DOCSLIB.ORG

Pictures from Brueghel: Pulitzer Prize, Poetry PDF Book

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pictures from Brueghel: Pulitzer Prize, Poetry PDF Book PICTURES FROM BRUEGHEL: PULITZER PRIZE, POETRY PDF, EPUB, EBOOK William Carlos Williams | 184 pages | 01 Feb 1967 | New Directions Publishing Corporation | 9780811202343 | English | New York, United States Pictures from Brueghel: Pulitzer Prize, Poetry PDF Book Related Pages :. Wikisource has original works written by or about: William Carlos Williams. Add to registry. A well-known example of the "triadic line [break]" can be found in Williams's love-poem " Asphodel, That Greeny Flower. Email address. New York Times. The ten poems were each based on a Brueghel painting. Williams perfected his "variable foot" metric and achieved full mastery of the "American idiom" which was his lifelong first concern. Recent searches Clear All. However, we can only email you if you include your email address! Many books have significant or minor changes between editions. New York: HarperCollins, See our disclaimer. Current selection is: Paperback. Email address. Your email address will never be sold or distributed to a third party for any reason. Customer Service. Scholars note that the Caribbean culture of the family home had an important influence on Williams. Revered for his modernist and imagist poetry, he published numerous poetry collections, including the five-volume epic Paterson and Pictures from Brueghel and Other Poems. In , Williams turned his attentions to Contact , a periodical launched by Williams and fellow writer Robert McAlmon : "The two editors sought American cultural renewal in the local condition in clear opposition to the internationalists—Pound, The Little Review , and the Baroness. Your question required. During the s, Williams began working on an opera. Combined Two Professions. The later poems depict an aging poet finding joy at the limits of his craft. Modernism , Imagism. In these books, Dr. William' was awarded the Pulitzer Prize for Poetry posthumously. Pulitzer Prize for Poetry — February 21, Williams was born in New Jersey and educated at the University of Pennsylvania. The term was used by the poet William Carlos Williams in the s to describe a movement in which emphasis was placed on viewing poems as objects that could be considered and analyzed in terms of mechanical features. Williams sought to invent an entirely fresh and uniquely American form of poetry whose subject matter centered on everyday circumstances of life and the lives of common people. The Attic. Poems Al Que Quiere! Williams married Florence Herman — in after he returned from Germany. Three years later, Williams published Spring and All , one of his seminal books of poetry, which contained the classic poems "By the road to the contagious hospital", " The Red Wheelbarrow " and "To Elsie". However, Williams, like his peer and friend Ezra Pound, had rejected the Imagist movement by the time this poem was published as part of Spring and All in Pictures from Brueghel and Other Poems. In The Spotlight. National Book Award was reestablished in with awards by the book industry to authors of books published in in three categories. Get to Know Us. Thank you for signing up! Williams was born in Rutherford, New Jersey in National Book Foundation. The first section, Pictures from Brueghel, contains previously uncollected short poems, while the second and third parts are the complete texts of The Desert Music and Journey to Love , originally published by Random House. Williams in FP now includes eBooks in its collection. Ask a question Ask a question If you would like to share feedback with us about pricing, delivery or other customer service issues, please contact customer service directly. The New Republic. Pictures from Brueghel: Pulitzer Prize, Poetry Writer However, we can only email you if you include your email address! Complete list — — — — To ensure we are able to help you as best we can, please include your reference number:. Thank you for signing up! Pickup not available. If you need immediate assistance, please contact Customer Care. All Rights Reserved. He reproduces the details of what he sees with surprising freshness, clarity, and economy; and he sees just as extraordinarily, sometimes, the forms of this earth, the spirit moving behind the letters. The New Republic. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. I agree to the Terms and Conditions. Williams perfected his "variable foot" metric and achieved full mastery of the "American idiom" which was his lifelong first concern. Reviewed by jonfaith jonfaith. One of Williams's aims, in experimenting with his "variable foot", was to show the American opposed to European rhythm that he claimed was present in everyday American language. William Carlos Williams. University of Pennsylvania. New York: HarperCollins, However, Williams, like his peer and friend Ezra Pound, had rejected the Imagist movement by the time this poem was published as part of Spring and All in View of winter trees before one tree in the foreground where by fresh-fallen snow lie 6 woodchunks ready for the fire. Pictures from Brueghel: Pulitzer Prize, Poetry. Although he championed the new way of seeing and representation pioneered by the European avant-garde , Williams and his artistic friends wished to get away from what they saw as a purely derivative style. In addition to his writing, Williams had a long career as a physician practicing both pediatrics and general medicine. Download as PDF Printable version. Williams also wrote the introduction to Ginsberg's first book Howl and Other Poems in Many books have significant or minor changes between editions. If the book has page numbers, please include the page number; otherwise please include a significant text string to help us to locate the error. Give Feedback. University of Illinois. Puerto Rico portal Literature portal Poetry portal. However, in , the year it was published, the appearance of T. Library of Congress - loc. This book is in the public domain in Canada, and is made available to you DRM-free. Send me an email when my question is answered. Williams was born in New Jersey and educated at the University of Pennsylvania. Your suggestion will be processed as soon as possible. Pictures from Brueghel: Pulitzer Prize, Poetry Reviews In , Williams turned his attentions to Contact , a periodical launched by Williams and fellow writer Robert McAlmon : "The two editors sought American cultural renewal in the local condition in clear opposition to the internationalists—Pound, The Little Review , and the Baroness. Williams was named Consultant in Poetry in , but did not serve. Facebook Twitter. In this volume Williams transcends the objectivist style of his earlier work, treating poetry as a medium for ideas as well as a means of depicting the physical world. Williams, followed by their second son, Paul H. Add to registry. One of Williams's more dynamic relationships as a mentor was with fellow New Jersey poet Allen Ginsberg. History at your fingertips. The Poetry Society of America presents the William Carlos Williams Award annually for the best book of poetry published by a small, non-profit or university press. William Carlos Williams. Won Literary Awards". He came up with the concept of the "variable foot" which Williams never clearly defined, although the concept vaguely referred to Williams's method of determining line breaks. Modern American Poetry. Census Written by a librarything. Limit the size to characters. Williams also explored new verse forms in the collection. According to…. However, we can only email you if you include your email address! Get to Know Us. Williams married Florence Herman — in after he returned from Germany. Download as PDF Printable version. I agree to the Terms and Conditions. Pricing policy About our prices. Send me an email when my question is answered. His quick transparent lines have the nervous and contracted strength, move as jerkily and intently as a bird. Williams was born in New Jersey and educated at the University of Pennsylvania. Your suggestion will be processed as soon as possible. The first section, Pictures from Brueghel, contains previously uncollected short poems, while the second and third parts are the complete texts of The Desert Music and Journey to Love , originally published by Random House. This collection makes available work of one of our greatest American poets in the last decade of his life. Specifications Language English. In his modernist epic collage of place titled Paterson published between and , an account of the history, people, and essence of Paterson, New Jersey , Williams wrote his own modern epic poem, focusing on "the local" on a wider scale than he had previously attempted. In , Williams began to associate with the New York group of artists and writers known as "The Others. Pictures from Brueghel: Pulitzer Prize, Poetry. Pictures from Brueghel: Pulitzer Prize, Poetry Read Online Facebook Twitter. Pulitzer Prize for Poetry — Combined Two Professions. I agree to the Terms and Conditions. Please enter a suggested description. The Poetry Society of America presents the William Carlos Williams Award annually for the best book of poetry published by a small, non-profit or university press. Revered for his modernist and imagist poetry, he published numerous poetry collections, including the five-volume epic Paterson and Pictures from Brueghel and Other Poems. Get to Know Us. Physician Long a Leading Poet. One of Williams's aims, in experimenting with his "variable foot", was to show the American opposed to European rhythm that he claimed was present in everyday American language. Pound called the work "incoherent" and H. Williams is strongly associated with the American modernist movement in literature and saw his poetic project as a distinctly American one; he sought to renew language through the fresh, raw idiom that grew out of America's cultural and social heterogeneity, at the same time freeing it from what he saw as the worn-out language of British and European culture.
Load more

Recommended publications
  • [Jargon Society]
    OCCASIONAL LIST / BOSTON BOOK FAIR / NOV. 13-15, 2009 JAMES S. JAFFE RARE BOOKS 790 Madison Ave, Suite 605 New York, New York 10065 Tel 212-988-8042 Fax 212-988-8044 Email: [email protected] Please visit our website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers These and other books will be available in Booth 314. It is advisable to place any orders during the fair by calling us at 610-637-3531. All books and manuscripts are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. ALGREN, Nelson. Somebody in Boots. 8vo, original terracotta cloth, dust jacket. N.Y.: The Vanguard Press, (1935). First edition of Algren’s rare first book which served as the genesis for A Walk on the Wild Side (1956). Signed by Algren on the title page and additionally inscribed by him at a later date (1978) on the front free endpaper: “For Christine and Robert Liska from Nelson Algren June 1978”. Algren has incorporated a drawing of a cat in his inscription. Nelson Ahlgren Abraham was born in Detroit in 1909, and later adopted a modified form of his Swedish grandfather’s name. He grew up in Chicago, and earned a B.A. in Journalism from the University of Illinois Urbana-Champaign in 1931. In 1933, he moved to Texas to find work, and began his literary career living in a derelict gas station. A short story, “So Help Me”, was accepted by Story magazine and led to an advance of $100.00 for his first book.
    [Show full text]
  • Gertrude Stein and Her Audience: Small Presses, Little Magazines, and the Reconfiguration of Modern Authorship
    GERTRUDE STEIN AND HER AUDIENCE: SMALL PRESSES, LITTLE MAGAZINES, AND THE RECONFIGURATION OF MODERN AUTHORSHIP KALI MCKAY BACHELOR OF ARTS, UNIVERSITY OF LETHBRIDGE, 2006 A Thesis Submitted to the School of Graduate Studies of the University of Lethbridge in Partial Fulfilment of the Requirements for the Degree MASTER OF ARTS Department of English University of Lethbridge LETHBRIDGE, ALBERTA, CANADA © Kali McKay, 2010 Abstract: This thesis examines the publishing career of Gertrude Stein, an American expatriate writer whose experimental style left her largely unpublished throughout much of her career. Stein’s various attempts at dissemination illustrate the importance she placed on being paid for her work and highlight the paradoxical relationship between Stein and her audience. This study shows that there was an intimate relationship between literary modernism and mainstream culture as demonstrated by Stein’s need for the public recognition and financial gains by which success had long been measured. Stein’s attempt to embrace the definition of the author as a professional who earned a living through writing is indicative of the developments in art throughout the first decades of the twentieth century, and it problematizes modern authorship by re- emphasizing the importance of commercial success to artists previously believed to have been indifferent to the reaction of their audience. iii Table of Contents Title Page ………………………………………………………………………………. i Signature Page ………………………………………………………………………… ii Abstract ……………………………………………………………………………….. iii Table of Contents …………………………………………………………………….. iv Chapter One …………………………………………………………………………..... 1 Chapter Two ………………………………………………………………………….. 26 Chapter Three ………………………………………………………………………… 47 Chapter Four .………………………………………………………………………... 66 Works Cited .………………………………………………………………………….. 86 iv Chapter One Hostile readers of Gertrude Stein’s work have frequently accused her of egotism, claiming that she was a talentless narcissist who imposed her maunderings on the public with an undeserved sense of self-satisfaction.
    [Show full text]
  • James S. Jaffe Rare Books Llc
    JAMES S. JAFFE RARE BOOKS LLC OCCASIONAL LIST: DECEMBER 2019 P. O. Box 930 Deep River, CT 06417 Tel: 212-988-8042 Email: [email protected] Website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers All items are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. AGEE, James. The Morning Watch. 8vo, original printed wrappers. Roma: Botteghe Oscure VI, 1950. First (separate) edition of Agee’s autobiographical first novel, printed for private circulation in its entirety. One of an unrecorded number of offprints from Marguerite Caetani’s distinguished literary journal Botteghe Oscure. Presentation copy, inscribed on the front free endpaper: “to Bob Edwards / with warm good wishes / Jim Agee”. The novel was not published until 1951 when Houghton Mifflin brought it out in the United States. A story of adolescent crisis, based on Agee’s experience at the small Episcopal preparatory school in the mountains of Tennessee called St. Andrew’s, one of whose teachers, Father Flye, became Agee’s life-long friend. Wrappers dust-soiled, small area of discoloration on front free-endpaper, otherwise a very good copy, without the glassine dust jacket. Books inscribed by Agee are rare. $2,500.00 2. [ART] BUTLER, Eugenia, et al. The Book of Lies Project. Volumes I, II & III. Quartos, three original portfolios of 81 works of art, (created out of incised & collaged lead, oil paint on vellum, original pencil drawings, a photograph on platinum paper, polaroid photographs, cyanotypes, ashes of love letters, hand- embroidery, and holograph and mechanically reproduced images and texts), with interleaved translucent sheets noting the artist, loose as issued, inserted in a paper chemise and cardboard folder, or in an individual folder and laid into a clamshell box, accompanied by a spiral bound commentary volume in original printed wrappers printed by Carolee Campbell of the Ninja Press.
    [Show full text]
  • The Pennsylvania State University the Graduate School College Of
    The Pennsylvania State University The Graduate School College of Arts and Architecture CUT AND PASTE ABSTRACTION: POLITICS, FORM, AND IDENTITY IN ABSTRACT EXPRESSIONIST COLLAGE A Dissertation in Art History by Daniel Louis Haxall © 2009 Daniel Louis Haxall Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2009 The dissertation of Daniel Haxall has been reviewed and approved* by the following: Sarah K. Rich Associate Professor of Art History Dissertation Advisor Chair of Committee Leo G. Mazow Curator of American Art, Palmer Museum of Art Affiliate Associate Professor of Art History Joyce Henri Robinson Curator, Palmer Museum of Art Affiliate Associate Professor of Art History Adam Rome Associate Professor of History Craig Zabel Associate Professor of Art History Head of the Department of Art History * Signatures are on file in the Graduate School ii ABSTRACT In 1943, Peggy Guggenheim‘s Art of This Century gallery staged the first large-scale exhibition of collage in the United States. This show was notable for acquainting the New York School with the medium as its artists would go on to embrace collage, creating objects that ranged from small compositions of handmade paper to mural-sized works of torn and reassembled canvas. Despite the significance of this development, art historians consistently overlook collage during the era of Abstract Expressionism. This project examines four artists who based significant portions of their oeuvre on papier collé during this period (i.e. the late 1940s and early 1950s): Lee Krasner, Robert Motherwell, Anne Ryan, and Esteban Vicente. Working primarily with fine art materials in an abstract manner, these artists challenged many of the characteristics that supposedly typified collage: its appropriative tactics, disjointed aesthetics, and abandonment of ―high‖ culture.
    [Show full text]
  • Introduction
    Elke Mettinger, Margarete Rubik and Jörg Türschmann Introduction The Parisian twenties – the années folles – are a perfect example of the Bak- htinian chronotope: a neatly defined period starting with the post-war opti- mism of creating something radically new, and ending with the American stock market crash. In between Paris witnessed an unequalled decade of artistic and creative achievements that was – according to the American ex- patriate Archibald MacLeish – part of the “greatest period of literary and artistic innovation since the Renaissance” (qtd. in Fitch, Beach 12). Paris – as Gertrude Stein famously remarked – “was where the twentieth century was” (11). But why did Paris, of all cities in the world, attract so many artists from all over the globe and offer such a fruitful ground on which the avant-garde could develop and prosper? From the late 19th century onwards Paris had been a congenial site for the needs of bohemian life. Between 1910 and 1920 the Montparnasse began to replace the Montmartre as the heart of intellectual and artistic Paris. It was above all Picasso who transferred modern art from the Montmartre to the Montparnasse. Impoverished painters, sculptors, photographers, novelists, poets, composers, dancers from all over the world chose to live in cheap studios and work in the creative atmosphere of literary and artistic cafés around the Carrefour Vavin, later renamed Place Pablo Picasso. The English journalist Sisley Huddleston (in Fitch, Cafés 16) living in Paris characterized the French cafés of the 1920s and 1930s like the Dôme, the Sélect, the Cou- pole or the Rotonde as the matrix for art and literature.
    [Show full text]
  • James S. Jaffe Rare Books Llc
    JAMES S. JAFFE RARE BOOKS LLC P. O. Box 930 Deep River, CT 06417 Tel: 212-988-8042 Email: [email protected] Website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers All items are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. [ANTHOLOGY] JOYCE, James. Contact Collection of Contemporary Writers. (Edited by Robert McAlmon). 8vo, original printed wrappers. (Paris: Contact Editions Three Mountains Press, 1925). First edition, published jointly by McAlmon’s Contact Editions and William Bird’s Three Mountains Press. One of 300 copies printed in Dijon by Darantiere, who printed Joyce’s Ulysses. Slocum & Cahoon B7. With contributions by Djuna Barnes, Bryher, Mary Butts, Norman Douglas, Havelock Ellis, Ford Madox Ford, Wallace Gould, Ernest Hemingway, Marsden Hartley, H. D., John Herrman, Joyce, Mina Loy, Robert McAlmon, Ezra Pound, Dorothy Richardson, May Sinclair, Edith Sitwell, Gertrude Stein and William Carlos Williams. Includes Joyce’s “Work In Progress” from Finnegans Wake; Hemingway’s “Soldiers Home”, which first appeared in the American edition of In Our Time, Hanneman B3; and William Carlos Williams’ essay on Marianne Moore, Wallace B8. Front outer hinge cleanly split half- way up the book, not affecting integrity of the binding; bottom of spine slightly chipped, otherwise a bright clean copy. $2,250.00 BERRIGAN, Ted. The Sonnets. 4to, original pictorial wrappers, rebound in navy blue cloth with a red plastic title-label on spine. N. Y.: Published by Lorenz & Ellen Gude, 1964. First edition. Limited to 300 copies. A curious copy, one of Berrigan’s retained copies, presumably bound at his direction, and originally intended for Berrigan’s close friend and editor of this book, the poet Ron Padgett.
    [Show full text]
  • William Carlos Williams Research Collection Ms
    William Carlos Williams research collection Ms. Coll. 396 Finding aid prepared by Amey A. Hutchins. Last updated on April 14, 2017. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts October 2001 William Carlos Williams research collection Table of Contents Summary Information....................................................................................................................................3 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 7 William Carlos Williams/Sculley Bradley Papers.................................................................................. 7 William Carlos Williams/James Laughlin Papers...................................................................................8 William Carlos Williams Correspondence..............................................................................................9 Writings..................................................................................................................................................11
    [Show full text]
  • Writing Communities: Aesthetics, Politics, and Late Modernist Literary Consolidation
    WRITING COMMUNITIES: AESTHETICS, POLITICS, AND LATE MODERNIST LITERARY CONSOLIDATION by Elspeth Egerton Healey A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2008 Doctoral Committee: Associate Professor John A. Whittier-Ferguson, Chair Associate Professor Kali A. K. Israel Associate Professor Joshua L. Miller Assistant Professor Andrea Patricia Zemgulys © Elspeth Egerton Healey _____________________________________________________________________________ 2008 Acknowledgements I have been incredibly fortunate throughout my graduate career to work closely with the amazing faculty of the University of Michigan Department of English. I am grateful to Marjorie Levinson, Martha Vicinus, and George Bornstein for their inspiring courses and probing questions, all of which were integral in setting this project in motion. The members of my dissertation committee have been phenomenal in their willingness to give of their time and advice. Kali Israel’s expertise in the constructed representations of (auto)biographical genres has proven an invaluable asset, as has her enthusiasm and her historian’s eye for detail. Beginning with her early mentorship in the Modernisms Reading Group, Andrea Zemgulys has offered a compelling model of both nuanced scholarship and intellectual generosity. Joshua Miller’s amazing ability to extract the radiant gist from still inchoate thought has meant that I always left our meetings with a renewed sense of purpose. I owe the greatest debt of gratitude to my dissertation chair, John Whittier-Ferguson. His incisive readings, astute guidance, and ready laugh have helped to sustain this project from beginning to end. The life of a graduate student can sometimes be measured by bowls of ramen noodles and hours of grading.
    [Show full text]
  • “Animal Spirits”
    Swarthmore College Works English Literature Faculty Works English Literature 2016 “Animal Spirits” Peter Schmidt Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-english-lit Part of the English Language and Literature Commons Let us know how access to these works benefits ouy Recommended Citation Peter Schmidt. (2016). "“Animal Spirits”". William Carlos Williams Review. Volume 33, Issue 1-2. 147-171. DOI: 10.5325/willcarlwillrevi.33.1-2.0147 https://works.swarthmore.edu/fac-english-lit/331 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in English Literature Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. “Animal Spirits” Peter Schmidt William Carlos Williams Review, Volume 33, Numbers 1-2, 2016, pp. 147-171 (Article) Published by Penn State University Press DOI: https://doi.org/10.1353/wcw.2016.0019 For additional information about this article https://muse.jhu.edu/article/643077 Access provided by Swarthmore College (17 Aug 2017 14:23 GMT) “Animal Spirits” PETER SCHMIDT, SWARTHMORE COLLEGE ABSTRACT | In “Animal Spirits” looks in some depth at several of Williams’s poems about dogs or cats written over the course of his career, from “Sub Terra” (1917); “Poem (As the cat)” (from the 1930s); the dogs of Paterson; and “To a Dog Injured in the Street,” which exemplifies the elegiac poetics and representational paradoxes of Williams’s late triadic style. Cats for Williams exemplify energy in precise control, its perfection in form—and that was his lifelong quest.
    [Show full text]
  • The “Objectivists”: a Website Dedicated to the “Objectivist” Poets by Steel Wagstaff a Dissertation Submitted in Partial
    The “Objectivists”: A Website Dedicated to the “Objectivist” Poets By Steel Wagstaff A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English) at the UNIVERSITY OF WISCONSIN‐MADISON 2018 Date of final oral examination: 5/4/2018 The dissertation is approved by the following members of the Final Oral Committee: Lynn Keller, Professor, English Tim Yu, Associate Professor, English Mark Vareschi, Assistant Professor, English David Pavelich, Director of Special Collections, UW-Madison Libraries © Copyright by Steel Wagstaff 2018 Original portions of this project licensed under a CC BY-SA 4.0 license. All Louis Zukofsky materials copyright © Musical Observations, Inc. Used by permission. i TABLE OF CONTENTS Acknowledgements ..................................................................................... vi Abstract ................................................................................................... vii Introduction ............................................................................................... 1 The Lives ................................................................................................ 31 Who were the “Objectivists”? .............................................................................................................................. 31 Core “Objectivists” .............................................................................................................................................. 31 The Formation of the “Objectivist”
    [Show full text]
  • 4 Williams and Cubism - 'Al Que Quiere!', 'Sour Grapes', and 'Spring and All'
    79 4 WILLIAMS AND CUBISM - 'AL QUE QUIERE!', 'SOUR GRAPES', AND 'SPRING AND ALL' But for the moment everything is fresh, perfect, recreated ... Yes, the imagination, drunk with prohibitions, has destroyed and recre~ed everything afresh in the likeness of that which it was (1:93) . In a continuation of his imagist endeavours to make everything new, Williams' cubism defamiliarizes objects in order to cleanse them from all "prohibitions" and thus recreates "everything afresh". For Williams the imagination is the primary force in this process of perception, whether in merely analyzing or decomposing an object by means of shifting planes, or in synthesizing a number of isolated elements. Williams' poetic development, however, is by no means exclusively diachronic with his imagist style, for example, developing into a cubist style. The synchronicity of his style is perhaps clearest in the co­ presence of imagist and cubist poems in a particular period or book. Initially these cubist signs take the form of the breaking down or fragmentation of a scene, object, or experience. Increasingly, however, Williams' style does develop towards more structured and unified presentations which would be closer to synthetic cubism. This coincides largely with a dissociation from the disarray into which imagism declined in the period after 1916. According to Perloff (1983:173), the influence of the Imagist movement (and specifically that of Pound) on Williams, although it made a difference in his development, was no longer decisive by 19172; rather, "the poems of the late teens represent Williams' first attempt to create verbal-visual counterparts to the paintings and drawings" of the visual artists3.
    [Show full text]
  • A Modernist Dialectic: Stevens and Williams in the Poetry of Charles Tomlinson
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Durham Research Online A Modernist Dialectic: Stevens and Williams in the Poetry of Charles Tomlinson GARETH REEVES I. INTRODUCTION HARLES TOMLINSON WAS one of the most “Americanized” of the British poets to come to prominence in the twenty or so years Cfollowing the Second World War. As he describes in his book Some Americans: A Period Record (1981), his first full-scale collection (Seeing Is Believing, 1958) was published in New York after English publishers had rejected it (SA 13), and some feel Americans still take him to heart more readily than do the British. His relationship with American poetry is not easy to categorize, however. Most would agree with Alan Young’s assess- ment that Tomlinson’s poetry comes out of a productive tension between English and American, an “assimilation of some characteristics and qual- ities of American literary modernism to help shape a distinctively person- al yet essentially English voice and vision” (67). But if the role of American modernism in Tomlinson’s poetry is generally recognized, less readily acknowledged is the extent to which his poetry is informed, indeed haunt- ed, by the contradictions that are still being played out in the wake of that tradition. For this poet in “a state of mental emigration” (SA 12), America has provided the imaginative space to explore his own aesthetic allegiances. Nowhere is this more evident than in the presence in his poetry of those two opposed representatives of American poetic modernism, Wallace Stevens and William Carlos Williams.
    [Show full text]