2006 EDITORS Daniel Kempton, Director of English Graduate Studies H
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April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
William Carlos Williams' Indian Son(G)
The News from That Strange, Far Away Land: William Carlos Williams’ Indian Son(g) Graziano Krätli YALE UNIVERSITY 1. In his later years, William Carlos Williams entertained a long epistolary relationship with the Indian poet Srinivas Rayaprol (1925-98), one of a handful who contributed to the modernization of Indian poetry in English in the first few decades after the independence from British rule. The two met only once or twice, but their correspondence, started in the fall of 1949, when Rayaprol was a graduate student at Stanford University, continued long after his return to India, ending only a few years before Williams’ passing. Although Williams had many correspondents in his life, most of them more important and better known literary figures than Rayaprol, the young Indian from the southeastern state of Andhra Pradesh was one of the very few non-Americans and the only one from a postcolonial country with a long and glorious literary tradition of its own. More important, perhaps, their correspondence occurred in a decade – the 1950s – in which a younger generation of Indian poets writing in English was assimilating the lessons of Anglo-American Modernism while increasingly turning their attention away from Britain to America. Rayaprol, doubly advantaged by virtue of “being there” (i.e., in the Bay Area at the beginning of the San Francisco Renaissance) and by his mentoring relationship with Williams, was one of the very first to imbibe the new poetic idiom from its sources, and also one of the most persistent in trying to keep those sources alive and meaningful, to him if not to his fellow poets in India. -
Modern Poetry Seminar “Shifting Poetics: from High Modernism to Eco-Poetics to Black Lives Matter”
San José State University Department of English and Comparative Literature ENGLISH 211: Modern Poetry Seminar “Shifting Poetics: From High Modernism to Eco-Poetics to Black Lives Matter” Spring 2021 Instructor: Prof. Alan Soldofsky Office Location: FO 106 Telephone: 408-924-4432 Email: [email protected] Virtual Office Hours: M, W 3:00 – 4:30 PM, and Th p.m. by appointment Class Days/Time: Synchronous Zoom Meetings M 7:00 – 8:30 PM; Asynchronous on Canvas (24/7) Classroom: Zoom Credit Units: 4 Credits Course Description This seminar is designed to engage students in an immersive study of salient themes and innovations in selected poets from the 20th and 21st centuries. The curriculum will include practice in close reading/explication of selected poems. The course will be taught in a partially synchronous distance learning mode, using SJSU’s Canvas and Zoom platforms, with weekly Monday Zoom class meetings, 7:00 – 8:15 p.m. The course may be taken two times for credit (toward an MA or MFA degree). Thematic Focus Shifting Cultural Politics and Poetics from High Modernism to Eco-Poetics to Black Lives Matter (1909 – 2021) The emphasis during the semester will be on the evolving poetics and associated cultural politics as viewed through various aesthetic movements in poetry from the high modernist period to the present. During the semester the curriculum will include reading one or more poems (online) by the following poets: W.B. Yeats, Ezra Pound, T.S. Eliot, William Carlos Williams, Wallace Stevens, Hart Crane, Marianne Moore, Robinson Jeffers, Langston Hughes, Claude McKay, H. -
William Carlos Williams
LOOKING TO WRITE GRADES 7-12 The Poetry of William Carlos Williams INTRODUCTION William Carlos Williams (1883-1963) grew up in Rutherford, New Jersey, the son of an English father and Puerto Rican mother. In addition to being an important poet and writer, he was a medical doctor for more than 40 years, serving the community of Rutherford. His daily encounters with patients often informed his writing, creating poems that captured everyday life in the United States. Williams was a leading figure in the Imagist movement, which focused on American subject matter, and emphasized simplicity, expression, and precision through the use of visual images. LOOKING CLOSER Good writers, like good artists, recognize the power of detail in their work. A single flower, closely observed and drawn, has the force of the real behind it. Charles Demuth, whose painting of a flower we see here, painted in just this fashion. Born in Lancaster, Pennsylvania, Demuth studied at the Pennsylvania Academy of Fine Arts. While a student there, he lived in the same boarding house as William Carlos Williams. The two became friends for life. With each pulse of words in Williams’ poem, we see a kinship to the vitality in the spare expression of Demuth’s flower. View the artwork in detail on the Museum’s collection page here! Charles Demuth, Poppies, 1926. Watercolor on cardboard. SBMA, Gift of Wright S. Ludington, 1945.6.4.. This lesson was prepared by the Santa Barbara Museum of Art, Education Department, 2021. READ: POETRY BY WILLIAM CARLOS WILLIAMS The poetry of William Carlos Williams is the verbal equivalent of that simple, yet telling sketch. -
Robert Penn Warren: a Documentary Volume Contents
Dictionary of Literary Biography • Volume Three Hundred Twenty Robert Penn Warren: A Documentary Volume Contents Plan of the Series xxiii Introduction xxv Acknowledgments xxviii Permissions xxx Works by Robert Penn Warren 3 Chronology 8 Launching a Career: 1905-1933 20 Kentucky Beginnings 20 Facsimile: Pages from the Warren family Bible An Old-Time Childhood—from Warren's poem "Old-Time Childhood in Kentucky" The Author and the Ballplayer-from Will Fridy, "The Author and the Ballplayer: An Imprint of Memory in the Writings of Robert Penn Warren" Early Reading-from Ralph Ellison and Eugene Walter, "The Art of Fiction XVIII: Robert Penn Warren" Clarksville High School. '. -. J , 30 Facsimile: Warren's essay on his first day at Clarksville High School Facsimile: First page of "Munk" in The Purple and Gold, February 1921 Facsimile: "Senior Creed" in The Purple and Gold, April 1921 Writing for The Purple and Gold—from Tom Wibking, "Star's Work Seasoned by Country Living" Becoming a Fugitive 38 "Incidental and Essential": Warren's Vanderbilt Experience-from "Robert Penn Warren: A Reminiscence" A First Published Poem-"Prophecy," The Mess Kit (Foodfor Thought) and Warren letter - to Donald M. Kington, 6 March 1975 The Importance of The Fugitive—horn Louise Cowan, The Fugitive Group: A Literary History Brooks and Warren at Vanderbilt-from Cleanth Brooks, "Brooks on Warren" A Fugitive Anthology-Warren letter to Donald Davidson, 19 September 1926 Katherine Anne Porter Remembers Warren—from Joan Givner, Katherine Ann Porter: A Life A Literary Bird Nest—from Brooks, "A Summing Up" The Fugitives as a Group-from Ellison and Walter, "The Art of Fiction XVIII: Robert Penn Warren" Facsimile: Page from a draft of John Brown A Glimpse into the Warren Family 52 Letters from Home: Filial Guilt in Robert Penn Warren-from an essay by William Bedford Clark xiii Contents DLB 320 Warren and Brooks at Oxford-from Brooks, "Brooks on Warren" Facsimile: Warren postcard to his mother, April 1929 A First Book -. -
An Interview with Rosanna Warren - Asymptote
An Interview with Rosanna Warren - Asymptote All Languages About Blog Events Submit Contest Support Donate Map An Interview with Rosanna Warren Andrés Hax Photograph by Joel Cohen Born in Fairfield, Connecticut,Follow in 1953 to an auspicious pair of writerShare parents (Robert Penn Warren— http://www.asymptotejournal.com/interview/an-interview-with-rosanna-warren/[11/23/2015 5:19:05 PM] An Interview with Rosanna Warren - Asymptote the only person to win the Pulitzer Prize for both poetry and fiction; and Eleanor Clark, a recipient of the National Book Award in both non-fiction and poetry), Rosanna Warren was by all accounts a precocious artistic talent. She traces her poetic calling to her memorization and recitation of verse in early childhood, and displayed her writerly proclivities as early as the age of ten, when Random House published her first work, The Joey Story, a novella about the Warren family dog. Principally a visual artist in her youth, Warren studied painting at Rome’s Accademia delle Belle Arti, Skowhegan, and Yale, before pursuing in earnest the craft of poetry, which she describes as a “tightrope walk over the abyss.” Shortly after earning an MFA from The Writing Seminars at Johns Hopkins University in 1980, Warren published Snow Day, her first chapbook of poetry, to critical acclaim. Harold Bloom called her second collection of poetry, Stained Glass, published in 1993 “a distinguished and elegiac book: somber, frequently bitter, but always invested with an authentic, quite marvelous aesthetic dignity.” Since then the recipient of numerous awards and fellowships from the New York Public Library, Pushcart Press, the American Academy of Arts and Letters, and the Guggenheim Foundation, Warren’s body of work is remarkable for its temporal bilocation: inscribed in the present though it may be, it gestures equally toward the hallows of classicism. -
ENG 5010-001 Christhilf Eastern Illinois University
Eastern Illinois University The Keep Spring 2003 2003 Spring 1-15-2003 ENG 5010-001 Christhilf Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/english_syllabi_spring2003 Part of the English Language and Literature Commons Recommended Citation Christhilf, "ENG 5010-001" (2003). Spring 2003. 136. http://thekeep.eiu.edu/english_syllabi_spring2003/136 This Article is brought to you for free and open access by the 2003 at The Keep. It has been accepted for inclusion in Spring 2003 by an authorized administrator of The Keep. For more information, please contact [email protected]. 5or o-oo I Syllabus English 5010 Christhilf Spring 2003 Office: CH 3030 Phone: 581-6285 Hours: TTh 3:15-4:30 w 12:00-1:30 Required Books Perkins, Bradley, et. al., eds. American Tradition in Literature, with abbreviations: Vol 2. Seventh Ed. New York: Mcgraw, 1990. (ATL) Eliot, T. S. Collected Poems, 1909-1962. New York: Harcourt. (CP) Williams, William Carlos. Collected Poems, Vol. 1. New York: New Directions, 1986. (CP) Williams, William Carlos. Pictures from Breughel: Collected Poems. New York: New Directions, 1962. (PB) Ginsberg, Allen. Collected Poems, 1947~1980. New York: Harper, 1984. (CP) Bly, Robert. Silence in the Snowy Fields. Univ. Press of New England, 1962. Merwin, W. S. The Second Four Books of Poems. Copper Canyon Press, 1993. (SFBP) Sexton, Anne. Complete Poems. Boston: Houghton-Mariner, 1999. (CP) Course Purpose: The purpose of the course is to impart understanding of the poetry of six twentieth-century American poets, and to deepen awareness of the poetic movements or schools which they help to define. -
Mcclatchy, J.D. (B
McClatchy, J.D. (b. 1945 ) by Christopher Matthew Hennessy Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com J. D. McClatchy. Poet J. D. McClatchy, Jr., a master of traditional poetic forms, most notably the Video still, http://www. sonnet and sonnet sequence, ranks as a significant voice in contemporary American youtube.com/watch? letters. He is also a prolific anthologist, the editor of the prestigious Yale Review, and v=9TUSsSMnBC4/ a noted librettist. McClatchy has written openly about gay desire and love, among other topics, combining the intelligence of W.H. Auden and the linguistic virtuosity of James Merrill with a unique ability to mine his memories and experiences to create emotional honesty. McClatchy has also made some cogent remarks on gay poetry and the slippery notion of a "gay sensibility" in literature. As editor of the anthology Love Speaks Its Name: Gay and Lesbian Love Poems (2001), he states: "Over the centuries, the homosexual temperament has seemed especially suited to engaging the themes of bafflement, secret joys, private perspectives, forbidden paradises, hypocritical conventions, and ecstatic occasions. In fact, it would be fair to claim that our gay and lesbian poets are the wisest inquirers after love." McClatchy is the author of five original volumes of poetry. The most recent, Hazmat (2002) was a finalist for the Pulitzer Prize and won the Lambda Literary Award for poetry. The volume investigates the hazardous materials of life, self, and world. In addition, his selected poems, Division of Spoils, appeared in England in 2003. He is also author of two prose collections, Twenty Questions (Posed by Poems) (1998), a book of memoirs and critical essays, and White Paper: On Contemporary American Poetry (1989), another collection of essays that offers close readings of poets such as Elizabeth Bishop, Robert Lowell, Anthony Hecht, and Sylvia Plath. -
Robert Penn Warren, Cleanth Brooks, and the Southern Literary Tradition Joseph Blotner
Robert Penn Warren Studies Volume 5 Centennial Edition Article 10 2005 Robert Penn Warren, Cleanth Brooks, and the Southern Literary Tradition Joseph Blotner Follow this and additional works at: http://digitalcommons.wku.edu/rpwstudies Part of the American Literature Commons, and the English Language and Literature Commons Recommended Citation Blotner, Joseph (2005) "Robert Penn Warren, Cleanth Brooks, and the Southern Literary Tradition," Robert Penn Warren Studies: Vol. 5 , Article 10. Available at: http://digitalcommons.wku.edu/rpwstudies/vol5/iss1/10 This Article is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Robert Penn Warren Studies by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Robert Penn Warren, Cleanth Brooks, and the Southern Literary Tradition JOSEPH BLOTNER By the Southern literary tradition, I mean the works which were there, not some theoretical construct but rather aspects – models and genres – which would be prominent parts of the received tradition Warren and Brooks knew. This will be a speculative attempt, glancing in passing at the massive, two-volume textbook which they wrote and edited with R. W. B. Lewis: American Literature: The Makers and the Making (1973). But it will be difficult to extract a definition from it, as their remarks on their method put us on notice. For example, “William Faulkner has clearly emerged as one of the towering figures in American literary history and would undoubtedly warrant the -
Literary Matters a the NEWSLETTER of the ASSOCIATION of LITERARY SCHOLARS, CRITICS, and WRITERS Aut Nuntiare Aut Delectare
Literary Matters a THE NEWSLETTER OF THE ASSOCIATION OF LITERARY SCHOLARS, CRITICS, AND WRITERS Aut nuntiare aut delectare A Year in Presidential Publications: Books by ALSCW Presidents - Past, Present, and Future From The Editor Welcome to the fall issue of Literary Matters, in which we look forward to the upcoming annual conference in Princeton, New Jersey, and also look back on the ALSCW’s activities and accomplishments during 2010. In her President’s Column (see page 2), Susan Wolfson gives us her extensive report and reflections on VOLUME 3.4 YEAR-END 2010 the year. Inside This Issue I have always seen the ALSCW’s greatest strength in the variety of its endeavors—scholarly, academic, creative, pedagogical, and so on—and therefore the 2 The President’s Column: range of its appeal. This is particularly highlighted by the The Year Past, The Year Ahead fascinating array of publications produced by individual 4 News and Announcements: members of the Association in a given year. This fall, ALSCW/VSC LiT Forum when Susan alerted me to the publication of her new Local Meeting Baton Rouge book, Romantic Interactions (Johns Hopkins, October 2010), she and I realized that in fact several members Campion Receives Poetry Prize who have or will soon hold the office of President within Local Meeting Boston - Nelson the Association have had important works published in Local Meeting Boston - Basile 2010. And so, in this “From the Editor” I offer you a year- Forum 4 Released in-review of ALSCW presidential publications. Ricks To Receive Distinguished Scholar Award Warren Funds VSC Fellowship Morris Dickstein At the beginning of 2010, ’s New Publications by Members Dancing in the Dark: A Cultural History of the Great Depression (W.W. -
Narrative Strategies in the Dream Songs Cooper Childers
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 1-1-2009 "A Long Wonder the World Can Bear & Be" : Narrative Strategies in The Dream Songs Cooper Childers Follow this and additional works at: http://mds.marshall.edu/etd Part of the Literature in English, North America Commons, and the Poetry Commons Recommended Citation Childers, Cooper, ""A Long Wonder the World Can Bear & Be" : Narrative Strategies in The Dream Songs" (2009). Theses, Dissertations and Capstones. Paper 531. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. "A Long Wonder the World Can Bear & Be": Narrative Strategies in The Dream Songs Thesis Submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in English by Cooper Childers Dr. Mary B. Moore, Ph.D., Committee Chairperson Dr. Chris Green, Ph.D. Dr. Janet Badia, Ph.D. May 2009 ABSTRACT This thesis examines the narrative development of The Dream Songs while viewing Henry as the locus and the impetus of the various narrative strategies deployed therein. Through the abundance of generic and literary allusions present in The Dream Songs, Berryman's sequence functions both to engage and to interact with the Western literary canon. The first chapter of this thesis locates The Dream Songs within Petrarchan sequences. The second chapter treats Henry's and the unnamed speaker's local language and shows how their competing speech genres inform the sequence's modes. -
Four Quarters Volume 21 Article 1 Number 4 Four Quarters: May 1972 Vol
Four Quarters Volume 21 Article 1 Number 4 Four Quarters: May 1972 Vol. XXI, No. 4 5-1972 Four Quarters: May 1972 Vol. XXI, No. 4 Follow this and additional works at: http://digitalcommons.lasalle.edu/fourquarters Recommended Citation (1972) "Four Quarters: May 1972 Vol. XXI, No. 4," Four Quarters: Vol. 21 : No. 4 , Article 1. Available at: http://digitalcommons.lasalle.edu/fourquarters/vol21/iss4/1 This Complete Issue is brought to you for free and open access by the University Publications at La Salle University Digital Commons. It has been accepted for inclusion in Four Quarters by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. ^our" L€)|€|0101 Quartet^ VOL. XXI NO. 4 MAY 1972 ONE DOLLAR Robert Penn Warren Issue \ Digitized by the Internet Archive in 2010 with funding from Lyrasis. Members and Sloan Foundation http://www.archive.org/details/fourquarters41972unse Four Quarters VOL. XXI, No. 4 MAY, 1972 PUBLISHED BY THE FACULTY OF LA SALLE COLLEGE A Conversation with Robert Penn Warren, interview by Ruth Fisher 3 Rotation of Crops, poem by John Hollander 18 Brooks on Warren, a reminiscence by Cleanth Brooks 19 Warren, Huey Long, and All the King's Men, a reminiscence by Arthur H. Scouten 23 Robert Penn Warren: The Poetry of the Sixties, article by Victor Strandberg 27 The Fictional Voices of Robert Penn Warren, article by Robert Frank Cayton 45 The Penn Central Makes Some Connections, poem by Judith Kroll 53 Madness in At Heaven's Gate: A Metaphor of the Self in Warren's Fiction, article by H.