Fugitive and Agrarian Collection Addition Finding
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Tennessee State Library and Archives RANSOM FAMILY PAPERS 1833
State of Tennessee Department of State Tennessee State Library and Archives 403 Seventh Avenue North Nashville, Tennessee 37243-0312 RANSOM FAMILY PAPERS 1833-1957 Processed by: Mary Washington Frazer Archival Technical Services Accession Number: 67-107, 71-149, 71-153 Date Completed: October 4, 1971 Location: II-K-1, 2, 3, 4, 5, 6 Microfilm Accession Number: 1255 MICROFILMED INTRODUCTION This collection of Ransom Family Papers was made by Miss Ellene Ransom (1894 - 1963) and was given to the Manuscript Unit of the Tennessee State Library and Archives after her death by her friends, Miss Frances McLester and Mrs. Edgar H. Duncan of Nashville, Tennessee. The materials in this collection measure 10.92 linear feet. There are no restrictions on the materials. Single photocopies of unpublished writings in the Ransom Family Papers may be made for purposes of scholarly research. SCOPE AND CONTENT The Ransom Family Papers, consisting of about 5,400 items and 21 volumes and covering the years 1833-1957, are composed of correspondence, clippings, accounts, legal documents, biographical and genealogical data, data regarding the Brazilian Mission of the Methodist Episcopal Church (South), family records, letter books, music programs and music club scrapbooks, family photographs, sermons, and writings. This is a collection of Ransom family papers beginning with the Reverend Robert Paine Ransom, a Methodist minister who settled in Rutherford County, Tennessee in the first half of the nineteenth century. Included are about seventy-five letters written by this minister from 1869 to 1885, primarily to his son, John James Ransom. They are good letters covering a critical period both of Southern and church history. -
Pax Ecclesia: Globalization and Catholic Literary Modernism
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2011 Pax Ecclesia: Globalization and Catholic Literary Modernism Christopher Wachal Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Literature in English, North America Commons Recommended Citation Wachal, Christopher, "Pax Ecclesia: Globalization and Catholic Literary Modernism" (2011). Dissertations. 181. https://ecommons.luc.edu/luc_diss/181 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2011 Christopher Wachal LOYOLA UNIVERSITY CHICAGO PAX ECCLESIA: GLOBALIZATION AND CATHOLIC LITERARY MODERNISM A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN ENGLISH BY CHRISTOPHER B. WACHAL CHICAGO, IL MAY 2011 Copyright by Christopher B. Wachal, 2011 All rights reserved. ACKNOWLEDGMENTS Nothing big worth undertaking is undertaken alone. It would certainly be dishonest for me to claim that the intellectual journey of which this text is the fruition has been propelled forward solely by my own energy and momentum. There have been many who have contributed to its completion – too many, perhaps, to be done justice in so short a space as this. Nonetheless, I would like to extend my sincere thanks to some of those whose assistance I most appreciate. My dissertation director, Fr. Mark Bosco, has been both a guide and an inspiration throughout my time at Loyola University Chicago. -
Fall 2003 Archipelago
archipelago An International Journal of Literature, the Arts, and Opinion www.archipelago.org Vol. 7, No. 3 Fall 2003 AN LEABHAR MÒR / THE GREAT BOOK OF GAELIC An Exhibiton : Twenty-two Irish and Scottish Gaelic Poems, Translations and Artworks, with Essays and Recitations Fiction: PATRICIA SARRAFIAN WARD “Alaine played soccer with the refugees, she traded bullets and shrapnel around the neighborhood . .” from THE BULLET COLLECTION Poem: ELEANOR ROSS TAYLOR Our Lives Are Rounded With A Sleep Reflection: ANANT KUMAR The Mosques on the Banks of the Ganges: Apart or Together? tr. from the German by Rajendra Prasad Jain Photojournalism: PETER TURNLEY Seeing Another War in Iraq in 2003 and The Unseen Gulf War : Photographs Audio report on-line by Peter Turnley Endnotes: KATHERINE McNAMARA The Only God Is the God of War : On BLOOD MERIDIAN, an American myth printed from our pdf edition archipelago www.archipelago.org CONTENTS AN LEABHAR MÒR / THE GREAT BOOK OF GAELIC 4 Introduction : Malcolm Maclean 5 On Contemporary Irish Poetry : Theo Dorgan 9 Is Scith Mo Chrob Ón Scríbainn ‘My hand is weary with writing’ 13 Claochló / Transfigured 15 Bean Dubh a’ Caoidh a Fir Chaidh a Mharbhadh / A Black Woman Mourns Her Husband Killed by the Police 17 M’anam do sgar riomsa a-raoir / On the Death of His Wife 21 Bean Torrach, fa Tuar Broide / A Child Born in Prison 25 An Tuagh / The Axe 30 Dan do Scátach / A Poem to Scátach 34 Èistibh a Luchd An Tighe-Se / Listen People Of This House 38 Maireann an t-Seanmhuintir / The Old Live On 40 Na thàinig anns a’ churach -
April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
When Is an Agrarian Not an Agrarian? a Reading of Robert Penn Warren’S “The Rb Iar Patch” Clare Byrne
Robert Penn Warren Studies Volume 10 Robert Penn Warren Studies Article 2 2016 When Is an Agrarian Not an Agrarian? A Reading of Robert Penn Warren’s “The rB iar Patch” Clare Byrne Follow this and additional works at: https://digitalcommons.wku.edu/rpwstudies Part of the American Literature Commons, and the English Language and Literature Commons Recommended Citation Byrne, Clare (2016) "When Is an Agrarian Not an Agrarian? A Reading of Robert Penn Warren’s “The rB iar Patch”," Robert Penn Warren Studies: Vol. 10 , Article 2. Available at: https://digitalcommons.wku.edu/rpwstudies/vol10/iss1/2 This Article is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Robert Penn Warren Studies by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. When Is an Agrarian Not an Agrarian? A Reading of Robert Penn Warren’s “The Briar Patch” Clare Byrne King’s College, London Critics have tended to fall into one of two camps on the matter of Robert Penn Warren’s participation in the Southern Agrarian movement. They have either agreed with Hugh Ruppersburg that “Agrarianism is…the essential premise on which [Warren’s] American explorations have rested” (30), or with Paul Conkin that “never” did Warren “ever write a single essay in which he committed himself, philosophically, to any version of Agrarian ideology” (105). As a result, his literary output has often either been read as a direct expression of Southern Agrarianism, or exonerated from any connection to it. I propose that Warren’s relationship to Agrarianism was much more complex and conflicted than either of these positions allows, and that this is evident even in the essays he explicitly contributed to the movement. -
HARLEM in SHAKESPEARE and SHAKESPEARE in HARLEM: the SONNETS of CLAUDE MCKAY, COUNTEE CULLEN, LANGSTON HUGHES, and GWENDOLYN BROOKS David J
Southern Illinois University Carbondale OpenSIUC Dissertations Theses and Dissertations 5-1-2015 HARLEM IN SHAKESPEARE AND SHAKESPEARE IN HARLEM: THE SONNETS OF CLAUDE MCKAY, COUNTEE CULLEN, LANGSTON HUGHES, AND GWENDOLYN BROOKS David J. Leitner Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/dissertations Recommended Citation Leitner, David J., "HARLEM IN SHAKESPEARE AND SHAKESPEARE IN HARLEM: THE SONNETS OF CLAUDE MCKAY, COUNTEE CULLEN, LANGSTON HUGHES, AND GWENDOLYN BROOKS" (2015). Dissertations. Paper 1012. This Open Access Dissertation is brought to you for free and open access by the Theses and Dissertations at OpenSIUC. It has been accepted for inclusion in Dissertations by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. HARLEM IN SHAKESPEARE AND SHAKESPEARE IN HARLEM: THE SONNETS OF CLAUDE MCKAY, COUNTEE CULLEN, LANGSTON HUGHES, AND GWENDOLYN BROOKS by David Leitner B.A., University of Illinois Champaign-Urbana, 1999 M.A., Southern Illinois University Carbondale, 2005 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Doctor of Philosophy Department of English in the Graduate School Southern Illinois University Carbondale May 2015 DISSERTATION APPROVAL HARLEM IN SHAKESPEARE AND SHAKESPEARE IN HARLEM: THE SONNETS OF CLAUDE MCKAY, COUNTEE CULLEN, LANGSTON HUGHES, AND GWENDOLYN BROOKS By David Leitner A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the field of English Approved by: Edward Brunner, Chair Robert Fox Mary Ellen Lamb Novotny Lawrence Ryan Netzley Graduate School Southern Illinois University Carbondale April 10, 2015 AN ABSTRACT OF THE DISSERTATION OF DAVID LEITNER, for the Doctor of Philosophy degree in ENGLISH, presented on April 10, 2015, at Southern Illinois University Carbondale. -
A Tribute to Robert Penn Warren J
The Kentucky Review Volume 2 | Number 3 Article 3 1981 A Tribute to Robert Penn Warren J. A. Bryant Jr. University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the English Language and Literature Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Bryant, J. A. Jr. (1981) "A Tribute to Robert Penn Warren," The Kentucky Review: Vol. 2 : No. 3 , Article 3. Available at: https://uknowledge.uky.edu/kentucky-review/vol2/iss3/3 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. A Tribute to Robert Penn Warren J. A. BRYANT, JR. We are all here tonight for the same purpose, to honor a man who by his achievements and his stature as a human being, can come closer than anyone else I know to making Kentucky, which is after all a hodge-podge geographically, politically, and c111.lturally, if there ever was one, speak with one voice, say yes to something in unison. It's a cause for both sadness and rejoicing that there are some occasions when more than miles separate the Purchase and the mountains, the Tennessee Ridge and the Ohio River. But Red Warren, as his friends have been calling him now for most of his seventy-five years, miraculously unites Bluegrass and Pennyrile, just as he has miraculously encompassed Tennessee, Louisiana, the Midwest, New England, to say nothing of Europe and especially Italy, and made them, transformed, inhabit a body of fiction and verse in which we detect what Donald Davison, an old friend and Tennessean, was wont to call "the Kentucky voice of Warren." It's a distinctive voice that we Kentuckians respond to, acknowledge, and tonight claim as our own. -
William Faulkner, Richard M. Weaver, and the Crisis of Modernity
Divine Philosophies of Two Southern Gentlemen: William Faulkner, Richard M. Weaver, and the Crisis of Modernity Submitted by Vickie Lynn Caudle A thesis submitted i n partial fulfillment of the requirements for the degree of Master of Arts Northeastern State University December 2015 ii Divine Philoso ph ies of Two Southern Gen tlemen: Will iam Faulkner, Richard M. Weave r, and the Crisis of Moderni ty Vickie Lynn Caudle Th is th esis is approv .for recom mend ation to the Graduate College / / 2 Dean, Graduate College, Date 3 Abstract This thesis is an examination of the response in writing of two Southern writers, William Faulkner and Richard M. Weaver, to the crisis of modernity. In looking at some of the changes brought about in the society as well as problems created, these two Southern sons respond to the same and offer some solutions through Platonic ideas or concepts of the metaphysical as is shown in their narrative and philosophical work. Two of the early works of Faulkner, The Unvanquished and Sanctuary, as well as three of the essays of Weaver, "The Phaedrus and the Nature of Rhetoric," "To Write the Truth," and "The Power of the Word," are considered. Weaver offers a powerful critique of modernity and the problems associated with it. Faulkner's offering is less direct, as his is through the creative response of narrative. Both demonstrate how the evils of modernity can be countered by a combination of dialectic and right rhetoric rooted in a commitment to the ideas of the metaphysical. 4 Acknowledgements I would like to thank everyone who has listened to, encouraged, and supported me throughout this endeavor. -
Notes on Contributors 7 6 7
NOTES ON CONTRIBUTORS 7 6 7 NOTES ON CONTRIBUTORS ALLEN, Walter. Novelist and Literary Critic. Author of six novels (the most recent being All in a Lifetime, 1959); several critical works, including Arnold Bennett, 1948; Reading a Novel, 1949 (revised, 1956); Joyce Cary, 1953 (revised, 1971); The English Novel, 1954; Six Great Novelists, 1955; The Novel Today, 1955 (revised, 1966); George Eliot, 1964; and The Modern Novel in Britain and the United States, 1964; and of travel books, social history, and books for children. Editor of Writers on Writing, 1948, and of The Roaring Queen by Wyndham Lewis, 1973. Has taught at several universities in Britain, the United States, and Canada, and been an editor of the New Statesman. Essays: Richard Hughes; Ring Lardner; Dorothy Richardson; H. G. Wells. ANDERSON, David D. Professor of American Thought and Language, Michigan State University, East Lansing; Editor of University College Quarterly and Midamerica. Author of Louis Bromfield, 1964; Critical Studies in American Literature, 1964; Sherwood Anderson, 1967; Anderson's "Winesburg, Ohio," 1967; Brand Whitlock, 1968; Abraham Lincoln, 1970; Robert Ingersoll, 1972; Woodrow Wilson, 1975. Editor or Co-Editor of The Black Experience, 1969; The Literary Works of Lincoln, 1970; The Dark and Tangled Path, 1971 ; Sunshine and Smoke, 1971. Essay: Louis Bromfield. ANGLE, James. Assistant Professor of English, Eastern Michigan University, Ypsilanti. Author of verse and fiction in periodicals, and of an article on Edward Lewis Wallant in Kansas Quarterly, Fall 1975. Essay: Edward Lewis Wallant. ASHLEY, Leonard R.N. Professor of English, Brooklyn College, City University of New York. Author of Colley Cibber, 1965; 19th-Century British Drama, 1967; Authorship and Evidence: A Study of Attribution and the Renaissance Drama, 1968; History of the Short Story, 1968; George Peele: The Man and His Work, 1970. -
In the Final Two Years of His Life John Berryman Completed Two Collections of Poems – Love & Fame and Delusions, Etc
LOVE & FAME AND THE SELF IN SOCIETY PHILIP COLEMAN In the final two years of his life John Berryman completed two collections of poems – Love & Fame and Delusions, Etc. – and he brought close to conclusion the novel Recovery, which was published posthumously in 1973. In a letter to Robert Giroux in May 1971 he described his “Present plan” in the following way: 1) vol. Essays/stories – Spr. ’72 2) Delusions, Etc. – Fall ’72 3) Recovery (the novel) – ’73? 4) Shakespeare’s Reality – ’74? 5) The Blue Book of Poetry (ed.) 6?) I am also doing a Life of Christ for Martha [Berryman’s daughter]: illustrated – e.g. Titian’s great “Scourging” in the Pinakothek.1 Berryman’s activity and output during this period of his life is remarkable for a number of reasons, not least because he spent a great deal of this time in hospital undergoing treatment for alcoholism, as well as carrying out his duties as Regents’ Professor of Humanities at the University of Minnesota. It is interesting too because, much to the poet’s dismay, the reception of The Dream Songs had more or less decided his critical fate, as Robert Lowell implied when he wrote that Berryman’s “last two books, Love & Fame and Delusions, Etc., move” but only insofar as “they fill out the frame” of The Dream 1 Quoted by Robert Giroux in the Preface to John Berryman, The Freedom of the Poet, New York: Farrar, Straus and Giroux, 1976, viii. 226 Philip Coleman Songs and “prepare for his [Berryman’s] death”.2 Lowell’s remark is problematic for a number of reasons, but mainly because it suggests that the work Berryman produced in the last few years of his life in some sense pre-empted or prophesied his death by suicide in January 1972. -
Librarian of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate
University of New Hampshire University of New Hampshire Scholars' Repository Media Relations UNH Publications and Documents 8-2-2007 Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate Erika Mantz UNH Media Relations Follow this and additional works at: https://scholars.unh.edu/news Recommended Citation Mantz, Erika, "Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate" (2007). UNH Today. 850. https://scholars.unh.edu/news/850 This News Article is brought to you for free and open access by the UNH Publications and Documents at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Media Relations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate 9/11/17, 1250 PM Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate Contact: Erika Mantz 603-862-1567 UNH Media Relations August 2, 2007 Librarian of Congress James H. Billington has announced the appointment of Charles Simic to be the Library’s 15th Poet Laureate Consultant in Poetry. Simic will take up his duties in the fall, opening the Library’s annual literary series on Oct. 17 with a reading of his work. He also will be a featured speaker at the Library of Congress National Book Festival in the Poetry pavilion on Saturday, Sept. 29, on the National Mall in Washington, D.C. Simic succeeds Donald Hall as Poet Laureate and joins a long line of distinguished poets who have served in the position, including most recently Ted Kooser, Louise Glück, Billy Collins, Stanley Kunitz, Robert Pinsky, Robert Hass and Rita Dove. -
Ii the New Criticism and Leavisian Criticism
II THE NEW CRITICISM AND LEAVISIAN CRITICISM Though the New Criticism had its ongms in Britain in the criticism of T. S. Eliot, the theory of I. A. Richards and the practice of William Empson, its most powerful impact has been in America. John Crowe Ransom, who published a book entitled The New Criticism in 1941, was the leading American influence and he acknowledged a debt to Eliot and Richards. The other major American New Critics were Cleanth Brooks, Allen Tate, Robert Penn Warren and W. K. Wimsatt. Indirectly related to the New Criticism are such important figures as Kenneth Burke and R. P. Blackmur. The early New Critics were politically conservative and their attitudes to literature were shaped by their opposition to certain twentieth-century tendencies of thought, such as Marxism. The fundamental aim of American New Criticism was to create a critical alternative to impressionism and historical scholarship, and thus there are some parallels with Russian Formalism. It advocated 'intrinsic' criticism - an impersonal concern for the literary work as an independent object - and opposed 'extrinsic' critical approaches, which concerned themselves with such matters as authorial intention, historical, moral or political considerations, and audience response. The earlier New Criticism was primarily interested in lyric poetry and regarded most highly forms of poetry in which irony, tension, paradox and ambiguity interact with the semantics of language in such a way, they believed, as to render poetic meaning unique and un paraphrasable. They claimed, however, that poetry could impart knowledge but a form of knowledge radically different from knowledge in the scientific sense.