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“Strauss También Amaba La Voz Del Barítono” Rosalía Chalacha Granados COMPOSITORES Pro Ópera

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“Strauss También Amaba La Voz Del Barítono” Rosalía Chalacha Granados COMPOSITORES Pro Ópera www.proopera.org.mx • año XXVII • número 6 • noviembre – diciembre 2019 • sesenta pesos CRÍTICA Das Rheingold en la UNAM La fanciulla del West en Bellas Artes FESTIVALES IMPULSO en la UNAM ENTREVISTAS Karla Álvarez Centeno Mariana Sofía García Ingrid Novoa Diego Torre ENTREVISTAS EN LÍNEA Sasha Cooke Matthew Wild Michael Volle “Strauss también amaba la voz del barítono”pro opera¾ DIRECTORIO REVISTA COMITÉ EDITORIAL Adriana Alatriste índice Luis Gutiérrez Ruvalcaba Charles H. Oppenheim 4 En breve FUNDADOR Y DIRECTOR EMÉRITO Xavier Torres Arpi CRÍTICA 7 Das Rheingold en la UNAM EDITOR Charles H. Oppenheim 8 Ópera en México [email protected] CORRECCIÓN DE ESTILO FESTIVALES 8 Darío Moreno 12 Dido trasciende COLABORAN EN ESTE NÚMERO Juan Arturo Brennan PROTAGONISTAS Luis Gutiérrez Ruvalcaba 16 Diego Torre: “Regresé a México Ingrid Haas interpretando el papel de un mexicano” Ramón Jacques Jacobo Kaufmann José Noé Mercado CRÍTICA Hugo Roca Joglar 19 La fanciulla del West en Bellas Artes Ximena Sepúlveda Octavio Sosa Jorge Vázquez Pacheco MEMORIAS DEL PALACIO Luz Vizcarra 20 Plácido Domingo, a 60 años de su debut en Bellas Artes www.proopera.org.mx. 23 Ópera en los estados 16 CORRESPONSALES EN ESTE NÚMERO EN PRIMERA PERSONA Oxana Arkaeva 25 Una rara cantata de Rossini Francesco Bertini Jorge Binaghi Marco Bracamontes CANTO FRESCO Fabiana Crepaldi 27 Mariana Sofía García: Pedro-Octavio Díaz “Pienso en las heroínas de Mozart y Rossini” Daniel Lara Maria Nockin Gustavo Gabriel Otero ENTREVISTA Joel Poblete 28 Ingrid Novoa y The Nu Opera: Massimo Viazzo Una nueva manera de producir y promover artistas DISEÑO GRAFICO Ida Noemí Arellano Bolio 32 México en el mundo DISEÑO PÁGINA WEB 27 Christiane Kuri – Espacio Azul OBITUARIOS 33 Adelaida Negri y Marco Antonio Saldaña WEBMASTER Ricardo Gil Rizo VOCES IMPRESION 34 Karla Álvarez Centeno: Grupo Gama. Soluciones Integrales. “Cantar ópera, pop y musicales tiene su chiste” GERENTE Carlos de la Garza PORTADA 36 Michael Volle: ASISTENTE “Strauss también amaba la voz del barítono” Rosalía Chalacha Granados COMPOSITORES Pro Ópera. Periodicidad bimestral. 40 Émile Jonas y Francesca Caccini Año XXVII número 6 noviembre-diciembre 2019. 36 Certificado de Reserva de Derechos al Uso Exclusivo de Pro Ópera, A.C.: 04-2008-061711331300-102. ELUCUBRACIONES Certificado de Licitud de Título No. 13084 44 El repertorio y la puesta en escena de óperas PORTADA y Certificado de Licitud de Contenido No. 10657, ambos de fecha 20 de Abril de 2005 Michael Volle y con número de Expediente 1 / 432-05/16969, DISCOS ante la Comisión Calificadora de Publicaciones 47 L’ange de Nisida de Donizetti; Elīna Garanča: Foto: y Revistas Ilustradas. Publicada por Pro Ópera, A. C. Domicilio de la publicación: Sol y Vida; Levy Sekgapane: Giovin Fiamma Carsten Sander Thiers 273-A, Col. Anzures, 11590, México, D.F. Teléfonos: 5254-4820, 5254-4825 y 5254-4826. www.proopera.org.mx www.proopera.org.mx E-mail: [email protected]. Entrevistas en línea Editor responsable: Pro Ópera, A.C. Entrevistas exclusivas con la mezzosoprano estadounidense Sasha Cooke y con Impreso por: Grupo Gama. Soluciones Integrales. Pascual Orozco 53. Col. San Miguel Iztacalco. Matthew Wild, director artístico de la Cape Town Opera, en Sudáfrica. 08650 México, D. F. El contenido de los artículos es responsabilidad Ópera en el mundo exclusiva de los autores. Reseñas de óperas y conciertos en los principales teatros de América y Europa. Todos los derechos están reservados. Prohibida la reproducción parcial o total del contenido sin el Otras voces consentimientonoviembre-diciembre por escrito de los editores. 2019 Reseñas de Das Rheingold en la UNAM, y La fanciulla del West enpro Bellas ópera Artes. BENEFICIOS PRO OPERA, A.C. PRESIDENTE HONORARIO CONSEJO DE HONOR Ramón Vargas José Carral Escalante CONSEJO DIRECTIVO Leonardo Curzio Gutiérrez Gerardo Estrada Rodríguez PRESIDENTE Javier Lozano Alarcón Adriana Alatriste Lozano Carlos Francisco de la Mora Navarrete SECRETARIO Gerardo Suárez Reynoso Carlos Müggenburg Rodríguez Vigil Sergio Vela Treviño TESORERA EX PRESIDENTES Juanita Ayala Aranda Antonio y Josephine Dávalos (qepd) VOCALES Ignacio Sunderland José Galindo Monroy Elías Sheinberg Ana Elena Guerra Quintanilla Adolfo Patrón Luján Luis Gutiérrez Ruvalcaba Luis Rebollar Corona Marilú Herrera Benjamín Backal (qepd) Víctor Ortiz Ensástegui Ignacio Orendain Kunhardt Luis Alfredo Perezcano María Luisa Serrato de Chávez Ernesto Rimoch Lewinberg Anuar Charfén Pría David Rimoch Saraga Othón Canales Treviño Pro Ópera es una asociación civil sin fines de lucro que tiene como misión promover la afición y lograr que haya ópera de calidad en México. Para cumplir con esta misión Nuestros asociados recaba donativos con autorización del Servicio de Administración Tributaria para entregar recibos deducibles de impuestos. A cambio de estos donativos, la asociación otorga los BENEFACTORES DONADORES siguientes beneficios, según cada categoría: Manuel Álvarez y Loyzaga Adriana Alatriste Othón Canales Treviño José Galindo Monroy Benefactores Anuar Charfen Pría Ramón Pedroza Meléndez Luis Gutiérrez Ruvalcaba Felipe García Fricke Aportan un donativo anual de $50,000 pesos o más, y tienen como beneficio el derecho Marilú Herrera Roberto Gómez Aguado a reservar seis boletos en lugares fijos y cuatro adicionales en lugares preferentes para Yamile E. Kuri Harfush Bruno J. Newman Flores cada título de ópera en el Palacio de Bellas Artes. Jacques Levy Gloria Niño de Rivera Gumaro Lizárraga Martínez Ignacio Orendain Kunhardt Patrocinadores Ausencio Lomelín Luis Rebollar Corona Samuel Rimoch (qepd) Ana Stella Uhthoff (qepd) Aportan un donativo anual de $35,000 pesos o más, y tienen como beneficio el derecho López Velarde, Heftye y Soria. S.C. a reservar cuatro boletos en lugares fijos y cuatro adicionales en lugares preferentes para cada título de ópera en el Palacio de Bellas Artes. PATROCINADORES AFICIONADOS Peter Bauer Mengelberg Antonio Amerlinck Contribuyentes López Ricardo Bastón Fernando y Catalina Díaz Simon Blondin Aportan un donativo anual de $20,000 pesos o más, y tienen como beneficio el derecho Lombardo Margarita Díaz Rubio a reservar cuatro boletos en lugares fijos y dos adicionales en luneta 1 en lugares Víctor Ortiz Ensástegui Guillermo Flores Martínez preferentes para cada título de ópera en el Palacio de Bellas Artes. Roberto Núñez y Bandera Alicia García Cobos de Clark Santiago Paredes Fernanda Godínez Amigos José Alfredo Santos Asseo Eduardo Pérez Varona Casa Córdoba Eduardo Roldán Machaen Aportan un donativo anual de $15,000 pesos o más, y tienen como beneficio el derecho Teresa Soria a reservar dos en lugares fijos y dos más en luneta 1 en lugares preferentes para cada Carmen Sunderland CONTRIBUYENTES título de ópera en el Palacio de Bellas Artes. José Coballasi SIMPATIZANTES Rodolfo Kahn Pablo Becerril Donadores Andrea Labastida Mora Yomtov y Eugenia Béjar Mónica Buentello Aportan un donativo anual de $10,000 pesos o más, y tienen como beneficio el derecho Carlos y Mayra Müggenburg Roberto Núñez y Bandera Yolanda Chemor a reservar cuatro boletos en luneta 1 en lugares disponibles para cada título de ópera en Irma Dubost (qepd) el Palacio de Bellas Artes. Jorge Pinto Mazal Francisco Pallach Poupa Blanca Galindo Alfonso Solloa Junco Fernando González Aguilar Aficionados Rocío González Aportan un donativo anual de $8,000 pesos o más, y tienen como beneficio el derecho Ana Elena Guerra Quintanilla AMIGOS Renée Guindi a reservar dos boletos en luneta 2 en lugares disponibles para cada título de ópera en el Juanita Ayala Vicky Guindi Palacio de Bellas Artes. Juan Fábrega Cardelus Luz María Llorente Susana Romero de Chávez Ana María Mancisidor Beneficios generales para los socios de Pro Ópera: Raúl de J. Ramírez Degollado Manuel Marrón Jorge Antonio Salgado Jorge Alejandro Montes Jiménez • Información anticipada y reservación de boletos en preventa para las funciones Martínez de ópera organizadas por Pro Ópera y la Ópera de Bellas Artes. Natalia Peralta de Macías Adriana Salinas Julia Ruth Puga Luna • Suscripción por un año a la revista Pro Ópera. Jorge Antonio Sánchez Elena Quintanilla • Derecho de reservación para viajes de Pro Ópera en México y el extranjero. Cordero Dávila Cecilia Reyes Retana • Derecho de reservación para ciclos de conferencias de Pro Ópera. Rafael Sánchez Fontan Paulette Roffe de Marcus • Invitación a ensayos generales abiertos. David y Jennie Serur María Luisa Serrato de Chávez • Recibo deducible de impuestos. Aurel Zoepnek Marco A. Valle Informes: pro ópera [email protected] 2019 EN BREVE Carmen en Xalapa Los pasados 19 y 20 de octubre, se presentó en el centro cultural Ángel Macías en Marmande Tlaqná de Xalapa la ópera Carmen con un elenco encabezado por El joven tenor Gabriela Flores, Armando Mora (Don José), Gabriel Morera regiomontano Ángel (Escamillo), Claraliz Mora (Micaëla), así como Tania Solís, Rita Macías, ganador María Hernández, Pablo Camargo, Alejandro García y Paolo del primer lugar en Pagnozzi en los comprimarios. el Concurso de la Ópera de San Miguel 2019, ganó también pase automático para la semifinal del Concurso Internacional de Canto en Marmande, Francia, en el que participaron 56 cantantes de todo el mundo. Macías avanzó a la final de 10 cantantes, que se transmitió en vivo vía internet y donde el Ángel Macías ganó el premio de Redes público pudo votar, y Sociales en Marmande ganó el premio de Redes Sociales. De regreso en México, el tenor cantó el rol de Harry en La fanciulla del West en Bellas
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