Historical Mapping of the Urban Form and the Spatial Power Distribution in Capital Jiankang in East Jin Dynasty ZHENG Chenwei*
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Towards Chinese Calligraphy Zhuzhong Qian
Macalester International Volume 18 Chinese Worlds: Multiple Temporalities Article 12 and Transformations Spring 2007 Towards Chinese Calligraphy Zhuzhong Qian Desheng Fang Follow this and additional works at: http://digitalcommons.macalester.edu/macintl Recommended Citation Qian, Zhuzhong and Fang, Desheng (2007) "Towards Chinese Calligraphy," Macalester International: Vol. 18, Article 12. Available at: http://digitalcommons.macalester.edu/macintl/vol18/iss1/12 This Article is brought to you for free and open access by the Institute for Global Citizenship at DigitalCommons@Macalester College. It has been accepted for inclusion in Macalester International by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Towards Chinese Calligraphy Qian Zhuzhong and Fang Desheng I. History of Chinese Calligraphy: A Brief Overview Chinese calligraphy, like script itself, began with hieroglyphs and, over time, has developed various styles and schools, constituting an important part of the national cultural heritage. Chinese scripts are generally divided into five categories: Seal script, Clerical (or Official) script, Regular script, Running script, and Cursive script. What follows is a brief introduction of the evolution of Chinese calligraphy. A. From Prehistory to Xia Dynasty (ca. 16 century B.C.) The art of calligraphy began with the creation of Chinese characters. Without modern technology in ancient times, “Sound couldn’t travel to another place and couldn’t remain, so writings came into being to act as the track of meaning and sound.”1 However, instead of characters, the first calligraphy works were picture-like symbols. These symbols first appeared on ceramic vessels and only showed ambiguous con- cepts without clear meanings. -
Silk Road Fashion, China. the City and a Gate, the Pass and a Road – Four Components That Make Luoyang the Capital of the Silk Roads Between 1St and 7Th Century AD
https://publications.dainst.org iDAI.publications ELEKTRONISCHE PUBLIKATIONEN DES DEUTSCHEN ARCHÄOLOGISCHEN INSTITUTS Dies ist ein digitaler Sonderdruck des Beitrags / This is a digital offprint of the article Patrick Wertmann Silk Road Fashion, China. The City and a Gate, the Pass and a Road – Four components that make Luoyang the capital of the Silk Roads between 1st and 7th century AD. The year 2018 aus / from e-Forschungsberichte Ausgabe / Issue Seite / Page 19–37 https://publications.dainst.org/journals/efb/2178/6591 • urn:nbn:de:0048-dai-edai-f.2019-0-2178 Verantwortliche Redaktion / Publishing editor Redaktion e-Jahresberichte und e-Forschungsberichte | Deutsches Archäologisches Institut Weitere Informationen unter / For further information see https://publications.dainst.org/journals/efb ISSN der Online-Ausgabe / ISSN of the online edition ISSN der gedruckten Ausgabe / ISSN of the printed edition Redaktion und Satz / Annika Busching ([email protected]) Gestalterisches Konzept: Hawemann & Mosch Länderkarten: © 2017 www.mapbox.com ©2019 Deutsches Archäologisches Institut Deutsches Archäologisches Institut, Zentrale, Podbielskiallee 69–71, 14195 Berlin, Tel: +49 30 187711-0 Email: [email protected] / Web: dainst.org Nutzungsbedingungen: Die e-Forschungsberichte 2019-0 des Deutschen Archäologischen Instituts stehen unter der Creative-Commons-Lizenz Namensnennung – Nicht kommerziell – Keine Bearbeitungen 4.0 International. Um eine Kopie dieser Lizenz zu sehen, besuchen Sie bitte http://creativecommons.org/licenses/by-nc-nd/4.0/ -
Official Colours of Chinese Regimes: a Panchronic Philological Study with Historical Accounts of China
TRAMES, 2012, 16(66/61), 3, 237–285 OFFICIAL COLOURS OF CHINESE REGIMES: A PANCHRONIC PHILOLOGICAL STUDY WITH HISTORICAL ACCOUNTS OF CHINA Jingyi Gao Institute of the Estonian Language, University of Tartu, and Tallinn University Abstract. The paper reports a panchronic philological study on the official colours of Chinese regimes. The historical accounts of the Chinese regimes are introduced. The official colours are summarised with philological references of archaic texts. Remarkably, it has been suggested that the official colours of the most ancient regimes should be the three primitive colours: (1) white-yellow, (2) black-grue yellow, and (3) red-yellow, instead of the simple colours. There were inconsistent historical records on the official colours of the most ancient regimes because the composite colour categories had been split. It has solved the historical problem with the linguistic theory of composite colour categories. Besides, it is concluded how the official colours were determined: At first, the official colour might be naturally determined according to the substance of the ruling population. There might be three groups of people in the Far East. (1) The developed hunter gatherers with livestock preferred the white-yellow colour of milk. (2) The farmers preferred the red-yellow colour of sun and fire. (3) The herders preferred the black-grue-yellow colour of water bodies. Later, after the Han-Chinese consolidation, the official colour could be politically determined according to the main property of the five elements in Sino-metaphysics. The red colour has been predominate in China for many reasons. Keywords: colour symbolism, official colours, national colours, five elements, philology, Chinese history, Chinese language, etymology, basic colour terms DOI: 10.3176/tr.2012.3.03 1. -
Welcome to the Romance of the Three Kingdoms Podcast 100Th Episode Extravaganza
Welcome to the Romance of the Three Kingdoms Podcast 100th episode extravaganza. Yes, I know, we’re only at episode 92 in the narrative, but counting the seven supplemental episodes I’ve done, this IS the 100th episode since we began our podcast journey through the Romance of the Three Kingdoms. I know I’ve said this before, but thank you all for your support of this podcast. Knowing that more and more people are checking out the show and discovering the novel through it is a huge part of what keeps me doing this. I love all the comments you’ve sent, so keep them coming. With the podcast celebrating its 100th episode, I figured that’s as good an excuse as any to pause the narrative for a day and mark the occasion with a question-and-answer session. A number of you have sent in questions, to which I have some long-winded answers, as the length of this episode suggests. So let’s get to it. Listener Kyle asked, and I’m paraphrasing a bit here: What happens after the Three Kingdoms period? To answer this question without giving away too many spoilers for those of you who don’t know how the novel ends, I’m going to refrain from talking about how the Three Kingdoms period ended or who ultimately came out on top, and just focus on what happened afterward. Actually, the novel kind of gives away the ending anyway with its first line: Ever since antiquity, domains under heaven, after a long period of division, tend to unite. -
Bioarcheology of China
Chapter 3 Bioarchaeology of China: Bridging Biological and Archaeological Inquiries Elizabeth Berger and Kate Pechenkina In China, anthropology (人类学 renleixue, literally “study of humanity”) is primar- ily used to refer to physical anthropology. Biological or physical anthropology is firmly situated within the biological disciplines, whereas archaeology is tradition- ally hosted by history departments. Consequent differences in research interests and approaches between archaeologists and biological anthropologists have influenced the development of the field. Research on archaeological human skeletons, and anthropology as a whole, in China can be divided into three historical phases: (1) the late 1800s to 1949, the formative period, when anthropology in China was practiced as a holistic discipline and biological anthropology research was dominated by comparative morphomet- rics, population history, and paleoanthropology; (2) 1949 to the early 1980s, when “anthropology” referred almost exclusively to physical anthropology, and morpho- metrics and paleoanthropology were independent of archaeology; and (3) the 1980s until today, when cultural anthropology has experienced a renewal and bioarchaeol- ogy has come to integrate the skeletal and archaeological records (Zhang 2012; Zhu 2004; Hu 2006; Guldin 1994). In its early years (before 1949), Chinese anthropology was in close communica- tion with American, British, and European scholarship. However, it also draws from a long tradition of Chinese historiography, antiquarianism, and medical stud- ies and has undergone more than 100 years of development within China to become a discipline with its own research foci and disciplinary boundaries (Guldin 1994; Hu 2006). E. Berger Lieberthal-Rogel Center for Chinese Studies, University of Michigan, Ann Arbor, MI, USA e-mail: [email protected] Copyright © 2018. -
Arts of Asia Lecture Series Spring 2015 Masterpieces and Iconic Artworks of the Asian Art Museum Sponsored by the Society for Asian Art
Arts of Asia Lecture Series Spring 2015 Masterpieces and Iconic Artworks of the Asian Art Museum Sponsored by The Society for Asian Art The 338 Buddha, April 24, 2015 Michael Knight, Curator Emeritus of Chinese Art Names, places and terms was Dharmaraksa (Zhu Fahu), the most eminent translator during the Western Jin period whose ancestors had lived in Dunhuang for generations. When he was young, Dharmaraksa traveled with his teacher to many countries in the Western Regions and learned Central Asian languages and scripts and then returned to China with a large number of Buddhist texts. In 266 he traveled from Dunhuang to Chang'an and Luoyang, then crossed the Yangtze River. He translated 154 Hīnayāna and Mahāyāna sutras virtually covering all important texts circulating in the Western Regions. dhyana (meditating) Buddha Fotudeng (ca. 231-349) Former Zhao (319-329) Jie (or Lijie): identified by their high noses and full beards they were of Indo-Iranian background, members of the Xiongnu confederacy and the founders of the Later Zhao dynasty. Jiankang (present-day Nanjing) Jin Dynasty (265-420) Western Jin (265-316) Eastern Jin (317-420) Kashmir Kanishka (accession to Kushan throne probably between 78 and 144 CE, with c.128 being the most likely specific date) Kucha, a state established by the Tokharians on the northern edge of the Tarim Basin Kushan Empire (approx. 2nd century BCE-3rd century CE) Later Zhao (319-351) Lokaksema (Zhi Loujiachan, sometimes abbreviated to Zhi Chan), Buddhist translator during the Later Han period. He arrived at Luoyang in the late years of the Emperor Han Huandi's reign and between 178 and 179 CE translated more than ten Buddhist sutras from Central Asian languages into Chinese, the most noteworthy is Prajnā-pāramitā Luoyang, Henan province Prajñāpāramitā Sutra: "the Perfection of (Transcendent) Wisdom." Prajñāpāramitā is a central concept in Mahāyāna Buddhism and its practice and understanding are taken to be indispensable elements of the Bodhisattva Path. -
Southern Identity and Southern Estrangement in Medieval Chinese Poetry
Southern Identity and Southern Estrangement in Medieval Chinese Poetry Edited by Ping Wang and Nicholas Morrow Williams Hong Kong University Press Th e University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2015 Hong Kong University Press ISBN 978-988-8139-26-2 All rights reserved. No portion of this publication may be reproduced or transmitt ed in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Liang Yu Printing Factory Ltd. in Hong Kong, China Contents Acknowledgments vii List of Contributors ix 1. Southland as Symbol 1 Ping Wang and Nicholas Morrow Williams 2. Southern Metal and Feather Fan: Th e “Southern Consciousness” of Lu Ji 19 David R. Knechtges 3. Fan Writing: Lu Ji, Lu Yun and the Cultural Transactions between North and South 43 Xiaofei Tian 4. Plaint, Lyricism, and the South 79 Ping Wang 5. Farther South: Jiang Yan in Darkest Fujian 109 Paul W. Kroll 6. Th e Pity of Spring: A Southern Topos Reimagined by Wang Bo and Li Bai 137 Nicholas Morrow Williams 7. Th e Stele and the Drunkard: Two Poetic Allusions from Xiangyang 165 Jie Wu 8. Jiangnan from the Ninth Century On: Th e Routinization of Desire 189 Stephen Owen Works Cited 207 Index 219 Contributors David R. -
Intellectuals in Chinese Fiction a Publication of the Institute of East Asian Studies University of California Berkeley, California 94720
Intellectuals in Chinese Fiction A publication of the Institute of East Asian Studies University of California Berkeley, California 94720 The China Research Monograph series, whose first title appeared in 1967, is one of several publications series sponsored by the Institute of East Asian Studies in conjunction with its constituent units. The others include the Japan Research Monograph series, the Korea Research Monograph series, the Indochina Research Monograph series, and the Research Papers and Pol icy Studies series. The Institute sponsors also a Faculty Reprint series. Correspondence may be sent to: Ms. Joanne Sandstrom, Editor Institute of East Asian Studies University of California Berkeley, California 94720 CHINA RESEARCH MONOGRAPH 33 & INSTITUTE OF EAST ASIAN STUDIES UNIVERSITY OF CALIFORNIA • BERKELEY CCS CENTER FOR CHINESE STUDIES Intellectuals in Chinese Fiction YUE DAIYUN Although the Institute of East Asian Studies is responsible for the selection and acceptance of manuscripts in this series, responsibility for the opinions expressed and for the accuracy ofstatements rests with their authors. Copyright © 1988 by the Regents of the University of California ISBN 0-912966-97-1 Library of Congress Catalog Card Number 87-82667 Printed in the United States of America All rights reserved. Contents Foreword vii Joyce K. Kallgren Acknowledgments viii Introduction 1 1. The First Anecdotal Collection Describing the Lives of Intellectuals: A New Account of Tales of the World 8 2. Intellectuals at an Impasse and the Collapse of Feudal Society: Six Chapters of a Floating Life 38 3. Modem Chinese Intellectuals in Modem Chinese Literature: The Eclipse and Rainbow of Mao Dun 57 4. The Young Intelligentsia in the War Years: Lu Ling's Children of the Rich 83 5. -
Daoist Hermitage in the Six Dynasties
Journal of chinese humanities 4 (2018) 125-149 brill.com/joch A View of History from the Mountains: Daoist Hermitage in the Six Dynasties Wei Bin 魏斌 Professor of History, Wuhan University, China [email protected] Translated by Casey Lee Abstract During the Six Dynasties period, the cultural landscape of the mountains underwent a transformation. Most notable among these were the appearance of monasteries and Daoist temples as well as the system of immortals’ grottos and estates that accom- panied the latter. Because of this shift, mountains began to constitute a special reli- gious and cultural space. Two factors contributed to this shift. The first was religious, specifically, the movement of Daoist and Buddhist practice into mountain retreats. The second was political, namely, how political power was shaped by new geopoliti- cal configurations centered on the city of Jiankang (Nanjing). With these two factors at work, a new cultural form and spatial configuration emerged from the mountains that reflects the intimate relationship between the Six Dynasties politics, society, and culture. Keywords Buddhist monasteries – Daoist hermitage – mountains – ritual sacrifice – Six Dynasties … What lies in the mountains? Beyond the peak many white clouds © koninklijke brill nv, leiden, 2019 | doi:10.1163/23521341-12340061Downloaded from Brill.com02/27/2021 01:45:00AM via communal account 126 Wei Alone I enjoy the scene With no means to relay it to you —Tao Hongjing 陶弘景 [456-536] ∵ How do we understand the historical changes that took place between the Han dynasty [202 BCE-220 CE] and the Tang dynasty [618-907]? The academic works of the past century include many nuanced investigations of this topic. -
Migration, Identity, and Colonial Fantasies in a Fifth- Century Story Collection
The Journal of Asian Studies Vol. 80, No. 1 (February) 2021: 113–127. © The Association for Asian Studies, Inc. 2021 doi:10.1017/S0021911820003630 Migration, Identity, and Colonial Fantasies in a Fifth- Century Story Collection XIAOFEI TIAN Keywords: anomaly account (zhiguai), ethnicity, gender, identity, local cult, Man peoples, migration, settler colonialism, sexuality, social class T THE TURN OF the fifth century, a story about a man contesting real estate with a ghost Acirculated in several different versions in South China. In one of the versions, a young man discovered three lacquer coffins when digging a tomb for his deceased father and had the coffins reburied elsewhere. That night, he dreamed of Lu Su 魯肅 (172–217), the powerful minister in the southern Kingdom of Wu, who angrily announced that he would exact revenge. He also dreamed of his late father, who told him that Lu Su was fighting with him over the gravesite. Later, the young man found copious blood on his father’s seating mat.1 In the early fourth century, after the fall of the Jin capital Luoyang to the non-Han nomadic peoples, the royal house of the Jin dynasty and the great families of the north crossed the Yangzi River and established the Eastern Jin (317–420), with Jiankang 建 康 (modern Nanjing) as the new capital. In the story cited above, the deceased father, Wang Boyang 王伯陽, was likely a member of the aristocratic Wang clan from Langye (in modern Shandong), since his wife was none other than the niece of the famous min- ister Xi Jian 郗鑒 (269–339) of Gaoping (also in modern Shandong), as these northern aristocratic families maintained a strict code of intermarriage.2 The Langye Wang clan had settled not far from Jiankang, formerly the capital of the Kingdom of Wu. -
Patronage and Community in Medieval China
INTRODUCTION 1 ONE INTRODUCTION This work seeks to explain the development of an important provincial society, the Xiangyang 襄陽 region (in modern northern Hubei province), and the terms on which its members interacted with representatives of the southern court at Jiankang 建康 in the fi fth and sixth centuries CE. It responds to the shortcomings of models of aristocracy and oligarchy , which have been applied to the social system of early medieval China, by demonstrating that a model based on patronage is far more helpful in understanding the tremendous instability of the political system, and the process of recruitment and assimilation of provincial leaders. It is the central thesis of this work that patronage is the most useful model with which to understand the general political organization of the southern dynasties. The work further seeks to understand the effect of patronage on local society and local culture. On this issue it responds to prior efforts to characterize local society as a fairly integrated community , one in which local elites developed a protective, nurturant community ethos, and for which local men felt a signifi cant sense of loyalty and identity. This idea is put to the test and found wanting. Instead, the evidence suggests that local society was extremely fragmented, with loyalties directed at narrowly defi ned familial ties or social subgroups. This fragmentation was perpetuated and accentuated by the patronage system, which persistently drew men’s loyalties up and out of their communities and into the affairs of imperial patrons; it also transmitted the fi erce succession rivalries of the imperial court into local affairs. -
A View of History from the Mountains: Daoist Hermitage in the Six Dynasties
Journal of chinese humanities 4 (2018) 125-149 brill.com/joch A View of History from the Mountains: Daoist Hermitage in the Six Dynasties Wei Bin 魏斌 Professor of History, Wuhan University, China [email protected] Translated by Casey Lee Abstract During the Six Dynasties period, the cultural landscape of the mountains underwent a transformation. Most notable among these were the appearance of monasteries and Daoist temples as well as the system of immortals’ grottos and estates that accom- panied the latter. Because of this shift, mountains began to constitute a special reli- gious and cultural space. Two factors contributed to this shift. The first was religious, specifically, the movement of Daoist and Buddhist practice into mountain retreats. The second was political, namely, how political power was shaped by new geopoliti- cal configurations centered on the city of Jiankang (Nanjing). With these two factors at work, a new cultural form and spatial configuration emerged from the mountains that reflects the intimate relationship between the Six Dynasties politics, society, and culture. Keywords Buddhist monasteries – Daoist hermitage – mountains – ritual sacrifice – Six Dynasties … What lies in the mountains? Beyond the peak many white clouds © koninklijke brill nv, leiden, 2019 | doi:10.1163/23521341-12340061Downloaded from Brill.com09/26/2021 10:41:04AM via free access 126 Wei Alone I enjoy the scene With no means to relay it to you —Tao Hongjing 陶弘景 [456-536] ∵ How do we understand the historical changes that took place between the Han dynasty [202 BCE-220 CE] and the Tang dynasty [618-907]? The academic works of the past century include many nuanced investigations of this topic.