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Magic in the Biblical World,” Tyndale Bulletin 34 (1983): 169-200
Edwin M. Yamauchi, “Magic in the Biblical World,” Tyndale Bulletin 34 (1983): 169-200. Magic in the Biblical World Edwin M. Yamauchi The Institute for Biblical Research lecture, 1981 [p.169] I INTRODUCTION There can be no doubt that both the Old Testament and the New Testament were born in environments permeated with magical beliefs and practices.1 It should come as no surprise to find Moses contesting with magicians in Egypt, later identified as Jannes and Jambres (2 Tim. 3:6-8),2 as magic was a dominant factor in Egyptian [p.170] culture.3 For Egyptians to attain to an afterlife they had to provi6e themselves with magical incantations such, as the Pyramid Texts in the Old Kingdom, the Coffin Texts in the Middle Kingdom. and the Book of the dead in the New Kingdom.4 Magic was also a potent force in 5 other contemporary cultures, such as that of the Hittites. 1 Magic is distinct from but closely related to ‘divination’, the foretelling of the future by various signs. See my essay, ‘Divination in the Biblical World’, presented to the American Scientific Affiliation, August. 102. My own interest in the subject of magic has grown out of the research for my dissertation, published as Mandaic Incantation Texts [hereafter MIT] (New Haven: American Oriental Society, 1967). As I included an extensive bibliography on magic in this volume (pp. 372-395), 1 will for the most part refrain from repeating titles listed there. I am indebted to a fellowship from the Institute for Advanced Christian Studies for aid in continued research on ancient magic and divination. -
Update 4.9 'Omen of Change'
Update 4.9 ‘Omen of Change’ Contents Abyss ..................................................................................................................................................3 Instances ............................................................................................................................................5 Error Corrections ............................................................................................................................7 Fortress Battles ...................................................................................................................................8 New Fortress Battle Times ..............................................................................................................9 PvP .....................................................................................................................................................9 Items ..................................................................................................................................................9 Error Corrections .......................................................................................................................... 17 UI...................................................................................................................................................... 18 Error Corrections .......................................................................................................................... 24 Quests ............................................................................................................................................. -
Cumorah Messenger
Volume 5, Issue 2 The Sator Square June 15, 2011 By Neil Steede © 2011 The project that has absorbed most of then it had only about 30 years to travel my time as late is called The Mayan Magi around the Mediterranean Sea from Israel to Mission which asserts that the three Magi the west side of Italy to reach Pompeii. For of nativity lore were from the Maya lands most scholars this is not enough time for the of Mesoamerica, and in recent months I migration of this icon. have researched and determined that the The Sator Square is composed of 25 Revelation of the Magi manuscript was smaller squares placed in a 5 by 5 arrange- also written by these men. ment. Each of the 25 squares One of the unique features of contains a letter, thus each of the Magi manuscript is a very the five rows of five letters large cryptogram, the re- each render a five-letter word. search for which has now led Those five-letter words are me to an encounter with a SATOR, AREPO, TENET, well-documented cryptogram OPERA and ROTAS. The known as the Sator Square. words are fit into the larger Many researchers consider square in such a way as to cre- this cryptogram to be very ate a palindrome. True palin- early Christian. In fact, it is dromes are extremely rare and so early that others have cho- it is believed that the Sator sen to classify it as some- Square is the only Latin lan- thing from the Mithras relig- guage five-letter word palin- ion instead of Christian. -
Minding Time in an Archetypal Cosmos
Minding Time in an Archetypal Cosmos Matthew T. Segall What is time? Who can give a brief or easy answer? Who can even form a conception of it to be put in words? Yet what do we mention more often or familiarly in our conversation than time? We must therefore know what we are talking about when we refer to it, or when we hear someone else doing so. But what, exactly, is that? I know what it is if no one asks; but if anyone does, then I cannot explain it. -Saint Augustine, Confessions1 Time as a whole and in its parts bears to Space as a whole and its corresponding parts a relation analogous to the relation of mind to its equivalent bodily or nervous basis; or to put the matter shortly . Time is the Mind of Space and Space the body of Time. -Samuel Alexander, Space, Time, and Deity2 Sixteen-hundred years after Augustine’s death, despite humanity’s tremendous advances in scientific knowledge and technological power, time remains as mysterious as ever. On the one hand, the experiential passage of time is among the most mundane facts of our day-to-day lives. We say, “I am twenty-nine years old,” or “Let’s meet Wednesday for lunch,” and no one has the slightest problem understanding what we mean. On the other hand, as even Augustine, one of the most philosophically learned persons of his era, was forced to admit, when we stop to ask “What is time?,” our intellect is stunned into silence. Despite time’s mysteriousness, many thinkers have overcome this silence to venture an answer. -
Christians and Pagans in Roman Nea Paphos: Contextualizing the ‘House of Aion’ Mosaic
UCLA UCLA Historical Journal Title Christians and Pagans in Roman Nea Paphos: Contextualizing the ‘House of Aion’ Mosaic Permalink https://escholarship.org/uc/item/4hb1v94d Journal UCLA Historical Journal, 29(1) ISSN 0276-864X Author Ladouceur, John Publication Date 2018 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Christians and Pagans in Roman Nea Paphos: Contextualizing the ‘House of Aion’ Mosaic John Ladouceur Notre Dame University “Rather than retreats from public life, however, these residences were the forum made private.” —Peter Brown, on the late Roman villa1 Since its chance discovery in 1983 at the site of ancient Nea Paphos, the “House of Aion” floor mosaic has both fascinated and perplexed scholars. Located in the dining room (triclinium) of a wealthy Roman villa, the pavement, which contains five remarkably preserved panels depicting famous scenes from Greco-Roman mythology, is simply stunning in its artistic quality and scope. Constructed during the fourth century CE, the floor is a reflection of the considerable pros- perity of late Roman Cyprus and a window into the private world of a confident Mediterranean elite.2 Yet if the magnificence of the mosaic program has been conceded by all, its interpretation has proven more controversial. Although the scenes themselves are easily identifiable, being explicitly labeled by the artist, their meaning has been vigorously debated.3 Indeed, several prominent scholars, including the head exca- vator of the villa, W. A. Daszewski, have noticed an unsettling pattern in the layout of the panels.4 When read as part of a continuous sequence, the thematic content of these pagan scenes seems to mirror, in exact order, key scenes from the life of Jesus as depicted in the canonical Christian Gospels. -
Il Quadrato Magico Sator (A
http://stenterellonewsletter.blogspot.it/ Anno II - Marzo 2015 - Roccella Roccella ItalyJonica, - Graphic Design Vincenzo Asprea, Architect Le celle della Risera di San Sabba a Trieste SOMMARIO Ragionevoli dubbi (C.L. Ciapetti) .............. …….. ... 5 Editoriale (O. Bartoli) ............................. .. ……….. 2 Un esempio di labirinto in Borges (V.Asprea.) .. .. 11 Simbolo e allegoria del labirinto (V. Asprea)... ….. 3 Il Quadrato Magico Sator (A. N.) ............. ……… ...12 EDITORIALE Gli incontri telematici d’oltre Atlantico icordo bene che una mattina di poco più di quattro anni fa mi alzai con un inter- R rogativo che il primo caffè della giornata non riuscì ad eliminare del tutto. A cosa servono - mi domandai - i gemellaggi tra Logge diverse se, poi, dopo la cerimonia con scambi di targhe e pergamene, praticamente non ci si incontra quasi più salvo sporadiche e fortuite occasioni? Il dubbio mattiniero si rafforzava via via se il pensiero si soffermava al suggello di gemellaggi tra Logge dislocate in Obbedienze e continenti diversi. Labirinto della Cattedrale di San Martino a Lucca (XI - XII Secolo) Da qui, ecco l’uovo di Colombo! Visto che Skype funziona sempre meglio - pensai - chi ci impedisce di organizzare incontri telematici che, pur nel rispetto dei rispettivi el ricordare, qui di seguito, il primo fusi orari, diventino un’occasione di reciproca affermazione del carattere universale N articolo della legge 211/2000 che in Italia ha istituito il “Giorno della Memo- della nostra Fratellanza? >> >> ria” in questo numero il “Labirinto” è la metafora sulle difficoltà dell’uomo co- EDITORIAL stantemente vocato alla ricerca del The Digital Meetings Across the Atlantic percorso della luce e dell’illuminazione still remember it well. -
Greek Religious Thought from Homer to the Age of Alexander
'The Library of Greek Thought GREEK RELIGIOUS THOUGHT FROM HOMER TO THE AGE OF ALEXANDER Edited by ERNEST BARKER, M.A., D.Litt., LL.D. Principal of King's College, University of London tl<s } prop Lt=. GREEK RELIGIOUS THOUGHT FROM HOMER TO THE AGE OF ALEXANDER BY F. M. CORNFORD, M.A. Fellow and Lecturer of Trinity College, Cambridge MCMXXIII LONDON AND TORONTO J. M. DENT & SONS LTD. NEW YORK: E. P. DUTTON tf CO. HOTTO (E f- k> ) loUr\ P. DOTTO/U TALKS ) f^op Lt=. 7 yt All rights reserved f PRINTED IN GREAT BRITAIN TO WALTER DE LA MARE INTRODUCTION The purpose of this book is to let the English reader see for himself what the Greeks, from Homer to Aristotle, thought about the world, the gods and their relations to man, the nature and destiny of the soul, and the significance of human life. The form of presentation is prescribed by the plan of the series. The book is to be a compilation of extracts from the Greek authors, selected, so far as possible, without prejudice and translated with such honesty as a translation may have. This plan has the merit of isolating the actual thought of the Greeks in this period from all the constructions put upon it by later ages, except in so far as the choice of extracts must be governed by some scheme in the compiler's mind, which is itself determined by the limits of his knowledge and by other personal factors. In the book itself it is clearly his business to reduce the influence of these factors to the lowest point; but in the introduction it is no less his business to forewarn the reader against some of the consequences. -
Introduction. Dionysus in Rome: Accommodation and Resistance
Fiachra Mac Góráin Introduction. Dionysus in Rome: accommodation and resistance Abstract: This introductory chapter provides a wide-angle history of the presence of Dionysus/Bacchus/Liber on Italian soil from the archaic to the early Christian periods, covering archaeological and literary sources. In parallel, it surveys the main scholarly trends on the Italian versions of Dionysus, and emplots the con- tributions to this volume in a history of scholarship. The main focus of the chap- ter, which is programmatic for the volume, is the interface of Greek and Roman cultures, and whether it is possible to identify and define (an) Italian version(s) of Dionysus. It posits two aspects to the Romans’ reception of Bacchus, which may be termed ‘accommodation’ and ‘resistance’. The interplay between these two levels of response will inform an analytic narrative that assesses the relation- ship between the Greek Dionysus and the Roman Liber, embracing interpretatio and religious polymorphism, and addressing some of the most important Diony- sian manifestations in Roman culture: the founding of the temple of Ceres, Liber and Libera; the Bacchanalia; the Liberalia; Roman leaders’ uses of Dionysus; the poets’ references to Bacchus; and a brief glance at the Bacchic-Christian inter- face. As ‘our oldest living symbol’,1 Dionysus/Bacchus has evolved over many different forms. Until relatively recently, scholars believed that he was an import from the East, and a late addition to the Greek pantheon. Rohde, Nilsson, Wilamowitz and Otto all subscribed to different versions of the Nietzschean myth that an ecstatic Dionysus cult was assimilated from Thrace and tamed by the influence of Apollo.2 This view was based on the god’s slight role in the Homeric poems, coupled with For discussion of Dionysus in Rome and bibliographical advice, I wish to thank Clifford Ando, Andreas Bendlin, Tom Carpenter, Michael Crawford, Elena Giusti, Dan Hogg, Duncan MacRae, John North, Donncha O’Rourke, Richard Seaford, and Peter Wiseman. -
Las Ruinas Enterradas De Pompeya Y Un Antiguo Ejemplar Enigmático De Epigrafía Fortuita Romana
DOCUMENTA & INSTRUMENTA, 2 (2004), PP. 173-192 LAS RUINAS ENTERRADAS DE POMPEYA Y UN ANTIGUO EJEMPLAR ENIGMÁTICO DE EPIGRAFÍA FORTUITA ROMANA THE SUNKEN RUINS OF POMPEII AND AN AGE-OLD ENIGMATIC SPECIMEN OF ROMAN INCIDENTAL EPIGRAPHY CARLOS PÉREZ-RUBÍN Resumen: Artículo en el cual se ofrece una visión general de las tempranas excavaciones arqueológicas españolas en el Golfo de Nápoles y en otros lugares (siglo XVIII) así como un análisis a fondo y un intento, debidamente documentado, por elucidar definitivamente el famoso cuadrado enigmático ROTAS-SATOR hallado dos veces en Pompeya (siglo XX) y en otras ruinas a lo largo del Imperio Romano. Palabras clave: Alcubierre, Arqueología, Círculo (Cuadratura del), Cruz (Griega), Cuadrado Mágico, Encrucijada, Excavaciones, Gnosticismo (Cristiano), Herculano, Laberinto, Mandala, Metafísica, Mismidad, Nápoles (Reino de), Palenque, Pompeya, Psicología (Profunda), Rotas- Sator y Rueda Solar. Abstract: An article giving a brief overview of early (18th century) Spanish archaeological excavations on the Gulf of Naples and elsewhere, as well as an in-depth analysis of, “and a properly documented attempt at”, finally elucidating the famous enigmatic ROTAS-SATOR square found twice at Pompeii (20th century) and at other ruins over the length of the Roman Empire. Keywords: Alcubierre, Archaeology, Circle (Squaring the), Cross (Greek), Crossroads, Excavations, Gnosticism (Christian), Herculaneum, Labyrinth, Magic Square, Mandala, Metaphysics, Naples (Kingdom of), Palenque, Pompeii, Psychology (Depth), Rotas-Sator, Selfhood and Sunwheel. EARLY EXCAVATIONS IN POMPEII As American writer Ignatius Donnelly (†1901) commented in 1882, [...] “for a thousand years it was believed that the cities of Herculaneum and Pompeii were CARLOS PÉREZ-RUBÍN myths”. That, incidentally, was just the case also with Troy which was discovered by Schliemann, the German archaeologist at that time (late 19th century), and with Ur, which was discovered by Sir C.L. -
COLIN J. HEMER the Manchester Rotas-Sator Square Dr Hemer, Who
COLIN J. HEMER The Manchester Rotas-Sator Square Dr Hemer, who has long been interested in this fascinating magic square, comments on its recent discovery in Manchester and on its probable Christian origin. A wet afternoon at a muddy redevelopment site in the heart of Manchester hardly seems a plausible setting for an archaeological discovery of potential importance for the early history of Christianity. There are, as we shall see, tantalizing problems of interpretation which make it premature to build too much on debatable possibilities. But the find may prove to throw light on questions of far-reaching significance, and we await with the keenest interest the results of tests currently being carried out. A worker at a rescue dig off Deansgate, Manchester, at the end of June 1978, unearthed a large sherd of coarse Roman pottery, measuring some seven inches by three and a half, caked with mud, but bearing traces of large lettering scratched on its surface. After cleaning, the word OPERA appeared clearly across the centre of the surface, and above it the word ROTAS, broken at the top but clearly enough legible. A third line was fragmentary, preserving only the upper parts of five letters which may be restored as TENET. This peculiar sequence of letters is sufficient to permit recognition of the well-known "magic square" whose complete form reads: ROT A S OPERA TEN ET ARE PO SAT 0 R 36 Hemer - Square 37 The letters of this square read alike forwards or backwards, up or down. Apart from the sequence AREPO, the lines all read as intelligible Latin words, and the whole may at a pinch be translated as a meaningful sentence: "Arepo the sower (sator) holds (tenet) the wheels (rotas) with care (opera)". -
An Early Christian Cryptogram?
CCHA, Report, 26 (1959), 29-41 An Early Christian Cryptogram? Duncan FISHWICK, M.A. University of St. Michael’s College, Toronto Serious investigation of the origin and nature of the Rotas-Sator square began in 1881 with the publication of Köhler’s historical survey in Zeitschrift für Ethnologie.1 A vigorous and protracted debate has been illuminated from time to time by the brilliant researches of modem archaeology; but despite almost eighty years of academic controversy no conclusive solution has yet been found to the mystery of the ‘magic square’. This construction was a cryptic rebus which appears in two different forms, an earlier and a later. Both consist of a symmetrical combination of five words, each of five letters, the whole forming a square which can be read in four different directions. ROTAS SATOR OPERA AREPO TENET TENET AREPO OPERA SATOR ROTAS The formula has a long history. The earliest text was at one time thought to be a Copic papyrus of the fourth or fifth century A.D.,2 but recent discoveries have now dated it in the Roman period. During the campaign of 1931-2, excavations at Dura-Europus on the Euphrates, conducted under Rostovtzeff by Yale University and the French Academy of Inscriptions and Letters, unearthed three specimens on the walls of a military office in what had originally been the temple of Azzanathkona.3 The following year a fourth was discovered, all of which must have been inscribed before the Persians destroyed Dura soon after A.D. 256. The finds at Dura vindicated a third or fourth century British specimen scratched on a fragment of wall plaster from Victoria Road, Cirencester, in Gloucestershire. -
The Search for Immortality in Archaic Greek Myth
The Search for Immortality in Archaic Greek Myth Diana Helen Burton PhD University College, University of London 1996 ProQuest Number: 10106847 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10106847 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis considers the development of the ideology of death articulated in myth and of theories concerning the possibility, in both mythical and 'secular' contexts, of attaining some form of immortality. It covers the archaic period, beginning after Homer and ending with Pindar, and examines an amalgam of (primarily) literary and iconographical evidence. However, this study will also take into account anthropological, archaeological, philosophical and other evidence, as well as related theories from other cultures, where such evidence sheds light on a particular problem. The Homeric epics admit almost no possibility of immortality for mortals, and the possibility of retaining any significant consciousness of 'self' or personal identity after death and integration into the underworld is tailored to the poems rather than representative of any unified theory or belief. The poems of the Epic Cycle, while lacking Homer's strict emphasis on human mortality, nonetheless show little evidence of the range and diversity of types of immortality which develops in the archaic period.