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Pictures from Brueghel: Pulitzer Prize, Poetry PDF Book
PICTURES FROM BRUEGHEL: PULITZER PRIZE, POETRY PDF, EPUB, EBOOK William Carlos Williams | 184 pages | 01 Feb 1967 | New Directions Publishing Corporation | 9780811202343 | English | New York, United States Pictures from Brueghel: Pulitzer Prize, Poetry PDF Book Related Pages :. Wikisource has original works written by or about: William Carlos Williams. Add to registry. A well-known example of the "triadic line [break]" can be found in Williams's love-poem " Asphodel, That Greeny Flower. Email address. New York Times. The ten poems were each based on a Brueghel painting. Williams perfected his "variable foot" metric and achieved full mastery of the "American idiom" which was his lifelong first concern. Recent searches Clear All. However, we can only email you if you include your email address! Many books have significant or minor changes between editions. New York: HarperCollins, See our disclaimer. Current selection is: Paperback. Email address. Your email address will never be sold or distributed to a third party for any reason. Customer Service. Scholars note that the Caribbean culture of the family home had an important influence on Williams. Revered for his modernist and imagist poetry, he published numerous poetry collections, including the five-volume epic Paterson and Pictures from Brueghel and Other Poems. In , Williams turned his attentions to Contact , a periodical launched by Williams and fellow writer Robert McAlmon : "The two editors sought American cultural renewal in the local condition in clear opposition to the internationalists—Pound, The Little Review , and the Baroness. Your question required. During the s, Williams began working on an opera. Combined Two Professions. The later poems depict an aging poet finding joy at the limits of his craft. -
[Jargon Society]
OCCASIONAL LIST / BOSTON BOOK FAIR / NOV. 13-15, 2009 JAMES S. JAFFE RARE BOOKS 790 Madison Ave, Suite 605 New York, New York 10065 Tel 212-988-8042 Fax 212-988-8044 Email: [email protected] Please visit our website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers These and other books will be available in Booth 314. It is advisable to place any orders during the fair by calling us at 610-637-3531. All books and manuscripts are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. ALGREN, Nelson. Somebody in Boots. 8vo, original terracotta cloth, dust jacket. N.Y.: The Vanguard Press, (1935). First edition of Algren’s rare first book which served as the genesis for A Walk on the Wild Side (1956). Signed by Algren on the title page and additionally inscribed by him at a later date (1978) on the front free endpaper: “For Christine and Robert Liska from Nelson Algren June 1978”. Algren has incorporated a drawing of a cat in his inscription. Nelson Ahlgren Abraham was born in Detroit in 1909, and later adopted a modified form of his Swedish grandfather’s name. He grew up in Chicago, and earned a B.A. in Journalism from the University of Illinois Urbana-Champaign in 1931. In 1933, he moved to Texas to find work, and began his literary career living in a derelict gas station. A short story, “So Help Me”, was accepted by Story magazine and led to an advance of $100.00 for his first book. -
Gertrude Stein and Her Audience: Small Presses, Little Magazines, and the Reconfiguration of Modern Authorship
GERTRUDE STEIN AND HER AUDIENCE: SMALL PRESSES, LITTLE MAGAZINES, AND THE RECONFIGURATION OF MODERN AUTHORSHIP KALI MCKAY BACHELOR OF ARTS, UNIVERSITY OF LETHBRIDGE, 2006 A Thesis Submitted to the School of Graduate Studies of the University of Lethbridge in Partial Fulfilment of the Requirements for the Degree MASTER OF ARTS Department of English University of Lethbridge LETHBRIDGE, ALBERTA, CANADA © Kali McKay, 2010 Abstract: This thesis examines the publishing career of Gertrude Stein, an American expatriate writer whose experimental style left her largely unpublished throughout much of her career. Stein’s various attempts at dissemination illustrate the importance she placed on being paid for her work and highlight the paradoxical relationship between Stein and her audience. This study shows that there was an intimate relationship between literary modernism and mainstream culture as demonstrated by Stein’s need for the public recognition and financial gains by which success had long been measured. Stein’s attempt to embrace the definition of the author as a professional who earned a living through writing is indicative of the developments in art throughout the first decades of the twentieth century, and it problematizes modern authorship by re- emphasizing the importance of commercial success to artists previously believed to have been indifferent to the reaction of their audience. iii Table of Contents Title Page ………………………………………………………………………………. i Signature Page ………………………………………………………………………… ii Abstract ……………………………………………………………………………….. iii Table of Contents …………………………………………………………………….. iv Chapter One …………………………………………………………………………..... 1 Chapter Two ………………………………………………………………………….. 26 Chapter Three ………………………………………………………………………… 47 Chapter Four .………………………………………………………………………... 66 Works Cited .………………………………………………………………………….. 86 iv Chapter One Hostile readers of Gertrude Stein’s work have frequently accused her of egotism, claiming that she was a talentless narcissist who imposed her maunderings on the public with an undeserved sense of self-satisfaction. -
William Carlos Williams' Indian Son(G)
The News from That Strange, Far Away Land: William Carlos Williams’ Indian Son(g) Graziano Krätli YALE UNIVERSITY 1. In his later years, William Carlos Williams entertained a long epistolary relationship with the Indian poet Srinivas Rayaprol (1925-98), one of a handful who contributed to the modernization of Indian poetry in English in the first few decades after the independence from British rule. The two met only once or twice, but their correspondence, started in the fall of 1949, when Rayaprol was a graduate student at Stanford University, continued long after his return to India, ending only a few years before Williams’ passing. Although Williams had many correspondents in his life, most of them more important and better known literary figures than Rayaprol, the young Indian from the southeastern state of Andhra Pradesh was one of the very few non-Americans and the only one from a postcolonial country with a long and glorious literary tradition of its own. More important, perhaps, their correspondence occurred in a decade – the 1950s – in which a younger generation of Indian poets writing in English was assimilating the lessons of Anglo-American Modernism while increasingly turning their attention away from Britain to America. Rayaprol, doubly advantaged by virtue of “being there” (i.e., in the Bay Area at the beginning of the San Francisco Renaissance) and by his mentoring relationship with Williams, was one of the very first to imbibe the new poetic idiom from its sources, and also one of the most persistent in trying to keep those sources alive and meaningful, to him if not to his fellow poets in India. -
Modern Poetry Seminar “Shifting Poetics: from High Modernism to Eco-Poetics to Black Lives Matter”
San José State University Department of English and Comparative Literature ENGLISH 211: Modern Poetry Seminar “Shifting Poetics: From High Modernism to Eco-Poetics to Black Lives Matter” Spring 2021 Instructor: Prof. Alan Soldofsky Office Location: FO 106 Telephone: 408-924-4432 Email: [email protected] Virtual Office Hours: M, W 3:00 – 4:30 PM, and Th p.m. by appointment Class Days/Time: Synchronous Zoom Meetings M 7:00 – 8:30 PM; Asynchronous on Canvas (24/7) Classroom: Zoom Credit Units: 4 Credits Course Description This seminar is designed to engage students in an immersive study of salient themes and innovations in selected poets from the 20th and 21st centuries. The curriculum will include practice in close reading/explication of selected poems. The course will be taught in a partially synchronous distance learning mode, using SJSU’s Canvas and Zoom platforms, with weekly Monday Zoom class meetings, 7:00 – 8:15 p.m. The course may be taken two times for credit (toward an MA or MFA degree). Thematic Focus Shifting Cultural Politics and Poetics from High Modernism to Eco-Poetics to Black Lives Matter (1909 – 2021) The emphasis during the semester will be on the evolving poetics and associated cultural politics as viewed through various aesthetic movements in poetry from the high modernist period to the present. During the semester the curriculum will include reading one or more poems (online) by the following poets: W.B. Yeats, Ezra Pound, T.S. Eliot, William Carlos Williams, Wallace Stevens, Hart Crane, Marianne Moore, Robinson Jeffers, Langston Hughes, Claude McKay, H. -
James S. Jaffe Rare Books Llc
JAMES S. JAFFE RARE BOOKS LLC OCCASIONAL LIST: DECEMBER 2019 P. O. Box 930 Deep River, CT 06417 Tel: 212-988-8042 Email: [email protected] Website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers All items are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. AGEE, James. The Morning Watch. 8vo, original printed wrappers. Roma: Botteghe Oscure VI, 1950. First (separate) edition of Agee’s autobiographical first novel, printed for private circulation in its entirety. One of an unrecorded number of offprints from Marguerite Caetani’s distinguished literary journal Botteghe Oscure. Presentation copy, inscribed on the front free endpaper: “to Bob Edwards / with warm good wishes / Jim Agee”. The novel was not published until 1951 when Houghton Mifflin brought it out in the United States. A story of adolescent crisis, based on Agee’s experience at the small Episcopal preparatory school in the mountains of Tennessee called St. Andrew’s, one of whose teachers, Father Flye, became Agee’s life-long friend. Wrappers dust-soiled, small area of discoloration on front free-endpaper, otherwise a very good copy, without the glassine dust jacket. Books inscribed by Agee are rare. $2,500.00 2. [ART] BUTLER, Eugenia, et al. The Book of Lies Project. Volumes I, II & III. Quartos, three original portfolios of 81 works of art, (created out of incised & collaged lead, oil paint on vellum, original pencil drawings, a photograph on platinum paper, polaroid photographs, cyanotypes, ashes of love letters, hand- embroidery, and holograph and mechanically reproduced images and texts), with interleaved translucent sheets noting the artist, loose as issued, inserted in a paper chemise and cardboard folder, or in an individual folder and laid into a clamshell box, accompanied by a spiral bound commentary volume in original printed wrappers printed by Carolee Campbell of the Ninja Press. -
William Carlos Williams
LOOKING TO WRITE GRADES 7-12 The Poetry of William Carlos Williams INTRODUCTION William Carlos Williams (1883-1963) grew up in Rutherford, New Jersey, the son of an English father and Puerto Rican mother. In addition to being an important poet and writer, he was a medical doctor for more than 40 years, serving the community of Rutherford. His daily encounters with patients often informed his writing, creating poems that captured everyday life in the United States. Williams was a leading figure in the Imagist movement, which focused on American subject matter, and emphasized simplicity, expression, and precision through the use of visual images. LOOKING CLOSER Good writers, like good artists, recognize the power of detail in their work. A single flower, closely observed and drawn, has the force of the real behind it. Charles Demuth, whose painting of a flower we see here, painted in just this fashion. Born in Lancaster, Pennsylvania, Demuth studied at the Pennsylvania Academy of Fine Arts. While a student there, he lived in the same boarding house as William Carlos Williams. The two became friends for life. With each pulse of words in Williams’ poem, we see a kinship to the vitality in the spare expression of Demuth’s flower. View the artwork in detail on the Museum’s collection page here! Charles Demuth, Poppies, 1926. Watercolor on cardboard. SBMA, Gift of Wright S. Ludington, 1945.6.4.. This lesson was prepared by the Santa Barbara Museum of Art, Education Department, 2021. READ: POETRY BY WILLIAM CARLOS WILLIAMS The poetry of William Carlos Williams is the verbal equivalent of that simple, yet telling sketch. -
The Pennsylvania State University the Graduate School College Of
The Pennsylvania State University The Graduate School College of Arts and Architecture CUT AND PASTE ABSTRACTION: POLITICS, FORM, AND IDENTITY IN ABSTRACT EXPRESSIONIST COLLAGE A Dissertation in Art History by Daniel Louis Haxall © 2009 Daniel Louis Haxall Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2009 The dissertation of Daniel Haxall has been reviewed and approved* by the following: Sarah K. Rich Associate Professor of Art History Dissertation Advisor Chair of Committee Leo G. Mazow Curator of American Art, Palmer Museum of Art Affiliate Associate Professor of Art History Joyce Henri Robinson Curator, Palmer Museum of Art Affiliate Associate Professor of Art History Adam Rome Associate Professor of History Craig Zabel Associate Professor of Art History Head of the Department of Art History * Signatures are on file in the Graduate School ii ABSTRACT In 1943, Peggy Guggenheim‘s Art of This Century gallery staged the first large-scale exhibition of collage in the United States. This show was notable for acquainting the New York School with the medium as its artists would go on to embrace collage, creating objects that ranged from small compositions of handmade paper to mural-sized works of torn and reassembled canvas. Despite the significance of this development, art historians consistently overlook collage during the era of Abstract Expressionism. This project examines four artists who based significant portions of their oeuvre on papier collé during this period (i.e. the late 1940s and early 1950s): Lee Krasner, Robert Motherwell, Anne Ryan, and Esteban Vicente. Working primarily with fine art materials in an abstract manner, these artists challenged many of the characteristics that supposedly typified collage: its appropriative tactics, disjointed aesthetics, and abandonment of ―high‖ culture. -
ENG 5010-001 Christhilf Eastern Illinois University
Eastern Illinois University The Keep Spring 2003 2003 Spring 1-15-2003 ENG 5010-001 Christhilf Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/english_syllabi_spring2003 Part of the English Language and Literature Commons Recommended Citation Christhilf, "ENG 5010-001" (2003). Spring 2003. 136. http://thekeep.eiu.edu/english_syllabi_spring2003/136 This Article is brought to you for free and open access by the 2003 at The Keep. It has been accepted for inclusion in Spring 2003 by an authorized administrator of The Keep. For more information, please contact [email protected]. 5or o-oo I Syllabus English 5010 Christhilf Spring 2003 Office: CH 3030 Phone: 581-6285 Hours: TTh 3:15-4:30 w 12:00-1:30 Required Books Perkins, Bradley, et. al., eds. American Tradition in Literature, with abbreviations: Vol 2. Seventh Ed. New York: Mcgraw, 1990. (ATL) Eliot, T. S. Collected Poems, 1909-1962. New York: Harcourt. (CP) Williams, William Carlos. Collected Poems, Vol. 1. New York: New Directions, 1986. (CP) Williams, William Carlos. Pictures from Breughel: Collected Poems. New York: New Directions, 1962. (PB) Ginsberg, Allen. Collected Poems, 1947~1980. New York: Harper, 1984. (CP) Bly, Robert. Silence in the Snowy Fields. Univ. Press of New England, 1962. Merwin, W. S. The Second Four Books of Poems. Copper Canyon Press, 1993. (SFBP) Sexton, Anne. Complete Poems. Boston: Houghton-Mariner, 1999. (CP) Course Purpose: The purpose of the course is to impart understanding of the poetry of six twentieth-century American poets, and to deepen awareness of the poetic movements or schools which they help to define. -
Introduction
Elke Mettinger, Margarete Rubik and Jörg Türschmann Introduction The Parisian twenties – the années folles – are a perfect example of the Bak- htinian chronotope: a neatly defined period starting with the post-war opti- mism of creating something radically new, and ending with the American stock market crash. In between Paris witnessed an unequalled decade of artistic and creative achievements that was – according to the American ex- patriate Archibald MacLeish – part of the “greatest period of literary and artistic innovation since the Renaissance” (qtd. in Fitch, Beach 12). Paris – as Gertrude Stein famously remarked – “was where the twentieth century was” (11). But why did Paris, of all cities in the world, attract so many artists from all over the globe and offer such a fruitful ground on which the avant-garde could develop and prosper? From the late 19th century onwards Paris had been a congenial site for the needs of bohemian life. Between 1910 and 1920 the Montparnasse began to replace the Montmartre as the heart of intellectual and artistic Paris. It was above all Picasso who transferred modern art from the Montmartre to the Montparnasse. Impoverished painters, sculptors, photographers, novelists, poets, composers, dancers from all over the world chose to live in cheap studios and work in the creative atmosphere of literary and artistic cafés around the Carrefour Vavin, later renamed Place Pablo Picasso. The English journalist Sisley Huddleston (in Fitch, Cafés 16) living in Paris characterized the French cafés of the 1920s and 1930s like the Dôme, the Sélect, the Cou- pole or the Rotonde as the matrix for art and literature. -
James S. Jaffe Rare Books Llc
JAMES S. JAFFE RARE BOOKS LLC P. O. Box 930 Deep River, CT 06417 Tel: 212-988-8042 Email: [email protected] Website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers All items are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. [ANTHOLOGY] JOYCE, James. Contact Collection of Contemporary Writers. (Edited by Robert McAlmon). 8vo, original printed wrappers. (Paris: Contact Editions Three Mountains Press, 1925). First edition, published jointly by McAlmon’s Contact Editions and William Bird’s Three Mountains Press. One of 300 copies printed in Dijon by Darantiere, who printed Joyce’s Ulysses. Slocum & Cahoon B7. With contributions by Djuna Barnes, Bryher, Mary Butts, Norman Douglas, Havelock Ellis, Ford Madox Ford, Wallace Gould, Ernest Hemingway, Marsden Hartley, H. D., John Herrman, Joyce, Mina Loy, Robert McAlmon, Ezra Pound, Dorothy Richardson, May Sinclair, Edith Sitwell, Gertrude Stein and William Carlos Williams. Includes Joyce’s “Work In Progress” from Finnegans Wake; Hemingway’s “Soldiers Home”, which first appeared in the American edition of In Our Time, Hanneman B3; and William Carlos Williams’ essay on Marianne Moore, Wallace B8. Front outer hinge cleanly split half- way up the book, not affecting integrity of the binding; bottom of spine slightly chipped, otherwise a bright clean copy. $2,250.00 BERRIGAN, Ted. The Sonnets. 4to, original pictorial wrappers, rebound in navy blue cloth with a red plastic title-label on spine. N. Y.: Published by Lorenz & Ellen Gude, 1964. First edition. Limited to 300 copies. A curious copy, one of Berrigan’s retained copies, presumably bound at his direction, and originally intended for Berrigan’s close friend and editor of this book, the poet Ron Padgett. -
Writing Communities: Aesthetics, Politics, and Late Modernist Literary Consolidation
WRITING COMMUNITIES: AESTHETICS, POLITICS, AND LATE MODERNIST LITERARY CONSOLIDATION by Elspeth Egerton Healey A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2008 Doctoral Committee: Associate Professor John A. Whittier-Ferguson, Chair Associate Professor Kali A. K. Israel Associate Professor Joshua L. Miller Assistant Professor Andrea Patricia Zemgulys © Elspeth Egerton Healey _____________________________________________________________________________ 2008 Acknowledgements I have been incredibly fortunate throughout my graduate career to work closely with the amazing faculty of the University of Michigan Department of English. I am grateful to Marjorie Levinson, Martha Vicinus, and George Bornstein for their inspiring courses and probing questions, all of which were integral in setting this project in motion. The members of my dissertation committee have been phenomenal in their willingness to give of their time and advice. Kali Israel’s expertise in the constructed representations of (auto)biographical genres has proven an invaluable asset, as has her enthusiasm and her historian’s eye for detail. Beginning with her early mentorship in the Modernisms Reading Group, Andrea Zemgulys has offered a compelling model of both nuanced scholarship and intellectual generosity. Joshua Miller’s amazing ability to extract the radiant gist from still inchoate thought has meant that I always left our meetings with a renewed sense of purpose. I owe the greatest debt of gratitude to my dissertation chair, John Whittier-Ferguson. His incisive readings, astute guidance, and ready laugh have helped to sustain this project from beginning to end. The life of a graduate student can sometimes be measured by bowls of ramen noodles and hours of grading.