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Scienza E Cultura Universitalia
SCIENZA E CULTURA UNIVERSITALIA Costantino Sigismondi (ed.) ORBE NOVUS Astronomia e Studi Gerbertiani 1 Universitalia SIGISMONDI, Costantino (a cura di) Orbe Novus / Costantino Sigismondi Roma : Universitalia, 2010 158 p. ; 24 cm. – ( Scienza e Cultura ) ISBN … 1. Storia della Scienza. Storia della Chiesa. I. Sigismondi, Costantino. 509 – SCIENZE PURE, TRATTAMENTO STORICO 270 – STORIA DELLA CHIESA In copertina: Imago Gerberti dal medagliere capitolino e scritta ORBE NOVVS nell'epitaffio tombale di Silvestro II a S. Giovanni in Laterano (entrambe le foto sono di Daniela Velestino). Collana diretta da Rosalma Salina Borello e Luca Nicotra Prima edizione: maggio 2010 Universitalia INTRODUZIONE Introduzione Costantino Sigismondi L’edizione del convegno gerbertiano del 2009, in pieno anno internazionale dell’astronomia, si è tenuta nella Basilica di S. Maria degli Angeli e dei Martiri il 12 maggio, e a Seoul presso l’università Sejong l’11 giugno 2009. La scelta della Basilica è dovuta alla presenza della grande meridiana voluta dal papa Clemente XI Albani nel 1700, che ancora funziona e consente di fare misure di valore astrometrico. Il titolo di questi atti, ORBE NOVUS, è preso, come i precedenti, dall’epitaffio tombale di Silvestro II in Laterano, e vuole suggerire il legame con il “De Revolutionibus Orbium Coelestium” di Copernico, sebbene il contesto in cui queste parole sono tratte vuole inquadrare Gerberto nel suo ministero petrino come il nuovo pastore per tutto il mondo: UT FIERET PASTOR TOTO ORBE NOVVS. Elizabeth Cavicchi del Massachussets Institute of Technology, ha riflettuto sulle esperienze di ottica geometrica fatte da Gerberto con i tubi, nel contesto contemporaneo dello sviluppo dell’ottica nel mondo arabo con cui Gerberto era stato in contatto. -
Fixed Stars More Than the Wandering Planets Used by Modern Astrologers
Ancients used the fixed stars more than the wandering planets used by modern astrologers. With improved technical abilities due to software enhancements, the fixed stars are beginning to make a return in present day astrology. The information contained in these pages is just a sampling of the stars and their meanings. It is designed to encourage you to look at the subject in a deeper level. When you blend the meaning of the fixed stars with the natal planets in your chart, it adds a great deal of texture to the understanding of your planet/star combination. I normally use a three degree orb of influence between stars and planets, but the commonly accepted orb is only one degree. A research project I did several years ago indicated that people felt the effects of the stars from this wider distance (which can amount to millions of miles). For example, if the planet Mercury in your natal chart is at 17° Gemini, then you will find on page four that item T is the star Rigel in the Orion constellation. Stars that are in the feet of a constellation are considered to be teacher stars in that they bring higher information down to earth to be used. Mercury represents communications, education, writing, and short trips. Combined, this could be a teacher of higher information, possibly a person who travels or writes as part of the teaching process. Again, this is a partial list of stars. Listed below are some of the books and references I have used. REFERENCE: The interpretations come from Bernadette Brady’s “Book of Fixed Stars”, the Solar Maps software program http://www.bernadettebrady.com/; , Ebertin-Hoffman’s book Fixed Stars,” Vivian Robson’s “The Fixed Stars & Constellations in Astrology” and miscellaneous sources. -
The Dunhuang Chinese Sky: a Comprehensive Study of the Oldest Known Star Atlas
25/02/09JAHH/v4 1 THE DUNHUANG CHINESE SKY: A COMPREHENSIVE STUDY OF THE OLDEST KNOWN STAR ATLAS JEAN-MARC BONNET-BIDAUD Commissariat à l’Energie Atomique ,Centre de Saclay, F-91191 Gif-sur-Yvette, France E-mail: [email protected] FRANÇOISE PRADERIE Observatoire de Paris, 61 Avenue de l’Observatoire, F- 75014 Paris, France E-mail: [email protected] and SUSAN WHITFIELD The British Library, 96 Euston Road, London NW1 2DB, UK E-mail: [email protected] Abstract: This paper presents an analysis of the star atlas included in the medieval Chinese manuscript (Or.8210/S.3326), discovered in 1907 by the archaeologist Aurel Stein at the Silk Road town of Dunhuang and now held in the British Library. Although partially studied by a few Chinese scholars, it has never been fully displayed and discussed in the Western world. This set of sky maps (12 hour angle maps in quasi-cylindrical projection and a circumpolar map in azimuthal projection), displaying the full sky visible from the Northern hemisphere, is up to now the oldest complete preserved star atlas from any civilisation. It is also the first known pictorial representation of the quasi-totality of the Chinese constellations. This paper describes the history of the physical object – a roll of thin paper drawn with ink. We analyse the stellar content of each map (1339 stars, 257 asterisms) and the texts associated with the maps. We establish the precision with which the maps are drawn (1.5 to 4° for the brightest stars) and examine the type of projections used. -
Abd Al-Rahman Al-Sufi and His Book of the Fixed Stars: a Journey of Re-Discovery
ResearchOnline@JCU This file is part of the following reference: Hafez, Ihsan (2010) Abd al-Rahman al-Sufi and his book of the fixed stars: a journey of re-discovery. PhD thesis, James Cook University. Access to this file is available from: http://eprints.jcu.edu.au/28854/ The author has certified to JCU that they have made a reasonable effort to gain permission and acknowledge the owner of any third party copyright material included in this document. If you believe that this is not the case, please contact [email protected] and quote http://eprints.jcu.edu.au/28854/ 5.1 Extant Manuscripts of al-Ṣūfī’s Book Al-Ṣūfī’s ‘Book of the Fixed Stars’ dating from around A.D. 964, is one of the most important medieval Arabic treatises on astronomy. This major work contains an extensive star catalogue, which lists star co-ordinates and magnitude estimates, as well as detailed star charts. Other topics include descriptions of nebulae and Arabic folk astronomy. As I mentioned before, al-Ṣūfī’s work was first translated into Persian by al-Ṭūsī. It was also translated into Spanish in the 13th century during the reign of King Alfonso X. The introductory chapter of al-Ṣūfī’s work was first translated into French by J.J.A. Caussin de Parceval in 1831. However in 1874 it was entirely translated into French again by Hans Karl Frederik Schjellerup, whose work became the main reference used by most modern astronomical historians. In 1956 al-Ṣūfī’s Book of the fixed stars was printed in its original Arabic language in Hyderabad (India) by Dārat al-Ma‘aref al-‘Uthmānīa. -
The Magic of the Atwood Sphere
The magic of the Atwood Sphere Exactly a century ago, on June Dr. Jean-Michel Faidit 5, 1913, a “celestial sphere demon- Astronomical Society of France stration” by Professor Wallace W. Montpellier, France Atwood thrilled the populace of [email protected] Chicago. This machine, built to ac- commodate a dozen spectators, took up a concept popular in the eigh- teenth century: that of turning stel- lariums. The impact was consider- able. It sparked the genesis of modern planetariums, leading 10 years lat- er to an invention by Bauersfeld, engineer of the Zeiss Company, the Deutsche Museum in Munich. Since ancient times, mankind has sought to represent the sky and the stars. Two trends emerged. First, stars and constellations were easy, especially drawn on maps or globes. This was the case, for example, in Egypt with the Zodiac of Dendera or in the Greco-Ro- man world with the statue of Atlas support- ing the sky, like that of the Farnese Atlas at the National Archaeological Museum of Na- ples. But things were more complicated when it came to include the sun, moon, planets, and their apparent motions. Ingenious mecha- nisms were developed early as the Antiky- thera mechanism, found at the bottom of the Aegean Sea in 1900 and currently an exhibi- tion until July at the Conservatoire National des Arts et Métiers in Paris. During two millennia, the human mind and ingenuity worked constantly develop- ing and combining these two approaches us- ing a variety of media: astrolabes, quadrants, armillary spheres, astronomical clocks, co- pernican orreries and celestial globes, cul- minating with the famous Coronelli globes offered to Louis XIV. -
The Persian-Toledan Astronomical Connection and the European Renaissance
Academia Europaea 19th Annual Conference in cooperation with: Sociedad Estatal de Conmemoraciones Culturales, Ministerio de Cultura (Spain) “The Dialogue of Three Cultures and our European Heritage” (Toledo Crucible of the Culture and the Dawn of the Renaissance) 2 - 5 September 2007, Toledo, Spain Chair, Organizing Committee: Prof. Manuel G. Velarde The Persian-Toledan Astronomical Connection and the European Renaissance M. Heydari-Malayeri Paris Observatory Summary This paper aims at presenting a brief overview of astronomical exchanges between the Eastern and Western parts of the Islamic world from the 8th to 14th century. These cultural interactions were in fact vaster involving Persian, Indian, Greek, and Chinese traditions. I will particularly focus on some interesting relations between the Persian astronomical heritage and the Andalusian (Spanish) achievements in that period. After a brief introduction dealing mainly with a couple of terminological remarks, I will present a glimpse of the historical context in which Muslim science developed. In Section 3, the origins of Muslim astronomy will be briefly examined. Section 4 will be concerned with Khwârizmi, the Persian astronomer/mathematician who wrote the first major astronomical work in the Muslim world. His influence on later Andalusian astronomy will be looked into in Section 5. Andalusian astronomy flourished in the 11th century, as will be studied in Section 6. Among its major achievements were the Toledan Tables and the Alfonsine Tables, which will be presented in Section 7. The Tables had a major position in European astronomy until the advent of Copernicus in the 16th century. Since Ptolemy’s models were not satisfactory, Muslim astronomers tried to improve them, as we will see in Section 8. -
Sylvia Plath's Fixed Stars
Sylvia Plath’s Fixed Stars by Catherine Rankovic Sylvia Plath’s Fixed Stars Sylvia Plath’s birth. Plath was born October 27, 1932 at 2:10 p.m. in Boston, Massachusetts. “Fixed stars” are all the stars in the sky assigned Mathematical formulae and atlases terrestrial to the units called constellations. The brighter and sidereal permit astrologers to draw up from this information an astronomically accurate, - two-dimensional 360-degree diagram called a acter and life events. Given the resonance of natal chart or birth chart, uniquely Plath’s and the concluding words “[f]ixed stars / Govern a forever hers. [Fig. 1] It will lead us to Plath’s na- life,” in Sylvia Plath’s poem “Words,” I wanted - Western astrology, the type practiced by Plath’s husband Ted Hughes, who all his adult life used astrology as an augury and for character analy- sis. Plath’s readership will then be familiar with Plath’s natal chart, information neither Plath nor Hughes left in writing. In our century, the only excuse for attention to astrology is that there appears to be some- do “govern a life,” or whether Plath or Hughes 1 Taking the subject about as seriously as Hughes did, and using, as he did, Western astrology’s classic geocentric method, we begin with the facts of 1 Ted Hughes in the poem “A Dream,” p. 118 in Birthday Let- 15 SPECIAL FEATURE - was “psychic” or intuitive, requiring a knack, but that is never true: Chart interpretation and prognostication are skills and arts anyone can acquire through instruction, readings, case stud- ies, and practice; one might even add to the lit- erature by becoming a scholar.4 Astrologers use Plath’s natal Sun was in the zodiac sign Scorpio case studies as jurists use precedents. -
The Epoch of the Constellations on the Farnese Atlas and Their Origin in Hipparchus’S Lost Catalogue
JHA, xxxvi (2005) THE EPOCH OF THE CONSTELLATIONS ON THE FARNESE ATLAS AND THEIR ORIGIN IN HIPPARCHUS’S LOST CATALOGUE BRADLEY E. SCHAEFER, Louisiana State University, Baton Rouge 1. BACKGROUND The Farnese Atlas is a Roman statue depicting the Titan Atlas holding up a celestial globe that displays an accurate representation of the ancient Greek constellations (see Figures 1 and 2). This is the oldest surviving depiction of the original Western constellations, and as such can be a valuable resource for studying their early development. The globe places the celestial fi gures against a grid of circles (including the celestial equator, the tropics, the colures, the ecliptic, the Arctic Circle, and the Antarctic Circle) that allows for the accurate positioning of the constellations. The positions shift with time due to precession, so the observed positions on the Farnese Atlas correspond to some particular date. Also, the declination of the Arctic and Antarctic Circles will correspond to a particular latitude for the observer whose observations were adopted by the sculptor. Thus, a detailed analysis of the globe will reveal the latitude and epoch for the observations incorporated in the Atlas; and indeed these will specify enough information that we can identify the observer. Independently, a detailed comparison of the constellation symbols on the Atlas with those from the other surviving ancient material also uniquely points to the same origin for the fi gures. The Farnese Atlas1 fi rst came to modern attention in the early sixteenth century when it became part of the collection of antiquities in the Farnese Palace in Rome, hence its name. -
Astrology on the Web: Fixed Stars.English
Astrology on the Web: Fixed Stars Seite 1 Homepage Astrology Blog Star Guide Horoscopes Nude Horoscopes Tarotscopes Compatibility Astro Shop Guest Book Your Name Is No Accident Spa and love ... 27 Facts You Don't Know About Your Special spa week-end for lovers ... beauty Personality and Future. But Should! care, massages and relax. Numerologist.com www.LeroseSuiteHotel.com/index.html Click to Find It Quick! Zodiac Symbols | The Planets | About Astrology | Relationship Analysis | Signs The Fixed Stars Aries | Taurus | Gemini | Cancer | Leo | Virgo | Libra | Scorpio | Sagittarius | Capricorn | Aquarius | Pisces The Fixed Stars were so called by the ancients to distinguish them from the Planets, or Wanderers, which are heavenly bodies moving perceptibly across the sphere of the Zodiac. Fixed Stars are those which appear to be stationary, relative to the Earth (although they do advance due to precession at a rate of less than one minute per year, so needing some seventy-two years to move slightly more than one degree of Rob Tillett, the author of arc). They do not move across the ecliptic, as do planets. this article, is a poet, astrologer and musician. In the tropical cosmological picture, fixed stars do not lie within the tropical zodiac of As well as being a the signs, which is a symbolic map; they are all beyond it in the constellations. Some magician, healer, dramatist of the Fixed Stars near the ecliptic and of significant magnitude do, however, exert and composer, he is the considerable influence. The images on which our Zodiac is based are of course editor and publisher of patterns drawn from constellations of Fixed Stars, but the constellations are not Astrology on the Web exactly the same as the Signs of the Zodiac. -
Celestial Globe Fragment SK1050A
Evidence for a new interpretation of the Berlin Celestial Globe fragment SK1050A Ulrich Kuehne (Berlin) ULRICH . KUEHNE . 1 9 8 7 @ BALLIOL . ORG Version: 1.0 ABSTRACT Since Thiele (1898) the fragment SK1050A in the Neue Museum in Berlin has been interpreted as being part of an ancient vessel garnished with arbitrary astronomical ornaments. In this paper evidence is collected that the fragment was in fact part of a sophisticated astronomical instrument: (1) Structures of the fragment indicate that the celestial globe was fitted with a water-clock similar to the design by Ctesibius and that this water-clock propelled an astronomical model of the universe. (2) Iconographic parallels between SK1050A and the Atlas Farnese suggest that the latter was intended to be a replica of the Berlin celestial globe. (3) The arrangement of the ‘star-markings’ on SK1050A might be explained as geometrical constructions to establish spherical coordinate transformations. In consequence, SK1050A appears to be the product of a profound astronomer while some evidence beyond that prompts the hypothesis that the fragment is from the celestial globe of Archimedes. CONTENTS I. The traditional interpretation of SK1050A by Georg Thiele (1898) II. Towards an new interpretation of SK1050A a. SK1050A as part of a water-clock b. A comparison of SK1050A and the Atlas Farnese c. The astronomical engravings on SK1050A (i) The placement of the constellation figures (ii) The placement of the 16 ‘star-markings’ III. Open questions Appendix: Figures Ulrich Kühne SK1050A_100.odt 28.09.2011 14:49 page 1 I. T HE TRADITIONAL INTERPRETATION OF SK1050A BY G EORG THIELE (1898) The Berlin Celestial Globe (BCG) fragment was bought 1889 by the Antikensammlung Berlin from unknown provenance and is listed with inventory number SK1050A. -
The Universe Mechanized
08/12/2016 1 08/12/2016 Pergamum Syracuse Rhodos Alexandria 2 08/12/2016 3 08/12/2016 Hipparchus Euclides Heron Apollonius of Perga Aristarchus Ptolemaeus Eratosthenes Archimedes 4 08/12/2016 Various astronomers made significant, even amazing, contributions. Noteworthy examples: ∑ Aristarchus of Samos ‐ Heliocentric Universe ‐ distance Moon & Sun ‐ size Sun ∑ Archimedes ‐ Planisphere/Planetarium ? ∑ Eratosthenes ‐ Diameter Earth ∑ Hipparchus ‐ multitude essential contributions Problematic is the loss of nearly all, except for a few, of the books and works they have written … 5 08/12/2016 “On the Sizes & Distances of the Sun and Moon ”: Only one work of Aristarchus survives: On the Sizes and the Distances of the Sun and Moon First mathematically based attempt to measure distance Earth‐Sun, thus First attempt to measure scale Universe Based upon geocentric view of Universe On the Sizes and the Distances Greek copy 10th century 6 08/12/2016 Aristarchus' geometric construction used to estimate the distance to the Sun. Earth (E) –Sun (S)‐Moon (M) triangle and sizes are not drawn to scale. Measure angle b: c = 90±‐b EM/ES = sin(c) Aristarchus: b = 87± real value: b = 89±50 ES = 19 EM real value: ES = 397 EM Numerically, very unstable procedure, reason for huge error. Nonetheless, On the Sizes and the Distances Greek copy 10th century Aristarchus' estimate of size Sun: angular diameter Sun ~ angular diameter Moon Dist. Earth‐Sun = 19 Dist. Earth‐Moon size Sun = 19 x size Moon size Sun > size Earth On the Sizes and the Distances Greek copy 10th century 7 08/12/2016 Archimedes, “the Sand Reckoner” (~200 BCE): You King Gelon are aware the ‘universe' is the name given by most astronomers to the sphere the center of which is the center of the Earth, while its radius is equal to the straight line between the center of the Sun and the center of the Earth. -
Science on Stage in Early Modern Spain
Science on Stage in Early Modern Spain EDITED BY ENRIQUE GARCIA SANTO-TOMAS UNIVERSITY OF TORONTO PRESS Toronto Buffalo London 1 From Mesopotamia to Madrid: The Legacy of Ancient and Medieval Science in Early Modern Spain1 RYAN SZPIECH University of Michigan Introduction: From Abentumet to Albumasar Lope de Vega's La desdichada Estefania (Unfortunate Stephanie, 1604) dra matizes the legend of Estefania Alonso "la desdichada" (d. 1180), the illegitimate daughter of Alfonso VII of Leon who was killed by her hus band Castro for what he tho\lght was infidelity. The misunderstanding comes about when Estefania's slave Isabel, a "cautiva de la frontera" (captive from the frontier, i.e., of Muslim background) (1. 593; Kennedy, Lope 112), disguises herself as her mistress and receives Castro's rival Fortunio (Fortune), who sleeps with her believing she is Estefania. Cas tro, hearing rumours of betrayal, pursues the disguised Isabel, who takes refuge -by hiding under Estefania's bed, where her mistress is asleep with Castro's baby. Castro bursts into the bedroom and, in a fit of blind rage, killshis wife before she ever learns of the rumours of her infamy, after which Isabel emerges and confesses her deception. This complex plot involves disguise, mistaken identity, and "passing" - numerous scenes depict Christians disguised as Muslims and vice versa - and dramatizes a palpable anxiety, expressed in terms of seduction and sexual honour, over the easy confusion of the foreign with the domestic, Muslim with Christian. Significantly, the main story of false identities and misplaced jealousies takes place against the back drop of the imminent Almohad invasion of the peninsula (1147), with part of the plot unfolding in Morocco, where Castro and Fortunio meet for a duel.