Liturgical and Rubrical Books of the Roman Rite
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Palm Sunday 2017
Cathedral Basilica of Saints Peter and Paul Palm Sunday of the Passion of the Lord April 9, 2017 Palm Sunday of the Passion of the Lord The Commemoration of the Lord’s Entrance into Jerusalem The Solemn Entrance 5:15 PM, 9:00 AM & 6:30 PM 5:15 PM Hosanna Michael Burkhardt Archdiocesan Boy and Girl Choirs Hosanna, blessed is he who comes in the name of the Lord, Hosanna! The Procession 11:00 AM Fanfare for Palm Sunday Richard Proulx Cathedral Basilica Choir 1937-2010 Hosanna! Hosanna to the son of David! Blessed is he who comes in the name of the Lord. Hosanna! O King of Israel! Hosanna! Hosanna in the highest. The Greeting, Address, Blessing and Sprinkling of Palm Branches Gospel Matthew 21:1-11 Invitation to begin the Procession Dear brothers and sisters, like the crowds who acclaimed Jesus in Jerusalem, let us go forth in peace. 11:00 AM Pueri Hebraeorum Liber Usualis Cathedral Basilica Choir English translation, sung in Latin The children of the Hebrews, carrying olive branches, went to meet the Lord, crying our and saying: Hosanna in the highest. 2 The Mass Processional All Glory Laud and Honor St. Theodulph Collect 3 Liturgy of the Word Word and Song Page 134 First Reading Isaiah 50:4-7 My face I did not shield from buffets and spitting knowing that I shall not be put to shame. Responsorial Psalm Psalm 22 Christopher Willcock 6:30 PM Owen Alstott Second Reading Philippians 2:6-11 Christ humbled himself. Because of this God greatly exalted him. -
9. the Liturgical Revolution – a New Mass
82 9. The Liturgical Revolution – A New Mass “Truly, if one of the devils in C.S. Lewis’ The Screwtape Letters had been entrusted with the ruin of the liturgy he could not have done it better.”1 THE NEW MASS VS. THE TRADITIONAL MASS The Traditional Latin Mass, the most holy act of worship of the Roman Rite of the Catholic Church, was codified by Pope St. Pius V in his Bull Quo Primum in 1570. In his famous Bull Quo Primum, Pope St. Pius V forbade changing the traditional Latin Mass. Pope St. Pius V, Quo Primum Tempore, July 14, 1570: “Now, therefore, in order that all everywhere may adopt and observe what has been delivered to them by the Holy Roman Church, Mother and Mistress of the other churches, it shall be unlawful henceforth and forever throughout the Christian world to sing or to read Masses according to any formula other than this Missal published by Us… Accordingly, no one whosoever is permitted to infringe or rashly contravene this notice of Our permission, statute, ordinance, command, direction, grant, indult, declaration, will, decree, and prohibition. Should any venture to do so, let him understand that he will incur the wrath of Almighty God and of the blessed Apostles Peter and Paul.”2 On April 3, 1969, Paul VI replaced the Traditional Latin Mass in the Vatican II churches with his own creation, the New Mass or Novus Ordo. Since that time, the world has seen the following in the Vatican II churches which celebrate the New Mass or Novus Ordo: The world has seen Clown Masses, in which the “priest” dresses as a clown in utter mockery of God. -
Dominican Rite Practicum
LSFT 2405 Dominican Rite Practicum Prepared by the Instructor 2020 Dominican School of Philosophy and Theology Fall 2020 LSFT 2405 First Meeting: Saturday, 9/5, SAP Library, 7:30 pm Dominican Rite Practicum Instructor: Fr. Augustine Thompson O.P. Office Hours: TBA at St. Albert’s Priory Course Description This course is a 1.5 unit graded liturgical practicum open to Dominican friar students, normally after residency year, best in the year of deaconal or priestly ordination. The goal is to acquire the ability to celebrate Low Mass and Missa Cantata according to the traditional Dominican Rite in Latin. The outcome will be a correct and fluid "dry Mass" celebration of the Dominican Rite Low Mass and of the Missa Cantata. These two exercises will in equal parts provide the two graded "exams" of the course. The format will be a practicum in which students perform the rite under the direction of the instructor. Admission to the Class Dominican friars who would like to be admitted to the class need to arrange an interview with the instructor. At the interview they will be asked to recite from memory the texts found on the next page. This memorization is not-negotiable and will serve to prove that the student is ready to undertake the heavy memorization element of the class. As this class is only open to Western Dominican Province student brothers it will be held at St. Albert’s with social distancing. Required Books and Materials William R. Bonniwell, ed., Dominican Ceremonial for Mass and Benediction (1946; rpt. Oakland: Dominican Liturgy Publications, 2012), $22.75, order at: http://www.lulu.com/shop/william-r-bonniwell-op/dominican-ceremonial-for-mass-and-b enediction/hardcover/product-21602438.html Dominican Altar Boys' Manual According to the Rite of the Order of Preachrs (1945; rpt. -
The Development of the Roman Rite by Michael Davies
The Development of the Roman Rite By Michael Davies The Universe is the Catholic newspaper with the largest circulation in Britain. On 18 May 1979 its principal feature article was by one Hugh Lindsay, Bishop of Hexam and Newcastle. The Bishop's article was entitled "What Can the Church Change?" It was a petulant, petty, and singularly ill-informed attack upon Archbishop Lefebvre and Catholic traditionalists in general. It is not hard to understand why the Archbishop is far from popular with the English hierarchy, and with most hierarchies in the world for that matter. The Archbishop is behaving as a true shepherd, defending the flock from who would destroy it. He is a living reproach to the thousands of bishops who have behaved as hirelings since Vatican II. They not only allow enemies to enter the sheepfold but enjoy nothing more than a "meaningful dialogue" with them. The English Bishops are typical of hierarchies throughout the world. They allow catechetical programs in their schools which leave Catholic children ignorant of the basis of their faith or even teach a distorted version of that faith. When parents complain the Bishops spring to the defense of the heterodox catechists responsible for undermining the faith of the children. The English Bishops remain indifferent to liturgical abuse providing that it is initiated by Liberals. Pope Paul VI appealed to hierarchies throughout the world to uphold the practice of Communion on the tongue. Liberal clerics in England defied the Holy See and the reaction of the Bishops was to legalize the practice. The same process is now taking place with the practice of distributing Communion under both kinds at Sunday Masses. -
The Rites of Holy Week
THE RITES OF HOLY WEEK • CEREMONIES • PREPARATIONS • MUSIC • COMMENTARY By FREDERICK R. McMANUS Priest of the Archdiocese of Boston 1956 SAINT ANTHONY GUILD PRESS PATERSON, NEW JERSEY Copyright, 1956, by Frederick R. McManus Nihil obstat ALFRED R. JULIEN, J.C. D. Censor Lib1·or111n Imprimatur t RICHARD J. CUSHING A1·chbishop of Boston Boston, February 16, 1956 PRINTED IN THE UNITED STATES OF AMERICA INTRODUCTION ANCTITY is the purpose of the "new Holy Week." The news S accounts have been concerned with the radical changes, the upset of traditional practices, and the technical details of the re stored Holy Week services, but the real issue in the reform is the development of true holiness in the members of Christ's Church. This is the expectation of Pope Pius XII, as expressed personally by him. It is insisted upon repeatedly in the official language of the new laws - the goal is simple: that the faithful may take part in the most sacred week of the year "more easily, more devoutly, and more fruitfully." Certainly the changes now commanded ,by the Apostolic See are extraordinary, particularly since they come after nearly four centuries of little liturgical development. This is especially true of the different times set for the principal services. On Holy Thursday the solemn evening Mass now becomes a clearer and more evident memorial of the Last Supper of the Lord on the night before He suffered. On Good Friday, when Holy Mass is not offered, the liturgical service is placed at three o'clock in the afternoon, or later, since three o'clock is the "ninth hour" of the Gospel accounts of our Lord's Crucifixion. -
Interpolated Amen's in the Canon of the Mass Öerald Ellard, S.J., Ph.D
INTERPOLATED AMEN'S IN THE CANON OF THE MASS ÖERALD ELLARD, S.J., PH.D. St. Mary^s College FJEW things are so venerable, few so carefully guarded, as the canon *• of the Roman Mass. It is indicative of how highly it was regarded from the very earliest period that the oldest Latin Mass-books of Spain, Gaul, and Ireland, different as they are in so many respects, all spontaneously adopted that Roman canon, which Pope Vigilius had described in 538, shortly before Gregory the Great was born, as of apostolic antiquity: "textum . .quern Deo propitio ex apostolica tradi- tione suscepimus."1 True, the canon, as we use it now, is called Gregorian in perpetuation of the memory of the revision, slight and insignificant, that Gregory gave it around 595. For all that, the canon in our Mass-book contains four interpolated amen's—at the conclusion of the prayers Communicantes, Rane igitur, Supplices, and Memento etiam—and narrowly missed permanently acquiring a fifth one, at the end of the Nobis quoque peccatoribus. This article centers attention on those adventitious amen's and seeks to unravel their story somewhat more accurately than I have seen it set out elsewhere. There is need of greater precision in the matter. Thus, Dom Bernard Botte, in his definitive Le canon de la Messe, edition critique, in the excellent apparatus criticus setting out the variant readings of the oldest texts, hinted that these four amen's came in with the edition of the canon printed at Rome in 1474.2 He adduced that particular edition of the Roman Mass-book because it then issued in print for the first time and has been reprinted nowadays for our con sultation. -
Quo Primum Decree Pope St Pius V
Quo Primum Decree Pope St Pius V Capparidaceous and nettly Udall dignifying her poloist exudates acervately or quarrelled savagely, is Maynord interlinear? How pentangular is Mort when glowering and bloodshot Lucien tying some refundments? Uncurbed Tailor stagnates, his wangle preoccupy dissolvings immemorially. He would be used exactly as elizabeth to pope decree something that agustoni resigned his refusal to Rome and pius v did not wish of the decree above all credentials he was not a law to what. The pope cannot get better in arguing in any other liturgical directives and decreed its natural power over time of sts views he! If he always valid and the absence of the father manelli and staff at st ia, quo primum decree pope st pius v carried in short. The pope leo xiii, sts one culture that wants you ask him thoroughly, leaves argentina before and decreed that he was first. Although st pius x is. Sspx schism mean in pope decree and decrees are praying the popes will give glory to change his back. His decree on st pius v decreed that pope and decrees of popes make him so the salvation of the ages vs. You decree confirming that pope paul ii popes, sts a new prefaces can also decreed that passeth away from sincerity and! The decree that language that these things that the throne, actually excommunicated from the same. This missal was recorded in exercising jurisdiction of! Second st pius v decreed that pope to recognize and decrees of. The sacred mysteries of pope to find it either the sacrament of a case upon this do this were. -
The New Books for High Mass
St. Martin of Tours Church, St. Martinsville, Louisiana THE NEW BOOKS FOR HIGH MASS For those who were familiar with the official books of the Church prior to Vatican II, the new ones are not necessarily easy to use, nor is their arrangement quite as crystal clear as a true simplification could perhaps have produced. However, for better or worse, the new books exist, although they are not as well known as they deserve to be. About one year ago, the writer was assured by a Benedictine monk that there is no longer any Latin missal. This article will attempt to list the Latin books of the Roman rite and to provide some comments on their use, arrangement, and content. Broadly speaking, the liturgical books can be divided into three groups: A. The Mass books 1. Missale Romanum 2. Lectionarium 3. Graduate Romanum 4. Jubilate Deo B. The Office books — Liturgia Horarum C. The books for the administration of the sacraments HUGHESDON: MASS BOOKS 14 The second and third groups of books are hopefully to be dealt with in a sub- sequent article. The books of the first group are of considerable significance and interest to the "ordinary" parish and are dealt with here. As during the four hundred years which preceded the Second Vatican Coun- cil, the missal is the primary, (but no longer the sole) book which is required for the celebration of Mass. The present missal, which incorporated the new rite, |! was officially promulgated by the Apostolic Constitution of Paul VI, Missale i"- Romanum, dated April 3, 1969. -
32Nd Sunday in Ordinary Time November 8, 2020
St. Christopher, Marysville Page 1 32nd Sunday in Ordinary Time November 8, 2020 Pope Francis’ Mission Statement: To Become a Band of Joyful Missionary Disciples. Archdiocese of Detroit’s Mission Statement: To Unleash the Gospel. Saint Christopher’s Parish Mission Statement: Transform Lives in Jesus Christ Through the Power and Freedom of the Gospel. Parish Vision Statement: Foster a Personal Encounter with Jesus. Pastor’s Points of Perspective. Greetings and the Father’s Blessing be upon you, my dear spiritual children. What happened to the Sign of Peace at the Mass? As you may recall the Sign of Peace at the Mass was ordered deleted for this time of great fear surrounding the corona virus. Even before the corona virus, parishioners were concerned about the possible exchange of germs between people through the Sign of Peace, which we addressed previously. You may recall that we informed everyone that at the Sign of Peace eye contact and a head nod along with the statement “Peace be with you” would be a sufficient way to exchange the Sign of Peace if one did not want to shake someone’s hand. Recall that the Sign of Peace was based on a “cultural norm,” which commonly, was a handshake. Now we are developing a new and acceptable “cultural norm” of an exchange of a Sign of Peace without any physical con- tact. The Leadership Team and Worship Commission believe it is time to restore some Sign of Peace to the Mass that is culturally acceptable just like the one mentioned above. Therefore, for our cultural standard of today, we will begin restoring the Sign of Peace with eye contact and a head nod along with the statement “Peace be with you” as this is most relevant for our time and circumstances. -
Introduction and Rubrics in English Liber Usualis
INTRODUCTION AND RUBRICS IN ENGLISH LIBER USUALIS RUBRICS FOR THE CHANT OF THE MASS. I. When the priest goes towards the altar, the cantors begin the Introit. On Ferias and Simples the Intonation is to be sung by one cantor as far as the sign * : on other Feasts and Sundays, there should be two cantors: but on Solemn Feasts there should be four, if as many as four are available. The choir continues until the Psalm. The first part of the Verse of the Psalm as far as the asterisk, and the V. Gloria Patri, are sung by the cantors, the full choir taking up the rest of the verse. Afterwards, the Introit as far as the Psalm is repeated by the full choir. If the priest and ministers have some way to go in the church before reaching the altar, there is no reason why several Verses of the Introit Psalm should not be sung after the Antiphon and Verse. In that case the Antiphon may be repeated after every Verse or two Verses. When the priest reaches the altar, the Psalm is if necessary interrupted at the end of a Verse, Gloria Patri is sung, and finally the Antiphon. II. When the Antiphon is over, the choir sings the Kyrie eleison thrice, the Christe eleison thrice, and again the Kyrie eleison thrice, alternately with the cantors, or with the other half of the choir. But the last Kyrie eleison is divided into two or three parts, marked by a single or double asterisk. If there be only two parts, and hence only a single asterisk, the first part is sung by the cantors or by the first half of the choir, the second part by the full choir. -
Roman Gradual
De musica sacra et sacra liturgia (1958) Musicam sacram (1967) 3 degrees of Participation (chapter 25): 3 degrees of Participation (chapters 28-31): 1 – Dialogues-Responses Graduale Romanum (Roman Gradual) 1 – Dialogues-Responses + Pater Noster 2- Kyriale + Credo Includes: Dialogues-Responses(D-R), Kyriale+Credo (K), Proper (P) 2- Kyriale + Credo + Prayer of Faithful 3- Proper Latin chant (square notes), no explanatory text 3- Proper EXTRAORDINARY FORM (Tridentine) ORDINARY FORM (Novus Ordo) 1961 Roman Gradual 1974 Roman Gradual Liturgical Devotional Liturgical Must be used for EF Missa Cantata, per rubrics CHANTING IN LATIN Preferred in OF sung mass, other options are OK ENGLISH TRANSLATIONS (ICEL) LIBER USUALIS Gregorian Missal D-R, K, P + Matins, Lauds, Vespers D-R, K, P (only Sundays and Feasts) Books by father weber Latin chant (square notes) Latin chant (square notes) and English translations https://sacredmusicus.wordpress.com/ Missal Latin, Rubrics in English Missal Latin-English (OT) THE PEW MISSAL (D-R, K, P) THE PROPER OF THE MASS FOR SUNDAYS AND SOLEMNITIES English chant (square notes) PARISH BOOK OF CHANT D-R, K, Hymns in Latin (no Proper) Order of sung Mass (both EF and OF) Books by adam bartlett Latin chant (square notes) and English translations https://illuminarepublications.com/ Explanation on chant notation, latin pronunciation. Lumen Christi collection (Missal, Gradual, Hymnal,..) English chant (square notes) CHANTS ABREGES Graduale Simplex simpler P (ONLY GRADUAL AND ALLELUIAS) D-R, K, simpler P melodies Latin chant -
ALEXANDER, JOHN DAVID, D.M.A. a Study of the Influence of Texts From
ALEXANDER, JOHN DAVID, D.M.A. A Study of the Influence of Texts from the Liber Usualis on Three Improvised French Organ Works by Marcel Dupré, Charles Tournemire, and Olivier Latry. (2020) Directed by Welborn Young and André Lash. 82 pp. Improvisation has played a vital role in the French school of organ playing over the last several centuries, both in sacred and secular settings. Within the context of Catholic masses in France, the majority of the music played by the organists is improvisational. Much of the thematic material of these improvisations comes from the service music contained in the Liber Usualis. This document explores the treatment of these themes from the Liber Usualis, particularly focusing on the impact of the text of each chant on three works by Marcel Dupré, Charles Tournemire, and Olivier Latry, three of the leading improvisateurs of the twentieth and twenty-first century. Studying published reconstructions of their improvisations based on themes from the Liber Usualis gives insight into their respective improvisational languages and the affect created by a thorough knowledge of the text of each Liber Usualis theme used. Following an introduction, a chapter is dedicated to each composer and his work: Marcel Dupré’s Symphonie-Passion, Charles Tournemire’s Choral-Improvisation sur le ‘Victimae Paschali,’ and Olivier Latry’s Salve Regina. Each of these chapters contains brief biographical information about the composer, an overview of the instrument on which the original improvisation was performed, a description of each work, and how the chant is incorporated into each. The final chapter contains a comparison of the three works, reexamining the impact of the chant text on rhythm, registration, dynamics, form, and texture.