Robert Penn Warren: a Documentary Volume Contents
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April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
James Wright, the Art of Poetry from the Paris Review, Summer 1975
James Wright, The Art of Poetry From The Paris Review, Summer 1975 Interviewed by Peter A. Stitt Object 1 Early in 1972—following the publication, in April 1971, of his Collected Poems—James Wright was awarded both the Pulitzer Prize for poetry and the Fellowship of the Academy of American Poets. The latter was awarded “for distinguished poetic achievement” by a panel of judges consisting of W. H. Auden, Elizabeth Bishop, Robert Lowell, and Richard Wilbur. Thus, a considerable measure of public recognition was given to a poet already widely admired, especially on college and university campuses. In an age when, much to our loss, many fine poets find their books out of print, Mr. Wright’s earlier volumes—The Green Wall (1957), Saint Judas (1959), The Branch Will Not Break (1963), and Shall We Gather at the River (1968)—all have gone through more than one printing. The following interview took place at Mr. Wright’s Manhattan apartment in early spring. The apartment is on the ground floor, and so, as we sat talking, we were able to look out through the (inevitably) barred windows at the small back garden and see, occasionally, the sunlight slanting between the surrounding buildings. On the first day we held two sessions, separated by a walk in a nearby park on the East River and an excellent lunch prepared by Mrs. Wright. On the second, a misty, rainy day, we held one long afternoon session. On the table between us lay the tape recorder, the interviewer’s notes, a diminishing and then replenished gallon of wine, and Mr. -
Poetry: Three Essays on Craft by O:JA&L Featured Writers
2020 O:JA&L Subscriber Premium POETRY: Three Essays on Craft by O:JA&L Featured Writers 2020 O:JA&L Chapbook Series OPEN: Journal of Arts & Letters 2020 Chapbook Series 2 Three Poets on Craft O:JA&L 2020 Chapbook Series POETRY: Three Essays on Craft by O:JA&L Featured Writers 3 OPEN: Journal of Arts & Letters 2020 Chapbook Series 4 Three Poets on Craft © Copyright 2020 All rights reserved on behalf of Claudia Serea, Kendra Tanacea, and Natalie Youing. Compilation copyright is claimed by O:JA&L. No part of this book may be reproduced by any manual, mechanical, or electronic means without the expressed written permission of the publisher. Buttonhook Press Great Falls, Montana Set in Garamond and Castellar and printed in USA. Cover Image: Picturesque Architectonics by Lyubov Popova (1889-1924). Oil on canvas. 80 x 60.5 cm. 1916. Public domain. Source contains a warning in Russian that the painting’s origin and provenance is disputed. 5 OPEN: Journal of Arts & Letters 2020 Chapbook Series 6 Three Poets on Craft Acknowledgements: The included essays were all published in O:JA&L between 2017 and 2020 7 OPEN: Journal of Arts & Letters 2020 Chapbook Series 8 Three Poets on Craft Contents: Claudia Serea So Sweet and So Cold: Plums and Poems from Romania to New Jersey 12 Kendra Tanacea James Wright: The Alchemy of a Poet 23 Natalie Young The Question of May Swenson 31 9 OPEN: Journal of Arts & Letters 2020 Chapbook Series 10 Three Poets on Craft 11 OPEN: Journal of Arts & Letters 2020 Chapbook Series Claudia Serea So Sweet and So Cold: Plums and Poems from Romania to New Jersey I would say poetry is language charged with emotion. -
View the Program!
cast EDWARD KYNASTON Michael Kelly v Shea Owens 1 THOMAS BETTERTON Ron Loyd v Matthew Curran 1 VILLIERS, DUKE OF BUCKINGHAM Bray Wilkins v John Kaneklides 1 MARGARET HUGHES Maeve Höglund v Jessica Sandidge 1 LADY MERESVALE Elizabeth Pojanowski v Hilary Ginther 1 about the opera MISS FRAYNE Heather Hill v Michelle Trovato 1 SIR CHARLES SEDLEY Raùl Melo v Set in Restoration England during the time of King Charles II, Prince of Neal Harrelson 1 Players follows the story of Edward Kynaston, a Shakespearean actor famous v for his performances of the female roles in the Bard’s plays. Kynaston is a CHARLES II Marc Schreiner 1 member of the Duke’s theater, which is run by the actor-manager Thomas Nicholas Simpson Betterton. The opera begins with a performance of the play Othello. All of NELL GWYNN Sharin Apostolou v London society is in attendance, including the King and his mistress, Nell Angela Mannino 1 Gwynn. After the performance, the players receive important guests in their HYDE Daniel Klein dressing room, some bearing private invitations. Margaret Hughes, Kynaston’s MALE EMILIA Oswaldo Iraheta dresser, observes the comings and goings of the others, silently yearning for her FEMALE EMILIA Sahoko Sato Timpone own chance to appear on the stage. Following another performance at the theater, it is revealed that Villiers, the Duke of Buckingham, has long been one STAGE HAND Kyle Guglielmo of Kynaston’s most ardent fans and admirers. SAMUEL PEPYS Hunter Hoffman In a gathering in Whitehall Palace, Margaret is presented at court by her with Robert Balonek & Elizabeth Novella relation Sir Charles Sedley. -
Information to Users
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Accessing■i the World's UMI Information since 1938 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA Order Number 882462 James Wright’s poetry of intimacy Terman, Philip S., Ph.D. The Ohio State University, 1988 Copyright ©1988 by Terman, Philip S. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, M I 48106 JAMES WRIGHT'S POETRY OF INTIMACY DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of the Ohio State University By Philip S. -
John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens
2011 NATIONAL ENDOWMENT FOR THE ARTS 1100 Pennsylvania Avenue, NW Washington, DC 20506-0001 John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens Robert Ward Robert Ward NATIONAL ENDOWMENT FOR THE ARTS 2011 John Conklin’s set design sketch for San Francisco Opera’s production of The Ring Cycle. Image courtesy of John Conklin ii 2011 NEA OPERA HONORS Contents 1 Welcome from the NEA Chairman 2 Greetings from NEA Director of Music and Opera 3 Greetings from OPERA America President/CEO 4 Opera in America by Patrick J. Smith 2011 NEA OPERA HONORS RECIPIENTS 12 John Conklin Scenic and Costume Designer 16 Speight Jenkins General Director 20 Risë Stevens Mezzo-soprano 24 Robert Ward Composer PREVIOUS NEA OPERA HONORS RECIPIENTS 2010 30 Martina Arroyo Soprano 32 David DiChiera General Director 34 Philip Glass Composer 36 Eve Queler Music Director 2009 38 John Adams Composer 40 Frank Corsaro Stage Director/Librettist 42 Marilyn Horne Mezzo-soprano 44 Lotfi Mansouri General Director 46 Julius Rudel Conductor 2008 48 Carlisle Floyd Composer/Librettist 50 Richard Gaddes General Director 52 James Levine Music Director/Conductor 54 Leontyne Price Soprano 56 NEA Support of Opera 59 Acknowledgments 60 Credits 2011 NEA OPERA HONORS iii iv 2011 NEA OPERA HONORS Welcome from the NEA Chairman ot long ago, opera was considered American opera exists thanks in no to reside within an ivory tower, the small part to this year’s honorees, each of mainstay of those with European whom has made the art form accessible to N tastes and a sizable bankroll. -
An Interview with Rosanna Warren - Asymptote
An Interview with Rosanna Warren - Asymptote All Languages About Blog Events Submit Contest Support Donate Map An Interview with Rosanna Warren Andrés Hax Photograph by Joel Cohen Born in Fairfield, Connecticut,Follow in 1953 to an auspicious pair of writerShare parents (Robert Penn Warren— http://www.asymptotejournal.com/interview/an-interview-with-rosanna-warren/[11/23/2015 5:19:05 PM] An Interview with Rosanna Warren - Asymptote the only person to win the Pulitzer Prize for both poetry and fiction; and Eleanor Clark, a recipient of the National Book Award in both non-fiction and poetry), Rosanna Warren was by all accounts a precocious artistic talent. She traces her poetic calling to her memorization and recitation of verse in early childhood, and displayed her writerly proclivities as early as the age of ten, when Random House published her first work, The Joey Story, a novella about the Warren family dog. Principally a visual artist in her youth, Warren studied painting at Rome’s Accademia delle Belle Arti, Skowhegan, and Yale, before pursuing in earnest the craft of poetry, which she describes as a “tightrope walk over the abyss.” Shortly after earning an MFA from The Writing Seminars at Johns Hopkins University in 1980, Warren published Snow Day, her first chapbook of poetry, to critical acclaim. Harold Bloom called her second collection of poetry, Stained Glass, published in 1993 “a distinguished and elegiac book: somber, frequently bitter, but always invested with an authentic, quite marvelous aesthetic dignity.” Since then the recipient of numerous awards and fellowships from the New York Public Library, Pushcart Press, the American Academy of Arts and Letters, and the Guggenheim Foundation, Warren’s body of work is remarkable for its temporal bilocation: inscribed in the present though it may be, it gestures equally toward the hallows of classicism. -
Robert Penn Warren's Late Poetry
University of Kentucky UKnowledge Literature in English, North America English Language and Literature 1990 The Braided Dream: Robert Penn Warren's Late Poetry Randolph Paul Runyon Miami University - Oxford Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Runyon, Randolph Paul, "The Braided Dream: Robert Penn Warren's Late Poetry" (1990). Literature in English, North America. 28. https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/28 The Braided Dream This page intentionally left blank The Braided Dream Robert Penn Warren's Late Poetry Randolph Paul Runyon THE UNIVERSITY PRESS OF KENTUCKY I would like to express my gratitude to Leonard Simutis, Dean of the Graduate School of Miami University, and Stephen Day, Dean of the College of Arts and Science, for their generosity in making funds available to support the publication of this book. Warren's poems are reprinted from the following volumes, all copyright by Robert Penn Warren, by permission of Random House, Inc.: Incarnations: Poems 1966-1968, copy right 1968; Selected Poems: 1923-1975, copyright 1976; Now and Then: Poems 1976-1978, copyright 1978; Brother to Drag ons, copyright 1979; Being Here: Poetry 1977-1980, copy right 1980; Rumor Verified: Poems 1979-1980, copyright 1981; Chiefjoseph of the Nez Perce, copyright 1983; and New and Selected Poems: 1923-1985, copyright 1985. -
Robert Penn Warren, Cleanth Brooks, and the Southern Literary Tradition Joseph Blotner
Robert Penn Warren Studies Volume 5 Centennial Edition Article 10 2005 Robert Penn Warren, Cleanth Brooks, and the Southern Literary Tradition Joseph Blotner Follow this and additional works at: http://digitalcommons.wku.edu/rpwstudies Part of the American Literature Commons, and the English Language and Literature Commons Recommended Citation Blotner, Joseph (2005) "Robert Penn Warren, Cleanth Brooks, and the Southern Literary Tradition," Robert Penn Warren Studies: Vol. 5 , Article 10. Available at: http://digitalcommons.wku.edu/rpwstudies/vol5/iss1/10 This Article is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Robert Penn Warren Studies by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Robert Penn Warren, Cleanth Brooks, and the Southern Literary Tradition JOSEPH BLOTNER By the Southern literary tradition, I mean the works which were there, not some theoretical construct but rather aspects – models and genres – which would be prominent parts of the received tradition Warren and Brooks knew. This will be a speculative attempt, glancing in passing at the massive, two-volume textbook which they wrote and edited with R. W. B. Lewis: American Literature: The Makers and the Making (1973). But it will be difficult to extract a definition from it, as their remarks on their method put us on notice. For example, “William Faulkner has clearly emerged as one of the towering figures in American literary history and would undoubtedly warrant the -
Robert Penn Warren and Photography Joseph Millichap Western Kentucky University, [email protected]
Robert Penn Warren Studies Volume 9 Volume 9 (2012) Robert Penn Warren Article 5 Studies 2012 Robert Penn Warren and Photography Joseph Millichap Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/rpwstudies Part of the American Literature Commons, and the English Language and Literature Commons Recommended Citation Millichap, Joseph (2012) "Robert Penn Warren and Photography," Robert Penn Warren Studies: Vol. 9 , Article 5. Available at: https://digitalcommons.wku.edu/rpwstudies/vol9/iss1/5 This Article is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Robert Penn Warren Studies by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. JosEPh MilliChaP 1 Robert Penn Warren and Photography JosEPh MilliChaP WEstErn kEntuCky univErsity Robert Penn Warren’s career and canon demonstrate his more than casual interest in photography, much like that of several Southern contemporaries. If not so directly as Eudora Welty, Zora Neale Hurston, and Ralph Ellison, who were all accomplished photographers, Warren became creatively engaged with photographic art during the 1930s and 1940s, along with other deracinated Southerners such as Erskine Caldwell, Richard Wright, and James Agee. Some of these literary figures were directly involved with books illustrated by photographs during these critical decades. For example, You Have Seen Their Faces (1937), combining Caldwell’s non-fiction and Margaret Bourke- White’s photography, became a national bestseller. In contrast, Hurston’s Tell My Horse (1937) and Wright’s 12 Million Black Voices (1941) never have been widely appreciated, while Let Us Now Praise Famous Men (1941), a compilation of prose and photographyby Agee and Walker Evans, was initially neglected. -
Some Observations on Robert Penn Warren's Bibliography James A
The Kentucky Review Volume 2 | Number 3 Article 4 1981 Some Observations on Robert Penn Warren's Bibliography James A. Grimshaw Jr. U.S. Air Force Academy Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the English Language and Literature Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Grimshaw, James A. Jr. (1981) "Some Observations on Robert Penn Warren's Bibliography," The Kentucky Review: Vol. 2 : No. 3 , Article 4. Available at: https://uknowledge.uky.edu/kentucky-review/vol2/iss3/4 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. Some Observations on Robert Penn Warren's Bibliography* ]ames A. Grimshaw, ]r. in The cutoff date of Robert Penn Warren: A Descriptive Bibliography is 31 December 1979, and already the bibliography is out-of-date. Twelve months later, an additional twenty-seven primary and fifty secondary items, as well as notices of twenty-eight forthcoming items, have appeared. Excluding reviews, that is approximately one f publication by or about Warren every three days in 1980. By the time this bibliography is published-probably in late fall1981-the number of entries waiting for a possible revision will have increased proportionately. Such statistics, however, simply lend credence to the often repeated statement that "Robert Penn Warren is America's most productive, versatile writer," a fact recently recognized with the presentation of the 1980 Jay B. -
Literary Matters a the NEWSLETTER of the ASSOCIATION of LITERARY SCHOLARS, CRITICS, and WRITERS Aut Nuntiare Aut Delectare
Literary Matters a THE NEWSLETTER OF THE ASSOCIATION OF LITERARY SCHOLARS, CRITICS, AND WRITERS Aut nuntiare aut delectare A Year in Presidential Publications: Books by ALSCW Presidents - Past, Present, and Future From The Editor Welcome to the fall issue of Literary Matters, in which we look forward to the upcoming annual conference in Princeton, New Jersey, and also look back on the ALSCW’s activities and accomplishments during 2010. In her President’s Column (see page 2), Susan Wolfson gives us her extensive report and reflections on VOLUME 3.4 YEAR-END 2010 the year. Inside This Issue I have always seen the ALSCW’s greatest strength in the variety of its endeavors—scholarly, academic, creative, pedagogical, and so on—and therefore the 2 The President’s Column: range of its appeal. This is particularly highlighted by the The Year Past, The Year Ahead fascinating array of publications produced by individual 4 News and Announcements: members of the Association in a given year. This fall, ALSCW/VSC LiT Forum when Susan alerted me to the publication of her new Local Meeting Baton Rouge book, Romantic Interactions (Johns Hopkins, October 2010), she and I realized that in fact several members Campion Receives Poetry Prize who have or will soon hold the office of President within Local Meeting Boston - Nelson the Association have had important works published in Local Meeting Boston - Basile 2010. And so, in this “From the Editor” I offer you a year- Forum 4 Released in-review of ALSCW presidential publications. Ricks To Receive Distinguished Scholar Award Warren Funds VSC Fellowship Morris Dickstein At the beginning of 2010, ’s New Publications by Members Dancing in the Dark: A Cultural History of the Great Depression (W.W.