Media, Entertainment and Technology Group - 2017 Year-End Update
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mattel V Walking Mountain Productions.Malted Barbie
FOR PUBLICATION UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT MATTEL INC., a Delaware Corporation, No. 01-56695 Plaintiff-Appellant, C.D. Cal. No. v. CV-99-08543- RSWL WALKING MOUNTAIN PRODUCTIONS, a California Business Entity; TOM N.D. Cal. No. FORSYTHE, an individual d/b/a CV-01-0091 Walking Mountain Productions, Misc. WHA Defendants-Appellees. MATTEL INC., a Delaware No. 01-57193 Corporation, Plaintiff-Appellee, C.D. Cal. No. CV-99-08543- v. RSWL WALKING MOUNTAIN PRODUCTIONS, N.D. Cal. No. a California Business Entity; TOM CV-01-0091 FORSYTHE, an individual d/b/a Misc. WHA Walking Mountain Productions, Defendants-Appellants. OPINION Appeal from the United States District Court for the Central District of California Ronald S.W. Lew, District Judge, Presiding and United States District Court for the Northern District of California William H. Alsup, District Judge, Presiding Argued and Submitted March 6, 2003—Pasadena, California 18165 18166 MATTEL INC. v. WALKING MOUNTAIN PRODUCTIONS Filed December 29, 2003 Before: Harry Pregerson and Sidney R. Thomas, Circuit Judges, and Louis F. Oberdorfer, Senior District Judge.* Opinion by Judge Pregerson *The Honorable Louis F. Oberdorfer, Senior Judge, United States Dis- trict Court for the District of Columbia, sitting by designation. 18170 MATTEL INC. v. WALKING MOUNTAIN PRODUCTIONS COUNSEL Adrian M. Pruetz (argued), Michael T. Zeller, Edith Ramirez and Enoch Liang, Quinn Emanuel Urquhart Oliver & Hedges, LLP, Los Angeles, California, for the plaintiff-appellant- cross-appellee. Annette L. Hurst (argued), Douglas A. Winthrop and Simon J. Frankel, Howard, Rice, Nemerovski, Canady, Falk & Rab- kin, APC, San Francisco, California, and Peter J. -
Who Is Really Protecting Barbie
University of Miami Law School Institutional Repository University of Miami Inter-American Law Review 7-1-2008 Who is really protecting Barbie: Goliath or the Silver Knight? A defense of Mattel's aggressive international attemps to protect its Barbie copyright and trademark Liz Somerstein Follow this and additional works at: http://repository.law.miami.edu/umialr Part of the Comparative and Foreign Law Commons, and the International Law Commons Recommended Citation Liz Somerstein, Who is really protecting Barbie: Goliath or the Silver Knight? A defense of Mattel's aggressive international attemps to protect its Barbie copyright and trademark, 39 U. Miami Inter-Am. L. Rev. 559 (2008) Available at: http://repository.law.miami.edu/umialr/vol39/iss3/7 This Comment is brought to you for free and open access by Institutional Repository. It has been accepted for inclusion in University of Miami Inter- American Law Review by an authorized administrator of Institutional Repository. For more information, please contact [email protected]. Who is really protecting Barbie: Goliath or the Silver Knight? A defense of Mattel's aggressive international attempts to protect its Barbie copyright and trademark Liz Somerstein* INTRODUCTION .............................................. 559 I. LEGAL REALISM: AN OVERVIEW ....................... 562 II. MATTEL'S AMERICAN BATTLE: MATTEL, INC. V. WALKING MOUNTAIN PRODUCTIONS ................... 563 A. The Walking Mountain case: Background ........ 565 B. The Walking Mountain Court's Analysis ......... 567 i. Purpose and character of use ................ 568 ii. Nature of the copyrighted work .............. 570 iii. Amount and substantiality of the portion u sed ......................................... 570 iv. Effect upon the potential market ............ 571 III. AT LOOK AT WALKING MOUNTAIN UNDER THE LEGAL REALIST LENS ....................................... -
An Overview of Legal Protection for Fictional Characters: Balancing Public and Private Interests Amanda Schreyer
Cybaris® Volume 6 | Issue 1 Article 3 2015 An Overview of Legal Protection for Fictional Characters: Balancing Public and Private Interests Amanda Schreyer Follow this and additional works at: http://open.mitchellhamline.edu/cybaris Part of the Intellectual Property Law Commons Recommended Citation Schreyer, Amanda (2015) "An Overview of Legal Protection for Fictional Characters: Balancing Public and Private Interests," Cybaris®: Vol. 6: Iss. 1, Article 3. Available at: http://open.mitchellhamline.edu/cybaris/vol6/iss1/3 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law Schreyer: An Overview of Legal Protection for Fictional Characters: Balanci Published by Mitchell Hamline Open Access, 2015 1 Cybaris®, Vol. 6, Iss. 1 [2015], Art. 3 AN OVERVIEW OF LEGAL PROTECTION FOR FICTIONAL CHARACTERS: BALANCING PUBLIC AND PRIVATE INTERESTS † AMANDA SCHREYER I. Fictional Characters and the Law .............................................. 52! II. Legal Basis for Protecting Characters ...................................... 53! III. Copyright Protection of Characters ........................................ 57! A. Literary Characters Versus Visual Characters ............... 60! B. Component Parts of Characters Can Be Separately Copyrightable ................................................................ -
Interns Volunteer at TMC Health Fair
Vol. 26, Issue 4 | July/August 2014 Page 4 Cleveland University quick quiz Wanna win big? inVol. 26, Issue 4 | July/August 2014touch It’s fun and easy to play. And you really A newsletter for the students, faculty & staff of Cleveland University-Kansas City don’t need a big brain to win. Just do a little research, either on the Interns volunteer at TMC health fair leveland Chiropractic College Linda Gerdes, community outreach Internet or otherwise, Pe ter Conce again answered the call manager, worked with Moore and Dr. to serve others as a large contingent Debra Robertson-Moore to prepare for and you’ll be well of Clevelanders participated in the 4th the health fair. Although the commit- on your way! Annual Touchdown Family Fest, July 19 ment of time and energy were substan- at Arrowhead Stadium in Kansas City. tial, the results were worth the effort. Sponsored by Truman Medical Center “There is a lot of time and work in- To enter the “Quick Quiz” (TMC), the day-long event offered free, volved in organizing such a large event,” basic health care services to those in need, Gerdes said. “But when you see all the trivia contest, submit your That’s so totally random. including dental and vision screenings for people you are helping, it makes all the answer either via email to children and adults, as well as adult phys- hard work worth it, and hopefully teaches [email protected] A little more than nine years ago, we launched the first in a series of “totally random” trivia questions icals and youth sports physicals. -
Chooses Taboola As Its Exclusive Content Recommendations Provider
SHE Media, Part of Penske Media Corporation (PMC), Chooses Taboola as its Exclusive Content Recommendations Provider June 16, 2021 Taboola, a global leader in powering recommendations for the open web, helping people discover things they may like, today announced it has been selected by SHE Media, a digital media company created by and for women with 80 million unique visitors per month, as its exclusive content recommendations provider. SHE Media is part of Penske Media Corporation (PMC) and owns popular destinations including SheKnows, Soaps and STYLECASTER, which focus on lifestyle content that informs and inspires millions of women. Under the agreement, SHE Media will leverage Taboola Feed, a seamlessly integrated feed that provides readers with personalised content for a more engaging experience, and video, into its family of websites. The company will also leverage Taboola News, which will feature SHE Media content in front of Taboola’s large scale of readers across mobile devices. With these Taboola offerings, SHE Media aims to grow engagement and audiences across its sites, as well as feature innovative new ways to boost monetization across its portfolio of websites. Ryan Nathanson, Senior Vice President of Operations at SHE Media said: “As our readership grows and as we approach a pivotal moment in audience identity, it was important to find new ways to serve and engage our audience in a more personalized fashion. Taboola’s technology helps us make more content discoverable to a wider range of audiences. We are looking to their expertise in content recommendations to aid our rapid growth and deepen our ability to serve our audience in an identity challenged future. -
Song Title Version 1 More Time Daft Punk 5,6,7,8 Steps All 4 L0ve Color Me Badd All F0r Y0u Janet Jackson All That I Need Boyzon
SONG TITLE VERSION 1 MORE TIME DAFT PUNK 5,6,7,8 STEPS ALL 4 L0VE COLOR ME BADD ALL F0R Y0U JANET JACKSON ALL THAT I NEED BOYZONE ALL THAT SHE WANTS ACE OF BASE ALWAYS ERASURE ANOTHER NIGHT REAL MCCOY BABY CAN I HOLD YOU BOYZONE BABY G0T BACK SIR MIX-A-LOT BAILAMOS ENRIQUE IGLESIAS BARBIE GIRL AQUA BLACK CAT JANET JACKSON BOOM, BOOM, BOOM, BOOM!! VENGABOYS BOP BOP BABY WESTUFE BRINGIT ALL BACK S CLUB 7 BUMBLE BEE AQUA CAN WE TALK CODE RED CAN'T BE WITH YOU TONIGHT IRENE CANT GET YOU OUT OF MY HEAD KYLIE MINOGUE CAN'T HELP FALLING IN LOVE UB40 CARTOON HEROES AQUA C'ESTLAVIE B*WITCHED CHIQUITITA ABBA CLOSE TO HEAVEN COLOR ME BADD CONTROL JANET JACKSON CRAZY FOR YOU MADONNA CREEP RADIOHEAD CRY FOR HELP RICK ASHLEY DANCING QUEEN ABBA DONT CALL ME BABY MADISON AVENUE DONT DISTURB THIS GROOVE THE SYSTEM DONT FOR GETTO REMEMBER BEE GEES DONT LET ME BE MISUNDERSTOOD SANTA ESMERALDA DONT SAY YOU LOVE ME M2M DONT TURN AROUND ACE OF BASE DONT WANNA LET YOU GO FIVE DYING INSIDE TO HOLDYOU TIMMY THOMAS EL DORADO GOOMBAY DANCE BAND ELECTRIC DREAMS GIORGIO MORODES EVERYDAY I LOVE YOU BOYZONE EVERYTHING M2M EVERYTHING COUNTS DEPECHE MODE FAITHFUL GO WEST FATHER AND SON BOYZONE FILL ME IN CRAIG DAVID FIRST OF MAY BEE GEES FLYING WITHOUT WINGS WESTLIFE FOOL AGAIN WESTLIFE FOR EVER AS ONE VENGABOYS FUNKY TOWN UPS INC GET DOWN TONIGHT KC & THE SUNSHINE BAND GET THE PARTY STARTED PINK GET UP (BEFORE THE NIGHT IS OVER) TECHNOTRONIC GIMME GIMME GIMME ABBA HAPPY SONG BONEY M. -
Mattel, Inc. V. MCA Records, Inc.: Let's Party in Barbie's World - Expanding the First Amendment Right to Musical Parody of Cultural Icons
Loyola of Los Angeles Law Review Volume 36 Number 3 Symposium: ICANN Governance Article 7 3-1-2003 Mattel, Inc. v. MCA Records, Inc.: Let's Party in Barbie's World - Expanding the First Amendment Right to Musical Parody of Cultural Icons Tamar Buchakjian Follow this and additional works at: https://digitalcommons.lmu.edu/llr Part of the Law Commons Recommended Citation Tamar Buchakjian, Mattel, Inc. v. MCA Records, Inc.: Let's Party in Barbie's World - Expanding the First Amendment Right to Musical Parody of Cultural Icons, 36 Loy. L.A. L. Rev. 1321 (2003). Available at: https://digitalcommons.lmu.edu/llr/vol36/iss3/7 This Notes and Comments is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. MA TTEL, INC. V. MCA RECORDS, INC.: LET'S PARTY IN BARBIE'S WORLD-EXPANDING THE FIRST AMENDMENT RIGHT TO MUSICAL PARODY OF CULTURAL ICONS I. INTRODUCTION On July 24, 2002, the Ninth Circuit Court of Appeals decided Mattel, Inc. v. MCA Records, Inc. -a case that may have a substantial impact on reaching a balance between the interests of trademark owners of cultural icons and the First Amendment rights of musical parodists of those cultural icons. By ruling in favor of the defendants, the Ninth Circuit held that the use of the "Barbie" trademark in a musical parody (1) was not an infringement of the toy manufacturer's trademark associated with the Barbie doll because the song was not likely to confuse the consumer as to its source or sponsorship, and (2) was not actionable under the Federal Trademark 2 Dilution Act (FTDA) as diluting the Barbie trademark3 because the song fell within the noncommercial use exception. -
US Mainstream Media Index May 2021.Pdf
Mainstream Media Top Investors/Donors/Owners Ownership Type Medium Reach # estimated monthly (ranked by audience size) for ranking purposes 1 Wikipedia Google was the biggest funder in 2020 Non Profit Digital Only In July 2020, there were 1,700,000,000 along with Wojcicki Foundation 5B visitors to Wikipedia. (YouTube) Foundation while the largest BBC reports, via donor to its endowment is Arcadia, a Wikipedia, that the site charitable fund of Lisbet Rausing and had on average in 2020, Peter Baldwin. Other major donors 1.7 billion unique visitors include Google.org, Amazon, Musk every month. SimilarWeb Foundation, George Soros, Craig reports over 5B monthly Newmark, Facebook and the late Jim visits for April 2021. Pacha. Wikipedia spends $55M/year on salaries and programs with a total of $112M in expenses in 2020 while all content is user-generated (free). 2 FOX Rupert Murdoch has a controlling Publicly Traded TV/digital site 2.6M in Jan. 2021. 3.6 833,000,000 interest in News Corp. million households – Average weekday prime Rupert Murdoch Executive Chairman, time news audience in News Corp, son Lachlan K. Murdoch, Co- 2020. Website visits in Chairman, News Corp, Executive Dec. 2020: FOX 332M. Chairman & Chief Executive Officer, Fox Source: Adweek and Corporation, Executive Chairman, NOVA Press Gazette. However, Entertainment Group. Fox News is owned unique monthly views by the Fox Corporation, which is owned in are 113M in Dec. 2020. part by the Murdoch Family (39% share). It’s also important to point out that the same person with Fox News ownership, Rupert Murdoch, owns News Corp with the same 39% share, and News Corp owns the New York Post, HarperCollins, and the Wall Street Journal. -
1 I'm a BARBIE GIRL By: Jim Astrachan
attorneys at law . a professional corporation I'M A BARBIE GIRL By: Jim Astrachan __________________________________ Judge Alex Kozinski's Mattel v. Universal Music International opinion ribs Mattel's attempt to prevent parodic use of its Barbie trademark holding, "If this were a sci-fi melodrama, it might be called Speech-zilla meets Trademark Kong." This case is a well reasoned opinion in which Judge Kozinski analyses a trademark owner's right to prevent use of its mark in an infringing manner and a third person's right to use the mark to lampoon the product associated with the mark. A trademark is a word, phrase or symbol used to identify a manufacturer or sponsor of goods or a provider of service. Barbie is a registered mark used by Mattel to designate a doll that it manufactures and to identify Mattel as the source of the product. If any other doll manufacturer was to apply the Barbie mark to its doll product it is not hard to imagine that an appreciable number of consumers would believe Mattel was the source. The principal purpose of trademark rights is to avoid this sort of confusion in the marketplace. When another's trademark is used in a way that is likely to cause confusion, 99001.003/51027 1 infringement results. Once infringement is shown irreparable harm is presumed and injunctive relief is appropriate. But as Judge Kozinski points out, trademarks are used for more than product identification purposes. Some become part of our vocabulary and run the risk of becoming generic. He asks, "How else do you say something's the 'Rolls Royce' of its class?" We add trademarks to our vocabulary and we often use those marks to sound contemporary. -
Intellectual Property As Seen by Barbie and Mickey: the Reciprocal Relationship of Copyright and Trademark Law
Columbia Law School Scholarship Archive Faculty Scholarship Faculty Publications 2017 Intellectual Property As Seen by Barbie and Mickey: The Reciprocal Relationship of Copyright and Trademark Law Jane C. Ginsburg Columbia Law School, [email protected] Follow this and additional works at: https://scholarship.law.columbia.edu/faculty_scholarship Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jane C. Ginsburg, Intellectual Property As Seen by Barbie and Mickey: The Reciprocal Relationship of Copyright and Trademark Law, JOURNAL OF THE COPYRIGHT SOCIETY OF THE USA, VOL. 65, P. 245, 2018; COLUMBIA PUBLIC LAW RESEARCH PAPER NO. 14-567 (2017). Available at: https://scholarship.law.columbia.edu/faculty_scholarship/2072 This Working Paper is brought to you for free and open access by the Faculty Publications at Scholarship Archive. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Scholarship Archive. For more information, please contact [email protected]. [forthcoming, Journal of the Copyright Society of the USA] Intellectual Property as Seen by Barbie and Mickey: The Reciprocal Relationship of Copyright and Trademark Law Jane C. Ginsburg* Abstract Some years ago, caselaw on trademark parodies and similar unauthorized “speech” uses of trademarks could have led one to conclude that the law had no sense of humor. Over time, however, courts in the US and elsewhere began to leaven likelihood of confusion analyses with healthy skepticism regarding consumers’ alleged inability to perceive a joke. These decisions did not always expressly cite the copyright fair use defense, but the considerations underlying the copyright doctrine seemed to inform trademark analysis as well. -
California Film Institute Partners with Variety To
Press/Media Contact: Shelley Spicer, California Film Institute Director of Communications, Marketing & Publicity 415-526-5845 (o) | 415-269-5808 (m) | [email protected] (The above number and email are not for publication) CALIFORNIA FILM INSTITUTE PARTNERS WITH VARIETY TO PRESENT DOCLANDS DOCUMENTARY FILM FESTIVAL SHOWCASE EVENT TO BE BROADCAST LIVE VIA VARIETY’S STREAMING ROOM SUNDAY, MAY 3, 2020 SAN RAFAEL, CA (April 2, 2020) — On Sunday, May 3 at 4:00 PM PST // 7:00PM EST, the Variety StreaminG Room, Variety’s new initiative for virtual conversations and events, will host filmmakers, from the recently postponed DocLands Documentary Film Festival (DocLands), in conversation with Variety’s Sr. Features Writer, Andrew Barker. With support from Amazon Studios, MaGnolia Pictures/Participant, Netflix, and Patagonia Films. ShowcasinG compellinG documentaries and the provocative insiGhts behind them, during this hiGh- def live stream broadcast, Barker will speak with filmmakers from Amazon Studios’ TIME directed by Garrett Bradley; MaGnolia Pictures/Participant’s JOHN LEWIS: GOOD TROUBLE directed by Dawn Porter (Trapped, Gideon’s Army); Netflix’s DICK JOHNSON IS DEAD directed by Kirsten Johnson (Cameraperson); Illumine Films’ GATHER directed by Sanjay Rawal (Food Chains); PataGonia Films’ PUBLIC TRUST directed by David Garrett Byars (No Man’s Land) and executive produced by Yvon Chouinard and Robert Redford; Exposure Labs’ THE SOCIAL DILEMMA directed by award-winninG filmmaker and environmentalist Jeff Orlowski (Chasing Ice, Chasing Coral); and SOCIALISM: AN AMERICAN STORY directed by award-winninG documentary filmmaker Yael BridGe. In addition to previewinG trailers and learninG more about each film, audiences will have the opportunity to participate in an interactive virtual Q&A via social media. -
Video Game Industry Convenes at Annual D.I.C.E. Summit and Awards Show
FOR IMMEDIATE RELEASE VIDEO GAME INDUSTRY CONVENES AT ANNUAL D.I.C.E. SUMMIT AND AWARDS SHOW More than 25 Industry Luminaries – J.J. Abrams, Gabe Newell, David Cage and More -- Discuss the Future of Interactive Entertainment and Celebrate Achievements of Past Year LAS VEGAS, NEV. – Feb. 5, 2013 – The 2013 D.I.C.E. (Design, Innovate, Communicate, Entertain) Summit kicks off today, marking the 12th anniversary of the video game industry’s most prestigious and exclusive event. The annual event, produced by the Academy of Interactive Arts and Sciences (AIAS) and Penske Media Corporation (PMC), draws some of the brightest and most influential interactive entertainment industry leaders and seeks to foster meaningful interaction and engagement among attendees in a collegial atmosphere. The summit continues through Feb. 8 at its new home, the Hard Rock Hotel & Casino Las Vegas. The 2013 D.I.C.E. Summit will also host the 16th Annual D.I.C.E. Awards ceremony on Thursday, Feb. 7. The peer-driven awards are a celebration of the best in interactive entertainment and represent the highest honors bestowed upon the interactive entertainment industry. Produced by AIAS and PMC/Variety, the Awards show will be streamed live on www.MachinimaLive.com at 7 p.m. PST / 10 p.m. EST. Self- proclaimed nerd and video game enthusiast Chris Hardwick, founder of Nerdist.com and host of his own Comedy Central stand-up special, AMC’s Talking Dead, and newly announced BBC America’s The Nerdist, will serve as this year’s host. The four-day conference includes 20 speaking and panel sessions covering industry trends that are pushing the boundaries of technology, creativity and artistic expression, and opening discussion on key challenges affecting developers, publishers and business leaders alike in 2013.