Barbie Video Girl Instructions
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Mattel V Walking Mountain Productions.Malted Barbie
FOR PUBLICATION UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT MATTEL INC., a Delaware Corporation, No. 01-56695 Plaintiff-Appellant, C.D. Cal. No. v. CV-99-08543- RSWL WALKING MOUNTAIN PRODUCTIONS, a California Business Entity; TOM N.D. Cal. No. FORSYTHE, an individual d/b/a CV-01-0091 Walking Mountain Productions, Misc. WHA Defendants-Appellees. MATTEL INC., a Delaware No. 01-57193 Corporation, Plaintiff-Appellee, C.D. Cal. No. CV-99-08543- v. RSWL WALKING MOUNTAIN PRODUCTIONS, N.D. Cal. No. a California Business Entity; TOM CV-01-0091 FORSYTHE, an individual d/b/a Misc. WHA Walking Mountain Productions, Defendants-Appellants. OPINION Appeal from the United States District Court for the Central District of California Ronald S.W. Lew, District Judge, Presiding and United States District Court for the Northern District of California William H. Alsup, District Judge, Presiding Argued and Submitted March 6, 2003—Pasadena, California 18165 18166 MATTEL INC. v. WALKING MOUNTAIN PRODUCTIONS Filed December 29, 2003 Before: Harry Pregerson and Sidney R. Thomas, Circuit Judges, and Louis F. Oberdorfer, Senior District Judge.* Opinion by Judge Pregerson *The Honorable Louis F. Oberdorfer, Senior Judge, United States Dis- trict Court for the District of Columbia, sitting by designation. 18170 MATTEL INC. v. WALKING MOUNTAIN PRODUCTIONS COUNSEL Adrian M. Pruetz (argued), Michael T. Zeller, Edith Ramirez and Enoch Liang, Quinn Emanuel Urquhart Oliver & Hedges, LLP, Los Angeles, California, for the plaintiff-appellant- cross-appellee. Annette L. Hurst (argued), Douglas A. Winthrop and Simon J. Frankel, Howard, Rice, Nemerovski, Canady, Falk & Rab- kin, APC, San Francisco, California, and Peter J. -
Who Is Really Protecting Barbie
University of Miami Law School Institutional Repository University of Miami Inter-American Law Review 7-1-2008 Who is really protecting Barbie: Goliath or the Silver Knight? A defense of Mattel's aggressive international attemps to protect its Barbie copyright and trademark Liz Somerstein Follow this and additional works at: http://repository.law.miami.edu/umialr Part of the Comparative and Foreign Law Commons, and the International Law Commons Recommended Citation Liz Somerstein, Who is really protecting Barbie: Goliath or the Silver Knight? A defense of Mattel's aggressive international attemps to protect its Barbie copyright and trademark, 39 U. Miami Inter-Am. L. Rev. 559 (2008) Available at: http://repository.law.miami.edu/umialr/vol39/iss3/7 This Comment is brought to you for free and open access by Institutional Repository. It has been accepted for inclusion in University of Miami Inter- American Law Review by an authorized administrator of Institutional Repository. For more information, please contact [email protected]. Who is really protecting Barbie: Goliath or the Silver Knight? A defense of Mattel's aggressive international attempts to protect its Barbie copyright and trademark Liz Somerstein* INTRODUCTION .............................................. 559 I. LEGAL REALISM: AN OVERVIEW ....................... 562 II. MATTEL'S AMERICAN BATTLE: MATTEL, INC. V. WALKING MOUNTAIN PRODUCTIONS ................... 563 A. The Walking Mountain case: Background ........ 565 B. The Walking Mountain Court's Analysis ......... 567 i. Purpose and character of use ................ 568 ii. Nature of the copyrighted work .............. 570 iii. Amount and substantiality of the portion u sed ......................................... 570 iv. Effect upon the potential market ............ 571 III. AT LOOK AT WALKING MOUNTAIN UNDER THE LEGAL REALIST LENS ....................................... -
An Overview of Legal Protection for Fictional Characters: Balancing Public and Private Interests Amanda Schreyer
Cybaris® Volume 6 | Issue 1 Article 3 2015 An Overview of Legal Protection for Fictional Characters: Balancing Public and Private Interests Amanda Schreyer Follow this and additional works at: http://open.mitchellhamline.edu/cybaris Part of the Intellectual Property Law Commons Recommended Citation Schreyer, Amanda (2015) "An Overview of Legal Protection for Fictional Characters: Balancing Public and Private Interests," Cybaris®: Vol. 6: Iss. 1, Article 3. Available at: http://open.mitchellhamline.edu/cybaris/vol6/iss1/3 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law Schreyer: An Overview of Legal Protection for Fictional Characters: Balanci Published by Mitchell Hamline Open Access, 2015 1 Cybaris®, Vol. 6, Iss. 1 [2015], Art. 3 AN OVERVIEW OF LEGAL PROTECTION FOR FICTIONAL CHARACTERS: BALANCING PUBLIC AND PRIVATE INTERESTS † AMANDA SCHREYER I. Fictional Characters and the Law .............................................. 52! II. Legal Basis for Protecting Characters ...................................... 53! III. Copyright Protection of Characters ........................................ 57! A. Literary Characters Versus Visual Characters ............... 60! B. Component Parts of Characters Can Be Separately Copyrightable ................................................................ -
Scheme of the Research
SCHEME OF THE RESEARCH TITLE OF THE RESEARCH THE IN FLUENCE OF SOCIAL CLASS TO THE USE OF SWEAR WORD IN NICKI MINAJS’S RAP SONGS LYRIC Sociolinguistic Study Social Class Language Variety Style and Regist - Uper-uper class - Lower-uper class - Uper-middle class - Lower-middle class Swear Word - Uper-Lower class - Lower-lower class THE INFLUENCE OF SOCIAL CLASS TO THE USE OF SWEAR WORDS IN NICKI MINAJ’S RAP SONGS LYRIC Darma Persada University POSTER OF THE RESEARCH THE FLUENCE OF SOCIAL CLASS TO THE USE SWEAR WORD IN NICKI MINAJ’S RAP SONGS LYRIC Mely Arfiyanti 2015130032 DARMA PERSADA UNIVERSITY BACKGROUND FRAME WORK OF THEORIES: Sociolinguistics is the study of the relationship between language and society. How social factors can influence the Sociolinguistics Theory: way people speak. Community development; Culture, - Factors of social technology andeven religion, has caused people to form classs - Type of scoial class certian groups of social class. This form social class demands that group identities differ fromn other social Language variety classes. This need cause the effort to be different; - Style and register Included in the use of language. Each social lass seeks to be different from other sociall classes through the use of a different language. METHOD OF THE RESEARCH RESULT OF THE RESEARCH In this research, the writer use Based on the songs that the writer analyzesd, style and qualitative method to collect the data. register theory use in rap songs. They use swear The sources of the data are from words as her style asher special language that use in journals, articles, books, and internet. -
Interns Volunteer at TMC Health Fair
Vol. 26, Issue 4 | July/August 2014 Page 4 Cleveland University quick quiz Wanna win big? inVol. 26, Issue 4 | July/August 2014touch It’s fun and easy to play. And you really A newsletter for the students, faculty & staff of Cleveland University-Kansas City don’t need a big brain to win. Just do a little research, either on the Interns volunteer at TMC health fair leveland Chiropractic College Linda Gerdes, community outreach Internet or otherwise, Pe ter Conce again answered the call manager, worked with Moore and Dr. to serve others as a large contingent Debra Robertson-Moore to prepare for and you’ll be well of Clevelanders participated in the 4th the health fair. Although the commit- on your way! Annual Touchdown Family Fest, July 19 ment of time and energy were substan- at Arrowhead Stadium in Kansas City. tial, the results were worth the effort. Sponsored by Truman Medical Center “There is a lot of time and work in- To enter the “Quick Quiz” (TMC), the day-long event offered free, volved in organizing such a large event,” basic health care services to those in need, Gerdes said. “But when you see all the trivia contest, submit your That’s so totally random. including dental and vision screenings for people you are helping, it makes all the answer either via email to children and adults, as well as adult phys- hard work worth it, and hopefully teaches [email protected] A little more than nine years ago, we launched the first in a series of “totally random” trivia questions icals and youth sports physicals. -
Nicki Minaj, Barbie Dreams
Nicki Minaj, Barbie Dreams i’m looking for a nigga to give me some babies a handful of weez, sprinkle of Dave East Man, I ain’t got no type like jxmmi and Swae lees But if he can’t fuck three times a mingt-peace! I tried to fuck 50 for a powerful hour but all that nigga wanna do is talk power for hour b-beat the pussy up, make suer it’s a k.o. step your banks up like you’re moving that Yayo somebody go and make sure karrueche ok. though I heard she think I’m tryna give the coochie to Quavo they always wanna beat it up goon p the pussy man, maybe I should let him autotune up the pussy all these bow wow challenge niggas lyin’ and shit man, these fetty wap niggas stay eyein’ my shit but I don’t know of the pussy wet or if he crying and shit meek still be in my DM’s I be havin’ to duck him “I used to pray for times like this’ face-ass when I fuck him an, Uzi is my baby, he ain’t taking a L but he took it literally when I said “” Go to hell” used to fuck with Young Thug I ain’t addressing’ this shit C-caught him in my dressing room stealing dressed and shit I used to give this nigga with a lips tesla sans shit how you want the Puthy? can’t say your S’s and shit dreams of fucking n these little rappers I’m just playing, but I’m saying Barbie dreams of fucking n these little rappers I’m just playing, but I’m saying Barbie dreams of fucking n these little rappers I’m just playing, but I’m saying Barbie Barbie dreams of fucking n these little rappers I’m just playing, but I’m saying Barbie Dreams, Barbie I remember when I used to have a crush on -
Henry Street Settlement
HENRY STREET SETTLEMENT JUNE 8, 2019 BEST OF LES DANCE SHOWCASE Rebel Force Founded in 2018, the Best of LES Dance Showcase is a collaborative Danielle Chiorazzi effort between three Lower East Side- Jalyn Velasquez aka Eye Kandii based community organizations: Infinite Movement, Henry Street Settlement, Live Dance Love Juniors and the Abrons Arts Center. We are thrilled that the Best of LES, now in its Dewitt Dance Ministry second year, is continuing to grow and provide a platform for the dancers in our Mama’s Hand: A Special Tribute to Bria community to express themselves and Santiago showcase their talent. The Best of LES is a celebration of diversity, culture, creativity, Rajé Reborn and community, and we hope to continue this celebration for years to come. We Everything For Bria are especially grateful to Shaheeda Yasmeen Smith for her vision & leadership double-B as both Infinite Movement’s Executive United Neighborhood High School Dance Director and as a member of Henry Street Team Settlement’s Community Advisory Board. If you are interested in joining Henry Best of LES 2019 Cast Street’s Community Advisory Board and supporting more community-based projects like this showcase, please contact Henry Street’s Community Engagement Manager, Talia DeRogatis, at tderogatis@ henrystreet.org. HENRY STREET SETTLEMENT BEST OF LES ABOUT BEST OF LES CAST & CREW Rebel Force “JRC Homecoming” Dancers: Haydee Cornelio, Tyreek Dewindt, Laniya Merritt, Tegan Foye, Lisa Fields, Jahlil Minkins, Marietou Sacko, Nazae, Sympany, Mysha Ali, Mya Singleton, Raven, Bella, Dream Glenn, Kandace Ferguson-Merritt, Dequan Davilla, Christopher Dejesus, Tyneil Lily & Ceaquan Manso Choreography: Ms. -
Song Title Version 1 More Time Daft Punk 5,6,7,8 Steps All 4 L0ve Color Me Badd All F0r Y0u Janet Jackson All That I Need Boyzon
SONG TITLE VERSION 1 MORE TIME DAFT PUNK 5,6,7,8 STEPS ALL 4 L0VE COLOR ME BADD ALL F0R Y0U JANET JACKSON ALL THAT I NEED BOYZONE ALL THAT SHE WANTS ACE OF BASE ALWAYS ERASURE ANOTHER NIGHT REAL MCCOY BABY CAN I HOLD YOU BOYZONE BABY G0T BACK SIR MIX-A-LOT BAILAMOS ENRIQUE IGLESIAS BARBIE GIRL AQUA BLACK CAT JANET JACKSON BOOM, BOOM, BOOM, BOOM!! VENGABOYS BOP BOP BABY WESTUFE BRINGIT ALL BACK S CLUB 7 BUMBLE BEE AQUA CAN WE TALK CODE RED CAN'T BE WITH YOU TONIGHT IRENE CANT GET YOU OUT OF MY HEAD KYLIE MINOGUE CAN'T HELP FALLING IN LOVE UB40 CARTOON HEROES AQUA C'ESTLAVIE B*WITCHED CHIQUITITA ABBA CLOSE TO HEAVEN COLOR ME BADD CONTROL JANET JACKSON CRAZY FOR YOU MADONNA CREEP RADIOHEAD CRY FOR HELP RICK ASHLEY DANCING QUEEN ABBA DONT CALL ME BABY MADISON AVENUE DONT DISTURB THIS GROOVE THE SYSTEM DONT FOR GETTO REMEMBER BEE GEES DONT LET ME BE MISUNDERSTOOD SANTA ESMERALDA DONT SAY YOU LOVE ME M2M DONT TURN AROUND ACE OF BASE DONT WANNA LET YOU GO FIVE DYING INSIDE TO HOLDYOU TIMMY THOMAS EL DORADO GOOMBAY DANCE BAND ELECTRIC DREAMS GIORGIO MORODES EVERYDAY I LOVE YOU BOYZONE EVERYTHING M2M EVERYTHING COUNTS DEPECHE MODE FAITHFUL GO WEST FATHER AND SON BOYZONE FILL ME IN CRAIG DAVID FIRST OF MAY BEE GEES FLYING WITHOUT WINGS WESTLIFE FOOL AGAIN WESTLIFE FOR EVER AS ONE VENGABOYS FUNKY TOWN UPS INC GET DOWN TONIGHT KC & THE SUNSHINE BAND GET THE PARTY STARTED PINK GET UP (BEFORE THE NIGHT IS OVER) TECHNOTRONIC GIMME GIMME GIMME ABBA HAPPY SONG BONEY M. -
Mattel, Inc. V. MCA Records, Inc.: Let's Party in Barbie's World - Expanding the First Amendment Right to Musical Parody of Cultural Icons
Loyola of Los Angeles Law Review Volume 36 Number 3 Symposium: ICANN Governance Article 7 3-1-2003 Mattel, Inc. v. MCA Records, Inc.: Let's Party in Barbie's World - Expanding the First Amendment Right to Musical Parody of Cultural Icons Tamar Buchakjian Follow this and additional works at: https://digitalcommons.lmu.edu/llr Part of the Law Commons Recommended Citation Tamar Buchakjian, Mattel, Inc. v. MCA Records, Inc.: Let's Party in Barbie's World - Expanding the First Amendment Right to Musical Parody of Cultural Icons, 36 Loy. L.A. L. Rev. 1321 (2003). Available at: https://digitalcommons.lmu.edu/llr/vol36/iss3/7 This Notes and Comments is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. MA TTEL, INC. V. MCA RECORDS, INC.: LET'S PARTY IN BARBIE'S WORLD-EXPANDING THE FIRST AMENDMENT RIGHT TO MUSICAL PARODY OF CULTURAL ICONS I. INTRODUCTION On July 24, 2002, the Ninth Circuit Court of Appeals decided Mattel, Inc. v. MCA Records, Inc. -a case that may have a substantial impact on reaching a balance between the interests of trademark owners of cultural icons and the First Amendment rights of musical parodists of those cultural icons. By ruling in favor of the defendants, the Ninth Circuit held that the use of the "Barbie" trademark in a musical parody (1) was not an infringement of the toy manufacturer's trademark associated with the Barbie doll because the song was not likely to confuse the consumer as to its source or sponsorship, and (2) was not actionable under the Federal Trademark 2 Dilution Act (FTDA) as diluting the Barbie trademark3 because the song fell within the noncommercial use exception. -
1 I'm a BARBIE GIRL By: Jim Astrachan
attorneys at law . a professional corporation I'M A BARBIE GIRL By: Jim Astrachan __________________________________ Judge Alex Kozinski's Mattel v. Universal Music International opinion ribs Mattel's attempt to prevent parodic use of its Barbie trademark holding, "If this were a sci-fi melodrama, it might be called Speech-zilla meets Trademark Kong." This case is a well reasoned opinion in which Judge Kozinski analyses a trademark owner's right to prevent use of its mark in an infringing manner and a third person's right to use the mark to lampoon the product associated with the mark. A trademark is a word, phrase or symbol used to identify a manufacturer or sponsor of goods or a provider of service. Barbie is a registered mark used by Mattel to designate a doll that it manufactures and to identify Mattel as the source of the product. If any other doll manufacturer was to apply the Barbie mark to its doll product it is not hard to imagine that an appreciable number of consumers would believe Mattel was the source. The principal purpose of trademark rights is to avoid this sort of confusion in the marketplace. When another's trademark is used in a way that is likely to cause confusion, 99001.003/51027 1 infringement results. Once infringement is shown irreparable harm is presumed and injunctive relief is appropriate. But as Judge Kozinski points out, trademarks are used for more than product identification purposes. Some become part of our vocabulary and run the risk of becoming generic. He asks, "How else do you say something's the 'Rolls Royce' of its class?" We add trademarks to our vocabulary and we often use those marks to sound contemporary. -
Intellectual Property As Seen by Barbie and Mickey: the Reciprocal Relationship of Copyright and Trademark Law
Columbia Law School Scholarship Archive Faculty Scholarship Faculty Publications 2017 Intellectual Property As Seen by Barbie and Mickey: The Reciprocal Relationship of Copyright and Trademark Law Jane C. Ginsburg Columbia Law School, [email protected] Follow this and additional works at: https://scholarship.law.columbia.edu/faculty_scholarship Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jane C. Ginsburg, Intellectual Property As Seen by Barbie and Mickey: The Reciprocal Relationship of Copyright and Trademark Law, JOURNAL OF THE COPYRIGHT SOCIETY OF THE USA, VOL. 65, P. 245, 2018; COLUMBIA PUBLIC LAW RESEARCH PAPER NO. 14-567 (2017). Available at: https://scholarship.law.columbia.edu/faculty_scholarship/2072 This Working Paper is brought to you for free and open access by the Faculty Publications at Scholarship Archive. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Scholarship Archive. For more information, please contact [email protected]. [forthcoming, Journal of the Copyright Society of the USA] Intellectual Property as Seen by Barbie and Mickey: The Reciprocal Relationship of Copyright and Trademark Law Jane C. Ginsburg* Abstract Some years ago, caselaw on trademark parodies and similar unauthorized “speech” uses of trademarks could have led one to conclude that the law had no sense of humor. Over time, however, courts in the US and elsewhere began to leaven likelihood of confusion analyses with healthy skepticism regarding consumers’ alleged inability to perceive a joke. These decisions did not always expressly cite the copyright fair use defense, but the considerations underlying the copyright doctrine seemed to inform trademark analysis as well.