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Teacher Answer Packet
TEACHER ANSWER PACKET 1 Global Studies 9 – First Half Review Directions: Use your knowledge from our class discussions and your midterm review packets to answer the following questions about the first half of the year. Historical Thinking / Beginning of Civilizations 1. The Neolithic Revolution was a change from what to what? hunting and gathering to farming 2. As a result of the Neolithic Revolution, people began to form: civilizations 3. What are the characteristics of a civilization? a government, social classes, job specialization, a food surplus, writing, and religious beliefs 4. Other than farming, name something else people began to do as a result of the Neolithic Revolution? domesticated animals, built permanent civilizations 5. Name features that would be found on a physical map. topography - mountains, rivers, deserts, lakes 6. Name features that would be found on a political map. show countries, their borders, and capital cities Early Civilizations 7. What two rivers make up Mesopotamia? Tigris and Euphrates Rivers 8. What early civilization was based around the Nile River? Egyptian 9. What major river did early Indian civilizations build around? Indus River 10. The early civilizations in China were built around what river? Yellow River / Huange He, Yangzi River 11. Why did early civilizations develop in river valleys? Fertile soil, irrigation, transportation 12. Identify two writing systems developed by early civilizations: hieroglyphics, cuneiform 13. What was the first set of laws to be written down? Code of Hammurabi 14. Who developed grid pattern cities? Harappan Civilization 15. Were most early civilizations monotheistic or polytheistic? polytheistic 16. Name two types of irrigation systems used by the river valley civilizations. -
Shang Dynasty
misterfengshui.com 風水先生 History of China ANCIENT 3 Sovereigns and 5 Emperors Xia Dynasty 2100–1600 BC Shang Dynasty 1600–1046 BC Zhou Dynasty 1122–256 BC Western Zhou Eastern Zhou Spring and Autumn Period Warring States Period IMPERIAL Qin Dynasty 221 BC–206 BC Han Dynasty 206 BC–220 AD Western Han Xin Dynasty Eastern Han Three Kingdoms 220–280 Wei, Shu & Wu Jin Dynasty 265–420 Western Jin 16 Kingdoms Eastern Jin 304–439 Southern & Northern Dynasties 420–589 Sui Dynasty 581–618 Tang Dynasty 618–907 ( Second Zhou 690–705 ) 5 Dynasties & 10 Kingdoms 907–960 Liao Dynasty 907–1125 Song Dynasty 960–1279 Northern Song Xi Xia Southern Song Jin Yuan Dynasty 1271–1368 Ming Dynasty 1368–1644 Qing Dynasty 1644–1911 MODERN Republic of China 1912–1949 People's Republic of China (Mainland China) 1949–present Republic of China (Taiwan) 1945-present from Wilkipedia [email protected] Fax: 852-2873-6859 misterfengshui.com 風水先生 Timeline of Chinese History The recorded history of China began in the 15th century BC when the Shang Dynasty started to use markings that evolved into the present Chinese characters. Turtle shells with markings reminiscent of ancient Chinese writing from the Shang Dynasty have been carbon dated to as early as 1500 BC.[1] Chinese civilization originated with city-states in the Yellow River (Huang He) valley. 221 BC is commonly accepted to be the year in which China became unified under a large kingdom or empire. In that year, Qin Shi Huang first united China. Successive dynasties in Chinese history developed bureaucratic systems that enabled the Emperor of China to control increasingly larger territory that reached maximum under the Mongolian Yuan Dynasty and Manchurian Qing Dynasty. -
Kūnqǔ in Practice: a Case Study
KŪNQǓ IN PRACTICE: A CASE STUDY A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THEATRE OCTOBER 2019 By Ju-Hua Wei Dissertation Committee: Elizabeth A. Wichmann-Walczak, Chairperson Lurana Donnels O’Malley Kirstin A. Pauka Cathryn H. Clayton Shana J. Brown Keywords: kunqu, kunju, opera, performance, text, music, creation, practice, Wei Liangfu © 2019, Ju-Hua Wei ii ACKNOWLEDGEMENTS I wish to express my gratitude to the individuals who helped me in completion of my dissertation and on my journey of exploring the world of theatre and music: Shén Fúqìng 沈福庆 (1933-2013), for being a thoughtful teacher and a father figure. He taught me the spirit of jīngjù and demonstrated the ultimate fine art of jīngjù music and singing. He was an inspiration to all of us who learned from him. And to his spouse, Zhāng Qìnglán 张庆兰, for her motherly love during my jīngjù research in Nánjīng 南京. Sūn Jiàn’ān 孙建安, for being a great mentor to me, bringing me along on all occasions, introducing me to the production team which initiated the project for my dissertation, attending the kūnqǔ performances in which he was involved, meeting his kūnqǔ expert friends, listening to his music lessons, and more; anything which he thought might benefit my understanding of all aspects of kūnqǔ. I am grateful for all his support and his profound knowledge of kūnqǔ music composition. Wichmann-Walczak, Elizabeth, for her years of endeavor producing jīngjù productions in the US. -
Memorial on Annexation of Feudal States and Memorial on the Burning of Books, by Li Si (As Recorded by Sima Qian)
Primary Source Document with Questions (DBQs) M E M O R I A L O N A N N E X A T I O N O F F E U D A L S T A T E S A N D M E M O R I A L O N T H E B U R N I N G O F B O O K S B y L i S i ( a s r e c o r d e d b y S i m a Q i a n ) Introduction Li Si (d. 208 BCE) was, along with the Legalist philosopher Han Fei (d. 233 BCE), a student of Xunzi (c. 310-c. 219 BCE) and an official for the kingdom of Qin. When Qin conquered the remaining feudal states of the Zhou dynasty and built a new, centralized empire, Li Si was prime minister to the first emperor, Qin Shihuang. As prime minister, Li Si had the opportunity to bring Legalist political philosophy to bear on the task of uniting and ruling the patchwork of now-conquered feudal states of the former Zhou kingdom. The memorials below are two examples of the policies that Li Si successfully urged Qin Shihuang to follow. The memorials, in the form that we have them, are recorded by the Han dynasty historian Sima Qian (145?-86? BCE). They may, therefore, reflect Han bias in either the choice made or the accuracy of the record. However, we have no alternative sources from which to compare the record and investigate the nature and extent of whatever bias may be present. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
English Translations of the Shiji 史記juan 卷number
Benjamin Daniels - English Translations of the Shiji 史記 Juan 卷 Juan Title Subject (including William Burton Other Translations Number (Zhonghua some famous Nienhauser1 Watson2 shuju page episodes) numbers) Benji 本紀 (Basic Annals) 1 (Benji #1) 五帝本紀第一 Huang Di 黃帝, Vol. I, The Basic Watson, “Basic Annals of (1)3 Zhuan Xu 顓頊, Di Annals of Pre-Han the Five Emperors” Ku 帝嚳, Yao 堯, and China, “The Five (excerpt from juan 1, Emperors, Basic 183-184).4 Shun 舜. Annals One” (1). Herbert J. Allen, “Original Record of the Five Gods” (269–295).5 1 The translations in this column come from the set edited by William Nienhauser, Jr, The Grand Scribe’s Records. Volumes I, II,V (Part I), VII, XIII, and IX. For publisher and dates, see Bibliography below. All page numbers in this column only show the starting page. 2 The translations in this column come from the three Revised editions, Burton Watson, Records of the Grand Historian: Qin Dynasty (New York: Columbia University Press, 1993); Burton Watson, Records of the Grand Historian: Han Dynasty I, Revised Edition (New York: Columbia University Press, 1993); and Burton Watson, Records of the Grand Historian: Han Dynasty II, Revised Edition Edition (New York: Columbia University Press, 1993). Other Burton Watson translations can be found in the last column, but only those translations that do not also appear in the revised editions. There are many editions of translations of the Shiji by Burton Watson and for the sake of space it was necessary to leave out every version. All page numbers in this column only show the starting page. -
An Double Hidden HMM and an CRF for Segmentation Tasks with Pinyin's Finals
An Double Hidden HMM and an CRF for Segmentation Tasks with Pinyin’s Finals Huixing Jiang Zhe Dong Center for Intelligence Science and Technology Beijing University of Posts and Telecommunications Beijing, China [email protected] [email protected] Abstract inner features of Chinese Characters. And it nat- urally contributes to the identification of Out-Of- We have participated in the open tracks Vacabulary words (OOV). and closed tracks on four corpora of Chi- In our work, Chinese phonology information is nese word segmentation tasks in CIPS- used as basic features of Chinese characters in all SIGHAN-2010 Bake-offs. In our experi- models. For open tracks, we propose a new dou- ments, we used the Chinese inner phonol- ble hidden layers HMM in which a new phonol- ogy information in all tracks. For open ogy information is built in as a hidden layer, a tracks, we proposed a double hidden lay- new lexical association is proposed to deal with ers’ HMM (DHHMM) in which Chinese the OOV questions and domains’ adaptation ques- inner phonology information was used as tions. And for closed tracks, CRF model has been one hidden layer and the BIO tags as an- used , combined with Chinese inner phonology in- other hidden layer. N-best results were formation. We used the CRF++ package Version firstly generated by using DHHMM, then 0.43 by Taku Kudo1. the best one was selected by using a new In the rest sections of this paper, we firstly in- lexical statistic measure. For close tracks, troduce the Chinese phonology in Section 2. -
The Spring and Autumn Period & the Warring States Period
http://www.purpleculture.net CHINESE MUSIC Pentatonic scale friend Zhong Ziqi by Playing “Sanfen Sunyi” method It is the collective name of This was one of the ancient five musical scales: do, re, mi, the Qin have their roots in this Chinese Lü generation sol and la. All the traditional methods. Guan Zhong in the Chinese scale forms included period, which fully reflects the Spring and Autumn Period the said five scales. Various improved musical instrument invented the Sanfen Sunyi modes might be formed Method that was used to based on each tone that is playing and composing skills figure out the length of Lü considered the principal tone for the pentatonic scale. The in a sequence of music tones and the enhanced music same or similar Lü generation consisting of the pentatonic methods also appeared in scale. According to the scale appreciation skills as well. As for ancient Greek and Arabic names of the principal tones, countries. Based on length modes could fall into different playing the ancient qin, ancient of the vibrating bodies, categories, such as do-mode, qin players also attributed the Sanfen Sunyi method re-mode, mi-mode, sol-mode included two aspects: “sanfen and la-mode. superb qin performance to true sunyi” and “sanfen yiyi.” Cutting one-third from a and deep feelings. According certain chord meant “sanfen sunyi,” which could result in to historical records, the singing of famous musician the upper fifth of the chord Qin Qing in the Zhou Dynasty could “shock the trees tone; And increasing the chord by one-third meant and stop clouds from moving,” and the singing of the “sanfen yiyi,” which generated the lower quarter of the folk singer Han E could “linger in the mind for a long chord tone. -
The First Emperor: Selections from the Historical Records (Oxford
oxford world’s classics THE FIRST EMPEROR Sima Qian’s Historical Records (Shiji), from which this selection is taken, is the most famous Chinese historical work, which not only established a pattern for later Chinese historical writing, but was also much admired for its literary qualities, not only in China, but also in Japan, where it became available as early as the eighth cen- tury ad. The work is vast and complex, and to appreciate its nature it is necessary to make a selection of passages concerning a particu- lar period. To this end the short-lived Qin Dynasty, which unified China in the late third century bc, has been chosen for this transla- tion as a key historical period which well illustrates Sima’s method. Sima himself lived from 145 bc to about 86 bc. He inherited the post of Grand Historiographer from his father, and was so deter- mined to complete his work that he suffered the penalty of castra- tion rather than the more honourable alternative of death when he fell foul of the Emperor. Raymond Dawson was an Emeritus Fellow of Wadham College, Oxford. He was Editor of The Legacy of China (1964) and his other publications include The Chinese Chameleon: An Analysis of European Conceptions of Chinese Civilization (1967), Imperial China (1972), The Chinese Experience (1978), Confucius (1982), A New Introduction to Classical Chinese (1984), and the Analects (Oxford World’s Classics, 1993). K. E. Brashier is Associate Professor of Religion (Chinese) and Humanities (Chinese) at Reed College. oxford world’s classics For over 100 years Oxford World’s Classics have brought readers closer to the world’s great literature. -
Is Shuma the Chinese Analog of Soma/Haoma? a Study of Early Contacts Between Indo-Iranians and Chinese
SINO-PLATONIC PAPERS Number 216 October, 2011 Is Shuma the Chinese Analog of Soma/Haoma? A Study of Early Contacts between Indo-Iranians and Chinese by ZHANG He Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. -
Transmission of Han Pictorial Motifs Into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8
DOI: 10.4312/as.2019.7.2.47-86 47 Transmission of Han Pictorial Motifs into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8 ∗∗ Nataša VAMPELJ SUHADOLNIK 9 Abstract This paper examines the ways in which Fuxi and Nüwa were depicted inside the mu- ral tombs of the Wei-Jin dynasties along the Hexi Corridor as compared to their Han counterparts from the Central Plains. Pursuing typological, stylistic, and iconographic approaches, it investigates how the western periphery inherited the knowledge of the divine pair and further discusses the transition of the iconographic and stylistic design of both deities from the Han (206 BCE–220 CE) to the Wei and Western Jin dynasties (220–316). Furthermore, examining the origins of the migrants on the basis of historical records, it also attempts to discuss the possible regional connections and migration from different parts of the Chinese central territory to the western periphery. On the basis of these approaches, it reveals that the depiction of Fuxi and Nüwa in Gansu area was modelled on the Shandong regional pattern and further evolved into a unique pattern formed by an iconographic conglomeration of all attributes and other physical characteristics. Accordingly, the Shandong region style not only spread to surrounding areas in the central Chinese territory but even to the more remote border regions, where it became the model for funerary art motifs. Key Words: Fuxi, Nüwa, the sun, the moon, a try square, a pair of compasses, Han Dynasty, Wei-Jin period, Shandong, migration Prenos slikovnih motivov na zahodno periferijo: Fuxi in Nüwa v grobnicah s poslikavo iz obdobja Wei Jin na območju prehoda Hexi Izvleček Pričujoči prispevek v primerjalni perspektivi obravnava upodobitev Fuxija in Nüwe v grobnicah s poslikavo iz časa dinastij Wei in Zahodni Jin (220–316) iz province Gansu * The author acknowledges the financial support of the Slovenian Research Agency (ARRS) in the framework of the research core funding Asian languages and Cultures (P6-0243). -
Debates on Political Meritocracy in China a Historical Perspective
SYMPOSIUM THE CHINA MODEL DEBATES ON POLITICAL MERITOCRACY IN CHINA A HISTORICAL PERSPECTIVE BY WANG PEI © 2017 – Philosophy and Public Issues (New Series), Vol. 7, No. 1 (2017): 53-71 Luiss University Press E-ISSN 2240-7987 | P-ISSN 1591-0660 ! [THIS PAGE INTENTIONALLY LEFT BLANK] THE CHINA MODEL Debates on Political Meritocracy in China A Historical Perspective Pei Wang n his satirical novel The rise of the meritocracy, Michael Young, suggests that political hierarchies in meritocratic regimes may I become frozen and undermine social mobility. Daniel Bell has argued against this position in his book The China Model.1 We will support and deepen this rebuttal from the perspective of the history of ancient Chinese political thought. In fact, every political hierarchy may become frozen; every society may face the problem of the decline of social mobility. However, the problem may not be the concrete political institutions but the weakness of human nature. Meritocracy is precisely the only treatment of such political bottlenecks, which had been proved repeatedly in the history of ancient Chinese political history. The debates about political meritocracy tend to reappear, with new iterations and interpretations, precisely when the old political hierarchies become ossified. Bell·s book should thus be viewed as the latest critical intervention. It is important to discuss the historical background to such debates. 1 Daniel Bell, The China Model: Political Meritocracy and the Limits of Democracy, Princeton University Press, 2015, pp. 111-112, pp. 125-135. © 2017 ² Philosophy and Public Issues (New Series), Vol. 7, No. 1 (2017): 53-71 Luiss University Press E-ISSN 2240-7987 | P-ISSN 1591-0660 Philosophy and Public Issues ² The China Model I The context for debates about political meritocracy 5HJDUGLQJ WKH ZRUG ´PHULWRFUDF\µ WKH ILUVW SDUW mereǀ ´HDUQµ LV IURP /DWLQ DQG WKH VHFRQG SDUW țȡȐIJȠȢ ´VWUHQJWK SRZHUµ LVIURP*UHHN7KHVHWZRSDUWVRIGLIIHUHQWRULJLQVZHUH put together by Michael Young to create an effect of political irony.