 Eric William Barnum 100 Chants: A Resource for Choral Practice and Performance Eric William Barnum A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts 2013 Reading Committee: Dr. Geoffrey Boers, Chair Dr. Giselle Wyers Dr. Steven Morrison Program Authorized to Offer Degree: School of Music University of Washington Abstract 100 Chants: A Resource for Choral Practice and Performance Eric William Barnum Chair of the Supervisory Committee: Dr. Geoffrey Boers Director of Choral Activites School of Music The purpose of this document is to create and present a varied collection of one hundred transcribed plainchants that may be used as a robust tool by contemporary choral musicians in the practice and performance of chant.
    [Show full text]
  • Propers of the Mass Set to Psalm Tones
    Daniel A. Bradley Sr, who put this book together over ten years, has generously granted permission to the Church Music Association of America to host this file for free download. if you find it useful, please consider letting him know at [email protected]. You might also consider sending a donation to the Gregorian Institute of Guam, which has no other source of income apart from sales of this book. It is given away here as a free gift. ACKNOWLEDGMENTS CHANTS: The Gregorian Chants reproductions printed herein are included with the kind permission of the Abbaye Saint-Pierre de Solesmes, France, and taken from their copyrighted publications, namely: Liber Usualis, Liber Cantualis. Copyright 2003 by The Gregorian Institute of Guam Tamuning, Guam To Saint Pius Tenth Sovereign Pontiff Eminent Patron of Sacred Music On the Occasion of the Hundreth Anniversary Of the Motu Proprio On The Restoration of Sacred Music This Book Is Humbly Dedicated: With the Earnest Hope that It Contribute to the Great Goal Of His Pontificate. To Restore All Things in Christ 22 November 2003 The Feast of Saint Cecilia TABLE OF CONTENTS Extracts from Musicam Sacram (March 1967) ....pg. i II. Basic Instructions Concerning Gregorian Chant ...pg. i-iv NOTATION STAFF and CLEF SIGNS LATIN PRONUNCIATION PRODUCTION (SINGING) OF GREGORIAN CHANT ACCOMPANIMENT OF GREGORIAN CHANT TO SUM UP IH Examples of each Psalm Tone pg. v - vii IV, Propers of the Sundays of the Year ... ...pg. 1-119 V. Propers of Holydays of Obligation pg. VL A Kyriale containing : pg. 13 2. ~ 156 PREFACE RESPONSES ASPERGES ME VIDI AQUAM ORDINARIES of MASSES I, II, IV, Vm, K, XI, XVH GLORIAS of MASS Vffl& DC; CREDOSI &ffl SEQUENCES : Victimae Paschali; Veni Creator; Lauda Sion REQUIEM MASS I Extracts from Musicam Sacram - 5March, 1967 " Therefore the Consilium set up to implement the Constitution on the Liturgy, on the instructions of the Holy Father , has carefully considered these questions and prepared the present Instruction.
    [Show full text]
  • Good Friday High Mass
    SOLEMN AFTERNOON LITURGY OF GOOD FRIDAY An adapted version of the Solemn form without deacon or subdeacon With customs practiced by the Society of St. Pius X1 FOREWORD The Solemn Liturgy of Good Friday adheres in many ways to the ancient form of the Roman Mass and hence many contrasts to older practices are witnessed throughout. The rite’s order imitates an Ember Day Mass, but without an Offertory, Canon or Consecration (a remnant of the former Mass of the Pre-Sanctified Gifts). There is also: • the veneration of the cross (derived from a similar ceremony practiced with the True Cross in Jerusalem), • the gradual preparation (addition of the altar cloth—once performed during Mass, placement of the candles and cross—once carried by the crossbearer and acolytes in procession and then placed near or upon the altar), • the denuding (denudatur) of the altar (once performed after every Mass; also seen on Holy Thursday), • and double translation of the Blessed Sacrament (recalling an older method of distributing Communion after Mass, and in cathedrals, of retrieving the Hosts from a special chapel of reservation; also seen on Holy Thursday). The order of this unique rite will be recognizable for those familiar with the Eastern Rites’ Divine Liturgies. The ceremonies are also characteristically Roman, particularly in the starkness of the decorations employed, which are kept to a bare minimum. ABOUT THESE NOTES The Solemn form of the Holy Week ceremonies is the ideal method, but this is not always practical in a typical parish situation that lacks the requisite number of ordained ministers for the various positions.2 This fact was recognized and dealt with during the Holy Week reform, thus several options exist for rendering the ceremonies as solemn as possible according to the situation, either per the Solemn, Semi-Solemn or Small Churches form.
    [Show full text]
  • Miserere Mei, Deus
    MISERERE MEI, DEUS GREGORIO ALLEGRI A Quest for the Holy Grail? BEN BYRAM-WIGFIELD © 1996 Ben Byram-Wigfield Revised 1998, 1999, 2002, 2005, 2007 All rights reserved. Designed and typeset by Ben Byram-Wigfield A performing edition is produced as a companion to this essay, as the result of the research. MISERERE MEI, DEUS GREGORIO ALLEGRI A Quest for the Holy Grail? BEN BYRAM-WIGFIELD Ben Byram-Wigfield was born in Herefordshire in 1970, and first discovered Allegri’sMiserere mei as a chorister at King’s College, Cambridge, where he sang the top C of this famous work. After leaving the King’s School, Worcester, he became a choral scholar at St Mary’s Cathedral, Edinburgh whilst studying for a B.Sc. from Heriot Watt University. He subsequently sang as a lay clerk at Gloucester Cathedral, and has since produced many editions of early church music. MISERERE MEI, DEUS GREGORIO ALLEGRI A Quest for the Holy Grail? Contents Introduction . 7 The Manuscripts . 8 The Holy Grail . 15 Remaining Questions . 20 Summary and Chronology . 21 Postscript . 22 Sources . 23 Musical Appendices . 24 Biography of Allegri . 30 ACKNOWLEDGEMENTS I should like to thank the Biblioteca Apostolica Vaticana and the British Museum for making the manuscripts available; also Philip Colls and Dr. Simon Anderson for their academic insight and help. Figures: 1. Engraving of the Sistine Chapel by Filippo Juvara, 1711 2. Biblioteca Apostolica Vaticana ms 185, f 1 3. Engraved portrait of Gregorio Allegri, 18th c (Anon.) A Quest for the Holy Grail? 7 Introduction regorio Allegri (1582 - 1652) was a singer in the Papal Chapel from 6th December 1629, until his death on 17th February 1652.
    [Show full text]
  • Church Vocabulary Liturgical Objects and Sacred Vessels Amphora
    Church Vocabulary Liturgical Objects and Sacred Vessels Amphora: (Greek: amphi, both sides; phero, to carry) A wine vessel for Mass; tall, two- handled, often pottery (Symbolically inscribed one were found in the Catacombs.) Ampulla: Two-handed vessels for holding oils or burial ointments. Aspergillum: An instrument (brush or branch or perforated container) for sprinkling holy water. Aspersory: The pail for holy water Boat: The supply container for the incense. Capsula: The container for reserving the consecrated host for exposition in the monstrance. Censer: A vessel for burning incense (mixture of aromatic gums) at solemn ceremonies. Its rising smoke symbolizes prayers. Chalice: A cup that holds the wine (grape, “fruit of the vine”). Formerly of precious metals (if not gold, gold plated inside). Since Vatican II it must at least be a non-porous material of suitable dignity. Consecrated with holy chrism by a bishop; also “consecrated by use” (contact with Christ’s blood). Eight inches was the traditional and common height. Christ’s Last Supper chalice is the centerpiece if the medieval Holy Grail legends. Chalice veil: (no longer in common use) Covers the chalice and paten from the beginning of Mass until the offertory and after the ablutions. Ciborium: Container for the communion host; similar to a paten and traditionally resembling the chalice except for its cover. Communion plate: This was a plate made of a precious metal which would placed under the mouth or hands of the person receiving communion lest the Precious Body fall to the floor. Corporal: A square of linen cloth placed upon the altar and upon which the chalice and paten are placed (Its container, when the corporal is not in use, it called the Burse.
    [Show full text]
  • Liturgical and Rubrical Books of the Roman Rite
    LITURGICAL AND RUBRICAL BOOKS OF THE ROMAN RITE “…The liturgical books are the books which contain the official text of the “rites and ceremonies” 7 of the sacred liturgy.” J.B. O’Connell, The Celebration of Mass; (7 Cf. SRC 4266; CJC 2.) In the Roman Rite the chief liturgical books are: A. FOR THE CELEBRATION OF MASS AND THE CEREMONIES OF HOLY WEEK: • Missale Romanum [MR] (1962) • Ordo Hebdomadae Sanctae Instauratus [OHS] (1962; SSPX uses 1955 grosso modo) • Memoriale Rituum (1920; used as a reference, since it has been superseded by the OHS and the 1962 Missale Romanum. However, the SSPX still makes use of a few rubrics from this book; cf. General House Decisions sheet.) Supplements to the Missale Romanum and used during a Solemn or Pontifical High Mass are: • Epistola / Evangelia [Epistolary / Evangelarium] (which contains the Epistles read by the subdeacon and the Gospels read by the deacon) [1959] • Pontifical Canon (this contains only the Canon, and is used in place of the altar cards) [1962] B. FOR THE CELEBRATION OF THE DIVINE OFFICE: • Breviarium Romanum [Breviary] (1962) • Martyrologium Romanum [Martyrology] (1923) C. FOR THE ADMINISTRATION OF THE SACRAMENTS AND SACRAMENTALS: • Rituale Romanum [RR] (1964; this is actually the 1962 edition) • Pontificale Romanum [PR or Pontifical] (1888; and the new edition of Part II, 1962) • Ceremoniale Episcoparum [CE] (1886; for the pontifical celebration of the sacred liturgy in greater churches) • Ritus Pontificalis Ordinis Hebdomadae Sanctae Instaurati [Pontifical version of the OHS] (1957) • Clementine Instruction (1731; concerning the Forty Hours’ Prayer) D. THE OFFICIAL MUSICAL TEXT USED IN THE CELEBRATION OF MASS: • Kyriale (1905) • Graduale Romanum (1907) • Cantorinus (1911) • Officium Hebdomadae Sanctae (1959) [All of these are complied and used commonly in the Liber Usualis (1962); this book also contains the Lessons and Nocturns of Matins for the greater feast days] A BRIEF HISTORY OF THE ROMAN MISSAL Formerly, the Roman Missal was divided into several books.
    [Show full text]