DOCSLIB.ORG

Dream Book

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dream Book dream book B<<GJ8B<FIE8D<EK:CL9<;@K@FE2009 PFLI=@IJKCFFB 8K8CC$E<N FIE8D<EKJ=FI 2009 1 memories & traditions AfccpJXekXjXe[j`ccpjefnd\e%Jn\\kXe^\cj Xe[ki\Xkj%E\nX[[`k`fejkf]Xmfi`k\j\i`\j% I\d`e[\ijf]n_Xkk_\j\Xjfed\XejkfXccf]pfl% G8><(+ 2 Welcome, family & friends FieXd\ekji\gi\j\ek`e^k_\g\fgc\n_fXi\dfjk `dgfikXekkfpfl%E\nnXpjkfg\ijfeXc`q\pfliki\\ n`k_kX^j#g_fkfjXe[d\jjX^\jpfli\Zfi[pflij\c]% Keepsake Ornament G8><*' Club Members. ?\i\ËjXfe\$f]$X$b`e[nXpkf^\kpfliÔijkcffbXkXcc$e\n)''0 B\\gjXb\FieXd\ekj%9\kpfln\i\eËk\og\Zk`e^k_`j`ekf[XpËjdX`c% 3 <eafppfli:clY<oZclj`m\\[`k`fef]k_\)''0;i\Xd9ffbn`k_ flik_Xebj]fipflid\dY\ij_`g%Cffb`ej`[\kfZ\c\YiXk\Xp\XiÔcc\[ n`k_d`c\jkfe\jÇ`eZcl[`e^),p\Xijf]DX^`ZfieXd\ekjÇXe[^\k`ej`[\ kids’ favorites `e]fidXk`fe]ifdk_\Xik`jkjXe[jZlcgkfijpflcfm\%@kËjXccaljk]fipfl 9l[[`\j]ifdk_\KMXe[k_\kfpZ_\jk%DX^`ZXc]X`i`\j Xe[Y\Xlk`]lc[XeZ\ij%JkfipYffb]XekXj`\jXe[ifZb$ ]ifdk_\B\\gjXb\FieXd\ek:clYÇXe[pflnfeËk^\k`kXepn_\i\\cj\% Xe[$ifcc[i\Xdj%<m\ipk_`e^k_\pËi\`ekfk_`jp\Xi% G8><+) Club Exclusive Features ),P\Xijf]DX^`Z%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% G8><+ 4 Jkfi`\j9\_`e[k_\J\i`\j%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% G8><- Dfi\K_Xe;fccjXe[:Xikffej %%%%%%%%%%%%%%%%%%%%%%%%%%% G8></ JdXccFieXd\ekjDXb\X9`^:fd\YXZb%%%%%%%% G8><(' @kËjXB\\gjXb\j=Xd`cp8]]X`i%%%%%%%%%%%%%%%%%%%%%%%%%%%%%G8><() hobbies & interests N_Xkpflc`b\kf[f]finfibXe[gcXp%Dfm`\jXe[j_fnj pflËm\cfm\[j`eZ\pflZXei\d\dY\i%N_\\cjXe[n`e^j Xe[jgfikjk_Xk^\kpfli_\XikiXZ`e^% G8><,- FieXd\ekjn`k_k_`jjpdYfcZfd\kfc`]\fec`e\Xk?XccdXib%Zfd&?fc`[XpDX^`Z% magic milestones ÈPflXjbg\fgc\n_Xkk_\nfi[ÊdX^`ZËd\Xej (0/+$)''0 ]fiXefieXd\ekXe[k_\pËcc^`m\pflk\e[`]]\i\ek [\Ôe`k`fej#ÉjXpj9iX[Jgi`e^\i#dXeX^\if]k_\ B\\gjXb\jkl[`ff]Xik`jkj%È@kËjfe\k_Xk\ek\ikX`ej pfl#fik_\i\Ëjjfd\k_`e^XYflk`kk_XkdXpY\pfl _Xm\eËkj\\eY\]fi\%Kf[Xp#DX^`ZfieXd\ekjXi\ 1984 k_\fe\jk_Xk^fkfk_\e\okc\m\c`en_Xkk_\p[f%É B\\gjXb\Xik`jkjcfm\k_\Z_Xcc\e^\f]dXb`e^ \XZ_p\XiËjfieXd\ekjdfi\]leXe[d\dfiXYc\ k_Xek_\cXjk%F]B\\gjXb\Xik`jkj#g\i_Xgjefe\`j dfi\XjjfZ`Xk\[n`k_DX^`ZfieXd\ekjk_XeB\e :ifn%8d\dY\if]k_\jkl[`fj`eZ\(0/*ÇY\]fi\ =@IJKC@>?K<;1M`ccX^\:_liZ_ C`^_ki\m\XcjXZfqp`ek\i`fi n`k__fc`[XpZXifc\ij If I see somebody smile and say, ‘Come over here and look at this!’ then I know I did what I was supposed to do. 1986 twenty-five years of B<E:IFN#D 8 J K < I 8 I K @ J K# FED8B@E>D8>@:FIE8D<EKJ =@IJKDFK@FE1M`ccX^\<ogi\jj 8kiX`eZ`iZc\jXe `ccld`eXk\[dflekX`em`ccX^\ k_\ÔijkDX^`ZfieXd\eknXjdX[\ÇB\eZfdY`e\j _`jd\k`ZlcfljjZlcgk`e^jb`ccjn`k_Zfdglk\i$X`[\[ [iX]k`e^kfjgXibk_\Zi\Xk`m\gifZ\jjXe[\]ÔZ`\ekcp gXZbXjdlZ_dX^`ZXcgleZ_`eXefieXd\ekXj gfjj`Yc\%K_`jp\Xi#_`jfieXd\ekj`eZcl[\DX^`Z Keepsake magic all started in 1989 <ogi\jj#n_`Z_nXjZi\Xk\[jg\Z`ÔZXccpkfZ\c\YiXk\ 1984 with a little light. And the ),p\Xijf]DX^`ZfieXd\ekj% excitement that began with 10 ÈN\_Xm\Xcck_\j\e\nkffcjkf[Xp#Xe[fekfgf] designs in the Hallmark Lighted k_Xkpfl_Xm\kf_Xm\dfi\`dX^`eXk`fek_XepflËm\ =@IJKJFLE;1Afpflj:Xifc\ij :Xifc\ijj`e^Xe[dfm\`ek`d\kf Ornament Collection continues \m\i_X[#É_\jXpj%È@kËj^ff[Xe[Xc`kkc\jZXip%@kËjX ÈN\N`j_PflXD\iip:_i`jkdXjÉ today in hundreds of ornaments. Y`^i\jgfej`Y`c`kp%8e[dXe#Xd@^cX[@Ëdfe\f]k_\ 1992 =@IJKMF@:<1JXekXËj8ejn\i`e^DXZ_`e\ But light was just the beginning. ^lpjn_f^\kjkf[f`k%É JXekXjg\XbjXd\jjX^\ B\ejXpj_\_fg\jk_\nfib_\[f\jk_Xk`jjf =@IJKI<:FI;89C<1 Ornaments now play music and 1993 D\jjX^\jf]:_i`jkdXj d\Xe`e^]lckf_`dn`ccY\Zfd\d\Xe`e^]lckffk_\ij FieXd\eki\Zfi[jX(-$j\Zfe[d\jjX^\ sounds. They put scenes into n_fj\\`kfeX_fc`[Xpki\\% motion. They record messages. ÈK_\Y\jkgXpf]]`jk_Xk@Ëcc^fkfXZXi[j_fgXe[ And the minds behind Keepsake @ËccnXkZ_fm\ig\fgc\Ëjj_flc[\ij#ÉB\ejXpj%È@]@j\\ Ornaments promise even more jfd\Yf[pjd`c\Xe[jXp#Ê:fd\fm\i_\i\Xe[cffb fun surprises in the future. Xkk_`jËk_\e@befn@[`[n_Xk@nXjjlggfj\[kf[f%É That’s what they call Magic. B\\gjXb\FieXd\ekj^\kkfk_Xkd\dfiXYc\ 2009 gXpf]]#9iX[jXpj#Y\ZXlj\Xik`jkjXi\`ek\ek`feXc`e \XZ_Zi\Xk`m\[\Z`j`fe% È@kËjXcdfjkc`b\nXkZ_`e^XgcXp#É_\jXpj%ÈB\e D8>@:<OGI<JJ1 _XjXi\XjfeY\_`e[\XZ_k_`e^k_Xk_Xgg\ej%É :\c\YiXk\j),P\Xij f]B\\gjXb\DX^`ZFieXd\ekj J\\k_`jfegX^\)*% 4 5 Candlelight Services 1998 1989 @]k_\i\Ëjjfd\k_`e^]Xd`c`XiXYflkk_\() 2006 Z_liZ_\j[\g`Zk\[`ek_\:Xe[c\c`^_kJ\im`Z\j j\i`\j#B\\gjXb\8ik`jkKiXZpCXij\ejXpjefk Mary’s Angels kfY\jligi`j\[%ÈK_\pXi\df[`Ô\[m\ij`fej 1995 f]Z_liZ_\j]ifd\m\ipn_\i\#É_\jXpj% IfY\ik:_X[^fk_`jafYXjXB\\gjXb\jZlcgkfiYp ÈK_\pËi\i\Zf^e`qXYc\#Ylkefk\oXZk[lgc`ZX$ Zi\Xk`e^k_\ÔijkfieXd\ekkfZXgkli\k_\jg`i`kf] k`fej%ÉK_\)''0fieXd\ek#n_`Z_Ôe`j_\j DXjk\i8ik`jkDXip?Xd`ckfeËj`Zfe`ZnXk\iZfcfi k_\j\i`\j#`jYXj\[feXZ_liZ_e\`^_Yfi`e^ Xe^\cj%È@[i\n]fiXc`m`e^%@_X[e\m\ijZlcgk\[ ?XccdXibËjBXejXj:`kp#Df%#_\X[hlXik\ij% Y\]fi\#Xe[@nXek\[kfkip`k#É_\jXpj%È@kkffbd\X ÈN\nflc[cffbflkk_\n`e[fnXk`kjYi`Zbnfib dfek_kfjZlcgk%@knXjki`XcYpÔi\%ÈKn\ekp$knfp\Xij Xe[ZiX]kjdXej_`g%@kËjY\Xlk`]lc#ÉKiXZpjXpj% cXk\i#_\jk`ccYi`e^jDXipËj`ccljkiXk`fejkfk_\ki\\Ç È8epf]fliZfcc\Zkfijn_f_Xm\ Xe[DXip`j`e_\i,,k_p\Xin`k_?XccdXib% Y\\e_\i\dXpi\Zf^e`q\`k%É J\\k_`jp\XiËjfieXd\ekfegX^\)-% J\\k_`jp\XiËjfieXd\ekfegX^\)-% 2009 2009 2005 Each year brings the first entries in new 2007 Keepsake Ornament ijeh_[i Snowtop Lodge series and the latest in B\\gjXb\8ik`jkAfXee\<jZ_i`Z_Zi\Xk\[k_\Ôm\$p\Xi$fc[ continuing favorites. j\i`\jjkXik`e^]ifdk_\`[\Xk_XkXjefndXe`jXcnXpjX n\cZfd\j`^_kfeXn`ek\i_fc`[Xp`eXY`^Z`kpfijdXcckfne% Artists reveal how five X[>?DZ ÈN\kXb\`kkfX[`]]\i\ekcfZXk`fe\XZ_p\Xi#Éj_\jXpj% popular series began. ÈK_`jp\Xi#@nXek\[kf[fXjbXk`e^jZ\e\%@Xjb\[#ÊN_Xk`jk_\ \g`kfd\f]jbXk`e^#Xe[n_\i\Xi\k_\jbXk\ij6ËXe[@k_fl^_k f]E\nPfibXe[IfZb\]\cc\i:\ek\i%É j^[ i[h_[i 2009 J\\k_`jp\XiËjfieXd\ekfegX^\(/% Frosty Friends 1998 K_`jp\XiËj*'k_fieXd\ekdXb\j 1995 =ifjkp=i`\e[jk_\cfe^\jk B\\gjXb\j\i`\j\m\i%@kjkXik\[ n`k_Xe<jb`dfZ_`c[Xe[jfd\ gfcXi]i`\e[jZXgkli`e^k_\ Z_`c[c`b\]lef]:_i`jkdXj# Xe[`kYl`c[jfek_\`ijkfipf] Snow Buddies 2006 ]i`\e[j_`g\XZ_p\Xi%B\\gjXb\ B\\gjXb\8ik`jkKXddp?X[[`ojkXik\[ 8ik`jkKfd9\jkjXpj_\`jgifl[ _\i?XccdXibZXi\\iXjXe`ccljkiXkfi%J_\ kfY\jZlcgk`e^k_\Xee`m\ijXip 2003 YXj\[k_\()$p\Xi$fc[Jefn9l[[`\jj\i`\j fieXd\ek%È=ifjkp=i`\e[j`jc`b\ feXikj_\fi`^`eXccpZi\Xk\[]fi^`]kniXg% k_\Xe`dXk\[_fc`[Xpjg\Z`Xcj ÈK_\i\ËjXcnXpjXc`kkc\jkfip`edp_\X[n_\e n\^i\nlgn`k_#É_\jXpj% @ËdZi\Xk`e^k_\j\#ÉKXddpjXpj%ÈN_\e@j`^e ÈK_\Z_XiXZk\ij_Xm\Xk`d\c\jj fieXd\ekj]fig\fgc\#@ËccXjbk_\dn_Xkb`e[ f]Xe`dXck_\pnXekkfj\\jfd\k`d\#fi@_Xm\ Xgg\XcXe[cffbXjZlk\Xe[ 2009 nXidkf[XpXjk_\p\m\i[`[%É k_\d^l\jjn_Xkk_\e\okfe\Ëj^f`e^kfY\%É 2009 J\\k_`jp\XiËjfieXd\ekfegX^\(0% J\\k_`jp\XiËjfieXd\ekfegX^\(0% Peanuts® Gone With the Wind KiXZpCXij\eËjZfee\Zk`fekfk_\Zfd`Z$jki`gZi\Xk`fej N_XkjkXik\[Xjj`dgcpXeXjj`^ed\ek]fiB\\gjXb\ f]:_Xic\jD%JZ_lcq_Xj^fe\Xcfkcfe^\ik_Xe_`j 8ik`jkAlc`\=fijpk_c\[kfXcfm\]fik_\ZcXjj`ZÔcd ZXi\\iXjX?XccdXib`ccljkiXkfiXe[jZlcgkfi%ÈJfd\ Xe[`kjZ_XiXZk\ij%È@ÔeXccp^fkk_\ f]k_\\Xic`\jk[iXn`e^j@[`[k_Xkdp DXi^Xi\kD`kZ_\cc Yffb#Xe[@nXj gXi\ekj_Xm\b\gkn\i\f]G\Xelkj ]XjZ`eXk\[%Jf@nXkZ_\[k_\dfm`\ Z_XiXZk\ij%@nXjdXpY\-fi.p\Xij X^X`e%@nXj`ecfm\n`k_k_\n_fc\ fc[%ÉKiXZpjXpjG\Xelkji\dX`ejX jkfipXccfm\iX^X`e%ÉK_\gfn\if] ^i\Xk\oXdgc\f]n_pk_\j\]Xmfi`k\ >fe\N`k_k_\N`e[#Alc`\jXpj#c`\j Z_XiXZk\ijXi\g\i]\Zk]fik_\ `e`kjZ_XiXZk\ij%ÈJZXic\kkFË?XiX _fc`[Xpki\\Ç\m\eX]k\i-'p\Xij% Zfd\jf]]Xjk_`jjgf`c\[Jflk_\ie ÈK_\pËi\[iXnen\cc#Ylk@k_`eb`kËj Y\cc\Xe[\m\ipfe\ki\Xkj_\i dfi\XYflkk_\`ig\ijfeXc`k`\j% c`b\k_Xk#Ylkj_\Ëj^fk`eZi\[`Yc\ PflZXej\\g\fgc\pflbefn`e jki\e^k_#Éj_\jXpj%È@k_`ebk_XkËj k_\d#É_\jXpj%ÈJZ_lcqdX[\ Xi\Xccpdfk`mXk`e^k_`e^kf_Xm\ k_\dm\ipkil\kfc`]\#Xe[g\fgc\ gi\j\ek\[kfpfl%J_\ËjXÔ^_k\i# ZXeXjjfZ`Xk\n`k_k_\[`]]\i\ek Xe[n\X[d`i\k_Xk%É Z_XiXZk\ijXe[k_\j`klXk`fej_\ J\\k_`jfieXd\ekfegX^\-'% glkjk_\d`e%É J\\k_`jfieXd\ekfegX^\,*% =8MFI@K<:?8I8:K<IJ?<CG ceh[ B<<GJ8B<J:FEE<:KKFD<DFI@<J j^Wd & Zebbi B\\gjXb\fieXd\ekjYXj\[fegfglcXiZ_XiXZk\ij#m\_`Zc\j#kfpj# k\c\m`j`fej_fnjXe[dfm`\j_Xm\Y\\eXmX`cXYc\j`eZ\(0.+%?\i\ËjXcffb Xk]fli]Xmfi`k\jZ\c\YiXk`e^d`c\jkfe\Xee`m\ijXi`\jXe[_fnB\\gjXb\ YWhjeedi Xik`jkjlj\k_\dkf_\cgj_Xi\]Xd`cpjkfi`\jXe[^i\Xkd\dfi`\j% The Wizard of Oz Barbie™ K_\e\okk`d\K_\N`qXi[f]Fq`j Kf^l`[\_\i_Xe[`ejZlcgk`e^k_`j fek\c\m`j`fe#[feËkcffbkffZcfj\cp p\XiËj:flekip:clY;XeZ\ 9XiY`\ ]fik_\gi\Z`j\dfd\ekZXgkli\[ FieXd\ek#AfXee\<jZ_i`Z_[i\nfe `ek_`jp\XiËjJfd\n_\i\Fm\ik_\ _\id\dfi`\j#_\ig\\ijXe[k_\ IX`eYfnfieXd\ek%B\\gjXb\8ik`jk XiZ_`m\jf]k_\,'$p\Xi$fc[]Xj_`fe 8e`kXDXiiXIf^\ijX[d`kj`k[f\j [fccËjdXb\i#DXkk\c%=`ijk#j_\Zfejlck\[ efk\o`jk%ÈK_\jZ\e\`jX]Xmfi`k\`e g_fkfjf]k_\[fccdX[\`e(0-,Xe[k_\ k_\dfm`\#Ylk`k[f\jeËk_Xm\k_Xk fi`^`eXc[i\jj#j\Xc\[`eXiZ_`mXcYX^j \oXZkgfj\#Éj_\jXpj%È;fifk_p ]ifdDXkk\cËjfnemXlckj%J_\kXgg\[`ekf nXjj`kk`e^fek_\_XpiXb\#Xe[ k_\]led\dfi`\jf]ÈgcXp`e^9XiY`\É jfnXjKfkf%@aljkb`e[f]glk`k n`k_X]i`\e[Çefkkfd\ek`fed\dfi`\jf] Xcckf^\k_\i%È8e`kX^Xk_\i\[_\i nXkZ_`e^_\ifne[Xl^_k\ijgcXpn`k_k_\ fnejfliZ\dXk\i`Xcj]fijZlcgk`e^ ]Xj_`fe[fcc%8e[XjXcnXpj#AfXee\]fccfn$ k_\fieXd\ek#`eZcl[`e^Yffbj \[k_\c\X[f]cfe^k`d\9XiY`\fieXd\ek XYflkk_\ZcXjj`ZÔcd#jk`ccg_fkfjXe[X;M;Zfgp%È@ jZlcgkfiGXki`Z`X8e[i\nj%ÈKi`j_`jk_\dfjk nXkZ_\[k_\dfm`\Xd`cc`fek`d\jXjXb`[#Éj_\jXpj% XdXq`e^jZlcgkfi#Éj_\jXpjf]_\iZfcc\X^l\ È<m\ipk`d\`kZXd\fe#n\Ë[Xcc^Xk_\iXifle[k_\KM n_fZfek`el\jkfZi\Xk\9XiY`\fieXd\ekj Xe[nXkZ_%@knXjXY`^\m\ekXifle[dp_flj\%É n_`c\i\k`i\[]ifdX]lcc$k`d\ifc\`ek_\ J\\k_`jfieXd\ekfegX^\-'% B\\gjXb\jkl[`f%È@ËdKi`j_ËjY`^^\jk]Xe%É 8 J\\k_`jfieXd\ekfegX^\-)% 9 icWbb FIE8D<EKJD8B<8 Efik_\ie:Xi[`eXc i\Õ\Zkjk_\cffb f]k_\9\Xlkp X_] f]9`i[jj\i`\j% :FD<98:B GFGLC8ID@E@8KLI<J8I<=@CC<;N@K?C@KKC<;<K8@CJ DXb\dfi\d`e`jK_XkËjk_\d\jjX^\B\\gjXb\ kfZXgkli\k_\cffbf]]Xmfi`k\j\i`\j%9\pfe[k_Xk# FieXd\ekZfcc\ZkfijXe[]Xej_Xm\j\ekkf Xik`jkjj`dgcpg`ZbX_fc`[XpZ_XiXZk\ifi`Zfek_Xk ?XccdXib`ei\Z\ekp\XijÇXe[efn#`e[`m`[lXc
Load more

Recommended publications
  • Mattel V Walking Mountain Productions.Malted Barbie
    FOR PUBLICATION UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT MATTEL INC., a Delaware Corporation, No. 01-56695 Plaintiff-Appellant, C.D. Cal. No. v. CV-99-08543- RSWL WALKING MOUNTAIN PRODUCTIONS, a California Business Entity; TOM N.D. Cal. No. FORSYTHE, an individual d/b/a CV-01-0091 Walking Mountain Productions, Misc. WHA Defendants-Appellees. MATTEL INC., a Delaware No. 01-57193 Corporation, Plaintiff-Appellee, C.D. Cal. No. CV-99-08543- v. RSWL WALKING MOUNTAIN PRODUCTIONS, N.D. Cal. No. a California Business Entity; TOM CV-01-0091 FORSYTHE, an individual d/b/a Misc. WHA Walking Mountain Productions, Defendants-Appellants. OPINION Appeal from the United States District Court for the Central District of California Ronald S.W. Lew, District Judge, Presiding and United States District Court for the Northern District of California William H. Alsup, District Judge, Presiding Argued and Submitted March 6, 2003—Pasadena, California 18165 18166 MATTEL INC. v. WALKING MOUNTAIN PRODUCTIONS Filed December 29, 2003 Before: Harry Pregerson and Sidney R. Thomas, Circuit Judges, and Louis F. Oberdorfer, Senior District Judge.* Opinion by Judge Pregerson *The Honorable Louis F. Oberdorfer, Senior Judge, United States Dis- trict Court for the District of Columbia, sitting by designation. 18170 MATTEL INC. v. WALKING MOUNTAIN PRODUCTIONS COUNSEL Adrian M. Pruetz (argued), Michael T. Zeller, Edith Ramirez and Enoch Liang, Quinn Emanuel Urquhart Oliver & Hedges, LLP, Los Angeles, California, for the plaintiff-appellant- cross-appellee. Annette L. Hurst (argued), Douglas A. Winthrop and Simon J. Frankel, Howard, Rice, Nemerovski, Canady, Falk & Rab- kin, APC, San Francisco, California, and Peter J.
    [Show full text]
  • Who Is Really Protecting Barbie
    University of Miami Law School Institutional Repository University of Miami Inter-American Law Review 7-1-2008 Who is really protecting Barbie: Goliath or the Silver Knight? A defense of Mattel's aggressive international attemps to protect its Barbie copyright and trademark Liz Somerstein Follow this and additional works at: http://repository.law.miami.edu/umialr Part of the Comparative and Foreign Law Commons, and the International Law Commons Recommended Citation Liz Somerstein, Who is really protecting Barbie: Goliath or the Silver Knight? A defense of Mattel's aggressive international attemps to protect its Barbie copyright and trademark, 39 U. Miami Inter-Am. L. Rev. 559 (2008) Available at: http://repository.law.miami.edu/umialr/vol39/iss3/7 This Comment is brought to you for free and open access by Institutional Repository. It has been accepted for inclusion in University of Miami Inter- American Law Review by an authorized administrator of Institutional Repository. For more information, please contact [email protected]. Who is really protecting Barbie: Goliath or the Silver Knight? A defense of Mattel's aggressive international attempts to protect its Barbie copyright and trademark Liz Somerstein* INTRODUCTION .............................................. 559 I. LEGAL REALISM: AN OVERVIEW ....................... 562 II. MATTEL'S AMERICAN BATTLE: MATTEL, INC. V. WALKING MOUNTAIN PRODUCTIONS ................... 563 A. The Walking Mountain case: Background ........ 565 B. The Walking Mountain Court's Analysis ......... 567 i. Purpose and character of use ................ 568 ii. Nature of the copyrighted work .............. 570 iii. Amount and substantiality of the portion u sed ......................................... 570 iv. Effect upon the potential market ............ 571 III. AT LOOK AT WALKING MOUNTAIN UNDER THE LEGAL REALIST LENS .......................................
    [Show full text]
  • An Overview of Legal Protection for Fictional Characters: Balancing Public and Private Interests Amanda Schreyer
    Cybaris® Volume 6 | Issue 1 Article 3 2015 An Overview of Legal Protection for Fictional Characters: Balancing Public and Private Interests Amanda Schreyer Follow this and additional works at: http://open.mitchellhamline.edu/cybaris Part of the Intellectual Property Law Commons Recommended Citation Schreyer, Amanda (2015) "An Overview of Legal Protection for Fictional Characters: Balancing Public and Private Interests," Cybaris®: Vol. 6: Iss. 1, Article 3. Available at: http://open.mitchellhamline.edu/cybaris/vol6/iss1/3 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law Schreyer: An Overview of Legal Protection for Fictional Characters: Balanci Published by Mitchell Hamline Open Access, 2015 1 Cybaris®, Vol. 6, Iss. 1 [2015], Art. 3 AN OVERVIEW OF LEGAL PROTECTION FOR FICTIONAL CHARACTERS: BALANCING PUBLIC AND PRIVATE INTERESTS † AMANDA SCHREYER I. Fictional Characters and the Law .............................................. 52! II. Legal Basis for Protecting Characters ...................................... 53! III. Copyright Protection of Characters ........................................ 57! A. Literary Characters Versus Visual Characters ............... 60! B. Component Parts of Characters Can Be Separately Copyrightable ................................................................
    [Show full text]
  • Interns Volunteer at TMC Health Fair
    Vol. 26, Issue 4 | July/August 2014 Page 4 Cleveland University quick quiz Wanna win big? inVol. 26, Issue 4 | July/August 2014touch It’s fun and easy to play. And you really A newsletter for the students, faculty & staff of Cleveland University-Kansas City don’t need a big brain to win. Just do a little research, either on the Interns volunteer at TMC health fair leveland Chiropractic College Linda Gerdes, community outreach Internet or otherwise, Pe ter Conce again answered the call manager, worked with Moore and Dr. to serve others as a large contingent Debra Robertson-Moore to prepare for and you’ll be well of Clevelanders participated in the 4th the health fair. Although the commit- on your way! Annual Touchdown Family Fest, July 19 ment of time and energy were substan- at Arrowhead Stadium in Kansas City. tial, the results were worth the effort. Sponsored by Truman Medical Center “There is a lot of time and work in- To enter the “Quick Quiz” (TMC), the day-long event offered free, volved in organizing such a large event,” basic health care services to those in need, Gerdes said. “But when you see all the trivia contest, submit your That’s so totally random. including dental and vision screenings for people you are helping, it makes all the answer either via email to children and adults, as well as adult phys- hard work worth it, and hopefully teaches [email protected] A little more than nine years ago, we launched the first in a series of “totally random” trivia questions icals and youth sports physicals.
    [Show full text]
  • Song Title Version 1 More Time Daft Punk 5,6,7,8 Steps All 4 L0ve Color Me Badd All F0r Y0u Janet Jackson All That I Need Boyzon
    SONG TITLE VERSION 1 MORE TIME DAFT PUNK 5,6,7,8 STEPS ALL 4 L0VE COLOR ME BADD ALL F0R Y0U JANET JACKSON ALL THAT I NEED BOYZONE ALL THAT SHE WANTS ACE OF BASE ALWAYS ERASURE ANOTHER NIGHT REAL MCCOY BABY CAN I HOLD YOU BOYZONE BABY G0T BACK SIR MIX-A-LOT BAILAMOS ENRIQUE IGLESIAS BARBIE GIRL AQUA BLACK CAT JANET JACKSON BOOM, BOOM, BOOM, BOOM!! VENGABOYS BOP BOP BABY WESTUFE BRINGIT ALL BACK S CLUB 7 BUMBLE BEE AQUA CAN WE TALK CODE RED CAN'T BE WITH YOU TONIGHT IRENE CANT GET YOU OUT OF MY HEAD KYLIE MINOGUE CAN'T HELP FALLING IN LOVE UB40 CARTOON HEROES AQUA C'ESTLAVIE B*WITCHED CHIQUITITA ABBA CLOSE TO HEAVEN COLOR ME BADD CONTROL JANET JACKSON CRAZY FOR YOU MADONNA CREEP RADIOHEAD CRY FOR HELP RICK ASHLEY DANCING QUEEN ABBA DONT CALL ME BABY MADISON AVENUE DONT DISTURB THIS GROOVE THE SYSTEM DONT FOR GETTO REMEMBER BEE GEES DONT LET ME BE MISUNDERSTOOD SANTA ESMERALDA DONT SAY YOU LOVE ME M2M DONT TURN AROUND ACE OF BASE DONT WANNA LET YOU GO FIVE DYING INSIDE TO HOLDYOU TIMMY THOMAS EL DORADO GOOMBAY DANCE BAND ELECTRIC DREAMS GIORGIO MORODES EVERYDAY I LOVE YOU BOYZONE EVERYTHING M2M EVERYTHING COUNTS DEPECHE MODE FAITHFUL GO WEST FATHER AND SON BOYZONE FILL ME IN CRAIG DAVID FIRST OF MAY BEE GEES FLYING WITHOUT WINGS WESTLIFE FOOL AGAIN WESTLIFE FOR EVER AS ONE VENGABOYS FUNKY TOWN UPS INC GET DOWN TONIGHT KC & THE SUNSHINE BAND GET THE PARTY STARTED PINK GET UP (BEFORE THE NIGHT IS OVER) TECHNOTRONIC GIMME GIMME GIMME ABBA HAPPY SONG BONEY M.
    [Show full text]
  • Mattel, Inc. V. MCA Records, Inc.: Let's Party in Barbie's World - Expanding the First Amendment Right to Musical Parody of Cultural Icons
    Loyola of Los Angeles Law Review Volume 36 Number 3 Symposium: ICANN Governance Article 7 3-1-2003 Mattel, Inc. v. MCA Records, Inc.: Let's Party in Barbie's World - Expanding the First Amendment Right to Musical Parody of Cultural Icons Tamar Buchakjian Follow this and additional works at: https://digitalcommons.lmu.edu/llr Part of the Law Commons Recommended Citation Tamar Buchakjian, Mattel, Inc. v. MCA Records, Inc.: Let's Party in Barbie's World - Expanding the First Amendment Right to Musical Parody of Cultural Icons, 36 Loy. L.A. L. Rev. 1321 (2003). Available at: https://digitalcommons.lmu.edu/llr/vol36/iss3/7 This Notes and Comments is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. MA TTEL, INC. V. MCA RECORDS, INC.: LET'S PARTY IN BARBIE'S WORLD-EXPANDING THE FIRST AMENDMENT RIGHT TO MUSICAL PARODY OF CULTURAL ICONS I. INTRODUCTION On July 24, 2002, the Ninth Circuit Court of Appeals decided Mattel, Inc. v. MCA Records, Inc. -a case that may have a substantial impact on reaching a balance between the interests of trademark owners of cultural icons and the First Amendment rights of musical parodists of those cultural icons. By ruling in favor of the defendants, the Ninth Circuit held that the use of the "Barbie" trademark in a musical parody (1) was not an infringement of the toy manufacturer's trademark associated with the Barbie doll because the song was not likely to confuse the consumer as to its source or sponsorship, and (2) was not actionable under the Federal Trademark 2 Dilution Act (FTDA) as diluting the Barbie trademark3 because the song fell within the noncommercial use exception.
    [Show full text]
  • 1 I'm a BARBIE GIRL By: Jim Astrachan
    attorneys at law . a professional corporation I'M A BARBIE GIRL By: Jim Astrachan __________________________________ Judge Alex Kozinski's Mattel v. Universal Music International opinion ribs Mattel's attempt to prevent parodic use of its Barbie trademark holding, "If this were a sci-fi melodrama, it might be called Speech-zilla meets Trademark Kong." This case is a well reasoned opinion in which Judge Kozinski analyses a trademark owner's right to prevent use of its mark in an infringing manner and a third person's right to use the mark to lampoon the product associated with the mark. A trademark is a word, phrase or symbol used to identify a manufacturer or sponsor of goods or a provider of service. Barbie is a registered mark used by Mattel to designate a doll that it manufactures and to identify Mattel as the source of the product. If any other doll manufacturer was to apply the Barbie mark to its doll product it is not hard to imagine that an appreciable number of consumers would believe Mattel was the source. The principal purpose of trademark rights is to avoid this sort of confusion in the marketplace. When another's trademark is used in a way that is likely to cause confusion, 99001.003/51027 1 infringement results. Once infringement is shown irreparable harm is presumed and injunctive relief is appropriate. But as Judge Kozinski points out, trademarks are used for more than product identification purposes. Some become part of our vocabulary and run the risk of becoming generic. He asks, "How else do you say something's the 'Rolls Royce' of its class?" We add trademarks to our vocabulary and we often use those marks to sound contemporary.
    [Show full text]
  • Intellectual Property As Seen by Barbie and Mickey: the Reciprocal Relationship of Copyright and Trademark Law
    Columbia Law School Scholarship Archive Faculty Scholarship Faculty Publications 2017 Intellectual Property As Seen by Barbie and Mickey: The Reciprocal Relationship of Copyright and Trademark Law Jane C. Ginsburg Columbia Law School, [email protected] Follow this and additional works at: https://scholarship.law.columbia.edu/faculty_scholarship Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jane C. Ginsburg, Intellectual Property As Seen by Barbie and Mickey: The Reciprocal Relationship of Copyright and Trademark Law, JOURNAL OF THE COPYRIGHT SOCIETY OF THE USA, VOL. 65, P. 245, 2018; COLUMBIA PUBLIC LAW RESEARCH PAPER NO. 14-567 (2017). Available at: https://scholarship.law.columbia.edu/faculty_scholarship/2072 This Working Paper is brought to you for free and open access by the Faculty Publications at Scholarship Archive. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Scholarship Archive. For more information, please contact [email protected]. [forthcoming, Journal of the Copyright Society of the USA] Intellectual Property as Seen by Barbie and Mickey: The Reciprocal Relationship of Copyright and Trademark Law Jane C. Ginsburg* Abstract Some years ago, caselaw on trademark parodies and similar unauthorized “speech” uses of trademarks could have led one to conclude that the law had no sense of humor. Over time, however, courts in the US and elsewhere began to leaven likelihood of confusion analyses with healthy skepticism regarding consumers’ alleged inability to perceive a joke. These decisions did not always expressly cite the copyright fair use defense, but the considerations underlying the copyright doctrine seemed to inform trademark analysis as well.
    [Show full text]
  • A Parody of a Distinction: the Ninth Circuit's Conflicted Differentiation Between Parody and Satire, 20 Santa Clara High Tech
    Santa Clara High Technology Law Journal Volume 20 | Issue 3 Article 5 January 2004 A Parody of a Distinction: The inN th Circuit's Conflicted Differentiation between Parody and Satire Christopher J. Brown Follow this and additional works at: http://digitalcommons.law.scu.edu/chtlj Part of the Law Commons Recommended Citation Christopher J. Brown, A Parody of a Distinction: The Ninth Circuit's Conflicted Differentiation between Parody and Satire, 20 Santa Clara High Tech. L.J. 721 (2003). Available at: http://digitalcommons.law.scu.edu/chtlj/vol20/iss3/5 This Comment is brought to you for free and open access by the Journals at Santa Clara Law Digital Commons. It has been accepted for inclusion in Santa Clara High Technology Law Journal by an authorized administrator of Santa Clara Law Digital Commons. For more information, please contact [email protected]. COMMENT A PARODY OF A DISTINCTION: THE NINTH CIRCUIT'S CONFLICTED DIFFERENTIATION BETWEEN PARODY AND SATIRE ChristopherJ. Brown f "Thou shalt not say that to rob the public is to steal."' I. INTRODUCTION In Mattel, Inc. v. MCA Records, Inc. (Mattel),2 the Ninth Circuit recently held that a song based on the Barbie doll was a parody and therefore qualified for a fair use defense against a claim of trademark infringement.3 A few years ago, however, this same circuit in Dr. Seuss Enterprises,L.P. v. Penguin Books USA, Inc. (Seuss)4 held that a book using the writing style of Dr. Seuss, as well as a character fashioned after the Cat in The Cat in the Hat, was a satire and therefore did not qualify for a fair use defense against claims of trademark and copyright infringement.
    [Show full text]
  • Shelf List Cosmopolis School Call Numbers from 'Fiction' to 'Fiction'
    Shelf List Cosmopolis School Call numbers from 'fiction' to 'fiction'. All circulations. Call Number Author Title Barcode Price Status Circs FICTION AMAZING MOTORCYCLES/AWESOME ATV'S. T 22850 $5.99 Available 5 fiction the Angel Tree T 23060 $5.99 Available 1 Fiction Baby Shark T 24159 $4.99 Available 3 Fiction Beauty and the Beast T 23472 $6.99 Available 7 Fiction Boo! A Book of Spooky Surprises. T 23254 $7.99 Available 6 fiction The Book Thief T 23089 $12.99 Available 1 Fiction Boy Tales of Choldhood T 23757 $5.99 Available 1 Fiction Cam Jansen and the birthday Mystery. T 561 Checked Out 1 Fiction Cat and mouse in a haunted house. T 18404 $5.99 Available 19 fiction chester the brave T 22833 Available 2 Fiction The Christmas toy factory. T 18409 $5.99 Available 29 Fiction Command Blocks T 23582 $7.99 Available 4 fiction Deep Blue T 23041 Available 9 Fiction Diary of Wimpy Kid: The Long Haul T 23350 $8.99 Available 20 fiction The Dirt Diary T 23975 $6.99 Available 9 Fiction Dive : Book Three: The Danger. T 8552 $4.50 Available 4 FICTION DOG WHISPERER, THE GHOST. T 22763 $4.99 Available 1 Fiction Doll Bones T 23976 $5.99 Available 12 Fiction Dolphin Tale 2: A Tale of Winter and Hope. T 23211 $3.99 Available 6 fiction Dragon Rider T 21240 Available 8 Fiction Eerie Elementary, The School is Alive T 23059 $4.99 Available 3 Fiction Esme The Emerald Fairy T 23539 $5.99 Available 4 Fiction Everest : Book Two: Tahe Summit.
    [Show full text]
  • Are You a Barbie Girl?” a Diachronic Qualitative Study on How Barbie’S Image Changed Between 2000-2019, Based on the Brand’S Advertising
    “Are you a Barbie girl?” A diachronic qualitative study on how Barbie’s image changed between 2000-2019, based on the brand’s advertising. Student Name: Maria Nefeli Raftopoulou Student Number: 546048 Supervisor: Dr. Anne-Mette Hermans Master Media Studies - Media & Business Erasmus School of History, Culture and Communication Erasmus University Rotterdam Master's Thesis June 2020 “Are you a Barbie girl?” ABSTRACT In this day and age, more brands tend to engage with inclusive advertising campaigns in order to stay relevant and competitive in the market. One of these brands responding to the trend towards inclusion and diversity is Barbie. The popular doll has been criticized for promoting a single type of femininity based on stereotypes regarding appearance and roles. Despite the social influence that Barbie may have on young girls’ perceptions with regard to female images and roles, the brand has been extremely successful for over 5 decades. In 2012, however, Barbie’s sales have started dropping significantly, a fact that paved the way for Mattel, the manufacturing company behind Barbie, to change the doll’s branding strategy. As a result, since 2015, Mattel aims to break the stereotypical representation of women and ‘to better reflect the world girls see today’, by adding dolls with diverse skin tones, body types and hairstyles. This thesis investigates whether the changes that the doll brand has incorporated are apparent in the brand’s advertising campaigns over the years. Thus, the research question ‘How has femininity been constructed in Barbie’s advertising campaigns between 2000-2019?’ is raised. To answer this research question, thematic analysis was implemented on a total of 100 video advertisements (5 per year) for Barbie by Mattel, in order for the researcher to observe the gradual shift regarding femininity within the time period of interest.
    [Show full text]
  • Media, Entertainment and Technology Group - 2017 Year-End Update
    January 19, 2018 MEDIA, ENTERTAINMENT AND TECHNOLOGY GROUP - 2017 YEAR-END UPDATE To Our Clients and Friends: 2017 was a banner year in the media, entertainment, and technology industries, chock full of deals, regulatory changes, and important copyright, trademark, and First Amendment rulings. From Disney to DMCA; television royalties to mechanical royalties; fair use to the FCC; pink slime to piracy; and monkey selfies to Dr. Seuss. It was also the year of the Weinstein scandal, and the ensuing #MeToo and Time's Up movements, which have already upended the Hollywood order. In our Media, Entertainment & Technology practice group's 2017 Year-End Update, we have identified those deals, trends, and rulings that are likely to shape an equally active 2018. And building off our prior semi-annual updates, we continue to follow the arc of developments in the global streaming video industry, the pace of Chinese investment in Hollywood, and eSports, all of which continue to merit a close watch. __________________________ TABLE OF CONTENTS I. Transaction & Regulatory Overview A. M&A Watch 1. Disney Announces Purchase of 21st Century Fox 2. Discovery Purchasing Scripps 3. DOJ Tries to Block AT&T-Time Warner Merger 4. Meredith to Buy Time 5. Penske Media Takes Majority Stake in Rolling Stone Mag B. Streaming Industry Pursues a Global Presence with Original and Local Content 1. Netflix's Continued Growth 2. Amazon Expands Presence and Partnerships 3. Hulu's Breakthrough & Foray into Foreign Language Content 4. Disney Ends Netflix Deal & Announces Forthcoming Streaming Service 5. iflix's Continuing Emergence C. The China Outlook 1.
    [Show full text]