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Magic in the Biblical World,” Tyndale Bulletin 34 (1983): 169-200
Edwin M. Yamauchi, “Magic in the Biblical World,” Tyndale Bulletin 34 (1983): 169-200. Magic in the Biblical World Edwin M. Yamauchi The Institute for Biblical Research lecture, 1981 [p.169] I INTRODUCTION There can be no doubt that both the Old Testament and the New Testament were born in environments permeated with magical beliefs and practices.1 It should come as no surprise to find Moses contesting with magicians in Egypt, later identified as Jannes and Jambres (2 Tim. 3:6-8),2 as magic was a dominant factor in Egyptian [p.170] culture.3 For Egyptians to attain to an afterlife they had to provi6e themselves with magical incantations such, as the Pyramid Texts in the Old Kingdom, the Coffin Texts in the Middle Kingdom. and the Book of the dead in the New Kingdom.4 Magic was also a potent force in 5 other contemporary cultures, such as that of the Hittites. 1 Magic is distinct from but closely related to ‘divination’, the foretelling of the future by various signs. See my essay, ‘Divination in the Biblical World’, presented to the American Scientific Affiliation, August. 102. My own interest in the subject of magic has grown out of the research for my dissertation, published as Mandaic Incantation Texts [hereafter MIT] (New Haven: American Oriental Society, 1967). As I included an extensive bibliography on magic in this volume (pp. 372-395), 1 will for the most part refrain from repeating titles listed there. I am indebted to a fellowship from the Institute for Advanced Christian Studies for aid in continued research on ancient magic and divination. -
Almost-Magic Stars a Magic Pentagram (5-Pointed Star), We Now Know, Must Have 5 Lines Summing to an Equal Value
MAGIC SQUARE LEXICON: ILLUSTRATED 192 224 97 1 33 65 256 160 96 64 129 225 193 161 32 128 2 98 223 191 8 104 217 185 190 222 99 3 159 255 66 34 153 249 72 40 35 67 254 158 226 130 63 95 232 136 57 89 94 62 131 227 127 31 162 194 121 25 168 200 195 163 30 126 4 100 221 189 9 105 216 184 10 106 215 183 11 107 214 182 188 220 101 5 157 253 68 36 152 248 73 41 151 247 74 42 150 246 75 43 37 69 252 156 228 132 61 93 233 137 56 88 234 138 55 87 235 139 54 86 92 60 133 229 125 29 164 196 120 24 169 201 119 23 170 202 118 22 171 203 197 165 28 124 6 102 219 187 12 108 213 181 13 109 212 180 14 110 211 179 15 111 210 178 16 112 209 177 186 218 103 7 155 251 70 38 149 245 76 44 148 244 77 45 147 243 78 46 146 242 79 47 145 241 80 48 39 71 250 154 230 134 59 91 236 140 53 85 237 141 52 84 238 142 51 83 239 143 50 82 240 144 49 81 90 58 135 231 123 27 166 198 117 21 172 204 116 20 173 205 115 19 174 206 114 18 175 207 113 17 176 208 199 167 26 122 All rows, columns, and 14 main diagonals sum correctly in proportion to length M AGIC SQUAR E LEX ICON : Illustrated 1 1 4 8 512 4 18 11 20 12 1024 16 1 1 24 21 1 9 10 2 128 256 32 2048 7 3 13 23 19 1 1 4096 64 1 64 4096 16 17 25 5 2 14 28 81 1 1 1 14 6 15 8 22 2 32 52 69 2048 256 128 2 57 26 40 36 77 10 1 1 1 65 7 51 16 1024 22 39 62 512 8 473 18 32 6 47 70 44 58 21 48 71 4 59 45 19 74 67 16 3 33 53 1 27 41 55 8 29 49 79 66 15 10 15 37 63 23 27 78 11 34 9 2 61 24 38 14 23 25 12 35 76 8 26 20 50 64 9 22 12 3 13 43 60 31 75 17 7 21 72 5 46 11 16 5 4 42 56 25 24 17 80 13 30 20 18 1 54 68 6 19 H. -
Magic’ September 17, 2018 Version 1.5-9 Date 2018-09-14 Title Create and Investigate Magic Squares Author Robin K
Package ‘magic’ September 17, 2018 Version 1.5-9 Date 2018-09-14 Title Create and Investigate Magic Squares Author Robin K. S. Hankin Depends R (>= 2.10), abind Description A collection of efficient, vectorized algorithms for the creation and investigation of magic squares and hypercubes, including a variety of functions for the manipulation and analysis of arbitrarily dimensioned arrays. The package includes methods for creating normal magic squares of any order greater than 2. The ultimate intention is for the package to be a computerized embodiment all magic square knowledge, including direct numerical verification of properties of magic squares (such as recent results on the determinant of odd-ordered semimagic squares). Some antimagic functionality is included. The package also serves as a rebuttal to the often-heard comment ``I thought R was just for statistics''. Maintainer ``Robin K. S. Hankin'' <[email protected]> License GPL-2 URL https://github.com/RobinHankin/magic.git NeedsCompilation no Repository CRAN Date/Publication 2018-09-17 09:00:08 UTC R topics documented: magic-package . .3 adiag . .3 allsubhypercubes . .5 allsums . .6 apad.............................................8 apl..............................................9 1 2 R topics documented: aplus . 10 arev ............................................. 11 arot ............................................. 12 arow............................................. 13 as.standard . 14 cilleruelo . 16 circulant . 17 cube2 . 18 diag.off . 19 do.index . 20 eq .............................................. 21 fnsd ............................................. 22 force.integer . 23 Frankenstein . 24 hadamard . 24 hendricks . 25 hudson . 25 is.magic . 26 is.magichypercube . 29 is.ok . 32 is.square.palindromic . 33 latin . 34 lozenge . 36 magic . 37 magic.2np1 . 38 magic.4n . 39 magic.4np2 . 40 magic.8 . 41 magic.constant . -
Cumorah Messenger
Volume 5, Issue 2 The Sator Square June 15, 2011 By Neil Steede © 2011 The project that has absorbed most of then it had only about 30 years to travel my time as late is called The Mayan Magi around the Mediterranean Sea from Israel to Mission which asserts that the three Magi the west side of Italy to reach Pompeii. For of nativity lore were from the Maya lands most scholars this is not enough time for the of Mesoamerica, and in recent months I migration of this icon. have researched and determined that the The Sator Square is composed of 25 Revelation of the Magi manuscript was smaller squares placed in a 5 by 5 arrange- also written by these men. ment. Each of the 25 squares One of the unique features of contains a letter, thus each of the Magi manuscript is a very the five rows of five letters large cryptogram, the re- each render a five-letter word. search for which has now led Those five-letter words are me to an encounter with a SATOR, AREPO, TENET, well-documented cryptogram OPERA and ROTAS. The known as the Sator Square. words are fit into the larger Many researchers consider square in such a way as to cre- this cryptogram to be very ate a palindrome. True palin- early Christian. In fact, it is dromes are extremely rare and so early that others have cho- it is believed that the Sator sen to classify it as some- Square is the only Latin lan- thing from the Mithras relig- guage five-letter word palin- ion instead of Christian. -
THE ZEN of MAGIC SQUARES, CIRCLES, and STARS Also by Clifford A
THE ZEN OF MAGIC SQUARES, CIRCLES, AND STARS Also by Clifford A. Pickover The Alien IQ Test Black Holes: A Traveler’s Guide Chaos and Fractals Chaos in Wonderland Computers and the Imagination Computers, Pattern, Chaos, and Beauty Cryptorunes Dreaming the Future Fractal Horizons: The Future Use of Fractals Frontiers of Scientific Visualization (with Stuart Tewksbury) Future Health: Computers and Medicine in the 21st Century The Girl Who Gave Birth t o Rabbits Keys t o Infinity The Loom of God Mazes for the Mind: Computers and the Unexpected The Paradox of God and the Science of Omniscience The Pattern Book: Fractals, Art, and Nature The Science of Aliens Spider Legs (with Piers Anthony) Spiral Symmetry (with Istvan Hargittai) The Stars of Heaven Strange Brains and Genius Surfing Through Hyperspace Time: A Traveler’s Guide Visions of the Future Visualizing Biological Information Wonders of Numbers THE ZEN OF MAGIC SQUARES, CIRCLES, AND STARS An Exhibition of Surprising Structures across Dimensions Clifford A. Pickover Princeton University Press Princeton and Oxford Copyright © 2002 by Clifford A. Pickover Published by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press, 3 Market Place, Woodstock, Oxfordshire OX20 1SY All Rights Reserved Library of Congress Cataloging-in-Publication Data Pickover, Clifford A. The zen of magic squares, circles, and stars : an exhibition of surprising structures across dimensions / Clifford A. Pickover. p. cm Includes bibliographical references and index. ISBN 0-691-07041-5 (acid-free paper) 1. Magic squares. 2. Mathematical recreations. I. Title. QA165.P53 2002 511'.64—dc21 2001027848 British Library Cataloging-in-Publication Data is available This book has been composed in Baskerville BE and Gill Sans. -
Franklin Squares ' a Chapter in the Scientific Studies of Magical Squares
Franklin Squares - a Chapter in the Scienti…c Studies of Magical Squares Peter Loly Department of Physics, The University of Manitoba, Winnipeg, Manitoba Canada R3T 2N2 ([email protected]) July 6, 2006 Abstract Several aspects of magic(al) square studies fall within the computa- tional universe. Experimental computation has revealed patterns, some of which have lead to analytic insights, theorems or combinatorial results. Other numerical experiments have provided statistical results for some very di¢ cult problems. Schindel, Rempel and Loly have recently enumerated the 8th order Franklin squares. While classical nth order magic squares with the en- tries 1::n2 must have the magic sum for each row, column and the main diagonals, there are some interesting relatives for which these restrictions are increased or relaxed. These include serial squares of all orders with sequential …lling of rows which are always pandiagonal (having all parallel diagonals to the main ones on tiling with the same magic sum, also called broken diagonals), pandiagonal logic squares of orders 2n derived from Karnaugh maps, with an application to Chinese patterns, and Franklin squares of orders 8n which are not required to have any diagonal prop- erties, but have equal half row and column sums and 2-by-2 quartets, as well as stes of parallel magical bent diagonals. We modi…ed Walter Trump’s backtracking strategy for other magic square enumerations from GB32 to C++ to perform the Franklin count [a data…le of the 1; 105; 920 distinct squares is available], and also have a simpli…ed demonstration of counting the 880 fourth order magic squares using Mathematica [a draft Notebook]. -
Il Quadrato Magico Sator (A
http://stenterellonewsletter.blogspot.it/ Anno II - Marzo 2015 - Roccella Roccella ItalyJonica, - Graphic Design Vincenzo Asprea, Architect Le celle della Risera di San Sabba a Trieste SOMMARIO Ragionevoli dubbi (C.L. Ciapetti) .............. …….. ... 5 Editoriale (O. Bartoli) ............................. .. ……….. 2 Un esempio di labirinto in Borges (V.Asprea.) .. .. 11 Simbolo e allegoria del labirinto (V. Asprea)... ….. 3 Il Quadrato Magico Sator (A. N.) ............. ……… ...12 EDITORIALE Gli incontri telematici d’oltre Atlantico icordo bene che una mattina di poco più di quattro anni fa mi alzai con un inter- R rogativo che il primo caffè della giornata non riuscì ad eliminare del tutto. A cosa servono - mi domandai - i gemellaggi tra Logge diverse se, poi, dopo la cerimonia con scambi di targhe e pergamene, praticamente non ci si incontra quasi più salvo sporadiche e fortuite occasioni? Il dubbio mattiniero si rafforzava via via se il pensiero si soffermava al suggello di gemellaggi tra Logge dislocate in Obbedienze e continenti diversi. Labirinto della Cattedrale di San Martino a Lucca (XI - XII Secolo) Da qui, ecco l’uovo di Colombo! Visto che Skype funziona sempre meglio - pensai - chi ci impedisce di organizzare incontri telematici che, pur nel rispetto dei rispettivi el ricordare, qui di seguito, il primo fusi orari, diventino un’occasione di reciproca affermazione del carattere universale N articolo della legge 211/2000 che in Italia ha istituito il “Giorno della Memo- della nostra Fratellanza? >> >> ria” in questo numero il “Labirinto” è la metafora sulle difficoltà dell’uomo co- EDITORIAL stantemente vocato alla ricerca del The Digital Meetings Across the Atlantic percorso della luce e dell’illuminazione still remember it well. -
Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion
REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION By Copyright 2016 Janet C. Chen Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Marsha Haufler ________________________________ Amy McNair ________________________________ Sherry Fowler ________________________________ Jungsil Jenny Lee ________________________________ Keith McMahon Date Defended: May 13, 2016 The Dissertation Committee for Janet C. Chen certifies that this is the approved version of the following dissertation: REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION ________________________________ Chairperson Marsha Haufler Date approved: May 13, 2016 ii Abstract As the first comprehensive art-historical study of the Qing poet Yuan Mei (1716–97) and the female intellectuals in his circle, this dissertation examines the depictions of these women in an eighteenth-century handscroll, Thirteen Female Disciples Seeking Instructions at the Lake Pavilion, related paintings, and the accompanying inscriptions. Created when an increasing number of women turned to the scholarly arts, in particular painting and poetry, these paintings documented the more receptive attitude of literati toward talented women and their support in the social and artistic lives of female intellectuals. These pictures show the women cultivating themselves through literati activities and poetic meditation in nature or gardens, common tropes in portraits of male scholars. The predominantly male patrons, painters, and colophon authors all took part in the formation of the women’s public identities as poets and artists; the first two determined the visual representations, and the third, through writings, confirmed and elaborated on the designated identities. -
Las Ruinas Enterradas De Pompeya Y Un Antiguo Ejemplar Enigmático De Epigrafía Fortuita Romana
DOCUMENTA & INSTRUMENTA, 2 (2004), PP. 173-192 LAS RUINAS ENTERRADAS DE POMPEYA Y UN ANTIGUO EJEMPLAR ENIGMÁTICO DE EPIGRAFÍA FORTUITA ROMANA THE SUNKEN RUINS OF POMPEII AND AN AGE-OLD ENIGMATIC SPECIMEN OF ROMAN INCIDENTAL EPIGRAPHY CARLOS PÉREZ-RUBÍN Resumen: Artículo en el cual se ofrece una visión general de las tempranas excavaciones arqueológicas españolas en el Golfo de Nápoles y en otros lugares (siglo XVIII) así como un análisis a fondo y un intento, debidamente documentado, por elucidar definitivamente el famoso cuadrado enigmático ROTAS-SATOR hallado dos veces en Pompeya (siglo XX) y en otras ruinas a lo largo del Imperio Romano. Palabras clave: Alcubierre, Arqueología, Círculo (Cuadratura del), Cruz (Griega), Cuadrado Mágico, Encrucijada, Excavaciones, Gnosticismo (Cristiano), Herculano, Laberinto, Mandala, Metafísica, Mismidad, Nápoles (Reino de), Palenque, Pompeya, Psicología (Profunda), Rotas- Sator y Rueda Solar. Abstract: An article giving a brief overview of early (18th century) Spanish archaeological excavations on the Gulf of Naples and elsewhere, as well as an in-depth analysis of, “and a properly documented attempt at”, finally elucidating the famous enigmatic ROTAS-SATOR square found twice at Pompeii (20th century) and at other ruins over the length of the Roman Empire. Keywords: Alcubierre, Archaeology, Circle (Squaring the), Cross (Greek), Crossroads, Excavations, Gnosticism (Christian), Herculaneum, Labyrinth, Magic Square, Mandala, Metaphysics, Naples (Kingdom of), Palenque, Pompeii, Psychology (Depth), Rotas-Sator, Selfhood and Sunwheel. EARLY EXCAVATIONS IN POMPEII As American writer Ignatius Donnelly (†1901) commented in 1882, [...] “for a thousand years it was believed that the cities of Herculaneum and Pompeii were CARLOS PÉREZ-RUBÍN myths”. That, incidentally, was just the case also with Troy which was discovered by Schliemann, the German archaeologist at that time (late 19th century), and with Ur, which was discovered by Sir C.L. -
COLIN J. HEMER the Manchester Rotas-Sator Square Dr Hemer, Who
COLIN J. HEMER The Manchester Rotas-Sator Square Dr Hemer, who has long been interested in this fascinating magic square, comments on its recent discovery in Manchester and on its probable Christian origin. A wet afternoon at a muddy redevelopment site in the heart of Manchester hardly seems a plausible setting for an archaeological discovery of potential importance for the early history of Christianity. There are, as we shall see, tantalizing problems of interpretation which make it premature to build too much on debatable possibilities. But the find may prove to throw light on questions of far-reaching significance, and we await with the keenest interest the results of tests currently being carried out. A worker at a rescue dig off Deansgate, Manchester, at the end of June 1978, unearthed a large sherd of coarse Roman pottery, measuring some seven inches by three and a half, caked with mud, but bearing traces of large lettering scratched on its surface. After cleaning, the word OPERA appeared clearly across the centre of the surface, and above it the word ROTAS, broken at the top but clearly enough legible. A third line was fragmentary, preserving only the upper parts of five letters which may be restored as TENET. This peculiar sequence of letters is sufficient to permit recognition of the well-known "magic square" whose complete form reads: ROT A S OPERA TEN ET ARE PO SAT 0 R 36 Hemer - Square 37 The letters of this square read alike forwards or backwards, up or down. Apart from the sequence AREPO, the lines all read as intelligible Latin words, and the whole may at a pinch be translated as a meaningful sentence: "Arepo the sower (sator) holds (tenet) the wheels (rotas) with care (opera)". -
An Early Christian Cryptogram?
CCHA, Report, 26 (1959), 29-41 An Early Christian Cryptogram? Duncan FISHWICK, M.A. University of St. Michael’s College, Toronto Serious investigation of the origin and nature of the Rotas-Sator square began in 1881 with the publication of Köhler’s historical survey in Zeitschrift für Ethnologie.1 A vigorous and protracted debate has been illuminated from time to time by the brilliant researches of modem archaeology; but despite almost eighty years of academic controversy no conclusive solution has yet been found to the mystery of the ‘magic square’. This construction was a cryptic rebus which appears in two different forms, an earlier and a later. Both consist of a symmetrical combination of five words, each of five letters, the whole forming a square which can be read in four different directions. ROTAS SATOR OPERA AREPO TENET TENET AREPO OPERA SATOR ROTAS The formula has a long history. The earliest text was at one time thought to be a Copic papyrus of the fourth or fifth century A.D.,2 but recent discoveries have now dated it in the Roman period. During the campaign of 1931-2, excavations at Dura-Europus on the Euphrates, conducted under Rostovtzeff by Yale University and the French Academy of Inscriptions and Letters, unearthed three specimens on the walls of a military office in what had originally been the temple of Azzanathkona.3 The following year a fourth was discovered, all of which must have been inscribed before the Persians destroyed Dura soon after A.D. 256. The finds at Dura vindicated a third or fourth century British specimen scratched on a fragment of wall plaster from Victoria Road, Cirencester, in Gloucestershire. -
The Roman World, An
Durham E-Theses The origins of Christmas and epiphany, and the position of the feasts in the Christian calendar Roberts, Mark How to cite: Roberts, Mark (1996) The origins of Christmas and epiphany, and the position of the feasts in the Christian calendar, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/5342/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 THE ORIGINS OF CHRISTMAS AND EPIPHANY, AND THE POSITION OF THE FEASTS IN THE CHRISTIAN CALENDAR For the degree of MASTER OF ARTS by thesis The copyright of this thesis rests with the author. No quotation from it should be published without the written consent of the author and information derived from it should be acknowledged. Mark Roberts St Chad's College University of Durham 1996 - 6 OCT 1997 Abstract THE ORIGINS OF CHRISTMAS AND EPIPHANY, AND THE POSITION OF THE FEASTS IN THE CHRISTIAN CALENDAR For the degree of Master of Arts Mark Roberts St Chad's College University of Durham 1996 This thesis primarily seeks to discuss the arguments concerning the origins of Christnws and Epiphany and the dates on which the feasts came to be celebrated in the liturgical year.