The History of Cartography, Volume 1
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A Philosophical and Historical Analysis of Cosmology from Copernicus to Newton
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Scientific transformations: a philosophical and historical analysis of cosmology from Copernicus to Newton Manuel-Albert Castillo University of Central Florida Part of the History of Science, Technology, and Medicine Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Castillo, Manuel-Albert, "Scientific transformations: a philosophical and historical analysis of cosmology from Copernicus to Newton" (2017). Electronic Theses and Dissertations, 2004-2019. 5694. https://stars.library.ucf.edu/etd/5694 SCIENTIFIC TRANSFORMATIONS: A PHILOSOPHICAL AND HISTORICAL ANALYSIS OF COSMOLOGY FROM COPERNICUS TO NEWTON by MANUEL-ALBERT F. CASTILLO A.A., Valencia College, 2013 B.A., University of Central Florida, 2015 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the department of Interdisciplinary Studies in the College of Graduate Studies at the University of Central Florida Orlando, Florida Fall Term 2017 Major Professor: Donald E. Jones ©2017 Manuel-Albert F. Castillo ii ABSTRACT The purpose of this thesis is to show a transformation around the scientific revolution from the sixteenth to seventeenth centuries against a Whig approach in which it still lingers in the history of science. I find the transformations of modern science through the cosmological models of Nicholas Copernicus, Johannes Kepler, Galileo Galilei and Isaac Newton. -
Herakles Iconography on Tyrrhenian Amphorae
HERAKLES ICONOGRAPHY ON TYRRHENIAN AMPHORAE _____________________________________________ A Thesis presented to the Faculty of the Graduate School University of Missouri-Columbia _____________________________________________ In Partial Fulfillment Of the Requirements for the Degree Master of Arts ______________________________________________ by MEGAN LYNNE THOMSEN Dr. Susan Langdon, Thesis Supervisor DECEMBER 2005 ACKNOWLEDGEMENTS I would like to thank my thesis advisor, Dr. Susan Langdon, and the other members of my committee, Dr. Marcus Rautman and Dr. David Schenker, for their help during this process. Also, thanks must be given to my family and friends who were a constant support and listening ear this past year. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………ii LIST OF ILLUSTRATIONS……………………………………………………………..v Chapter 1. TYRRHENIAN AMPHORAE—A BRIEF STUDY…..……………………....1 Early Studies Characteristics of Decoration on Tyrrhenian Amphorae Attribution Studies: Identifying Painters and Workshops Market Considerations Recent Scholarship The Present Study 2. HERAKLES ON TYRRHENIAN AMPHORAE………………………….…30 Herakles in Vase-Painting Herakles and the Amazons Herakles, Nessos and Deianeira Other Myths of Herakles Etruscan Imitators and Contemporary Vase-Painting 3. HERAKLES AND THE FUNERARY CONTEXT………………………..…48 Herakles in Etruria Etruscan Concepts of Death and the Underworld Etruscan Funerary Banquets and Games 4. CONCLUSION………………………………………………………………..67 iii APPENDIX: Herakles Myths on Tyrrhenian Amphorae……………………………...…72 BIBLIOGRAPHY………………………………………………………………………..77 ILLUSTRATIONS………………………………………………………………………82 iv LIST OF ILLUSTRATIONS Figure Page 1. Tyrrhenian Amphora by Guglielmi Painter. Bloomington, IUAM 73.6. Herakles fights Nessos (Side A), Four youths on horseback (Side B). Photos taken by Megan Thomsen 82 2. Tyrrhenian Amphora (Beazley #310039) by Fallow Deer Painter. Munich, Antikensammlungen 1428. Photo CVA, MUNICH, MUSEUM ANTIKER KLEINKUNST 7, PL. 322.3 83 3. Tyrrhenian Amphora (Beazley #310045) by Timiades Painter (name vase). -
What Did Shakespeare Know About Copernicanism?
DOI: 10.2478/v10319-012-0031-x WHAT DID SHAKESPEARE KNOW ABOUT COPERNICANISM? ALAN S. WEBER Weill Cornell Medical College–Qatar Abstract: This contribution examines Shakespeare’s knowledge of the cosmological theories of Nicolaus Copernicus (1473-1543) as well as recent claims that Shakespeare possessed specialized knowledge of technical astronomy. Keywords: Shakespeare, William; Copernicus, Nicolaus; renaissance astronomy 1. Introduction Although some of his near contemporaries lamented the coming of “The New Philosophy,” Shakespeare never made unambiguous or direct reference to the heliocentric theories of Nicolaus Copernicus (1473-1543) in his drama or poetry. Peter Usher, however, has recently argued in two books Hamlet’s Universe (2006) and Shakespeare and the Dawn of Modern Science (2010) that Hamlet is an elaborate allegory of Copernicanism, which in addition heralds pre-Galilean telescopic observations carried out by Thomas Digges. Although many of Usher’s arguments are excessively elaborate and speculative, he raises several interesting questions. Just why did Shakespeare, for example, choose the names of Rosenskrantz and Guildenstern for Hamlet’s petard-hoisted companions, two historical relatives of Tycho Brahe (the foremost astronomer during Shakespeare’s floruit)? What was Shakespeare’s relationship to the spread of Copernican cosmology in late Elizabethan England? Was he impacted by such Copernican-related currents of cosmological thought as the atomism of Thomas Harriot and Nicholas Hill, the Neoplatonism of Kepler, and -
The Medici Aphrodite Angel D
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2005 A Hellenistic masterpiece: the Medici Aphrodite Angel D. Arvello Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Arvello, Angel D., "A Hellenistic masterpiece: the Medici Aphrodite" (2005). LSU Master's Theses. 2015. https://digitalcommons.lsu.edu/gradschool_theses/2015 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. A HELLENISTIC MASTERPIECE: THE MEDICI APRHODITE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Angel D. Arvello B. A., Southeastern Louisiana University, 1996 May 2005 In Memory of Marcel “Butch” Romagosa, Jr. (10 December 1948 - 31 August 1998) ii ACKNOWLEDGMENTS I wish to acknowledge the support of my parents, Paul and Daisy Arvello, the love and support of my husband, Kevin Hunter, and the guidance and inspiration of Professor Patricia Lawrence in addition to access to numerous photographs of hers and her coin collection. I would also like to thank Doug Smith both for his extensive website which was invaluable in writing chapter four and for his permission to reproduce the coin in his private collection. -
“At the Sight of the City Utterly Perishing Amidst the Flames Scipio Burst Into
Aurelii are one of the three major Human subgroups within western Eramus, and the founders of the mighty (some say “Eternal”) “At the sight of the city utterly perishing Aurelian Empire. They are a sturdy, amidst the flames Scipio burst into tears, conservative group, prone to religious fervor and stood long reflecting on the inevitable and philosophical revelry in equal measure. change which awaits cities, nations, and Adding to this a taste for conquest, and is it dynasties, one and all, as it does every one any wonder the Aurelii spread their of us men. This, he thought, had befallen influence, like a mighty eagle spreading its Ilium, once a powerful city, and the once wings, across the known world? mighty empires of the Assyrians, Medes, Persians, and that of Macedonia lately so splendid. And unintentionally or purposely he quoted---the words perhaps escaping him Aurelii stand a head shorter than most unconsciously--- other humans, but their tightly packed "The day shall be when holy Troy shall forms hold enough muscle for a man twice fall their height. Their physical endurance is And Priam, lord of spears, and Priam's legendary amongst human and elf alike. folk." Only the Brutum are said to be hardier, And on my asking him boldly (for I had and even then most would place money on been his tutor) what he meant by these the immovable Aurelian. words, he did not name Rome distinctly, but Skin color among the Aurelii is quite was evidently fearing for her, from this sight fluid, running from pale to various shades of the mutability of human affairs. -
Etruscan Biophilia Viewed Through Magical Amber
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) Spring 5-9-2020 Etruscan Biophilia Viewed through Magical Amber Greta Rose Koshenina University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Classical Archaeology and Art History Commons, and the Other Classics Commons Recommended Citation Koshenina, Greta Rose, "Etruscan Biophilia Viewed through Magical Amber" (2020). Honors Theses. 1432. https://egrove.olemiss.edu/hon_thesis/1432 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. ETRUSCAN BIOPHILIA VIEWED THROUGH MAGICAL AMBER by Greta Rose Koshenina A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2020 Approved by ___________________________________ Advisor: Dr. Jacqueline DiBiasie-Sammons ___________________________________ Reader: Dr. Molly Pasco-Pranger ___________________________________ Reader: Dr. John Samonds © 2020 Greta Rose Koshenina ALL RIGHTS RESERVED ii DEDICATION I dedicate this thesis with gratitude to my advisors in both America and Italy: to Dr. Jacqueline DiBiasie-Sammons who endured spotty skype meetings during my semester abroad and has been a tremendous help every step of the way, to Giampiero Bevagna who helped translate Italian books and articles and showed our archaeology class necropoleis of Etruria, and to Dr. Brooke Porter who helped me see my research through the eyes of a marine biologist. -
Yalin Akcevin the Etruscans Space in Etruscan Sacred Architecture And
Yalin Akcevin The Etruscans Space in Etruscan Sacred Architecture and Its Implications on Use Abstract Space is no doubt an important subject for the Etruscan religion, whether in the inauguration of cities and sacred areas, or in the divination of omens through the Piacenza liver in divided spaces of a sacrificial liver. It is then understandable that in the architecture and layout of the temples and sacred places, the usage of space, bears specific meaning and importance to the use and sanctity of the temple. Exploring the relationship between architectural spaces, and religious and secular use of temple complexes can expand the role of the temple from simply the ritualistic. It can also be shown that temples were both monuments to gods and Etruscans, and that these places were living spaces reflecting the Etruscan sense of spatial relations and importance. I. Introduction The Etruscans, in their own rights, were people whose religion was omnipresent in their daily lives. From deciding upon the fate of battle to the inauguration of cities and sacred spaces, the Etruscans held a sense of religion close to themselves. The most prominent part of this religion however, given what is left from the Etruscans, is the emphasis on the use of space. The division and demarcation of physical space is seen in the orthogonal city plan of Marzabotto with cippus placed at prominent crossroads marking the cardinal directions, to the sixteen parts of the heaven and the sky on the Piacenza liver. Space had been used to divine from lighting, conduct augury from the flight of birds and haruspicy from the liver of sacrificial animals. -
Women in Livy and Tacitus
Xavier University Exhibit Honors Bachelor of Arts Undergraduate 2021-5 Women in Livy and Tacitus STEPHEN ALEXANDER PREVOZNIK Xavier University, Cincinnati, OH Follow this and additional works at: https://www.exhibit.xavier.edu/hab Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, and the Other Classics Commons Recommended Citation PREVOZNIK, STEPHEN ALEXANDER, "Women in Livy and Tacitus" (2021). Honors Bachelor of Arts. 46. https://www.exhibit.xavier.edu/hab/46 This Capstone/Thesis is brought to you for free and open access by the Undergraduate at Exhibit. It has been accepted for inclusion in Honors Bachelor of Arts by an authorized administrator of Exhibit. For more information, please contact [email protected]. Women in Livy and Tacitus By Stephen Prevoznik Prevoznik 1 Introduction Livy and Tacitus are both influential and important Roman authors. They have written two of the most influential histories of Rome. Livy covers from the founding of Rome until the Reign of Augustus. Tacitus focuses on the early empire, writing from the end of Augustus’ reign through Nero. This sets up a nice symmetry, as Tacitus picks up where Livy stops. Much has been written about the men they include, but the women also play an important role. This essay plans to outline how the women in each work are used by the authors to attain their goals. In doing so, each author’s aim is exposed. Livy: Women as Exempla Livy’s most famous work, Ab Urbe Condita, is meant to be read as a guide. -
“Roman Centuriation” in Rural Venetian Territory
Research in Human Ecology Cultural Landscape: Trace Yesterday, Presence Today, Perspective Tomorrow For “Roman Centuriation” in Rural Venetian Territory Gian Umberto Caravello Istituto di Igiene, Laboratorio di Ecologia Umana e Salute del Territorio Università degli Studi di Padova via Loredan 18 – 35131 Padova, Italy Piero Michieletto Dipartimento di Costruzione dell’Architettura Istituto Universitario di Architettura di Venezia S. Croce 191 – 30100 Venezia, Italy Abstract gible, especially in the cities of Italy and the rest of Europe. As Carlo Cattaneo (Italian economist, historian and states- This work aims to describe certain landscape ecology man of 19th century) put it so well, they are an enormous concepts applied to the possibility of environmental restora- store of human labor (Rossi 1981). tion and reinstatement, starting from recent studies carried Historical events have threatened to erase these memo- out on land that once underwent Roman centuration. We con- ries, and those that survive can only be interpreted where this sidered an area containing an old quarry, subsequently con- “labor” was most concentrated, as in the case of the Roman verted into a rubbish dump, and applied certain concepts of centuriation of the Veneto and Po valley regions. This great ecology scale, hierarchy and metastability that, together with work of architecture and engineering has become a primary traditional investigations, were able to provide a thorough feature of the territory, a monument strong enough to survive description of the conditions -
The Sleep of Reason in the Bellum Civile of Petronius (Sat. 119, 58-60)
Paolo Monella, The Sleep of Reason Paolo Monella The Sleep of Reason in the Bellum civile of Petronius (Sat. 119, 58-60) 0. Introduction The Bellum civile, a 289-line epic poem included in the Satyricon by Petronius, is the fruit of a literary polemic. The character Eumolpus, although a pompous and not very successful rhetorician, seems to be acknowledged by the protagonist Encolpius as an arbiter of artistic and especially literary taste (though not without a veil of irony). In chapter 118 of the novel (Handout 4.2), Eumolpus argues against what we could call the corrupt “Lucanian” tendencies of contemporary epic poetry. He claims that by suppressing the role of the gods in favor of fate and men epic poetry has been reduced to some degraded form of “versified history” (cfr. Petr. Sat. 118.6: non enim res gestae versibus comprehendendae sunt, quod longe melius historici faciunt). Eumolpus then provides the Bellum civile, as a specimen of allegedly good epic poetry on the topic of Roman civil wars. The only direct term of comparison is constituted for us by Lucan’s Pharsalia, due to the unfortunate loss of the early imperial epic production. Since the precise target of Eumopus’ polemic is not explicitly mentioned, he could have had in mind Lucan’s precedents or imitators as well. Yet, if we consider the literary success of Lucan in the Neronian period, he has good chances of being at least the main target, and this is the reason why so many studies have focused on the relations between Petronius’ Bellum civile and the Pharsalia, including Sullivan, Walsh, George, Grimal (see the essential bibliography at the end of your Handout, Handout 5). -
Naming Effects in Lucretius' De Rerum Natura
Antonomasia, Anonymity, and Atoms: Naming Effects in Lucretius’ DRN Princeton/Stanford Working Papers in Classics Antonomasia, Anonymity, and Atoms: Naming Effects in Lucretius’ De rerum natura Version 1.0 September 2009 Wilson H. Shearin Stanford University Abstract: This essay argues that selected proper names within Lucretius’ De rerum natura, rather than pointing deictically or referring with clear historical specificity, instead render Lucretius’ poem vaguer and more anonymous. To make this case, the essay first briefly surveys Roman naming practices, ultimately focusing upon a specific kind of naming, deictic naming. Deictic naming points (or attempts to point) to a given entity and often conjures up a sense of the reality of that entity. The essay then studies the role of deictic naming within Epicureanism and the relationship of such naming to instances of naming within De rerum natura. Through analysis of the nominal disappearance of Memmius, the near nominal absence of Epicurus, and the deployment of Venus (and other names) within the conclusion to Lucretius’ fourth book, the essay demonstrates how selected personal names in De rerum natura, in contrast to the ideal of deictic naming, become more general, more anonymous, whether by the substitution of other terms (Memmius, Epicurus), by referential wandering (Venus), or by still other means. The conclusion briefly studies the political significance of this phenomenon, suggesting that there is a certain popular quality to the tendency towards nominal indefiniteness traced in the essay. © Wilson H. Shearin. [email protected] 1 Antonomasia, Anonymity, and Atoms: Naming Effects in Lucretius’ DRN Antonomasia, Anonymity, and Atoms: Naming Effects in Lucretius’ De rerum natura Poet, patting more nonsense foamed From the sea, conceive for the courts Of these academies, the diviner health Disclosed in common forms. -
Orbis Terrarum DATE: AD 20 AUTHOR: Marcus Vipsanius Agrippa
Orbis Terrarum #118 TITLE: Orbis Terrarum DATE: A.D. 20 AUTHOR: Marcus Vipsanius Agrippa DESCRIPTION: The profound difference between the Roman and the Greek mind is illustrated with peculiar clarity in their maps. The Romans were indifferent to mathematical geography, with its system of latitudes and longitudes, its astronomical measurements, and its problem of projections. What they wanted was a practical map to be used for military and administrative purposes. Disregarding the elaborate projections of the Greeks, they reverted to the old disk map of the Ionian geographers as being better adapted to their purposes. Within this round frame the Roman cartographers placed the Orbis Terrarum, the circuit of the world. There are only scanty records of Roman maps of the Republic. The earliest of which we hear, the Sardinia map of 174 B.C., clearly had a strong pictorial element. But there is some evidence that, as we should expect from a land-based and, at that time, well advanced agricultural people, subsequent mapping development before Julius Caesar was dominated by land survey; the earliest recorded Roman survey map is as early as 167-164 B.C. If land survey did play such an important part, then these plans, being based on centuriation requirements and therefore square or rectangular, may have influenced the shape of smaller-scale maps. This shape was also one that suited the Roman habit of placing a large map on a wall of a temple or colonnade. Varro (116-27 B.C.) in his De re rustica, published in 37 B.C., introduces the speakers meeting at the temple of Mother Earth [Tellus] as they look at Italiam pictam [Italy painted].